Formal Welcome Quotes

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We have lost the art of public tenderness, these small gestures of wiping and washing; we have forgotten how abjectly the body welcomes a formal touch.
Anne Enright (The Gathering)
mad maddie: I GOT ACCEPTED TO SANTA CRUZ!!!! SnowAngel: omg!!! zoegirl: maddie!!!! yay!!!!! mad maddie: i know! it's incredible! SnowAngel: *squeals and hugs sweet maddie* SnowAngel: tell us every single detail!!! mad maddie: well, i got home from school and saw this big thick envelope on the kitchen counter, with "Santa Cruz Admissions Office" as the return address. i got really fidgety and just started screaming, right there in the house. no one was there but me, so i could be as loud as i wanted. zoegirl: omg!!! mad maddie: i took a deep breath and tried to calm down, but my hands were shaking. i opened the envelope and pulled out a folder that said, "Welcome to Santa Cruz!" inside was a letter that said, "Dear Madigan. You're in!" mad maddie: isn't that cool? i LOVE that, that instead of being all prissy and formal, they're like, "you're in! yahootie!" SnowAngel: oh maddie, i am sooooo happy for u! mad maddie: i ran out to my car all jumping and hopping around and drove to ian's, cuz i knew neither of u would be home yet. i showed him my letter and he hugged me really hard and lifted me into the air. it was AWESOME. zoegirl: i'm so proud of u, maddie! SnowAngel: me 2!
Lauren Myracle (l8r, g8r (Internet Girls, #3))
Tossing out ideas itself was good. Stimulating the conference was something that should be welcomed. I didn’t mind if a formal brainstorm was chosen for the sake of presenting many ideas. But in the brainstorm and conference we were holding where nobody’s ideas were rejected, there was no foreseeable conclusion in sight. The conference I thought was proceeding on smoothly was beginning to look nonsensical. When I noticed, my hands recording the minutes had stopped. I loosely let my hands hang under the desk and sat there in silence watching the conference. The expression that I had was completely different from those who were energetically involved in the discussion. They had vivid and bright smiles floating on their faces. That was when I noticed. They were all enjoying this moment. That’s to say, they were enjoying this exchange between each other. What they wanted wasn’t the very idea of volunteer service, but the self­-acknowledgement of them doing these activities. It’s not that they wanted to do work. They just wanted to be immersed with the feeling of working. They just wanted to feel like they were actually doing it. And then, they would feel like they did everything that they could, where ultimately, everything had turned into nothing.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。9)
What have they said to us?" "I could translate, but it would be meaningless. They have welcomed us in the name of their Emperor, who appears to be an over-Master. The short, round one is Mediator to this Emperor." "Ah. We have at last found one who can communicate. Speak to her." "But he has said nothing!" "Say nothing in return.
Larry Niven (The Mote in God's Eye (Moties, #1))
Leadership is a skill you will need to learn to be successful in business. Good leaders are able to inspire their teams and achieve more than those who are overly forceful or too weak. The best business leaders have a mix of formal education and street smarts, stay focused on the mission, welcome feedback, and listen to their teams. They seek to bring out the best in people. Sometimes being a leader means making tough decisions—you have to be prepared to take the rap for whatever choices you make.
Andrea Plos (Sources of Wealth)
Parallel to the idea of the US Constitution as covenant, politicians, journalists, teachers, and even professional historians chant like a mantra that the United States is a “nation of immigrants.” From its beginning, the United States has welcomed—indeed, often solicited, even bribed—immigrants to repopulate conquered territories “cleansed” of their Indigenous inhabitants. From the mid-nineteenth century, immigrants were recruited to work mines, raze forests, construct canals and railroads, and labor in sweatshops, factories, and commercial farm fields. In the late twentieth century, technical and medical workers were recruited. The requirements for their formal citizenship were simple: adhere to the sacred covenant through taking the Citizenship Oath, pledging loyalty to the flag, and regarding those outside the covenant as enemies or potential enemies of the exceptional country that has adopted them, often after they escaped hunger, war, or repression, which in turn were often caused by US militarism or economic sanctions. Yet no matter how much immigrants might strive to prove themselves to be as hardworking and patriotic as descendants of the original settlers, and despite the rhetoric of E pluribus unum, they are suspect. The old stock against which they are judged inferior includes not only those who fought in the fifteen-year war for independence from Britain but also, and perhaps more important, those who fought and shed (Indian) blood, before and after independence, in order to acquire the land. These are the descendants of English Pilgrims, Scots, Scots-Irish, and Huguenot French—Calvinists all—who took the land bequeathed to them in the sacred covenant that predated the creation of the independent United States. These were the settlers who fought their way over the Appalachians into the fertile Ohio Valley region, and it is they who claimed blood sacrifice for their country. Immigrants, to be accepted, must prove their fidelity to the covenant and what it stands for.
Roxanne Dunbar-Ortiz (An Indigenous Peoples' History of the United States (ReVisioning American History, #3))
Asked me what?” Just the sound of his voice twists my stomach into a knot of unpleasant emotions like guilt, sadness, and fear. And longing. I might as well admit there’s some of that, too. Only it has too much competition to ever win out. I watch as Peeta crosses to the table, the sunlight from the window picking up the glint of fresh snow in his blond hair. He looks strong and healthy, so different from the sick, starving boy I knew in the arena, and you can barely even notice his limp now. He sets a loaf of fresh-baked bread on the table and holds out his hand to Haymitch. “Asked you to wake me without giving me pneumonia,” says Haymitch, passing over his knife. He pulls off his filthy shirt, revealing an equally soiled undershirt, and rubs himself down with the dry part. Peeta smiles and douses Haymitch’s knife in white liquor from a bottle on the floor. He wipes the blade clean on his shirttail and slices the bread. Peeta keeps all of us in fresh baked goods. I hunt. He bakes. Haymitch drinks. We have our own ways to stay busy, to keep thoughts of our time as contestants in the Hunger Games at bay. It’s not until he’s handed Haymitch the heel that he even looks at me for the first time. “Would you like a piece?” “No, I ate at the Hob,” I say. “But thank you.” My voice doesn’t sound like my own, it’s so formal. Just as it’s been every time I’ve spoken to Peeta since the cameras finished filming our happy homecoming and we returned to our real lives. “You’re welcome,” he says back stiffly. Haymitch tosses his shirt somewhere into the mess. “Brrr. You two have got a lot of warming up to do before showtime.” He’s right, of course. The audience will be expecting the pair of lovebirds who won the Hunger Games. Not two people who can barely look each other in the eye. But all I
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Come evening, I walk home and go into my study. In the passage I take off my ordinary clothes, caked with mud and slime, and put on my formal palace gowns. Then when I’m properly dressed I take my place in the courts of the past where the ancients welcome me kindly and I eat my fill of the only food that is really mine and that I was born for. I’m quite at ease talking to them and asking them why they did the things they did, and they are generous with their answers. So for four hours at a time I feel no pain, I forget all my worries, I’m not afraid of poverty and death doesn’t frighten me. I put myself entirely in their minds.
Niccolò Machiavelli (The Prince)
Now where's this artist?" His eyes darted around the room, landed on Gennie and clung. She thought she saw surprise, quickly veiled, then amusement as quickly suppressed, tug at the corners of his mouth. "Daniel MacGregor," Grant said with wry formality. "Genvieve Grandeau." A flicker of recognition ran across Daniel's face before he rose to his rather amazing height and held out his hand. "Welcome." Gennie's hand was clasped, then enveloped. She had simultaneous impressions of strength, compassion, and stubbornness. "You have a magnificent home, Mr. MacGregor," she said, studying him candidly. "It suits you." He gave a great bellow of a laugh that might have shook the windows. "Aye.And three if your paintings hang in the west wing." His eyes slid briefly to Grant's before they came back to hers. "You carry your age well, lass." She gave him a puzzled look as Grant choked over his Scotch. "Thank you." "Get the artist a drink," he ordered, then gestured for her to sit in the chair next to his. "Now, tell me why you're wasting your time with a Campbell." "Gennie happens to be a cousin of mine," Justin said mildly as he sat on the sofa beside his son. "On the aristocratic French side." "A cousin." Daniel's eys sharpened, then an expression that could only be described as cunning pleasure spread over his face. "Aye,we like to keep things in the family. Grandeau-a good strong name.You've the look of a queen, with a bit of sorceress thrown in." "That was meant as a compliment," Serena told her as she handed Gennie a vermouth in crystal. "So I've been told." Gennie sent Grant an easy look over the rim of her glass. "One of my ancestors had an-encounter with a gypsy resulting in twins." "Gennie has a pirate in her family tree as well," Justin put in. Daniel nooded in approval. "Strong blood. The Campbells need all the help they can get." "Watch it,MacGregor," Shelby warned as Grant gave him a brief, fulminating look.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
I needn’t have worried about our welcome. As soon as Diana spotted me, she cried out happily, “Mrs. Robertson, I’m so glad you’re here!” and gave me a huge, spontaneous hug. I assured her, “We wouldn’t have missed this for the world!” I was touched by her genuine warmth and by her evident surprise that we’d traveled so far to share in her triumph. She turned quickly to exclaim, “Oh Charles, look! it’s Patrick’s parents from America!” and formally introduced us to the Prince of Wales. Pat bowed and I curtsied and murmured “Your Royal Highness” just to be on the safe side. Prince Charles radiated tremendous charm and graciousness. His eyes twinkled as he smiled at us. His voice was deep, warm, and resonant, as he said, “How very nice of you to have traveled so far.” I loved his voice! He seemed genuinely pleased to meet us. I thought he was absolutely terrific. I was so excited for Diana, about to marry this perfect prince.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Why is equality so assiduously avoided? Why does white America delude itself, and how does it rationalize the evil it retains? The majority of white Americans consider themselves sincerely committed to justice for the Negro. They believe that American society is essentially hospitable to fair play and to steady growth toward a middle-class Utopia embodying racial harmony. But unfortunately this is a fantasy of self-deception and comfortable vanity. Overwhelmingly America is still struggling with irresolution and contradictions. It has been sincere and even ardent in welcoming some change. But too quickly apathy and disinterest rise to the surface when the next logical steps are to be taken. Laws are passed in a crisis mood after a Birmingham or a Selma, but no substantial fervor survives the formal signing of legislation. The recording of the law in itself is treated as the reality of the reform. This limited degree of concern is a reflection of an inner conflict which measures cautiously the impact of any change on the status quo. As the nation passes from opposing extremist behavior to the deeper and more pervasive elements of equality, white America reaffirms its bonds to the status quo. It had contemplated comfortably hugging the shoreline but now fears that the winds of change are blowing it out to sea.
Martin Luther King Jr. (Where Do We Go from Here: Chaos or Community?)
You either are a Christian or you are not — you either are united to him by faith or you are not — because being a Christian is, first of all, a “standing” with God. However, we also acknowledge that coming to this point of uniting to Christ by faith often works as a process, not only as an event. It can occur through a series of small decisions or thoughts that bring a person closer and closer to the point of saving faith. In a post-Christendom setting, more often than not, this is the case. People simply do not have the necessary background knowledge to hear a gospel address and immediately understand who God is, what sin is, who Jesus is, and what repentance and faith are in a way that enables them to make an intelligent commitment. They often have far too many objections and beliefs for the gospel to be readily plausible to them. Therefore, most people in the West need to be welcomed into community long enough for them to hear multiple expressions of the gospel — both formal and informal — from individuals and teachers. As this happens in community, nonbelievers come to understand the character of God, sin, and grace. Many of their objections are answered through this process. Because they are “on the inside” and involved in ongoing relationships with Christians, they can imagine themselves as Christians and see how the faith fleshes out in real life.
Timothy J. Keller (Center Church: Doing Balanced, Gospel-Centered Ministry in Your City)
I can't figure you out," she said. "What do you want?" "What I want does not matter." He said it mechanically, if that description could ever fit a Mage, the words coming out as if they had been drilled into him. Remembering some of the harsher harassment she had endured in her Mechanics Guild apprenticeship, Mari wondered what things had been like for this Mage. What had been done to make him seem so inhuman? "Why can't you just act like everyone else?" He gave her an inscrutable look. "I am not like everyone else." For some reason that sounded sad to her. "I ask your pardon, Mage." The formal words almost stuck in her parched throat, but Mari forced them out, seeing real surprise flashing for a moment in the Mage's eyes in response. "I'm a Mechanic, but I'm not closed-minded." Which has gotten me in trouble already more times than I can count. "Thank you for your warning." The Mage shook his head. "Thank...you," he repeated, the words sounding almost rusty as they came out, an intentness again showing in his eyes. "Thank you," he repeated in a murmur to himself, a hint of understanding appearing in his voice. "I...remember. Asha." "Asha?" "Long ago. I do not remember what to say." He gave her a look in which no feeling could be seen. "What do I say?" "Um...you say...you're welcome," Mari replied, feeling oddly anguished by the Mage's reactions. "Yes." He inclined his head toward her. "You...are welcome, Master Mechanic Mari.
Jack Campbell (The Dragons of Dorcastle (The Pillars of Reality, #1))
You’ll need a dress,” I tell her and wait for the objection I know is coming. “I have dresses,” she replies, but tiny lines of concern mar her forehead and I’ve been with enough women to know what’s going through her head. Does she have the right dress for this? How fancy is the event? What will everyone else be wearing? Add to that—she can’t have the budget for a dress. She’s fresh out of college and on a teacher’s salary, both of which tell me it isn’t likely she has an appropriate dress hanging in her closet. Shit, this entire scheme is pure genius, I think, as I make a mental note to cancel the date I had lined up for this wedding when I get home. This is a formal event. We’ll pick up a dress this weekend.” She gives me a dirty look. “What do you mean we’ll pick up a dress this weekend?” “I mean shopping. I’ll pick you up at ten on Saturday.” “I can find a dress by myself,” she says firmly. “Please. You were wearing pants with donuts on them the second time I saw you. If you can even call those things pants.” Fucking leggings left nothing to the imagination. And I’ve done a lot of imagining. Mostly involving her legs wrapped around my hips. “Half my family is going to be there. I’ll pick out the dress.” I could give a fuck about the dress. I want to spend time with her that she thinks isn’t a date, so she’ll relax and be herself. “Well, that was rude,” she deadpans. I shrug. “Besides, you’re doing me a favor,” I remind her, “so the dress is on me.” “Whatever,” she agrees sullenly. “You’re welcome,” I reply.
Jana Aston (Trust (Cafe, #3))
headquarters permanently to Rome. Rome was at the center of world affairs, as it was also the center of world corruption. Where else could be better suited—especially now that Monteriggioni was no longer a viable option? He also had plans for a system of distribution of the Brotherhood’s funds in response to individual Assassins’ successfully completed missions. Those diamonds he’d taken from the slave traders had come in very handy, a welcome addition to the campaign fund. One day… But “one day” was still a long way off. The Brotherhood still had no new elected leader, though by common consent and by virtue of their actions, he and Machiavelli had become its temporary chiefs. But they were still only temporary. Nothing had been ratified in formal council. And Caterina preyed on his mind. He had left Claudia to oversee the renovation of the Rosa in Fiore without any supervision or interference. Let her sink or swim in her own overweening confidence! It’d be no fault of his if she sank. But the brothel was an important link in his network, and he admitted to himself that if he really had had absolutely no faith in her, he might have leaned on her harder in the first place. Now was the time to put her work—what she had achieved—to the test. When he returned to the Rosa in Fiore, he was as surprised as he was pleased. Just as successful, he hoped, as his own previous transformations in the city, and at Bartolomeo’s barracks, had been (though even for those he was modest and realistic enough not to take all the credit). But he hid his delight as he took in the sumptuous rooms hung with costly tapestries, the wide sofas, the soft silk cushions, and the white wines chilled with ice—an
Oliver Bowden (Assassin's Creed: Brotherhood)
At the moment Ormsley looked on the verge of tears as his damp, faded blue eyes roved almost lovingly over Ian’s face. “Good afternoon, my lord,” he intoned formally, but the ecstatic expression on his face gaze Ian the impression the servant was restraining himself from wrapping his arms around him. “And-and may I say-“ The elderly man stopped, his voice hoarse with emotion, and cleared his throat. “And may I say how very-how very very good it is to have you here at-“ His voice choked, he flushed, and Ian’s ire at his grandfather was momentarily forgotten. “Good afternoon, Ormsley,” Ian said, grinning at the look of sublime pleasure that crossed Ormsley’s lined face when Ian knew his name. Sensing the butler was about to bow again, Ian put out his hand instead, forcing the loyal retainer to shake hands with him. “I trust,” Ian joked gently, “that you’ve conquered your habit of overindulging in French brandy?” The faded old eyes brightened like diamonds at this added proof that Ian’s father had spoken of him to Ian. “Welcome home. Welcome home at last, my lord,” Ormsley said hoarsely, returning Ian’s handshake. “I’m only staying a few hours,” Ian told him calmly, and the butler’s hand went a little limp with disappointment. He recovered himself, however, and escorted Ian down a wide, oak-paneled hall. A small army of footmen and housemaids seemed to be lurking about, ostensibly dusting mirrors, paneling, and floors. As Ian passed, several of them stole long, lingering looks at him, then turned to exchange swift gratified smiles. His mind on the looming meeting with his grandfather, Ian was oblivious to the searching scrutiny and startled glances he was receiving, but he was dimly aware that a few of the servants were hastily dabbing at their eyes and noses with handkerchiefs.
Judith McNaught (Almost Heaven (Sequels, #3))
HEART OF TEA DEVOTION Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa round, And, while the bubbling and loud hissing urn Throws up a steamy column and the cups That cheer but not inebriate, wait on each, So let us welcome peaceful ev ning in. WILLIAM COWPER Perhaps the idea of a tea party takes you back to childhood. Do you remember dressing up and putting on your best manners as you sipped pretend tea out of tiny cups and shared pretend delicacies with your friends, your parents, or your teddy bears? Were you lucky enough to know adults who cared enough to share tea parties with you? And are you lucky enough to have a little person with whom you could share a tea party today? Is there a little girl inside you who longs for a lovely time of childish imagination and "so big" manners? It could be that the mention of teatime brings quieter memories-cups of amber liquid sipped in peaceful solitude on a big porch, or friendly confidences shared over steaming cups. So many of my own special times of closeness-with my husband, my children, my friends-have begun with putting a kettle on to boil and pulling out a tea tray. But even if you don't care for tea-if you prefer coffee or cocoa or lemonade or ice water, or if you like chunky mugs better than gleaming silver or delicate china, or if you find the idea of traditional tea too formal and a bit intimidating-there's still room for you at the tea table, and I think you would love it there! I have shared tea with so many people-from business executives to book club ladies to five-year-old boys. And I have found that few can resist a tea party when it is served with the right spirit. You see, it's not tea itself that speaks to the soul with such a satisfying message-although I must confess that I adore the warmth and fragrance of a cup of Earl Grey or Red Zinger. And it's not the teacups themselves that bring such a message of beauty and serenity and friendship-although my teacups do bring much pleasure. It's not the tea, in other words, that makes teatime special, it's the spirit of the tea party. It's what happens when women or men or children make a place in their life for the
Emilie Barnes (The Tea Lover's Devotional)
Changes that appear turbulent to organizations that rely heavily on planning may appear normal to, even welcomed by, those who prefer a more visionary or learning approach. Put more boldly, if you have no vision but only formal plans, then every unpredicted change in the environment makes you feel like the sky is falling. —Henry Mintzberg
Will Mancini (Church Unique: How Missional Leaders Cast Vision, Capture Culture, and Create Movement (Jossey-Bass Leadership Network Series Book 35))
instead of sitting out in his car. It was too cold and, who knew, maybe she’d be early and they could get this thing started and then over with. Bodecker’s on Main was welcoming—warm and cozy without being too formal. Dark wood with brass accents. Hanging light fixtures that looked like bulbs inside glass canning jars. The framed Art Nouveau prints gave it the look of
Karen McQuestion (Hello Love)
A very tall bearded guy was standing in a doorway, smoking a cigarette. “Hey”, he said. “Hi,” I said. “Excuse me, do you rehearse here?” “Yeah,” he said, extending his hand and saying, almost formally, “Gibby Haynes. I’m in the Butthole Surfers.” I shook his hand. “Moby,” I said. “I just moved upstairs.” “Are you an artist?” “No, a musician.” “Oh, cool. Welcome to the building.” “Do you know who else has spaces here?” I asked. “Well, there’s us and Iggy and Sonic Youth and Helmet and Sean Lennon and the Beastie Boys and some other people,” he said as someone behind him started making a wall of feedback.
Moby (Porcelain: A Memoir)
David and Abigail performed a wedding ceremony as quickly as possible. But the particular formality of a celebration would not be so hurried. David’s men had traveled long, fought hard, and suffered many losses for their leader. He wanted them to feel appreciated. So Abigail set up a feast to last for several days at her home on the hilltop for the six hundred of David’s company. She gave above and beyond what Nabal had withheld from David’s request. There was much meat to fill their bellies, and much beer and wine to make their hearts glad. It was a welcome respite from the endless chase they had been engaged in, avoiding Saul’s malevolent intent.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
leader of the squad was Ittai the Gittite. He led the dissident Gittites that David met earlier. Their numbers had grown. They stopped and presented themselves formally to David. Ittai stepped forward and announced, “My lord David, anointed messiah king of Israel, please accept our force of Gittite warriors as your loyal followers. As Yahweh lives, and as my lord the promised king lives, wherever my lord David shall be, whether for death or for life, there also will your servants be. We will fight on your behalf and we will die on your behalf. Take us with you to Ziklag.” Benaiah cautioned David, “They are Philistines.” More murmuring in the group of leaders signaled agreement with Benaiah. But David knew something the others did not. He turned to the rest of his men and announced, “Does anyone know any reason why we should not allow these circumcised warriors of Yahweh to join our forces?” The gibborim muttered and buzzed with surprise. Circumcised warriors of Yahweh? Ittai must have led them in the Israelite sign of their covenant. David shouted, “Neither do I! We welcome you, Ittai the Gittite and your number of faithful gibborim. Now, everyone go each to his own home and retrieve your families and possessions. We meet at Ziklag in a fortnight.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
He did not wish to be formal. He wished to sweep her into his arms and welcome her with a kiss that would speak all the things his heart felt.
Kim Vogel Sawyer (Waiting for Summer's Return (Heart of the Prairie #1))
ave you thought of your family photos as a collection? One of my tables held photos of many generations of women in our family. I displayed them in a variety of frames, and the mother-daughter-granddaughter theme pulled the collection together. No one could resist stopping and taking a peek. Group as black-and-white photos or formal or informal in groups. Another idea is to keep the same frames but change the photos for the seasons. If you have a ton of photos, rotate them so you can enjoy your entire collection. And for a designer touch, add a surprise to your grouping-something that doesn't "match," such as that silly picture of your Aunt Lily. The idea is to share yourself with others in a way that is interesting. ant to change your room? Put two lamps of different sizes on a side table with books, a small clock, a pot of flowers, or a ceramic creation. These change the look and provide better lighting. Your coffee table is an ideal spot for a plant or a terracotta pot with candles. For a softer look, add a throw rug made of mohair or wool-something warm and inviting. And I don't know about you, but I like bookshelves in the living room-complete with books, family pictures, and a mixture of the things I collect. I also love to frame favorite scriptures to welcome me as I go from room to room.
Emilie Barnes (365 Things Every Woman Should Know)
The moon has withdrawn behind a kicho of mist. Must she be so formal? Are others, elsewhere, welcomed in behind her screen as ardent lovers? I am jealous.
Kara Dalkey (Little Sister)
Become still and take a few deep breaths. If you’d like, bring your hand to your heart center. Feel your breath rise and fall in your chest. Perhaps notice your heartbeat, the temperature of your skin, and any sensations in your body. Pay particular attention to the area of your heart. Imagine going into your heart as if it were a room or natural environment to which you feel profoundly connected. Maybe you imagine the space of your heart as more of a feeling. Now, go into your heart, and pick a dream. Begin to visualize your dream in detail. Where are you? Who is nearby? What are you wearing? Are you dressed formally or casually? What sounds do you hear? Is it a natural environment with few people or a room filled with friends and family? Continue to focus on your breath as you welcome these images in your mind. If you get stuck on an element of your visualization, don’t worry. You don’t need to force anything or overly control what you see. Notice what moves you and where your attention wants to go. Now, pause. I want you to imagine that your dream just happened. It just came true. How does it feel? Note the sensations in your body. Feel the expression on your face. Practicing this feeling is powerful because every dream that was ever accomplished, whether modest and individual or collective and historic, began here, first, as a thought.
Rebecca Pacheco (Still Life: The Myths and Magic of Mindful Living)
In the morning I inspected my traveling companions and found a youth and a handsome old man with a wisp of gray beard sitting opposite me, sipping bitter tea. Presently the youth spoke to me, in formalities at first, and then inevitably of politics. I discovered that his wife’s uncle was a railway official and that he was traveling with a pass. He was on his way back to Szechuan, his native province, which he had left seven years before. But he was not sure that he would be able to visit his home town after all. Bandits were reported to be operating near there. “You mean Reds?” “Oh, no, not Reds, although there are Reds in Szechuan, too. No, I mean bandits.” “But aren’t the Reds also bandits?” I asked out of curiosity. “The newspapers always call them Red bandits or Communist bandits.” “Ah, but you must know that the editors must call them bandits because they are ordered to do so by Nanking,” he explained. “If they called them Communists or revolutionaries that would prove they were Communists themselves.” “But in Szechuan don’t people fear the Reds as much as the bandits?” “Well, that depends. The rich men fear them, and the landlords, and the officials and tax collectors, yes. But the peasants do not fear them. Sometimes they welcome them.” Then he glanced apprehensively at the old man, who sat listening intently, and yet seeming not to listen. “You see,” he continued, “the peasants are too ignorant to understand that the Reds only want to use them. They think the Reds really mean what they say.” “But they don’t mean it?” “My father wrote to me that they did abolish usury and opium in the Sungpan [Szechuan], and that they redistributed the land there. So you see they are not exactly bandits. They have principles, all right. But they are wicked men. They kill too many people.” Then surprisingly the graybeard lifted his gentle face and with perfect composure made an astonishing remark. “Sha pu kou!” he said. “They don’t kill enough!” We both looked at him flabbergasted. Unfortunately the train was nearing Chengchow, where I had to transfer to the Lunghai line, and I was obliged to break off the discussion. But I have ever since wondered with what deadly evidence this Confucian-looking old gentleman would have supported his startling contention. I wondered about it all the next day of travel, as we climbed slowly through the weird levels of loess hills in Honan and Shensi, and until my train—this one still new and very comfortable—rolled up to the new and handsome railway station at Sianfu.
Edgar Snow
The courteous poet meets his ideal reader on conditions of equality. He approaches language as a medium of communication, which must be brought to a height of precision and eloquence in order to move and delight that reader. Concretely, this means that the courteous poet will try to make clear the subject or argument of the poem, its basic grammar and concepts. Reference and allusion will be used to deepen understanding, on the assumption that reader and writer share a common literary tradition. Formally, such a poet will naturally gravitate toward meter and rhyme, which knit the poem to the traditions of English verse and provide a pattern to guide the reader’s expectations. All this emphatically does not mean that the experience the courteous poet offers will be inoffensively pleasant. It means simply that the poet’s knowledge—even of extremity, perplexity, and tragedy—will be made available to the reader, so that it can be genuinely shared. For the discourteous poet, by contrast, novelty and complexity are the fundamental values, both because they provide aesthetic pleasure and because they differentiate the poet from his predecessors. The reader does not need to be invited or seduced into the poem; his presence is either assumed or ignored. As a result, no effort is made to avoid confusion about the subject or argument of the poem; on the contrary, it is welcomed. The finished poem will not disclose the event or emotion that brought it into being, finding it more valuable to demonstrate the incommunicability of experience. Reference and allusion tend to be idiosyncratic and alienating, and form is conceived intellectually and theoretically rather than discursively or musically.
Adam Kirsch (The Modern Element: Essays on Contemporary Poetry)
M. Romains had taken many journeys in his country’s interest and at his own expense. He had talked with the statesmen of fourteen European lands. Three years ago he had traveled to Berlin and delivered a lecture under government auspices. Brownshirted leaders had been summoned from all over the land to hear him, and one of the top-flight Nazis had said to him: “You know, no private individual has ever been received like this in Berlin.” The philosopher-novelist had also been welcomed by the King of the Belgians, who had discussed frankly that country’s attitude to the gravely threatened war. As M. Romains told about these matters, you couldn’t doubt that he was patriotically in earnest, but also you couldn’t help feeling that he was intensely impressed by his own importance. His plan was the one known as le couple France-Allemagne, and it meant reconcilation with Germany, by the simple method of giving the Nazis whatever they demanded. For example, he had had the idea that the Allies should have got out of the Saar without the formality of a plebiscite. Lanny happened to know that Briand had been trying to work out some compromise on this question as far back as ten years ago; but apparently M. Romains didn’t know that, and certainly it wasn’t up to Lanny to correct him on his facts. The philosopher-novelist seemed to have the idea that the Saar settlement had been a matter between France and Germany, and that the plebiscite had taken place under French military control, whereas the fact was it had been a League matter, and French troops had been withdrawn nine years before the plebiscite was held. Among the members of that attentive audience was Kurt Meissner, who had met the Frenchman many years ago in Emily’s drawing-room. Evidently he had put his opportunity to good use, for it was just as if M. Romains had sat in a seminar conducted by the Wehrmacht’s agent, had absorbed the entire doctrine, and was now giving an oral dissertation to demonstrate what he had learned and get his degree. His discourse embraced the complete Nazi program for the undermining of the French republic: warm protestations of friendship; unlimited promises of peace; the sowing of distrust of all politicians and of the entire democratic procedure; and, above all else, fear of the Red specter. The Reds kept faith with nobody, their country was a colossus with feet of clay, their army a broken reed upon which France persisted in trying to lean. The republic had to choose between Stalin and Hitler; between an illusory military alliance and a secure and enduring peace. The words burned Lanny’s tongue: “M. Romains, have you ever read Mein Kampf?” Of course, Lanny couldn’t say them; but he wondered, how would this somewhat self-conscious idol of the bourgeois world have replied? Lanny recalled the Max Beerbohm cartoon in which a drawing-room fop is asked if he has read a certain book, and replies: “I do not read books; I write them.
Upton Sinclair (The Lanny Budd Novels Volume Two: Wide Is the Gate, Presidential Agent, and Dragon Harvest)
His phone buzzed on the counter, and Ithan peered down to see three different news alerts and photo essays about the arrival of Celestina. Had shit not gone down with Sabine, he’d probably be gearing up to meet the beautiful malakh as part of the wolves’ formal welcome. And fealty-swearing bullshit. But now he was a free agent. A wolf without a pack.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
I was not only not popular (and am not popular yet—never will be) but I was non grata—I was not welcome in the world.” But the fantasy of Leaves of Grass being finally widely accepted made him laugh a little to Traubel: “I wouldn’t know what to do, how to comport myself, if I lived long enough to become accepted, to get in demand, to ride on the crest of the wave. I would have to go scratching, questioning, hitching about, to see if this was the real critter, the old Walt Whitman—to see if Walt Whitman had not suffered a destructive transformation—become apostate, formal, reconciled to the conventions, subdued from the old independence.
C.K. Williams (On Whitman (Writers on Writers Book 3))
Y luego una carta de mi madre, que se olvidó de mi cumpleaños, pero se acordó de decirme que no les he dado más que decepciones. La mandé al infierno, en una carta, y en mi corazón. También yo estoy asqueada y harta de culpa. Llegó el destierro formal: no he ‘merecido la preocupación y los disgustos’ que les he dado. Vale, tampoco ha merecido la pena intentar no dárselos.” - Bienvenida a casa de Lucia Berlin
Lucia Berlin (Welcome Home)
We can empathize if we think of the difference in our feelings for a dinner guest in our home that is completely served and waited on, or for one who is welcomed in our kitchen to talk and to laugh while we prepare the meal together. In the first instance the guest is apart from you, the relationship is formal. In the second we share our life, and the relationship is intimate—a true friendship.
Susan Mayclin Stephenson (The Joyful Child: Montessori, Global Wisdom for Birth to Three)
Welcome to my home.” He said the words softly, wrapping her up in them as if they were firelight or sunshine. Very slowly, reluctantly, he allowed her feet to touch the threshold. Mikhail reached past her to open the door, then stepped back. “Do you enter my home of your own free will?” He asked it formally, his eyes burning on her face, over it, dwelling on her soft mouth before returning to her large blue eyes. She was frightened, he could read it easily, a captive wild thing wanting to trust him yet unable to, run to the ground, cornered, but still willing to fight with her last breath. She needed him almost as much as he needed her. She touched the door frame with a fingertip. “If I say no, will you take me back to the inn?” Why did she want to be with him when she knew he was so dangerous? He wasn’t pushing her; she had too much talent of her own not to know. He looked so alone, so proud, yet his eyes burned over her with hungry need. He didn’t answer her, didn’t try to persuade her, simply stood in silence, waiting. Raven sighed softly, knowing she was defeated. She had never known another human being she could just sit and talk with, even touch, without the bombardment of thoughts and emotions. That in itself was a type of seduction. She started across the threshold. Mikhail caught her arm. “Your own free will; say it.” “My own free will.” She stepped into his home, her lashes sweeping down. Raven missed the look of savage joy that lit his dark, chiseled features, but she felt the floor shift beneath her feet. An old, obscure myth rose up to haunt her. Never enter the home of a vampire of your own free will. It gives him power over you.
Christine Feehan (Dark Prince (Dark, #1))
Ghalib had arrived at Delhi College in his palanquin having being invited to apply for the new post. But after reaching the college gate, he refused to enter until Mr Thomason, the secretary, came and welcomed him, as he insisted his aristocratic status dictated. After a long stand-off, Mr Thomason came out personally and explained that a formal welcome was appropriate when he attended the Governor’s durbar, but not in the present case, when he came as a candidate for employment. Ghalib replied, ‘I contemplated taking a government appointment in the expectation that this would bring me greater honour than I now receive, not a reduction in those already accorded to me.’ The secretary replied, ‘I am bound by regulations.’ ‘Then I hope you will excuse me,’ Ghalib said, and came away.
William Dalrymple (The Last Mughal: The Fall of Delhi, 1857)