Forth Bridge Quotes

Then out spake brave Horatius, The Captain of the gate: ‘To every man upon this earth Death cometh soon or late. And how can man die better Than facing fearful odds, For the ashes of his fathers, And the temples of his Gods, ‘And for the tender mother Who dandled him to rest, And for the wife who nurses His baby at her breast, And for the holy maidens Who feed the eternal flame, To save them from false Sextus That wrought the deed of shame? ‘Hew down the bridge, Sir Consul, With all the speed ye may; I, with two more to help me, Will hold the foe in play. In yon strait path a thousand May well be stopped by three. Now who will stand on either hand, And keep the bridge with me? Then out spake Spurius Lartius; A Ramnian proud was he: ‘Lo, I will stand at thy right hand, And keep the bridge with thee.’ And out spake strong Herminius; Of Titian blood was he: ‘I will abide on thy left side, And keep the bridge with thee.’ ‘Horatius,’ quoth the Consul, ‘As thou sayest, so let it be.’ And straight against that great array Forth went the dauntless Three. For Romans in Rome’s quarrel Spared neither land nor gold, Nor son nor wife, nor limb nor life, In the brave days of old. Then none was for a party; Then all were for the state; Then the great man helped the poor, And the poor man loved the great: Then lands were fairly portioned; Then spoils were fairly sold: The Romans were like brothers In the brave days of old. Now Roman is to Roman More hateful than a foe, And the Tribunes beard the high, And the Fathers grind the low. As we wax hot in faction, In battle we wax cold: Wherefore men fight not as they fought In the brave days of old.

In all my close friendships, words are the bricks I use to build bridges. To know someone I need to hear her, and to feel known, I need to be heard by her. The process of knowing and loving another person happens for me through conversation. I reveal something to help my friend understand me, she responds in a way that assures me she values my revelation, and then she adds something to help me understand her. This back-and-forth is repeated again and again as we go deeper into each other's hearts, minds, pasts, and dreams. Eventually, a friendship is built - a solid, sheltering structure that exists in the space between us - a space outside of ourselves that we can climb deep into. There is her, there is me, and then there is our friendship - this bridge we've built together.

Nowadays, people resort to all kinds of activities in order to calm themselves after a stressful event: performing yoga poses in a sauna, leaping off bridges while tied to a bungee, killing imaginary zombies with imaginary weapons, and so forth. But in Miss Penelope Lumley's day, it was universally understood that there is nothing like a nice cup of tea to settle one's nerves in the aftermath of an adventure- a practice many would find well worth reviving.

Paine suffered then, as now he suffers not so much because of what he wrote as from the misinterpretations of others... He disbelieved the ancient myths and miracles taught by established creeds. But the attacks on those creeds - or on persons devoted to them - have served to darken his memory, casting a shadow across the closing years of his life. When Theodore Roosevelt termed Tom Paine a 'dirty little atheist' he surely spoke from lack of understanding. It was a stricture, an inaccurate charge of the sort that has dimmed the greatness of this eminent American. But the true measure of his stature will yet be appreciated. The torch which he handed on will not be extinguished. If Paine had ceased his writings with 'The Rights of Man' he would have been hailed today as one of the two or three outstanding figures of the Revolution. But 'The Age of Reason' cost him glory at the hands of his countrymen - a greater loss to them than to Tom Paine. I was always interested in Paine the inventor. He conceived and designed the iron bridge and the hollow candle; the principle of the modern central draught burner. The man had a sort of universal genius. He was interested in a diversity of things; but his special creed, his first thought, was liberty. Traducers have said that he spent his last days drinking in pothouses. They have pictured him as a wicked old man coming to a sorry end. But I am persuaded that Paine must have looked with magnanimity and sorrow on the attacks of his countrymen. That those attacks have continued down to our day, with scarcely any abatement, is an indication of how strong prejudice, when once aroused, may become. It has been a custom in some quarters to hold up Paine as an example of everything bad. The memory of Tom Paine will outlive all this. No man who helped to lay the foundations of our liberty - who stepped forth as the champion of so difficult a cause - can be permanently obscured by such attacks. Tom Paine should be read by his countrymen. I commend his fame to their hands. {The Philosophy of Paine, June 7, 1925}

Back and forth from Brooklyn to Manhattan. New York at night, from its bridges, is a miracle. When I first came to the city, it took all my fantasies and set them on fire, turned them into flickering constellations of light. Then it did the same with my history. As a dark speck of energy hurtling over the water toward that galaxy, I felt myself disappear. Relative to the image of infinity I was nothing, a clump of quantum matter skidding through the ether. It was as good as any drug.

Admirable, however, as the Paris of the present day appears to you, build up and put together again in imagination the Paris of the fifteenth century; look at the light through that surprising host of steeples, towers, and belfries; pour forth amid the immense city, break against the points of its islands, compress within the arches of the bridges, the current of the Seine, with its large patches of green and yellow, more changeable than a serpent's skin; define clearly the Gothic profile of this old Paris upon an horizon of azure, make its contour float in a wintry fog which clings to its innumerable chimneys; drown it in deep night, and observe the extraordinary play of darkness and light in this sombre labyrinth of buildings; throw into it a ray of moonlight, which shall show its faint outline and cause the huge heads of the towers to stand forth from amid the mist; or revert to that dark picture, touch up with shade the thousand acute angles of the spires and gables, and make them stand out, more jagged than a shark's jaw, upon the copper-coloured sky of evening. Now compare the two.

Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.

Life was dense, dark, ancient. They watched Dean, serious and insane at his raving wheel, with eyes of hawks. All had their hands outstretched. They had come down from the back mountains and higher places to hold forth their hands for something they thought civilization could offer, and they never dreamed the sadness and the poor broken delusion of it. They didn’t know that a bomb had come that could crack all our bridges and roads and reduce them to jumbles, and we would be as poor as they someday, and stretching out our hands in the same, same way

I returned to civilization shortly after that and went to Cornell to teach, and my first impression was a very strange one. I can't understand it any more, but I felt very strongly then. I sat in a restaurant in New York, for example, and I looked out at the buildings and I began to think, you know, about how much the radius of the Hiroshima bomb damage was and so forth... How far from here was 34th street?... All those buildings, all smashed — and so on. And I would go along and I would see people building a bridge, or they'd be making a new road, and I thought, they're crazy, they just don't understand, they don't understand. Why are they making new things? It's so useless. But, fortunately, it's been useless for almost forty years now, hasn't it? So I've been wrong about it being useless making bridges and I'm glad those other people had the sense to go ahead.

A noiseless patient spider, I mark'd where on a little promontory it stood isolated, Mark'd how to explore the vacant vast surrounding, It launch'd forth filament, filament, filament, out of itself, Ever unreeling them, ever tirelessly speeding them. And you O my soul where you stand, Surrounded, detached, in measureless oceans of space, Ceaselessly musing, venturing, throwing, seeking the spheres to connect them, Till the bridge you will need be form'd, till the ductile anchor hold, Till the gossamer thread you fling catch somewhere, O my soul.

How goddamn foolish it is, the war. They's no war in the worth that's worth fightin' for. I don't care where it is. They can't tell me any different. Money, money is the thing that causes it all. I wouldn't be a bit surprised that the people that start wars and promote 'em are the men that make the money, make the ammunition, make the clothing and so forth. Just think of the poor kids that are starvin' to death in Asia and so forth that could be fed with how much you make one big shell of. ~Alvin "Tommy" Bridges

So it is that both this breathing moment and what is called "the future"are always linked with what is called "the past." So it is that dreams become reality, that memories move back and forth between dreams, and that our stories are a swaying, dancing bridge between them.

They had come down from the back mountains and higher places to hold forth their hands for something they though civilisation could offer, and they never dreamed the sadness and the poor broken delusion of it. They didn't know that a bomb had come that could crack all our bridges and roads and reduce them to jumbles, and we would be as poor as they someday and stretching out our hands in the same, same way.

They just keep trotting back and forth across the bridge thinking there is something better on the other side. If they'd hang head-down at the top of the thing and wait quietly, maybe something good would come along.

Citizens, the nineteenth century is great, but the twentieth century will be happy. Then, there will be nothing more like the history of old, we shall no longer, as to-day, have to fear a conquest, an invasion, a usurpation, a rivalry of nations, arms in hand, an interruption of civilization depending on a marriage of kings, on a birth in hereditary tyrannies, a partition of peoples by a congress, a dismemberment because of the failure of a dynasty, a combat of two religions meeting face to face, like two bucks in the dark, on the bridge of the infinite; we shall no longer have to fear famine, farming out, prostitution arising from distress, misery from the failure of work and the scaffold and the sword, and battles and the ruffianism of chance in the forest of events. One might almost say: There will be no more events. We shall be happy. The human race will accomplish its law, as the terrestrial globe accomplishes its law; harmony will be re-established between the soul and the star; the soul will gravitate around the truth, as the planet around the light. Friends, the present hour in which I am addressing you, is a gloomy hour; but these are terrible purchases of the future. A revolution is a toll. Oh! the human race will be delivered, raised up, consoled! We affirm it on this barrier. Whence should proceed that cry of love, if not from the heights of sacrifice? Oh my brothers, this is the point of junction, of those who think and of those who suffer; this barricade is not made of paving-stones, nor of joists, nor of bits of iron; it is made of two heaps, a heap of ideas, and a heap of woes. Here misery meets the ideal. The day embraces the night, and says to it: 'I am about to die, and thou shalt be born again with me.' From the embrace of all desolations faith leaps forth. Sufferings bring hither their agony and ideas their immortality. This agony and this immortality are about to join and constitute our death. Brothers, he who dies here dies in the radiance of the future, and we are entering a tomb all flooded with the dawn.

He proposed an imitation game. There would be a man (A), a woman (B) and an interrogator (C) in a separate room, reading the written answers from the others, trying to work out which was the woman. B would be trying to hinder the process. Now, said Turing, imagine that A was replaced by a computer. Could the interrogator tell whether they were talking to a machine or not after five minutes of questioning? He gave snatches of written conversation to show how difficult the Turing Test would be: Q: Please write me a sonnet on the subject of the Forth Bridge. A: Count me out on this one. I never could write poetry. To imitate that a computer would need deep knowledge of social mores and the use of language. To pass the Turing Test the computer would have to do more than imitate. It would have to be a learning entity.

In Exodus, chapter 14, Moses must lead the Jews out of Egypt and to safety by parting the Red Sea. This story teaches us a valuable lesson about how we must face the future. I want to draw your attention to two verses in particular. Exodus (14:15) reads: “And the Lord said to Moses, ‘Tell the people of Israel to march forward.’” Exodus (14:16) reads: “Lift up your rod and stretch out your hand over the sea and divide it.” The thing to note here is that Moses is instructed to raise his rod to divide the sea only after telling his people to march forth into the water. The Israelites were actually in the water, some of them up to their necks, and were told to keep marching before the water split. And yet no one complained or feared drowning because the message from God was very clear: walk first into the water and the ocean will split afterwards. Had the Israelites waited around for the waters to part, they would have been waiting a long time—perhaps forever. They had to bring about their own miracle, a truth we can deduce from the peculiar order of these two verses, which is no accident as there are no accidents in Scripture. To succeed at life and business, you too must face the future as the Israelites did at the Red Sea. Get moving now. Do not wait for the bridge. Cross now and the way through will present itself.

I’ve learned that many people are just bridges to someone else. Some people become bridges that you take back and forth to get back to yourself. That’s how I interpret self-defining relationships. The people who bring you back to you. The ones who say, “You are always welcome here. You are family. I love you, and there’s nothing you can do about it, so get used to it.” My father’s funeral was a reminder of how important family is, and how important tradition is. That showing up for a funeral is tradition, and that tradition is not a trope and that there’s nothing stale about it.

To My Priestess Sisters To my priestess sisters: the keepers of mysteries, the medicine women, the story keepers and story tellers, the holy magicians, the wild warriors, the original ones, the ones who carry the ancients within the marrow of your bones, the ones forged in the fires, the ones who have bathed in thier own blood, the heroines who wear thier scars as stars, the ones who give birth to their visions and dreams, the ones who weep and howl upon the holy altars, the avatars, the mothers, maidens and crones, the mystics, the oracles, the artists, the musicians, the virgins, the sensual and sexual, the women of our world- I honor you. I stand for you and with you. I celebrate both your autonomy and our sisterhood of One. We are many. We are fierce. We are tender. We are the change agents and we are radically holding and clearing space for the bursting forth of the holy seeds of the collective conscience and consciousness. We are manifestors and flames of purification and transformation. We are living our lives in authenticity, vulnerability, transparency and unapologetically. We are committed to integrity, impeccability, accountability, responsibility and passionate love. We are here on purpose, with purpose and give no energy to conformity, acceptance or approval. We are the daughters of the earth and the courageous of the cosmos. Priestess, keep living your life passionately, raising the cosmic vibrations and lowering your standards for no one. You are brazenly blessed and a force of nature. Nurture yourself and one another. You are a crystalline bridge between realms and uniting heaven and earth. You are a priestess and you are divinely anointed, appointed and unstoppable.

FLY A HELICOPTER? SURE, WHY NOT. Leo had done plenty of crazier things that week. The sun was going down as they flew north over the Richmond Bridge, and Leo couldn’t believe the day had gone so quickly. Once again, nothing like ADHD and a good fight to the death to make time fly. Piloting the chopper, he went back and forth between confidence and panic. If he didn’t think about it, he found himself automatically flipping the right switches, checking the altimeter, easing back on the stick, and flying straight. If he allowed himself to consider what he was doing, he started freaking out. He imagined his Aunt Rosa yelling at him in Spanish, telling him he was a delinquent lunatic who was going to crash and burn. Part of him suspected she was right. “Going okay?” Piper asked from the copilot’s seat. She sounded more nervous than he was, so Leo put on a brave face.

He drew forth a phrase from his treasure and spoke it softly to himself: --a day of dappled seaborne clouds. The phrase and the day and the scene harmonised in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No, it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose? He passed from the trembling bridge on to firm land again.

In Latin, translate comes from translatus, to carry over, to carry across. Something written in language A is carried over into language B. I always imagine a bridge in which language A is traveling over to meet B. Sometimes when I’m translating, the languages blend together in my mind, and when I hear this, what gets carried over isn’t a grandiose idea. The songs merge together and what is brought forth is a new song. Such stunning and mysterious harmony. That probably sounds silly, but it’s the closest I’ve come to believing in something more, something other than this, something of awe that humbles me. Not a god, but a sound.

Did you ever hear of the Queensborough Bridge?' 　　Wilbur shook his head. 'Is it a web?' 　　'Sort of,' replied Charlotte. 'But do you know how long it took men to build it? Eight whole years. My goodness, I would have starved to death waiting that long. I can make a web in a single evening.' 　　'What do people catch in the Queensborough Bridge—bugs?' asked Wilbur. 　　'No,' said Charlotte. 'They don’t catch anything. They just keep trotting back and forth across the bridge thinking there is something better on the other side. If they’d hang head-down at the top of the thing and wait quietly, maybe something good would come along. But no—with men it’s rush, rush, rush, every minute. I’m glad I’m a sedentary spider.

God's Grace is greater than all our sins. Repentance is one of the Christian's highest privileges. A repentant Christian focuses on God's mercy and God's grace. Any moment in our lives when we bask in God's mercy and grace is our highest moment. Higher than when we feel smug in our decent performance and cannot think of anything we need to confess... That is potentially a glorious moment. For we could at that moment accept God's abundant Mercy and Grace and go forth with nothing to boast of except Christ Himself, or else we struggle with our shame, focusing on that as well as our track record. We fail because we have shifted our attention from Grace and Mercy. One who draws on God's Mercy and Grace is quick to repent, but also slow to sin.

In the energies of the Green Knight, we have an Elder who comes to the entire court of Arthur to challenge and "open a bridge" to the Otherworld. Here is the Holly King, the Forest Lord, the Green Man. The Green Knight enters Arthur's court at a Yuletide festival and challenges at once both Arthur and his warriors to step forth and take part in the traditional Beheading contest

There is a constant pressure, surging and eroding away the walls we have erected over the millenia by migrating the contents of our dreams into this world. Everything around us, the remnants of our world, was birthed in a dream, brought forth and hardened under the sun. Sleep is a bridge over which these fantastic constructions have been passed, piece by piece, particle by particle.

In all my close friendships, words are the bricks I use to build bridges. To know someone I need to hear her, and to feel known, I need to be heard by her. The process of knowing and loving another person happens for me through conversation. I reveal something to help my friend understand me, she responds in a way that assures me she values my revelation, and then she adds something to help me understand her. This back-and-forth is repeated again and again as we go deeper into each other’s hearts, minds, pasts, and dreams. Eventually, a friendship is built—a solid, sheltering structure that exists in the space between us—a space outside of ourselves that we can climb deep into. There is her, there is me, and then there is our friendship—this bridge we’ve built together.

I’d laughed when I’d seen Walter Benjamin’s name, because, much like my brother used to shout when we were kids in the back of the car and we were driving south, Ten points to the first person who can see the Forth Road Bridge, or my father when he was teaching me to drive, Ten points if you can hit that woman crossing the road, what you used to say when you’d make me come with you to those boring conferences was, Ten points to the first person who hears someone say the words Walter Benjamin.

They had come down from the back mountains and higher places to hold forth their hands for something they thought civilization could offer, and they never dreamed the sadness and the poor broken delusion of it. They didn’t know that a bomb had come that could crack all our bridges and roads and reduce them to jumbles, and we would be as poor as they someday, and stretching out our hands in the same, same way. Our broken Ford, old thirties upgoing America Ford, rattled through them and vanished in dust.

I agree. We’ll put a few more points under him before the election. I’ll do everything except buy votes.” Andrews smirked. Pensively Andrews turned and gazed across the ramp and the row of sleek orbital shuttles lining the tarmac. The helo rocked back and forth, then lifted off, and the lush Florida greenery soon gave way to flat, swampy terrain. A spectacular array of ancient, decaying launch pads dotted the Atlantic coast far below, each a light circle of overgrown concrete connected to the primary road by a single thin, white driveway.

Chapter 3, The Dark Forest....The sound of flowing water echoed in the distance and then the path converged upon a creek full of fast, rippling, white water cascading over brown and red colored rocks. Moss dangled across the pathway and swung back and forth as the trespassers moved under the green vegetation. Bright yellow fingers of sunlight attempted to filter through the dense tundra to touch the moist earth until finally, the appendages of light disappeared completely. “Come children, this way,” called Mrs. Beetle leading her group over a moldy, moss-laden, wood bridge.

From the advertisement, his eyes moved up the skywalk, the zigzagging metal bridge that connected various locations in the neighborhood to the Banda train station. Behind the metal grid, men moved back and forth. Tommy Sir's eyes grew tired. He felt that up there, on that seemingly never-ending bridge, shadowy figures were moving toward obscure destinations, possibly only to return to their point of origin, like in an architectural sketch of infinity by M.C. Escher. Hell is a choice, made daily and by millions, and breathing slowly and watching this aerial cage, Tommy Sir saw Mumbai, minute by minute, unbecome and become hell.

This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented

People stepping up and down should not be a problem, and even the 1-Hertz sideways back-and-forth movement of humans walking should not have been a problem, as everyone is likely to be stepping at different times. For anyone pushing with their right foot, another person would be pushing with their left, and all the forces would pretty much cancel each other out. This sideways resonance would only be a problem if enough people walked perfectly in step. This is the “synchronous” in “synchronous lateral excitation” from pedestrians. On the Millennium Bridge, people did start to walk in step, because the movement of the bridge affected the rhythm at which they were walking. This formed a feedback loop: people stepping in sync caused the bridge to move more, and the bridge moving caused more people to step in sync.

At the heart of every child is the need for play. Play is important for creativity, learning, and interacting with peers. But it’s also the way children communicate. If we want to show our children we love them, we need to play with them. Play is the magical portal to connection. Playing with our children isn’t about enjoying the activity as much as it is about connecting with them. Much as with love languages or personality types, understanding how our children play is critical. Author and psychologist Lawrence J. Cohen, the author of Playful Parenting, wrote, “Play is important, not just because children do so much of it, but because there are layers and layers of meaning to even the most casual play.” He pointed out the various layers of a father and son playing catch—from developing hand-eye coordination and the joy of learning a new skill to the bonding time the two are sharing. “The rhythm of the ball flying back and forth is a bridge,” Cohen wrote, “reestablishing a deep connection between adult and child; and comments like ‘good try’ and ‘nice catch’ build confidence and trust.

The same mode of symbolising the justification by works had evidently been in use in Babylon itself; and, therefore, there was great force in the Divine handwriting on the wall, when the doom of Belshazzar went forth: "Tekel," "Thou art weighed in the balances, and art found wanting." In the Parsee system, which has largely borrowed from Chaldea, the principle of weighing the good deeds over against the bad deeds is fully developed. "For three days after dissolution," says Vaux, in his Nineveh and Persepolis, giving an account of Parsee doctrines in regard to the dead, "the soul is supposed to flit round its tenement of clay, in hopes of reunion; on the fourth, the Angel Seroch appears, and conducts it to the bridge of Chinevad. On this structure, which they assert connects heaven and earth, sits the Angel of Justice, to weigh the actions of mortals; when the good deeds prevail, the soul is met on the bridge by a dazzling figure, which says, "I am thy good angel; I was pure originally, but thy good deeds have rendered me purer;' and passing his hand over the neck of the blessed soul, leads it to Paradise. If iniquities preponderate, the soul is met by a hideous spectre, which howls out, 'I am thy evil genius; I was impure from the first, but thy misdeeds have made me fouler; through the we shall remain miserable until the resurrection;' the sinning soul is then dragged away to hell, where Ahriman sits to taunt it with its crimes." Such is the doctrine of Parseeism.

One of the few entry points to the Baltic Sea, the Kattegat passage is a busy and treacherous waterway. The entire region is a maze of fractured islands, shallow waters and tricky cur-rents which test the skills of all mariners. A vital sea route, the strait is used by large container ships, oil tankers and cruise ships alike and provides a crucial link between the Baltic coun-tries and Europe and the rest of the world. Navigating is difficult even in calm weather and clear visibility is a rare occurrence in these higher latitudes. During severe winters, it’s not uncommon for sections of the Baltic Sea to freeze, with ice occasionally drifting out of the straits, carried by the surface currents. The ship I was commandeering was on a back-and-forth ‘pendulum’ run, stopping at the ports of St Petersburg (Russia), Kotka (Finland), Gdańsk (Poland), Aarhus (Denmark) and Klaipėda (Lithuania) in the Baltic Sea, and Bremerhaven (Ger-many) and Rotterdam (Netherlands) in the North Sea. On this particular trip, the weather gods were in a benevolent mood and we were transiting under a faultless blue sky in one of the most picturesque regions of the world. The strait got narrower as we sailed closer to Zealand (Sjælland), the largest of the off-lying Danish islands. Up ahead, as we zigzagged through the laby-rinth of islands, the tall and majestic Great Belt Bridge sprang into view. The pylons lift the suspension bridge some sixty-five metres above sea level allowing it to accommodate the largest of the ocean cruise liners that frequently pass under its domi-nating expanse.

Structured Application Design with MVC MVC defines a clean separation between the critical components of our apps. Consistent with its name, MVC defines three parts of an application: • A model provides the underlying data and methods that offer information to the rest of the application. The model does not define how the application will look or how it will act. • One or more views make up the user interface. A view consists of the different onscreen widgets (buttons, fields, switches, and so forth) that a user can interact with. • A controller is typically paired with a view. The controller is responsible for receiving user input and acting accordingly. Controllers may access and update a view using information from the model and update the model using the results of user interactions in the view. In short, it bridges the MVC components.

When We Want God to Breathe New Life into Our Marriage Do not remember the former things, nor consider the things of old. Behold, I will do a new thing, now it shall spring forth; shall you not know it? I will even make a road in the wilderness and rivers in the desert. ISAIAH 43:18-19 WE ALL HAVE TIMES when we know we need new life in our marriage. We feel the strain, the tension, the sameness, or possibly even the subtle decay in it. When there is so much water under the bridge over what seems like a river of hurt, apathy, or preoccupation, we know we cannot survive the slowly and steadily rising flood without the Lord doing a new thing in both of us. The good news is that God says He will do that. He is the God of new beginnings, after all. But it won’t happen if we don’t make a choice to let go of the past. We have been made new if we have received Jesus. “If anyone is in Christ, he is a new creation; old things have passed away; behold, all things have become new” (2 Corinthians 5:17). But in a marriage, it is way too easy to hang on to the old disappointments, misunderstandings, disagreements, and abuses. It becomes a wilderness of hurtful memories we cling to because we don’t want to be hurt, disappointed, misunderstood, disregarded, fought with, or abused again. Hanging on to old patterns of thought and negative memories keeps them fresh in your mind. And you don’t let your husband forget them, either. You remain mired in them because you don’t feel the situation has been resolved—and it still hurts. Only God can give you and your husband a new beginning from all that has gone on in the past. Only He can make a road in the wilderness of miscommunication and misread intentions, and make a cleansing and restoring river to flow in the dry areas of your relationship. Everyone needs new life in their marriage at certain times. And only the God of renewal can accomplish that. My Prayer to God LORD, I ask that You would do a fresh work of Your Spirit in our marriage. Make all things new in each of us individually and also together. Dissolve the pain of the past where it is still rising up in us to stifle our communication and ultimately our hope and joy. Wherever we have felt trapped in a wilderness of our own making, carve a way out of it for us and show us the path to follow. If there are rigid and dry areas between us that don’t allow for new growth, give us a fresh flow of Your Spirit to bring new vitality into our relationship. Help us to stop rehearsing old hurtful conversations that have no place in any life committed to the God of new beginnings. Sweep away all the old rubble of selfishness, stubbornness, blindness, and the inability to see beyond the moment or a particular situation. Only You can take away our painful memories so that we don’t keep reliving the same problems, hurts, or injustices. Only You can resurrect love, excitement, and hope where they have died. Help us to forgive fully and allow each other to completely forget. Help us to focus on Your greatness in us, instead of each other’s faults. Holy Spirit, breathe new life into each of us and into our marriage today.

A good ambassador would never add nor subtract to the messages sent forth by his King. Can you imagine, thousands of years ago, any ambassador of a Caesar or Pharaoh, taking their king’s sealed messages, opening them up, and adding to or subtracting from what they found there?  If the Caesars and Pharaohs, in their human limitations and depravity, commanded such loyalty and absolute respect in the treatment of their words, how much more respect do we owe our righteous and eternal LORD?

Interestingly, it was her knowledge of the laws of gleaning, land redemption and levirate marriage, and her adherence to them, that brought forth the line of Messiah.  Ruth did not live as a Moabitess in Israel, but as an Israelite. I submit that Ruth was seeking the righteous life that had been modeled for her, not the kind of legalism that required young couples to sacrifice their first born child in the most unthinkably brutal of ways. 

To many the knowledge of reading came from the deciphering of what has been happily termed the Literature of the Bookless. This literature was placed that he who ran might read; and its opening chapters were in the form of inscriptions and legends and mottoes which were placed, not only on buildings and walls, and pillars and bridges, but on household furniture and table utensils. The

Who?” “Bill Judd Jr.” “Oh, noooo.” Round, Swedish oooo’s. “Miz Sweet, when we were going through Judd Sr.’s office, we found some invoices on your computer, for chemicals that were apparently used in an ethanol plant out in South Dakota…” “I heard about it on TV. That was the same one? The one where they were making drugs?” “Yes, it was,” Virgil said. “Oh, nooo.” The sound was driving him crazy; she sounded like a bad comedian. “Who in town knew about the ethanol plant?” She turned her face to one side and put a hand to her lips. “Well, the Judds, of course.” “Both of them?” Virgil asked. “Well…Junior set it up, but Senior knew about it.” He pressed. “Are you sure about that?” “Well, yes. He signed the checks.” “Did you see him signing the checks?” Virgil asked. “No, but I saw the checks. It was his signature…” “Do you remember the bank?” She shook her head. “No, no, I don’t.” She frowned. “I’m not even sure that the bank name was on the checks.” “Did you ever talk to Junior about that?” “No. It wasn’t my business,” she said. “They wanted to keep it quiet, because, you know, when ethanol started, it sounded a little like the Jerusalem artichoke thing. The Judds were involved in that, of course.” “So how quiet did they keep it?” Virgil asked. “Who else knew? Did you tell anybody?” He saw it coming, the noooo. “Oh, noooo…Junior told me, don’t talk about this, because of my father. So, I didn’t.” “Not to anybody?” Her eyes drifted. She was thinking, which meant that she had. “It’s possible…my sister, I might have told. I think there might have been some word around town.” “It’s really important that you remember…” She put her hand to her temple, as though she were going to move a paper clip with telekinesis, and said, “I might have mentioned it at bridge. At our bridge club. That a plant was being built, and some local people were involved.” “All right,” Virgil said. “So who was at the bridge club?” “Well, let me see, there would have been nine or ten of us…” She listed them; he only recognized one of the names. WHEN HE WAS DONE with Sweet, he strolled up the hill to the newspaper office. He pushed in, and found Williamson behind the business counter, talking to a woman customer. Williamson looked past the woman and snapped, “What do you want?” “I have a question, when you’re free.” “Wait.” Williamson was wearing a T-shirt and had sweat stains under his arms, as though he’d been lifting rocks. “Take just a minute.” The customer was trying to dump her Beanie Baby collection locally—ten years too late, in Virgil’s opinion—and wanted the cheapest possible advertisement. She got twenty words for six dollars, looking back and forth between Virgil and Williamson, and after writing a check for the amount, said to Virgil, “I’d love to hear your question.” Virgil looked at her over his sunglasses and grinned: “I’d love to have you, but I’m afraid it’s gotta be private, for the moment.” “Shoot.” She looked at Williamson, who shrugged, and she said, “Oh, well.” WHEN SHE’D GONE out the door, Williamson said, “I’m working. You can ask me out back.” “You still pissed about the search?

Other times they played some of their own games such as 'going to see the coyote' or ban-madr-che_gio as the Pimas called it. The game was played by very young Pima Indian children. A group of children line up in a single file with hands holding on to the one in front and marching towards another, usually a boy, lying down pretending to be asleep away from the crowd. When they reach the place where the boy is lying asleep, they march around him singing, alha, alha. When they have marched four times around him, the leader pokes the sleeping boy in the ribs and he jumps up and tries to catch one of the children in the line. The business of the leader of the lines is to prevent the coyote from catching one of the children. The coyote and the leader struggle while the line of children sways back and forth to keep from being caught. When the coyote grabs one of the children he runs off with him or her and that means he is supposed to have eaten him or her up. When he comes back, another coyote is lying asleep and the game is played over again. The first one caught by the coyote will be the next in turn to lie asleep as the coyote. We played this game when I was a boy, but the game is not any longer played among the Pima children. Now they play 'London Bridge is Falling Down.' Sometimes a toka contest is held between two villages. Toka is played only by the women. It is like hockey. Sticks about six feet long were used to throw a pair of small wooden balls tied together about three inches apart with a string of raw-hide. A team is ten or more women on each side. They pick up the set of balls with the end of the stick and toss it as far as they can. Another on that team will toss it again if she can, and run after her toss, until she gets it over the goal line. The playing field is a hundred steps long and fifty steps wide. When an argument arises they often use the sticks to settle it. [page 42, Pima Games]

The MS City of New York commanded by Captain George T. Sullivan, maintained a regular schedule between New York City and Cape Town, South Africa until the onset of World War II when on March 29, 1942 she was attacked off the coast of Cape Hatteras, North Carolina by the German submarine U-160 commanded by Kapitänleutnant Georg Lassen. The torpedo struck the MS City of New York at the waterline under the ship’s bridge instantly disabling her. Surfacing the U-boat circled the crippled ship making certain that all of the crew had a chance to abandon ship. In all four lifeboats were lowered holding 41 passengers, 70 crewmen and 13 officers. The armed guard stayed behind but considering the fate of those in the lifeboats did not fire on the submarine. At a distance of about 250 yards the submarine fired a round from her deck gun striking the hapless vessel on the starboard side at the waterline, by her number 4 hold. It took 20 minutes for the MS City of New York to sink stern first. The nine members of the armed guard waited until the water reached the ships after deck before jumping into the water. The following day, a U. S. Navy PBY Catalina aircraft was said to have searched the area without finding any survivors. Almost two days after the attack, a destroyer, the USS Roper rescued 70 survivors of which 69 survived. An additional 29 others were picked up by USS Acushnet, formally a seagoing tugboat and revenue cutter, now operated by the U.S. Coast Guard. All of the survivors were taken to the U.S. Naval Base in Norfolk, Virginia. Almost two weeks later, on 11 April, a U.S. Army bomber on its way to Europe, located the forth boat at 38°40N/73°00W having been carried far off shore by the Gulf Stream. The lifeboat contained six passengers, four women, one man and a young girl plus 13 crew members. Two of the women died of exposure. The eleven survivors and two bodies (the mother of the child and the armed guard) were picked up by the U.S. Coast Guard Cutter CG-455 and were brought to Lewes, Delaware. The final count showed that seven passengers, one armed guard and 16 crewmen died.

I never learned bridge or poker, both of which my mother plays excellently, and despite the fact that I am a total word nerd, I almost always lose at Scrabble. I just don’t do strategy—because I can’t. Strategy demands the deliberate use of perspective taking. I can’t see ahead enough, can’t jump back and forth between the mind of another player and myself.

Two other applicants were talking in the corner of the room. Normally Hope would’ve disregarded the distant chatter, but she had distinctly heard the phrase “Krom’s Canyon.” She swiveled her head to look at them. A fairly good-looking guy in a shirt-and-tie combination just casual enough to look much better than any truly formal clothes ever could was talking with a woman who was working her hardest to look like she was radiating a sexy librarian vibe by accident. “The way you had to work back and forth across the bridges with limited cover, taking out psychos blocking your path while the turret at the end of the canyon tried to gun you down, was just epic. It’s probably my favorite map in the entire series, even though it’s in my least favorite of the games. The writing was just so much better from two onward, though around five it started losing steam again.” Borderlands, Hope thought. They’re talking about the Borderlands games. Why can’t I be over there, talking games with them, instead of being stuck with, um, Bill Murray in Caddyshack. What was that character’s name? Carl something? Hmm. Well, I bet I know who’ll know.

Two other applicants were talking in the corner of the room. Normally Hope would’ve disregarded the distant chatter, but she had distinctly heard the phrase “Krom’s Canyon.” She swiveled her head to look at them. A fairly good-looking guy in a shirt-and-tie combination just casual enough to look much better than any truly formal clothes ever could was talking with a woman who was working her hardest to look like she was radiating a sexy librarian vibe by accident. “The way you had to work back and forth across the bridges with limited cover, taking out psychos blocking your path while the turret at the end of the canyon tried to gun you down, was just epic. It’s probably my favorite map in the entire series, even though it’s in my least favorite of the games. The writing was just so much better from two onward, though around five it started losing steam again.” Borderlands, Hope thought. They’re talking about the Borderlands games. Why can’t I be over there, talking games with them.

The Bridges of Marin County harbor views back east never so panoramic but here driving the folds of mt tamalpais the whole picture smooth blue of the bay set like a table for dinner guests who seat themselves in berkeley oakland and san jose pass around delicate dishes of angel island ferry boats and alcatraz i'll save a spot for you in san francisco spread with your favorite dishes don't leave me hanging in marin dinner at eight and everyone else on time you said you'd bring the wine we waited as long as we could the food went cold witnesses said that you stood nearly an hour i imagine you crossing back and forth leaning tower to tower finally choosing the southern your wish to rest nearer the city than the driveway how long had you been letting your two selves push each other over the edge stuffing your pockets with secrets and shame weighing yourself down with cement shoes a gangster assuring your own silence i pay the toll daily wondering as the dark shroud of the bay smoothed over you that night who did you think your quiet splash was saving were you keeping yourself from the pleasures you found in the city boys in dark bars handsome men who loved you did they love you too did you wrestle with vertigo lose your sense of balance imagine yourself icarus dizzied by your own precarious perch glorious ride on flawed wings was it so impossible to live and love on both sides of the bay did you think i couldn't feel your love when it was there for me your distraction when desires divided history like the water smoothes over with half-truth story of good job and grieving widow but each time i cross this span i wonder about the men with whom i share the loss of you invisibly i sit unseen in a castro cafe wondering which men gave you what kinds of comfort delight satisfaction these men of leather metal tattoos did you know them how did you get their attention how did they get yours did you walk hand-in-hand with a man who looked like you the marlboro man double exposed did you bury a love of bondage dominance submission in the bay did you find friendship too would you and i have found the same men handsome where are you in this cafe crowd i want to love what you wouldn't show me dance with more than a slice of truth hold your halves together in my arms and rock the till i have mourned and honored the whole of you was it so impossible to cross that divide to live and love on both sides of the bay hey isn't that what bridges are for

It’s a geode. You can sess that, the way the rock around you abruptly changes to something else. The pebble in the stream, the warp in the weft; countless aeons ago a bubble formed in a flow of molten mineral within Father Earth. Within that pocket, nurtured by incomprehensible pressures and bathed in water and fire, crystals grew. This one’s the size of a city. Which is probably why someone built a city in this one. You stand before a vast, vaulted cavern that is full of glowing crystal shafts the size of tree trunks. Big tree trunks. Or buildings. Big buildings. They jut forth from the walls in an utterly haphazard jumble: different lengths, different circumferences, some white and translucent and a few smoky or tinged with purple. Some are stubby, their pointed tips ending only a few feet away from the walls that grew them—but many stretch from one side of the vast cavern into the indistinct distance. They form struts and roads too steep to climb, going in directions that make no sense. It is as if someone found an architect, made her build a city out of the most beautiful materials available, then threw all those buildings into a box and jumbled them up for laughs. And they’re definitely living in it. As you stare, you notice narrow rope bridges and wooden platforms everywhere. There are dangling lines strung with electric lanterns, ropes and pulleys carrying small lifts from one platform to another. In the distance a man walks down a wooden stairway built around a titanic slanted column of white; two children play on the ground far below, in between stubby crystals the size of houses. Actually, some of the crystals are houses. They have holes cut in them—doors and windows. You can see people moving around inside some of them. Smoke curls from chimney holes cut in pointed crystal tips.

Even the Hindu neighbours had no way of figuring out what the priest recited, though it was in their mother tongue, Marathi. He didn’t give a damn about the meaning of the words, the feeling behind them, the poetry of the language or the complex manoeuvres of the plot line. He had no thought for metaphysical implications nor time to translate them in terms of everyday life. He was telescoping words, sentences, paragraphs, hurtling through chapter after chapter. He was vomiting all over the place, choking on his own breathless mess. What came forth were huge boulders and sharp and clangorous bits and parts of iron pistons and bridges and girders.

Almost simultaneously their eyes alighted on a small opening in the twisted branches of the trees, affording them a direct line of sight to the majestic Verrazzano Bridge. Together the women gazed at the slate-gray metal towers soaring skyward, the steel cables delicately draped from one tower to the other, ascending and descending, the small squares and larger rectangles moving back and forth over the curved roadway.

I've learned that many people are just bridges to someone else. Some people become bridges that you take back and forth to get back to yourself. That's how I interpret self-defining relationships. The people who bring you back to you. The ones who say, "You are always welcome here. You are family. I love you, and there's nothing you can do about it, so get used to it." My father's funeral was a reminder of how important family is, and how important tradition is. That showing up for a funeral is tradition, and that tradition is not a trope and that there's nothing stale about it. Every person that came to my father's funeral had given me information I hadn't had before--information I was now willing to receive.

Over the years, I did business and became fast friends with Juan Gallardo, the chairman and CEO of a large Mexican sugar and beverage company. In 2008, he brought me a crazy idea. He and some other private investors from Mexico wanted to build a pedestrian bridge across the U.S.–Mexico border that would physically connect a new building in the southernmost part of San Diego directly with the Tijuana International Airport, which, by an accident of geography, sits just five hundred feet south of the States. Nothing like it existed. Turns out more than 2 million people already cross the border back and forth to fly in or out of the airport. And passengers who used the existing border crossings had to take a circuitous route through Tijuana to get there and then wait hours to cross. There was built-in demand.

In such cases, however, there is no change to serve as a signal that something important has happened. Because the challenge we face is purely subjective, it is not likely to call forth a plan the way an external change does. So we lack a road map by which we can track our progress. We do not have anything to prepare for or any future to adjust to. We have only the gradual (or sudden) discovery that our lives, as we have been living them, aren't workable or livable as is any longer.

The angels who serve God one day do not serve him the next. Every single day new ministering angels are created from the River of Fire, known as Rigyon. This is the river of which it is written, A River of fire streamed forth before Him (Dan. 7:10). This river springs out of the perspiration of the heavenly creatures who support God's Throne of Glory and emerges from under the throne. There are a great many bridges of fire that have been placed over the river of fire, for the souls of the righteous to cross. Before they can sing before God, all the angels must first go down and bathe themselves in the river of fire, and dip their tongues and mouths in the river seven times. Then they encircle the Throne of Glory, singing hymns of praise to God unceasingly from sunrise to sunset, as it is said, From east to west the name of Yahweh is praised (Ps. 113:3).

Transition is more than just the human side of change, the psychological process through which people go when a change occurs, or the way people reorient themselves to do things a new way. It is also the experience people have when an organization is moving from one stage of its development to the next. Often at such times no specific change has occurred to connect the transition to. All people know is that things “feel different” around the organization. As with the coming of a new season, the weather of everyday activity may slip back and forth for a while, and you may be unsure whether the new season is really at hand. But in a little while the early signals turn into unmistakable signs, and everyone can recognize that a significant change is at hand.

Bridge to everything! Highway to everything! Your omnivorous soul, Your soul that’s bird, fish, beast, man, woman, Your soul that’s two where two exist, Your soul that’s one becoming two when two are one, Your soul that’s arrow, lightning, space, Amplex, nexus, sex and Texas, Carolina and New York, Brooklyn Ferry in the twilight, Brooklyn Ferry going back and forth, Libertad! Democracy! The Twentieth Century about to dawn! Boom! Boom! Boom! Boom!

Schaffer was feeling even more vague and woolly than Smith, if for different reasons. He was waking, slowly and painfully, from a very bad dream and in this dream he could taste salt in his mouth and hear a soft urgent feminine voice calling his name, calling it over and over again. In normal times Schaffer would have been all for soft feminine voices, urgent or not, but he wished that this one would stop for it was all part of the bad dream and in this bad dream someone had split his head in half and he knew the pain wouldn't go until he woke up. He moaned, put the palms of his hands on the floor and tried to prop himself up. It took a long time, it took an eternity, for someone had laid one of the girders from the Forth bridge across his back, but at last he managed to straighten both his arms, his head hanging down between them. His head didn't feel right, it didn't even feel like his head, for, apart from the fact that there seemed to be a butcher's cleaver stuck in it, it seemed to be stuffed with cotton wool, grey and fuzzy round the edges. He shook his head to clear it and this was a mistake for the top of his head fell off. Or so it felt to Schaffer as the blinding coruscation of multi-coloured lights before his eyes arranged themselves into oddly kaleidoscopic patterns. He opened his eyes and the patterns dimmed and the lights began to fade: gradually, beneath his eyes the pattern of floorboards began to resolve themselves, and, on the board, the outlines of hands. His own hands. He was awake, but this was one of those bad dreams which stayed with you even when you were awake. He could still taste salt—the salt of blood—his head still felt as if one incautious shake would have it rolling across the floor and that soft and urgent voice was still calling.

Dad teased and taunted her, nearly tagging her. Finally, she reached the bridge. She clung to the sides and ran, barely able to stand up as the bridge swayed back and forth while twisting. Luckily, he seemed to have just as hard of a time with it as she did. Finally, she made it to the end. The high platform went in four different directions. She headed to the right and found herself at the top of a line of five tall, steep slides that had big bumps going all the way down.

She kept looking at the dark stretch of water below them, the bridges spanning the space, dotted with lights. Party guests moved back and forth across in a dance of scattered shadows. She wondered how many of them were with the person they loved tonight—and how many of them were alone, like her.

I’ve learned that many people are just bridges to someone else. Some people become bridges that you take back and forth to get back to yourself. That’s how I interpret self-defining relationships. The people who bring you back to you. The ones who say, “You are always welcome here. You are family. I love you, and there’s nothing you can do about it, so get used to it.

The only thing that can be said with certainty is that an emperor and a king long dead both wanted this land and had too much pride in their hearts to split it down the middle. And though thousands have died to claim it, Nerastis sits in ruins and much of the land around it fallow. Anyone who thinks it is honorable to continue such a fight is a goddamned fool.” Zarrah jerked, hand going to her weapon as fury rose in her heart. “If you had any concept of what your people have done to mine, the number of orphans they’ve left in their wakes, you’d⁠—” “I do understand, because your people have done the same to mine. And you must take a hard look at yourself if you think a child of Maridrina is worth less only because they don’t bend the knee to the same crown.” He gave a sharp shake of his head. “Back and forth and back and forth, and all it yields is corpses, their children growing up with hate in their hearts to take up weapons and continue the cycle anew.” His words were too close, too personal, though he couldn’t possibly know the truth. “What would you have us do? What other solution is there but to fight?” Silence. “I don’t know,” he finally said. “It’s easy to want change, but far more difficult to find ways to achieve it. And impossible to achieve it when those in power want the status quo,

Back and forth and back and forth, and all it yields is corpses, their children growing up with hate in their hearts to take up weapons and continue the cycle anew.