Formal Clothes Quotes

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What is it about wearing a tuxedo or that little black dress, that makes us feel confident, beautiful, splendid, even invincible? We put on formal wear and suddenly we become extraordinary. On the days when you feel low and invisible, why not try this on for size: imagine you are wearing a fantastic tailored tuxedo or a stunning formal gown. And then proceed with your day.
Vera Nazarian (The Perpetual Calendar of Inspiration)
Monogamy, in brief, kills passion -- and passion is the most dangerous of all the surviving enemies to what we call civilization, which is based upon order, decorum, restraint, formality, industry, regimentation. The civilized man -- the ideal civilized man -- is simply one who never sacrifices the common security to his private passions. He reaches perfection when he even ceases to love passionately -- when he reduces the most profound of all his instinctive experiences from the level of an ecstasy to the level of a mere device for replenishing the armies and workshops of the world, keeping clothes in repair, reducing the infant death-rate, providing enough tenants for every landlord, and making it possible for the Polizei to know where every citizen is at any hour of the day or night. Monogamy accomplishes this, not by producing satiety, but by destroying appetite. It makes passion formal and uninspiring, and so gradually kills it.
H.L. Mencken
She is crazy. Head to head with an ogre. Loony Lolli, Sketchy Dave, Crazy Val. You're all a bunch of freaks." Val made a formal bow, dipping her head in their direction, and then sat on the blanket. Loony Luis, more likely," Lolli said, kicking her flip-flop in his direction. Luis One-Eye," Dave said. Luis smirked. "Bug-head Dave." Princess Luis," Dave said. "Prince Valiant." Val laughed, thinking of the first time Dave had called her that. "How about Dreaded Dave?" Luis leaned over, grabbing his brother in a headlock, both of them rolling on the cloth, and said, "How about Baby Brother? Baby Brother Dave?" Hey," Lolli said. "What about me? I want to be a princess like Luis.
Holly Black (Valiant (Modern Faerie Tales, #2))
To leave the everpresent tension of Great Meadow was like shedding stiff, formal clothes or kicking off pinching shoes.
John McGahern (Amongst Women)
I'd like to shower and change clothes," she said. "Would you mind waiting for me a half hour?" The question seemed to amuse him. "Not at all," he said with exaggerated formality. "Please take all the time you need." Michael watched her walk away. Did he mind waiting a half hour for her? Not at all. He'd been waiting years for her.
Judith McNaught
The Earl and Countess of Langford!" That announcement caused an immediate reaction among the inhabitants of the ballroom, who began looking at one another in surprise and then turned to the balcony, but it was nothing compared to the reaction among the small group of seven people who'd been keeping a vigil of hope. A jolt went through the entire group; hands reached out blindly and were clasped tightly by other hands; faces lifted to the balcony, while joyous smiles dawned brightly and eyes misted with tears. Attired in formal black evening clothes with white waistcoat and frilled white shirt, Stephen Westmoreland, Earl of Langford, was walking across the balcony. On his arm was a medieval princess clad in a pearl-encrusted ivory satin gown with a low, square bodice that tapered to a deep V at the waist. A gold chain with clusters of diamonds and pearls in each link rode low on her hips, sawying with each step, and her hair tumbled in flaming waves and heavy curls over her shoulders and back.
Judith McNaught (Until You (Westmoreland, #3))
For here again, we come to a dilemma. Different though the sexes are, they intermix. In every human being a vacillation from one sex to the other takes place, and often it is only the clothes that keep the male or female likeness, while underneath the sex is the very opposite of what it is above. For it was this mixture in her of man and woman, one being uppermost and then the other, that often gave her conduct an unexpected turn. The curious of her own sex would argue how, for example, if Orlando was a woman, did she never take more than ten minutes to dress? And were not her clothes chosen rather at random, and sometimes worn rather shabby? And then they would say, still, she has none of the formality of a man, or a man’s love of power.
Virginia Woolf (Orlando)
Meanwhile, Milo had been in the Senate on that day until it was dismissed and then came home. He changed out of his formal clothes, waited for a little while his wife got herself ready--you all know how that goes-- and set out at the hour when Clodius, if he had been planning on coming back to Rome that day, would have returned.
Marcus Tullius Cicero
Difficulty itself may be a path toward concentration — expended effort weaves us into a task, and successful engagement, however laborious, becomes also a labor of love. The work of writing brings replenishment even to the writer dealing with painful subjects or working out formal problems, and there are times when suffering’s only open path is through an immersion in what is. The eighteenth-century Urdu poet Ghalib described the principle this way: ‘For the raindrop, joy is in entering the river — / Unbearable pain becomes its own cure.’ “Difficulty then, whether of life or of craft, is not a hindrance to an artist. Sartre called genius ‘not a gift, but the way a person invents in desperate circumstances.’ Just as geological pressure transforms ocean sediment into limestone, the pressure of an artist’s concentration goes into the making of any fully realized work. Much of beauty, both in art and in life, is a balancing of the lines of forward-flowing desire with those of resistance — a gnarled tree, the flow of a statue’s draped cloth. Through such tensions, physical or mental, the world in which we exist becomes itself. Great art, we might say, is thought that has been concentrated in just this way: honed and shaped by a silky attention brought to bear on the recalcitrant matter of earth and of life. We seek in art the elusive intensity by which it knows.
Jane Hirshfield
...in other spheres of Victorian Society the appeal of a young woman dressed in black from head to toe was acknowledged. In Victorian popular culture, widows had two manifestations: the battleaxe and the man-eater, preying upon husbands and bachelors alike. Even today, an attractive, dark-haired person dressed in all black has vampiric connotations, as the novelist Alison Lurie has noted, 'so archetypally terrifying and thrilling, that any black-haired, pale-complexioned man or woman who appears clad in all black formal clothes projects a destructive eroticism, sometimes without concious intention.
Catharine Arnold (Necropolis: London and Its Dead)
David had been photographing endangered species in the Hawaiian rainforest and elsewhere for years, and his collections of photographs and Suzie's tarot cards seemed somehow related. Because species disappear when their habitat does, he photographed them against the nowhere of a black backdrop (which sometimes meant propping up a black velvet cloth in the most unlikely places and discouraging climates), and so each creature, each plant, stood as though for a formal portrait alone against the darkness. The photographs looked like cards too, card from the deck of the world in which each creature describes a history, a way of being in the world, a set of possibilities, a deck from which cards are being thrown away, one after another. Plants and animals are a language, even in our reduced, domesticated English, where children grow like weeds or come out smelling like roses, the market is made up of bulls and bears, politics of hawks and doves. Like cards, flora and fauna could be read again and again, not only alone but in combination, in the endlessly shifting combinations of a nature that tells its own stories and colors ours, a nature we are losing without even knowing the extent of that loss.
Rebecca Solnit (A Field Guide to Getting Lost)
I claim I could write were I not ashamed. There's something fundamentally cheap about such awareness of genius. Only a madman would read a novel with deference. In that case it had best be done in formal clothes, like going to a funeral. So long as it does not seem as affected as a good work!
Osamu Dazai (The Setting Sun (New Directions Book))
I claim I could write were I not ashamed. There's something fundamentally cheap about such awareness of genius. Only a madman would read a novel with deference. In that case it had best be done in formal clothes, like going to a funeral. So long as it does not seem as affected as a good work!
Osamu Dazai (The Setting Sun (New Directions Book))
Bradley Headstone, in his decent black coat and waistcoat, and decent white shirt, and decent formal black tie, and decent pantaloons of pepper and salt, with his decent silver watch in his pocket and its decent hair-guard round his neck, looked a thoroughly decent young man of six-and-twenty. He was never seen in any other dress, and yet there was a certain stiffness in his manner of wearing this, as if there were a want of adaptation between him and it, recalling some mechanics in their holiday clothes. He had acquired mechanically a great store of teacher's knowledge. He could do mental arithmetic mechanically, sing at sight mechanically, blow various wind instruments mechanically, even play the great church organ mechanically. From his early childhood up, his mind had been a place of mechanical stowage. The arrangement of his wholesale warehouse, so that it might be always ready to meet the demands of retail dealers history here, geography there, astronomy to the right, political economy to the left—natural history, the physical sciences, figures, music, the lower mathematics, and what not, all in their several places—this care had imparted to his countenance a look of care; while the habit of questioning and being questioned had given him a suspicious manner, or a manner that would be better described as one of lying in wait. There was a kind of settled trouble in the face. It was the face belonging to a naturally slow or inattentive intellect that had toiled hard to get what it had won, and that had to hold it now that it was gotten. He always seemed to be uneasy lest anything should be missing from his mental warehouse, and taking stock to assure himself.
Charles Dickens (Our Mutual Friend)
They [high school students] all seemed quite excited to be there [a formal dance], like they were finally getting a glimpse of this magical new world they assumed was adulthood. As if adults regularly got together at large dances, all dressed up in fancy new clothes.
Cheryl Cory (Must've Done Something Good)
What did reality have to do with anything anyway? Quentin hated reality. Reality was sweaty and ugly. It was deodorant stains on black clothing and cold sore cream and utility bills. It was fake girlfriends and formal dinners in ill-fitting suits. It was his father lecturing him in broken English about being a man. It was all of Poland, that rundown junk shop of a country, with its stray dogs and secret forests where men fucked each other in the dark and then went home to their wives. No, Quentin wanted fantasy , which was exactly why he was going to the orgy that night.
Coco Mellors (Cleopatra and Frankenstein)
Cixi’s lack of formal education was more than made up for by her intuitive intelligence, which she liked to use from her earliest years. In 1843, when she was seven, the empire had just finished its first war with the West, the Opium War, which had been started by Britain in reaction to Beijing clamping down on the illegal opium trade conducted by British merchants. China was defeated and had to pay a hefty indemnity. Desperate for funds, Emperor Daoguang (father of Cixi’s future husband) held back the traditional presents for his sons’ brides – gold necklaces with corals and pearls – and vetoed elaborate banquets for their weddings. New Year and birthday celebrations were scaled down, even cancelled, and minor royal concubines had to subsidise their reduced allowances by selling their embroidery on the market through eunuchs. The emperor himself even went on surprise raids of his concubines’ wardrobes, to check whether they were hiding extravagant clothes against his orders. As part of a determined drive to stamp out theft by officials, an investigation was conducted of the state coffer, which revealed that more “than nine million taels of silver had gone missing. Furious, the emperor ordered all the senior keepers and inspectors of the silver reserve for the previous forty-four years to pay fines to make up the loss – whether or not they were guilty. Cixi’s great-grandfather had served as one of the keepers and his share of the fine amounted to 43,200 taels – a colossal sum, next to which his official salary had been a pittance. As he had died a long time ago, his son, Cixi’s grandfather, was obliged to pay half the sum, even though he worked in the Ministry of Punishments and had nothing to do with the state coffer. After three years of futile struggle to raise money, he only managed to hand over 1,800 taels, and an edict signed by the emperor confined him to prison, only to be released if and when his son, Cixi’s father, delivered the balance. The life of the family was turned upside down. Cixi, then eleven years old, had to take in sewing jobs to earn extra money – which she would remember all her life and would later talk about to her ladies-in-waiting in the court. “As she was the eldest of two daughters and three sons, her father discussed the matter with her, and she rose to the occasion. Her ideas were carefully considered and practical: what possessions to sell, what valuables to pawn, whom to turn to for loans and how to approach them. Finally, the family raised 60 per cent of the sum, enough to get her grandfather out of prison. The young Cixi’s contribution to solving the crisis became a family legend, and her father paid her the ultimate compliment: ‘This daughter of mine is really more like a son!’ Treated like a son, Cixi was able to talk to her father about things that were normally closed areas for women. Inevitably their conversations touched on official business and state affairs, which helped form Cixi’s lifelong interest. Being consulted and having her views acted on, she acquired self-confidence and never accepted the com“common assumption that women’s brains were inferior to men’s. The crisis also helped shape her future method of rule. Having tasted the bitterness of arbitrary punishment, she would make an effort to be fair to her officials.
Jung Chang (Empress Dowager Cixi: The Concubine Who Launched Modern China)
...the informality of his posture, combined with the strict formality of his clothes, gave him an air of superlative elegance. His was the only face that had the carefree look and the brilliant smile proper to the enjoyment of a party; but his eyes seemed intentionally expressionless, holding no trace of gaiety, showing—like a warning signal—nothing but the activity of a heightened perceptiveness.
Ayn Rand (Atlas Shrugged)
Hardly had Juana had time to get settled when there was a clatter in the courtyard. The night sprang into excitement; instructions were shouted, torches brought. And suddenly the doors burst open; suddenly Philip -- hot, handsome, disheveled -- strode in. Philip was blond and sturdy; the gunpowder-train of Juana's emotions, long and dark and twisting, exploded at last. Philip's eyes must have seen, if nothing else, a girl in virginal flush, a young body of sixteen. He could hardly endure the formal presentations of the nobles. As soon as they were ended, he did what is generally referred to as commanding the nearest cleric to marry them on the spot. This person, however -- the Spaniard don Diego Villaescusa, Dean of Jaen -- it was not in Philip's power to order about. But the fact that it must have been Juana who gave the command only serves to underline the mutuality of their haste and hunger. The Dean did as he was bidden; the ignited youngsters kneeled; Philip hurried Juana out. In a room on the rez de chaussee overlooking the turbulent river they tore off their clothes. Someone had managed to get a gilded crucifix nailed on the ceiling above the bed -- surely one of the unnoticed ornaments (and, as things turned out, one of the most inappropriate) ever put up.
Townsend Miller
They had crossed the terrace where weeds, ivy, and goldenrod had run amuck in the flowerbeds that lined the weather-beaten stone balustrade. Mounds of blue hydrangeas nearly as tall as Lucien crowded the three mossy steps that led down into the formal garden. He went down them, and Alice followed him toward the circular fountain. As they approached, two doves that had perched on the stately stone fountain urn fluttered away, cooing. Alice stopped beside the fountain pool and gazed down with a faraway expression at the lily pads, driven with dreamlike slowness over the surface of the shallow water like tiny sailing vessels. She studied the scene as though memorizing it, while Lucien gazed at her, watching the wind toy with her clothes and the tendrils of her hair that it had worked free from her neat coif. Her waving red-gold hair, blue eyes, and ivory skin, and the chaste, faraway serenity of her face, put him in mind of Botticelli's Venus, rising from the sea upon her scallop shell.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
Do you know what day it is?” she asked, peering at him. “Don’t you?” “Here in Spindle Cove, we ladies have a schedule. Mondays are country walks. Tuesdays, sea bathing. Wednesdays, you’d find us in the garden.” She touched the back of her hand to his forehead. “What is it we do on Mondays?” “We didn’t get to Thursdays.” “Thursdays are irrelevant. I’m testing your ability to recall information. Do you remember Mondays?” He stifled a laugh. God, her touch felt good. If she kept petting and stroking him like this, he might very well go mad. “Tell me your name,” he said. “I promise to recall it.” A bit forward, perhaps. But any chance for formal introductions had already fallen casualty to the powder charge. Speaking of the powder charge, here came the brilliant mastermind of the sheep siege. Damn his eyes. “Are you well, miss?” Colin asked. “I’m well,” she answered. “I’m afraid I can’t say the same for your friend.” “Bram?” Colin prodded him with a boot. “You look all of a piece.” No thanks to you. “He’s completely addled, the poor soul.” The girl patted his cheek. “Was it the war? How long has he been like this?” “Like this?” Colin smirked down at him. “Oh, all his life.” “All his life?” “He’s my cousin. I should know.” A flush pressed to her cheeks, overwhelming her freckles. “If you’re his cousin, you should take better care of him. What are you thinking, allowing him to wander the countryside, waging war on flocks of sheep?” Ah, that was sweet. The lass cared. She would see him settled in a very comfortable asylum, she would. Perhaps Thursdays would be her day to visit and lay cool cloths to his brow. “I know, I know,” Colin replied gravely. “He’s a certifiable fool. Completely unstable. Sometimes the poor bastard even drools. But the hell of it is, he controls my fortune. Every last penny. I can’t tell him what to do.” “That’ll be enough,” Bram said. Time to put a stop to this nonsense. It was one thing to enjoy a moment’s rest and a woman’s touch, and another to surrender all pride. He gained his feet without too much struggle and helped her to a standing position, too. He managed a slight bow. “Lieutenant Colonel Victor Bramwell. I assure you, I’m in possession of perfect health, a sound mind, and one good-for-nothing cousin.” “I don’t understand,” she said. “Those blasts…” “Just powder charges. We embedded them in the road, to scare off the sheep.” “You laid black powder charges. To move a flock of sheep.” Pulling her hand from his grip, she studied the craters in the road. “Sir, I remain unconvinced of your sanity. But there’s no question you are male.” He raised a brow. “That much was never in doubt.” Her only answer was a faint deepening of her blush. “I assure you, all the lunacy is my cousin’s. Lord Payne was merely teasing, having a bit of sport at my expense.” “I see. And you were having a bit of sport at my expense, pretending to be injured.” “Come, now.” He leaned forward her and murmured, “Are you going to pretend you didn’t enjoy it?” Her eyebrows lifted. And lifted, until they formed perfect twin archer’s bows, ready to dispatch poison-tipped darts. “I’m going to pretend I didn’t hear that.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
before their clan’s elders. They wear clothes too formal for them: layered robes of muted color for the boys, intricate shadesilk wraps for the girls. Parents line the walls nearby, anxious to hear the nature of their children laid bare. One by one, the children step before their clan’s First Elder. He holds a shallow bowl, twice as wide as a dinner plate, that holds nothing more than still water. But it is not water, the parents know. It is madra, raw power of spirit, purified and distilled. The material from which souls are made.
Will Wight (Unsouled (Cradle, #1))
A learned priest is also, needless to say, a splendid thing. An Empress taking part in an imperial procession during daylight hours. A formal expedition by the Regent, or his official pilgrimage to Kasuga Shrine.5 Grape-coloured figured silk. Violet is a splendid colour wherever it’s found – in flowers, in fabric or in paper. Snow lying thick in a garden. The Regent. The water iris is rather less fine than other violet-coloured flowers. The reason the sight of a sixth-rank Chamberlain on night watch is so delightful is because of the violet in his clothes.
Sei Shōnagon (The Pillow Book)
Come evening, I walk home and go into my study. In the passage I take off my ordinary clothes, caked with mud and slime, and put on my formal palace gowns. Then when I’m properly dressed I take my place in the courts of the past where the ancients welcome me kindly and I eat my fill of the only food that is really mine and that I was born for. I’m quite at ease talking to them and asking them why they did the things they did, and they are generous with their answers. So for four hours at a time I feel no pain, I forget all my worries, I’m not afraid of poverty and death doesn’t frighten me. I put myself entirely in their minds.
Niccolò Machiavelli (The Prince)
*To illustrate, humans are in the domain eucarya, in the kingdom animalia, in the phylum chordata, in the subphylum vertebrata, in the class mammalia, in the order primates, in the family hominidae, in the genus homo, in the species sapiens. (The convention, I’m informed, is to italicize genus and species names, but not those of higher divisions.) Some taxonomists employ further subdivisions: tribe, suborder, infraorder, parvorder, and more. †The formal word for a zoological category, such as phylum or genus. The plural is taxa. ‡We are actually getting worse at some matters of hygiene. Dr. Maunder believes that the move toward low-temperature washing machine detergents has encouraged bugs to proliferate. As he puts it: “If you wash lousy clothing at low temperatures, all you get is cleaner lice.
Bill Bryson (A Short History of Nearly Everything)
I pulled at the knot again and heard threads begin to pop. “Allow me, Miss Jones,” said Armand, right at my back. There was no gracious way to refuse him. Not with Mrs. Westcliffe there, too. I exhaled and dropped my arms. I stared at the lotus petals in my painting as the new small twists and tugs of Armand’s hands rocked me back and forth. Jesse’s music began to reverberate somewhat more sharply than before. “There,” Armand said, soft near my ear. “Nearly got it.” “Most kind of you, my lord.” Mrs. Westcliffe’s voice was far more carrying. “Do you not agree, Miss Jones?” Her tone said I’d better. “Most kind,” I repeated. For some reason I felt him as a solid warmth behind me, behind all of me, even though only his knuckles made a gentle bumping against my spine. How blasted long could it take to unravel a knot? “Yes,” said Chloe unexpectedly. “Lord Armand is always a perfect gentleman, no matter who or what demands his attention.” “There,” the gentleman said, and at last his hands fell away. The front of the smock sagged loose. I shrugged out of it as fast as I could, wadding it up into a ball. “Excuse me.” I ducked a curtsy and began my escape to the hamper, but Mrs. Westcliffe cut me short. “A moment, Miss Jones. We require your presence.” I turned to face them. Armand was smiling his faint, cool smile. Mrs. Westcliffe looked as if she wished to fix me in some way. I raised a hand instinctively to my hair, trying to press it properly into place. “You have the honor of being invited to tea at the manor house,” the headmistress said. “To formally meet His Grace.” “Oh,” I said. “How marvelous.” I’d rather have a tooth pulled out. “Indeed. Lord Armand came himself to deliver the invitation.” “Least I could do,” said Armand. “It wasn’t far. This Saturday, if that’s all right.” “Um…” “I am certain Miss Jones will be pleased to cancel any other plans,” said Mrs. Westcliffe. “This Saturday?” Unlike me, Chloe had not concealed an inch of ground. “Why, Mandy! That’s the day you promised we’d play lawn tennis.” He cocked a brow at her, and I knew right then that she was lying and that she knew that he knew. She sent him a melting smile. “Isn’t it, my lord?” “I must have forgotten,” he said. “Well, but we cannot disappoint the duke, can we?” “No, indeed,” interjected Mrs. Westcliffe. “So I suppose you’ll have to come along to the tea instead, Chloe.” “Very well. If you insist.” He didn’t insist. He did, however, sweep her a very deep bow and then another to the headmistress. “And you, too, Mrs. Westcliffe. Naturally. The duke always remarks upon your excellent company.” “Most kind,” she said again, and actually blushed. Armand looked dead at me. There was that challenge behind his gaze, that one I’d first glimpsed at the train station. “We find ourselves in harmony, then. I shall see you in a few days, Miss Jones.” I tightened my fingers into the wad of the smock and forced my lips into an upward curve. He smiled back at me, that cold smile that said plainly he wasn’t duped for a moment. I did not get a bow. Jesse was at the hamper when I went to toss in the smock. Before I could, he took it from me, eyes cast downward, no words. Our fingers brushed beneath the cloth. That fleeting glide of his skin against mine. The sensation of hardened calluses stroking me, tender and rough at once. The sweet, strong pleasure that spiked through me, brief as it was. That had been on purpose. I was sure of it.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
There is safety in learning doctrine in gatherings which are sponsored by proper authority. Some members, even some who have made covenants in the temple, are associating with groups of one kind or another which have an element of secrecy about them and which pretend to have some higher source of inspiration concerning the fulfillment of prophecies than do ward or stake leaders or the General Authorities of the Church. Know this: There are counterfeit revelations which, we are warned, “if possible . . . shall deceive the very elect, who are the elect according to the covenant.” (JS—M 1:22.) . . . For the past several years we have watched patterns of reverence and irreverence in the Church. While many are to be highly commended, we are drifting. We have reason to be deeply concerned. The world grows increasingly noisy. Clothing and grooming and conduct are looser and sloppier and more disheveled. Raucous music, with obscene lyrics blasted through amplifiers while lights flash psychedelic colors, characterizes the drug culture. Variations of these things are gaining wide acceptance and influence over our youth. . . . This trend to more noise, more excitement, more contention, less restraint, less dignity, less formality is not coincidental nor innocent nor harmless. The first order issued by a commander mounting a military invasion is the jamming of the channels of communication of those he intends to conquer. Irreverence suits the purposes of the adversary by obstructing the delicate channels of revelation in both mind and spirit.
Boyd K. Packer
One finds oneself surprisingly supplied with information. Outside the undifferentiated forces roar; inside we are very private, very explicit, have a sense indeed, that it is here, in this little room, that we make whatever day of the week it may be. Friday or Saturday. A shell forms upon the soft soul, nacreous, shiny, upon which sensations tap their beaks in vain. On me it formed earlier than on most. Soon I could carve my pear when other people had done dessert. I could bring my sentence to a close in a hush of complete silence. It is at that season too that perfection has a lure. One can learn Spanish, one thinks, by tying a string to the right toe and waking early. One fills up the little compartments of one’s engagement book with dinner at eight; luncheon at one-thirty. One has shirts, socks, ties laid out on one’s bed. But it is a mistake, this extreme precision, this orderly and military progress; a convenience, a lie. There is always deep below it, even when we arrive punctually at the appointed time with our white waistcoats and polite formalities, a rushing stream of broken dreams, nursery rhymes, street cries, half-finished sentences and sights—elm trees, willow trees, gardeners sweeping, women writing—that rise and sink even as we hand a lady down to dinner. While one straightens the fork so precisely on the table-cloth, a thousand faces mop and mow. There is nothing one can fish up in a spoon; nothing one can call an event. Yet it is alive too and deep, this stream. Immersed in it I would stop between one mouthful and the next, and look intently at a vase, perhaps with one red flower, while a reason struck me, a sudden revelation.
Virginia Woolf (The Waves)
The bourgeois democracy which the imperialists and reactionaries try to force upon other people is anti-popular “democracy” which allows a handful of exploiting class members to exercise the full scope of democracy and dictatorship over the working masses. Bourgeois democracy, which harshly suppresses the struggle of the broad working masses for democratic freedom and the right to survive, can never be true democracy. The imperialists and reactionaries are advertising the bourgeois parliamentary system and the bourgeois multi-party system as “democracy”. However, in such systems big monopolists are the real behind-the-scenes manipulators of politics. When they find even the formal parliamentary system or the multi-party system to be an obstacle to their reactionary rule, the imperialists and reactionaries immediately overthrow it and resort to overt fascist rule. There is clear historical evidence of this. The popular character of socialist democracy and the anti-popular character of bourgeois democracy are manifest with regard to human rights. In our socialist society, which regards man as most precious, human rights are fully guaranteed by law; not the slightest practice infringing upon them is tolerated. In our country full rights for the people, ranging from the rights to employment, food, clothing and housing to the rights to education and medical care, are guaranteed. No other such country can be found in the world. The imperialists and reactionaries, posing as the “champions of human rights”, are now vilifying socialism, but it is they alone who are violating human rights. The imperialists and reactionaries who commit political terrorism against innocent people and social figures demanding freedom and democracy, and who deprive the working people of their elementary democratic freedom and right to exist, have no entitlement to talk about human rights.
Kim Jong Il (Our Socialism Centered on the Masses Shall Not Perish)
How they pile the poor little craft mast-high with fine clothes and big houses; with useless servants, and a host of swell friends that do not care twopence for them, and that they do not care three ha’pence for; with expensive entertainments that nobody enjoys, with formalities and fashions, with pretence and ostentation, and with—oh, heaviest, maddest lumber of all!—the dread of what will my neighbour think, with luxuries that only cloy, with pleasures that bore, with empty show that, like the criminal’s iron crown of yore, makes to bleed and swoon the aching head that wears it! It is lumber, man—all lumber! Throw it overboard. It makes the boat so heavy to pull, you nearly faint at the oars. It makes it so cumbersome and dangerous to manage, you never know a moment’s freedom from anxiety and care, never gain a moment’s rest for dreamy laziness—no time to watch the windy shadows skimming lightly o’er the shallows, or the glittering sunbeams flitting in and out among the ripples, or the great trees by the margin looking down at their own image, or the woods all green and golden, or the lilies white and yellow, or the sombre-waving rushes, or the sedges, or the orchis, or the blue forget-me-nots. Throw the lumber over, man! Let your boat of life be light, packed with only what you need—a homely home and simple pleasures, one or two friends, worth the name, someone to love and someone to love you, a cat, a dog, and a pipe or two, enough to eat and enough to wear, and a little more than enough to drink; for thirst is a dangerous thing. You will find the boat easier to pull then, and it will not be so liable to upset, and it will not matter so much if it does upset; good, plain merchandise will stand water. You will have time to think as well as to work. Time to drink in life’s sunshine—time to listen to the Æolian music that the wind of God draws from the human heart-strings around us—time to—
Jerome K. Jerome (Three Men in a Boat)
There has been much cherishing of the evil fancy, often without its taking formal shape, that there is some way of getting out of the region of strict justice, some mode of managing to escape doing all that is required of us; but there is no such escape. A way to avoid any demand of righteousness would be an infinitely worse way than the road to the everlasting fire, for its end would be eternal death. No, there is no escape. There is no heaven with a little of hell in it—no plan to retain this or that of the devil in our hearts or our pockets. Out Satan must go, every hair and feather! Neither shalt thou think to be delivered from the necessity of being good by being made good. God is the God of the animals in a far lovelier way, I suspect, than many of us dare to think, but he will not be the God of a man by making a good beast of him. Thou must be good; neither death nor any admittance into good company will make thee good; though, doubtless, if thou be willing and try, these and all other best helps will be given thee. There is no clothing in a robe of imputed righteousness, that poorest of legal cobwebs spun by spiritual spiders. To me it seems like an invention of well-meaning dulness to soothe insanity; and indeed it has proved a door of escape out of worse imaginations. It is apparently an old 'doctrine;' for St. John seems to point at it where he says, 'Little children, let no man lead you astray; he that doeth righteousness is righteous even as he is righteous.' Christ is our righteousness, not that we should escape punishment, still less escape being righteous, but as the live potent creator of righteousness in us, so that we, with our wills receiving his spirit, shall like him resist unto blood, striving against sin; shall know in ourselves, as he knows, what a lovely thing is righteousness, what a mean, ugly, unnatural thing is unrighteousness. He is our righteousness, and that righteousness is no fiction, no pretence, no imputation.
George MacDonald (Unspoken Sermons, Series I., II., and III.)
When therefore the people sets up an hereditary government, whether it be monarchical and confined to one family, or aristocratic and confined to a class, what it enters into is not an undertaking; the administration is given a provisional form, until the people chooses to order it otherwise. It is true that such changes are always dangerous, and that the established government should never be touched except when it comes to be incompatible with the public good; but the circumspection this involves is a maxim of policy and not a rule of right, and the State is no more bound to leave civil authority in the hands of its rulers than military authority in the hands of its generals. It is also true that it is impossible to be too careful to observe, in such cases, all the formalities necessary to distinguish a regular and legitimate act from a seditious tumult, and the will of a whole people from the clamour of a faction. Here above all no further concession should be made to the untoward possibility than cannot, in the strictest logic, be refused it. From this obligation the prince derives a great advantage in preserving his power despite the people, without it being possible to say he has usurped it; for, seeming to avail himself only of his rights, he finds it very easy to extend them, and to prevent, under the pretext of keeping the peace, assemblies that are destined to the re-establishment of order; with the result that he takes advantage of a silence he does not allow to be broken, or of irregularities he causes to be committed, to assume that he has the support of those whom fear prevents from speaking, and to punish those who dare to speak. Thus it was that the decemvirs, first elected for one year and then kept on in office for a second, tried to perpetuate their power by forbidding the comitia to assemble; and by this easy method every government in the world, once clothed with the public power, sooner or later usurps the sovereign authority.
Jean-Jacques Rousseau (The Social Contract)
The first signal of the change in her behavior was Prince Andrew’s stag night when the Princess of Wales and Sarah Ferguson dressed as policewomen in a vain attempt to gatecrash his party. Instead they drank champagne and orange juice at Annabel’s night club before returning to Buckingham Palace where they stopped Andrew’s car at the entrance as he returned home. Technically the impersonation of police officers is a criminal offence, a point not neglected by several censorious Members of Parliament. For a time this boisterous mood reigned supreme within the royal family. When the Duke and Duchess hosted a party at Windsor Castle as a thank you for everyone who had helped organize their wedding, it was Fergie who encouraged everyone to jump, fully clothed, into the swimming pool. There were numerous noisy dinner parties and a disco in the Waterloo Room at Windsor Castle at Christmas. Fergie even encouraged Diana to join her in an impromptu version of the can-can. This was but a rehearsal for their first public performance when the girls, accompanied by their husbands, flew to Klosters for a week-long skiing holiday. On the first day they lined up in front of the cameras for the traditional photo-call. For sheer absurdity this annual spectacle takes some beating as ninety assorted photographers laden with ladders and equipment scramble through the snow for positions. Diana and Sarah took this silliness at face value, staging a cabaret on ice as they indulged in a mock conflict, pushing and shoving each other until Prince Charles announced censoriously: “Come on, come on!” Until then Diana’s skittish sense of humour had only been seen in flashes, invariably clouded by a mask of blushes and wan silences. So it was a surprised group of photographers who chanced across the Princess in a Klosters café that same afternoon. She pointed to the outsize medal on her jacket, joking: “I have awarded it to myself for services to my country because no-one else will.” It was an aside which spoke volumes about her underlying self-doubt. The mood of frivolity continued with pillow fights in their chalet at Wolfgang although it would be wrong to characterize the mood on that holiday as a glorified schoolgirls’ outing. As one royal guest commented: “It was good fun within reason. You have to mind your p’s and q’s when royalty, particularly Prince Charles, is present. It is quite formal and can be rather a strain.
Andrew Morton (Diana: Her True Story in Her Own Words)
I might know a way we could repay that debt.” Everything inside Darius sharpened at that comment, just like it did when he stumbled across an idea for a new experiment. “Oh?” he asked, trying to keep his voice casual. “The young lady drew me aside after she returned from her luncheon today. She made an odd request.” Darius recalled their earlier run-in at the pond. Odd didn’t begin to describe it—him stalking her through the grass in his sodden clothes and bare feet. She’d handled herself with plenty of spirit, though, and he’d thought they’d left on good terms. “I did have words with her this morning,” he admitted, though it seemed like forever ago now, with all that had happened since. “Her request did not pertain to you, sir. At least, not directly.” Darius arched a brow. “What did it pertain to?” Wellborn was always serious, but something in the man’s expression made the back of Darius’s neck prickle. “Miss Greyson requested, if anyone came to Oakhaven asking after a young woman matching her description, that I not reveal her presence here. Also, that I make her aware of the situation at once.” Darius fell back against the worktable. He grabbed the edge to steady himself. “She’s in some kind of trouble.” Wellborn dipped his chin in agreement. “It seems a logical conclusion. I’d thought to discuss the matter with you later this evening.” “Thank you for bringing it to my attention,” Darius said, ironically slipping into the same formality he had chided Wellborn for earlier. However, when a man lost his equilibrium, he tended to resort to old habits to regain his footing. “I found her phrasing of the request a bit odd.” A contemplative look came over the butler’s face. Darius mentally reviewed Wellborn’s account, analyzing each section as he would one of his journal articles until a hypothesis formed. “She’s more concerned over someone recognizing her appearance than her name.” Wellborn nodded. “That is the impression I gained.” Interesting. It seemed his new secretary might have accepted the position under false pretenses. Well, a false name, at least. Not that it mattered. The woman had proved herself more than capable. Her name didn’t matter. “Let’s adhere to her wishes for now. With one deviation.” Darius pushed up from the table and braced his legs apart, as if preparing for battle. “If anyone comes looking for her, inform me first. She deserves our protection, Wellborn. I intend to see that she gets it.
Karen Witemeyer (Full Steam Ahead)
Christopher Phelan was talking with Prudence Mercer. The scheme of formal black and white was becoming to any man. On someone like Christopher, it was literally breathtaking. He wore the clothes with natural ease, his posture relaxed but straight, his shoulders broad. The crisp white of his starched cravat provided a striking contrast to his tawny skin, while the light of chandeliers glittered over his golden-bronze hair. Following her gaze, Amelia lifted her brows. “What an attractive man,” she said. Her attention returned to Beatrix. “You like him, don’t you?” Before Beatrix could help herself, she sent her sister a pained glance. Letting her gaze drop to the floor, she said, “There have been a dozen times in the past when I should have liked a particular gentleman. When it would have been convenient, and appropriate, and easy. But no, I had to wait for someone special. Someone who would make my heart feel as if it’s been trampled by elephants, thrown into the Amazon, and eaten by piranhas.” Amelia smiled at her compassionately. Her gloved hand slipped over Beatrix’s. “Darling Bea. Would it console you to hear that such feelings of infatuation are perfectly ordinary?” Beatrix turned her palm upward, returning the clasp of her sister’s hand. Since their mother had died when Bea was twelve, Amelia had been a source of endless love and patience. “Is it infatuation?” she heard herself asking softly. “Because it feels much worse than that. Like a fatal disease.” “I don’t know, dear. It’s difficult to tell the difference between love and infatuation. Time will reveal it, eventually.” Amelia paused. “He is attracted to you,” she said. “We all noticed the other night. Why don’t you encourage him, dear?” Beatrix felt her throat tighten. “I can’t.” “Why not?” “I can’t explain,” Beatrix said miserably, “except to say that I’ve deceived him.” Amelia glanced at her in surprise. “That doesn’t sound like you. You’re the least deceptive person I’ve ever known.” “I didn’t mean to do it. And he doesn’t know that it was me. But I think he suspects.” “Oh.” Amelia frowned as she absorbed the perplexing statement. “Well. This does seem to be a muddle. Perhaps you should confide in him. His reaction may surprise you. What is it that Mother used to say whenever we pushed her to the limits of her patience?...’Love forgives all things.’ Do you remember?” “Of course,” Beatrix said. She had written that exact phrase to Christopher in one of her letters. Her throat went very tight. “Amelia, I can’t discuss this now. Or I’ll start weeping and throw myself to the floor.” “Heavens, don’t do that. Someone might trip over you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
robbery by European nations of each other's territories has never been a sin, is not a sin to-day. To the several cabinets the several political establishments of the world are clotheslines; and a large part of the official duty of these cabinets is to keep an eye on each other's wash and grab what they can of it as opportunity offers. All the territorial possessions of all the political establishments in the earth—including America, of course—consist of pilferings from other people's wash. No tribe, howsoever insignificant, and no nation, howsoever mighty, occupies a foot of land that was not stolen. When the English, the French, and the Spaniards reached America, the Indian tribes had been raiding each other's territorial clothes-lines for ages, and every acre of ground in the continent had been stolen and re-stolen 500 times. The English, the French, and the Spaniards went to work and stole it all over again; and when that was satisfactorily accomplished they went diligently to work and stole it from each other. In Europe and Asia and Africa every acre of ground has been stolen several millions of times. A crime persevered in a thousand centuries ceases to be a crime, and becomes a virtue. This is the law of custom, and custom supersedes all other forms of law. Christian governments are as frank to-day, as open and above-board, in discussing projects for raiding each other's clothes-lines as ever they were before the Golden Rule came smiling into this inhospitable world and couldn't get a night's lodging anywhere. In 150 years England has beneficently retired garment after garment from the Indian lines, until there is hardly a rag of the original wash left dangling anywhere. In 800 years an obscure tribe of Muscovite savages has risen to the dazzling position of Land-Robber-in-Chief; she found a quarter of the world hanging out to dry on a hundred parallels of latitude, and she scooped in the whole wash. She keeps a sharp eye on a multitude of little lines that stretch along the northern boundaries of India, and every now and then she snatches a hip-rag or a pair of pyjamas. It is England's prospective property, and Russia knows it; but Russia cares nothing for that. In fact, in our day land-robbery, claim-jumping, is become a European governmental frenzy. Some have been hard at it in the borders of China, in Burma, in Siam, and the islands of the sea; and all have been at it in Africa. Africa has been as coolly divided up and portioned out among the gang as if they had bought it and paid for it. And now straightway they are beginning the old game again—to steal each other's grabbings. Germany found a vast slice of Central Africa with the English flag and the English missionary and the English trader scattered all over it, but with certain formalities neglected—no signs up, "Keep off the grass," "Trespassers-forbidden," etc.—and she stepped in with a cold calm smile and put up the signs herself, and swept those English pioneers promptly out of the country. There is a tremendous point there. It can be put into the form of a maxim: Get your formalities right—never mind about the moralities. It was an impudent thing; but England had to put up with it. Now, in the case of Madagascar, the formalities had originally been observed, but by neglect they had fallen into desuetude ages ago. England should have snatched Madagascar from the French clothes-line. Without an effort she could have saved those harmless natives from the calamity of French civilization, and she did not do it. Now it is too late. The signs of the times show plainly enough what is going to happen. All the savage lands in the world are going to be brought under subjection to the Christian governments of Europe. I am
Mark Twain (Following the Equator)
On all the roads we traversed between Yozgat and Kayseri, about 80 per cent of the Muslims we encountered (there were no Christians left in these parts) were wearing European clothes, bearing on their persons proof of the crimes they had committed. Indeed, it was an absurd sight: overcoats, frock coats, jackets—various men’s and women’s European garments of the finest materials—on villagers who were also wearing sandals and traditional baggy pants [shalvars]. Barefoot Turkish peasant boys wore formal clothes; men sported gold chains and watches. It was reported that the women had confiscated many pieces of diamond jewelry, but [as they were sequestered] we had no way of encountering them.34
Thomas de Waal (Great Catastrophe: Armenians and Turks in the Shadow of Genocide)
The Roman cassock, however, part of the authoritative outfit of the church, is not a formal vestment. It was initially the out-of-entryways and household dress of European people and also pastorate, and its survival among the last when the mainstream designs had changed is just the result of religious conservatism. In gentle climate it was the external piece of clothing; in chilly climate it was worn under the tabard (a tunic with or without short sleeves) or chimere (a free, sleeveless outfit); in some cases in the Middle Ages the name chimere was given to it and also to the sleeveless upper robe.
psg vestments
Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
As the four young women proceeded to a hallway leading toward the morning room, they encountered Lord St. Vincent, who was strolling in the opposite direction. Elegant and dazzling in his formal clothes, he paused and regarded Evie with a caressing smile. “You appear to be escaping from something,” he remarked. “We are,” Evie told her husband. St. Vincent slid his arm around Evie’s waist and asked in a conspiratorial whisper, “Where are you going?” Evie thought for a moment. “Somewhere to powder Daisy’s nose.” The viscount gave Daisy a dubious glance. “It takes all four of you? But it’s such a little nose.” “We’ll only be a few minutes, my lord,” Evie said. “Will you make excuses for us?” St. Vincent laughed gently. “I have an endless supply, my love,” he assured her.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Stephen bowed: but when they had put on formal clothes he said, 'Interpret, is it? As I told you before I do not speak - not as who should say speak - Portuguese. Still less do I understand the language when it is spoke. No man born of woman has ever understood spoken Portuguese, without he is a native or brought up to comprehend that strange blurred muffled indistinct utterance from a very early, almost toothless, age. Anyone with a handful of Latin - even Spanish or Catalan - can read it without much difficulty but to comprehend even the drift of the colloquial, the rapidly muttered version. . .
Patrick O'Brian (Blue at the Mizzen (Aubrey & Maturin, #20))
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. My memory of Diana is not her at an official function, dazzling with her looks and clothes and the warmth of her manner, or even of her offering comfort among the sick, the poor, and the dispossessed. What I remember best is a young woman taking a walk in a beautiful place, unrecognized, carefree, and happy. Diana increasingly craved privacy, a chance “to be normal,” to have the opportunity to do what, in her words, “ordinary people” do every day of their lives--go shopping, see friends, go on holiday, and so on--away from the formality and rituals of royal life. As someone responsible for her security, yet understanding her frustration, I was sympathetic. So when in the spring of the year in which she would finally be separated from her husband, Prince Charles, she yet again raised the suggestion of being able to take a walk by herself, I agreed that such a simple idea could be realized. Much of my childhood had been spent on the Isle of Purbeck in Dorset, a county in southern England approximately 120 miles from London; I remembered the wonderful sandy beaches of Studland Bay, on the approach to Poole Harbour. The idea of walking alone on miles of almost deserted sandy beach was something Diana had not even dared dream about. At this time she was receiving full twenty-four-hour protection, and it was at my discretion how many officers should be assigned to her protection. “How will you manage it, Ken? What about the backup?” she asked. I explained that this venture would require us to trust each other, and she looked at me for a moment and nodded her agreement. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
I like that this is your idea of formal dress, by the way. The same clothes as always, but recently laundered. Do you even know what level of swank La Vache is?” “I wasn’t aware that swank operates on a tiered system,” I said, pulling my luxuriously warm jeans back on. “They want a star pilot; I’m giving them what they expect. If you were hiring a mime artist, you wouldn’t expect them to show up in business casual, would you.” He
Yahtzee Croshaw (Will Save the Galaxy for Food)
Two other applicants were talking in the corner of the room. Normally Hope would’ve disregarded the distant chatter, but she had distinctly heard the phrase “Krom’s Canyon.” She swiveled her head to look at them. A fairly good-looking guy in a shirt-and-tie combination just casual enough to look much better than any truly formal clothes ever could was talking with a woman who was working her hardest to look like she was radiating a sexy librarian vibe by accident. “The way you had to work back and forth across the bridges with limited cover, taking out psychos blocking your path while the turret at the end of the canyon tried to gun you down, was just epic. It’s probably my favorite map in the entire series, even though it’s in my least favorite of the games. The writing was just so much better from two onward, though around five it started losing steam again.” Borderlands, Hope thought. They’re talking about the Borderlands games. Why can’t I be over there, talking games with them, instead of being stuck with, um, Bill Murray in Caddyshack. What was that character’s name? Carl something? Hmm. Well, I bet I know who’ll know.
Scott Meyer (Run Program)
Two other applicants were talking in the corner of the room. Normally Hope would’ve disregarded the distant chatter, but she had distinctly heard the phrase “Krom’s Canyon.” She swiveled her head to look at them. A fairly good-looking guy in a shirt-and-tie combination just casual enough to look much better than any truly formal clothes ever could was talking with a woman who was working her hardest to look like she was radiating a sexy librarian vibe by accident. “The way you had to work back and forth across the bridges with limited cover, taking out psychos blocking your path while the turret at the end of the canyon tried to gun you down, was just epic. It’s probably my favorite map in the entire series, even though it’s in my least favorite of the games. The writing was just so much better from two onward, though around five it started losing steam again.” Borderlands, Hope thought. They’re talking about the Borderlands games. Why can’t I be over there, talking games with them.
Scott Meyer (Run Program)
While the Cannings were still at Bombay, Lord Elphinstone was a charming host and got up two expeditions to famous caves, which showed just how far Raj formality had spread since the Edens' time. On January 31st, a large party went to the caves of Keneri, where everyone had their own cave furnished with washing tubs, sofas, writing-tables "and all requisites down to pen knives and India rubber bands," as Canning noted approvingly in his diary. Lord Elphinstone's servants had laboriously carried all this paraphernalia during the night "to this desolate uninhabited, trackless spot." The Imperial Presence became even more pronounced on February 5th when the Cannings went by steamer to the caves of Elephanta. Tents and huts had been set up outside where the party all changed into evening clothes- all frightfully well organized. Dinner for fifty people was laid in the principal cave, complete with champagne coolers, finger bowls, everything. The British toasted their Queen while Hindu gods carved in the dank rock leered lasciviously. On
Marian Fowler (Below the Peacock Fan: First Ladies of the Raj)
I hope this means you’re getting a new lab?” “I don’t know, T. I gotta run, we’ve got Aiden’s autopsy done and I need to write up some notes. By the way, tell Baldwin the crime scene techs found Aiden’s clothes in a bin behind the McDonald’s on West End. We’ll get that sent to his lab, if he’d like.” Baldwin said, “Yes, please, Sam. Did you find an ID?” “There was a wallet and a passport, both with ID in the name of Jasper Lohan. High-end stuff, they look legitimate.” “Jasper Lohan. I don’t recognize that name for him. No wonder we lost him in St. Louis. Cunning bastard.” He wrote a quick note, then said, “Okay. Thanks.” They hung up with promises to have dinner over the weekend. The banality of the arrangements made Taylor long for some peace and quiet, reminded her that she wasn’t like everyone else. Making plans was a luxury, a formality. In most cases, either she or Sam, or Baldwin, or Sam’s husband Simon, would be called to work a case. They lived in twenty-four-hour-a-day jobs, their lives cordoned off at the whim of a criminal.
J.T. Ellison (Judas Kiss (Taylor Jackson #3))
I know you didn’t grow up in a palace, but you should at least know that it’s not very smart or polite to wink at a princess, especially during a formal event,” she said. “Well, I’ve never been accused of being smart or polite before.” She regarded him for a silent moment. He was tall, and she liked the broadness of his shoulders. And despite the fact that he kept tugging at his collar, she also liked the way he filled out his fine tailored clothing. “Your nose is crooked,” she said. He touched it, then frowned. “It’s been broken a few times. Frankly, I’m lucky to still have a nose.” “It’s quite ugly.” “Um . . .” “I like it.” “Thanks?” He cleared his throat. “Is there something I can do for you, princess?” “Actually, yes.” “And what’s that?” “You can take me to your bed.” Felix
Morgan Rhodes (Frozen Tides (Falling Kingdoms, #4))
Lottie left the room, her gown swishing and rustling as she moved. As she descended the grand staircase, she saw Nick waiting in the entrance hall, his body as tense as that of a panther about to strike. His broad-shouldered form was dressed to perfection in the formal scheme of a dark coat, silver waistcoat, and a charcoal silk necktie. With his dark brown hair neatly brushed and his face gleaming from a close shave, he was both virile and elegant. His head turned toward her, and suddenly his narrow-eyed impatience was replaced by an arrested expression. Lottie felt a rush of elation at the look in his eyes. She deliberately took her time about reaching him. “Do I look like a viscountess?” she asked. His lips quirked wryly. “No viscountess I’ve ever seen looks like you, Lottie.” She smiled. “Is that a compliment?” “Oh, yes. In fact…” Nick took her gloved hand and assisted her down the last step. He held her gaze compulsively, his fingers tightening around hers, and he answered her light question with a gravity that stunned her. “You are the most beautiful woman in the world,” he said huskily. “The world?” she repeated with a laugh. “When I say you’re beautiful,” he murmured, “I refuse to qualify the statement in any way. Except to add that the only way you could be more so is if you were naked.” She laughed at his audacity. “I am afraid that you will have to reconcile yourself to the fact that I’m going to remain fully clothed tonight.” “Until after the ball,” he countered. -Lottie & Nick
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Americans used to pity and be amused at countries where the citizens all wore drab work clothes and the leaders were belligerently under-dressed for state occasions; now those people have discovered fashion, and we wear drab work clothes and are suspicious of formality.
Judith Martin (Miss Manners' Guide to Excruciatingly Correct Behavior)
6 P.M. on Thursday, April 11, the sound of the Titanic’s bugler was heard on deck, indicating it was time for passengers to dress for dinner. The dress code had been waived on the first night at Cherbourg but from then onward “full dress was always en règle” as the Washington aristocrat and amateur historian Archibald Gracie noted approvingly. For Gracie and the other first-class men, this simply meant donning white tie and tails or a tuxedo, a standard part of any traveling wardrobe. Archie Butt had slightly more sartorial choice since his seven trunks were packed with both his regular and dress uniforms along with civilian evening wear. (At the White House, Archie often changed clothes six times a day.) For this first formal evening he may have simply chosen his regular uniform or even civilian mufti, reserving a show of gold lace for later in the voyage. Most of the women, too, had a different gown packed in tissue paper for each night of the crossing but were saving their most splendid apparel for Sunday or Monday night. The beauty of the women on board “was a subject both of observation and admiration” according to Archibald Gracie.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
The greatest proof of my status is my uniform. Every single day I go to class in clothing that many men wear only once in their lives, if at all: a morning suit, identical to the clothing of a bridegroom. It consists of a black tailcoat, a black waistcoat under which I wear a white shirt with a starched collar and thin white cotton tie, a pair of black pinstriped trousers and black shoes. By the time my teens are over, I will have worn one of the smartest outfits in anyone's wardrobe hundreds of times. The effect of this is that, when I put on a business suit for work or any formal occasion, I look as relaxed as if I am wearing a pair of pyjamas.
Musa Okwonga (One of Them)
In the depths of the Jiuyi Temple, she met the young man for the second time. This time, he changed his commoner clothes and put on a magnificent formal dress, with a white robe hanging to the ground, a jade belt tying his long hair, holding a piece of jade bamboo slip into his hand. He stood behind the Great Priest in silence. He was as handsome and gorgeous as a God from the Heavens.
沧月 (Zhuyan (With Prequel of Mirror) 朱颜(附镜子上卷镜前传))
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katie daniel
Formality!’ Indbur turned up exasperated eyes. Then, strenuously, ‘Have you ever heard of proper organization? At all future times you are to submit your request for an audience, properly made out in triplicate, at the government office intended for the purpose. You are then to wait until the ordinary course of events brings you notification of the time of audience to be granted. You are then to appear, properly clothed – properly clothed, do you understand – and with proper respect, too. You may leave.
Isaac Asimov (Foundation and Empire (The Foundation Trilogy #2))
But it is an archaeological site called Sunghir, discovered in the 1950s on the muddy banks of Klyazma River on the eastern fringes of the Russian city of Vladimir, that hints at how these populations busied themselves while waiting for the worst of winter to pass. Included among the stone tools and other more conventional bits and pieces, archaeologists there discovered several graves. None were more remarkable than the elaborate shared grave of two young boys who, sometime between 30,000 and 34,000 years ago, were buried together alongside a straightened mammoth-tusk lance in clothing decorated with nearly 10,000 laboriously carved mammoth-tusk beads, as well as pieces including a belt decorated with teeth plucked from the skulls of over a hundred foxes. With archaeologists estimating it took up to 10,000 hours of work to carve these beads alone—roughly equivalent to five years’ full-time effort for one individual working forty hours a week—some have suggested that these boys must have enjoyed something resembling noble status, and as a result that these graves indicate formal inequality among these foragers.11 It is at best tenuous evidence of institutional hierarchy; after all, some egalitarian foraging societies like the Ju/’hoansi made similarly elaborate items. But the amount of
James Suzman (Work: A Deep History, from the Stone Age to the Age of Robots)
Under the cover of darkness, that’s when duels were arranged, to conceal the proceedings that were frowned upon by law; and there was enough time for sobering-up if the challenge was prompted by intemperance brought on by too much drink. This duel though, was preplanned. “. . . that was how a dress sword came to be a part of a gentleman’s formal attire,” Francisco thus concluded his disquisition on duels that had proceeded at sinuous length when the three friends: Rodrigo, Miguel and himself, had gathered in his study to strategize just last Monday. Both parties had agreed to use pistols, not swords which was the weapon of choice up until the end of the last century. “If you can afford one, you can have a bespoke pistol made, Rodrigo,” said Francisco who, as was his wont, had been on a fact-finding mission about duels. These pistols came in cases complete with The Twenty-six Commandments, the code book that laid down the methodus pugnandi, the same book that Miguel had now folded and shoved into his pocket, its pages soft like cloth from much handling – and the damp from the river-mist. He and Francisco shuffled around in the shadows cast by the incipient pre-dawn sun, still unsure of their roles in this debauchery.
Franciska Soares (They Whisper in my Blood)
What did reality have to do with anything, anyway? Quentin hated reality. Reality was sweaty and ugly. It was deodorant stains on black clothing and colde sore cream and utility bills. It was fake girlfriends and formal dinners.
Coco Mellors (Cleopatra and Frankenstein)
Tunics are one of the most popular and versatile garments in fashion. They can be worn in a variety of ways to create different looks. Here are some tips on how to wear a tunic: Pair tunic tops for women with leggings or skinny jeans for a comfortable and stylish look. Wear a belt around your waist to define your figure and create an hourglass shape. Layer long tunics for women over a collared shirt or turtleneck for a chic and polished look. Add interest to your outfit with accessories such as statement necklaces, scarves, or belts. For a more casual look, pair a tunic with shorts or Capri pants. To dress up your outfit, wear heels or wedges with your tunic. How to Style a Tunic ? Tunics are a versatile and comfortable item of clothing that can be worn in a variety of ways. They are perfect for both casual and formal occasions, and can be styled to suit any taste. Here are some tips on how to style a tunic: -Pair your designer tunics online with leggings or skinny jeans for a casual look. -Wear it over a dress or skirt for a more formal outfit. -Layer it under a jacket or cardigan for extra warmth. Tunics For Women Fashion: A Guide to Using This All-Time Favorite Tunic Fashion is an all-time favorite for many women. Wearing one makes you feel light and confident all at once – the perfect combination! Tunics come in a variety of patterns, lengths, and sleeves, so there’s something for every woman no matter what your personal style might be. Tunic Lengths Tunic fashion is all about comfort and style. This all-time favorite can be dressed up or down, making it a versatile piece in your wardrobe. The key to finding the right tunic length is to know your body type and what looks best on you. Petite women should look for tunics that hit at the hip or above. This will prevent the tunic from overwhelming your small frame. If you’re tall, you can get away with long tunics for women length. Just make sure it doesn’t drag on the ground – no one wants to deal with that! If you’re pear-shaped, look for tunics that cinch at the waist to flatter your figure. A-line tunics are also a good option for this body type. And if you have an hourglass figure, show off your curves with a fitted tunic top. No matter what your body type, there’s a tunic length out there that will look great on you! What to Wear with a Tunic ? Assuming you want a guide on how to wear a tunic: Tunics for women are one of the most versatile, easy-to-wear items in any woman’s wardrobe. Whether you’re looking for something to wear to the office or on a casual weekend, a tunic can be dressed up or down to suit any occasion. But with so many different styles and silhouettes out there, it can be hard to know what to pair with your tunic. Here are a few tips on what to wear with a tunic dress for women, no matter what the occasion: For work: To give your tunic a more polished look for work, try pairing it with tailored trousers or a pencil skirt. Add a blazer for extra warmth and style points. And don’t forget the accessories! A great pair of earrings or a statement necklace can really elevate your look. For weekends: On weekends, you can afford to dress your girls tunic tops down a bit. Try pairing it with jeans or leggings for a comfortable, casual look. Slip on some flats or sneakers and you’re good to go! For evenings out: To dress up your tunic for an evening out, try pairing it with slim-fit pants or a skirt in a rich fabric like velvet or satin. Add heels and some sparkling jewelry to really make your outfit shine. How to Wear a Tunic ? -Accessorize with jewelry, scarves, or belts to personalize your look. What Types of Tunics are Available? Ladies tunic dresses come in a wide range of styles, from fitted to loose and flowing. They can be made from a variety of fabrics, including cotton, linen, Silk, and wool. You can find tunics in solid colors, patterns, and prints.
kanshika
All too often, white-led organizations treat racial diversity as a commodity that can be used to build the institution. They are fine with our slang as long as they can co-opt it to make themselves look cool, but when we bring our words and phrases with us into the classroom, boardroom, or pulpit, they start to question our fitness for leadership. They’re fine with our clothes and our hairstyles when they can post pictures of us on their websites and social media, but if we’re going to hold any position of power or influence, they want us to look more “professional.” They can post #BlackLivesMatter on their socials, but when someone files a formal complaint about racism in the organization, they suddenly don’t understand how racism works.
Ally Henny (I Won't Shut Up: Finding Your Voice When the World Tries to Silence You (An Unvarnished Perspective on Racism That Calls Black Women to Find Their Voice))
Orion threw a grin back at me as headed to the bar, ducking behind it. “What would madam like?” he asked in a formal tone which was a damn good impression of the Acruxes' butler. I giggled hurrying over to take a stool in front of the bar and placing my clutch down, relishing the cool breeze against my burning neck. “Hmm...a Manhattan?” I teased and he cocked his head. “I'm afraid we're fresh out of bullshit, how about a white wine spritzer with a tiny umbrella in it?” I laughed, nodding eagerly as he made up my drink then poured himself a measure of bourbon. He held it out for me and I leaned across the bar to take it. As I took hold of the glass, he didn't let go and I gazed up at him under my lashes questioning why. “Have I told you have exceptionally beautiful you look tonight, Darcy?” Darcy. He'd said my name. For the first time ever. And why did it sound like so much more than a name when he spoke it? It was like he'd fired an arrow and it had punctured a flesh wound in me at the exact same moment. Hell. I needed to get over this guy. Why was I so caught up on him? Unavailable, that's what it was. We always want what we can't have and Professor Orion was off limits. Simple as that. And those muscles. And the beard. And the dark eyes. And the dimple. But that was it. “That's the first I've heard of it, Professor,” I whispered, unable to make my voice rise any louder. “Don't do that,” he grunted, releasing the drink. I eyed him curiously as he walked around the bar with his bourbon in hand. He took the stool beside mine, his arm butting up against me. “Do what?” I asked, swivelling around to face the pool and taking a sip of my spritzer. It fizzed on my tongue and sent a deep kick of heat through my chest. “You know what.” “You're very presumptuous, Orion. You think I'm far more aware of your chaotic way of thinking than I really am.” I sipped my drink again, spying on him from the corner of my eye. He took a swig of his own drink and the familiar waft of bourbon drifted over me, tingling my senses. It was becoming a trigger, like the moment I walked into his office and he uncorked a bottle, it made me want to taste it on his mouth. And then that led to me wondering whether his fangs would brush my tongue when we kissed, and that always led to me mentally undressing him, then me conjuring an image of what those muscles looked like beneath that shirt... “I have something for you,” he said and I turned, blinking out of my dark fantasy. “You do?” He nodded, reaching into his inside pocket and taking out my coil of blue hair. My heart combusted and a choked noise escaped me. I reached for it and he slid it onto my wrist. He kept my hand in his, his eyes downcast as they remained on the band of hair. “I want you to know, I believe you would have gotten this back yourself when you were ready. But I took a lot of pleasure in retrieving it for you all the same.” I stared at him in complete shock, unsure what to say, my tongue tied in knots. “But Fae don't fight battles for other Fae,” I blurted, completely astonished that his actions that day had been to take this back from Seth. For me. And nothing else. He finished his drink and planted the glass on the bar, rising to his feet. He didn't reply to what I'd said and I barely even remembered what it was as he started pulling his clothes off. “Err, what are you doing?” I half laughed as he shed his jacket and kicked off his shoes, pulling off his socks. Oh my god. “I hate parties, but I like swimming.” He started undoing the buttons of his shirt and thought his back was to me, I was still captivated as he dropped it to the floor like a silken sheet. My eyes scraped down his skin to where his muscles etched an upside down v into his lower back, disappearing beneath his waistband. His shoulders were tanned and heavenly broad, making me long to explore all of those muscles with my hands.(Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Do the religious texts and exemplars support anymal welfare or anymal liberation? What do religions teach us to be with regard to anymals? A concise formal argument, using deductive logic, rooted in three well-established premises, can help us to answer these questions about rightful relations between human beings and anymals: Premise 1 : The world’s dominant religious traditions teach human beings to avoid causing harm to anymals. Premise 2 : Contemporary industries that exploit anymals—including food, clothing, pharmaceutical, and/or entertainment industries—harm anymals. Premise 3 : Supporting industries that exploit anymals (most obviously by purchasing their products) perpetuates these industries and their harm to anymals. Conclusion : Th e world’s dominant religious traditions indicate that human beings should avoid supporting industries that harm anymals, including food, clothing, pharmaceutical, and/or entertainment industries. It is instructive to consider an additional deductive argument rooted in two well-established premises: Premise 1 : The world’s dominant religious traditions teach people to assist and defend anymals who are suffering. Premise 2 : Anymals suffer when they are exploited in laboratories and the entertainment, food, or clothing industries. Conclusion : The world’s dominant religious traditions teach people to assist and defend anymals when they are exploited in laboratories, entertainment, food, and clothing industries. If these premises are correct—and they are supported by abundant evidence—the world’s dominant religions teach adherents • to avoid purchasing products fr om industries that exploit anymals, and • to assist and defend anymals who are exploited in laboratories and the entertainment, food, and clothing industries. Such industries include, but are not limited to, those that overtly sell or use products that include chicken’s reproductive eggs, cow’s nursing milk, or anymal flesh or hides (fur and leather), as well as industries that engage in or are linked with anymal experimentation of any kind, and entertainment industries such as zoos, circuses, and aquariums.
Lisa Kemmerer (Animals and World Religions)
Do the religious texts and exemplars support anymal welfare or anymal liberation? What do religions teach us to be with regard to anymals? A concise formal argument, using deductive logic, rooted in three well-established premises, can help us to answer these questions about rightful relations between human beings and anymals: Premise 1 : The world’s dominant religious traditions teach human beings to avoid causing harm to anymals. Premise 2 : Contemporary industries that exploit anymals—including food, clothing, pharmaceutical, and/or entertainment industries—harm anymals. Premise 3 : Supporting industries that exploit anymals (most obviously by purchasing their products) perpetuates these industries and their harm to anymals. Conclusion : The world’s dominant religious traditions indicate that human beings should avoid supporting industries that harm anymals, including food, clothing, pharmaceutical, and/or entertainment industries. It is instructive to consider an additional deductive argument rooted in two well-established premises: Premise 1 : The world’s dominant religious traditions teach people to assist and defend anymals who are suffering. Premise 2 : Anymals suffer when they are exploited in laboratories and the entertainment, food, or clothing industries. Conclusion : The world’s dominant religious traditions teach people to assist and defend anymals when they are exploited in laboratories, entertainment, food, and clothing industries. If these premises are correct—and they are supported by abundant evidence—the world’s dominant religions teach adherents • to avoid purchasing products from industries that exploit anymals, and • to assist and defend anymals who are exploited in laboratories and the entertainment, food, and clothing industries.
Lisa Kemmerer (Animals and World Religions)
Frederick looked great in the parade of old-fashioned suits I'd seen in since we'd met, of course. More than great. But I realized now that his consistently too-formal, out-of-date attire served as a constant reminder to me that Frederick was out of my league in every imaginable way--- and completely off-limits. Untouchable. And other. Now, though... "What do you think?" he asked. "Do I look like I fit in with modern society now?" With difficulty, I tore my eyes from the broad expanse of his chest now covered in a forest-green Henley that fit him like a glove and met his gaze. He was fidgeting a little as I looked back at him, drumming his fingertips against his upper thigh again, looking at me with a nervous intensity that stole the breath from my lungs. I let my eyes trail slowly down his body, drinking him in, taking in his new shirt and the dark blue jeans that fit him so well you wouldn't have guessed he'd had no idea what size he was twenty minutes ago. The other jeans he'd tried on lay folded in a pile on the chair beside him; his suit hung neatly on a hanger in the dressing room. I focused on these other details to distract myself from how Frederick not only looked just as hot in more casual clothes as he did in his stuffy suits, but also how he now looked attainable in a way that was dangerous to me, specifically. I had to avert my eyes. Looking right at him felt a little too much like looking directly at the sun. "You look great. You look unbelievable, actually." I heard his sharp intake of breath, only then realizing that that hadn't quite been what he'd asked me. All he'd asked was whether he looked like he fit in. My stomach swooped, my face suddenly feeling like it was on fire. Idiot. "That is... that is to say---" "You think I look great?" He was looking at me with an expression that felt somewhere between surprise and pleasure. He stepped from the dressing room, stopping when he was only a few inches away from me. I took an involuntary breath, breathing in the scent of lavender soap and new clothes that clung to him.
Jenna Levine (My Roommate Is a Vampire)
Of course, now I wonder where I had gotten the idea that for you to participate in a gathering, the other people had to really, really want you to be there and that anything short of rabid enthusiasm on their part meant you’d be a nuisance. Where had I gotten the idea that being a nuisance was that big a deal? Sometimes now I think of all the opportunities I didn’t take—to get a manicure in town, to watch television in another dorm, to go outside for a snowball fight—and of how refusal became a habit for me, and then I felt it would be conspicuous if I ever did join in. Once when I was a sophomore, I was at a lunch table when Dede was organizing a group of people to go to a restaurant before the spring formal. She went around the table, pointing at each of us and counting, and when she got to me, she said, “Okay, not you because you never go to the dances.” And that was true, but I’d have gone to a restaurant, I’d have put on a dress and ridden the charter bus and sat with my classmates at a big round table in a big room with an oversized red cloth napkin on my lap, I’d have drunk Sprite through a straw, have eaten warm rolls and roast beef and dessert; all of that would have been manageable. But in the moment of Dede bypassing me, how could I have explained this?
Curtis Sittenfeld (Prep)
Reality was sweaty and ugly. It was deodorant stains on black clothing and cold sore cream and utility bills. It was fake girlfriends and formal dinners in ill-fitting suits. It was his father lecturing him in broken English about being a man. It was all of Poland, that run-down junk shop of a country, with its stray dogs and secret forests where men fucked each other in the dark and then went
Coco Mellors (Cleopatra and Frankenstein)
As man, he submitted to the great and decisive exchange set forth in II Corinthians 5:21: "For our sake [God] made him to be sin who knew no sin, so that in him we might become the righteousness of God." "This," said Luther, "is that mystery which is rich in divine grace to sinners, wherein by a wonderful exchange our sins are no longer ours but Christ's, and the righteousness of Christ is not Christ's but ours. He has emptied himself of his righteousness that he might clothe us with it, and fill us with it; and he has taken our evils upon himself that he might deliver us from them. So that now the righteousness of Christ is ours not only objectively (as they term it) but formally also
J.I. Packer (Sola Fide: The Reformed Doctrine of Justification)
The whole set of stylizations that are known as 'camp' (a word that I was hearing then for the first time) was, in 1926, self-explanatory. Women moved and gesticulated in this way. Homosexuals wished for obvious reasons to copy them. The strange thing about 'camp' is that it has become fossilized. The mannerisms have never changed. If I were now to see a woman sitting with her knees clamped together, one hand on her hip and the other lightly touching her back hair, I should think, 'Either she scored her last social triumph in 1926 or it is a man in drag.' Perhaps 'camp' is set in the 'twenties because after that differences between the sexes—especially visible differences—began to fade. This, of course, has never mattered to women in the least. They know they are women. To homosexuals, who must, with every breath they draw, with every step they take, demonstrate that they are feminine, it is frustrating. They look back in sorrow to that more formal era and try to re-live it. The whole structure of society was at that time much more rigid than it has ever been since, and in two main ways. The first of these was sexual. The short skirts, bobbed hair and flat chests that were in fashion were in fact symbols of immaturity. No one ever drew attention to this, presumably out of politeness. The word 'boyish' was used to describe the girls of that era. This epithet they accepted graciously. They knew that they looked nothing like boys. They also realized that it was meant to be a compliment. Manliness was all the rage. The men of the 'twenties searched themselves for vestiges of effeminacy as though for lice. They did not worry about their characters but about their hair and their clothes. Their predicament was that they must never be caught worrying about either. I once heard a slightly dandified friend of my brother say, 'People are always accusing me of taking care over my appearance.' The sexual meaning of behaviour was only sketchily understood, but the symbolism of clothes was recognized by everyone. To wear suede shoes was to be under suspicion. Anyone who had hair rather than bristle at the back of his neck was thought to be an artist, a foreigner or worse. A friend of mine who was young in the same decade as I says that, when he was introduced to an elderly gentleman as an artist, the gentleman said, 'Oh, I know this young man is an artist. The other day I saw him in the street in a brown jacket.' The other way in which society in the 'twenties was rigid was in its class distinctions. Doubtless to a sociologist there were many different strata merging here and there but, among the people that I was now getting to know, there were only two classes. They never mingled except in bed. There was 'them', who acted refined and spoke nice and whose people had pots of money, and there was 'us', who were the salt of the earth.
Quentin Crisp (The Naked Civil Servant)
Regis, who looked as battered as Bruenor had ever seen him, his fine clothes splatted with gore and bits of blood. Beside the halfling stood Jarlaxle, looking very much like he was about to attend a formal court ball, not a mark or a splatter on him. Of course not.
R.A. Salvatore (Relentless (Generations, #3; The Legend of Drizzt, #36))
When the Bishop Projectius brought the relics of St. Stephen to the town called Aquae Tibiltinae, the people came in great crowds to honour them. Amongst there was a blind woman, who entreated the people to lead her to the bishop who had the HOLY RELICS. They did so, and the bishop gave her some flowers which he had in his hand. She took them, and put them to her eyes, and immediately her sight was restored, so that she passed speedily on before all the others, no longer requiring to be guided." In Augustine's day, the formal "worship" of the relics was not yet established; but the martyrs to whom they were supposed to have belonged where already invoked with prayers and supplications, and that with the high approval of the Bishop of Hippo, as the following story will abundantly show: Here, in Hippo, says he, there was a poor and holy old man, by name Florentius, who obtained a living by tailoring. This man once lost his coat, and not being able to purchase another to replace it, he came to the shrine of the Twenty Martyrs, in this city, and prayed aloud to them, beseeching that they would enable him to get another garment. A crowd of silly boys who overheard him, followed him at his departure, scoffing at him, and asking him whether he had begged fifty pence from the martyrs to buy a coat. The poor man went silently on towards home, and as he passed near the sea, he saw a large fish which had been cast up on the sand, and was still panting. The other persons who were present allowed him to take up this fish, which he brought to one Catosus, a cook, and a good Christian, who bought it from him for three hundred pence. With this he meant to purchase wool, which his wife might spin, and make into a garment for him. When the cook cut up the fish, he found within its belly a ring of gold, which his conscience persuaded him to give to the poor man from whom he brought the fish. He did so, saying, at the same time, "Behold how the Twenty Martyrs have clothed you!" Thus did the great Augustine inculcate the worship of dead men, and the honouring of their wonder-working relics. The "silly children" who "scoffed" at the tailor's prayer seem to have had more sense than either the "holy old tailor" or the bishop. Now, if men professing Christianity were thus, in the fifth century, paving the way for the worship of all manner of rags and rotten bones;
Alexander Hislop (The Two Babylons)
She has lectures today so will have to dress slightly more formally than usual. Black trousers, black shapeless top. She hardly looks as she selects the clothes. She likes colour and fabric; in fact she has quite a weakness for sequins, bugle beads and diamante.
Elly Griffiths (The Crossing Places (Ruth Galloway, #1))
Tennessee Claflin’s was the most unlikely story. Although, like most of them, she was good-looking, unlike the others she was not rich, she did not have a mother to chaperone, support or dragoon her, she lacked formal education and had no superb clothes from Worth. Instead, she had lived by her wits – managing en route to become one of the world’s first female stockbrokers – and in her native US was trailed by an aura of scandal and sexual licence. Ironically, it was the latter which gave her her first real step up the ladder.
Anne de Courcy (The Husband Hunters: American Heiresses Who Married into the British Aristocracy)
As a battle cry against feudalism, the demand for democracy had a progressive character. As time went on, however, the metaphysics of natural law (the theory of formal democracy) began to show its reactionary side – the establishment of an ideal standard to control the real demands of the laboring masses and the revolutionary parties. If we look back to the historical sequence of world concepts, the theory of natural law will prove to be a paraphrase of Christian spiritualism freed from its crude mysticism. The Gospels proclaimed to the slave that he had just the same soul as the slave-owner, and in this way established the equality of all men before the heavenly tribunal. In reality, the slave remained a slave, and obedience became for him a religious duty. In the teaching of Christianity, the slave found an expression for his own ignorant protest against his degraded condition. Side by side with the protest was also the consolation. Christianity told him, "You have an immortal soul, although you resemble a pack-horse." Here sounded the note of indignation. But the same Christianity said, "Although you are like a pack-horse, yet your immortal soul has in store for it an eternal reward." Here is the voice of consolation. These two notes were found in historical Christianity in different proportions at different periods and amongst different classes. But as a whole, Christianity, like all other religions, became a method of deadening the consciousness of the oppressed masses. Natural law, which developed into the theory of democracy, said to the worker: "all men are equal before the law, independently of their origin, their property, and their position; every man has an equal right in determining the fate of the people." This ideal criterion revolutionized the consciousness of the masses in so far as it was a condemnation of absolutism, aristocratic privileges, and the property qualification. But the longer it went on, the more if sent the consciousness to sleep, legalizing poverty, slavery and degradation: for how could one revolt against slavery when every man has an equal right in determining the fate of the nation? Rothschild, who has coined the blood and tears of the world into the gold napoleons of his income, has one vote at the parliamentary elections. The ignorant tiller of the soil who cannot sign his name, sleeps all his life without taking his clothes off, and wanders through society like an underground mole, plays his part, however, as a trustee of the nation’s sovereignty, and is equal to Rothschild in the courts and at the elections. In the real conditions of life, in the economic process, in social relations, in their way of life, people became more and more unequal; dazzling luxury was accumulated at one pole, poverty and hopelessness at the other. But in the sphere of the legal edifice of the State, these glaring contradictions disappeared, and there penetrated thither only unsubstantial legal shadows. The landlord, the laborer, the capitalist, the proletarian, the minister, the bootblack – all are equal as "citizens" and as "legislators." The mystic equality of Christianity has taken one step down from the heavens in the shape of the "natural," "legal" equality of democracy. But it has not yet reached earth, where lie the economic foundations of society. For the ignorant day-laborer, who all his life remains a beast of burden in the service of the bourgeoisie, the ideal right to influence the fate of the nations by means of the parliamentary elections remained little more real than the palace which he was promised in the kingdom of heaven.
Leon Trotsky
As a battle cry against feudalism, the demand for democracy had a progressive character. As time went on, however, the metaphysics of natural law (the theory of formal democracy) began to show its reactionary side – the establishment of an ideal standard to control the real demands of the laboring masses and the revolutionary parties. If we look back to the historical sequence of world concepts, the theory of natural law will prove to be a paraphrase of Christian spiritualism freed from its crude mysticism. The Gospels proclaimed to the slave that he had just the same soul as the slave-owner, and in this way established the equality of all men before the heavenly tribunal. In reality, the slave remained a slave, and obedience became for him a religious duty. In the teaching of Christianity, the slave found an expression for his own ignorant protest against his degraded condition. Side by side with the protest was also the consolation. Christianity told him, ”You have an immortal soul, although you resemble a pack-horse." Here sounded the note of indignation. But the same Christianity said, "Although you are like a pack-horse, yet your immortal soul has in store for it an eternal reward." Here is the voice of consolation. These two notes were found in historical Christianity in different proportions at different periods and amongst different classes. But as a whole, Christianity, like all other religions, became a method of deadening the consciousness of the oppressed masses. Natural law, which developed into the theory of democracy, said to the worker: "all men are equal before the law, independently of their origin, their property, and their position; every man has an equal right in determining the fate of the people." This ideal criterion revolutionized the consciousness of the masses in so far as it was a condemnation of absolutism, aristocratic privileges, and the property qualification. But the longer it went on, the more if sent the consciousness to sleep, legalizing poverty, slavery and degradation: for how could one revolt against slavery when every man has an equal right in determining the fate of the nation? Rothschild, who has coined the blood and tears of the world into the gold napoleons of his income, has one vote at the parliamentary elections. The ignorant tiller of the soil who cannot sign his name, sleeps all his life without taking his clothes off, and wanders through society like an underground mole, plays his part, however, as a trustee of the nation’s sovereignty, and is equal to Rothschild in the courts and at the elections. In the real conditions of life, in the economic process, in social relations, in their way of life, people became more and more unequal; dazzling luxury was accumulated at one pole, poverty and hopelessness at the other. But in the sphere of the legal edifice of the State, these glaring contradictions disappeared, and there penetrated thither only unsubstantial legal shadows. The landlord, the laborer, the capitalist, the proletarian, the minister, the bootblack – all are equal as "citizens" and as "legislators." The mystic equality of Christianity has taken one step down from the heavens in the shape of the "natural," "legal" equality of democracy. But it has not yet reached earth, where lie the economic foundations of society. For the ignorant day-laborer, who all his life remains a beast of burden in the service of the bourgeoisie, the ideal right to influence the fate of the nations by means of the parliamentary elections remained little more real than the palace which he was promised in the kingdom of heaven.
Leon Trotsky
definitely more oriented toward “nice clothes for children in formal situations” than “stick your child in these many layers of ruffles and sequins so the judges don’t notice she’s a toddler and not a twenty-one-year-old debutante.
Molly Harper (A Few Pecans Short of a Pie (Southern Eclectic, #2.5))
She leaned heavily against the front door, put her hand on the doorknob and although her husband had said nothing of his vision of the black coach wet with rain, she caught a glimpse of it herself in that second between the moment she closed her eyes and the next one when she began a Hail Mary. The amniotic fluid was like something sun-warmed against her leg. It quickly soaked her terry-cloth slipper and then pooled on the linoleum at her feet. Her heel skidded in it a little as she slowly let go of the doorknob and carefully—a reluctant skater on a pond—got herself across the hallway, onto the living-room carpet, and across the living room, a slug’s trail of dark water behind her, and onto the couch. She still held Jacob’s coat in her hand and she threw it over the cushions before she eased herself down, praying all the while the formal prayer that held off both hope and dread, as well as any speculation about what to do next. She must have said a dozen of them—it only occurred to her after about the seventh or eighth that she should have been counting them off on her fingers—when the first cramp seized her and then she threw the prayers aside as if they had been vain attempts to speak in her high-school French. Oh look, she said. Don’t let this happen. Come on. Be reasonable. Long before the fireman pounded at the door (or was it an angel, or a banshee, or the ghost of the other Jacob?), she had listened to the rise and fall of the wind outside. Long
Alice McDermott (After This)
money untouched he inspected the left side. It looked like the nail head rusted just enough for the tin to pop off, but he decided to check behind anyway. He pulled the tin away from the wall and looked into the dimly lit space. To his surprise, something was there. He reached in and pulled out a large cardboard envelope. The envelope was a heavy one used to mail important documents and looked like it had been there for a while. It was addressed to Edward, but there was no return address. The top was open, so Adam reached inside. He pulled out a small stack of papers and pictures. The picture on top was of a group of people standing in front of Town Hall. It must have been the Grand Opening, because they were all dressed in formal clothes and there were decorations hanging in the background. If it was the Grand Opening, the picture was from 1910. He had learned the year it was built while on a class trip a few years before. The date was carved into a brick near the main entrance. Adam looked at the picture a little closer. Each of the people wore the same lapel pin as the one Edward wore in his portrait.
Scott Gelowitz (Town Secrets (The Book of Adam #1))
I’m beginning to realize I shouldn’t have stayed away from Eversby Priory for so long,” she heard him say grimly. “The entire household is running amok.” Unable to restrain herself any longer, Kathleen went to the open gap in the doorway and glared at him. “You were the one who hired the plumbers!” she hissed. “The plumbers are the least of it. Someone needs to take the situation in hand.” “If you’re foolish enough to imagine you could take me in hand--” “Oh, I’d begin with you,” he assured her feelingly. Kathleen would have delivered a scathing reply, but her teeth had begun to chatter. Although the Turkish towel had absorbed some of the moisture from her clothes, they were clammy. Seeing her discomfort, Devon turned and surveyed the room, obviously hunting for something to cover her. Although his back was turned, she knew the precise moment that he spotted the shawl on the fireplace chair. When he spoke, his tone had changed. “You didn’t dye it.” “Give that to me.” Kathleen thrust her arm through the doorway. Devon picked it up. A slow smile crossed his face. “Do you wear it often?” “Hand me my shawl, please.” Devon brought it to her, deliberately taking his time. He should have been mortified by his indecent state of undress, but he seemed entirely comfortable, the great shameless peacock. As soon as the shawl was within reach, Kathleen snatched it from him. Casting aside her damp towel, she pulled the shawl around herself. The garment was comforting and familiar, the soft wool warming her instantly. “I couldn’t bring myself to ruin it,” she said grudgingly. She was tempted to tell him that even though the gift had been inappropriate…the truth was, she loved it. There were days when she wasn’t certain whether the gloomy widow’s weeds were reflecting her melancholy mood or causing it, and when she pulled the brilliant shawl over her shoulders, she felt instantly better. No gift had ever pleased her as much. She couldn’t tell him that, but she wanted to. “You look beautiful in those colors, Kathleen.” His voice was low and soft. She felt her face prickle. “Don’t use my first name.” “By all means,” Devon mocked, glancing down at his towel-clad form, “let’s be formal.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
You look beautiful in those colors, Kathleen.” His voice was low and soft. She felt her face prickle. “Don’t use my first name.” “By all means,” Devon mocked, glancing down at his towel-clad form, “let’s be formal. She made the mistake of following his gaze, and colored deeply at the sight of him…the intriguing dark hair on his chest, the way the muscle of his stomach seemed to have been carved like mahogany fretwork. A knock came at the bedroom door. Kathleen retreated deeper into the bathroom like a turtle withdrawing in its shell. “Come in, Sutton,” she heard Devon say. “Your clothes, sir.” “Thank you. Lay them out on the bed.” “Won’t you require assistance?” “Not today.” “You will dress yourself?” the valet asked, bewildered. “I’ve heard that some men do,” Devon replied sardonically. “You may leave now.” The valet heaved a long-suffering sigh. “Yes, sir.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
A general collapse in the importance of formal training was a symptom of post-Internet life; knowledge, like the clothing that went with it, was being informalized. Casual thought went well with casual
Michael Lewis (Next: The Future Just Happened)