Fortunate Girl Quotes

We've searched our database for all the quotes and captions related to Fortunate Girl. Here they are! All 100 of them:

Sympathy, Love, Fortune... We all have these qualities but still tend to not use them!
Anne Frank (The Diary of a Young Girl)
Fortunately, among werewolf women, the word "bitch" is not offensive. I was having a lot of fun with that. "Hey there, bitches!" I called as I came through the door. "What are my favorite bitches up to today?
Molly Harper (Nice Girls Don't Date Dead Men (Jane Jameson, #2))
I regained my soul through literature after those times I'd lost it to wild-eyed gypsy girls on the European streets.
Roman Payne (Rooftop Soliloquy)
Have a look around, my pretty, we are surrounded by Death in all forms – just the two of us are still alive –
Simona Panova (Nightmarish Sacrifice (Cardew))
Speak for those less fortunate than yourself, who will need your help. Speak for the ones who will come after you, looking to you for guidance. Stay true, daughter. One day, you will see it all go up in flames.
Marie Lu (The Kingdom of Back)
She only wanted to be a girl who was deserving of the world.
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
O young girl, throw yourself again into the water so that I might have a second time the chance to save the two of us!" A second time, eh, what imprudence! Suppose, dear sir, someone actually took our word for it? It would have to be fulfilled. Brr...! the water is so cold! But let's reassure ourselves. It's too late now, it will always be too late. Fortunately!
Albert Camus (The Fall)
And what are you doing on it, I would like to know? Running away from home, yesno? If you were a boy I'd say are you going to seek your fortune?" "Can't girls seek their fortune?" "I think they're supposed to seek a boy with a fortune.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
So, apart from casting runes, what other hobbies do you have? Forbidden rituals, human sacrifices, torturing? –
Simona Panova (Nightmarish Sacrifice (Cardew))
Seducing a girl is no art, but it needs a stroke of good fortune to find one worth seducing.
Søren Kierkegaard (The Seducer's Diary)
In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor’d with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc’d may be attended with much Inconvenience. 4. Because thro’ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin’d to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!!
Benjamin Franklin
Good fortune can take forever to get to you, but as it turns out, sorrow is as quick as a shot.
Alice Hoffman (Local Girls)
Fortune was a heartless witch in perpetual anticipation of her monthly courses.
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
I hug her one more time and pull her down to the bed. And in my mind, I rise up from the bed and look down on us, and look down at everybody else in this hospital who might have the good fortune of holding a pretty girl right now, and then at the entire Brooklyn block, and then the neighborhood, and then Brooklyn, and then New York City, and then the whole Tri-State Area, and then this little corner of America- with laser eyes I can see into every house- and then the whole country and the hemisphere and now the whole stupid world, everyone in every bed, couch, futon, chair, hammock, love seat, and tent, everyone kissing or touching eachother... and i know that i'm the happiest of all of them.
Ned Vizzini (It's Kind of a Funny Story)
I'm already the most fortunate girl in the world, so I have zero expectations for what the future will bring.
Shailene Woodley
I see a girl, soon to be a woman," Tibb continues. "The girl who will share your life. She will love you, she will betray you, and finally she will die for you. And it will all have been for nothing. All for nothing in the end.
Joseph Delaney (Attack of the Fiend (The Last Apprentice / Wardstone Chronicles, #4))
She was unreal. She was perfection. Girls like her didn’t belong here. Fortunately, she did belong to me. She always wore a winsome smile, but it wasn’t only that. It was her eyes; they were made up of stars. Her hands. Her fingers. It was the world’s most fancy duty to keep her close.
Pratibha Malav (If Tomorrow Comes (A Kind Of Commitment, #2))
Oh! Single, my dear, to be sure! A single man of large fortune; four or five thousand a year. What a fine thing for our girls!
Jane Austen (Pride and Prejudice)
She has a fixation on love. Strong trouble. The girl left her window open one clear night and it crawled into her body while she was asleep. There's no spell can cure it.
Isabel Allende (Daughter of Fortune)
She was a free bird one minute: queen of the world and laughing. The next minute she would be in tears like a porcelain angel, about to teeter, fall and break. She was brave, and I never once saw her cry out of fear. She never cried because she was afraid that something would happen; she would cry because she feared something that could render the world more beautiful, would not happen… She believed if I gave in to make her fortune become realized, the world would be ultimately profound and beautiful. I guess I held out because I feared the realization of her fortune would mean the destruction of us together. And each time she cried, I fell a little more deeply in love with her.
Roman Payne (The Wanderess)
I cannot understand why you should wish to leave this beautiful country and go back to the dry, gray place you call Kansas." "That is because you have no brains," answered the girl. "No matter how dreary and gray our homes are, we people of flesh and blood would rather live there than in any other country, be it ever so beautiful. There is no place like home." The Scarecrow sighed. "Of course I cannot understand it," he said. "If your heads were stuffed with straw, like mine, you would probably all live in beautiful places, and then Kansas would have no people at all. It is fortunate for Kansas that you have brains.
L. Frank Baum (The Wonderful Wizard of Oz (Oz, #1))
Richard Gansey III had forgotten how many times he had been told he was destined for greatness. He was bred for it; nobility and purpose coded in both sides of his pedigree. His mother’s father had been a diplomat, an architect of fortunes; his father’s father had been an architect, a diplomat of styles. His mother’s mother had tutored the children of European princesses. His father’s mother had built a girls’ school with her own inheritance. The Ganseys were courtiers and kings, and when there was no castle to invite them, they built one. He was a king.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Your face is burning so bright, I'm afraid for the draperies. Are you all right?" Fortunately, no one ever died of embarrassment. "Must be the sun. I always end up looking like a tomato." "Right," her friends drawled. "Because the sun is so very hot through those thick rain clouds." "Oh, shut up!" Emily laughed despite herself. "I'm blushing and I've not intention of explaining why.
Kady Cross (The Girl with the Iron Touch (Steampunk Chronicles, #3))
Advising Mrs. Harris was the least I could do," David said smoothly. "After all, she was the one who brought me and my late wife together." That was stretching it a bit, since all Charlotte had done was give Sarah lessons in how to avoid fortune hunters, thus ensuring that the recalcitrant girl went right out and married the first one who approached her.
Sabrina Jeffries (Wed Him Before You Bed Him (School For Heiresses #6))
I opened my mouth, but I just couldn't find the words to express the mishmash of frustration and plain old mad I had spinning through my head. I moved my lips. I narrowed my eyes. I made angry hand gestures. But no words came out. I started to pace, gnawing my fingernails to the quick. Fortunately, they grew back almost instantly, which meant I had an endless supply. Andrea stopped me in my tracks by grabbing my shoulders. “OK, sweetheart, I’m all for nonverbal forms of communication, but you’re starting to look like an extremely pissed-off mime. Use your words.
Molly Harper (Nice Girls Don't Live Forever (Jane Jameson, #3))
We’re so fortunate here, away from the turmoil. We wouldn’t have to give a moment’s thought to all this suffering if it weren’t for the fact that we’re so worried about those we hold dear, whom we can no longer help.
Anne Frank (The Diary of a Young Girl: The Definitive Edition)
As a little girl, I'd have given up my Barbie Dreamhouse to have a miniature purple dragon - as an adult, I didn't find it nearly as exciting.
R.L. Naquin (Phoenix in My Fortune (Monster Haven, #6))
This group is known as the watchers. And to be a watcher is a woman's fortune." He said that last bit as though it was the greatest honor girls like us could ever attain. My thoughts turned grim. It was once considered an honor to be a sacrificial lamb, too.
Veronica Wolff (Isle of Night (The Watchers, #1))
Fortunately for me, I ran across some girls I could get along with so I could enjoy high school life okay, but it must be awful for kids who don't get along with anybody. We're different from our parents, a completely different species from our teachers. And kids who are one grade apart you are in a different world altogether. In other words, we're basically surrounded by enemies and have to make it on our own.
Natsuo Kirino (Real World)
Money and office and success are the consolations of impotence. Fortune turns kind to such solid people and lets them suck their bone in peace. She flecks her whip upon flesh that is more alive, upon that stream of hungry boys and girls who tramp the streets of every city, recognizable by their pride and discontent, who are the Future, and who possess the treasure of creative power.
Willa Cather (The Song of the Lark)
Time wasn't the same anymore. Doors were slamming shut before we even knew they'd been opened. Good fortune can take forever to get to you, but as it turns out, sorrow is as quick as a shot.
Alice Hoffman (Local Girls)
If it’s a wife you want,” she said, “surely you could find many women—many well-bred ladies—who would be willing to marry you.” “Yes, but I’d have to find them. This saves me so much effort.” She threw him a sidelong glance. “Can you not hear yourself? Do you truly not know how insulting that sounds?” “I should think it sounds beneficent. I’m offering you a title and fortune. All you have to do is lie back in the dark, then spend nine months swelling up like a tick. What could possibly deter any woman from accepting?
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
In all the tales of adventure Clara had ever heard, it was never young girls, who were daring. It was always boys running off to rescue a friend or fetch much-needed medicine or stumble into good fortune. Clara knew girls would be daring if given half the chance. And she intended to take that chance, right from under the pale nose of Mr. Earwood.
Natalie C. Parker (All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages)
That blond fellow with the curly tresses. Looks a bit like a girl." At my confused look, he adds, "The one who helped overpower the strength of the Night Farer with you father." "Oh, you mean Tylon? He looks nothing like a girl." Though I'd pay a fortune to have Riden say otherwise in front of him.
Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
Fortunately...or unfortunately...through years of neglect I'm actually as skinny as an anorexic broomstick.
John Larkin (The Shadow Girl)
If you weren't, well, you--I'd want to kiss you right now. It was fortunate that the room was so dark. Victoria's cheeks turned bright red.
Claire Legrand (The Cavendish Home for Boys and Girls)
Fortune favors the bold.
Hanna Alkaf (The Girl and the Ghost)
It is a mistake," Labruyère tells us, "to be in love without an ample fortune.
Marcel Proust (In the Shadow of Young Girls in Flower)
Sabine was now sixteen and old enough to begin doing what any girl like her would.” Brazen Mortal crossed her arms over her chest and knowingly said, “Prostitution.” “Wrong. Commercial fishing.” “Really?” “Noooo,” Sabine said. “Fortune-telling.
Kresley Cole (Kiss of a Demon King (Immortals After Dark, #6))
Conventional wisdom nor scientific, mathematical prove of randomness in life could do nothing to deter human's curiosity for the unknown, however small the chance of a positive outcome maybe.
Vann Chow (The White Man and the Pachinko Girl)
So Amy sailed away to find the old world, which is always new and beautiful to young eyes, while her father and friend watched her from the shore, fervently hoping that none but gentle fortunes would befall the happy-hearted girl, who waved her hand to them till they could see nothing but the summer sunshine dazzling on the sea.
Louisa May Alcott (Little Women (Little Women, #1))
From: mavenger@gmail.com To: jworthington90@yahoo.com Subject: You, Me, Becca Arrington's House, Your Penis, Etc. Dear Mr. Worthington, 1.$200 in cash should be provided to each of the 12 people whose bikes your collegues destroyed via Chevy Tahoe. This shouldn't be a problem, given your magnificent wealth. 2.This graffiti situation in the girls' bathroom has to stop. 3.Water guns? With pee? Really? Grow up. 4.You should treat your fellow students with respect, particularly those less socially fortunate than you. 5.You should probably instruct members of your clan to behave in similarly considerate ways. "I realize that it will be very difficult to accomplish some of these task. But then again, It will also be very difficult not to share the attached photograph with the world.
John Green (Paper Towns)
Therein lies the potent, challenging gift afforded to us brave, lucky few, fortunate enough to be roasted onstage night after night by your mother: that of self-realization through comedic ego destruction. Your mother showed me with her comedy how to let go of who I thought I had to be and allowed me to embrace a life rooted in my love for you girls.
Ali Wong (Dear Girls: Intimate Tales, Untold Secrets, & Advice for Living Your Best Life)
We do not suffer by accident. It does not often happen that the interference of friends will persuade a young man of independent fortune to think no more of a girl whom he was violently in love with only a few days before
Jane Austen
A single woman, with a very narrow income, must be a ridiculous, disagreeable old maid! The proper sport of boys and girls, but a single woman, of good fortune, is always respectable, and may be as sensible and pleasant as any body else.
Jane Austen (Emma)
No one drew their curtains; light and heat and good fortune spilled out into the dark as if these foolish people didn’t know what such bounty might attract, as if they’d left these shining doorways open for any hungry girl to walk through.
Leigh Bardugo (Ninth House (Alex Stern, #1))
When they reached her she stood on the path holding a pair of moths. Her eyes were wide with excitement , her cheeks pink, her red lips parted, and on the hand she held out to them clung a pair of delicate blue-green moths, with white bodies, and touches of lavender and straw colour. All about her lay flower-brocaded grasses, behind a deep green background of the forest, while the sun slowly sifted gold from heaven to burnish her hair. Mrs. Comstock heard a sharp breath behind her. Oh, what a picture!" Exulted Ammon over sher shoulder. "She is absolutely and altogether lovely! Id give a small fortune for that faithfully set on canvas!
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
North Korea is an atheist state. Anyone caught in possession of a Bible faces execution or a life in the gulag. Kim worship is the only permitted outlet for spiritual fervour. Shamans and fortune-tellers, too, are outlawed, but high cadres of the regime consult them. We’d heard that even Kim Jong-il himself sought their advice
Hyeonseo Lee (The Girl with Seven Names: A North Korean Defector's Story)
The rich, noisy city, fat with food and drink, is a spent thing; it's chief concern is its digestion and its little game of hide-and-seek with the undertaker. Money and office and success are the consolations of impotence. Fortune turns kind to such solid people and lets them suck their bone in peace. She flecks her whip upon flesh that is more alive, upon that stream of hungry boys and girls who tramp the streets of every city, recognizable by their pride and discontent, who are the Future, and who possess the treasure of creative power.
Willa Cather (The Song of the Lark)
There were dumplings on the train, sold by grim men and women with deep lines cut into their faces by years and worry and hunger and misery. This was the provinces, the outer territories, the mysterious China that had sent millions of girls and boys to Canton to earn their fortunes in the Pearl River Delta. Matthew knew all their strange accents, he spoke their strange Mandarin language, but he was Cantonese, and these were not his people. Those were not his dumplings.
Cory Doctorow (For the Win)
I'm not ambitious for a splendid fortune, a fashionable position, or a great name for my girls. If rank and money come with love and virtue also, I should accept them gratefully, and enjoy your good fortune; but I know, by experience, how much genuine happiness can be had in a plain little house, where the daily bread is earned, and some privations give sweetness to the few pleasures.
Louisa May Alcott
The two women look at each other and in both faces there is a glimpse of the girls that they were. A little smile warms Margaret’s face and Jacquetta’s eyes are filled with love. It is as if the years are no more than the mists of Barnet or the snows at Towton: they are gone, it is hard to believe they were ever there. Margaret puts out her hand, not to touch her friend but to make a gesture, a secret shared gesture, and, as we watch, Jacquetta mirrors the movement. Eyes fixed on each other they both raise their index finger and trace a circle in the air – that’s all they do. Then they smile to each other as if life itself is a joke, a jest that means nothing and a wise woman can laugh at it; then, without a word, Margaret passes silently into the darkness of the tower. "What was that?" Isabel exclaims. "It was the sign for the wheel of fortune," I whisper. ‘The wheel of fortune which put Margaret of Anjou on the throne of England, heiress to the kingdoms of Europe, and then threw her down to this. Jacquetta warned her of this long ago – they knew. The two of them knew long ago that fortune throws you up to greatness and down to disaster and all you can do is endure.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4))
Tatiana turns to him, looks up at him, and smiles. “Do you know what a happy ending is to a Russian?” she says. “When the hero, at the end of his own story, finally learns the reason for his suffering.” Taking another swig of Coke, Alexander says, “Your jokes are getting so lame.” He knocks into her with his stretched-out leg. She takes hold of his hand. “What?” he asks. “Nothing, soldier,” says Tatiana. He is thinking of sailboats in distant oceans, the desert from dimmest childhood, the ghost of fortune, the girl on the bench. When he saw her, he saw something new. He saw it because he wanted to see it, because he wanted to change his life. He stepped off the curb and out of the deadfall. To cross the street. To follow her. And she will give your life meaning, she will save you. Yes, yes—to cross. “We’ll meet again in Lvov, my love and I ...” Tatiana hums, eating her ice cream, in our Leningrad, in jasmine June, near Fontanka, the Neva, the Summer Garden, where we are forever young.  
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
There were many stories of girls—brave girls, foolish girls, reckless girls, pretty girls—who went into the woods searching for fortune or adventure, only to encounter a monster. Whether man or beast, the monster served as an allegory for all the things that could befall a girl who strayed from the path. If she were valorous and her heart was pure, the stories said, she could rise above being brought low by hubris. But the stories never talked about the other girls—the ones who never came out of the woods and found themselves an unwilling bride to the venal darkness within those trees. The girls whose virtue was not quite enough to resist the seasoned allure of the wicked villain and who, as a result, found that men, like beasts, could devour the unwary, and that it could feel so good to be consumed.
Nenia Campbell (Escape (Horrorscape, #4))
But the thought of being associated with that other version of herself was horrifying now. That Rosaland was an enemy, someone she had to push farther and farther into the recesses of her mind, someone she could never think about too much lest she make a return. The Rosalind who was here today could never reacquaint herself with her former remnant; she was too busy trying to fix that girl's damn mistakes
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
I know the formulahe wants her she refuses him he charms her she holds her ground he does something dramatic like saves her from a fire or reinstates her family's lost fortune or dies she realizes she loved him all along wedding bells ring or pirate flags unfurl or she joins a convent happily ever afterbut I don't expect to live that way. I've learned that life is not like novels. Especially not like novels with rippling muscles on paperback covers. After reading a couple hundred of those booksyou know hypothetically speakingyou start to see that there's not that much difference between a romance and an epic fantasy. You've got your quest sometimes it involves a ring and a hero who will stop at nothing to do what he has to. The difference is usually the girl. And I'm not that girl. I'm not the girl who inspires men to commit acts of heroism. In real life those girls speak much more quietly and breathe a lot louder than I do. I'm not the girl who strikes men speechless with her beauty. Really really not. I don't even know how to flutter my eyelashes. But that's life. Not romance-novel life just real life.
Becca Wilhite (My Ridiculous, Romantic Obsessions)
Spare change. Can't imagine how it got there." She tipped her head in reproach. He exhaled, sounding resigned. "It's not what you think." She turned her hand palm-up between them, letting the coin serve as its own accusation. "I think I know a shilling when I see one." "Look again." She looked down at the coin in her gloved palm, where its embossed face stood out in sharp relief against white satin. Light glinted off the surface, revealing the color to be not the expected dull silver, but a coppery hue instead. Oh. A sharp pang of surprise caught her heart. He'd been telling the truth. It wasn't a shilling after all. It was a penny. A bright, newly minted penny. One he'd been keeping tucked in his breast pocket. Right next to his heart. She drew a shaky breath. "Gabriel." His hands went to her shoulders- but it was his low, husky voice that reached out and drew her close. "You know the squalor I was born to. And you know I promised myself I'd never be that barefoot, starving boy again." She nodded. "I have every luxury a man could desire. Hundreds of thousands of pounds in my accounts. I worked like hell to build a fortune, and yet..." His thumb met her cheek with a reverent caress. "Now I'd sell my soul for a Penny.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
Dear Girl, You got into my drought life as a fortune seed, you shed your tears to grow up the seed, when the seed was toddling, u poured your love to protect from the threats, now it's grown up well as a tree and ready to be a shadow for the creator who cares it love it protect it so called my sweet lovely Girl.
Sam Nelson
The world is full of books, movies and stories about how the loss of a loved one, or a change in fortune, or a severe illness or another tragedy of such magnitude catapulted someone to reset their lives and chase long-forgotten dreams. I’m thinking of Cheryl Strayed, who hiked the Pacific Crest Trail solo after the unexpected and heartbreaking death of her mother, and Elizabeth Gilbert, who embarked on a year-long journey around the world after a painful divorce and depression. I admire their grit to pick themselves up and do something extraordinary in the face of tragedy. But what about the tragedy of a mundane, average, unfulfilling life?
Shivya Nath (The Shooting Star: A Girl, Her Backpack and the World)
You weeel meet a handsome stranger." The Girls giggled and clapped their hands. I couldn't resist. "He weeel be very wicked man," I interjected. My accent was even worse than Mal's. If any real Suli overheard me, I'd probably end up with a black eye. "You must run from theees man." "Oh," the girls sighed in dissapointment. "You must marry ugly man," I said. "Very fet." I held my arms out in front of me, indicating a giant belly. "He weeel make you heppy." I heard Mal snort beneath his mask. The girl sniffed. "I don't like this fortune," she said. "Let's go and try another one.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
More than once I have tried to picture myself in the position of a boy or man with an honoured and distinguished ancestry which I could trace back through a period of hundreds of years, and who had not only inherited a name, but fortune and a proud family homestead; and yet I have sometimes had the feeling that if I had inherited these, and had been a member of a more popular race, I should have been inclined to yield to the temptation of depending upon my ancestry and my colour to do that for me which I should do for myself. Years ago I resolved that because I had no ancestry myself I would leave a record of which my children would be proud, and which might encourage them to still higher effort.
Solomon Northup (Twelve Years a Slave: Plus Five American Slave Narratives, Including Life of Frederick Douglass, Uncle Tom's Cabin, Life of Josiah Henson, Incidents in the Life of a Slave Girl, Up From Slavery)
These charms capture every moment of my life...and yours, too. None of us would be sitting here today without them. They tell the story of where we've been, how far we've come, and where we still hope to go. I still believe that my life is like that dragonfly charm I gave you when you were a girl: Despite any sadness, it has been filled with good fortune.
Viola Shipman (The Charm Bracelet)
Then one woman looked directly at her husband. "Is our place gone?" "I'm afraid so, girl," he said. "There isn't much left up there. But we're alive. We're all lucky to be alive. We'd have been dead if we'd stayed up above." "Oh, what a mercy we didn't!" she exclaimed. "How lucky we are!" Incredible though it sounds, within a few moments, a whole lot of people were congratulating each other on their extraordinary good fortune in only having lost all their worldy posessions.
Ida Cook (Safe Passage)
It has been said that marriages are arranged by Heaven, that destiny will bring even the most distantly separated people together, that all is settled before birth, and no matter how much we wander from our paths, no matter how our fortunes change—for good or bad—all we can do is accomplish the decree of fate. This, in the end, is our blessing and our heartbreak.
Lisa See (Shanghai Girls (Shanghai Girls, #1))
What a pretty dress,” Ariadne said to Cordelia, her voice warm. Her own gown was of flattering wine-colored silk. “I believe that’s the shade they call ‘ashes of roses.’ Very popular in Paris.” “Oh, yes,” Cordelia said eagerly. She’d known so few girls growing up—just Lucie, really—so how did one impress them and charm them? It was desperately important. “I did get this dress in Paris, as a matter of fact. On Rue de la Paix. Jeanne Paquin made it herself.” She saw Lucie’s eyes widen in concern. Rosamund’s lips tightened. “How fortunate you are,” she said coolly. “Most of us here in the poky little London Enclave rarely get to travel abroad. You must think us so dull.” “Oh,” said Cordelia, realizing she had put her foot in it. “No, not at all—” “My mother has always said Shadowhunters aren’t meant to have much of an interest in fashion,” said Catherine. “She says it’s mundane.” “Since you’ve spoken of Matthew’s clothes admiringly so often,” said Ariadne tartly, “should we assume that rule is only for girls?
Cassandra Clare (Chain of Gold (The Last Hours, #1))
The fortune-teller was silent. The girl felt a chill drift over her. Her body broke out in chicken-skin and she huddled lower, trying to get away from that dark touch of fear. The candle flame lashed. Then, as if from a distance, she heard the fortune-teller say: "Nothing." The girl felt a dull, deep pain. That was the seed within her, her fate, and she realized she had known it all along.
Shelley Parker-Chan (She Who Became the Sun (The Radiant Emperor, #1))
Streets were quieter then. Dogs had the run of the town and children played outdoors. The side streets were for Simon Says and Green Light and Giant Step and other games. We set up our own carnivals. We told fortunes and sold coin purses that we made. But the buses on Wisteria Drive meant no one played outside my house. Even the dogs were wary except for one who only had three legs and still chased cars.
Georgia Scott (American Girl: Memories That Made Me)
But the thought of being associated with that other version of herself was horrifying now. That Rosalind was an enemy, someone she had to push farther and farther into the recesses of her mind, someone she could never think about too much lest she make a return. The Rosalind who was here today could never reacquaint herself with her former remnant; she was too busy trying to fix that girl's damn mistakes
Chloe Gong (Foul Lady Fortune (Foul Lady Fortune, #1))
I am fortunately an entirely handsome devil and appear even younger than twenty-nine. I look like a clean cut youth, a boy next door, and a good egg, and my mother stated at one time that I have the face of a heaven's angel. I have the eyes of an attractive marsupial, and I have baby-soft and white skin, and a fair complexion. I do not even have to shave, and I have finely styled hair without any of dandruff's unsightly itching or flaking. I keep my hair perfectly groomed, neat, and short at all times. I have exceptionally attractive ears.
David Foster Wallace
Why should I have to pay so much money to talk to someone I see everyday?' She explained. 'It's annoying...like a little boy always following you around and you can never send him home!' I told her that most of the girls I knew spent hours a day on their phones, that they couldn't live without them. 'Well good for them.' Carmen shrugged. I can think of a million better ways to use my time.
Jen Bryant (The Fortune of Carmen Navarro)
You've been hiding yourself, and you're good at it. A master of camouflage." She laughed. "Camouflage?" "That's the only possible explanation. You've made a frock from the same silk covering the drawing room walls, trimmed it with cat hair and feathers. Then when gentlemen visit, you stand still and blend in." "You have a surprisingly vivid imagination." "What I have is experience." He stopped in the road and turned to face her. "I've built a fortune by spotting things that are undervalued, dusting them off, and selling them at the proper price. I know a hidden treasure when I see one.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
In those days there was a great fever in the land, and a thirst for truth and a hunger to understand what the Almighty meant by making this change in the fortunes of mankind. In those days, in the South, there were many preachers who explained it: this is a punishment for sin, this is Satan walking among us, this is the sign of the end of days. But all these were not the true religion. For the true religion is love, not fear. The strong mother cradling her child: that is love and that is truth. The girls pass this news from one, to the next, to the next. God has returned, and Her message is for us, only us
Naomi Alderman (The Power)
Emily supposed the modern world was fortunate in the progress of science. But she could not help but feel at this moment the impropriety of male invasiveness. She knew he was working to save this poor woman, but in her mind, too, was a sense of Wrede's science as adding to the abuse committed by his fellow soldiers. He said not a word. It was as if the girl were no more than the surgical challenge she offered.
E.L. Doctorow (The March)
But you’re supposed to play music, obviously,” said Victoria. Lawrence looked at her in surprise. “You mean it? I thought you hated it.” “I do mean it,” said Victoria. She felt pretty shocked herself. “It’s annoying sometimes—well, a lot of the time, really—but it’s obviously the thing you’re best at, so why shouldn’t you do it?” Embarrassed at how happy Lawrence looked, she tried to smooth the wrinkles out of her dirty pajamas. “I mean, it’s only logical, isn’t it?” “If you weren’t, well, you—I’d want to kiss you right now.” It was fortunate that the room was so dark. Victoria’s cheeks turned bright red. “Well,” she said. “Well.
Claire Legrand (The Cavendish Home for Boys and Girls)
Cassidy is the best girlfriend ever. I’ve dated her for a full two months longer than anyone else. She’s smart and witty and original and can chug a beer faster than most guys I know. On top of that, she is absolutely beautiful. I mean spanktacular. Talk about pure colors. She’s high-definition. Scandinavian blond hair, eyes as blue as fiords, skin like vanilla ice cream or flower petals or sugar frosting—or really not like anything else but just her skin. It makes my hair ache. Of course, she does believe in astrology, but I don’t even care about that. It’s a girl thing. I think of it like she has constellations and fortunes whirling around inside her.
Tim Tharp (The Spectacular Now)
I think of when I was in high school in the 1940s: the white girls got their hair crinkled up by chemicals and heat so it would curl, and the black girls got their hair mashed flat by chemicals and heat so it wouldn’t curl. Home perms hadn’t been invented yet, and a lot of kids couldn’t afford these expensive treatments, so they were wretched because they couldn’t follow the rules, the rules of beauty. Beauty always has rules. It’s a game. I resent the beauty game when I see it controlled by people who grab fortunes from it and don’t care who they hurt. I hate it when I see it making people so self-dissatisfied that they starve and deform and poison themselves.
Ursula K. Le Guin (The Wave in the Mind: Talks and Essays on the Writer, the Reader and the Imagination)
If it makes you feel any better, he’s been all sad doll lately too.” “What are you talking about, Chels?” Chelsea stopped walking and stared at Violet. “Jay. I’m talking about Jay, Vi. I thought you might want to know that you’re not the only one who’s hurting. He’s been moping around school, making it hard to even look at him. He’s messed up . . . bad.” Just like the other night in Violet’s bedroom, something close to . . . sympathy crossed Chelsea’s face. Violet wasn’t sure how to respond. Fortunately sympathetic Chelsea didn’t stick around for long. She seemed to get a grip on herself, and like a switch had been flipped, the awkward moment was over and her friend was back, Chelsea-style: “I swear, every time I see him, I’m halfway afraid he’s gonna start crying like a girl or ask to borrow a tampon or something. Seriously, Violet, it’s disgusting. Really. Only you can make it stop. Please make it stop.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
You and your husband have, I think, been very fortunate to know so little, by experience, in your own case or in that of your friends, of the wicked recklessness with which people repeat things to the disadvantage of others, without a thought as to whether they have grounds for asserting what they say. I have met with a good deal of utter misrepresentation of that kind. And another result of my experience is the conviction that the opinion of "people" in general is absolutely worthless as a test of right and wrong. The only two tests I now apply to such a question as the having some particular girl-friend as a guest are, first, my own conscience, to settle whether I feel it to be entirely innocent and right, in the sight of God; secondly, the parents of my friend, to settle whether I have their full approval for what I do. You need not be shocked at my being spoken against. Anybody, who is spoken about at all, is sure to be spoken against by somebody: and any action, however innocent in itself, is liable, and not at all unlikely, to be blamed by somebody. If you limit your actions in life to things that nobody can possibly find fault with, you will not do much
Lewis Carroll (The Letters of Lewis Carroll)
But since Catt was more realist than fabulist, she understood her actual death at the hands of her killer would be something much slower. It would be a classical feminine death, like a marriage…Raised by meek working-class parents, she despised petty groveling and had no talent for making shit up. She wanted to be a “real” intellectual moving with dizzying freedom between high and low points in the culture. And to a certain extent, she’d succeeded. Catt’s semi-name attracted a following among Asberger’s boys, girls who’d been hospitalized for mental illness, sex workers, Ivy alumnae on meth, and always, the cutters. With her small self-made fortune, Catt saw herself as Moll Flanders, out-sourcing her visiting professorships and writing commissions to younger artists whose work she believed in. But she’d reached a point lately where the same young people she’d helped were blogging against her, exposing the ‘cottage industry’ she ran out of her Los Angeles compound facing the Hollywood sign … the same compound these bloggers had lived in rent-free after arriving from Iowa City, Alberta, New Zealand. Loathing all institutions, Catt had become one herself. Even her dentist asked her for money.
Chris Kraus (Summer of Hate)
I think if you wanted a peaceful marriage and orderly household, you should have proposed to any one of the well-bred simpletons who've been dangled in front of you for years. Ivo's right: Pandora is a different kind of girl. Strange and marvelous. I wouldn't dare predict-" She broke off as she saw him staring at Pandora's distant form. "Lunkhead, you're not even listening. You've already decided to marry her, and damn the consequences." "It wasn't even a decision," Gabriel said, baffled and surly. "I can't think of one good reason to justify why I want her so bloody badly." Phoebe smiled, gazing toward the water. "Have I ever told you what Henry said when he proposed, even knowing how little time we would have together? 'Marriage is far too important a matter to be decided with reason.' He was right, of course." Gabriel took up a handful of warm, dry sand and let it sift through his fingers. "The Ravenels will sooner weather a scandal than force her to marry. And as you probably overheard, she objects not only to me, but the institution of marriage itself." "How could anyone resist you?" Phoebe asked, half-mocking, half-sincere. He gave her a dark glance. "Apparently she has no problem. The title, the fortune, the estate, the social position... to her, they're all detractions. Somehow I have to convince her to marry me despite those things." With raw honesty, he added, "And I'm damned if I even know who I am outside of them." "Oh, my dear..." Phoebe said tenderly. "You're the brother who taught Raphael to sail a skiff, and showed Justin how to tie his shoes. You're the man who carried Henry down to the trout stream, when he wanted to go fishing one last time." She swallowed audibly, and sighed. Digging her heels into the sand, she pushed them forward, creating a pair of trenches. "Shall I tell you what your problem is?" "Is that a question?" "Your problem," his sister continued, "is that you're too good at maintaining that façade of godlike perfection. You've always hated for anyone to see that you're a mere mortal. But you won't win this girl that way." She began to dust the sand from her hands. "Show her a few of your redeeming vices. She'll like you all the better for it.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
I looked at the eyes of the ghosts sitting around the fire and at Beeta, and suddenly I realized that we dead are the sorrowful part of life, while the living are the joyful side of death. And yet, Beeta was not joyful and it was the sad side of life that she didn't even know she should be joyful in life because there was nothing else she could do. I wanted to tell her this, but was afraid of bringing her damaged spirit down even further. Fortunately, she herself eventually spoke and said, "It seems that from among you, I am the more fortunate because nobody killed me. But I don't feel happy at all." She looked at we who had died. The dead who had been the first to meet her in the world of the living outside Razan. An old man in the group responded, "This is because you don't yet realize how beautiful, young, and healthy you are." Beeta smiled and her cheeks reddened by the light of the fire in silent emotion; and all of us who were dead saw how good the smile looked on her. But as she recalled dark memories, her smile faded and she said, "But the man who loved me simply turned his back on me and married a young girl." The middle-aged man said, "All the better! It means you were lovable enough but he wasn't smart enough to realize it.
Shokoofeh Azar (The Enlightenment of the Greengage Tree)
As I know only too well, anticipation od happiness can sometimes be as gratifying as its consummation. Even during the first months of my separation, every footstep on the pavement would have me racing to the window, and every ring of the doorbell would set my heart beating as fast as a bird's. But as the months went by without even a word, I gradually had to relinquish my hopes of seeing him again. It was not easy to do so, and I am not sure whether I have managed it entirely; however I did stop waking with that thought in my head, imagining what he was doing every hour of the day, and whether his journey would by chance take him past my door. I tried to tell myself instead that I was fortunate in my neglect; that now I needed have no fear that he would arrive and his gimlet eye start to anatomize the cushions, or the curtains, or the state of the fireplace; that now, at last, my life was my own. But truth to tell, I would have given anything to see him walk with his jaunty step up to my front door and rap out a cheerful rhythm with his silver-topped cane.
Gaynor Arnold (Girl in a Blue Dress)
Suppose you are particularly rich and well-to-do, and say on that last day, 'I am very rich; I am tolerably well known; I have lived all my life in the best society, and, thank Heaven, come of a most respectable family. I have served my King and country with honour. I was in Parliament for several years, where, I may say, my speeches were listened to, and pretty well received. I don't owe any man a shilling: on the contrary, I lent my old college friend, Jack Lazarus, fifty pounds, for which my executors will not press him. I leave my daughters with ten thousand pounds a piece--very good portions for girls: I bequeath my plate and furniture, my house in Baker Street, with a handsome jointure, to my widow for her life; and my landed property, besides money in the Funds, and my cellar of well-selected wine in Baker Street, to my son. I leave twenty pound a year to my valet; and I defy any man after I am gone to find anything against my character.' Or suppose, on the other hand, your swan sings quite a different sort of dirge, and you say, 'I am a poor, blighted, disappointed old fellow, and have made an utter failure through life. I was not endowed either with brains or with good fortune: and confess that I have committed a hundred mistakes and blunders. I own to having forgotten my duty many a time. I can't pay what I owe. On my last bed I lie utterly helpless and humble: and I pray forgiveness for my weakness, and throw myself with a contrite heart at the feet of the Divine Mercy.' Which of these two speeches, think you, would be the best oration for your own funeral? Old Sedley made the last; and in that humble frame of mind, and holding by the hand of his daughter, life and disappointment and vanity sank away from under him.
William Makepeace Thackeray (Vanity Fair)
But if you will not take this Counsel, and persist in thinking a Commerce with the Sex inevitable, then I repeat my former Advice, that in all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these: 1. Because as they have more Knowledge of the World and their Minds are better stor'd with Observations, their Conversation is more improving and more lastingly agreable. 2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman. 3. Because there is no hazard of Children, which irregularly produc'd may be attended with much Inconvenience. 4. Because thro' more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin'd to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes. 5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding2 only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement. 6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy. 7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy. 8thly and Lastly They are so grateful!! Thus much for my Paradox. But still I advise you to marry directly; being sincerely Your affectionate Friend.
Benjamin Franklin
The Gypsy’S Song* Come, cross my hand! My art surpasses All that did ever Mortal know; Come, Maidens, come! My magic glasses* Your future Husband’s form can show: For ’tis to me the power is given Unclosed the book of Fate to see; To read the fixed resolves of heaven, And dive into futurity. I guide the pale Moon’s silver waggon; The winds in magic bonds I hold; I charm to sleep the crimson Dragon, Who loves to watch o’er buried gold: Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer’s circle enter, And woundless tread on snakes asleep. Lo! Here are charms of mighty power! This makes secure an Husband’s truth; And this composed at midnight hour Will force to love the coldest Youth: If any Maid too much has granted, Her loss this Philtre* will repair; This blooms a cheek where red is wanted, And this will make a brown girl fair! Then silent hear, while I discover What I in Fortune’s mirror view; And each, when many a year is over, Shall own the Gypsy’s sayings true.
Matthew Gregory Lewis (The Monk)
About the time that I reentered the Bruce family, an event occurred of disastrous import to the colored people. The slave Hamlin, the first fugitive that came under the new law, was given up by the blood-hounds of the north to the bloodhounds of the south. It was the beginning of a reign of terror to the colored population. The great city rushed on its whirl of excitement, taking no note of the "short and simple annals of the Poor." But while fashionables were listening to the thrilling voice of Jenny Lind in Metropolitan Hall, the thrilling voices of poor hunted colored people went up, in an agony of supplication, to the Lord, from Zion's church. Many families, who had lived in the city for twenty years, fled from it now. Many a poor washerwoman, who, by hard labor, had made herself a comfortable home, was obliged to sacrifice her furniture, bid a hurried farewell to friends, and seek her fortune among strangers in Canada. Many a wife discovered a secret she had never known before—that her husband was a fugitive, and must leave her to insure his own safety. Worse still, many a husband discovered that his wife had fled from slavery years ago, and as "the child follows the condition of its mother," the children of his love were liable to be seized and carried into slavery. Every where, in those humble homes, there was consternation and anguish. But what cared the legislators of the "dominant race" for the blood they were crushing out of trampled hearts?
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
I'll tell you why I keep my scrapbooks. It's in case my real father shows up .I never met him, don't even know his name...I've got this feeling he's out there searching for me. When he bursts through the door and tells me he's spent a fortune on detectives looking all over the world for me, I'm not going to sit there like a dumb cluck when he asks me what I've been doing. I'm going to yank out my eleven scrapbooks filled with my experiences and inner-most thoughts on life lived in three time zones in America. I was a Girl Scout for three months when we lived in Atlanta. I couldn't get those square knots down for anything, but I got the big concept. Be prepared. Addie always told me, "It's more important to get the big concept than to be an expert in the small stuff.
Joan Bauer
We desire some pleasure, and the material means of obtaining it are lacking. “It is a mistake,” Labruyère tells us, “to be in love without an ample fortune.” There is nothing for it but to attempt a gradual elimination of our desire for that pleasure. [...] But the pleasure can never be realised. If we succeed in overcoming the force of circumstances, nature at once shifts the battle-ground, placing it within ourselves, and effects a gradual change in our heart until it desires something other than what it is going to obtain. And if this transposition has been so rapid that our heart has not had time to change, nature does not, on that account, despair of conquering us, in a manner more gradual, it is true, more subtle, but no less efficacious. It is then, at the last moment, that the possession of our happiness is wrested from us, or rather it is that very possession which nature, with diabolical cleverness, uses to destroy our happiness. After failure in every quarter of the domain of life and action, it is a final incapacity, the mental incapacity for happiness, that nature creates in us. The phenomenon, of happiness either fails to appear, or at once gives way to the bitterest of reactions.
Marcel Proust (In the Shadow of Young Girls in Flower)
I know all their favorites. It's a knack, a professional secret, like a fortune teller reading palms. My mother would have laughed at this waste of my skills, but I have no desire to probe farther into their lives than this. I do not want their secrets or their innermost thoughts. Nor do I want their fears or gratitude. A tame alchemist, she would have called me with kindly contempt, working domestic magic when I could have wielded marvels. But I like these people. I like their small and introverted concerns. I can read their eyes, their mouths, so easily- this one with its hint of bitterness will relish my zesty orange twists; this sweet-smiling one the soft-centered apricot hearts; this girl with the windblown hair will love the mendiants; this brisk, cheery woman the chocolate brazils. For Guillaume, the florentines, eaten neatly over a saucer in his tidy bachelor's house. Narcisse's appetite for double-chocolate truffles reveals the gentle heart beneath the gruff exterior. Caroline Clairmont will dream of cinder toffee tonight and wake hungry and irritable. And the children... Chocolate curls, white buttons with colored vermicelli, pain d'épices with gilded edging, marzipan fruits in their nests of ruffled paper, peanut brittle, clusters, cracknells, assorted misshapes in half-kilo boxes... I sell dreams, small comforts, sweet harmless temptations to bring down a multitude of saints crash-crash-crashing among the hazels and nougatines....
Joanne Harris (Chocolat (Chocolat, #1))
Brastias, general of the Dark Plains rebellion and Annwyl’s second in command, leaned back into the hard wood chair and rubbed his tired eyes. She must be dead. She had to be dead. Annwyl would never disappear this long without word sent. He’d already sent trackers out to find her, but they came back empty-handed, losing her trail somewhere near Dark Glen, a haunted place most men dare not enter. Of course, Annwyl was not most men. She often dared where others fled. She remained the bravest warrior Brastias knew and he’d met many men over the years who he considered brave. But Annwyl could be foolhardy and her anger . . . formidable. And yet every day for two years Brastias thanked the gods for his good fortune. On a whim they had attacked a heavily armed caravan coming from Garbhán Isle. Its cargo had been Annwyl. Dressed in white bridal clothes and chained to the horse she rode, her destiny to be the unwilling bride for some noble in Madron. And based on how heavily armed her procession was, dangerously unhappy about it as well. Once the attack began, one of his men released Annwyl and told her to escape. She didn’t. Instead she took up a sword and fought. Fought, in fact, like a demon sent from the gods of hate and revenge. Her rage a mighty sight to behold. By the time the girl finished, she stood among the headless remains of those she killed. Her white gown completely covered in blood. On that day the men had given her the name Annwyl the Bloody and, as much as she hated it, the name stuck.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
Do you know what day it is?” she asked, peering at him. “Don’t you?” “Here in Spindle Cove, we ladies have a schedule. Mondays are country walks. Tuesdays, sea bathing. Wednesdays, you’d find us in the garden.” She touched the back of her hand to his forehead. “What is it we do on Mondays?” “We didn’t get to Thursdays.” “Thursdays are irrelevant. I’m testing your ability to recall information. Do you remember Mondays?” He stifled a laugh. God, her touch felt good. If she kept petting and stroking him like this, he might very well go mad. “Tell me your name,” he said. “I promise to recall it.” A bit forward, perhaps. But any chance for formal introductions had already fallen casualty to the powder charge. Speaking of the powder charge, here came the brilliant mastermind of the sheep siege. Damn his eyes. “Are you well, miss?” Colin asked. “I’m well,” she answered. “I’m afraid I can’t say the same for your friend.” “Bram?” Colin prodded him with a boot. “You look all of a piece.” No thanks to you. “He’s completely addled, the poor soul.” The girl patted his cheek. “Was it the war? How long has he been like this?” “Like this?” Colin smirked down at him. “Oh, all his life.” “All his life?” “He’s my cousin. I should know.” A flush pressed to her cheeks, overwhelming her freckles. “If you’re his cousin, you should take better care of him. What are you thinking, allowing him to wander the countryside, waging war on flocks of sheep?” Ah, that was sweet. The lass cared. She would see him settled in a very comfortable asylum, she would. Perhaps Thursdays would be her day to visit and lay cool cloths to his brow. “I know, I know,” Colin replied gravely. “He’s a certifiable fool. Completely unstable. Sometimes the poor bastard even drools. But the hell of it is, he controls my fortune. Every last penny. I can’t tell him what to do.” “That’ll be enough,” Bram said. Time to put a stop to this nonsense. It was one thing to enjoy a moment’s rest and a woman’s touch, and another to surrender all pride. He gained his feet without too much struggle and helped her to a standing position, too. He managed a slight bow. “Lieutenant Colonel Victor Bramwell. I assure you, I’m in possession of perfect health, a sound mind, and one good-for-nothing cousin.” “I don’t understand,” she said. “Those blasts…” “Just powder charges. We embedded them in the road, to scare off the sheep.” “You laid black powder charges. To move a flock of sheep.” Pulling her hand from his grip, she studied the craters in the road. “Sir, I remain unconvinced of your sanity. But there’s no question you are male.” He raised a brow. “That much was never in doubt.” Her only answer was a faint deepening of her blush. “I assure you, all the lunacy is my cousin’s. Lord Payne was merely teasing, having a bit of sport at my expense.” “I see. And you were having a bit of sport at my expense, pretending to be injured.” “Come, now.” He leaned forward her and murmured, “Are you going to pretend you didn’t enjoy it?” Her eyebrows lifted. And lifted, until they formed perfect twin archer’s bows, ready to dispatch poison-tipped darts. “I’m going to pretend I didn’t hear that.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
The soldiers were already laying pikes along the wall by torch-light, with the points bristling upwards; they had draped cloaks over the poles to make small tents to sleep under. A few of them were sitting around small campfires, soaking dried meat in boiling water, stirring kasha into the broth to cook up. They cleared hastily out of our way without our even having to say a word, afraid. Sarkan seemed not to notice, but I couldn’t help feeling sorry and strange and wrong. One of the soldiers was a boy my own age, industriously sharpening pike-heads one by one with a stone, skillfully: six strokes for each one and done as quick as the two men putting them along the wall could come back for them. He must have put himself to it, to learn how to do it so well. He didn’t look sullen or unhappy. He’d chosen to go for a soldier. Maybe he had a story that began that way: a poor widowed mother at home and three young sisters to feed, and a girl from down the lane who smiled at him over the fence as she drove her father’s herd out into the meadows every morning. So he’d given his mother his signing-money and gone to make his fortune. He worked hard; he meant to be a corporal soon, and after that a sergeant: he’d go home then in his fine uniform, and put silver in his mother’s hands, and ask the smiling girl to marry him. Or maybe he’d lose a leg, and go home sorrowful and bitter to find her married to a man who could farm; or maybe he’d take to drink to forget that he’d killed men in trying to make himself rich. That was a story, too; they all had stories. They had mothers or fathers, sisters or lovers. They weren’t alone in the world, mattering to no one but themselves.
Naomi Novik (Uprooted)
Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.
Diana Palmer (Paper Rose (Hutton & Co. #2))
The last week of shooting, we did a scene in which I drag Amanda Wyss, the sexy, blond actress who played Tina, across the ceiling of her bedroom, a sequence that ultimately became one of the most visceral from the entire Nightmare franchise. Tina’s bedroom was constructed as a revolving set, and before Tina and Freddy did their dance of death, Wes did a few POV shots of Nick Corri (aka Rod) staring at the ceiling in disbelief, then we flipped the room, and the floor became the ceiling and the ceiling became the floor and Amanda and I went to work. As was almost always the case when Freddy was chasing after a nubile young girl possessed by her nightmare, Amanda was clad only in her baby-doll nightie. Wes had a creative camera angle planned that he wanted to try, a POV shot from between Amanda’s legs. Amanda, however, wasn’t in the cameramen’s union and wouldn’t legally be allowed to operate the cemera for the shot. Fortunately, Amy Haitkin, our director of photography’s wife, was our film’s focus puller and a gifted camera operator in her own right. Being a good sport, she peeled off her jeans and volunteered to stand in for Amanda. The makeup crew dapped some fake blood onto her thighs, she lay down on the ground, Jacques handed her the camera, I grabbed her ankles, and Wes called, “Action.” After I dragged Amy across the floor/ceiling, I spontaneously blew her a kiss with my blood-covered claw; the fake blood on my blades was viscous, so that when I blew her my kiss of death, the blood webbed between my blades formed a bubble, a happy cinematic accident. The image of her pale, slender, blood-covered legs, Freddy looming over her, straddling the supine adolescent girl, knife fingers dripping, was surreal, erotic, and made for one of the most sexually charged shots of the movie. Unfortunately it got left on the cutting-room floor. If Wes had left it in, the MPAA - who always seemed to have it out for Mr. Craven - would definitely have tagged us with an X rating. You win some, you lose some.
Robert Englund (Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams)
If it makes you feel any better, he’s been all sad doll lately too.” “What are you talking about, Chels?” Chelsea stopped walking and stared at Violet. “Jay. I’m talking about Jay, Vi. I thought you might want to know that you’re not the only one who’s hurting. He’s been moping around school, making it hard to even look at him. He’s messed up . . . bad.” Just like the other night in Violet’s bedroom, something close to . . . sympathy crossed Chelsea’s face. Violet wasn’t sure how to respond. Fortunately sympathetic Chelsea didn’t stick around for long. She seemed to get a grip on herself, and like a switch had been flipped, the awkward moment was over and her friend was back, Chelsea-style: “I swear, every time I see him, I’m halfway afraid he’s gonna start crying like a girl or ask to borrow a tampon or something. Seriously, Violet, it’s disgusting. Really. Only you can make it stop. Please make it stop.” Violet didn’t want to, but she couldn’t help smiling at the absurd picture that Chelsea painted of Jay. And even though she knew it wasn’t very mature to feel smug at a time like this, especially over the delusional image concocted by her mentally unhinged friend, she couldn’t help herself; she laughed anyway. Still, she didn’t want to talk about it with Chelsea. Not even the kinder, more sensitive Chelsea. “I’m sure he’s fine, Chels. And if he’s not, he’ll get over it.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Looking back, Colleen and Neal have somewhat different perspectives. . . . She remembers she "was impressed that he seemed to have so much charisma. People were looking to him for answers and just had a great regard for him." Then Neal adds, "So much charisma [that] she turned me down when I first asked her for a date." Fortunately for both, he called again, and this time she said yes. . . . Colleen found herself increasingly drawn to him. She found him "really cute and interesting," even if he did lack just a little social polish. He didn't care for dancing and didn't like small talk, both of which were more important to other people than they were to her. He "was so knowledgeable and such a good speaker, even though he did talk fast. But if you could listen fast you could learn a lot." As Neal came to know her better, he was impressed with her maturity, her sensitivity to other people, and the depth of her spiritual convictions. He began feeling a "spiritual impetus that this was a young woman out of the ordinary." . . . Emma remembered, "Our first introduction to Colleen was when you came home one night and said, 'I've got to see more of that girl. She has some thinking under her hood.'" . . . "I knew I was not dealing with an eighteen-year-old co-ed who was so anxious to please me that I'd have my way when I shouldn't," he said. "We hadn't been married long before I knew I had a kind of Gibraltar--someone who would be tough and strong in the storms of life.
Bruce C. Hafen (A Disciple's Life: The Biography of Neal A. Maxwell)
Gervex's painting had a lurid and well-known literary source: it was based on Alfred de Musset's poem "Rolla," published in 1833 and 1840. The poem, a paradigm of July Monarchy romanticism, chronicles the disgrace that befalls Jacques Rolla, a son of the bourgeoisie, in the big city. The narrative of his decline — he squandered his fortune and committed suicide — is interleaved with lamentations over the moral and spiritual decadence of contemporary life. Thenineteen-year-old Rolla becomes the "most debauched man" in Paris, "where vice is the cheapest, the oldest and the most fertile in the world." The poem tells a second story as well, that of Marie (or Maria or Marion), a pure young girl who becomes a degraded urban prostitute. Her story amplifies the poet's theme — a world in moral disarray - and provides the instrument of, and a sympathetic companion for, Rolla's climactic self-destruction. Musset is clear about his young prostitute's status: she was forced into a prostitution de la misère by economic circumstances ("what had debased her was, alas, poverty /And not love of gold"), and he frequently distinguishes her situation from that of the venal women of the courtesan rank ("Your loves are golden, lively and poetic; . . . you are not for sale at all"). He is also insistent about the tawdry circumstances in which the young woman had to practice her miserable profession ("the shameful curtains of that foul retreat," "in a hovel," "the walls of this gloomy and ramshackle room"). The segments of the poem from which Gervex drew his story — and which were published in press reviews of the painting — are these: With a melancholy eye Rolla gazed on The beautiful Marion asleep in her wide bed; In spite of himself, an unnameable and diabolical horror Made him tremble to the bone. Marion had cost dearly. — To pay for his night He had spent his last coins. His friends knew it. And he, on arriving, Had taken their hand and given his word that In the morning no one would see him alive. When Rolla saw the sun appear on the roofs, He went and leaned out the window. Rolla turned to look at Marie. She felt exhausted, and had fallen asleep. And thus both fled the cruelties of fate, The child in sleep, and the man in death! It was a moment of inaction, then, that Gervex chose to paint - that of weary repose for her and melancholic contemplation for Rolla, following the night of paid sex and just prior to his suicide.
Hollis Clayson (Painted Love: Prostitution and French Art of the Impressionist Era)
Suppose he really is in love. What about her? She never has anything good to say about him.” “Yet she blushes whenever he enters a room. And she stares at him a good deal. Or hadn’t you noticed that, either?” “As a matter of fact, I have.” Gazing up at him, she softened her tone. “But I do not want her hurt, Isaac. I must be sure she is desired for herself and not her fortune. Her siblings had a chance of not gaining their inheritance unless the others married, so I always knew that their mates loved them, but she…” She shook her head. “I had to find a way to remove her fortune from the equation.” “I still say you’re taking a big risk.” He glanced beyond her to where Celia was talking to the duke. “Do yo really think she’d be better off with Lyons?” But she doesn’t love him…If you’d just give her a chance- “I do not know,” Hetty said with a sigh. “I do not know anything anymore.” “Then you shouldn’t meddle. Because there’s another outcome you haven’t considered. If you try to manipulate matters to your satisfaction, she may balk entirely. Then you’ll find yourself in the sticky position of having to choose between disinheriting them all or backing down on your ultimatum. Personally, I think you should have given up that nonsense long ago, but I know only too well how stubborn you can be when you’ve got the bit between your teeth.” “Oh?” she said archly. “Have I been stubborn with you?” He gazed down at her. “You haven’t agreed to marry me yet.” Her heart flipped over in her chest. It was not the first time he had mentioned marriage, but she had refused to take him seriously. Until now. It was clear he would not be put off any longer. He looked solemnly in earnest. “Isaac…” “Are you worried that I am a fortune hunter?” “Do not be absurd.” “Because I’ve already told you that I’ll sign any marriage settlement you have your solicitor draw up. I don’t want your brewery or your vast fortune. I know it’s going to your grandchildren. I only want you.” The tender words made her sigh like a foolish girl. “I realize that. But why not merely continue as we have been?” His voice lowered. “Because I want to make you mine in every way.” A sweet shiver swept along her spine. “We do not need to marry for that.” “So all you want from me is an affair?” “No! But-“ “I want more than that. I want to go to sleep with you in my arms and wake with you in my bed. I want the right to be with you whenever I please, night or day.” His tone deepened. “I love you, Hetty. And when a man loves a woman, he wants to spend his life with her.” “But at our age, people will say-“ “Our age is an argument for marriage. We might not have much time left. Why not live it to the fullest, together, while we’re still in good health? Who cares about what people say? Life is too short to let other people dictate one’s choices.” She leaned heavily on his arm as they reached the steps leading up to the dais at the front of the ballroom. He did have a point. She had been balking at marrying him because she was sure people would think her a silly old fool. But then, she had always been out of step with everyone else. Why should this be any different? “I shall think about it,” she murmured as they headed to the center of the dais, where the family was gathering. “I suppose I’ll have to settle for that. For now.” He cast her a heated glance. “But later this evening, once we have the chance to be alone, I shall try more effective methods to persuade you. Because I’m not giving up on this. I can be as stubborn as you, my dear.” She bit back a smile. Thank God for that.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Half inebriated, he vaulted up the stairs to find them lolling in chairs in the hall outside Maria’s door. Gabe clasped a bunch of violets in his hand while Jarret held a rolled-up piece of parchment in his. “What are you two louts doing here in the middle of the night?” he growled. “It’s nearly dawn,” Gabe said coolly. “Hardly the middle of the night. Not that you would have noticed, in your drunken state.” Scowling, Oliver took a step toward them. “It’s still earlier than you, at least, every rise.” Gabe glanced at Jarret. “Clearly, the old boy doesn’t remember what today is.” “I believe you’re right,” Jarret returned, a hint of condemnation in his tone. Oliver glared at them both as he sifted through his soggy brain for what they menat. When it came to him, he groaned. St. Valentine’s Day. That sobered him right up. “That doesn’t explain why you’re lurking outside Maria’s door.” Jarret cast him a scathing glance as he got to his feet. “Why do you care? You ran off to town to find your entertainment. Seems to me that you’re relinquishing the field.” “So you two intend to step in?” he snapped. “Why not?” Gabe rose to glower at him. “Since your plan to thwart Gran isn’t working, and it’s looking as if we’ll have to marry someone, we might as well have a go at Miss Butterfield. She’s an heiress and a very nice girl, too, in case you hadn’t noticed If you’re stupid enough to throw her over for a bunch of whores and opera dancers, we’re more than happy to take your place. We at least appreciate her finer qualities.” The very idea of his brothers appreciating anything of Maria’s made his blood boil. “In the first place, I didn’t throw her over for anyone. In the second, I am damned well not relinquishing the field. And I’m certainly not giving it over to a couple of fortune hunters like you.” The sound of footsteps coming down the hall from the servants’ stairs made them whirl in that direction. Betty walked slowly toward them, one hand shading her eyes. That’s when it hit him. His brothers were here because of that silly superstition about a maiden’s heart being joined to that of whoever was the first man she spotted on St. Valentine’s Day. “Good morning, gentlemen,” Betty murmured as she approached, carefully avoiding looking at any of them. A devilish grin lit Gabe’s face. “Betty, catch!” he cried and tossed a violet at her. She didn’t even move a finger to stop it from bouncing off her and falling to the floor. “If your lordships will excuse me,” she said in a decidedly snippy tone, “my mistress rang the bell for me.” With a sniff that conveyed her contempt for them, she slipped inside Maria’s rom and shut the door firmly behind her. “That was shameful,” Jarret told Gabe. “You know bloody well that Betty and John are sweethearts.” “It’s not my fault that John didn’t show up this morning so she could see him first,” Gabe said with a shrug.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
I’m willing to bargain with you,” he said gently, “for the same reason anyone tries to bargain-you have something I want.” Desperately trying to prove to her she wasn’t powerless or empty-handed, he added, “I want it badly, Elizabeth.” “What is it?” she asked warily, but much of the resentment in her lovely face was already being replaced by surprise. “This,” he whispered huskily. His hands tightened on her shoulders, pulling her close as he bent his head and took her soft mouth in a slow, compelling kiss, sensually molding and shaping her lips to his. Although she stubbornly refused to respond, he felt the rigidity leaving her; and as soon as it did, Ian showed her just how badly he wanted it. His arms went around her, crushing her to him, his mouth moving against hers with hungry urgency, his hands shifting possessively over her spine and hips, fitting her to his hardened length. Dragging his mouth from hers, he drew an unsteady breath. “Very badly,” he whispered. Lifting his head, he gazed down at her, noting the telltale flush on her cheeks, the soft confusion in her searching green gaze, and the delicate hand she’d forgotten was resting against his chest. Keeping his own hand splayed against her lower back, he held her pressed to his rigid erection, torturing himself as he slid his knuckles against her cheek and quietly said, “For that privilege, and the others that follow it, I’m willing to agree to any reasonable terms you state. And I’ll even forewarn you,” he said with a tender smile at her upturned face, “I’m not a miserly man, nor a poor one.” Elizabeth swallowed, trying to keep her voice from shaking in reaction to his kiss. “What other privileges that follow kissing?” she asked suspiciously. The question left him nonplussed. “Those that involve the creation of children,” he said, studying her face curiously. “I want several of them-with your complete cooperation, of course,” he added, suppressing a smile. “Of course,” she conceded without a second’s hesitation. “I like children, too, very much.” Ian stopped while he was ahead, deciding it was wiser not to question his good fortune. Evidently Elizabeth had a very frank attitude toward marital sex-rather an unusual thing for a sheltered, well-bred English girl.
Judith McNaught (Almost Heaven (Sequels, #3))