Forge Hammer Quotes

Don’t judge someone until you’ve stood at his forge and worked with his hammer, eh?

Life's a forge! Yes, and hammer and anvil, too! You'll be roasted, smelted, and pounded, and you'll scarce know what's happening to you. But stand boldly to it! Metal's worthless till it's shaped and tempered! More labor than luck. Face the pounding, don't fear the proving; and you'll stand well against any hammer and anvil.

You cannot dream yourself into a character; you must hammer and forge yourself one.

Man is born to trouble. Man is born for trouble. Man is born to battle trouble. Man is born for the fight, to be forged and molded--under torch and hammer and chisel--into a sharper, finer, stronger image of God.

This camp is a forge for the army; it's testing our mettle. Instead of heat and hammer, our trials are cold and hunger. Question is, what are we made of?

A sword forged true in hammer and flame Flies sure and swift A heart forged in battle and strife Cuts deeper than any blade

You are a blade that has been brutally forged, painfully hammered, and wickedly honed. You are steel, not poison. You are deadly, not depraved. They are very different things, Sybella.

I don't know if Daedalus will help you, lad, but don't judge someone until you've stood at his forge and worked with his hammer, eh?

To live your life you have forged yourself to be as strong as possible. You have made yourself like a blade that is hammered over fire and quenched in water. Day after day. But there is nothing weak in being soft, in being gentle.

The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin's Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes' mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin's folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge's fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin's halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. -The Song of Durin

Life is pain. War is change. The raw materials of life hammered and shaped into something with a purpose.

The hammer shatters glass but forges steel.

Great engines crawled across the field; and in the midst was a huge ram, great as a forest-tree a hundred feet in length, swinging on mighty chains. Long had it been forging in the dark smithies of Mordor, and its hideous head, founded of black steel, was shaped in the likeness of a ravening wolf; on it spells of ruin lay. Grond they named it, in memory of the Hammer of the Underworld of old. Great beasts drew it, orcs surrounded it, and behind walked mountain-trolls to wield it.

Pip, dear old chap, life is made of ever so many partings welded together, as I may say, and one man’s a blacksmith, and one’s a whitesmith, and one’s a goldsmith, and one’s a coppersmith. Diwisions among such must come, and must be met as they come. If there’s been any fault at all to-day, it’s mine. You and me is not two figures to be together in London; nor yet anywheres else but what is private, and beknown, and understood among friends. It ain’t that I am proud, but that I want to be right, as you shall never see me no more in these clothes. I’m wrong in these clothes. I’m wrong out of the forge, the kitchen, or off th’ meshes. You won’t find half so much fault in me if you think me in forge dress, with my hammer in my hand, or even my pipe. You won’t find half so much fault in me if, supposing as you should ever wish to see me, you come and put your head in at the forge window and see Joe the blacksmith, there, at the old anvil, in the old burnt apron, sticking to the old work. I’m awful dull, but I hope I’ve beat out something nigh the rights of this at last. And so God bless you, dear old Pip, old chap, God bless you!

her smile of understanding and acceptance that said, “All intangibles are forgiven, I accept them and more—your faults, your dips and turns, everything, because our love is a hammer forged at the anvil of God and not even your most foolish, irrational act can break it.” That look.

Entrepreneurship is when an individual retrieves a red hot idea from the creativity furnace without the constraint of the heat of lean resources, and with each persistent blow of the innovation hammer shapes the still malleable idea against the anvil of passion, vision, insight, strategy, and principles to forge a fitting vessel of a creative concern.

The pain you are feeling is merely the strike of every hammer blow on the anvil as you are being forged.

Flat and flexible truths are beat out by every hammer; But Vulcan and his whole forge sweat to work out Achilles his armour.

But if we understand anything of the unconscious, we know that it cannot be swallowed. We also know that it is dangerous to suppress it, because the unconscious is life and this life turns against us if suppressed, as happens in neurosis. Conscious and unconscious do not make a whole when one of them is suppressed and injured by the other. If they must contend, at least let it be a fair fight with equal rights on both sides. Both are aspects of life. Consciousness should defend its reason and protect itself, and the chaotic life of the unconscious should be given the chance of having its way too - as much of it as we can stand. This means open conflict and open collaboration at once. That, evidently, is the way human life should be. It is the old game of hammer and anvil: between them the patient iron is forged into an indestructible whole, an ‘individual.’ This, roughly, is what I mean by the individuation process.

... it is to your credit that you recognize that if he was a monster then it was other monstrous things which made him so. The iron forged on the anvil cannot be blamed for the hammer...

Our past is the forge upon which we are hardened and tempered, to prepare us for the present. We are like a fine blade that must be hammered into shape before it can be ready to make its finest cuts.

We live without feeling the country beneath our feet, our words are inaudible from ten steps away. Any conversation, however brief, gravitates, gratingly, toward the Kremlin’s mountain man. His greasy fingers are thick as worms, his words weighty hammers slamming their target. His cockroach moustache seems to snicker, and the shafts of his high-topped boots gleam. Amid a rabble of scrawny-necked chieftains, he toys with the favors of such homunculi. One hisses, the other mewls, one groans, the other weeps; he prowls thunderously among them, showering them with scorn. Forging decree after decree, like horseshoes, he pitches one to the belly, another to the forehead, a third to the eyebrow, a fourth in the eye. Every execution is a carnival that fills his broad Ossetian chest with delight.

Craftsman Ilmarinen wept Every evening for his woman, Weeping sleepless through the nights And fasting through the days; In the early hours complaining, Every morning sighing for her, Lamenting for his lovely lost one, For his dear one in the grave. For a month he swung no hammer, Did not touch the copper handle, and the clinking forge was silent. Said the craftsman Ilmarinen: "I poor fellow, do not know How to live or how survive; Sitting up or lying down Nights are long and time is tedious. I am troubled, low in spirit. 'Lonely are the nights now,lonely And the mornings dreary, dreary. In my sleeping I am troubled, But the waking is the saddest. It's not for evening that I'm lonely, Not for morning that I'm dreary, Not for olden times lamenting, But I'm lonely for my loved one, Dreary for the missing of her, Lamenting for my dark-browed lovely. 'Often in these days it happens, Happens in my midnight dreaming that I stretch my hand out touching, touching something that is nothing...

Stand like a beaten anvil, when thy dream Is laid upon thee, golden from the fire. Flinch not, though heavily through that furnace-gleam The black forge-hammers fall on thy desire. Demoniac giants round thee seem to loom. 'Tis but the world-smiths heaving to and fro. Stand like a beaten anvil. Take the doom Their ponderous weapons deal thee, blow on blow. Needful to truth as dew-fall to the flower Is this wild wrath and this implacable scorn. For every pang, new beauty, and new power, Burning blood-red shall on thy heart be born. Stand like a beaten anvil. Let earth's wrong Beat on that iron and ring back in song.

In order to strengthen steel it must first brave the fire. Moriethe is my forge and the Bone Hag my hammer. In order for my daughter to thrive in the life she must first become unbreakable. And in order to do that she needs to come to me willingly." Lord Thulath to Lord Requiem, speaking of his daughter Morgan.

It was a bad day when three or four men were not standing around the forge, listening to Samuel's hammer and his talk. They called him a comical genius and carried his stories carefully home, and they wondered at how the stories spilled out on the way, for they never sounded the same repeated in their own kitchens.

It was a bad day when three or four men were not standing around the forge, listening to Samuel’s hammer and his talk. They called him a comical genius and carried his stories carefully home, and they wondered at how the stories spilled out on the way, for they never sounded the same repeated in their own kitchens.

Consider this: when you stand at the entry to a steel factory, you can make out through the smoke some men, some metal, the fires. The furnaces roar, the hammers crash; and the metalworkers who forge ingots, weapons, tools, and so on are completely ignorant of the real uses to which their products will be put. The workers can only refer to their products by conventional names. Well, that's where we all stand, all of us! Nobody can see the real character of what he creates because every knife blade may become a dagger, and the use to which an object is put changes both its name and its nature. Only our ignorance shields us from terrible responsibilities.

His was an impenetrable darkness. I looked at him as you peer down at a man who is lying at the bottom of a precipice where the sun never shines. But I had not much time to give him, because I was helping the engine-driver to take to pieces the leaky cylinders, to straighten a bent connecting-rod, and in other such matters. I lived in an infernal mess of rust, filings, nuts, bolts, spanners, hammers, ratchet-drills—things I abominate, because I don't get on with them. I tended the little forge we fortunately

Ah, yes. Perhaps I have confused you. There was a time when my mind was full of darkness. Then Brother Oats helped me to the light, and I was born.’ ‘Oh, religion stuff.’ ‘But here I am. You asked why I am strong? When I lived in the dark of the forge, I used to lift weights. The tongs at first, and then the little hammer and then the biggest hammer, and then one day I could lift the anvil. That was a good day. It was a little freedom.’ ‘Why was it so important to lift the anvil?’ ‘I was chained to the anvil.

Marine human material was not one whit better than that of the human society from which it came. But it had been hammered into form in a different forge, hardened with a different fire. The Marines were the closest thing to legions the nation had. They would follow their colors from the shores of home to the seacoast of Bohemia, and fight well either place.

You cannot dream yourself into a character: you must hammer and forge yourself into one.

Life's a forge, boy, and the purest metal comes from the hottest fire.

This camp is a forge for the army; it’s testing our mettle. Instead of heat and hammer, our trials are cold and hunger. Question is, what are we made of?” The

And when Venutius was not busy fighting, he was content to spend his days hammering things near a forge and his evenings hammering, well... as I said, we got on well.

She was a woman whose spirit had been hammered and forged until she could only ring true. Compared with the rest of us sho was silver, while we were pewter, a common of lead and tin.

One group of huge men from Congo and Ghana yelled insults at the beasts from the top of their lungs. They brandished war hammers, Nzappa zaps, Japanese Tachi blades, and ancient Greek Harpē swords.

The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm.

I need to talk to one of the Zuulaman Blood," Andulvar said. "They are gone," Draca replied. "From Terreille, yes. But there must be some who are demon-dead. You could arrange this." "They are gone," she repeated. "The Dark Realm wass purged of Zuulaman Blood." Andulvar grabbed one of the chairs that surrounded the table to keep himself upright. "You purged Hell ?" "No." "Then... ?" "The Prince of the Darknesss. The High Lord of Hell." Draca stared at him. "Grief wass the hammer they ussed to break hiss control. Rage wass the forge in which he sshaped hiss power into a weapon." "So there's no one left." "There's no one left," Geoffrey agreed. He looked at Draca. "If Saetan did what we think he did, there isn't a shard of pottery, a scrap of cloth, or a line from a poem, story, or song left that came from the Zuulaman people. There isn't any trace of them in any of the Realms." Including the islands they came from, Andulvar thought, feeling sick. "It's as if they never existed," Geoffrey said.

Dare you see a Soul at the White Heat? Then crouch within the door— Red—is the Fire’s common tint— But when the vivid Ore Has vanquished Flame’s conditions— It quivers from the Forge Without a color, but the Light Of unannointed Blaze— Least Village, boasts it’s Blacksmith— Whose Anvil’s even ring Stands symbol for the finer Forge That soundless tugs—within— Refining these impatient Ores With Hammer, and with Blaze Until the designated Light Repudiate the Forge—

There were new words for everything in their dead language put back to use. New words for the jets and their radar systems. New words for the tanks and the radios inside. But for this, for the hammer and beat of the forge, the Bible still sufficed.

yet people and things have gone through something, something that did not, indeed, change them but that did (in a manner of speaking) affirm what they, and precisely they, were as individuals, something that did verify and establish their identity, their durability and continuity. The hammer of events shatters nothing and forges nothing-it merely tries the durability of an already finished product. And the product passes the test. Thus is constituted the artistic and ideological meaning of the Greek romance.

This was the only door she ever opened, the door into herself. And her taciturnity was such that in a mirror, where every woman smiles at her reflection, she struck at herself over and over again, hammering her own effigy at her dumb forge. No flame, no air. Clad in red velvet, adorned in white, in black or pearl, her face heavily made up beneath the large pale forehead. In the heart of her room, encircled by candelabras, nothing but herself; a self always unseizable, and whose many faces she was forever unable to assemble in a single look.

Conscious and unconscious do not make a whole when one of them is suppressed and injured by the other. If they must contend, let it at least be a fair fight with equal rights on both sides. Both are aspects of life. Consciousness should defend its reason and protect itself, and the chaotic life of the unconscious should be given the chance of having its way too—as much of it as we can stand. This means open conflict and open collaboration at once. That, evidently, is the way human life should be. It is the old game of hammer and anvil: between them the patient iron is forged into an indestructible whole, an “individual.

FUCK There are people who will tell you that using the word fuck in a poem indicates a serious lapse of taste, or imagination, or both. It’s vulgar, indecorous, an obscenity that crashes down like an anvil falling through a skylight to land on a restaurant table, on the white linen, the cut-glass vase of lilacs. But if you were sitting over coffee when the metal hit your saucer like a missile, wouldn’t that be the first thing you’d say? Wouldn’t you leap back shouting, or at least thinking it, over and over, bell-note riotously clanging in the church of your brain while the solicitous waiter led you away, wouldn’t you prop your shaking elbows on the bar and order your first drink in months, telling yourself you were lucky to be alive? And if you wouldn’t say anything but Mercy or Oh my or Land sakes, well then I don’t want to know you anyway and I don’t give a fuck what you think of my poem. The world is divided into those whose opinions matter and those who will never have a clue, and if you knew which one you were I could talk to you, and tell you that sometimes there’s only one word that means what you need it to mean, the way there’s only one person when you first fall in love, or one infant’s cry that calls forth the burning milk, one name that you pray to when prayer is what’s left to you. I’m saying in the beginning was the word and it was good, it meant one human entering another and it’s still what I love, the word made flesh. Fuck me, I say to the one whose lovely body I want close, and as we fuck I know it’s holy, a psalm, a hymn, a hammer ringing down on an anvil, forging a whole new world.

Meanwhile, Beowulf gave zero shits.   He dressed himself in glittering gear,   his mail-shirt finely forged, links locked   and loaded. He’d meet this murdering mother   under mere, and amend her existence.   Even if she tried to smother him, his bone-cage   would stay intact. No weakness here. His helmet,   bright against the bleak backdrop, would save his skull   from the watery substrate, from the black mud 1450  and curious currents—hammered gold for a glamour-god,   made by one long gone, jewels and boar-shaped ornaments   imbued by the smith with power to keep other men from dying.   No battle-teeth could test it, no sword slice that shine.   Gold is good.

We are not looking at a new state of matter but at a newly recognized relationship between consciousness and matter, which provides a more penetrating insight into the workings of prescience. The oracle shapes a projected inner universe to produce new external probabilities out of forces that are not understood. There is no need to understand these forces before using them to shape the physical universe. Ancient metal workers had no need to understand the molecular and submolecular complexities of their steel, bronze, copper, gold, and tin. They invented mystical powers to describe the unknown while they continued to operate their forges and wield their hammers.

He replied with something like, “I will keep going until we either win our freedoms back, or I am in a Gulag.” I understood. This is truly a time in history for the hammering out of heroes and heroines in the forge of crisis. And so it is also a time of cowardice, when those who choose collusion, when they know better, are allowing their souls to shrivel in that same heat.

Farewell daughter. May the Saint, in his kindness, keep you safe.” Glorian tried to find the words she wanted to express. I will make you proud. I am afraid. I love you, even if I do not think you love me half as much. I will never treat my daughter the way you have treated me. “Goodbye, Mother,” was all she did say. “I bid you a safe voyage. Please send my good wishes to Lord Magnaust and Princess Idrega.” “I will.” Queen Sabran turned away. Glorian found a deep well of courage and said, “I will be a good queen.” Her mother stopped. “You think me weak,” Glorian said, willing her voice not to quake. “You always have— but I know whose bone and blood I am. I am the chosen of the Saint, the fruit of his unending vine, the iron of the ever-snow. I am the daughter of Sabran the Ambitious and the Hammer of the North, and I will rule this realm without fear. My reign will be remembered for centuries to come.” She let the words soak through the silence, then said, “I am enough.” For a very long time, Queen Sabran said nothing. Her experience was impossible to read. “Belief is only the first step,” she said, very softly. “Start forging your armour, Glorian. You will need it.

Pip, dear old chap, life is made of ever so many partings welded together, as I may say, and one man’s a blacksmith, and one’s a whitesmith, and one’s a goldsmith, and one’s a coppersmith. Diwisions among such must come, and must be met as they come. If there's been any fault at all to-day, it's mine. You and me is not two figures to be together in London; nor yet anywheres else but what is private, and beknown, and understood among friends. It ain't that I am proud, but that I want to be right, as you shall never see me no more in these clothes. I'm wrong in these clothes. I'm wrong out of the forge, the kitchen, or off th'meshes. You won't find half so much fault in me if you think of me in my forge dress, with my hammer in my hand, or even my pipe. You won't find half so much fault in me if, supposing as you should ever with to see me, you come and put your head in at the forge winder and see Joe the blacksmith, there, at the old anvil, in the old burnt apron, sticking to the old work.

13:11  You must understand the urgency and context of time; it is most certainly now the hour to wake up at once out of the hypnotic state of slumber and unbelief. Salvation has come. 13:12  It was 1night for long enough; the day has arrived. Cease immediately with any action associated with the darkness of ignorance. Clothe yourself in the radiance of light as a soldier would wear his full weaponry. (The night is far spent, 1prokopto, as a smith forges a piece of metal until he has hammered it into its maximum length.)

The poet is asking the tiger who made him, and how,” said Crowley, his chin buried deep under his collar. “ ‘What the hammer? What the chain? In what furnace was thy brain?’ ” Only his eyes were visible, black pits reflecting the dancing fire. “He wrote two poems like that, you know—‘The Lamb’ and ‘The Tiger.’ One was made of sweetness and love, and one was forged from terror and death.” Crowley looked at me, his eyes dark and heavy. “ ‘When the stars threw down their spears and watered heaven with their tears—did he smile, his work to see? Did he who made the lamb make thee?

- Surly clouds blacken to make fire rims at that forge where night’s being hammered, crazed mountains march to the sunset like drunken cavaliers in Messina when Ursula was fair, I would swear that Hozomeen would move if we could induce him but he spends the night with me and soon when stars rain down the snowfields he’ll be in the pink of pride all black and yaw-y to the north where (just above him every night) North Star flashes pastel orange, pastel green, iron orange, iron blue, azurite indicative constellative auguries of her makeup there that you could weigh on the scales of the golden world - The wind, the wind -

The days became for Christina endless preparation. Ceaseless winds tore through her massing battle ranks, the grey cold sun above marking the timeless date. With skies of blue and cloud overhead, driving, uncompromising time stood still, lingering, as if giving Christina precious eons to perfect her shaving straight razor cuts of mind and sword. She worked alone now, forging the essence of herself in the policies and ways of hammer and anvil, pounding away with the classic, living Japanese blade. Her deft hands spun dervishly, wroughting out the iron of her will, fashioning a blade-mind remade unto her. --Brickley, The Lady and the Samurai

A low, angry growl hit Jatred’s ears like a hammer. He turned and saw a massive figure crashing its way through the snow. Although he’d only seen the drawings of the Winter monsters, he knew it was a Garhanan. There was nothing pleasing in the way the creature looked, smelled, or sounded. Even its movements were horrid. A flat nose sat in the middle of the meaty face. The Garhanan’s bushy white brows stuck out, shading small beady eyes. Its arms were muscular and swung down past its strong knees. The back, chest, and thighs were colossal too. The beast’s whole body was covered in white, sparse, long fur. “Great,” Jatred snarled, his jaws clenching. He tried not to show how much Garhanan scared him.

The auctioneer turned to face her. He raised his knife again. Kestrel had just enough time to remember the sound of a hammer against anvil, to think of all the weapons Arin had forged, and to realize that if he had wanted to make more on the side it wouldn’t have been heard. The auctioneer advanced on her. Not hard at all. “No,” said Arin. “She’s mine.” The man paused. “What?” Arin strolled toward them, stepping in the housekeeper’s blood. He stood next to the auctioneer, his stance loose and careless. “She’s mine. My prize. Payment for services rendered. A spoil of war.” Arin shrugged. “Call her what you like. Call her my slave.” Shame poured into Kestrel, as poisonous as anything her friends must have drunk at the ball. Slowly, the auctioneer said, “I’m a little worried about you, Arin. I think you’ve lost clarity on the situation.” “Is there something wrong with treating her the way she treated me?” “No, but--” “The Valorian army will return. She’s the general’s daughter. She’s too valuable to waste.” The auctioneer sheathed his knife, but Kestrel couldn’t sheathe her dread. This sudden alternative to death didn’t seem like a better one. “Just remember what happened to your parents,” the auctioneer told Arin. “Remember what Valorian soldiers did to your sister.” Arin’s gaze cut to Kestrel. “I do.” “Really? Where were you during the assault on the estate? I expected to find my second-in-command here. Instead, you were at a party.

So we’ve made a truce. I have agreed that, in the spring, I will either enlist or marry.” He stopped spinning the tile in his fingers. “You’ll marry, then.” “Yes. But at least I will have six months of peace first.” Arin dropped the tile to the table. “Let’s play again.” This time Kestrel won, and wasn’t prepared for how her blood buzzed with triumph. Arin stared at the tiles. His mouth thinned to a line. A thousand questions swam into Kestrel’s mind, nudging, fighting to be first. But she was as taken aback as Arin seemed to be by the one that slipped out of her mouth. “Why were you trained as a blacksmith?” For a moment, Kestrel thought he wouldn’t answer. His jaw tightened. Then he said, “I was chosen because I was the last nine-year-old boy in the world suited to be a blacksmith. I was scrawny. I daydreamed. I cringed. Have you looked at the tools in the forge? At the hammer? You’d want to think carefully about what kind of slave you’d let pick that up. My first slaver looked at me and decided I wasn’t the type to raise my hand in anger. He chose me.” Arin’s smile was cold. “Well, do you like your answer?” Kestrel couldn’t speak. Arin pushed his tiles away. “I want to go into the city.” Even though Kestrel had said that he could, and knew that there was nothing wrong with a slave hoping to see his sweetheart, she wanted to say no. “So soon?” she managed. “It’s been a month.” “Oh.” Kestrel told herself that a month must be a long time to go without seeing the person one loves. “Of course. Go.

The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep.

He kept his distance from the villa. It was too easy to slip in Kestrel’s presence. One day, Lirah came to the forge. Arin was sure that he was being called to serve as Kestrel’s escort somewhere. He felt an eager dread. “Enai would like to see you,” Lirah said. Arin set the hammer on the anvil. “Why?” His interactions with Enai had been limited, and he liked to keep them that way. The woman’s eyes were too keen. “She’s very sick.” Arin considered this, then nodded, following Lirah from the forge. When they entered the cottage, they could hear the sounds of sleep from beyond the open bedroom door. Enai coughed, and Arin heard fluid in her lungs. The coughing subsided, then gave way to ragged breath. “Someone should fetch a doctor,” Arin told Lirah. “Lady Kestrel has gone for one. She was very upset. She’ll return soon, I hope.” Haltingly, Lirah said, “I’d like to stay with you, but I have to get back to the house.” Arin barely noticed her touch his arm before leaving him. Reluctant to wake Enai, Arin studied the cottage. It was snug and well maintained. The floor didn’t creak. There were signs, everywhere, of comfort. Slippers. A stack of dry wood. Arin ran a hand along the smooth mantel of the fireplace until he touched a porcelain box. He opened it. Inside was a small braid of dark blond hair with a reddish tinge, looped in a circle and tied with golden wire. Although he knew he shouldn’t, Arin traced the braid with one fingertip. “That’s not yours,” a voice said. He snatched his hand away. He turned, his face hot. Through the open bedroom door, Arin saw Enai staring at him from where she lay. “I’m sorry.” He set the lid on the box. “I doubt it,” she muttered, and told him to come near. Arid did, slowly. He had the feeling he was not going to like this conversation. “You spend a lot of time with Kestrel,” Enai said. He shrugged. “I do what she asks.” Enai held his gaze. Despite himself, he looked away first. “Don’t hurt her,” the woman said. It was a sin to break a deathbed promise. Arin left without making one.

From that the talk turned to the great hoard itself and to the things that Thorin and Balin remembered. They wondered if they were still lying there unharmed in the hall below: the spears that were made for the armies of the great King Bladorthin (long since dead), each had a thrice-forged head and their shafts were inlaid with cunning gold, but they were never delivered or paid for; shields made for warriors long dead; the great golden cup of Thror, two-handed, hammered and carven with birds and flowers whose eyes and petals were of jewels; coats of mail gilded and silvered and impenetrable; the necklace of Girion, Lord of Dale, made of five hundred emeralds green as grass, which he gave for the arming of his eldest son in a coat of dwarf-linked rings the like of which had never been made before, for it was wrought of pure silver to the power and strength of triple steel. But fairest of all was the great white gem, which the dwarves had found beneath the roots of the Mountain, the Heart of the Mountain, the Arkenstone of Thrain.

Arin watched the fire flare crimson. Then he went outside and surveyed the grounds, saw through leafless trees that no one was near. He could steal a few minutes. When he stepped back inside the forge, he leaned against the anvil. With one hand he pulled a book from its hiding place behind the kindling box, and in the other he held a hammer so that, if in danger of being caught, he could more quickly pretend to have been working. He began to read. It was a book he had seen in Kestrel’s possession, one on the history of the Valorian empire. He had taken it from the library after she had returned it, weeks ago. What would she say, if she saw him reading a book about his enemy, in his enemy’s tongue? What would she do? Arin knew this: her gaze would measure him, and he would sense a shift of perception within her. Her opinion of him would change as daylight changed, growing or losing shadow. Subtle. Almost indiscernible. She would see him differently, though he wouldn’t know in what way. He wouldn’t know what it meant. This had happened, again and again, since he had come here. Sometimes he wished he had never come here. Well. Kestrel couldn’t see him in the forge, or know what he read, because she couldn’t leave her rooms. She couldn’t even walk. Arin shut the book, gripped it between rigid fingers. He nearly threw it into the fire. I will have you torn limb from limb, the general had said. That wasn’t why Arin stayed away from her. Not really. He forced his thoughts from his head. He hid the book where it had been. He busied himself with quiet work, heating iron and charcoal in a crucible to produce steel. It took some time before Arin realized he was humming a dark tune. For once, he didn’t stop himself. The pressure of song was too strong, the need for distraction too great. Then he found that the music caged behind his closed teeth was the melody Kestrel had played for him months ago. He felt the sensation of it, low and alive, on his mouth. For a moment, he imagined it wasn’t the melody that touched his lips, but Kestrel. The thought stopped his breath, and the music, too.

...the marchers appear four abreast. Dressed in clothing of every description, all wearing red scarves at their necks. Red or orange, as close to red as they could find. . . . He wallowed on the ground and lay watching across his forearm. An army in tennis shoes, tramping. Carrying three-foot lengths of pipe with leather wrappings. Lanyards at the wrist. Some of the pipes were threaded through with lengths of chain fitted at their ends with every manner of bludgeon. They clanked past, marching with a swaying gait like wind-up toys. Bearded, their breath smoking through their masks. Shh, he said. Shh. The phalanx following carried spears or lances tasseled with ribbons, the long blades hammered out of trucksprings in some crude forge upcountry. The boy lay with his face in his arms, terrified. They passed two hundred feet away, the ground shuddering lightly. Tramping. Behind them came wagons drawn by slaves in harness and piled with goods of war and after that the women, perhaps a dozen of them, some of them pregnant, and lastly a supplementary consort of catamites, illclothed against the cold and fitted in dogcollars and yoked each to each.

It was said that the Old Folk controlled the power of fire, among other things, but that was in the Long and Long Ago. Before that, the fathers of the Old Folk caught a spark with flint and steel and their own desire to live. It was also said that the world was a great wheel, and everything came round to what it once had been, and so Steven Boughmount knelt in the snow with rocks in his hands, trying to catch a flame. He was having little luck. Just over the low hills, beyond this scrub of forest, the village was warm and sleeping behind its wall. That’s where I should be, Steven thought as he scraped the edge of one rock against the other. Not in bed, not yet, but stretched out in my chair with my feet up, a pipe smoking just right in my hand and Heather curled up beside me. The boys are all asleep, but maybe we’ll stay up for a while. Maybe we’ll move to the bedroom, maybe not. That’s where I should be, not up to my ass in snow trying to light a fire. “C’mon, bastard,” he said, and drug the sharp edge of the rock in his right hand against the flat of the one in his left. A white spark flew, and then died before it could reach the stripped branches and dried moss he had laid out on the frozen ground. Snow crunched somewhere off to the left of him. Steven heard soft, bare footsteps. They were coming, all right. And they were in a hurry, running toward a village protected by two drunks on either side of a leaning gate. That was why Steven sat in the snow. When the Guards slept, the Hunters went to work. And what sounded like a whole clan of goblins was passing him by because he couldn’t get a damn fire lit. Steven drew his sword. It was called Fangodoom, given to him by his mother just before she died. Fangodoom was a dwarf blade, of steel mined and forged deep within the Lyme Mountains centuries ago. Goblins near, the blade all but gleamed though there wasn’t any moon. Again he wondered if this would be the last time, and again he knew that if it was, it was. His hand turned into a fist on the hilt of his weapon, and he prayed. “Lord, make me Your hammer.

What will emerge from this paused emptiness? What emotions will spark? Which hopes ignite And burst like fire weaves from nothingness A fierce blooming in the desperate night. Quick bursting light, souls reaching in the dark Where love can take form, unfurl wings, be born And burn like the stars, silver, spare and stark Or fail to fly, crash, lie bloody and torn Lie broken, forlorn, or take wing, fly free Explode in to life, with Tairen roar Rending the air. Rending her. Rending me. To leave us gasping, stunned, searching for more Forged, anvilled, hammered, tempered, together, True mated. Loved. Forever. Forever. Shei’tanitsa Sonnet, by Ellysetta Feyreisa

He rose and standing in the dark he began to chant in a deep voice, while the echoes ran away into the roof. The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. ‘I

When she glanced to the left, and he fell onto her right, then she saw him without seeing. She saw a slab of meat beaten on a sizzling forge, and the hammer was a human fist.

I hammered and forged myself upon the anvil of battle and conquest. All that I have achieved in the last two centuries will be given away to weak men and women who were not here to shed their blood with us in the dark places of the galaxy. Where is the justice in that? Lesser men will rule what I have conquered, but what will be my reward once the fighting is done?

Fear is the heat of the forge, the beating of the hammer. If the iron is good then a good blade may come of it. If the iron is poor then something brittle and useless will be born and broken soon after. When you face men across the field of battle, then we will see what kind of iron you are made of. You have my blood in you. Trust in it, and bring no shame upon our tribe. And be wary. Victory will test your iron in ways defeat cannot. Remember your brothers, your kin, your fealty to the gods.

To live your life you have forged yourself to be as strong as possible. You have made yourself like a blade that is hammered over fire and quenched in water. Day after day. But there is nothing weak in being soft, in being gentle.

Prince of Wales still lies, her huge 44,000-ton bulk turned upside down by the violence of the enemy, nearly 40 fathoms deep off the Malaysian coast. Here, in all its concentrated, solemn vastness, an official war grave, is a solid, enduring relic of Britain’s final days as a great industrial, economic and naval power. At 745 feet long and 105 feet wide, she contains centuries of shipbuilding and fighting experience, now dead, scattered, disbanded, forgotten or lost, thousands of tons of steel from blast furnaces, mills and forges long demolished, made with coal from mines long ago closed and sealed, and dug and smelted and hammered by an industrial working class now vanished. Every intricate part of her was made according to the traditional measurements of England, feet, inches, pounds and hundredweight. These are now abandoned in favour of the metric system which was used by our enemies in that war and which would have been imposed upon us had we been defeated. But in this matter, as in so many others, we have made a conquest of ourselves. Somewhere in her barnacled ruins is the cabin where Churchill slept, the cinema where he watched That Hamilton Woman with tears in his eyes, the bridge from which he waved so cheerfully, and perhaps the rotted fragments of the hymn book from which he so lustily sang ‘For Those in Peril on the Sea’ and ‘Onward, Christian Soldiers!’, beside his ally and supposed friend, the president of the United States.

Norse mythology and the Western literatures recognize the dwarf as a skilled artisan and renowned smith. These creatures have crafted the most important objects owned by the gods: Thor’s hammer (Mjöllnir), Odin’s spear (Gungnir), Freyr’s boat (Skiðblaðnir), and Freya’s necklace (Brisingamen). In order to obtain this last object, Brisingamen, the goddess had to sleep with each of the four dwarfs that had made it. Dwarfs crafted the golden hair for Thor’s wife, Sif, and they forged the ring Draupnir and a boar with gold bristles (Gullinbursti). Each of these objects was endowed with magical properties, which strongly suggests that the dwarfs knew magic (although we should also note that smiths have always had the reputation of being part sorcerer, as Mircea Eliade has clearly shown50

Nails are forged for pounding. Man is born to trouble. Man is born for trouble. Man is born to battle trouble. Man is born for the fight, to be forged and molded—under torch and hammer and chisel—into a sharper, finer, stronger image of God.

news of all this reached [John], but he said that he did not care about the child, since he still had the anvils and the hammers to forge even finer ones’.

We honour great men, we admire aristocrats, we applaud actors, we shower gold on portrait painters and we even, sometimes, reward soldiers, but we always despise merchants. But why? It’s the merchant’s wealth that drives the mills, Sharpe; it moves the looms, it keeps the hammers falling, it fills the fleets, it makes the roads, it forges the iron, it grows the wheat, it bakes the bread and it builds the churches and the cottages and the palaces. Without God and trade we would be nothing.

He led them inside and began explaining the process, but there was a problem. What the boys heard was, “Over here is the clang! and if you clang! carefully you’ll notice clang! bang! Can you all see it?” He was met with twenty blank stares. “Sorry Master Skeet,” Hadley said. Clang! “Can we see what?” “Weren’t you listening? I said this is the clang! bang! bang!” More blank stares Skeet was growing red. He turned a dangerous eye on the nearest striker, raised his voice and tried again, “The cling! bang! Oh for mercy’s sake!” He whipped around and bellowed with such force that every hammer froze on its descent. “The next one of you mangy curs who uses his hammer while I’m talking is going to swallow it!” The response was impressive. Hammers were cautiously laid down. Apart from the rumble from the forges, the space was filled with a respectful silence. Aedan guessed that Skeet was known here and that he held an intimidating rank. “Now, as I said,

Henry...your father was a brave man." He continued attacking the metal with a sledgehammer, brutally hacking at the anvil. She wasn't sure he had heard her. Then, he stopped short, the hammer hanging heavy in the air, the fire snapping in front of him. "I was close enough to smell it," he seethed, not turning. "But I was afraid. I hid from it." Clang! I didn't do anything. "I should have done something." Clang! "I should have saved him." Valerie saw that he was destroying all of their half-finished projects. They would remain that way forever. "I've lost someone, too, Henry—I know how it is. Please, come away from the fire." He didn't. Clang! "Henry, please." One of the fiery specks spat out of the forge an landed on Henry's arm, searing his flesh. Punishing himself, he did not stop to remove it until finally, with one quick motion, he gestured violently towards the door, shaking it off. "Valerie, leave," he snarled. "I don't want you to see me like this.

It’s a pity our society values the killers over the scholars. After all, without us readers, how would the armorer know how to forge the armor? The blacksmith to hammer the sword? How would the cobbler know how to mend horseshoes, or the engineer to build a catapult? And how would the King know whom he fought against if he was unable to read, unable to, at the very least, identify the banner on the far side of the battlefield? How would his men know who to kill?

He left plenty of other marks, though.” “You get to choose if they’re the wounds you bear as a victim, or the marks of a hammer, left in the forging of a weapon.

Flattered by Loki’s speeches, the Dwarfs who were in the forge took up the bar of fine gold and flung it into the fire. Then taking it out and putting it upon their anvil they worked on the bar with their tiny hammers until they beat it into threads that were as fine as the hairs of one’s head. But that was not enough. They had to be as fine as the hairs on Sif’s head, and these were finer than anything else. They worked on the threads, over and over again, until they were as fine as the hairs on Sif’s head. The threads were as bright as sunlight, and when Loki took up the mass of worked gold it flowed from his raised hand down on the ground. It was so fine that it could be put into his palm, and it was so light that a bird might not feel its weight.

How can I expect to be at home in the enemy’s country, joyful while in exile, or comfortable in a wilderness? This is not my rest. This is the place of the furnace, the forge, and the hammer.

When it is sung in a tavern, with the refrain hammered out to the beat of ale mugs upon a table, none of this seems so bad. One can imagine the brave stand these folk made, going down fighting rather than surrendering. Not one, not one single person, was taken alive and Forged. Not one.” The Fool paused. A hysterical note mingled with the levity he forced into his voice. “Of course, when you’re drinking and singing, you don’t see the blood. Or smell the burning flesh. Or hear the screams. But that’s understandable. Have you ever tried to find a rhyme for ‘dismembered child’? Someone once tried ‘remembered wild’ but the verse still didn’t quite scan.

I had been crafted here. I was born a lump of molten metal, shaped by my mother, honed to a point by my father, engraved on the hilt by my brother. I had so foolishly believed the trials of the last few months had been the final firing that would harden me into a righteous sword of justice. But that had only been the beginning. That had been the pounding of the blacksmith’s hammer, the grinding against the wheel until my edges were sharp and my aim was true. This night—this was the fire that had forged me. And someday soon, when the burning glow of my grief cooled away, I would show my father’s killer, and all of Emarion, just how deeply my blade could cut.

The older a person becomes, the more wounded their spirit, for people make compromises and have regrets that have hammered them in the forge of age,” she said.

I go now, to Gwynedd,” said Taliesin. “I was there at the court of Don, before the birth of Gwydion. And now I would watch him grow.” “Gwydion?” said Pryderi, pleased to understand something at last. “Is he not the little boy who will be Mâth’s heir?” In the dim light Taliesin looked at him long and sadly. “He is a little boy, but that is not all he is. Or all he has been. He has borne many names. But now he is called the son of Don, the sister of Mâth the Ancient, and in time to come you will think that you know that name too well. And later all the world will know him, for there is a universal forge, and our world is metal upon it, and he is the smith who will hammer our part of the world into a new shape. What bloody fools like Caswallon do may be undone, but not the work of wise men who work through the mind.

Hephaestus felt like he’d been hit in the face with a three-pound club hammer—one of the really nice ones with the fiberglass grip and the double-faced drop-forged steel head. “Cheating on me?” he asked. “Impossible!” “Possible,” Helios said grimly. “I saw them myself. Not that I was looking! But, well, they were kind of hard to miss.” The sun Titan explained that Aphrodite and Ares often sneaked into Hephaestus’s apartment while the blacksmith god was working in the forges. Right there in his own bedroom, they got extremely naughty.

Just as your blade had to endure the intense heat and the force of the hammer to become a strong, reliable weapon, so must you. Except you must choose to be forged in fire so you will become the queen we need.

THERE CAME A time when there was great movement upon the Earth and above it, when the destiny of Men and Gods was hammered out upon the forge of Fate, when monstrous wars were brewed and mighty deeds were designed. And there rose up in this time, which was called the Age of the Young Kingdoms, heroes. Greatest of these heroes was a doom-driven adventurer who bore a crooning runeblade that he loathed. His name was Elric of Melniboné, king of ruins, lord of a scattered race that had once ruled the ancient world. Elric, sorcerer and swordsman, slayer of kin, despoiler of his homeland, white-faced albino, last of his line. Elric, who had come to Karlaak by the Weeping Waste and had married a wife in whom he found some peace, some surcease from the torment in him. And Elric, who had within him a greater destiny than he knew, now dwelt in Karlaak with Zarozinia, his wife, and his sleep was troubled, his dream dark, one brooding night in the Month of Anemone…

and at the very bottom, a world of caverns whose walls are black with soot, a world of cesspools and sloughs, a world of grubs and beasts, of eyeless beings who drag animal carcasses behind them, of demoniacal monsters with bodies of birds, swine, and fish, of dried-out corpses and yellow-skinned skeletons arrayed in attitudes of the living, of forges manned by dazed Cyclopses in black leather aprons, their single eyes shielded by metal-rimmed blue glass, hammering their brazen masses into dazzling shields.

She could see the rippling deep within the steel, where the metal had been folded back on itself a hundred times in the forging. Catelyn had no love for swords, but she could not deny that Ice had its own beauty. It had been forged in Valyria, before the Doom had come to the old Freehold, when the ironsmiths had worked their metal with spells as well as hammers. Four hundred years old it was, and as sharp as the day it was forged. The name it bore was older still, a legacy from the age of heroes, when the Starks were Kings in the North.

Out of his mouth was coming a sound that could only have been forged in hell; the sound of a million pieces that had been individually buried and hammered into compression for four long years; it was the sound of pain and agony and death and terror and sadness and starvation and boredom and fear and despair that had been compressed that was now escaping with the terrible admission of what he’d had to do to save his brother.

Maybe the process of becoming something horrible wasn’t about temptation to sin, forbidden delights, and bad impulse control. Maybe it was about choosing to throw your soul into a meat grinder, over and over again. Until what remained couldn’t even be seen as a soul any longer. Maybe the real monsters, the big bad monsters, aren’t created. They’re forged. Hammered. One blow at a time.

Was our malleable character forged insipidly on the anvil of regret or did we have the courage to wield the hammer

The old hammer in our forge is faith in God.

Once one forges oneself into a hammer of justice and feels the power of crushing one’s enemies, driving them before one and taking their possessions as one’s own, does one become addicted to it? It can become a cycle without end. It can change you, ruin you. One of the worst things that can ever happen to a leader is to unconsciously associate resistance and criticism with opportunity. When everyone tells you you’re wrong and you turn out to be right, you learn a dangerous lesson: Never listen to warnings. And so the reason that few conspiracies are followed by additional successful conspiracies is because of this process and the changes that power produces.

In sum, the man’s head looked like a Dutch oven forged over a dying fire with a ball-peen hammer.

The district is a hive of movement and sound, busier on a regular day than most markets are on festival days. Sparks fly from hammers as big as my head, forge fires glow a red deeper than blood, and cottony plumes of steam erupt every few feet from freshly quenched swords. Blacksmiths shout orders as apprentices jostle to follow them. And above it all, the strain and pump of hundreds of bellows, creaking like a fleet of ships in a storm.

Peace is sweet, my lady… but on what terms? It is no good hammering your sword into a plowshare if you must forge it again on the morrow.

The drums rolled louder. Fires leaped up. Great engines crawled across the field; and in the midst was a huge ram, great as a forest-tree a hundred feet in length, swinging on mighty chains. Long had it been forging in the dark smithies of Mordor, and its hideous head, founded of black steel, was shaped in the likeness of a ravening wolf; on it spells of ruin lay. Grond they named it, in memory of the Hammer of the Underworld of old. Great beasts drew it, orcs surrounded it, and behind walked mountain-trolls to wield it.

I bounded across Newbury Street, Jack sprang to full form in my hand. His blade—thirty inches of double-edged bone-forged steel—was emblazoned with runes that pulsed in different colors when Jack talked. “What’s going on?” he asked. “Who are we killing?” Jack claims he doesn’t pay attention to my conversations when he is in pendant form. He says he usually has his headphones on. I don’t believe this, because Jack doesn’t have headphones. Or ears. “Chasing assassin,” I blurted out, dodging a taxi. “Killed goat.” “Right,” Jack said. “Same old, same old, then.” I leaped up the side of the Pearson Publishing building. I’d spent the last two months learning to use my einherji powers, so one jump took me to a ledge three stories above the main entrance—no problem, even with a sword in one hand. Then I hop-climbed from window ledge to cornice up the white marble facade, channeling my inner Hulk until I reached the top. On the far side of the roof, a dark bipedal shape was just disappearing behind a row of chimneys. The goat-killer looked humanoid, which ruled out goat-on-goat homicide, but I’d seen enough of the Nine Worlds to know that humanoid didn’t mean human. He could be an elf, a dwarf, a small giant, or even an ax-murderer god. (Please, not an ax-murderer god.) By the time I reached the chimneys, my quarry had jumped to the roof of the next building. That might not sound impressive, but the next building was a brownstone mansion about fifty feet away across a small parking lot. The goat-killer didn’t even have the decency to break his ankles on impact. He somersaulted on the tar and came up running.