Forth And Fear No Darkness Quotes

Forth, and fear no darkness! Arise! Arise, Riders of Theoden! Spears shall be shaken,swords shall be splintered! A sword day...a red day...ere the sun rises! Ride now!...Ride now!...Ride! Ride to ruin and the world's ending! Death! "Death!" Death! "Death!" DEATH! "Death!" Forth, Eorlingas!!

There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain.

Night, forever. But within it, a city, shadowy and only real in certain ways. The entity cowered in its alley, where the mist was rising. This could not have happened! Yet it had. The streets had filled with… things. Animals! Birds! Changing shape! Screaming and yelling! And, above it all, higher than the rooftops, a lamb rocking back and forth in great slow motions, thundering over the cobbles… And then bars had come down, slamming down, and the entity had been thrown back. But it had been so close! It had saved the creature, it was getting through, it was beginning to have control… and now this… In the darkness of the inner city, above the rustle of the never-ending rain, it heard the sound of boots approaching. A shape appeared in the mist. It drew nearer. Water cascaded off a metal helmet and an oiled leather cloak as the figure stopped and, entirely unconcerned, cupped its had in front of its face and lit a cigar. Then the match was dropped on the cobbles, where it hissed out, and the figure said: “What are you?” The entity stirred, like an old fish in a deep pool. It was too tired to flee. “I am the Summoning Dark.” It was not, in fact, a sound, but had it been, it would have been a hiss. “Who are you?” “I am the Watchman.” “They would have killed his family!” The darkness lunged, and met resistance. “Think of the deaths they have caused! Who are you to stop me?” “He created me. Quis custodiet ipsos custodes? Who watches the watchmen? Me. I watch him. Always. You will not force him to murder for you.” “What kind of human creates his own policeman?” “One who fears the dark.” “And so he should,” said the entity, with satisfaction. “Indeed. But I think you misunderstand. I am not here to keep the darkness out. I am here to keep it in.” There was a clink of metal as the shadowy watchman lifted a dark lantern and opened its little door. Orange light cut through the blackness. “Call me… the Guarding Dark. Imagine how strong I must be.” The Summoning Dark backed desperately into the alley, but the light followed it, burning it. “And now,” said the watchman, “get out of town.

Everything is gestation and then bringing forth. To let each impression and each germ of feeling come to completion wholly in itself, in the dark, in the inexpressible, the unconscious, beyond the reach of one's own intelligence, and await with deep humility and patience the birth-hour of a new clarity: that alone is living the artist's life, in understanding and in creating. There is no measuring in time, no year matters, and ten years are nothing. Being an artist means, not reckoning and counting, but ripening like the tree which does not force its sap and stands confident in the storms of spring without fear that after them may come no summer.

Death is their fate, the gift of Ilúvatar, which as Time wears even the Powers shall envy. But Melkor has cast his shadow upon it, and confounded it with darkness, and brought forth evil out of good, and fear out of hope.

It doesn't matter what the manifest problem was in our childhood family. In a home where a child is emotionally deprived for one reason or another that child will take some personal emotional confusion into his or her adult life. We may spin our spiritual wheels in trying to make up for childhood's personal losses, looking for compensation in the wrong places and despairing that we can find it. But the significance of spiritual rebirth through Jesus Christ is that we can mature spiritually under His parenting and receive healing compensation for these childhood deprivations. Three emotions that often grow all out of proportion in the emotionally deprived child are fear, guilt, and anger. The fear grows out of the child's awareness of the uncontrollable nature of her fearful environment, of overwhelming negative forces around her. Her guilt, her profound feelings of inadequacy, intensify when she is unable to put right what is wrong, either in the environment or in another person, no matter how hard she tries to be good. If only she could try harder or be better, she could correct what is wrong, she thinks. She may carry this guilt all her life, not knowing where it comes from, but just always feeling guilty. She often feels too sorry for something she has done that was really not all that serious. Her anger comes from her frustration, perceived deprivation, and the resultant self-pity. She has picked up an anger habit and doesn't know how much trouble it is causing her. A fourth problem often follows in the wake of the big three: the need to control others and manipulate events in order to feel secure in her own world, to hold her world together- to make happen what she wants to happen. She thinks she has to run everything. She may enter adulthood with an illusion of power and a sense of authority to put other people right, though she has had little success with it. She thinks that all she has to do is try harder, be worthier, and then she can change, perfect, and save other people. But she is in the dark about what really needs changing."I thought I would drown in guilt and wanted to fix all the people that I had affected so negatively. But I learned that I had to focus on getting well and leave off trying to cure anyone around me." Many of those around - might indeed get better too, since we seldom see how much we are a key part of a negative relationship pattern. I have learned it is a true principle that I need to fix myself before I can begin to be truly helpful to anyone else. I used to think that if I were worthy enough and worked hard enough, and exercised enough anxiety (which is not the same thing as faith), I could change anything. My power and my control are illusions. To survive emotionally, I have to turn my life over to the care of that tender Heavenly Father who was really in charge. It is my own spiritual superficiality that makes me sick, and that only profound repentance, that real change of heart, would ultimately heal me. My Savior is much closer than I imagine and is willing to take over the direction of my life: "I am the vine, ye are the branches: He that abideth in me, and I in him, the same bringeth forth much fruit: for without me, ye can do nothing." (John 15:5). As old foundations crumble, we feel terribly vulnerable. Humility, prayer and flexibility are the keys to passing through this corridor of healthy change while we experiment with truer ways of dealing with life. Godly knowledge, lovingly imparted, begins deep healing, gives tools to live by and new ways to understand the gospel.

Your lies don't anger me," Roland said, "but the fear which brings them forth does. Shut thy mouth.

But being brave isn't about living every minute exhilarated. It's about waking up and knowing that despite the worry and the sadness and the deep, dark fear, you're going to go forth anyway. That you're going to try anyway. That you have a choice, and you're going to choose to live, today, bravely.

Then a dark shape would glide across the star-covered sky, everyone would look up and the laughter would stop. It wasn't exactly what you'd call fear, rather a strange sadness--a sadness that had nothing human about it any more, for it lacked both courage and hope. This was how animals waited to die. It was the way fish caught in a net watch the shadow of the fisherman moving back and forth above them.

Citizens, the nineteenth century is great, but the twentieth century will be happy. Then, there will be nothing more like the history of old, we shall no longer, as to-day, have to fear a conquest, an invasion, a usurpation, a rivalry of nations, arms in hand, an interruption of civilization depending on a marriage of kings, on a birth in hereditary tyrannies, a partition of peoples by a congress, a dismemberment because of the failure of a dynasty, a combat of two religions meeting face to face, like two bucks in the dark, on the bridge of the infinite; we shall no longer have to fear famine, farming out, prostitution arising from distress, misery from the failure of work and the scaffold and the sword, and battles and the ruffianism of chance in the forest of events. One might almost say: There will be no more events. We shall be happy. The human race will accomplish its law, as the terrestrial globe accomplishes its law; harmony will be re-established between the soul and the star; the soul will gravitate around the truth, as the planet around the light. Friends, the present hour in which I am addressing you, is a gloomy hour; but these are terrible purchases of the future. A revolution is a toll. Oh! the human race will be delivered, raised up, consoled! We affirm it on this barrier. Whence should proceed that cry of love, if not from the heights of sacrifice? Oh my brothers, this is the point of junction, of those who think and of those who suffer; this barricade is not made of paving-stones, nor of joists, nor of bits of iron; it is made of two heaps, a heap of ideas, and a heap of woes. Here misery meets the ideal. The day embraces the night, and says to it: 'I am about to die, and thou shalt be born again with me.' From the embrace of all desolations faith leaps forth. Sufferings bring hither their agony and ideas their immortality. This agony and this immortality are about to join and constitute our death. Brothers, he who dies here dies in the radiance of the future, and we are entering a tomb all flooded with the dawn.

Another part of the Puritan legacy is the belief that no one should have joy or abundance until everyone does, a belief that austere at one end, in the deprivation it endorses, and fantastical in the other, since it awaits a universal utopia. Joy sneaks in anyway, abundance cascades forth uninvited...Joy doesn't betray but sustains activism. And when you face a politics that aspires to make you fearful, alienated, and isolated, joy is a fine initial act of insurrection.

That night I never thought to sleep; but a slumber fell on me as soon as I lay down in bed. I was transported in thought to the scenes of childhood: I dreamt I lay in the red-room at Gateshead; that the night was dark, and my mind impressed with strange fears. The light that long ago had struck me into syncope, recalled in this vision, seemed glidingly to mount the wall, and tremblingly to pause in the centre of the obscured ceiling. I lifted up my head to look: the roof resolved to clouds, high and dim; the gleam was such as the moon imparts to vapours she is about to sever. I watched her come—watched with the strangest anticipation; as though some word of doom were to be written on her disk. She broke forth as never moon yet burst from cloud: a hand first penetrated the sable folds and waved them away; then, not a moon, but a white human form shone in the azure, inclining a glorious brow earthward. It gazed and gazed on me. It spoke to my spirit: immeasurably distant was the tone, yet so near, it whispered in my heart— 'My daughter, flee temptation.' 'Mother, I will.' So I answered after I had waked from the trance-like dream.

All his court were cast down in slumber, and all the fires faded and were quenched; but the Silmarils in the crown on Morgoth's head blazed forth suddenly with a radiance of white flame; and the burden of that crown and of the jewels bowed down his head, as though the world were set upon it, laden with a weight of care, of fear, and of desire, that even the will of Morgoth could not support. Then Lúthien catching up her winged robe sprang into the air, and her voice came dropping down like rain into pools, profound and dark. She cast her cloak before his eyes, and set upon him a dream, dark as the outer Void where once he walked alone.

It is an age lurching along the lip of a dark precipice, peeking fearfully into chaos's empty eyes, enrapt, like a giddy rat trying to stare down a hungry cobra. The gods are restless, tossing and turning and wakening in snippets to conspire at mischief. Their bastard offspring, the hundred million spirits of rock and brook and tree, of place and time and emotion, find old constraints are rotting. The Postern of Fate stands ajar. The world faces an age of fear, of conflict, of grand sorcery, of great change, and of greater despair amongst mortal men. And the cliffs of ice creep forward. Great kings walk the earth. They cannot help but collide. Great ideas sweep back and forth aross the face of a habitable world that is shrinking. Those cannot help but fire hatred and fear amongst adherents of dogmas and doctrines under increasing pressure. As always, those who do the world's work most dearly pay the price of the world's pain.

Our world no longer hears God because it is constantly speaking, at a devastating speed and volume, in order to say nothing. Modern civilization does not know how to be quiet. It holds forth in an unending monologue. Postmodern society rejects the past and looks at the present as a cheap consumer object; it pictures the future in terms of an almost obsessive progress. Its dream, which has become a sad reality, will have been to lock silence away in a damp, dark dungeon. Thus there is a dictatorship of speech, a dictatorship of verbal emphasis. In this theater of shadows, nothing is left but a purulent wound of mechanical words, without perspective, without truth, and without foundation. Quite often “truth” is nothing more than the pure and misleading creation of the media, corroborated by fabricated images and testimonies. When that happens, the word of God fades away, inaccessible and inaudible. Postmodernity is an ongoing offense and aggression against the divine silence. From morning to evening, from evening to morning, silence no longer has any place at all; the noise tries to prevent God himself from speaking. In this hell of noise, man disintegrates and is lost; he is broken up into countless worries, fantasies, and fears. In order to get out of these depressing tunnels, he desperately awaits noise so that it will bring him a few consolations. Noise is a deceptive, addictive, and false tranquilizer. The tragedy of our world is never better summed up than in the fury of senseless noise that stubbornly hates silence. This age detests the things that silence brings us to: encounter, wonder, and kneeling before God. 75. Even in the schools, silence has disappeared. And yet how can anyone study in the midst of noise? How can you read in noise? How can you train your intellect in noise? How can you structure your thought and the contours of your interior being in noise? How can you be open to the mystery of God, to spiritual values, and to our human greatness in continual turmoil? Contemplative silence is a fragile little flame in the middle of a raging ocean. The fire of silence is weak because it is bothersome to a busy world.

You are the sun. The sun doesn't move, this is what it does. You are the Earth. The Earth is here for a start, and then the Earth moves around the sun. And now, we'll have an explanation that simple folks like us can also understand, about immortality. All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign. And just imagine, in this infinite sonorous silence, everywhere is an impenetrable darkness. Here, we only experience general motion, and at first, we don't notice the events that we are witnessing. The brilliant light of the sun always sheds its heat and light on that side of the Earth which is just then turned towards it. And we stand here in its brilliance. This is the moon. The moon revolves around the Earth. What is happening? We suddenly see that the disc of the moon, the disc of the moon, on the Sun's flaming sphere, makes an indentation, and this indentation, the dark shadow, grows bigger... and bigger. And as it covers more and more, slowly only a narrow crescent of the sun remains, a dazzling crescent. And at the next moment, the next moment - say that it's around one in the afternoon - a most dramatic turn of event occurs. At that moment the air suddenly turns cold. Can you feel it? The sky darkens, then goes all dark. The dogs howl, rabbits hunch down, the deer run in panic, run, stampede in fright. And in this awful, incomprehensible dusk, even the birds... the birds too are confused and go to roost. And then... Complete Silence. Everything that lives is still. Are the hills going to march off? Will heaven fall upon us? Will the Earth open under us? We don't know. We don't know, for a total eclipse has come upon us... But... but no need to fear. It's not over. For across the sun's glowing sphere, slowly, the Moon swims away. And the sun once again bursts forth, and to the Earth slowly there comes again light, and warmth again floods the Earth. Deep emotion pierces everyone. They have escaped the weight of darkness

The evil genius of darkness presided at its birth, it came forth under the veil of mystery, its true features being carefully concealed, and every deceptive art has been and is practicing to have this spurious brat received as the genuine offspring of heaven-born liberty. So fearful are its patrons that you should discern the imposition, that they have hurried on its adoption, with the greatest precipitation. After so recent a triumph over British despots, after such torrents of blood and treasure have been spent, after involving ourselves in the distresses of an arduous war, and incurring such a debt for the express purpose of asserting the rights of humanity; it is truly astonishing that a set of men among ourselves should have the effrontery to attempt the destruction ofour liberties. But in this enlightened age to hope to dupe the people by the arts they are practicing is still more extraordinary.

34. If you’ve immersed yourself in the principles of truth, the briefest, most random reminder is enough to dispel all fear and pain: … leaves that the wind Drives earthward; such are the generations of men. Your children, leaves. Leaves applauding loyally and heaping praise upon you, or turning around and calling down curses, sneering and mocking from a safe distance. A glorious reputation handed down by leaves. All of these “spring up in springtime”—and the wind blows them all away. And the tree puts forth others to replace them. None of us have much time. And yet you act as if things were eternal—the way you fear and long for them.… Before long, darkness. And whoever buries you mourned in their turn.

sometimes when i was at dark,, there is no light for me,, as for me do not know way to turn out,, how clueless am i till the point i really dunt know i was heartless i was painless and i gain nothing for the past years, the forth coming through hatred me,, i dun even know why am i here standing within my family the past i gain is a shadow that i dun want to look at i was scared and startled like i was a statue of people like in magenta lining of the clothes i feel nothing i feel no one knows me i feel no one understand me when the times i look after for allah there is something always bargain me from searching it its like a pain i felt like no fear it was a wrap like book shelf in the cupboard thats me finding the way to turn good but i do not know which path and direction

Now Melkor began the delving and building of a vast fortress, deep under Earth, beneath dark mountains where the beams of Illuin were cold and dim. That stronghold was named Utumno. And though the Valar knew naught of it as yet, nonetheless the evil of Melkor and the blight of his hatred flowed out thence, and the Spring of Arda was marred. Green things fell sick and rotted, and rivers were choked with weeds and slime, and fens were made, rank and poisonous, the breeding place of flies; and forests grew dark and perilous, the haunts of fear; and beasts became monsters of horn and ivory and dyed the earth with blood. Then the Valar knew indeed that Melkor was at work again, and they sought for his hiding place. But Melkor, trusting in the strength of Utumno and the might of his servants, came forth suddenly to war, and struck the first blow, ere the Valar were prepared; and he assailed the lights of Illuin and Ormal, and cast down their pillars and broke their lamps. In the overthrow of the mighty pillars lands were broken and seas arose in tumult; and when the lamps were spilled destroying flame was poured out over the Earth. And the shape of Arda and the symmetry of its waters and its lands was marred in that time, so that the first designs of the Valar were never after restored.

  Deep under ground, materials dark and crude,   Of spiritous and fierie spume, till toucht   With Heav'ns ray, and temperd they shoot forth   So beauteous, op'ning to the ambient light.   These in thir dark Nativitie the Deep   Shall yeild us, pregnant with infernal flame,   Which into hallow Engins long and round   Thick-rammd, at th' other bore with touch of fire   Dilated and infuriate shall send forth   From far with thundring noise among our foes   Such implements of mischief as shall dash   To pieces, and orewhelm whatever stands   Adverse, that they shall fear we have disarmd   The Thunderer of his only dreaded bolt.

All in the wicked darkest eve In blood and shadows alike; We strive to live through mighty pain, By mighty arms unite, Oft mighty hands make plain romance, A traveling heart's plight. Ah, cruel Nine! In such an hour, Beneath such dreadful weather, To beg a tale of life so bleak To stir bound wings of feathers! Yet what can one lone voice avail Against ten tongues together? Imperious Alice tumbles forth Her edict “we will end it”— In wistful tones her people hope “There will be justice in it”— While her men carry on the tale And also help begin it. Shit, this sudden war's begun, In ire giving chase The young woman moving through a land Of wonders dark and base, In friendly tryst with man and beast— The darkness she would face. And ever, as the story changed The wells of knowledge lie, And hearty strove that weary one To put her subjects by, “I am not brave—” “True fear is fine!” The frightened voices cry. Thus grew the tale of Underland: Thus slowly, one by one, Its queer events are fucking wrote— The tale is far from done, And home is where, the girl may ask, As she debates to run. Alice! A terrifying story, And with a skeleton hand Lay it where graveyard's nightmares bury The rebels no longer stand, Like magic's withered throne of corpses Plucked from a far-off land.

The first symptom of true love in a young man is timidity; in a young girl, boldness. This is surprising, yet nothing is more simple. It is the two sexes tending to approach each other and assuming, each the other’s qualities. That day, Cosette’s glance drove Marius beside himself, and Marius’ glance set Cosette to trembling. Marius went away confident, and Cosette uneasy. From that day forth, they adored each other. The first thing that Cosette felt was a confused and profound melancholy. It seemed to her that her soul had become black since the day before. She no longer recognized it. The whiteness of soul in young girls, which is composed of coldness and gayety, resembles snow. It melts in love, which is its sun. Cosette did not know what love was. She had never heard the word uttered in its terrestrial sense. She did not know what name to give to what she now felt. Is any one the less ill because one does not know the name of one’s malady? She loved with all the more passion because she loved ignorantly. She did not know whether it was a good thing or a bad thing, useful or dangerous, eternal or temporary, allowable or prohibited; she loved. She would have been greatly astonished, had any one said to her: ‘You do not sleep? But that is forbidden! You do not eat? Why, that is very bad! You have oppressions and palpitations of the heart? That must not be! You blush and turn pale, when a certain being clad in black appears at the end of a certain green walk? But that is abominable!’ She would not have understood, and she would have replied: ‘What fault is there of mine in a matter in which I have no power and of which I know nothing?’ It turned out that the love which presented itself was exactly suited to the state of her soul. It was admiration at a distance, the deification of a stranger. It was the apparition of youth to youth, the dream of nights become a reality yet remaining a dream, the longed-for phantom realized and made flesh at last, but having as yet, neither name, nor fault, nor spot, nor exigence, nor defect; in a word, the distant lover who lingered in the ideal, a chimaera with a form. Any nearer and more palpable meeting would have alarmed Cosette at this first stage, when she was still half immersed in the exaggerated mists of the cloister. She had all the fears of children and all the fears of nuns combined. The spirit of the convent, with which she had been permeated for the space of five years, was still in the process of slow evaporation from her person, and made everything tremble around her. In this situation he was not a lover, he was not even an admirer, he was a vision. She set herself to adoring Marius as something charming, luminous, and impossible. As extreme innocence borders on extreme coquetry, she smiled at him with all frankness. Every day, she looked forward to the hour for their walk with impatience, she found Marius there, she felt herself unspeakably happy, and thought in all sincerity that she was expressing her whole thought when she said to Jean Valjean:— ‘What a delicious garden that Luxembourg is!’ Marius and Cosette were in the dark as to one another. They did not address each other, they did not salute each other, they did not know each other; they saw each other; and like stars of heaven which are separated by millions of leagues, they lived by gazing at each other. It was thus that Cosette gradually became a woman and developed, beautiful and loving, with a consciousness of beauty and in ignorance of love.

Night fell. The full moon shone sweetly and tremulously, bewitching and foreboding with rays which were cold and funereally silent. The heart of the Youth was filled with an apprehensive fear as he went up to his window. His hand, clutching the edge of the yellow curtain, hesitated and vacillated for a long time before he resolved to draw the curtain slowly aside. The yellow linen rustled as it slowly gathered, and its rustle was like the barely audible hissing of a serpent in the forest's undergrowth; and the thin brass rings jingled and scraped against the brass curtain rod. The Beauty stood beneath the window and looked at the window and waited. And the heart of the Youth shuddered, and he could not make out whether his heart was seized by ecstasy or terror. The black braids of the Beauty were undone and fell on her naked shoulders. A sharply outlined shadow lay on the ground beside her. Illuminated from the side by the moon, she stood like some distinct and well-defined spectre. That half of her face which was illuminated by the moon, as well as her shoulders and her arms, were deathly white, as white as her robe. The folds of her white robe were severe and dark. Dark was the azure of her eyes, mysterious her frozen smile. A smooth, burnished clasp, fastened at the shoulder, gleamed dully against the strange tranquility of her body and garments. She began to speak softly, and her words, ringing like the fine silver chains of a lighted censer, gave forth a fragrance of ambergris, musk and lily. ("The Poison Garden

As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you. From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf. But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down. You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.

God Knows' And I said to the man who stood at the gate of the year: “Give me a light that I may tread safely into the unknown.” And he replied: “Go out into the darkness and put your hand into the Hand of God. That shall be to you better than light and safer than a known way.” So I went forth, and finding the Hand of God, trod gladly into the night. And He led me towards the hills and the breaking of day in the lone East. So heart be still: What need our little life Our human life to know, If God hath comprehension? In all the dizzy strife Of things both high and low, God hideth His intention. God knows. His will Is best. The stretch of years Which wind ahead, so dim To our imperfect vision, Are clear to God. Our fears Are premature; In Him, All time hath full provision. Then rest: until God moves to lift the veil From our impatient eyes, When, as the sweeter features Of Life’s stern face we hail, Fair beyond all surmise God’s thought around His creatures Our mind shall fill.

The discords of our experience--delight in change, fear of change; the death of the individual and the survival of the species, the pains and pleasures of love, the knowledge of light and dark, the extinction and the perpetuity of empires--these were Spenser's subject; and they could not be treated without this third thing, a kind of time between time and eternity. He does not make it easy to extract philosophical notions from his text; but that he is concerned with the time-defeating aevum and uses it as a concord-fiction, I have no doubt. 'The seeds of knowledge,' as Descartes observed, 'are within us like fire in flint; philosophers educe them by reason, but the poets strike them forth by imagination, and they shine the more clearly.' We leave behind the philosophical statements, with their pursuit of logical consequences and distinctions, for a free, self-delighting inventiveness, a new imagining of the problems. Spenser used something like the Augustinian seminal reasons; he was probably not concerned about later arguments against them, finer discriminations. He does not tackle the questions, in the Garden cantos, of concreation, but carelessly--from a philosophical point of view--gives matter chronological priority. The point that creation necessitates mutability he may have found in Augustine, or merely noticed for himself, without wondering how it could be both that and a consequence of the Fall; it was an essential feature of one's experience of the world, and so were all the arguments, precise or not, about it. Now one of the differences between doing philosophy and writing poetry is that in the former activity you defeat your object if you imitate the confusion inherent in an unsystematic view of your subject, whereas in the second you must in some measure imitate what is extreme and scattering bright, or else lose touch with that feeling of bright confusion. Thus the schoolmen struggled, when they discussed God, for a pure idea of simplicity, which became for them a very complex but still rational issue: for example, an angel is less simple than God but simpler than man, because a species is less simple than pure being but simpler than an individual. But when a poet discusses such matters, as in say 'Air and Angels,' he is making some human point, in fact he is making something which is, rather than discusses, an angel--something simple that grows subtle in the hands of commentators. This is why we cannot say the Garden of Adonis is wrong as the Faculty of Paris could say the Averroists were wrong. And Donne's conclusion is more a joke about women than a truth about angels. Spenser, though his understanding of the expression was doubtless inferior to that of St. Thomas, made in the Garden stanzas something 'more simple' than any section of the Summa. It was also more sensuous and more passionate. Milton used the word in his formula as Aquinas used it of angels; poetry is more simple, and accordingly more difficult to talk about, even though there are in poetry ideas which may be labelled 'philosophical.

JANUARY 27 YOU WILL SEE VISIONS AND DREAM DREAMS FROM ME MY CHILD, I reveal Myself to my servants in visions, and I speak to them in dreams. Just as I gave my knowledge and understanding to Daniel and his friends, I will fill you with My knowledge and understanding. Just as Daniel could understand visions and dreams of all kinds, so too, if you serve Me with all your heart, will I give you understanding of visions and dreams from Me. When I give you My visions and dreams, pay close attention to all I say, for you too have been brought to this moment for a very special purpose. ACTS 2:17–18; DANIEL 1:17; EZEKIEL 40:1–4 Prayer Declaration Lord, I do not fear the darkness of night, for I wait expectantly for Your visions and dreams to fill me with understanding and knowledge for Your people. You awaken me morning by morning, and you waken my ear to hear as the learned hear. You show forth Your salvation in my life from day to day. Let Your angels guard and protect me at night, and I will show forth Your glory every day.

There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamored of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those who minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black, fantastic shapes, dumb shadows crawl into the corners of the room, and crouch there. Outside, there is the stirring of the birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleeper, and yet must needs call forth Sleep from her purple cave. Veil after veil of thin, dusky gauze is lifted, and by degrees the forms and colors of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colors, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness, and the memories of pleasure their pain.

Human sin is supposedly inevitable because of our right of free will. This assumption is unmistakably laid out in the greatest origin story ever told — the story of Adam and Eve. The Genesis account of the beginning, foundational to three major world religions, establishes the dichotomies of “light and dark” and “good and evil” as basic to the infrastructure of the universe.1 The greatest transgression is emphatically disobedience. Disobedience drives the action, bringing about the Fall and the permanent loss of paradise. As a result of Adam and Eve ’s eating from the tree of knowledge of good and evil, all who issue from the seed of Adam are condemned to death. Mortality — dying, regarded as a natural act in most non-Abrahamic-based philosophies — is instead the unnatural outcome of sin. This is yet another demonstration of the Judeo-Christian discomfort with death. Eve and Adam’s disobedience also brought down on us a host of lesser curses — shame, guilt, impurity, suffering, bodily pain, especially while giving birth, physical labor, desire, temptation, greed, crime, sex, and so forth. Why was this tree put there?

The valley of Minas Morgul passed into evil very long ago, and it was a menace and a dread while the banished Enemy dwelt yet far away, and Ithilien was still for the most part in our keeping. As you know, that city was once a strong place, proud and fair, Minas Ithil, the twin sister of our own city. But it was taken by fell men whom the Enemy in his first strength had dominated, and who wandered homeless and masterless after his fall. It is said that their lords were men of Númenor who had fallen into dark wickedness; to them the Enemy had given rings of power, and he had devoured them: living ghosts they were become, terrible and evil. After his going they took Minas Ithil and dwelt there, and they filled it, and all the valley about, with decay: it seemed empty and was not so, for a shapeless fear lived within the ruined walls. Nine Lords there were, and after the return of their Master, which they aided and prepared in secret, they grew strong again. Then the Nine Riders issued forth from the gates of horror, and we could not withstand them. Do not approach their citadel. You will be espied. It is a place of sleepless malice, full of lidless eyes. Do not go that way!

Grabbing my hair and pulling it to the point my skull throbs, I rock back and forth while insanity threatens to destroy my mind completely. Father finally did what Lachlan started. Destroyed my spirit. The angel is gone. The monster has come and killed her. Lachlan Sipping his whiskey, Shon gazes with a bored expression at the one-way mirror as Arson lights the match, grazing the skin of his victim with it as the man convulses in fear. “Show off,” he mutters, and on instinct, I slap the back of his head. He rubs it, spilling the drink. “The fuck? We are wasting time, Lachlan. Tell him to speed up. You know if you let him, he can play for hours.” All in good time, we don’t need just a name. He is saving him for a different kind of information that we write down as Sociopath types furiously on his computer, searching for the location and everything else using FBI databases. “Bingo!” Sociopath mutters, picking up the laptop and showing the screen to me. “It’s seven hours away from New York, in a deserted location in the woods. The land belongs to some guy who is presumed dead and the man accrued the right to build shelters for abused women. They actually live there as a place of new hope or something.” Indeed, the center is advertised as such and has a bunch of stupid reviews about it. Even the approval of a social worker, but then it doesn’t surprise me. Pastor knows how to be convincing. “Kids,” I mutter, fisting my hands. “Most of them probably have kids. He continues to do his fucked-up shit.” And all these years, he has been under my radar. I throw the chair and it bounces off the wall, but no one says anything as they feel the same. “Shon, order a plane. Jaxon—” “Yeah, my brothers will be there with us. But listen, the FBI—” he starts, and I nod. He takes a beat and quickly sends a message to someone on his phone while I bark into the microphone. “Arson, enough with the bullshit. Kill him already.” He is of no use to us anyway. Arson looks at the wall and shrugs. Then pours gas on his victim and lights up the match simultaneously, stepping aside as the man screams and thrashes on the chair, and the smell of burning flesh can be sensed even here. Arson jogs to a hose, splashing water over him. The room is designed security wise for this kind of torture, since fire is one of the first things I taught. After all, I’d learned the hard way how to fight with it. “On the plane, we can adjust the plan. Let’s get moving.” They spring into action as I go to my room to get a specific folder to give to Levi before I go, when Sociopath’s hand stops me, bumping my shoulder. “Is this a suicide mission for you?” he asks, and I smile, although it lacks any humor. My friend knows everything. Instead of answering his question, I grip his shoulder tight, and confide, “Valencia is entrusted to you.” We both know that if I want to destroy Pastor, I have to die with him. This revenge has been twenty-three years in the making, and I never envisioned a different future. This path always leads to death one way or another, and the only reason I valued my life was because I had to kill him. Valencia will be forever free from the evils that destroyed her life. I’ll make sure of it. Once upon a time, there was an angel. Who made the monster’s heart bleed.

...the attitude of Gorky and his paper. He had returned to Russia early in 1914, taken a pacifist line on the the outbreak of war, but had pursued it with a restraint which protected him from most of the obloquy poured on others of similar views After the February Revolution of 1917 he had regarded the Bolsheviks as merely one among a number of progressive parties, and it was not unexpected that in October he should warn about the future. Now, he not only printed the Zinoviev-Kamenev statement but also a leading article in which he said: 'Ever more persistent rumors are spreading to the effect that on 2 November a Bolshevik rising will take place; in other words, that the hideous scenes of 16 to 18 July may be repeated. That means that once more there will appear motor lorries overfilled with men with rifles and revolvers in their trembling hands, and these rifles will shoot at shop windows, at people, at random. They will shoot only because the men armed with them will try to kill their fear. All dark instincts of the crowd irritated by disorder, by the falsehood and filth of politics, will flare up and ooze forth poisonous malice, hatred, vengeance. People will be killing one another, in their inability to destroy their own bestial stupidity. The unorganized crowd will creep out into the streets, hardly understanding what it wants, while under its cover, adventurers, thieves, [and] professional assassins will set out to "create the history of the Russian revolution". In brief, there will be repeated that bloody, senseless slaughter, which we have already witnessed, and which has undermined through our whole land the moral importance of the revolution, and has shaken its cultural meaning.

There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room, and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills, and wandering round the silent house, as though it feared to wake the sleepers, and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness, and the memories of pleasure their pain.

In the painting, the face has been horribly lacerated by blows, swollen, with terrible, swollen and bloody bruises, the eyes open, the pupils narrow; the large, open whites of the eyes gleam with a deathly, glassy sheen. But strangely, as one looks at this corpse of a tortured man, a peculiar and interesting question arises: if this is really what the corpse looked like (and it certainly must have looked just like this) when it was seen by all his disciples, his chief future apostles, by the women who followed him and stood by the cross, indeed by all who believed in him and worshipped him, then how could they believe, as they looked at such a corpse, that this martyr would rise from the dead? Here one cannot help being struck by the notion that if death is so terrible and the laws of nature so powerful, then how can they be overcome? How can they be overcome when they have not been conquered even by the one who conquered nature in his own lifetime, to whom it submitted, who cried: “Talitha cumi”8 – and the damsel arose, “Lazarus, come forth”,9 and the dead man came forth? Nature appears, as one looks at that painting, in the guise of some enormous, implacable and speechless animal or, more nearly, far more nearly, though strangely – in the guise of some enormous machine of the most modern devising, which has senselessly seized, smashed to pieces and devoured, dully and without feeling, a great and priceless being – a being which alone was worth the whole of nature and all its laws, the whole earth, which was, perhaps, created solely for the emergence of that being! It is as though this painting were the means by which this idea of a dark, brazen and senseless eternal force, to which everything is subordinate, is expressed, and is involuntarily conveyed to us. Those people who surrounded the dead man, though not one of them is visible in the painting, must have felt a terrible anguish and perturbation that evening, which had smashed all their hopes and almost all their beliefs in one go. They must have parted in the most dreadful fear, though each of them also took away within him an enormous idea that could never now be driven out of them. And if this same teacher could, on the eve of his execution, have seen what he looked like, then how could he have ascended the cross and died as he did now? This question also involuntarily presents itself as one looks at the painting.

LXXII In sooth, it was no vulgar sight to see Their barbarous, yet their not indecent, glee, And as the flames along their faces gleam’d, Their gestures nimble, dark eyes flashing free, The long wild locks that to their girdles stream’d, While thus in concert they this lay half sang, half scream’d: Tambourgi! Tambourgi! thy ’larum afar Gives hope to the valiant, and promise of war; All the sons of the mountains arise at the note, Chimariot, Illyrian, and dark Suliote! Oh! who is more brave than a dark Suliote, To his snowy camese and his shaggy capote? To the wolf and the vulture he leaves his wild flock, And descends to the plain like the stream from the rock. Shall the sons of Chimari, who never forgive The fault of a friend, bid an enemy live? Let those guns so unerring such vengeance forego? What mark is so fair as the breast of a foe? Macedonia sends forth her invincible race; For a time they abandon the cave and the chase: But those scarves of blood-red shall be redder, before The sabre is sheathed and the battle is o’er. Then the pirates of Parga that dwell by the waves, And teach the pale Franks what it is to be slaves, Shall leave on the beach the long galley and oar, And track to his covert the captive on shore. I ask not the pleasure that riches supply, My sabre shall win what the feeble must buy; Shall win the young bride with her long flowing hair, And many a maid from her mother shall tear. I love the fair face of the maid in her youth, Her caresses shall lull me, her music shall soothe; Let her bring from her chamber the many-toned lyre, And sing us a song on the fall of her sire. Remember the moment when Previsa fell, The shrieks of the conquer’d, the conquerors’ yell; The roofs that we fired, and the plunder we shared, The wealthy we slaughter’d, the lovely we spared. I talk not of mercy, I talk not of fear; He neither must know who would serve the Vizier: Since the days of our prophet, the Crescent ne’er saw A chief ever glorious like Ali Pasha. Dark Muchtar his son to the Danube is sped, Let the yellow-haired Giaours view his horsetail with dread; When his Delhis come dashing in blood o’er the banks, How few shall escape from the Muscovite ranks! Selictar, unsheath then our chief’s scimitar: Tambourgi! thy ’larum gives promise of war; Ye mountains, that see us descend to the shore, Shall view us as victors, or view us no more!

You could put your arm around me, you know,' she said matter-of-factly. 'We are walking in the gardens, alone. In the moonlight, such as it is.' Denna looked sideways at me, the side of her mouth quirking upward. 'Such things are permitted, you realize.' Her sudden change in manner caught me off my guard. Since we had met in Severen I had courted her with wild, hopeless pageantry, and she had matched me without missing a beat. Each flattery, each witticism, each piece of playful banter she returned to me, not in an echo but a harmony. Our back-and-forth had been like a duet. But this was different. Her tone was less playful and more plain. It was so sudden a change that I was at a loss for words. 'Four days ago I turned my foot on that loose flagstone,' she said softly. 'Remember? We were walking on Mincet Lane. My foot slipped and you caught me almost before I knew that I was stumbling. It made me wonder how closely you must be watching me to see something like that.' We turned a corner in the path, and Denna continued to speak without looking up at me. Her voice was soft and musing, almost as if she were talking to herself. 'You had your hands on me then, sure as anything, steadying me. You almost had your arm around me. It would have been so easy for you then. A matter of inches. But when I got my feet beneath me, you took your hands away. No hesitation. No lingering. Nothing I might take amiss.' She started to turn her face to me, then stopped and looked down again. 'It’s quite a thing,' she said. 'There are so many men, all endlessly attempting to sweep me off my feet. And there is one of you, trying just the opposite. Making sure my feet are firm beneath me, lest I fall.' Almost shyly, she reached out. 'When I move to take your arm, you accept it easily. You even lay your hand on mine, as if to keep it there.' She explained my movement exactly as I was making it, and I fought to keep the gesture from becoming suddenly awkward. 'But that’s all. You never presume. You never push. Do you know how strange that is to me?' We looked at each other for a moment, there, in the silent moonlight garden. I could feel the heat of her standing close to me, her hand clinging to my arm. Inexperienced as I was with women, even I could read this cue. I tried to think of what to say, but I could only wonder at her lips. How could they be so red as this? Even the selas was dark in the faint moonlight. How were her lips so red?

He held the dipper out to Jake. When Jake reached for it, Tick-Tock pulled it back. "First, cully, tell me what you know about dipolar computers and transitive circuits," he said coldly. "What..." Jake looked toward the ventilator grille, but the golden eyes were still gone. He was beginning to think he had imagined them after all. He shifted his gaze back to the Tick-Tock Man, understanding one thing clearly: he wasn't going to get any water. He had been stupid to even dream he might. "What are dipolar computers?" The Tick-Tock Man's face contorted with rage; he threw the remainder of the watter into Jake's bruised, puffy face. "DON'T YOU PLAY IT LIGHT WITH ME!" he shrieked. He stripped off the Seiko watch and shook it in front of Jake. "WHEN I ASKED YOU IF THIS RAN ON A DIPOLAR CIRCUIT, YOU SAID IT DIDN'T! SO DON'T TELL ME YOU DON'T KNOW WHAT I'M TLAKING ABOUT WHEN YOU ALREADY MADE IT CLEAR THAT YOU DO!" "But...but..." Jake couldn't go on. His head was whirling with fear and confusion. He was aware, in some far-off fashion, that he was licking as much water as he could off his lips. "THERE'S A THOUSAND OF THOSE EVER-FUCKING DIPOLAR COMPUTERS RIGHT UNDER THE EVER-FUCKING CITY, MAYBE A HUNDRED THOUSAND, AND THE ONLY ONE THAT STILL WORKS DON'T DO A THING EXCEPT PLAY WATCH ME AND RUN THOSE DRUMS! I WANT THOSE COMPUTERS! I WANT THEM WORKING FOR ME!" The Tick-Tock Man bolted forward on his throne, seized Jake, shook him back and forth, and then threw him to the floor. Jake struck one of the lamps, knocking it over, and the bulb blew with a hollow coughing sound. Tilly gave a little shriek and stepped backward, her eyes wide and frightened. Copperhead and Brandon looked at each other uneasily. Tick-Tock leaned forward, elbows on his thighs, and screamed into Jake's face: "I WANT THEM AND I MEAN TO HAVE THEM!" Silence fell in the room, broken only by the soft whoosh of warm air pouring from the ventilators. Then the twisted rage on the Tick-Tock Man's face disappeared so suddenly it might never have existed at all. It was replaced by another charming smile. He leaned further forward and helped Jake to his feet. "Sorry. I get thinking about the potential of this place and sometimes I get carried away. Please accept my apology, cully." He picked up the overturned dipper and threw it at Tilly. "Fill this up, you useless bitch! What's the matter with you?" He turned his attention back to Jake, still smiling his TV game-show host smile. "All right; you've had your little joke and I've had mine. Now tell me everything you know about dipolar computers and transitive circuits. Then you can have a drink.

To the timid traveler, fresh from the sedimentary levels of the lowlands, these highways, however picturesque and grand, seem terribly forbidding — cold, dead, gloomy gashes in the bones of the mountains, and of all Nature’s ways the ones to be most cautiously avoided. Yet they are full of the finest and most telling examples of Nature’s love; and though hard to travel, none are safer. For they lead through regions that lie far above the ordinary haunts of the devil, and of the pestilence that walks in darkness. True, there are innumerable places where the careless step will be the last step; and a rock falling from the cliffs may crush without warning like lightning from the sky; but what then? Accidents in the mountains are less common than in the lowlands, and these mountain mansions are decent, delightful, even divine, places to die in, compared with the doleful chambers of civilization. Few places in this world are more dangerous than home. Fear not, therefore, to try the mountain-passes. They will kill care, save you from deadly apathy, set you free, and call forth every faculty into vigorous, enthusiastic action. Even the sick should try these so-called dangerous passes, because for every unfortunate they kill, they cure a thousand.

AM WHO I AM. Exodus 3:14 I am the beginning and the end. I am the first, and I am the last. Revelation 22:13 I am light; in me there is no darkness at all. 1 John 1:5 My hand laid the foundation of the earth, and my right hand spread out the heavens; when I call to them, they stand forth together. Isaiah 48:13 Before I formed you in the womb I knew you. Jeremiah 1:5 I chose you and appointed you that you should go and bear fruit and that your fruit should abide, so that whatever you ask the Father in my name, he may give it to you. John 15:16 I am he who blots out your transgressions. I will not remember your sins. Isaiah 43:25 To all who receive Me, who believe in My name, I give the right to become children of God. John 1:12 Do you not know that you are God’s temple and that God’s Spirit dwells in you? 1 Corinthians 3:16 My Spirit is within you. Ezekiel 36:27 I will not leave you. Deuteronomy 31:8 I will equip you for every good work I’ve planned. Hebrews 13:21 I gave you a spirit not of fear but of power and love and self-control. 2 Timothy 1:7 I will build my church through you, and the gates of hell will not overcome it. Matthew 16:18 I will comfort you as you wait. Isaiah 66:13 I will remind you this is all real. John 14:26 I am on my way. Revelation 3:11 My steadfast love endures forever. Psalm 138:8 In just a little while… I am coming and I will take you to the place where I am. Hebrews 10:37; John 14:3 You will inherit the earth. Psalm 25:13 You will be with Me. I will wipe every tear from your eyes, and death will be no more. Behold, I am making all things new. Revelation 21:3–5 My kingdom is coming. My will will be done on earth as it is in heaven. Matthew 6:10

I screamed as I dropped through the open air like a meteor, but it was a scream of exhilaration and not fear. The wind resisted, trying vainly to fight the unconquerable gravity, pushing against me, and twirling me in spirals like a rocket crashing to the earth. Yes! The word echoed through my head as I sliced through the surface of the water. It was icy, colder than I'd feared, and yet the chill only added to the high. I was proud of myself as I plunged deeper into the freezing black water. I hadn't had one moment of terror-just pure adrenaline. The fall wasn't scary at all. Where was the challenge? That was when the current caught me. I'd been so preoccupied with the size of the cliffs, by the obvious danger of their high, sheer faces, that I hadn't worried at all about the dark water waiting. I never dreamed that the true menace was lurking far below me, under the heaving surf. It felt like the waves were fighting over me, jerking me back and forth between them as if determined to share by pulling me into halves. I knew the right way to avoid a riptide: swim parallel to the beach rather than struggling for the shore. But the knowledge did me little good when I didn't know which way the shore was. I couldn't even tell which way the surface was. The angry water was black in every direction; there was no brightness to direct me upward. Gravity was all-powerful when it competed with the air, but it had nothing on the waves- I couldn't feel a downward pull, a sinking in any direction. Just the battering of the current that flung me round and round like a rag doll. I fought to keep my breath in, to keep my lips locked around my last store of oxygen.

She did not allow herself to consider fully these questions, to dwell on what darkness has called forth a monster, a beast, a creature from the deepest and bleakest crannies of her humanness. She did not let herself dwell on the tight ball of fear inside her, because this sort of indulgence was one she could not afford. She must rise from bed, tend to her child, her house, her own well-being. She must pull it together, to put it quite simply, for the sake of her family, because, otherwise, what? This entire thing they has going – this house and family and life – it would all fall to pieces if she feel to pieces, and so she simply could not.

We fear silence. I said once that darkness is chaos itself, that in darkness any and all things might arise unseen like the cat from Pandora’s evil box. Silence is like that, but more profound. There was darkness before the dawn of time, and silence, too, but silence was the deeper thing, the canvas against which all thought is measured. You have heard stories of men driven mad in quiet rooms by the rushing of their own blood. It is not true. It is not the sound that does it, it is themselves. In silence, they are confronted with their own natures—and with nature itself—and cannot look it in the face. As darkness brings forth the creatures of the night, so silence brings forth the things within our hearts . . . if we will but listen to it.

The encounter with the demoniacs of Gergesa had a lesson for the disciples. It showed the depths of degradation to which Satan is seeking to drag the whole human race, and the mission of Christ to set men free from his power. Those wretched beings, dwelling in the place of graves, possessed by demons, in bondage to uncontrolled passions and loathsome lusts, represent what humanity would become if given up to satanic jurisdiction. Satan’s influence is constantly exerted upon men to distract the senses, control the mind for evil, and incite to violence and crime. He weakens the body, darkens the intellect, and debases the soul. Whenever men reject the Saviour’s invitation, they are yielding themselves to Satan. Multitudes in every department in life, in the home, in business, and even in the church, are doing this today. It is because of this that violence and crime have overspread the earth, and moral darkness, like the pall of death, enshrouds the habitations of men. Through his specious temptations Satan leads men to worse and worse evils, till utter depravity and ruin are the result. The only safeguard against his power is found in the presence of Jesus. Before men and angels Satan has been revealed as man’s enemy and destroyer; Christ, as man’s friend and deliverer. His Spirit will develop in man all that will ennoble the character and dignify the nature. It will build man up for the glory of God in body and soul and spirit. “For God hath not given us the spirit of fear; but of power, and of love, and of a sound mind.” 2 Tim. 1:7. He has called us “to the obtaining of the glory”—character—“of our Lord Jesus Christ;” has called us to be “conformed to the image of His Son.” 2 Thess. 2:14; Rom. 8:29. And souls that have been degraded into instruments of Satan are still through the power of Christ transformed into messengers of righteousness, and sent forth by the Son of God to tell what “great things the Lord hath done for thee, and hath had compassion on thee.

We are all following dreams and visions; we who are cursed and graced by this fire called hope. However, I will not be a slave to dreams and visions; I will lead myself. I am strong and I am a singularity. I am a builder of self, in wisdom, body and spirit. I have the faith to believe in and cast judgment upon myself.   I will stand the line between the light and the darkness. I will master myself for as long as I am lost in the gray.   Those unwilling to stand the line should know: if you should find you have not the strength to judge your own heart, I will not be there to help you. If you fall weak and succumb to despair, I will not save you and lend you my hand. If you are maligned by evil, and fear the darkness may overcome you, it is only you that can stand amid that darkness and become its master. You have within you the potential to reach your salvation. Find your purpose and do not rest until it burns within you like a fire. We all must have the strength and courage to pass judgment upon this world and upon ourselves. We can only be in harmony and free from each other once we are all accountable.   But remember, if you allow your weakness to pollute a world inhabited by others, you may find yourself standing alone in shadow. Those you have wronged may face you, and you may see their eyes go red.   I go forth with my love, knowing nothing can stop me now. I have judged this world, I have judged myself, and I have found my purpose…

FEBRUARY 17 Endgame Now there’s nothing left but to keep dancing. I don’t know if it is human nature or the way of life on Earth, but we seldom become all of who we are until forced to it. Some say that something in us rises to the occasion, that there is, as Hemingway called it, “a grace under pressure” that comes forth in most of us when challenged. Others say this talk of grace is merely a way to rationalize hard times and painful experience, a way to put a good face on tragedy. Yet beneath all the talk of tragedy and grace, I have come to believe that we are destined to be opened by the living of our days, and whether we like it or not, whether we choose to participate or not, we will, in time, every one of us, wear the deeper part of who we are as a new skin. Either by erosion from without or by shedding from within—and often by both—we are forced to live more authentically. And once the crisis that opened us passes, the real choice then becomes: Will we continue such authentic living? It is no secret that cancer in its acuteness pierced me into open living, and I’ve been working ever since to sanctify that open living without crisis as its trigger. But can this be done without crisis pushing us off the ledge? That’s the question now, years from the leap—how to keep leaping from a desire to be real, so as not to be shoved by an ever-lurking crisis. Perhaps the greatest moment of shedding and breaking for me came as I was being wheeled to rib surgery. I found myself numbly afraid, spinning from the Demerol shot, watching the hospital ceiling roll on by, and I found myself repeating over and over the following words as I waited on my stretcher: “Death pushed me to the edge. Nowhere to back off. And to the shame of my fears, I danced with abandon in his face. I never danced as free. And Death backed off, the way dark backs off a sudden burst of flame. Now there’s nothing left, but to keep dancing. It is the way I would have chosen had I been born three times as brave.” We are often called further into experience than we’d like to go, but it is this extra leap that lands us in the vibrant center of what it means to be alive.

Everything is gestation and bringing forth. To let each impression and each germ of a feeling come to completion wholly in itself, in the dark, in the inexpressible, the unconscious, beyond the reach of one’s own intelligence, and await with deep humility and patience the birth-hour of a new clarity: that alone is living the artist’s life. Being an artist means not reckoning and counting, but ripening like the tree which does not force its sap, and stands confident in the storms of spring without the fear that after them may come no summer. It does come. But it comes only to the patient, who are there as though eternity lay before them, so unconcernedly still and wide. Rainer Maria Rilke

PROLOGUE Colton growled low; even in his sleep, he couldn't bear to see the fear in his mate's eyes. Unease grew in the pit of his stomach as he watched her pace back and forth in her family room. He watched in terror as the front door was kicked in and ferals rushed inside. "Run! Call for help! Come to Lycaonia!" he yelled. It didn't matter how loud he shouted, she couldn't hear him. He watched helplessly as one of the ferals stalked closer to his mate, a raised knife in hand, and then... nothing. Colton's eyes opened, and he stared into the darkness. Groaning, he rolled over onto his back. He went

He led them forth by the right way." Psalm 107:7 Changeful experience often leads the anxious believer to inquire "Why is it thus with me?" I looked for light, but lo, darkness came; for peace, but behold, trouble. I said in my heart, my mountain standeth firm; I shall never be moved. Lord, thou dost hide thy face, and I am troubled. It was but yesterday that I could read my title clear; today my evidences are bedimmed, and my hopes are clouded. Yesterday, I could climb to Pisgah's top, and view the landscape o'er, and rejoice with confidence in my future inheritance; today, my spirit has no hopes, but many fears; no joys, but much distress. Is this part of God's plan with me? Can this be the way in which God would bring me to heaven? Yes, it is even so. The eclipse of your faith, the darkness of your mind, the fainting of your hope, all these things are but parts of God's method of making you ripe for the great inheritance upon which you shall soon enter. These trials are for the testing and strengthening of your faith--they are waves that wash you further upon the rock--they are winds which waft your ship the more swiftly towards the desired haven. According to David's words, so it might be said of you, "So he bringeth them to their desired haven." By honour and dishonour, by evil report and by good report, by plenty and by poverty, by joy and by distress, by persecution and by peace, by all these things is the life of your souls maintained, and by each of these are you helped on your way. Oh, think not, believer, that your sorrows are out of God's plan; they are necessary parts of it. "We must, through much tribulation, enter the kingdom." Learn, then, even to "count it all joy when ye fall into divers temptations." "O let my trembling soul be still, And wait thy wise, thy holy will! I cannot, Lord, thy purpose see, Yet all is well since ruled by thee.

The fortunate, she thought, and she counted herself fortunate, should not insulate themselves in their good fortune. If they could do nothing else they could pray, and she prayed as she was able, grieving over the childishness of her prayer but trying to make it real to herself by letting the travail of her mind bring forth one concrete fact at a time to pray about; one child in danger, some particular man in darkness, some particular prisoner facing the world again with fear and shame; God knew who they were even if she did not.

Slowly, as though touching it might destroy the image, he reached up and put trembling fingers to her forehead . . . her cheek . . . her nose . . . her lips.  The image did not go away.  It did not waver.  And as he stared in wonder and a sort of frozen disbelief, he saw the shyness and joy in the face that stared back at him. A face that he was, after two long months, seeing for the very first time. He saw a square jaw and high, prominent cheekbones that lent her a look of gauntness and strength; dark, velvety-brown eyes fringed by long black lashes; a shy and smiling mouth; full, dusky lips; and glossy hair the color of strong coffee, tightly braided and pinned in a coronet around her head.  She was beautiful, even if not in the conventional sense, striking, slightly exotic, with flawlessly smooth skin of a slightly bronzed tone, not unlike that of a sailor who's spent his life in the sun. It was a lovely color. A warm, toasted, caramel-color that made him want to put his lips to it and kiss her all over. "Amy," he repeated, in a disbelieving whisper.  "I can see you."  He swallowed hard, and traced the shape of her mouth with his fingers.  "I can see you." And he could also see something else.  Mist in those huge, soft eyes — and a sort of awkwardness, if not fear, about his first visual impression of her. "And just what is it you see, Charles?" "I see a beautiful young woman — " he grinned — "garbed in the most singularly hideous gown imaginable." "Oh, Charles," she cried, impulsively flinging her arms around him.  He embraced her in turn.  They remained like that, holding each other, both of them laughing and rejoicing and rocking back and forth in the straw. "It was that damned horse!" he managed, setting her back to gaze into her rapt, mobile face.  "The blow must've done something, must've jarred something loose inside my head.  Don't you think?" "Either that, or your sight was just plain destined to return anyhow.  Maybe God simply decided that the time had come for you to have it back again." "So that I could see you!" "So you could write your own letters!" "So I could find my way without a cane!" Laughing with joy, he hugged her once more, then set her back, trailing his finger down her cheek, the edge of her jaw.  Gently, he tipped her chin up so that her luminous gaze held his.  "And look into the eyes of the woman who has become my dearest and very best friend." And look he did; then, before he even knew what he was about, he closed his eyes and kissed her. Unlike

Go forth then, and be always the strongest. Attack before you are attacked. Defeat those who would be your masters. Reduce them to the servants they would make of you. Bring fear to all who would be your enemies.

Nennius tells us, what Gildas omits, the name of the British soldier who won the crowning mercy of Mount Badon, and that name takes us out of the mist of dimly remembered history into the daylight of romance. There looms, large, uncertain, dim but glittering, the legend of King Arthur and the Knights of the Round Table. Somewhere in the Island a great captain gathered the forces of Roman Britain and fought the barbarian invaders to the death. Around him, around his name and his deeds, shine all that romance and poetry can bestow. Twelve battles, all located in scenes untraceable, with foes unknown, except that they were heathen, are punctiliously set forth in the Latin of Nennius. Other authorities say, “No Arthur; at least, no proof of any Arthur.” It was only when Geoffrey of Monmouth six hundred years later was praising the splendours of feudalism and martial aristocracy that chivalry, honour, the Christian faith, knights in steel and ladies bewitching, are enshrined in a glorious circle lit by victory. Later these tales would be retold and embellished by the genius of Mallory, Spenser, and Tennyson. True or false, they have gained an immortal hold upon the thoughts of men. It is difficult to believe it was all an invention of a Welsh writer. If it was he must have been a marvellous inventor. Modern research has not accepted the annihilation of Arthur. Timidly but resolutely the latest and best-informed writers unite to proclaim his reality. They cannot tell when in this dark period he lived, or where he held sway and fought his battles. They are ready to believe however that there was a great British warrior, who kept the light of civilisation burning against all the storms that beat, and that behind his sword there sheltered a faithful following of which the memory did not fail. All four groups of the Celtic tribes which dwelt in the tilted uplands of Britain cheered themselves with the Arthurian legend, and each claimed their own region as the scene of his exploits. From Cornwall to Cumberland a search for Arthur’s realm or sphere has been pursued.The reserve of modern assertions is sometimes pushed to extremes, in which the fear of being contradicted leads the writer to strip himself of almost all sense and meaning. One specimen of this method will suffice: "It is reasonably certain that a petty chieftain named Arthur did exist, probably in South Wales. It is possible that he may have held some military command uniting the tribal forces of the Celtic or highland zone or part of it against raiders and invaders (not all of them necessarily Teutonic). It is also possible that he may have engaged in all or some of the battles attributed to him; on the other hand, this attribution may belong to a later date." This is not much to show after so much toil and learning. Nonetheless, to have established a basis of fact for the story of Arthur is a service which should be respected. In this account we prefer to believe that the story with which Geoffrey delighted the fiction-loving Europe of the twelfth century is not all fancy. If we could see exactly what happened we should find ourselves in the presence of a theme as well founded, as inspired, and as inalienable from the inheritance of mankind as the Odyssey or the Old Testament. It is all true, or it ought to be; and more and better besides. And wherever men are fighting against barbarism, tyranny, and massacre, for freedom, law, and honour, let them remember that the fame of their deeds, even though they themselves be exterminated, may perhaps be celebrated as long as the world rolls round. Let us then declare that King Arthur and his noble knights, guarding the Sacred Flame of Christianity and the theme of a world order, sustained by valour, physical strength, and good horses and armour, slaughtered innumerable hosts of foul barbarians and set decent folk an example for all time.

Forth, and fear no darkness!

There are many of you in this congregation today who've been in a tomb of your own, a dark and forbidding place from which there seemed to be no exit. But God, in His mercy and power, brought you forth into the light. Yet you fear for the future, because you're not certain He can or will do it again.

I will sing of Night, the mother of gods and of humans. Nyx, the source of all things, whom we may also call Kypris, hear me, blessed goddess shining in the dark sky, filled with bright stars, rejoicing in silent nights of sleeping peace; mirthful and happy, you love all-night vigils, mother of dreams. You banish care, gently push away pains; giver of sleep, friend to all, night shining you lead your horses forth, and half the time, you wander the earth; and then, the heavens, wheeling about in your air-haunting hunt. You send forth light into the depths, then flee to Hades; for dreadful necessity governs all. Now I call on you, happy, much beloved, hearing my supplicating voice, kindly come, and drive back the fears of night.

O beautiful wine-bearer, bring forth the cup and put it to my lips Path of love seemed easy at first, what came was many hardships. With its perfume, the morning breeze unlocks those beautiful locks The curl of those dark ringlets, many hearts to shreds strips. In the house of my Beloved, how can I enjoy the feast Since the church bells call the call that for pilgrimage equips. With wine color your robe, one of the old Magi’s best tips Trust in this traveler’s tips, who knows of many paths and trips. The dark midnight, fearful waves, and the tempestuous whirlpool How can he know of our state, while ports house his unladen ships. I followed my own path of love, and now I am in bad repute How can a secret remain veiled, if from every tongue it drips? If His presence you seek, Hafiz, then why yourself eclipse? Stick to the One you know, let go of imaginary trips.

always make sure I turn on all the lights—because I don’t like darkness. It’s as if the absence of light erases the boundary between me and the world around me, which frightens me more than I want to admit and brings forth the feeling I know best of all: fear.

MARCH 5 YOU WILL DESTROY ALL ANIMALISTIC DEMONS DO NOT FEAR when the enemy comes after you disguised in the animalistic characteristics of wild beasts and dangerous vipers. If you fight in My power and strength, you will tread on the lion and the cobra, and you will trample the great lion and the serpent. The wild boars from the forest will not be able to ravage you, nor will insects from the field be able to feed on you. I will protect you from the prowling of beast in the darkness, when lions roar for their prey and seek their food. Though the leopard lies in wait near your home to tear to pieces those who venture out, it will not do you harm, for My power in you is greater than all the power of the enemy. PSALMS 91:13; 104:2–21; JEREMIAH 5:6; LUKE 10:19 Prayer Declaration I tread upon serpents and scorpions and over all the power of the enemy, and nothing shall by any means hurt me. I tread down the wicked; they are ashes under my feet. I rebuke every spirit that creeps forth from the forest. In the name of Jesus I close the door to every demonic rat that would attempt to come into my life.

FEBRUARY 7 MY ARROWS OF LIGHT WILL DESTROY THE KINGDOM OF DARKNESS I HAVE PROMISED that I will send out My arrows and scatter the enemy. Do not fear the kingdom of darkness, for I will protect you. Through My unfailing love you will not be shaken. When the enemy appears before you for battle, I will burn them up as in a blazing furnace. My fire will consume them. Though they plot evil against you and devise wicked schemes, they cannot succeed. My arrows will flash like lightning, and I will destroy them. My sharp arrows will pierce their hearts. I am a righteous judge. I will display My wrath against the kingdom of darkness every day. I will sharpen My sword and will bend and string my bow. I have prepared My deadly weapons and have made ready my flaming arrows. PSALMS 18:13–15; 21:9–12; 7:11–13 Prayer Declaration I release the arrow of the Lord’s deliverance in my life. Ordain and release Your arrows against my persecutors. Send Your arrows, and scatter the enemy. Let your arrow go forth as lightning against the enemy. Break their bones, and pierce them through with Your arrows.

February 7 MORNING “Arise ye, and depart.” — Micah 2:10 THE hour is approaching when the message will come to us, as it comes to all — “Arise, and go forth from the home in which thou hast dwelt, from the city in which thou hast done thy business, from thy family, from thy friends. Arise, and take thy last journey.” And what know we of the journey? And what know we of the country to which we are bound? A little we have read thereof, and somewhat has been revealed to us by the Spirit; but how little do we know of the realms of the future! We know that there is a black and stormy river called “Death.” God bids us cross it, promising to be with us. And, after death, what cometh? What wonder-world will open upon our astonished sight? What scene of glory will be unfolded to our view? No traveller has ever returned to tell. But we know enough of the heavenly land to make us welcome our summons thither with joy and gladness. The journey of death may be dark, but we may go forth on it fearlessly, knowing that God is with us as we walk through the gloomy valley, and therefore we need fear no evil. We shall be departing from all we have known and loved here, but we shall be going to our Father’s house — to our Father’s home, where Jesus is — to that royal “city which hath foundations, whose builder and maker is God.” This shall be our last removal, to dwell for ever with Him we love, in the midst of His people, in the presence of God. Christian, meditate much on heaven, it will help thee to press on, and to forget the toil of the way. This vale of tears is but the pathway to the better country: this world of woe is but the stepping-stone to a world of bliss. “Prepare us, Lord, by grace divine, For Thy bright courts on high; Then bid our spirits rise, and join The chorus of the sky.

8 “But if I go to the east, he is not there; if I go to the west, I do not find him. 9 When he is at work in the north, I do not see him; when he turns to the south, I catch no glimpse of him. 10 But he knows the way that I take; when he has tested me, I will come forth as gold. 11 My feet have closely followed his steps; I have kept to his way without turning aside. 12 I have not departed from the commands of his lips; I have treasured the words of his mouth more than my daily bread. 13 “But he stands alone, and who can oppose him? He does whatever he pleases. 14 He carries out his decree against me, and many such plans he still has in store. 15 That is why I am terrified before him; when I think of all this, I fear him. 16 God has made my heart faint; the Almighty has terrified me. 17 Yet I am not silenced by the darkness, by the thick darkness that covers my face.

Then Job replied: 2 “Even today my complaint is bitter; his hand[a] is heavy in spite of[b] my groaning. 3 If only I knew where to find him; if only I could go to his dwelling! 4 I would state my case before him and fill my mouth with arguments. 5 I would find out what he would answer me, and consider what he would say to me. 6 Would he vigorously oppose me? No, he would not press charges against me. 7 There the upright can establish their innocence before him, and there I would be delivered forever from my judge. 8 “But if I go to the east, he is not there; if I go to the west, I do not find him. 9 When he is at work in the north, I do not see him; when he turns to the south, I catch no glimpse of him. 10 But he knows the way that I take; when he has tested me, I will come forth as gold. 11 My feet have closely followed his steps; I have kept to his way without turning aside. 12 I have not departed from the commands of his lips; I have treasured the words of his mouth more than my daily bread. 13 “But he stands alone, and who can oppose him? He does whatever he pleases. 14 He carries out his decree against me, and many such plans he still has in store. 15 That is why I am terrified before him; when I think of all this, I fear him. 16 God has made my heart faint; the Almighty has terrified me. 17 Yet I am not silenced by the darkness, by the thick darkness that covers my face.

For it is said that after the departure of the Valar there was silence, and for an age Ilúvatar sat alone in thought. Then he spoke and said: “Behold I love the Earth, which shall be a mansion for the Quendi and the Atani! But the Quendi shall be the fairest of all earthly creatures, and they shall have and shall conceive and bring forth more beauty than all my Children; and they shall have the greater bliss in this world. But to the Atani I will give a new gift.” Therefore he willed that the hearts of Men should seek beyond the world and should find no rest therein; but they should have a virtue to shape their life, amid the powers and chances of the world, beyond the Music of the Ainur, which is as fate to all things else. . . . But Ilúvatar knew that Men, being set amid the turmoils of the powers of the world, would stray often, and would not use their gifts in harmony; and he said: “These too in their time shall find that all that they do redounds at the end only to the glory of my work.” . . . It is one with this gift of freedom that the children of Men dwell only a short space in the world alive, and are not bound to it, and depart soon whither the Elves know not. Whereas the Elves remain until the end of days, and their love of the Earth and all the world is more single and more poignant therefore, and as the years lengthen ever more sorrowful. For the Elves die not till the world dies, unless they are slain or waste in grief. . . . But the sons of Men die indeed, and leave the world; wherefore they are called the Guests, or the Strangers. Death is their fate, the gift of Ilúvatar, which as Time wears even the Powers shall envy. But Melkor has cast his shadow upon it, and confounded it with darkness, and brought forth evil out of good, and fear out of hope. Yet of old the Valar declared to the Elves in Valinor that Men shall join in the Second Music of the Ainur; whereas Ilúvatar has not revealed what he purposes for the Elves after the World’s end, and Melkor has not discovered it.

Councils" We must sit down and reason together. We must sit down. Men standing want to hold forth. They rain down upon faces lifted. We must sit down on the floor on the earth on stones and mats and blankets. There must be no front to the speaking no platform, no rostrum, no stage or table. We will not crane to see who is speaking. Perhaps we should sit in the dark. In the dark we could utter our feelings. In the dark we could propose and describe and suggest. In the dark we could not see who speaks and only the words would say what they say. Thus saying what we feel and what we want, what we fear for ourselves and each other into the dark, perhaps we could begin to begin to listen. Perhaps we should talk in groups small enough for everyone to speak. Perhaps we should start by speaking softly. The women must learn to dare to speak. The men must bother to listen. The women must learn to say, I think this is so. The men must learn to stop dancing solos on the ceiling. After each speaks, she or he will repeat a ritual phrase: It is not I who speaks but the wind. Wind blows through me. Long after me, is the wind.

From dark Dunharrow in the dim morning with thane and captain rode Thengel's son: to Edoras he came, the ancient halls of the Mark-wardens mist-enshrouded; golden timbers were in gloom mantled. Farewell he bade to his free people, hearth and high-seat, and the hallowed places, where long he had feasted ere the light faded. Forth rode the king, fear behind him, fate before him. Fealty kept he; oaths he had taken, all fulfilled them. Forth rode Théoden. five nights and days east and onward rode the Eorlingas through Folde and Fenmarch and the Firienwood, six thousand spears to Sunlending, Mundburg the mighty under Mindolluin, Sea-kings; city in the South-kingdom foe-beleaguered, fire-encircled. Doom drove them on. Darkness took them, horse and horseman; hoofbeats afar sank into silence; so the songs tell us.

the Celts didn't fear the dark, they celebrated it, believing that each day started at sunset, that darkness brought forth magic and rebirth, and that only in a space of complete nothingness were all things possible.

Forth now, and fear no darkness!