Forcing Someone To Do Something Quotes

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Simon whispered to me, “But is everything okay?” “No,” Tori said. “I kidnapped her and forced her to escape with me. I’ve been using her as a human shield against those guys with guns, and I was just about to strangle her and leave her body here to throw them off my trail. But then you showed up and foiled my evil plans. Lucky for you, though. You get to rescue poor little Chloe again and win her undying gratitude.” “Undying gratitude?” Simon looked at me. “Cool. Does that come with eternal servitude? If so, I like my eggs sunnyside up.” I smiled. “I’ll remember that.” *** “Oh, right. You must be starving.” Simon reached into his pockets. “I can offer one bruised apple and one brown banana. Convenience stores aren’t the place to buy fruit, as I keep telling someone.” “Better than these. For you, anyway, Simon.” Derek passed a bar to Tori. “Because you aren’t supposed to have those, are you?” I said. “Which reminds me…” I took out the insulin. “Derek said it’s your backup.” “So my dark secret is out.” “I didn’t know it was a secret.” “Not really. Just not something I advertise.” ... “Backup?” Tori said. “You mean he didn’t need that?” “Apparently not,” I murmured. Simon looked from her to me, confused, then understanding. “You guys thought…” “That if you didn’t get your medicine in the next twenty-four hours, you’d be dead?” I said. “Not exactly, but close. You know, the old ‘upping the ante with a fatal disease that needs medication’ twist. Apparently, it still works.” “Kind of a letdown, then, huh?” “No kidding. Here we were, expecting to find you minutes from death. Look at you, not even gasping.” “All right, then. Emergency medical situation, take two.” He leaped to his feet, staggered, keeled over, then lifted his head weakly. “Chloe? Is that you?” He coughed. “Do you have my insulin?” I placed it in his outstretched hand. “You saved my life,” he said. “How can I ever repay you?” “Undying servitude sounds good. I like my eggs scrambled.” He held up a piece of fruit. “Would you settle for a bruised apple?” I laughed.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
You cannot have my pain.” “Dalinar—” Dalinar forced himself to his feet. “You. Cannot. Have. My. Pain.” “Be sensible.” “I killed those children,” Dalinar said. “No, it—” “I burned the people of Rathalas.” “I was there, influencing you—” “YOU CANNOT HAVE MY PAIN!” Dalinar bellowed, stepping toward Odium. The god frowned. His Fused companions shied back, and Amaram raised a hand before his eyes and squinted. Were those gloryspren spinning around Dalinar? “I did kill the people of Rathalas,” Dalinar shouted. “You might have been there, but I made the choice. I decided!” He stilled. “I killed her. It hurts so much, but I did it. I accept that. You cannot have her. You cannot take her from me again.” “Dalinar,” Odium said. “What do you hope to gain, keeping this burden?” Dalinar sneered at the god. “If I pretend … If I pretend I didn’t do those things, it means that I can’t have grown to become someone else.” “A failure.” Something stirred inside of Dalinar. A warmth that he had known once before. A warm, calming light. Unite them. “Journey before destination,” Dalinar said. “It cannot be a journey if it doesn’t have a beginning.” A thunderclap sounded in his mind. Suddenly, awareness poured back into him. The Stormfather, distant, feeling frightened—but also surprised. Dalinar? “I will take responsibility for what I have done,” Dalinar whispered. “If I must fall, I will rise each time a better man.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
Making someone feel obligated, pressured or forced into doing something of a sexual nature that they don't want to is sexual coercion. This includes persistent attempts at sexual contact when the person has already refused you. Nobody owes you sex, ever; and no means no, always.
Miya Yamanouchi (Embrace Your Sexual Self: A Practical Guide for Women)
For a moment amongst the crowd, I saw you. I've since found out it's common for people separated from someone they love to keep seeing that loved one amongst strangers; something to do with recognition units in our brain being too heated and too easily triggered. This cruel trick of the mind lasted only a few moments, but was long enough to feel with physical force how much I needed you.
Rosamund Lupton (Sister)
Everything dies. In time, even stars burn out. This is why Jedi form no attachments: all things pass. To hold on to something—or someone—beyond its time is to set your selfish desires against the Force. That is a path of misery, Anakin; the Jedi do not walk it.
Matthew Woodring Stover (Star Wars: Episode III - Revenge of the Sith (Star Wars: Novelizations #3))
In reading, friendship is restored immediately to its original purity. With books there is no forced sociability. If we pass the evening with those friends—books—it’s because we really want to. When we leave them, we do so with regret and, when we have left them, there are none of those thoughts that spoil friendship: “What did they think of us?”—“Did we make a mistake and say something tactless?”—“Did they like us?”—nor is there the anxiety of being forgotten because of displacement by someone else. All such agitating thoughts expire as we enter the pure and calm friendship of reading.
Marcel Proust
My dearest Rose, One of the few downsides to being awakened is that we no longer require sleep; therefore we also no longer dream. It's a shame, because if I could dream, I know I'd dream about you. I'd dream about the way you smell and how your dark hair feels like silk between my fingers. I'd dream about the smoothness of your skin and the fierceness of your lips when we kiss. Without dreams, I have to be content with my own imagination - which is almost as good. I can picture all of those things perfectly, as well as how it'll be when I take your life from this world. It's something I regret having to do, but you've made my choice inevitable. Your refusal to join me in eternal life and love leaves no other course of action, and I can't allow someone as dangerous as you to live. Besides, even if I forced your awakening, you now have so many enemies among the Strigoi that one of them would kill you. If you must die, it'll be by my hand. No one else's. Nonetheless, I wish you well today as you take your trails - not that you need any luck. If they actually making you take them, it's a waste of everyone's time. You're the best in that group, and by this evening you'll wear your promise mark. Of course, that means you'll be all that much more of a challenge when we meet again - which I'll definitely enjoy. And we will be meeting again. With graduation, you'll be turned out of the Academy, and once you're outside the wards, I'll find you. There is no place in this world you can hide from me. I'm watching. Love, Dimitri
Richelle Mead (Spirit Bound (Vampire Academy, #5))
I'm really not looking to date anyone." I know people often say that when secretly looking for a romantic partner, but I mean it. I definitely felt attracted to some people, and I liked the idea of being with someone, but the actual mechanics of it didn't much suit my talents. Like, parts of typical romantic relationships that made me anxious included 1. Kissing; 2. Having to say the right things to avoid hurt feelings; 3. Saying more wrong things while trying to apologize; 4. Being at a movie theater together and feeling obligated to hold hands even after your hands become sweaty and the sweat starts mixing together; 5. The part where they say, "What are you thinking about?" And they want you to be, like, "I'm thinking about you, darling," but you're actually thinking about how cows literally could not survive if it weren't for the bacteria in their guts, and how that means that cows do not exist as independent life-forms, but that's not really something you can say out loud, so you're ultimately forced to choose between lying and seeming weird.
John Green (Turtles All the Way Down)
Are you enjoying your company so far?" "Yes! It's been a pleasure getting to know these ladies." "Are they all the sweet, gentle ladies they appear to be?" Gavril asked. Before Maxon replied, the answer brought a smile to my face. Because I knew that it was yes...sort of. "Umm..." Maxon looked past Gavril at me. "Almost." "Almost?" Gavril asked, surprised. He turned to us. "Is someone over there being naughty?" Mercifully, all the girls let out light giggles, so I blended in. The little traitor! "What exactly did these girls do that isn't so sweet?" Gavril asked Maxon. "Oh, well, let me tell you." Maxon crossed his legs and got very comfortable in his chair. It was probably the most relaxed I'd ever seen him, sitting there poking fun at me. I liked this side of him. I wished it would come out more often. "One of them had the nerve to yell at me rather forcefully the first time we met. I was given a very severe scolding." Above Maxon's head, the king and queen exchanged a glance. It seemed they were hearing this story for the first time, too. Beside me the girls were looking at one another, confused. I didn't get it until Marlee said something. "I don't remember anyone yelling at him in the Great Room. Do you?" Maxon seemed to have forgotten that our first meeting was meant to be a secret. "I think he's talking it up to make it funnier. I did say some serious things to him. I think he might mean me." "A scolding, you say? Whatever for?" Gavril continued. "Honestly, I wasn't really sure. I think it was a bout of homesickness. Which is why I forgave her, of course." Maxon was loose and easy now, talking to Gavril as if he were the only person in the room. I'd have to tell him later how wonderful he did. "So she's still with us, then?" Gavril looked over at the collection of girls, grinning widely, and then returned to face his prince. "Oh, yes. She's still here," Maxon said, not letting his eyes wander from Gavril's face. "And I plan on keeping her here for quite a while.
Kiera Cass (The Selection (The Selection, #1))
Do you know what that’s like?” Asher choked out, forcing himself to keep his feelings in check. “To be with someone who shines so brightly he’s all you can see? That’s how I feel when I’m with your brother. To me he’s… everything.
Cardeno C. (Something in the Way He Needs (Family, #1))
Much of what I’d done — mistakes, poems, manipulations, success and books and sex — had been done merely to get love. To get it. To answer my question: do you love me? . . . From that moment on, the love affair I would develop would be with my soul. [God] was already part of me; that much was clear. And now this would be where I would go for love — to the God in me. No more begging or pursuing or needing. Possibly it was only a myth, Jack’s myth [Til We Have Faces], that could have obliterated the false belief that I must pursue love in the outside world — in success, in acclaim, in performance, in a man. The Truth: I was beloved of God. Finally I could stop trying to force someone or something else to fill that role
Patti Callahan Henry (Becoming Mrs. Lewis)
Grow up with me,Let’s run in fields and through the dark together,Fall off swings and burn special things,And both play outside in bad weather,Let’s eat badly,Let’s watch adults drink wine and laugh at their idiocy,Let’s sit in the back of the car making eye contact with strangers driving past,Making them uncomfortable,Not caring, not swearing, don’t look,Let’s both reclaim our superpowers, The ones we all have and lose with our milk teeth,The ability not to fear social awkwardness,The panic when locked in the cellar, still sure there’s something down there,And while picking through pillows each feather,Let’s both stay away from the edge of the bed,Forcing us closer together,Let’s sit in public, with ice-cream all over both our faces,Sticking our tongues out at passers-by,Let’s cry, let’s swim, let’s everything,Let’s not find it funny, lest someone falls over,Classical music is boring,Poetry baffles us both,There’s nothing that’s said is what’s meant,Plays are long, tiresome, sullen and filled With hours that could be spent rolling down hills and grazing our knees on cement,Let’s hear stories and both lose our innocence,Learn about parents and forgiveness,Death and morality,Kindness and heart,Thus losing both of our innocent hearts,But at least we wont do it apart,Grow up with me.
Keaton Henson
Why is it deemed justifiable and appropriate for cops/police officers to kill other cops (friendly–fire) and citizens? Why do cops kill? Are they not taught to maim or slow down someone running or reaching for a weapon? If not, why not? Why do cops kill first and ask questions last? Why are police officers being military trained? What can we as citizens, taxpayers, and voters do to stop these killings and beatings of unarmed people? Why do we let this continue? How many more must die or get beat up before we realize something is wrong and needs to be changed? Will you, a friend, or a family member have to be killed or beaten by a cop before we realize that things have to change? Who's here to protect us from the cops when they decide to use excessive force, shoot multiple shells, and/or murder us?
Obiora Embry (Expanding Horizons Through Creative Expressions)
The true measure of courage was still waiting for him, however. After way too many years, he’d finally told Blay he was sorry. And then after way too much drama, he’d finally told the guy he was grateful. But coming forward and being real about the fact that he was in love? Even if Blay was with someone else? That was the true divide. And goddamn him, he was going to do it. Not to break the pair of them up, no, that wasn’t it. And not to burden Blay. In this case, payback, as it turned out, was actually a pledge. Something that was made with no expectations and no reservations. It was the jump without a parachute, the leap without knowing, the trip and the fall without anything to catch you. Blay had done that not once, but several times and yeah, sure, Qhuinn wanted to go back to any of those moments of vunerability and beat his earlier incarnations so badly that his head cleared, and he recognized the opportunity he’d been given. Unfortunately, shit didn’t run that way. It was time for him to repay the strength… and in all likelihood, bear the pain that was going to come when he was turned down in a far more kindly manner than he’d provided for. Forcing his lids down, he brought Blay’s knuckles to his mouth, brushing a kiss against them. Then he gave himself up to sleep, letting himself fall into unconsciousness, knowing that, at least for the next few hours, he was safe in the arms of his one and only.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
We aren't fighting right now." I blurted out. He gave me a sidelong look. "Do you want to fight?" "No. I hate fighting with you. Verbally, I mean. I don't mind in the gym." I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either." Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love. The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them. "You should take it." He flinched. "What?" "Tasha's offer. You should take her up on it. It's a really great chance." I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them. "I never expected to hear you say anything like that," he told me, voice tight. "Especially after-" "What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy." Silence yet again. I noticed then that my chest hurt. Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said. It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with. Dimitri might run off with Tasha, but I would still love him. I would probably always love him. I cared about Mason. But I would probably never love him. I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had. Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease. "Where you going?" he asked. "To break someone's heart," I replied. I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.
Richelle Mead (Frostbite (Vampire Academy, #2))
Some moments in your life you wish never happened; you would do anything to take them back. They make you realize you are not all-powerful. That there is a force stronger than you at work. In those moments, you fall to your knees and abdicate all sense of power. Offer your hand and ask for help. If you are lucky, you will feel the touch of something or someone to help you rise. If not, you stay kneeling, left all alone.
Sejal Badani (Trail of Broken Wings)
SIMONE: I was getting a lot of phone calls from Daisy at all hours of the day. I’d say, “Let me come get you.” And she’d refuse. I thought about trying to force her into rehab. But you can’t do that. You can’t control another person. It doesn’t matter how much you love them. You can’t love someone back to health and you can’t hate someone back to health and no matter how right you are about something, it doesn’t mean they will change their mind. I used to rehearse speeches and interventions and consider flying to where she was and dragging her off that stage—as if, if I could just get the words right, I could convince her to get sober. You drive yourself crazy, trying to put words in some magical order that will unlock their sanity. And when it doesn’t work, you think, I didn’t try hard enough. I didn’t talk to her clearly enough. But at some point, you have to recognize that you have no control over anybody and you have to step back and be ready to catch them when they fall and that’s all you can do. It feels like throwing yourself to sea. Or, maybe not that. Maybe it’s more like throwing someone you love out to sea and then praying they float on their own, knowing they might well drown and you’ll have to watch.
Taylor Jenkins Reid (Daisy Jones & The Six)
Think about it. Why does one eat a snack? Why is a snack necessary? The answer—and we’ve done a million studies on this—is because our lives are filled with tedium and drudgery and endless toil and we need a tiny blip of pleasure to repel the gathering darkness. Thus, we give ourselves a treat. “But here’s the thing,” Periwinkle continues, his eyes all aglow, “even the things we do to break the routine become routine. Even the things we do to escape the sadness of our lives have themselves become sad. What this ad acknowledges is that you’ve been eating all these snacks and yet you are not happy, and you’ve been watching all these shows and yet you still feel lonely, and you’ve been seeing all this news and yet the world makes no sense, and you’ve been playing all these games and yet the melancholy sinks deeper and deeper into you. How do you escape?” “You buy a new chip.” “You buy a missile-shaped chip! That’s the answer. What this ad does is admit something you already deeply suspect and existentially fear: that consumerism is a failure and you will never find any meaning there no matter how much money you spend. So the great challenge for people like me is to convince people like you that the problem is not systemic. It’s not that snacks leave you feeling empty, it’s that you haven’t found the right snack yet. It’s not that TV turns out to be a poor substitute for human connection, it’s that you haven’t found the right show yet. It’s not that politics are hopelessly bankrupt, it’s that you haven’t found the right politician yet. And this ad just comes right out and says it. I swear to god it’s like playing poker against someone who’s showing his cards and yet still bluffing by force of personality.
Nathan Hill (The Nix)
Before, Sazed had looked at the doctrines themselves. This time, he found himself studying the people who had believed, or what he could find of them. As he read their words over again in his mind, he began to see something. The faiths he had looked at, they couldn't be divorced from the people who had adhered to them. In the abstract, those religions were stale. However, as he read the words of the people—really read them—he began to see patterns. Why did they believe? Because they saw miracles. Things one man took as chance, a man of faith took as a sign. A loved one recovering from disease, a fortunate business deal, a chance meeting with a long lost friend. It wasn't the grand doctrines or the sweeping ideals that seemed to make believers out of men. It was the simple magic in the world around them. What was it Spook said? Sazed thought, sitting in the shadowy kandra cavern. That faith was about trust. Trusting that somebody was watching. That somebody would make it all right in the end, even though things looked terrible at the moment. To believe, it seemed, one had to want to believe. It was a conundrum, one Sazed had wrestled with. He wanted someone, something, to force him to have faith. He wanted to have to believe because of the proof shown to him. Yet, the believers whose words now filled his mind would have said he already had proof. Had he not, in his moment of despair, received an answer? As he had been about to give up, TenSoon had spoken. Sazed had begged for a sign, and received it. Was it chance? Was it providence? In the end, apparently, it was up to him to decide. He slowly returned the letters and journals to his metalminds, leaving his specific memory of them empty—yet retaining the feelings they had prompted in him. Which would he be? Believer or skeptic? At that moment, neither seemed a patently foolish path. I do want to believe, he thought. That's why I've spent so much time searching. I can't have it both ways. I simply have to decide. Which would it be? He sat for a few moments, thinking, feeling, and—most important—remembering. I sought help, Sazed thought. And something answered. Sazed smiled, and everything seemed a little bit brighter. Breeze was right, he thought, standing and organizing his things as he prepared to go. I was not meant to be an atheist.
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
It Hurts To Be Alive and Obsolete: Often when men are attracted to me, they feel ashamed and conceal it. They act as if it were ridiculous. If they do become involved, they are still ashamed and may refuse to appear publicly with me. Their fear of mockery is enormous. There is no prestige attached to having sex with me. Since we are all far more various sexually than we are supposed to be, often, in fact, younger men become aware of me sexually. Their response is similar to what it is when they find themselves feeling attracted to a homosexual: they turn those feelings into hostility and put me down. Listen to me! Think what it is like to have most of your life ahead and be told you are obsolete! Think what it is like to feel attraction, desire, affection towards others, to want to tell them about yourself, to feel that assumption on which self-respect is based, that you are worth something, and that if you like someone, surely he will be pleased to know that. To be, in other words, still a living woman, and to be told that every day that you are not a woman but a tired object that should disappear. That you are not a person but a joke. Well, I am a bitter joke. I am bitter and frustrated and wasted, but don’t you pretend for a minute as you look at me, forty-three, fat, and looking exactly my age, that I am not as alive as you are and that I do not suffer from the category into which you are forcing me.
Zoe Moss (Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement)
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")
Cornell Woolrich (Angels of Darkness)
My delightful, my love, my life, I don’t understand anything: how can you not be with me? I’m so infinitely used to you that I now feel myself lost and empty: without you, my soul. You turn my life into something light, amazing, rainbowed—you put a glint of happiness on everything—always different: sometimes you can be smoky-pink, downy, sometimes dark, winged—and I don’t know when I love your eyes more—when they are open or shut. It’s eleven p.m. now: I’m trying with all the force of my soul to see you through space; my thoughts plead for a heavenly visa to Berlin via air . . . My sweet excitement . . . Today I can’t write about anything except my longing for you. I’m gloomy and fearful: silly thoughts are swarming—that you’ll stumble as you jump out of a carriage in the underground, or that someone will bump into you in the street . . . I don’t know how I’ll survive the week. My tenderness, my happiness, what words can I write for you? How strange that although my life’s work is moving a pen over paper, I don’t know how to tell you how I love, how I desire you. Such agitation—and such divine peace: melting clouds immersed in sunshine—mounds of happiness. And I am floating with you, in you, aflame and melting—and a whole life with you is like the movement of clouds, their airy, quiet falls, their lightness and smoothness, and the heavenly variety of outline and tint—my inexplicable love. I cannot express these cirrus-cumulus sensations. When you and I were at the cemetery last time, I felt it so piercingly and clearly: you know it all, you know what will happen after death—you know it absolutely simply and calmly—as a bird knows that, fluttering from a branch, it will fly and not fall down . . . And that’s why I am so happy with you, my lovely, my little one. And here’s more: you and I are so special; the miracles we know, no one knows, and no one loves the way we love. What are you doing now? For some reason I think you’re in the study: you’ve got up, walked to the door, you are pulling the door wings together and pausing for a moment—waiting to see if they’ll move apart again. I’m tired, I’m terribly tired, good night, my joy. Tomorrow I’ll write you about all kinds of everyday things. My love.
Vladimir Nabokov (Letters to Vera)
Question," says Christina, leaning forward. "The leaders who were watching your fear landscape...they were laughing at something." "Oh?" I bite my lip hard. "I'm glad my terror amuses them." "Any idea which obstacle it was?" she asks. "No." "You're lying," she says. "You always bite the inside of your cheek when you lie. It's your tell." I stop biting the inside of my cheek. "Will's is pinching his lips together, if it makes you feel better," she adds. Will covers his mouth immediately. "Okay,fine.I was afraid of...intimacy," I say. "Intimacy," repeats Chrstina. "Like...sex?" I tense up.And force myself to nod.Even if it was just Christina, and no one else was around,I would still want to strangle her right now. I go over a few ways to inflict maximum injury with minimum force in my head. I try to throw flames from my eyes. Will laughs. "What was that like?" she says. "I mean,did someone just...try to do it with you? Who was it?" "Oh,you know. Faceless...unidentifiable male," I say. "How were your moths?" "You promised you would never tell!" cries Christina,smacking my arm. "Moths," repeats Will. "You're afraid of moths?" "Not just a cloud of moths," she says, "like...a swarm of them. Everywhere. All those wings and legs and..." She shudders and shakes her head. "Terrifying," Will says with mock seriousness. "That's my girl. Tough as cotton balls." "Oh,shut up.
Veronica Roth (Divergent (Divergent, #1))
Persons Are Turned against Themselves Evil also turns a person against herself so that self is used against self. The case of the woman who received a dismissal letter from her pastor comes to mind again. The psychological decompensation she suffered was successfully used by her husband to intercede with a psychiatrist of his choosing to commit her to the mental unit of a hospital for an extended involuntary stay, which further worsened her condition. Additional examples abound. Some patients report cults using induced hypnotic states to encourage a subject's dissociated hands and arms to do something hurtful to someone else. In such cases, the subject is encouraged to watch the hand that is hers but not hers (because it is dissociated from her). The end result is often extreme guilt. self-loathing, and distrust of one's self and motives.An incestuous parent may use a child's own natural bodily responses to repeated sexual stimulation to make the point that the child really "wants and enjoys“ what is being forced upon her.
J. Jeffrey Means (Trauma and Evil: Healing the Wounded Soul)
You cannot force someone to believe something they do not believe; you can only manage to force them to speak or act as if they do.
Mokokoma Mokhonoana
Memory can be dramatically disrupted if you force something that’s implicit into explicit channels. Here’s an example that will finally make reading this book worth your while—how to make neurobiology work to your competitive advantage at sports. You’re playing tennis against someone who is beating the pants off of you. Wait until your adversary has pulled off some amazing backhand, then offer a warm smile and say, “You are a fabulous tennis player. I mean it; you’re terrific. Look at that shot you just made. How did you do that? When you do a backhand like that, do you hold your thumb this way or that, and what about your other fingers? And how about your butt, do you scrunch up the left side of it and put your weight on your right toes, or the other way around?” Do it right, and the next time that shot is called for, your opponent/victim will make the mistake of thinking about it explicitly, and the stroke won’t be anywhere near as effective. As Yogi Berra once said, “You can’t think and hit at the same time.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
Why are you trying to fight depression?’ ‘Because that’s what I’m supposed to do … everyone says.’ ‘My mother – I used to call her Auntie – she often felt the same way, maybe worse. People always told her to fight depression. But I have a feeling that as soon as we see something as our enemy we make it stronger. Like a boomerang. You hurl it away, it comes back and hits you with equal force. Maybe what you need is to befriend your depression.’ ‘What a funny thing to say, honey. How am I to do that?’ ‘Well, think about it: a friend is someone you can walk with in the dark and learn lots of things from. But you also know you are different people – you and your friend. You are not your depression. You are much more than what your mood is today or tomorrow.
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
I thought about trying to force her into rehab. But you can’t do that. You can’t control another person. It doesn’t matter how much you love them. You can’t love someone back to health and you can’t hate someone back to health and no matter how right you are about something, it doesn’t mean they will change their mind.
Taylor Jenkins Reid (Daisy Jones & The Six)
Something that once had importance might be forgotten by most people but because millions of people once knew it, a force is present that can be harnessed. There might be so much significance attached to a song, for example, or a fact, that it can’t die but only lies dormant, like a vampire in his coffin, waiting to be called forth from the grave once again. There is more magic in the fact that the first mass worldwide photo of the Church of Satan was taken by Joe Rosenthal – the same man who took the most famous news photo in history – the flag-raising at Iwo Jima. There’s real occult significance to that – much more than in memorizing grimoires and witches’ alphabets. People ask me about what music to use in rituals – what is the best occult music. I’ve instructed people to go to the most uncrowded section of the music store and it’s a guarantee what you’ll find there will be occult music. That’s the power of long-lost trivia. I get irritated by people who turn up their noses and whine ‘Why would anyone want to know that?’ Because once upon a time, everyone in America knew it. Suppose there’s a repository of neglected energy, that’s been generated and forgotten. Maybe it’s like a pressure cooker all this time, just waiting for someone to trigger its release. ‘Here I am,’ it beckons, ‘I have all this energy stored up just waiting for you – all you have to do is unlock the door. Because of man’s stupidity, he’s neglected me to this state of somnambulism – dreaming the ancient dreams – even though I was once so important to him.’ Think about that. A song that was once on millions of lips now is only on your lips. Now what does that contain? Those vibrations of that particular tune, what do they evoke, call up? What do they unlock? The old gods lie dormant, waiting.
Anton Szandor LaVey (The Secret Life of a Satanist: The Authorized Biography of Anton LaVey)
I live with the hope that one day, someone, will look into my eyes and see the deepness of my soul, and all the suffering and struggles will finally make sense to the person that can see behind all the imperfections and dust that's been pilled up in all these years. I've had my turns at trying to love people, but it never turned out as planned and I've failed in keeping someone next to me, simply because you can't force someone to be by your side if it's not meant to be, and I've grown to accept that and not fight against it. I've been selfish for far too long in trying to cling on to someone, and I believe nobody is perfect.. But as long as I still breathe, I'm willing to let people come into my life, play their part in my life's plan and then let go if it's necessary. Nothing can last forever and it's something we grow to accept. Let time do its' thing and don't get too attached, that's all I can do.
Virgil Kalyana Mittata Iordache
Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.
Shaun Tan (Tales from Outer Suburbia)
Children give you a sense of belonging…to someone, something, an essence greater than and outside of yourself even. They revoke your Wild Card, grounding you with loving force into being, doing and living life as a better person. They truly were a gift from God.
Vivi Monroe Congress
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me. 'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.' Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.' She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build. I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right. I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.' Someone knocks, I ignore it. 'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth. 'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.' Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink. Never again. Those eyes will never reflect hurt I've inflicted ever again. 'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.' I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them. 'And if it's not possible?' 'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
THE POWER TO CHOOSE Choice implies consciousness — a high degree of consciousness. Without it, you have no choice. Choice begins the moment you disidentify from the mind and its conditioned patterns, the moment you become present. Until you reach that point, you are unconscious, spiritually speaking. This means that you are compelled to think, feel, and act in certain ways according to the conditioning of your mind. Nobody chooses dysfunction, conflict, pain. Nobody chooses insanity. They happen because there is not enough presence in you to dissolve the past, not enough light to dispel the darkness. You are not fully here. You have not quite woken up yet. In the meantime, the conditioned mind is running your life. Similarly, if you are one of the many people who have an issue with their parents, if you still harbor resentment about something they did or did not do, then you still believe that they had a choice — that they could have acted differently. It always looks as if people had a choice, but that is an illusion. As long as your mind with its conditioned patterns runs your life, as long as you are your mind, what choice do you have? None. You are not even there. The mind-identified state is severely dysfunctional. It is a form of insanity. Almost everyone is suffering from this illness in varying degrees. The moment you realize this, there can be no more resentment. How can you resent someone's illness? The only appropriate response is compassion. If you are run by your mind, although you have no choice you will still suffer the consequences of your unconsciousness, and you will create further suffering. You will bear the burden of fear, conflict, problems, and pain. The suffering thus created will eventually force you out of your unconscious state.
Eckhart Tolle (Practicing the Power of Now)
forcing someone to do something only resulted in grudging compliance at best; whereas getting them to participate and enjoy the process turned them into eager and fast learners. This applied equally to the dogs, the goats - and the children! The sheep and the cats not so much
Beverley Courtney (Calm Down!: Step-by-Step to a Calm, Relaxed, and Brilliant Family Dog (Essential Skills for a Brilliant Family Dog Book 1))
We are working! She was fine. You could see her. What the fuck is wrong with you? This is our job, asshole. You can't go doing shit like that when we have a packed house!" Krit shoved him again. "Don't tell me what the fuck to do." I had to stop them. This was about me. I wasn't sure why Krit had come offstage, but I knew it was about me. I had to fix this. I didn't want Krit fighting his best friend. "Stop fucking shoving me, you pansy-ass motherfucker!" Green roared, and lunged for Krit. I moved fast, putting up two hands and jumping in front of Krit to stop him. The force of impact when Green didn't stop hit me directly in the chest. It was as if someone had put a vacuum in my lungs and sucked all of the oxygen from the room. Nothing was getting in, and panic gripped me when I realized I couldn't breathe. "Fuck!" Krit yelled, and his arms were around me. He was doing something to my chest as he begged me to breathe. I was trying to breathe. It wouldn't work. "Baby, please breathe," he was pleading, and I wanted nothing more than to do that, but I couldn't. It hurt, and the terror that I was about to die settled over me. "She got the air knocked out of her. She's gonna be okay," Matty said in a calmer voice. And then the vacuum left, and the air I had been fighting for filled my chest as I gasped loudly and bent over. Krit was holding me against him as me muttered sweet things over and over while he rocked me back and forth. "Take him out of here," Matty said. I couldn't look up to see who he was talking to, but I grabbed Krit's arms to hold onto him in case they were talking about him. "Not me, baby. I'm not leaving you," he said as his hand began running down my hair as if he were petting me. "Not going anywhere." "When Krit is sure she's okay, he is going to beat the motherfucking hell out of you. Go with Legend and let him calm down first.
Abbi Glines (Bad for You (Sea Breeze, #7))
This is common in both business and personal lives. It is just one of the truths about life: sometimes we need to do something for ourselves or our business that is not good for someone else, at least not in the short term. Our decisions might take business away from others or force them to deal with some rejection or loss. But ultimately they are responsible for their own lives, as adults have to be. But if your map says that you are responsible for other adults as if they were your children, then something is wrong with your map, and no doubt some well-needed endings are not taking place.
Henry Cloud (Necessary Endings: The Employees, Businesses, and Relationships That All of Us Have to Give Up in Order to Move Forward)
What do I want to be when I grow up? An attractive role would be that of the bunjin. He is the Japanese scholar who wrote and painted in the Chinese style, a literatus, something of a poetaster - a pose popular in the 18th century. I, however, would be a later version, someone out of the end of the Meiji, who would pen elegant prose and work up flower arrangements from dried grasses and then encourage spiders to make webs and render it all natural. For him, art is a moral force and he cannot imagine life without it. He is also the kind of casual artist who, after a day's work is done, descends into his pleasure park and dallies.
Donald Richie (The Japan Journals: 1947-2004)
We don't know ourselves, we knowledgeable people—we are personally ignorant about ourselves. And there's good reason for that. We've never tried to find out who we are. How could it ever happen that one day we'd discover our own selves? With justice it's been said that "Where your treasure is, there shall your heart be also." Our treasure lies where the beehives of our knowledge stand. We are always busy with our knowledge, as if we were born winged creatures—collectors of intellectual honey. In our hearts we are basically concerned with only one thing, to "bring something home." As far as the rest of life is concerned, what people call "experience"—which of us is serious enough for that? Who has enough time? In these matters, I fear, we've been "missing the point." Our hearts have not even been engaged—nor, for that matter, have our ears! We've been much more like someone divinely distracted and self-absorbed into whose ear the clock has just pealed the twelve strokes of noon with all its force and who all at once wakes up and asks himself "What exactly did that clock strike?"—so we rub ourselves behind the ears afterwards and ask, totally surprised and embarrassed "What have we really just experienced? And more: "Who are we really?" Then, as I've mentioned, we count—after the fact—all the twelve trembling strokes of the clock of our experience, our lives, our being—alas! in the process we keep losing the count. So we remain necessarily strangers to ourselves, we do not understand ourselves, we have to keep ourselves confused. For us this law holds for all eternity: "Each man is furthest from himself." Where we ourselves are concerned, we are not "knowledgeable people.
Friedrich Nietzsche (On the Genealogy of Morals / Ecce Homo)
There is nothing that you can do to win someone or something that is not meant to be yours. You can fight with everything you have. You can hold on for as long as you can. You can force yourself into mental gymnastics to pick apart signs. You can have your friends read into texts and emails. You can decide that you know what’s best for you and right for you. Mostly, you can wait. You can wait forever. What isn’t right for you will never remain in your life. There is no job, person, or city that you can force to be right for you if it is not, though you can pretend for a while. You can play games with yourself, you can justify and make ultimatums. You can say you’ll try just a little longer, and you can make excuses for why things aren’t working out right now. The truth is that what is right for you will come to you and stay with you and won’t stray from you for long. The truth is that when something is right for you, it brings you clarity, and when something is wrong for you, it brings you confusion. You get stuck when you try to make something that’s wrong for you right. When you try to force it into a place in your life in which it doesn’t belong. You get split; you breed this internal conflict which you cannot resolve. The more it intensifies, the more you mistake it for passion. How could you ever feel so strongly about something that isn’t right?
Brianna Wiest (The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery)
When Vivian describes how it felt to be at the mercy of strangers, Molly nods. She knows full well what it’s like to tamp down your natural inclinations, to force a smile when you feel numb. After a while you don’t know what your own needs are anymore. You’re grateful for the slightest hint of kindness, and then, as you get older, suspicious. Why would anyone do anything for you without expecting something in return? And anyway—most of the time they don’t. More often than not, you see the worst of people. You learn that most adults lie. That most people only look out for themselves. That you are only as interesting as you are useful to someone. And so your personality is shaped. You know too much, and this knowledge makes you wary. You grow fearful and mistrustful. The expression of emotion does not come naturally, so you learn to fake it. To pretend. To display an empathy you don’t actually feel. And so it is that you learn how to pass, if you’re lucky, to look like everyone else, even though you’re broken inside.
Christina Baker Kline (Orphan Train)
When you’re someone’s property, you’re a woman the brothers will die to protect,” he continued, his voice softening. “They’ll die to protect your kid, too. Don’t turn that kind of loyalty into something ugly because you don’t like the words we use. Dancer, Marie, Maggs? They’re proud to be property, because they know what it means. Nobody forcing them to do anything.
Joanna Wylde (Reaper's Legacy (Reapers MC, #2))
Using a fetching face to make men buy you something is no different from a man using muscle to force someone to do the same, she’d said. Both methods are base, and both will fail a person as they age.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Human populations have driven other human populations to the brink of extinction numerous times throughout history. Now the entire species threatens itself with mass suicide. Not because anyone is forcing us to. Not because we don't know better. And not because we don't have alternatives. We are killing ourselves because choosing death is more convenient than choosing life. Because the people committing suicide are not the first to die from it. Because we believe that someday, somewhere, some genius is bound to invent a miracle technology that will change our world so that we don't have to change our lives. Because short-term pleasure is more seductive than long-term survival. Because no one wants to exercise their capacity for intentional behavior until someone else does. Until the neighborhood does. Until the energy and car companies do. Until the federal government does. Until China, Australia, India, Brazil, the U.K. - until the whole world does. Because we are oblivious to the death that we pass every day. "We have to do something" we tell one another, as though reciting the line were enough. "We have to do something" we tell ourselves, and then wait for instructions that are not on the way. We know that we are choosing our own end; we just can't believe it.
Jonathan Safran Foer (We Are the Weather: Saving the Planet Begins at Breakfast)
If you have a really good ideas, one thing you dont need is a fucking gun. An iPad is a kind of a cool thing. They don't need to threaten you with fines to get you to buy one do they? The moment the government says they're gonna force you to do something, you know its a bad idea. If someone invites you on a date with chloroform, an old sofa, and a windowless van, it's not a date. So, the fact that ObamaCare, welfare state, military industrial complex, public schools - you name it. The fact that it has to be imposed at gunpoint is a clue that it's shit. Recognize that when there is a gun to your face, there is not a very advantageous human being on the other end.
Stefan Molyneux
Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
What doesn’t come from your heart will never enter someone else’s heart. It takes caring to ignite caring; it takes empathy to ignite empathy. You also can’t have an effective column without some “take” on the biggest forces shaping the world in which we live and how to influence them. Your view of the Machine can never be perfect or immutable. It always has to be a work in progress that you are building and rebuilding as you get new information and the world changes. But it is very difficult to persuade people to do something if you can’t connect the dots for them in a convincing way—why this action will produce this result, because this is how the gears and pulleys of the Machine work.
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
He pins my arms down, and his face is inches from mine. “You’re not an object to me. You’re not a possession, but I own you in a way I’ve never wanted to own something before. I don’t want you on display or on my shelves for others to look at. To touch. And I sure as shit don’t want to sell you to someone else.” “Then what do you want from me?” I ask, hating the tears that threaten to fall from my eyes. He grabs my chin, forcing me to look at him. “Fuck, Mic, I want you.
T.M. Frazier (Pike (The Pawn Duet, #1))
I lean toward him, expecting him to unconsciously move away. To be repulsed. But he only watches me curiously. As I draw closer, his eyes widen a little. 'Wren,' he whispers. I am not sure if it's a warning or not. I hate that I don't know. At every moment, I expect him to flinch or pull back as I put one hand on his shoulder, then go up on my toes, and kiss him. This is ridiculous. Kissing him is profane. It gives me all the horrible satisfaction of smashing a crystal goblet. It's quick. Just the quick press of my dry mouth against his lips. A brief senses of softness, the warmth of breath, and then I pull away, my heart thrumming with fear, with the expectation that he will be disgusted. With the certainty that I have well and truly punished him for trying to flirt with me. The angry, feral part of me feels so close to the surface that I can almost scent its blood-clotted fur. I want to lick the scratches I made. He doesn't look alarmed, though. He's studying my face, as though he's trying to work something out. After a moment, his eyes close, pale lashes against his cheek, and he dips foward to press his mouth to mine again. He goes slower, one of his hands cupping my head. A shivery feeling courses down my spine, a flush coming up on my skin. When he draws back, he is not wearing his usual complicated smile. Instead, he looks as though someone just slapped him. I wonder if a kiss from me is like being clawed on the cheek. Did he force himself to go through with it? For the sake of keeping me on this quest? For the sake of his father and his plans? I thought to punish him, but all I have succeeded in doing is punishing myself.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
To believe, it seemed, one had to want to believe. It was a conundrum, one Sazed wrestled with. He wanted someone, something, to force him to have faith. He wanted to have to believe because of the proof shown to him. Yet, the believers whose words now filled his mind would have said he already had proof. Had he not, in his moment of despair, received an answer? As he had been about to give up, TenSoon had spoken. Sazed had begged for a sign and received it. Was it chance? Was it providence? In the end, apparently, it was up to him to decide. He slowly returned the letters and journals to his metalminds, leaving his specific memory of them empty - yet retaining the feelings they had prompted in him. Which would he be? Believer or skeptic? At the moment, neither seemed a patently foolish path. I do want to believe, he thought. That's why I've spent so much time searching. I can't have it both ways. I simply have to decide. Which would it be? He sat for a few moments, thinking, feeling, and - most important - remembering. I sought help, Sazed thought. And something answered. Sazed smiled, and everything seemed a little brighter. Breeze was right, he thought, standing and organizing his things as he prepared to go. I was not meant to be an atheist. The thought seemed a little too flippant for what had just happened to him. As he picked up his metal sheets and prepared to go meet with the First Generation, he realized that kandra passed outside his humble little cavern, completely oblivious to the important decision he'd just made. But, that was how things often went, it seemed. Some important decisions were made on a battlefield or in a conference room. But others happened quietly, unseen by others. That didn't make the decision any less important to Sazed. He would believe. Not because something had been proven to him beyond his ability to deny. But because he chose to.
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
Tonight, no one will rage and cry: "My Kingdom for a horse!" No ghost will come to haunt the battlements of a castle in the kingdom of Denmark where, apparently something is rotten. Nor will anyone wring her hands and murmur: "Leave, I do not despise you." Three still young women will not retreat to a dacha whispering the name of Moscow, their beloved, their lost hope. No sister will await the return of her brother to avenge the death of their father, no son will be forced to avenge an affront to his father, no mother will kill her three children to take revenge on their father. And no husband will see his doll-like wife leave him out of contempt. No one will turn into a rhinoceros. Maids will not plot to assassinate their mistress, after denouncing her lover and having him jailed. No one will fret about "the rain in Spain!" No one will emerge from a garbage pail to tell an absurd story. Italian families will not leave for the seashore. No soldier will return from World War II and bang on his father's bedroom dor protesting the presence of a new wife in his mother's bed. No evanescent blode will drown. No Spanish nobleman will seduce a thousand and three women, nor will an entire family of Spanish women writhe beneath the heel of the fierce Bernarda Alba. You won't see a brute of a man rip his sweat-drenched T-shirt, shouting: "Stella! Stella!" and his sister-in-law will not be doomed the minute she steps off the streetcar named Desire. Nor will you see a stepmother pine away for her new husband's youngest son. The plague will not descend upon the city of Thebes, and the Trojan War will not take place. No king will be betrayed by his ungrateful daughters. There will be no duels, no poisonings, no wracking coughs. No one will die, or, if someone must die, it will become a comic scene. No, there will be none of the usual theatrics. What you will see tonight is a very simple woman, a woman who will simply talk...
Michel Tremblay
I think of the beauty in the obvious, the way it forces us to admit how it exists, the way it insists on being pointed out like a bloody nose, or how every time it snows there is always someone around to say, “It’s snowing.” But the obvious isn’t showing off, it’s only reminding us that time passes, and that somewhere along the way we grow up. Not perfect, but up and out. It teaches us something about time, that we are all ticking and tocking, walking the fine line between days and weeks, as if each second speaks of years, and each month has years listening to forever but never hearing anything beyond centuries swallowed up by millenniums, as if time was calculating the sums needed to fill the empty belly of eternity. We so seldom understand each other. But if understanding is neither here nor there, and the universe is infinite, then understand that no matter where we go, we will always be smack dab in the middle of nowhere. All we can do is share some piece of ourselves and hope that it’s remembered. Hope that we meant something to someone. My chest is a cannon that I have used to take aim and shoot my heart upon this world. I love the way an uncurled fist becomes a hand again, because when I take notes, I need it to underline the important parts of you: happy, sad, lovely. Battle cry ballistic like a disaster or a lipstick earthquaking and taking out the monuments of all my hollow yesterdays. We’ll always have the obvious. It reminds us who, and where we are, it lives like a heart shape, like a jar that we hand to others and ask, “Can you open this for me?” We always get the same answer: “Not without breaking it.” More often than sometimes, I say go for it.
Shane L. Koyczan (Remembrance Year)
I knew I used food to cope with emotions, but just knowing it wasn't enough to completely stop it. That's why I created the twenty-second rule: Before letting myself rip into a bag of junk food, I forced myself to sit down and county to twenty. Slowly. During those twenty seconds I made myself answer a very simple question: What was really bothering me? Almost every single time, I came up with the answer before the twenty seconds were up. The next question was: What can I do right this minute to help fix it? Do I need to call someone to sort out a misunderstanding? Do I need to get paperwork done? Do I need to run overdue errands? . . .By the time I came up with something that I could do right at that moment my urge to eat had subsided and I was tacking the underlying problem.
Monica Seles (Getting a Grip: On My Body, My Mind, My Self)
I still stared at Daemon, completely aware that everyone else except him was watching me. Closely. But why wouldn’t he look at me? A razor-sharp panic clawed at my insides. No. This couldn’t be happening. No way.
 My body was moving before I even knew what I was doing. From the corner of my eye, I saw Dee shake her head and one of the Luxen males step forward, but I was propelled by an inherent need to prove that my worst fears were not coming true. After all, he’d healed me, but then I thought of what Dee had said, of how Dee had behaved with me. What if Daemon was like her? Turned into something so foreign and cold? He would’ve healed me just to make sure he was okay. I still didn’t stop.
 Please, I thought over and over again. Please. Please. Please. On shaky legs, I crossed the long room, and even though Daemon hadn’t seemed to even acknowledge my existence, I walked right up to him, my hands trembling as I placed them on his chest. “Daemon?” I whispered, voice thick. His head whipped around, and he was suddenly staring down at me. Our gazes collided once more, and for a second I saw something so raw, so painful in those beautiful eyes. And then his large hands wrapped around my upper arms. The contact seared through the shirt I wore, branding my skin, and I thought—I expected—that he would pull me against him, that he would embrace me, and even though nothing would be all right, it would be better. Daemon’s hands spasmed around my arms, and I sucked in an unsteady breath. His eyes flashed an intense green as he physically lifted me away from him, setting me back down a good foot back. I stared at him, something deep in my chest cracking. “Daemon?” He said nothing as he let go, one finger at a time, it seemed, and his hands slid off my arms. He stepped back, returning his attention to the man behind the desk. “So . . . awkward,” murmured the redhead, smirking. I was rooted to the spot in which I stood, the sting of rejection burning through my skin, shredding my insides like I was nothing more than papier-mâché. “I think someone was expecting more of a reunion,” the Luxen male behind the desk said, his voice ringing with amusement. “What do you think, Daemon?” One shoulder rose in a negligent shrug. “I don’t think anything.” My mouth opened, but there were no words. His voice, his tone, wasn’t like his sister’s, but like it had been when we first met. He used to speak to me with barely leashed annoyance, where a thin veil of tolerance dripped from every word. The rift in my chest deepened.
For the hundredth time since the Luxen arrived, Sergeant Dasher’s warning came back to me. What side would Daemon and his family stand on? A shudder worked its way down my spine. I wrapped my arms around myself, unable to truly process what had just happened. “And you?" the man asked. When no one answered, he tried again. “Katy?” I was forced to look at him, and I wanted to shrink back from his stare. “What?” I was beyond caring that my voice broke on that one word. The man smiled as he walked around the desk. My gaze flickered over to Daemon as he shifted, drawing the attention of the beautiful redhead. “Were you expecting a more personal greeting?” he asked. “Perhaps something more intimate?” I had no idea how to answer. I felt like I’d fallen into the rabbit hole, and warnings were firing off left and right. Something primal inside me recognized that I was surrounded by predators. Completely.
Jennifer L. Armentrout (Opposition (Lux, #5))
It’s very important not to talk down to kids, and to give them something which they think is quite grown-up and hardcore. Kids themselves are very good at self-censoring. If they don’t like something, if they think it’s too strong for them, they’ll simply stop reading. That's the thing about a book, you can’t force someone to read it. . . . I think there’s a lot in my books about friendship, leadership, about society and how it works, how we learn to live with each other and what skills do we need to make a viable society. Kids don’t need to know any of that, they just want someone to be eaten again.
Charlie Higson
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
If you ever visit the Philippines and hear the jungle tribesmen call upon their gods for help, you'll discover that the names of the gods are supposed to have magic power. These people believe that when they invoke the name of a certain god, he must come and do their bidding--whether or not he wants to! Like many pagans, they believe a god is a kind of supernatural serving boy who will jump to help them the moment they snap their fingers. But the true God is not like that. He is the sovereign Ruler of the universe, who expects us to serve Him--not the other way around! So when we call upon the name of God, we are using a "handle" to bring Him to us. He will help us only if we have followed His commandments; He will put His promises into effect only if we have met the conditions of those promises. . . . These [New Testament apostles] were not ordering God around by using His "handle." Not by any means! They received God's blessing only because they were obedient to God in every way, including the manner in which they prayed. God instructed them to pray in His name; that's what we are expected to do as followers of Jesus Christ. But that in itself would not force God to do something against His will, nor would it force Him to bless someone unworthy of a blessing.
Lester Sumrall (The Names of God: God’s Name Brings Hope, Healing, and Happiness)
From everything you’ve told me,” Lesje said, “she hated that aunt.” Nate said that although this was true, the aunt had been important in Elizabeth’s life. In his opinion the importance of something to someone had nothing to do with its positive qualities but only with its impact, its force, and the aunt had been a force.
Margaret Atwood (Life Before Man)
What you describe is parasitism, not love. When you require another individual for your survival, you are a parasite on that individual. There is no choice, no freedom involved in your relationship. It is a matter of necessity rather than love. Love is the free exercise of choice. Two people love each other only when they are quite capable of living without each other but choose to live with each other. We all-each and every one of us-even if we try to pretend to others and to ourselves that we don't have dependency needs and feelings, all of us have desires to be babied, to be nurtured without effort on our parts, to be cared for by persons stronger than us who have our interests truly at heart. No matter how strong we are, no matter how caring and responsible and adult, if we look clearly into ourselves we will find the wish to be taken care of for a change. Each one of us, no matter how old and mature, looks for and would like to have in his or her life a satisfying mother figure and father figure. But for most of us these desires or feelings do not rule our lives; they are not the predominant theme of our existence. When they do rule our lives and dictate the quality of our existence, then we have something more than just dependency needs or feelings; we are dependent. Specifically, one whose life is ruled and dictated by dependency needs suffers from a psychiatric disorder to which we ascribe the diagnostic name "passive dependent personality disorder." It is perhaps the most common of all psychiatric disorders. People with this disorder, passive dependent people, are so busy seeking to be loved that they have no energy left to love…..This rapid changeability is characteristic of passive dependent individuals. It is as if it does not matter whom they are dependent upon as long as there is just someone. It does not matter what their identity is as long as there is someone to give it to them. Consequently their relationships, although seemingly dramatic in their intensity, are actually extremely shallow. Because of the strength of their sense of inner emptiness and the hunger to fill it, passive dependent people will brook no delay in gratifying their need for others. If being loved is your goal, you will fail to achieve it. The only way to be assured of being loved is to be a person worthy of love, and you cannot be a person worthy of love when your primary goal in life is to passively be loved. Passive dependency has its genesis in lack of love. The inner feeling of emptiness from which passive dependent people suffer is the direct result of their parents' failure to fulfill their needs for affection, attention and care during their childhood. It was mentioned in the first section that children who are loved and cared for with relative consistency throughout childhood enter adulthood with a deep seated feeling that they are lovable and valuable and therefore will be loved and cared for as long as they remain true to themselves. Children growing up in an atmosphere in which love and care are lacking or given with gross inconsistency enter adulthood with no such sense of inner security. Rather, they have an inner sense of insecurity, a feeling of "I don't have enough" and a sense that the world is unpredictable and ungiving, as well as a sense of themselves as being questionably lovable and valuable. It is no wonder, then, that they feel the need to scramble for love, care and attention wherever they can find it, and once having found it, cling to it with a desperation that leads them to unloving, manipulative, Machiavellian behavior that destroys the very relationships they seek to preserve. In summary, dependency may appear to be love because it is a force that causes people to fiercely attach themselves to one another. But in actuality it is not love; it is a form of antilove. Ultimately it destroys rather than builds relationships, and it destroys rather than builds people.
M. Scott Peck
All notions of probable innocence aside, he seemed more at ease again, though somewhat more alert than before. Rudolf looked at her, more serious now. “A lot of men who kill have got a reason for what they do. Some are forced into it or have a threat hanging over their heads, natural inclinations they can’t ignore or a festering hatred caused by someone or something.” Cassia wondered about hatred and that fire of anger that smouldered inside of her, wanting to see the Nemorans slaughtered for what they did to her sisters. She didn’t just want justice, she wanted vengeance. Yet, she felt that went beyond hatred into hurt and the desire to protect others from their violence.
Mara Amberly (Fire and Gold (Sisters of the North, #1))
Similarly, it is not the manager’s job to prevent risks. It is the manager’s job to make it safe to take them. • Failure isn’t a necessary evil. In fact, it isn’t evil at all. It is a necessary consequence of doing something new. • Trust doesn’t mean that you trust that someone won’t screw up—it means you trust them even when they do screw up.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
There are two ways to turn devils into angels: First, acknowledge things about them that you genuinely appreciate. Uncle Morty took you to the beach when you were a kid. Your mom still sends you money on your birthday. Your ex-wife is a good mother to your children. There must be something you sincerely appreciate about this person. Shift your attention from the mean and nasty things they have said or done to the kind and helpful things they have said or done—even if there are just a few or even only one. You have defined this person by their iniquities. You can just as easily—actually, more easily—define them by their redeeming qualities. It’s your movie. Change the script. Perhaps you are still arguing that the person who has hurt you has no redeeming qualities whatsoever. She is evil incarnate, Rosemary’s baby conceived with Satan himself, poster child for the dark side of the Force, destined to wreak havoc and horror in the lives of everyone she touches. A nastier bitch never walked the earth. Got it. Let’s say all of this is true—the person who troubles you is a no-good, cheating, lying SOB. Now here’s the second devil-transformer. Consider: How has this person helped you to grow? What spiritual muscles have you developed that you would not have built if this person had been nicer to you? Have you learned to hold your power and self-esteem in the presence of attempted insult? Do you now speak your truth more quickly and directly? Are you now asking for what you want instead of passively deferring? Are you setting healthier boundaries? Have you deepened in patience and compassion? Do you make more self-honoring choices? There are many benefits you might have gained, or still might gain, from someone who challenges you.
Alan Cohen (A Course in Miracles Made Easy: Mastering the Journey from Fear to Love)
It’s just that I’m pregnant and I wanted to tell you.” -tripped over his own feet and stumbled forward. He was forced to slap his hands against the edge of the desk or fall flat on his ass as his mind raced to make sense of what she’d just said. “W-what?” he asked, not really sure that he’d heard her correctly. “I just wanted to let you know that I was pregnant and to let you know that we needed to stop at a store on the way home tonight and pick up milk,” Haley said brightly while the class stared at her in utter shock while Jason stood there, struggling to catch his breath. He felt himself nod, not really sure why he was doing it, but he felt that he should be doing something. “Alright,” Haley said, brightly, “I’ll see you after class!” And with that, she finally left the room just as his legs gave out. He held onto the desk for dear life, still struggling to comprehend the words that had come out of his wife’s mouth. Pregnant? Haley was pregnant. They were having a baby. A baby, they were having a baby because Haley was pregnant. He’d gotten Haley pregnant. She was having his baby. They were- “Are you alright, Mr. Bradford?” someone asked, a boy or a girl, he wasn’t sure. All he knew was that he was definitely not okay. “D-do you need anything, Mr. Bradford?” someone else asked. The response was instant, years of Bradford survival taking over in that moment of crisis. “Food. I need food.
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
That was when Petra spoke up. "This is India, and you know the word. It's satyagraha, and it doesn't mean peaceful or passive resistance at all." "Not everyone here speaks Hindi," said a Tamil planner. "But everyone here should know Gandhi," said Petra. Sayagi agreed with her. "Satyagraha is something else. The willingness to endure great personal suffering in order to do what's right." "What's the difference, really?" "Sometimes," said Petra, "what's right is not peaceful or passive. What matters is that you do not hide from the consequences. You bear what must be borne." "That sounds more like courage than anything else," said the Tamil. "Courage to do right," said Sayagi. "Courage even when you can't win." "What happened to 'discretion is the better part of valor'?" "A quotation from a cowardly character in Shakespeare," someone else pointed out. "Not contradictory, anyway," said Sayagi. "Completely different circumstances. If there's a chance of victory later through withdrawal now, you keep your forces intact. But personally, as an individual, if you know that the price of doing right is terrible loss or suffering or even death, satyagraha means that you are all the more determined to do right, for fear that fear might make you unrighteous." "Oh, paradoxes within paradoxes." But Petra turned it from superficial philosophy to something else entirely. "I am trying," she said, "to achieve satyagraha.
Orson Scott Card (Shadow of the Hegemon (The Shadow Series, #2))
You don’t want to do this, Miss Sheffield,” he warned. “Oh,” she said with great feeling, “I do. I really, really do.” And then, with quite the most evil grin her lips had ever formed, she drew back her mallet and smacked her ball with every ounce of every single emotion within her. It knocked into his with stunning force, sending it hurtling even farther down the hill. Farther . . . Farther . . . Right into the lake. Openmouthed with delight, Kate just stared for a moment as the pink ball sank into the lake. Then something rose up within her, some strange and primitive emotion, and before she knew what she was about, she was jumping about like a crazy woman, yelling, “Yes! Yes! I win!” “You don’t win,” Anthony snapped. “Oh, it feels like I’ve won,” she reveled. Colin and Daphne, who had come dashing down the hill, skidded to a halt before them. “Well done, Miss Sheffield!” Colin exclaimed. “I knew you were worthy of the mallet of death.” “Brilliant,” Daphne agreed. “Absolutely brilliant.” Anthony, of course, had no choice but to cross his arms and scowl mightily. Colin gave her a congenial pat on the back. “Are you certain you’re not a Bridgerton in disguise? You have truly lived up to the spirit of the game.” “I couldn’t have done it without you,” Kate said graciously. “If you hadn’t hit his ball down the hill . . .” “I had been hoping you would pick up the reins of his destruction,” Colin said. The duke finally approached, Edwina at his side. “A rather stunning conclusion to the game,” he commented. “It’s not over yet,” Daphne said. Her husband gave her a faintly amused glance. “To continue the play now seems rather anticlimactic, don’t you think?” Surprisingly, even Colin agreed. “I certainly can’t imagine anything topping it.” Kate beamed. The duke glanced up at the sky. “Furthermore, it’s starting to cloud over. I want to get Daphne in before it starts to rain. Delicate condition and all, you know.” Kate looked in surprise at Daphne, who had started to blush. She didn’t look the least bit pregnant. “Very well,” Colin said. “I move we end the game and declare Miss Sheffield the winner.” “I was two wickets behind the rest of you,” Kate demurred. “Nevertheless,” Colin said, “any true aficionado of Bridgerton Pall Mall understands that sending Anthony into the lake is far more important than actually sending one’s ball through all the wickets. Which makes you our winner, Miss Sheffield.” He looked about, then straight at Anthony. “Does anyone disagree?” No one did, although Anthony looked close to violence. “Excellent,” Colin said. “In that case, Miss Sheffield is our winner, and Anthony, you are our loser.” A strange, muffled sound burst from Kate’s mouth, half laugh and half choke. “Well, someone has to lose,” Colin said with a grin. “It’s tradition.” “It’s true,” Daphne agreed. “We’re a bloodthirsty lot, but we do like to follow tradition.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
The way they were treated should make you angry,” Richard said as he started away, “but not because you share an attribute with them.” Taken aback by his words, even looking a little hurt, Jennsen didn’t move. “What do you mean?” Richard paused and turned back to her. “That’s how the Imperial Order thinks. That’s how Owen’s people think. It’s a belief in granting disembodied prestige, or the mantle of guilt, to all those who share some specific trait or attribute. “The Imperial Order would like you to believe that your virtue, your ultimate value, or even your wickedness, arises entirely from being born a member of a given group, that free will itself is either impotent or nonexistent. They want you to believe that all people are merely interchangeable members of groups that share fixed, preordained characteristics, and they are predestined to live through a collective identity, the group will, unable to rise on individual merit because there can be no such thing as independent, individual merit, only group merit. “They believe that people can only rise above their station in life when selected to be awarded recognition because their group is due an indulgence, and so a representative, a stand-in for the group, must be selected to be awarded the badge of self-worth. Only the reflected light off this badge, they believe, can bring the radiance of self-worth to others of their group. “But those granted this badge live with the uneasy knowledge that it’s only an illusion of competence. It never brings any sincere self-respect because you can’t fool yourself. Ultimately, because it is counterfeit, the sham of esteem granted because of a connection with a group can only be propped up by force. “This belittling of mankind, the Order’s condemnation of everyone and everything human, is their transcendent judgment of man’s inadequacy. “When you direct your anger at me for having a trait borne by someone else, you pronounce me guilty for their crimes. That’s what happens when people say I’m a monster because our father was a monster. If you admire someone simply because you believe their group is deserving, then you embrace the same corrupt ethics. “The Imperial Order says that no individual should have the right to achieve something on his own, to accomplish what someone else cannot, and so magic must be stripped from mankind. They say that accomplishment is corrupt because it is rooted in the evil of self-interest, therefore the fruits of that accomplishment are tainted by its evil. This is why they preach that any gain must be sacrificed to those who have not earned it. They hold that only through such sacrifice can those fruits be purified and made good. “We believe, on the other hand, that your own individual life is the value and its own end, and what you achieve is yours. “Only you can achieve self-worth for yourself. Any group offering it to you, or demanding it of you, comes bearing chains of slavery.
Terry Goodkind (Naked Empire (Sword of Truth, #8))
Write a two-page reflection about your life. What do you like about it? What don’t you like about it? What do you live for? There’s a French term for the latter question. Raison d ’être. It means “reason for being.” My mum used to say that Elliot and I were her raison d’être. Mum had a reason, now she lacks a being. I have a being, I just lack a reason. I live because of the law of inertia. An object in motion stays in motion unless acted upon by an unbalanced force. If I were to reflect on my life, I would say it’s like being engulfed in quicksand, and as much as I want to get out, I slowly sink deeper, towards an inevitable end. I want someone to pull me out, but I don’t know how they can. Their only reactions are to stand on dry land and watch me with concerned expressions, urging me to just walk like they are. Living is being in the middle of a dark tunnel, claustrophobic and boxed in, and feeling something closing in behind you, and realising you can only beat it by running. But the tunnel never ends, and you come to realise that you can’t run forever. You go for as long as you possibly can, hoping to God that you’ll see a light before you can’t run anymore. You desperately want to live. But everyone has their limit. And when you eventually hit yours, there’s nothing more you can do. Life is temporary. Nothing is certain about it except for the fact that it will end. It can end on your terms or as a surprise. The thing is . . . I don’t like surprises.
Sophie Gonzales (The Law of Inertia)
He seemed every bit as riled and menacing as the bull had a few minutes ago. But Phoebe wasn't about to let him make his injury worse out of pure male stubbornness. "Forgive me if I'm being tyrannical," she said in her most soothing tone. "I tend to do that when I'm concerned about someone. It's your decision, naturally. But I wish you would indulge me in this, if only to spare me from worrying over you every step of the way home." The mulish set of his jaw eased. "I manage other people," he informed her. "People don't manage me." "I'm not managing you." "You're trying," he said darkly. An irrepressible grin spread across her face. "Is it working?" Slowly Mr. Ravenel's head lifted. He didn't reply, only gave her a strange, long look that spurred her heartbeat until she was light-headed from the force of its pounding. No man had ever stared at her like this. Not even her husband, for whom she'd always been close and attainable, her presence woven securely into the fabric of his days. Since childhood, she'd always been Henry's safe harbor. But whatever it was this man wanted from her, it wasn't safety. "You should humor my daughter's wishes, Ravenel," Sebastian advised from behind her. "The last time I tried to refuse her something, she launched into a screaming fit that lasted at least an hour." The comment broke the trance. "Father," Phoebe protested with a laugh, twisting to glance at him over her shoulder. "I was two years old!" "It made a lasting impression.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
She could smell the wrongness in the air and it made her wolf nervous. It felt like something was watching them, as if the wrongness had an intelligence— and it didn't help to remember that at least one of the people they were hunting could hide from their senses. Anna fought the urge to turn around, to take Charles's hand or slide under his arm and let his presence drive away the wrongness. Once, she would have, but now she had the uneasy feeling that he might back away as he almost had when she sat on his lap in the boat, before Brother Wolf had taken over. Maybe he was just tired of her. She had been telling everyone that there was something wrong with him...but Bran knew his son and thought the problem was her. Bran was smart and perceptive; she ought to have considered that he was right. Charles was old. He'd seen and experienced so much—next to him she was just a child. His wolf had chosen her without consulting Charles at all. Maybe he'd have preferred someone who knew more. Someone beautiful and clever who... "Anna?" said Charles. "What's wrong? Are you crying?" He moved in front of her and stopped, forcing her to stop walking, too. She opened her mouth and his fingers touched her wet cheeks. "Anna," he said, his body going still. "Call on your wolf." "You should have someone stronger," she told him miserably. "Someone who could help you when you need it, instead of getting sent home because I can't endure what you have to do. If I weren't Omega, if I were dominant like Sage, I could have helped you." "There is no one stronger," Charles told her. "It's the taint from the black magic. Call your wolf." "You don't want me anymore," she whispered. And once the words were out she knew they were true. He would say the things that he thought she wanted to hear because he was a kind man. But they would be lies. The truth was in the way he closed down the bond between them so she wouldn't hear things that would hurt her. Charles was a dominant wolf and dominant wolves were driven to protect those weaker than themselves. And he saw her as so much weaker. "I love you," he told her. "Now, call your wolf." She ignored his order—he knew better than to give her orders. He said he loved her; it sounded like the truth. But he was old and clever and Anna knew that, when push came to shove, he could lie and make anyone believe it. Knew it because he lied to her now—and it sounded like the truth. "I'm sorry," she told him. "I'll go away—" And suddenly her back was against a tree and his face was a hairsbreadth from hers. His long hot body was pressed against her from her knees to her chest—he'd have to bend to do that. He was a lot taller than her, though she wasn't short. Anna shuddered as the warmth of his body started to penetrate the cold that had swallowed hers. Charles waited like a hunter, waited for her to wiggle and see that she was truly trapped. Waited while she caught her breathe. Waited until she looked into his eyes. Then he snarled at her. "You are not leaving me." It was an order, and she didn't have to follow anyone's orders. That was part of being Omega instead of a regular werewolf—who might have had a snowball's chance in hell of being a proper mate. "You need someone stronger," Anna told him again. "So you wouldn't have to hide when you're hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding." She hated crying. Tears were weaknesses that could be exploited and they never solves a damn thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke. Instead of fighting his grip, she tried to slide out of it. "I need to go," she said to his chest. "I need—" His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body. "Me," Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth,...
Patricia Briggs (Fair Game (Alpha & Omega, #3))
Unless we do conscious work on it, the shadow is almost always projected; that is, it is neatly laid on someone or something else so we do not have to take responsibility for it. This is the way things were done five hundred years ago, and most of us are still stuck in this medieval consciousness. The medieval world was based on mutual shadow projection; it thrived on a fortress mentality, armor, walled cities, possession by force, ownership of anything feminine by male prerogative, royal patronage, and city-states in perpetual siege at each other’s gates. Medieval society was almost entirely ruled by patriarchal values that are famous for their one-sidedness. Even the Church took part in shadow politics. Saints like Benedictine monasteries and some of the esoteric societies avoided the projecting game.
Robert A. Johnson (Owning Your Own Shadow: Understanding the Dark Side of the Psyche)
Todd wrapped his arm around her. They stood together in silent awe, watching the sunset. All Christy could think of was how this was what she had always wanted, to be held in Todd's arms as well as in his heart. Just as the last golden drop of sun melted into the ocean, Christy closed her eyes and drew in a deep draught of the sea air. "Did you know," Todd said softly, "that the setting sun looks so huge from the island of Papua New Guinea that it almost looks like you're on another planet? I've seen pictures." Then, as had happened with her reflection in her cup of tea and in her disturbing dream, Christy heard those two piercing words, "Let go." She knew what she had to do. Turning to face Todd, she said, "Pictures aren't enough for you, Todd. You have to go." "I will. Someday. Lord willing," he said casually. "Don't you see, Todd? The Lord is willing. This is your 'someday.' Your opportunity to go on the mission field is now. You have to go." Their eyes locked in silent communion. "God has been telling me something, Todd. He's been telling me to let you go. I don't want to, but I need to obey Him." Todd paused. "Maybe I should tell them I can only go for the summer. That way I'll only be gone a few months. A few weeks, really. We'll be back together in the fall." Christy shook her head. "It can't be like that, Todd. You have to go for as long as God tells you to go. And as long as I've known you, God has been telling you to go. His mark is on your life, Todd. It's obvious. You need to obey Him." "Kilikina," Todd said, grasping Christy by the shoulders, "do you realize what you're saying? If I go, I may never come back." "I know." Christy's reply was barely a whisper. She reached for the bracelet on her right wrist and released the lock. Then taking Todd's hand, she placed the "Forever" bracelet in his palm and closed his fingers around it. "Todd," she whispered, forcing the words out, "the Lord bless you and keep you. The Lord make His face to shine upon you and give you His peace. And may you always love Jesus more than anything else. Even more than me." Todd crumbled to the sand like a man who had been run through with a sword. Burying his face in his hands, he wept. Christy stood on wobbly legs. What have I done? Oh, Father God, why do I have to let him go? Slowly lowering her quivering body to the sand beside Todd, Christy cried until all she could taste was the salty tears on her lips. They drove the rest of the way home in silence. A thick mantle hung over them, entwining them even in their separation. To Christy it seemed like a bad dream. Someone else had let go of Todd. Not her! He wasn't really going to go. They pulled into Christy's driveway, and Todd turned off the motor. Without saying anything, he got out of Gus and came around to Christy's side to open the door for her. She stepped down and waited while he grabbed her luggage from the backseat. They walked to the front door. Todd stopped her under the trellis of wildly fragrant white jasmine. With tears in his eyes, he said in a hoarse voice, "I'm keeping this." He lifted his hand to reveal the "Forever" bracelet looped between his fingers. "If God ever brings us together again in this world, I'm putting this back on your wrist, and that time, my Kilikina, it will stay on forever." He stared at her through blurry eyes for a long minute, and then without a hug, a kiss, or even a good-bye, Todd turned to go. He walked away and never looked back.
Robin Jones Gunn (Sweet Dreams (Christy Miller, #11))
I definitely felt attracted to some people, and I liked the idea of being with someone, but the actual mechanics of it didn't much suit my talents. Like, parts of typical romantic relationships that made me anxious included 1. Kissing; 2. Having to say the right things to avoid hurt feelings; 3. Saying more wrong things while trying to apologize; 4. Being at a movie theater and feeling obligated to hold hands even after your hands become sweaty and the sweat starts mixing together; and 5. The part where they say, "What are you thinking about?" And they want you to be, like, "I'm thinking about you, darling," but you're actually thinking about how cows literally could not survive if it weren't for the bacteria in their guts, and how that sort of means that cows do not exist as independent life-forms, but that's not really something you can say out loud, so you're ultimately forced to choose between lying and seeming weird.
John Green (Turtles All the Way Down)
I give you this. Find your faith in each other. Look no further. The gods will war, and all that we do will remain beneath their notice. Stay low. Move quietly. Out of sight. We are ants in the grass, lizards among the rocks.’ She paused. ‘Somewhere, out there, you will find the purest essence of that philosophy. Perhaps in one person, perhaps in ten thousand. Looking to no other entity, no other force, no other will. Bound solely in comradeship, in loyalty honed absolute. Yet devoid of all arrogance. Wise in humility. And that one, or ten thousand, is on a path. Unerring, it readies itself, not to shake a fist at the heavens. But to lift a lone hand, a hand filled with tears.’ She found she was glaring at the giant reptiles. ‘You want a faith? You want someone or something to believe in? No, do not worship the one or the ten thousand. Worship the sacrifice they will make, for they make it in the name of compassion—the only cause worth fighting and dying for.
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
When Joy looked at humans, she saw animals so detached from the food chain that their own boredom was eating them alive. None of their instincts made sense to them; they were primates adorning themselves with skins and shiny things, all swagger and posturing with no idea what it's for. They were grotesque and ridiculous, and she loved them so, so much. They were all doing their best, and their best was just an appalling disaster. That was why she loved the nursing home; the residents were humans stripped of all their pumped-up self-regard, scared and forced to put their whole trust in someone else for the first time since childhood. How could you hate humanity after seeing them in that state, helpless and afraid, watching their strength trickle away? Even the worst of them, when reduced to that, become something that just needs to be fed and bathed and comforted. They begin that way, and they end that way, and you can't really get too mad about the stuff they do in the middle.
Jason Pargin (If This Book Exists, You're in the Wrong Universe (John Dies at the End, #4))
Sheepwalking I define “sheepwalking” as the outcome of hiring people who have been raised to be obedient and giving them a brain-dead job and enough fear to keep them in line. You’ve probably encountered someone who is sheepwalking. The TSA “screener” who forces a mom to drink from a bottle of breast milk because any other action is not in the manual. A “customer service” rep who will happily reread a company policy six or seven times but never stop to actually consider what the policy means. A marketing executive who buys millions of dollars’ worth of TV time even though she knows it’s not working—she does it because her boss told her to. It’s ironic but not surprising that in our age of increased reliance on new ideas, rapid change, and innovation, sheepwalking is actually on the rise. That’s because we can no longer rely on machines to do the brain-dead stuff. We’ve mechanized what we could mechanize. What’s left is to cost-reduce the manual labor that must be done by a human. So we write manuals and race to the bottom in our search for the cheapest possible labor. And it’s not surprising that when we go to hire that labor, we search for people who have already been trained to be sheepish. Training a student to be sheepish is a lot easier than the alternative. Teaching to the test, ensuring compliant behavior, and using fear as a motivator are the easiest and fastest ways to get a kid through school. So why does it surprise us that we graduate so many sheep? And graduate school? Since the stakes are higher (opportunity cost, tuition, and the job market), students fall back on what they’ve been taught. To be sheep. Well-educated, of course, but compliant nonetheless. And many organizations go out of their way to hire people that color inside the lines, that demonstrate consistency and compliance. And then they give these people jobs where they are managed via fear. Which leads to sheepwalking. (“I might get fired!”) The fault doesn’t lie with the employee, at least not at first. And of course, the pain is often shouldered by both the employee and the customer. Is it less efficient to pursue the alternative? What happens when you build an organization like W. L. Gore and Associates (makers of Gore-Tex) or the Acumen Fund? At first, it seems crazy. There’s too much overhead, there are too many cats to herd, there is too little predictability, and there is way too much noise. Then, over and over, we see something happen. When you hire amazing people and give them freedom, they do amazing stuff. And the sheepwalkers and their bosses just watch and shake their heads, certain that this is just an exception, and that it is way too risky for their industry or their customer base. I was at a Google conference last month, and I spent some time in a room filled with (pretty newly minted) Google sales reps. I talked to a few of them for a while about the state of the industry. And it broke my heart to discover that they were sheepwalking. Just like the receptionist at a company I visited a week later. She acknowledged that the front office is very slow, and that she just sits there, reading romance novels and waiting. And she’s been doing it for two years. Just like the MBA student I met yesterday who is taking a job at a major packaged-goods company…because they offered her a great salary and promised her a well-known brand. She’s going to stay “for just ten years, then have a baby and leave and start my own gig.…” She’ll get really good at running coupons in the Sunday paper, but not particularly good at solving new problems. What a waste. Step one is to give the problem a name. Done. Step two is for anyone who sees themselves in this mirror to realize that you can always stop. You can always claim the career you deserve merely by refusing to walk down the same path as everyone else just because everyone else is already doing it.
Seth Godin (Whatcha Gonna Do with That Duck?: And Other Provocations, 2006-2012)
There’s something weird about arguments: They’re the first thing we reach for when we want to change someone’s mind, and yet they’re not very effective at actually changing minds. The more desperate we are to change someone’s mind, the more passionately we argue. And the more passionately we argue, the more defensive each side gets. It’s as if we’re trying to force them into our way of thinking by making our words louder and harsher, but in so doing, we only cause them to dig in their heels more and more, as both sides grow increasingly angry and irrational.
Justin Lee (Talking Across the Divide: How to Communicate with People You Disagree with and Maybe Even Change the World)
As they grew up they would hear all the platitudes: sometimes you have to know when to quit; when things are out of your control you have to let go and move on; doing the same thing over and over and expecting different results is the definition of insanity … But he wasn’t going to be the one to say those things, force them to grow up any faster than they had to. So, instead, he offered something a little simpler and hoped it made sense. “Sometimes you’ve taken all the shots you can,” he said. “And then it’s time to let someone else carry the puck for a while.
Tracey Lange (What Happened to the McCrays?)
There really wasn’t a lot this machine could do that you couldn’t do yourself in half the time with a lot less trouble,” said Richard, “but it was, on the other hand, very good at being a slow and dim-witted pupil.” Reg looked at him quizzically. “I had no idea they were supposed to be in short supply,” he said. “I could hit a dozen with a bread roll from where I’m sitting.” “I’m sure. But look at it this way. What really is the point of trying to teach anything to anybody?” This question seemed to provoke a murmur of sympathetic approval from up and down the table. Richard continued, “What I mean is that if you really want to understand something, the best way is to try and explain it to someone else. That forces you to sort it out in your own mind. And the more slow and dim-witted your pupil, the more you have to break things down into more and more simple ideas. And that’s really the essence of programming. By the time you’ve sorted out a complicated idea into little steps that even a stupid machine can deal with, you’ve certainly learned something about it yourself. The teacher usually learns more than the pupil. Isn’t that true?
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently #1))
First, remember how Control Dramas get started in the first place. When people feel insecure, they do things to feel better in various ways. We don’t just have to defend against our own hurts and anxieties; we also have to defend against others who we think are trying to put us down or otherwise manipulate us to steal our energy. When someone puts us down, we sense that we are under attack and pay attention to them. Because “where attention goes, energy flows,” they get a hit of energy from us and we feel diminished. So we tend to fight back by putting them down or manipulating them in return to get the energy back. As you read in Celestine, this is the game played by too many, keeping too much conflict and corruption in the world. But this is all Ego stuff, of course, developed initially in insecure families. You already know the cure is to always be Spiritually Connected so we have our own centered inner security, which gives us an endless supply of energy, regardless of who is trying to steal it. We don’t have to play these games any longer. Here is what to do: simply stay connected with the person, giving them energy, and then “name their game.” For instance, if you are facing a “poor me” drama, in which the person wants to make you feel guilty about something you didn’t intend to do, simply say, “I am feeling that I’m being forced to feel guilty.” And stick to that. Don’t defend yourself. Just keep explaining your experience of the situation. Keep sending love. They might need to retreat, but you aren’t affected. You are a giver, secure in yourself. You cleared an inauthentic game by expressing authentic honesty. You offered your experience of the situation. Whether the other person wanted to or not, in response to your authenticity, they will find themselves becoming more authentic as well. And since you aren’t disconnecting, it opens the door to talk about true feelings in a relationship. Sometimes it’s the “aloof” Control Drama you’re facing, and the person is using distancing or mystification to get you to keep asking questions in order to win your energy. Collapse their game by giving them energy anyway and authentically saying, “I feel like I really can’t get to know you because you don’t share details about yourself.” Similarly, if you are facing an “Interrogator” who bids for energy by constantly finding something to criticize about you, simply say that you feel criticized and put down when you are with them. They will feel your energy and authentic sincerity and, again, will grow more authentic themselves, right in front of your eyes. The same name-the-game approach also works for the most aggressive Control Drama, the “Intimidator,” trying to get energy from you by telling you they are going to blow up and do something crazy, literally trying to scare you into giving them energy. Gently name the game, but be careful—sometimes it is more prudent to remove yourself from the situation.
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
You’re born with an energy that connects to someone else’s, and for reasons we will never understand, you’re brought together and it isn’t a choice anymore. That’s true love.” “I don’t know about that,” I say, forcing a swallow. “I do. True love isn’t something you pick; it’s something the universe picks for you. It’s like you’re born knowing this woman can cook your sausage patties the way you like, will humor your Thursday night poker games, and will stand by your side as you fight whatever life throws you just because you’re you. For no other reason. That,” he says, jabbing a finger my way, “is true love.
Adriana Locke (Crank (The Gibson Boys, #1))
But it won’t change, for me or for you or for anyone who has ever been wronged, which is everyone. We are all at some point—and usually at many points over the course of a life—the woman hanging on the end of the line. Allow your acceptance of that to be a transformative experience. You do that by simply looking it square in the face and then moving on. You don’t have to move fast or far. You can go just an inch. You can mark your progress breath by breath. Literally. And it’s there that I recommend you begin. Every time you think I hate that fucking bitch, I want you to neutralize that thought with a breath. Calm your mind. Breathe in deeply with intention, then breathe out. Do not think I hate that fucking bitch while you do it. Give yourself that. Blow that bitch right out of your chest. Then move on to something else. I have breathed my way through so many people who I felt wronged by; through so many situations I couldn’t change. Sometimes while doing this I have breathed in acceptance and breathed out love. Sometimes I’ve breathed in gratitude and out forgiveness. Sometimes I haven’t been able to muster anything beyond the breath itself, my mind forced blank with nothing but the desire to be free of sorrow and rage.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Someone Who's Been There)
Codependents may: think and feel responsible for other people—for other people’s feelings, thoughts, actions, choices, wants, needs, well-being, lack of well-being, and ultimate destiny. feel anxiety, pity, and guilt when other people have a problem. feel compelled—almost forced—to help that person solve the problem, such as offering unwanted advice, giving a rapid-fire series of suggestions, or fixing feelings. feel angry when their help isn’t effective. anticipate other people’s needs. wonder why others don’t do the same for them. find themselves saying yes when they mean no, doing things they don’t really want to be doing, doing more than their fair share of the work, and doing things other people are capable of doing for themselves. not know what they want and need or, if they do, tell themselves what they want and need is not important. try to please others instead of themselves. find it easier to feel and express anger about injustices done to others, rather than injustices done to themselves. feel safest when giving. feel insecure and guilty when somebody gives to them. feel sad because they spend their whole lives giving to other people and nobody gives to them. find themselves attracted to needy people. find needy people attracted to them. feel bored, empty, and worthless if they don’t have a crisis in their lives, a problem to solve, or someone to help. abandon their routine to respond to or do something for somebody else. overcommit themselves. feel harried and pressured. believe deep inside other people are somehow responsible for them. blame others for the spot the codependents are in. say other people make the codependents feel the way they do. believe other people are making them crazy. feel angry, victimized, unappreciated, and used. find other people become impatient or angry with them for all the preceding characteristics. LOW
Melody Beattie (Codependent No More: How to Stop Controlling Others and Start Caring for Yourself)
That Generate Core Language What was taking place in your life when your symptom or problem first appeared? What was going on right before it started? What age were you when the symptom or problem first appeared? Did something traumatic happen to someone in your family at a similar age? What exactly happens in the problem? What does it feel like in its worst moments? What happens right before you feel this way or have the symptom? What makes it better or worse? What does the problem or symptom keep you from being able to do? What does it force you to do? If the feeling or symptom were never to go away, what would be the worst
Mark Wolynn (It Didn't Start with You: How Inherited Family Trauma Shapes Who We Are and How to End the Cycle)
Security is a big and serious deal, but it’s also largely a solved problem. That’s why the average person is quite willing to do their banking online and why nobody is afraid of entering their credit card number on Amazon. At 37signals, we’ve devised a simple security checklist all employees must follow: 1. All computers must use hard drive encryption, like the built-in FileVault feature in Apple’s OS X operating system. This ensures that a lost laptop is merely an inconvenience and an insurance claim, not a company-wide emergency and a scramble to change passwords and worry about what documents might be leaked. 2. Disable automatic login, require a password when waking from sleep, and set the computer to automatically lock after ten inactive minutes. 3. Turn on encryption for all sites you visit, especially critical services like Gmail. These days all sites use something called HTTPS or SSL. Look for the little lock icon in front of the Internet address. (We forced all 37signals products onto SSL a few years back to help with this.) 4. Make sure all smartphones and tablets use lock codes and can be wiped remotely. On the iPhone, you can do this through the “Find iPhone” application. This rule is easily forgotten as we tend to think of these tools as something for the home, but inevitably you’ll check your work email or log into Basecamp using your tablet. A smartphone or tablet needs to be treated with as much respect as your laptop. 5. Use a unique, generated, long-form password for each site you visit, kept by password-managing software, such as 1Password.§ We’re sorry to say, “secretmonkey” is not going to fool anyone. And even if you manage to remember UM6vDjwidQE9C28Z, it’s no good if it’s used on every site and one of them is hacked. (It happens all the time!) 6. Turn on two-factor authentication when using Gmail, so you can’t log in without having access to your cell phone for a login code (this means that someone who gets hold of your login and password also needs to get hold of your phone to login). And keep in mind: if your email security fails, all other online services will fail too, since an intruder can use the “password reset” from any other site to have a new password sent to the email account they now have access to. Creating security protocols and algorithms is the computer equivalent of rocket science, but taking advantage of them isn’t. Take the time to learn the basics and they’ll cease being scary voodoo that you can’t trust. These days, security for your devices is just simple good sense, like putting on your seat belt.
Jason Fried (Remote: Office Not Required)
A young woman forced to keep drunks supplied with beer and siblings with clean underwear—instead of being allowed to pursue something higher —stores up great reserves of vitality, a vitality never dreamed of by university students yawning over their books. (...) The difference between the university graduate and the autodidact lies not so much in the extent of knowledge as in the extent of vitality and self-confidence. The elan with which Tereza flung herself into her new Prague existence was both frenzied and precarious. She seemed to be expecting someone to come up to her any day and say, What are you doing here? Go back where you belong!
Milan Kundera (The Unbearable Lightness of Being)
When I watch Björk sing, It's right here, that spot at the top of the forehead. Neil Young is the same. He sings to this spot in his head. And what he's singing, he's already heard. He's hearing it come out. And the same with Björk. When she's singing, she's singing what she's hearing so there's no force. It's a force in itself. What I realised watching Michael Stipe, was that this is someone whose voice is in command of them rather than the other way around. It's very natural but it takes a long time for that to become natural. Like any singer, it takes a long time to find that, and it keeps changing. How I sing now feels different to a few years ago. It's just where you're at. Singing is nothing but being in the moment. That's it. I remember during OK Computer, I still thought "I need to be slightly drunk" or "I need to do something beforehand so that I'm in the right space, man", but it's all bollocks, because basically you just gotta learn to be there with it when you do it. You're not trying to prove anything. You're not trying to get anywhere. You're not trying to achieve anything. You're not trying to get this emotion across. You're not in this space trying to get this space across. You're not trying to get this mindset across or anything. You're just letting it happen.
Thom Yorke
something in. I wonder what the heck he’s doing. It was almost like he was waiting for me. I don't say anything, not wanting to be rude. Maybe he lives in the building. He’s not a tall man, maybe five-eleven, which doesn’t seem so big after having Mason in my space. Mason’s more than a few inches over six foot. But what this man doesn’t have in height, he has in muscles. He looks like someone who used to wrestle, I think absently. His gray hair streaks over his once-solid black hair. If I had to guess, I’d say he’s in his early fifties. The elevator dings, and he follows me on, hitting the button for both of us. When I step out, he follows me out the building and down the street. I start walking faster, unsure what the heck is going on. “Miss Myers.” When he says my name, I stop and turn, and he almost runs into me. “I’m your security. No need to be scared of me.” “Security?” “Seems you like to wander. I’m here to make sure you don’t wander into trouble.” “I don’t wander,” I fire back. He raises his eyebrows and smiles. “Just doing my job, ma’am.” His easy smile forces me to release the tension in my shoulders. Sometimes things would get a little scary when I walked home to my old apartment. It wasn’t in the nicest neighborhood. Heck, sometimes I didn’t even feel safe in my apartment.
Alexa Riley (Paid For)
And, sincerely, we respect her stance. The Liberal Rednecks are all about standing up for your beliefs even when they’re hateful, bigoted, and go against everything your alleged Lord and Savior stood for. The thing is, doing that would have involved quitting her job—but that’s just something the four-times-married mother was not prepared to do for her faith. Go on TV and be called a hero by powerful politicians who agree with her and her “stand”? Sure, that’s fine. Have the Church pay for her legal bills and prop her up (instead of, oh we don’t know, giving that money to the poor)? Yes, sir. But actually quit instead of breaking an oath (which, by the way, is a sin)? That’s just something Jesus apparently wouldn’t do. Kim Davis is an analogy for Christians at large in the South. She was not oppressed. She was not forced to do anything. She could have quit. The truth is she did not want to quit her job as an elected official. She wanted to bend the political will of those around her so she could prevent other humans from marrying each other because she didn’t like the idea of it. That’s not oppression—that’s someone trying to use the inordinate amount of power they have (over the media and literally as the clerk) to affect the lives of strangers she disagrees with. Guess what that is? Yup. That is oppression.
Trae Crowder (The Liberal Redneck Manifesto: Draggin' Dixie Outta the Dark)
and confused if someone does not appreciate their niceness. Others often sense this and avoid giving them feedback not only, effectively blocking the nice person’s emotional growth, but preventing risks from being taken. You never know with a nice person if the relationship would survive a conflict or angry confrontation. This greatly limits the depths of intimacy. And would you really trust a nice person to back you up if confrontation were needed? 3. With nice people you never know where you really stand. The nice person allows others to accidentally oppress him. The “nice” person might be resenting you just for talking to him, because really he is needing to pee. But instead of saying so he stands there nodding and smiling, with legs tightly crossed, pretending to listen. 4. Often people in relationship with nice people turn their irritation toward themselves, because they are puzzled as to how they could be so upset with someone so nice. In intimate relationships this leads to guilt, self-hate and depression. 5. Nice people frequently keep all their anger inside until they find a safe place to dump it. This might be by screaming at a child, blowing up a federal building, or hitting a helpless, dependent mate. (Timothy McVeigh, executed for the Oklahoma City bombing, was described by acquaintances as a very, very nice guy, one who would give you the shirt off his back.) Success in keeping the anger in will often manifest as psychosomatic illnesses, including arthritis, ulcers, back problems, and heart disease. Proper Peachy Parents In my work as a psychotherapist, I have found that those who had peachy keen “Nice Parents” or proper “Rigidly Religious Parents” (as opposed to spiritual parents), are often the most stuck in chronic, lowgrade depression. They have a difficult time accessing or expressing any negative feelings towards their parents. They sometimes say to me “After all my parents did for me, seldom saying a harsh word to me, I would feel terribly guilty complaining. Besides, it would break their hearts.” Psychologist Rollo May suggested that it is less crazy-making to a child to cope with overt withdrawal or harshness than to try to understand the facade of the always-nice parent. When everyone agrees that your parents are so nice and giving, and you still feel dissatisfied, then a child may conclude that there must be something wrong with his or her ability to receive love. -§ Emotionally starving children are easier to control, well fed children don’t need to be. -§ I remember a family of fundamentalists who came to my office to help little Matthew with his anger problem. The parents wanted me to teach little Matthew how to “express his anger nicely.” Now if that is not a formula making someone crazy I do not know what would be. Another woman told me that after her stinking drunk husband tore the house up after a Christmas party, breaking most of the dishes in the kitchen, she meekly told him, “Dear, I think you need a breath mint.” Many families I work with go through great anxiety around the holidays because they are going to be forced to be with each other and are scared of resuming their covert war. They are scared that they might not keep the nice garbage can lid on, and all the rotting resentments and hopeless hurts will be exposed. In the words to the following song, artist David Wilcox explains to his parents why he will not be coming home this Thanksgiving: Covert War by David Wilcox
Kelly Bryson (Don't Be Nice, Be Real)
Peter’s Laws™ The Creed of the Persistent and Passionate Mind 1. If anything can go wrong, fix it! (To hell with Murphy!) 2. When given a choice—take both! 3. Multiple projects lead to multiple successes. 4. Start at the top, then work your way up. 5. Do it by the book . . . but be the author! 6. When forced to compromise, ask for more. 7. If you can’t win, change the rules. 8. If you can’t change the rules, then ignore them. 9. Perfection is not optional. 10. When faced without a challenge—make one. 11. No simply means begin one level higher. 12. Don’t walk when you can run. 13. When in doubt: THINK! 14. Patience is a virtue, but persistence to the point of success is a blessing. 15. The squeaky wheel gets replaced. 16. The faster you move, the slower time passes, the longer you live. 17. The best way to predict the future is to create it yourself! 18. The ratio of something to nothing is infinite. 19. You get what you incentivize. 20. If you think it is impossible, then it is for you. 21. An expert is someone who can tell you exactly how something can’t be done. 22. The day before something is a breakthrough, it’s a crazy idea. 23. If it was easy, it would have been done already. 24. Without a target you’ll miss it every time. 25. Fail early, fail often, fail forward! 26. If you can’t measure it, you can’t improve it. 27. The world’s most precious resource is the persistent and passionate human mind. 28. Bureaucracy is an obstacle to be conquered with persistence, confidence, and a bulldozer when necessary.
Peter H. Diamandis (Bold: How to Go Big, Create Wealth and Impact the World (Exponential Technology Series))
How does someone know if they’re transgender?” “I like to think about it in terms of handedness,” Dr. Powers explains. “If I asked you to sign your name with your nondominant hand, it would feel weird. If I asked you to describe it to me, you’d probably say things like the pen doesn’t fit comfortably in my hand; or it’s awkward; or I have to try hard to make legible something that I can do with my other hand effortlessly. It feels forced. Even a kindergartner can tell you if they’re a righty or a lefty, even if they don’t have the words for it. It’s also true that while most people are righties, and a smaller sliver of the population are lefties, there are some people who can use either hand with equal facility. Years ago, if you were a lefty, teachers tried to break you into being right-handed. Eventually, someone realized that it’s perfectly okay to be left-handed. Right-handed people who don’t write with their left hand can still understand that some people might…even if they never do it themselves.” She looks at the jury. “This example is a really great way to understand what it means to be transgender. Everyone has a dominant gender identity. It’s not a preference, it’s not something you can change just because you feel like it—it’s just how you’re wired. Most people who are assigned male or female at birth feel their gender identity matches that label—they’re called cisgender. But transgender people know that being in the body they are in feels not quite right. Some know this when they’re very young. Some spend years feeling uncomfortable without really knowing why.
Jodi Picoult (Mad Honey)
You, my dear, do not know how to have fun." "I do, too!" "You do not. You are as bad as Lucien. And do you know something? I think it's time someone showed you how to have fun. Namely, me. You can worry all you like about our situation tomorrow, but tonight ... tonight I'm going to make you laugh so hard that you'll forget all about how afraid of me you are." "I am not afraid of you!" "You are." And with that, he pushed his chair back, stalked around the table, and in a single easy movement, swept her right out of her chair and into his arms. "Gareth!  Put me down!" He only laughed, easily carrying her toward the bed. "Gareth, I am a grown woman!" "You are a grown woman who behaves in a manner far too old for her years," he countered, still striding toward the bed. "As the wife of a Den member, that just will not do." "Gareth, I don't want — I mean, I'm not ready for that!" "That? Who said anything about that?"  He tossed her lightly onto the bed. "Oh, no, my dear Juliet. I'm not going to do that —" She tried to scoot away. "Then what are you going to do?" "Why, I'm going to wipe that sadness out of your eyes if only for tonight. I'm going to make you forget your troubles, forget your fears, forget everything but me. And you know how I'm going to do that, O dearest wife?"  He grabbed a fistful of her petticoats as she tried to escape. "I'm going to tickle you until you giggle ... until you laugh ... until you're hooting so loudly that all of London hears you!" He fell upon the bed like a swooping hawk, and Juliet let out a helpless shriek as his fingers found her ribs and began tickling her madly. "Stop!  We just ate!  You'll make me sick!" "What's this? Your husband makes you sick?" "No, it's just that — aaaoooooo!" He tickled her harder. She flailed and giggled and cried out, embarrassed about each loud shriek but helpless to prevent them. He was laughing as hard as she. Catching one thrashing leg, he unlaced her boot and deftly removed it. She yelped as his fingers found the sensitive instep, and she kicked out reflexively. He neatly ducked just in time to avoid having his nose broken, catching her by the ankle and tickling her toes, her soles, her arch through her stockings. "Stop, Gareth!"  She was laughing so hard, tears were streaming from her eyes. "Stop it, damn it!" Thank goodness Charlotte, worn out by her earlier tantrum, was such a sound sleeper! The tickling continued. Juliet kicked and fought, her struggles tossing the heavy, ruffled petticoats and skirts of her lovely blue gown halfway up her thigh to reveal a long, slender calf sheathed in silk. She saw his gaze taking it all in, even as he made a grab for her other foot. "No!  Gareth, I shall lose my supper if you keep this up, I swear it I will — oooahhhhh!" He seized her other ankle, yanked off the remaining boot, and began torturing that foot as well, until Juliet was writhing and shrieking on the bed in a fit of laughter. The tears streamed down her cheeks, and her stomach ached with the force of her mirth. And when, at last, he let up and she lay exhausted across the bed in a twisted tangle of skirts, petticoats, and chemise, her chest heaving and her hair in a hopeless tumbled-down flood of silken mahogany beneath her head, she looked up to see him grinning down at her, his own hair hanging over his brow in tousled, seductive disarray.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
You don't give up, because you hold onto hope. And even when life is good, and you have more than hope, you still keep that with you. You put it out in the world and while you're bumbling around, fucking things up left and right, you do as many good things as you can in the hope that they make things a little better. That doing things like making your nightclub a fun place for people to work and hang out, it gives them a little of something they need. That researching and pulling dangerous magical objects off the street protects other people from despair wherever possible. That buying your friend a beer reminds them that someone gives a crap about them. And then, when you're forced to look at a list of all the stuff you've done that you wished you hadn't, you accept it. You say, 'I won't do that again' and you do what you can to do better, and you keep going.
W.B. McKay (Abducted by Faerie (Stolen Magic, #5))
Does God get what God wants? That’s a good question. An interesting question. And it’s an important question that has given us much to discuss. But there’s a better question. One that we actually can answer. One that takes all of the speculation about the future, which no one has been to and returned with hard empirical evidence, and brings it back to one absolute we can depend on in the midst of all of this which turns out to be another question. It’s not, “Does God get what God wants?” but “Do we get what we want?” and the answer to that is a resounding, affirming, sure and certain yes. Yes, we get what we want, God is that loving. If we want isolation, despair, and the right to be our own god, God graciously grants us that option. If we insist on using our God-given power and strength to make the world in our own image, God allows us that freedom and we have that kind of license to do that. If we want nothing to do with light, love, hope, grace, and peace God respects that desire on our part and we are given a life free from any of those realities. The more we want nothing to do with what God is, the more distance and space is created. If we want nothing to do with love, we are given a reality free from love. If, however, we crave light, we’re drawn to truth, we’re desperate for grace, we’ve come to the end of our plots and schemes and we want someone else’s path, God gives us what we want. If we have this sense that we have wandered far from home and we want to return, God is there standing in the driveway arms open, ready to invite us in. If we thirst for Shalom and we long for the peace that transcends all understanding, God doesn’t just give, they are poured out on us lavishly, heaped until we are overwhelmed. It’s like a feast where the food and wine do not run out. These desires can start with the planting of an infinitesimally small seed in our heart, or a yearning for life to be better, or a gnawing sense that we are missing out, or an awareness that beyond the routine and grind of life there is something more, or the quiet hunch that this isn’t all there is. It often has it’s birth in the most unexpected ways, arising out of our need for something we know we do not have, for someone we know we are not. And to that, that impulse, craving, yearning, longing, desire God says, “Yes!”. Yes there is water for that thirst, food for that hunger, light for that darkness, relief for that burden. If we want hell, if we want heaven then they are ours. that’s how love works, it can’t be forced, manipulated, or coerced. It always leaves room for the other to decide. God says, “yes”, we can have what we want because love wins.
Rob Bell (Love Wins: A Book About Heaven, Hell, and the Fate of Every Person Who Ever Lived)
If reconciling your feminist values with your sexual preferences is something you’re struggling with, don’t panic. But try to believe what I’m about to tell you, because it’s true: It’s healthy to want and seek pleasure. It’s generous and kind to want to make your sexual partner(s) feel good. You should do stuff with someone because you want to, not because they expect or feel entitled to it, and the same should be true for them. Whatever you do during sexytimes is between you and your partner—not you, your partner, and feminism, and not you, your partner, and the Gender Roles Police Force. Everything doesn’t always have to be equal—unless you want it to be. The only things that matter are that everyone’s having fun, and everyone’s feeling respected by and respectful of their partners the whole time you’re doing whatever it is that you get up to. Because in the end, that’s all that sex is: Two people who want to have sex, alone in a room. No judgy voices allowed.
Krista Burton
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that's what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?"... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo
Right,” he said, “As you well know, humans are biologically programmed to sleep twice a day—a siesta in the afternoon, then eight hours of sleep at night.” She nodded. “Except most of us skip the siesta because our jobs demand it. And when I say most of us, I really just mean Americans. Mexico doesn’t have this problem, nor does France or Italy or any of those other countries that drink even more than we do at lunch. Still, the fact remains: human productivity naturally drops in the afternoon. In TV, this is referred to as the Afternoon Depression Zone. Too late to get anything meaningful done; too early to go home. Doesn’t matter if you’re a homemaker, a fourth grader, a bricklayer, a businessman—no one is immune. Between the hours of one thirty-one and four forty-four p.m., productive life as we know it ceases to exist. It’s a virtual death zone.” Elizabeth raised an eyebrow. “And although I said it affects everyone,” he continued, “it’s an especially dangerous time for the homemaker. Because unlike a fourth grader who can put off her homework, or a businessman who can pretend to be listening, the homemaker must force herself to keep going. She has to get the kids down for a nap because if she doesn’t, the evening will be hell. She has to mop the floor because if she doesn’t, someone could slip on the spilled milk. She has to run to the store because if she doesn’t, there will be nothing to eat. By the way,” he said, pausing, “have you ever noticed how women always say they need to run to the store? Not walk, not go, not stop by. Run. That’s what I mean. The homemaker is operating at an insane level of hyperproductivity. And even though she’s in way over her head, she still has to make dinner. It’s not sustainable, Elizabeth. She’s going to have a heart attack or a stroke, or at the very least be in a foul mood. And it’s all because she can’t procrastinate like her fourth grader or pretend to be doing something like her husband. She’s forced to be productive despite the fact that she’s in a potentially fatal time zone—the Afternoon Depression Zone.” “It’s classic neurogenic deprivation,” Elizabeth said, nodding.
Bonnie Garmus (Lessons in Chemistry)
2/ KICK YOUR OWN ASS, GENTLY. I’ve been trying to set a few modest goals, both daily and weekly. In the course of a day, it’s good to get some stupid things accomplished, and off your “list.” I guess because it leaves you feeling that you and the “rest of the world” still have something to do with each other! Like today, for example, I can think back on sending a fax to my brother on his birthday, leaving a phone message for Brutus at his “hotel” on his birthday, phoning my Dad on his birthday (yep, all on the same day), then driving to Morin Heights to the ATM machine, to St. Sauveur for grocery shopping, and planning all that so I’d still have enough daylight left to go snowshoeing in the woods. And then I could drink. Not a high-pressure day, and hardly earth-shaking activities, but I laid them out for myself and did them (even though tempted to “not bother” with each of them at one point or another). I gave myself a gentle kick in the ass when necessary, or cursed myself out for a lazy fool, and because of all that, I consider today a satisfactory day. Everything that needed to be done got done. And by “needs” I certainly include taking my little baby soul out for a ride. And drinking. And there are little side benefits from such activities, like when the cashier in the grocery store wished me a genuinely-pleasant “Bonjour,” and I forced myself to look at her and return the greeting. The world still seems unreal to me, but I try not to purposely avoid contact with pleasant strangers. It wouldn’t be polite! Another “little goal” for me right now is spending an hour or two at the desk every morning, writing a letter or a fax to someone like you, or Brutus, or Danny, who I want to reach out to, or conversely, to someone I’ve been out of touch with for a long while, maybe for a year-and-a-half or two years. These are friends that I’ve decided I still value, and that I want as part of my “new life,” whatever it may be. It doesn’t really matter what, but just so you can say that you changed something in the course of your day: a neglected friend is no longer neglected; an errand that ought to be dealt with has been dealt with.
Neil Peart (Ghost Rider: Travels on the Healing Road)
I’m really not looking to date anyone.” I know people often say that when secretly looking for ‎a romantic partner, but I meant it. I definitely felt attracted to some people, and I liked the ‎idea of being with someone, but the actual mechanics of it didn’t much suit my talents. Like, ‎parts of typical romantic relationships that made me anxious included 1. Kissing; 2. Having to ‎say the right things to avoid hurt feelings; 3. Saying more wrong things while trying to ‎apologize; 4. Being at a movie theater together and feeling obligated to hold hands even after ‎your hands become sweaty and the sweat starts mixing together; and 5. The part where they ‎say, “What are you thinking about?” And they want you to be, like, “I’m thinking about you, ‎darling,” but you’re actually thinking about how cows literally could not survive if it weren’t for ‎the bacteria in their guts, and how that sort of means that cows do not exist as independent ‎life-forms, but that’s not really something you can say out loud, so you’re ultimately forced to ‎choose between lying and seeming weird
John Green (Turtles All the Way Down)
Internally, I was fractured, a series of faked personalities and protective shields that kept people at a distance. I could only drop the shield when I was alone, but even in my solitude I was miserable and confused. I was all defense mechanisms, with nothing left inside worth defending. When a masked Autistic person lacks self-knowledge or any kind of broad social acceptance, they are often forced to conceive of themselves as compartmentalized, inconsistent parts. Here is the person I have to be at work, and the person I must be at home. These are the things I fantasize about doing but can’t tell anybody about. Here are the drugs that keep my energy levels up, and the lies I tell to be entertaining at parties. These are the tension-defusing distractions I’ll deploy when someone begins to suspect there’s something off about me. We don’t get the chance to come together into a unified whole that we can name or understand, or that others can see and love. Some sides of us go unacknowledged entirely, because they don’t serve our broader goal of remaining as inoffensive and safe as possible.
Devon Price (Unmasking Autism: Discovering the New Faces of Neurodiversity)
I thought about trying to force her into rehab. But you can’t do that. You can’t control another person. It doesn’t matter how much you love them. You can’t love someone back to health and you can’t hate someone back to health and no matter how right you are about something, it doesn’t mean they will change their mind. I used to rehearse speeches and interventions and consider flying to where she was and dragging her off that stage—as if, if I could just get the words right, I could convince her to get sober. You drive yourself crazy, trying to put words in some magical order that will unlock their sanity. And when it doesn’t work, you think, I didn’t try hard enough. I didn’t talk to her clearly enough. But at some point, you have to recognize that you have no control over anybody and you have to step back and be ready to catch them when they fall and that’s all you can do. It feels like throwing yourself to sea. Or, maybe not that. Maybe it’s more like throwing someone you love out to sea and then praying they float on their own, knowing they might well drown and you’ll have to watch.
Taylor Jenkins Reid (Daisy Jones & The Six)
If you look at yourself right now, sometimes the outside situations decide what kind of person you are, isn’t it? Right now, if someone in front of you acts nasty, you will act nastier than him. Not necessarily, just an example, okay? (Laughter). Somebody gets angry with you, you get angry with him. Sometimes your chemistry takes over, sometimes your hormones take over, something else takes over, so many forces are ruling you in a compulsive way. These moments you are not really a human being. You are many things in human form. There are certain moments when you are very conscious, when you are fully aware of what you are doing, only in those moments do you truly function as a human being. If you were fully aware and conscious of what you are doing with this moment, the way you function in this world and within yourself would be very different, isn’t it? If you were very consciously creating every process of life in you, you would definitely make yourself into a very blissful and ecstatic being. Whenever you are in a state where you are very happy and joyful, you are a wonderful person for everybody around you.
Sadhguru (Life and Death in One Breath)
If it’s any consolation,” he murmured, “I had a miserable time last night.” “Good. You deserved to.” She smiled. “Not that I care one way or the other.” “Stop pretending that you don’t care,” he said hoarsely. “We both care, and you know it. I care more than you can possibly imagine.” She wanted to believe him, but how could she? “You say that only to coax me into your bed.” He smiled mirthlessly. “I don’t need to coax women into my bed, my dear. They usually leap there of their own accord.” His smile faded. “This is the first time I’ve apologized to a woman. I’ve never given a damn what any woman thought of me, though plenty of them tried to make me do so. So please forgive me if I’m not handling this to your satisfaction. It’s not a situation I’m accustomed to.” He was holding her so tenderly, it made her want to weep. Every move they made was a seduction-his leg advancing as hers went back, his hand gripping her waist, the waltz beating a rhythm that made her want to whirl around the ballroom with him forever. Her mind told her she should resist him, but her heart didn’t want to listen. Her heart was a fool. She gazed past his shoulder. “My father used to go to a brothel. He never remarried, so he went there to…er…feed his needs. I had to go fetch him a few times when my cousins were working and my aunt was looking after my grandmother, who lived nearby.” She didn’t know why she was telling him this, but it was a relief to speak of it to someone. Even her aunt and cousins preferred to pretend it never happened. “It was mortifying. He would…forget to come home, and we would need money for something, so I would have to go after him.” “Good God.” Her gaze locked with his. “I swore I’d never let myself be put in such a position again.” She tipped up her chin. “That’s why I’m happy to have Nathan as my fiancé. He’s genteel and proper. He would never frequent a brothel.” Oliver’s eyes glittered darkly at her. “No. He would just abandon you to the tender mercies of men who do.” She forced a smile. “There’s more than one way to be abandoned. If a woman’s husband is forever at a brothel, he might as well be halfway across the sea. The result is the same.” A stricken expression crossed his face as he stared at her. Then he glanced away.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
This man constructed along the most convincing, believable emotional lines, this force with a history as a force, this benignly wily, smoothly charming, seeming totality of a manly man nonetheless has a gigantic secret. How do I reach this conclusion? Why a secret? Because it is there when he’s with her. And when he’s not with her it’s there too—it’s the secret that’s his magnetism. It’s something not there that beguiles, and it’s what’s been drawing me all along, the enigmatic it that he holds apart as his and no one else’s. He’s set himself up like the moon to be only half visible. And I cannot make him fully visible. There is a blank. That’s all I can say. They are, together, a pair of blanks. There’s a blank in her and, despite his air of being someone firmly established, if need be an obstinate and purposeful opponent—the angry faculty giant who quit rather than take their humiliating crap—somewhere there’s a blank in him too, a blotting out, an excision, though of what I can’t begin to guess… can’t even know, really, if I am making sense with this hunch or fancifully registering my ignorance of another human being.
Philip Roth (The Human Stain (The American Trilogy, #3))
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
What tempts you, Pippa?" "I-" She hesitated. "I care a great deal for meringue." He laughed, the sound bigger and bolder than she expected. "It's true." "No doubt you do. But you may have meringue anytime you like." He stood back and indicated that she should enter the carriage. She ignored the silent command, eager to make her point. "Not so. If the cook has not made it, I cannot eat it." A smile played on his lips. "Ever-practical Pippa. If you want it, you can find it. That's my point. Surely, somewhere in London, someone will take pity upon you and satisfy your craving for meringue." Her brow furrowed. "Therefore, I am not tempted by it?" "No. You desire it. But that's not the same thing. Desire is easy. It's as simple as you wish to have meringue, and meringue is procured." He waved a hand toward the interior of the carriage but did not offer to help her up. "In." She ascended another step before turning back. The additional height brought them eye to eye. "I don't understand. What is temptation, then?" "Temptation..." He hesitated, and she found herself leaning forward, eager for this curious, unsettling lesson. "Temptation turns you. It makes you into something you never dreamed, it presses you to give up everything you ever loved, it calls you to sell your soul for one, fleeting moment." The words were low and dark and full of truth, and they hovered in the silence for a long moment, an undeniable invitation. He was close, protecting her from toppling off the block, the heat of him wrapping around her despite the cold. "It makes you ache," he whispered, and she watched the curve of his lips in the darkness. "You'll make any promise, swear any oath. For one... perfect... unsoiled taste." Oh, my. Pippa exhaled, long and reedy, nerves screaming, thoughts muddled. She closed her eyes, swallowed, forced herself back, away from him and the way he... tempted her. Why was he so calm and cool and utterly in control? Why was he not riddled with similar... feelings? He was a very frustrating man. She sighed. "That must be a tremendous meringue." A beat followed the silly, stupid words... words she wished she could take back. How ridiculous. And then he chuckled, teeth flashing in the darkness. "Indeed," he said, the words thicker and more gravelly than before.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
Imagine the following. Three groups of ten individuals are in a park at lunchtime with a rainstorm threatening. In the first group, someone says: “Get up and follow me.” When he starts walking and only a few others join in, he yells to those still seated: “Up, I said, and now!” In the second group, someone says: “We’re going to have to move. Here’s the plan. Each of us stands up and marches in the direction of the apple tree. Please stay at least two feet away from other group members and do not run. Do not leave any personal belongings on the ground here and be sure to stop at the base of the tree. When we are all there . . .” In the third group, someone tells the others: “It’s going to rain in a few minutes. Why don’t we go over there and sit under that huge apple tree. We’ll stay dry, and we can have fresh apples for lunch.” I am sometimes amazed at how many people try to transform organizations using methods that look like the first two scenarios: authoritarian decree and micromanagement. Both approaches have been applied widely in enterprises over the last century, but mostly for maintaining existing systems, not transforming those systems into something better. When the goal is behavior change, unless the boss is extremely powerful, authoritarian decree often works poorly even in simple situations, like the apple tree case. Increasingly, in complex organizations, this approach doesn’t work at all. Without the power of kings and queens behind it, authoritarianism is unlikely to break through all the forces of resistance. People will ignore you or pretend to cooperate while doing everything possible to undermine your efforts. Micromanagement tries to get around this problem by specifying what employees should do in detail and then monitoring compliance. This tactic can break through some of the barriers to change, but in an increasingly unacceptable amount of time. Because the creation and communication of detailed plans is deadly slow, the change produced this way tends to be highly incremental. Only the approach used in the third scenario above has the potential to break through all the forces that support the status quo and to encourage the kind of dramatic shifts found in successful transformations. (See figure 5–1.) This approach is based on vision—a central component of all great leadership.
John P. Kotter (Leading Change)
See how cruel the whites look. Their lips are thin, their noses sharp, their faces furrowed and dis­torted by folds. Their eyes have a staring expression; they are always seeking something. What are they seeking? The whites always want something; they are always uneasy and restless. We do not know what they want. We do not understand them. We think that they are mad." I asked him why he thought the whites were all mad. "They say that they think with their heads," he replied. "Why of course. What do you think with?" I asked him in surprise. "We think here," he said, indicating his heart. I fell into a long meditation. For the first time in my life, so it seemed to me, someone had drawn for me a picture of the real white man. It was as though until now I had seen nothing but sentimental, prettified color prints. This Indian had struck our vulnerable spot, unveiled a truth to which we are blind. I felt rising within me like a shapeless mist something unknown and yet deeply familiar. And out of this mist, image upon image detached itself: first Roman legions smashing into the cities of Gaul, and the keenly incised features of Julius Caesar, Scipio Africanus, and Pompey. I saw the Roman eagle on the North Sea and on the banks of the White Nile. Then I saw St. Augus­tine transmitting the Christian creed to the Britons on the tips of Roman lances, and Charlemagne's most glorious forced con­versions of the heathen; then the pillaging and murdering bands of the Crusading armies. With a secret stab I realized the hol­lowness of that old romanticism about the Crusades. Then fol­lowed Columbus, Cortes, and the other conquistadors who with fire, sword, torture, and Christianity came down upon even these remote pueblos dreaming peacefully in the Sun, their Father. I saw, too, the peoples of the Pacific islands decimated by firewater, syphilis, and scarlet fever carried in the clothes the missionaries forced on them. It was enough. What we from our point of view call coloniza­tion, missions to the heathen, spread of civilization, etc., has another face - the face of a bird of prey seeking with cruel in­tentness for distant quarry - a face worthy of a race of pirates and highwaymen. All the eagles and other predatory creatures that adorn our coats of arms seem to me apt psychological representatives of our true nature.
C.G. Jung
Mrs. Rutledge . . .” he started, and cleared his throat uncomfortably. “I shouldn’t overstep my bounds. But I feel it necessary to say—” He hesitated. “Go on,” Poppy said gently. “I’ve worked for Mr. Rutledge for more than five years. I daresay I know him as well as anyone. He’s a complicated man . . . too smart for his own good, and he doesn’t have much in the way of scruples, and he forces everyone around him to live by his terms. But he has changed many lives for the better. Including mine. And I believe there’s good in him, if one looks deep enough.” “I think so, too,” Poppy said. “But that’s not enough to found a marriage on.” “You mean something to him,” Valentine insisted. “He’s formed an attachment to you, and I’ve never seen that before. Which is why I don’t think anyone in the world can manage him except for you.” “Even if that’s true,” Poppy managed to say, “I don’t know if I want to manage him.” “Ma’am . . .” Valentine said feelingly, “Someone has to.” Amusement broke through Poppy’s distress, and she ducked her head to hide a smile. “I’ll consider it,” she said. “But at the moment I need some time away. What do they call it in the rope ring . . . ?” “A breather,” he said, bending to pick up her valise. “Yes, a breather. Will you help me, Mr. Valentine?” “Of course.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
This book festival...grew to attract thousands of visitors every year. Now they felt like they needed a new purpose. The festival’s continuing existence felt assured. What was it for? What could it do? How could it make itself count? The festival’s leadership reached out to me for advice on these questions. What kind of purpose could be their next great animating force? Someone had the idea that the festival’s purpose could be about stitching together the community. Books were, of course, the medium. But couldn’t an ambitious festival set itself the challenge of making the city more connected? Couldn’t it help turn strong readers into good citizens? That seemed to me a promising direction—a specific, unique, disputable lodestar for a book festival that could guide its construction...We began to brainstorm. I proposed an idea: Instead of starting each session with the books and authors themselves, why not kick things off with a two-minute exercise in which audience members can meaningfully, if briefly, connect with one another? The host could ask three city- or book-related questions, and then ask each member of the audience to turn to a stranger to discuss one of them. What brought you to this city—whether birth or circumstance? What is a book that really affected you as a child? What do you think would make us a better city? Starting a session with these questions would help the audience become aware of one another. It would also break the norm of not speaking to a stranger, and perhaps encourage this kind of behavior to continue as people left the session. And it would activate a group identity—the city’s book lovers—that, in the absence of such questions, tends to stay dormant. As soon as this idea was mentioned, someone in the group sounded a worry. “But I wouldn’t want to take away time from the authors,” the person said. There it was—the real, if unspoken, purpose rousing from its slumber and insisting on its continued primacy. Everyone liked the idea of “book festival as community glue” in theory. But at the first sign of needing to compromise on another thing in order to honor this new something, alarm bells rang. The group wasn’t ready to make the purpose of the book festival the stitching of community if it meant changing the structure of the sessions, or taking time away from something else. Their purpose, whether or not they admitted it, was the promotion of books and reading and the honoring of authors. It bothered them to make an author wait two minutes for citizens to bond. The book festival was doing what many of us do: shaping a gathering according to various unstated motivations, and making half-hearted gestures toward loftier goals.
Priya Parker (The Art of Gathering: How We Meet and Why It Matters)
You’ve got great base stats, so someone like you wouldn’t get how I feel.” Aoi Hinami’s mouth moved ever so slightly, like she was repeating my words, but I couldn’t hear her. I wasn’t even sure what my voice sounded like just then. “Life is unfair. I’m ugly, I have a bad build, I overthink until I can’t do anything, I’m wishy-washy, people make fun of everything I do, and I have no confidence in my ability to communicate. How is someone like me supposed to beat someone strong like you?” This might have been the first time I ever said something like that to a stranger. “But that’s all fine. Because life’s not fair. You don’t get results just by trying hard. If you could, I would, but life doesn’t have rules. No rewards, no right answers. As a game, it’s a piece of shit. If there’s no right answer, then there’s no point in trying. And I hate the way normies like you live. Your confidence is totally baseless, and you go around in packs just pretending to have fun.” With the floodgates opened, I couldn’t stop myself. “Even when I have a reason to be confident, I shy away. When I’m in a group I just feel alone, and it’s not fun. I’m used to this life. I don’t know why things are this way. You have a problem with that? I’ve been like this as long as I can remember. That’s fine with me. I’m a loner, but I have my fun. I’m fine with this…” I clenched my fists. “…So don’t force your values on me!
Yuki Yaku (Bottom-Tier Character Tomozaki, Vol. 1 (light novel))
I came across the writings of the Buddhist teacher Chögyam Trungpa. As a man, he was problematic. He drank too much, slept around, and didn’t live as we’d expect a great, wise teacher to live. But every teacher is human. Likewise, parents are not wise oracles—they’re just people trying to shepherd other people through the world. We may know the right path to take, but knowing the way and consistently walking it are two different things. Everything we learn, we learn from someone who is imperfect. Trungpa writes about torma and don. “Possession” is the closest translation for the Tibetan word don—a ghost that causes misfortune, anger, fear, sickness. When you have a don, you are the possession. The anger possesses—owns—you. Torma means “offering cake.” You offer the torma to your don. You feed the ghost that does you harm, “that which possesses you.” Giving it a little something sweet is a way of saying, Thank you for the pain you caused me, because that pain woke me up. It hurt enough to make me change. “Wish for more pain,” a friend’s therapist once told her, “because that’s how you’ll change.” It has to hurt so much that you have to do something differently. The pain forces your hand. When I read Trungpa, I thought about my own ghosts differently. Fear isn’t inside me, I’m inside it. Anger isn’t something I’m holding; it’s something that’s held me, possessed me. And being possessed is the opposite of being free.
Maggie Smith (You Could Make This Place Beautiful)
Today, each of you will make a decision,” Caine said. “To go with Sam, or to stay here. I won’t try to stop anyone, and I won’t hold it against anyone.” He placed his hand over his heart. “For those who choose to stay, let me be very clear: I will be in charge. Not as a mayor, but as a king. My word will be law. My decisions will be final.” That caused some murmuring, most of it unhappy. “But I’ll also do everything I can to leave each of you alone. Quinn, if he chooses to stay, can still fish. Albert, if he chooses to stay, will still run his business. Freaks and normals will be treated equally.” He seemed about to add something else but caught himself after a sidelong look at Toto. The silence lengthened and Sam knew it was time for him to speak. In the past he’d always had Astrid at his side for things like this. He was not much of a speaker. And in any case, he didn’t have much to say. “Anyone who goes with me has a vote in how we do stuff. I guess I’ll be more or less in charge, but we’ll probably choose some other people, create a council like . . . Well, hopefully better than we had before. And, um . . .” He was tempted to laugh at his own pitiful performance. “Look, people, if you want someone, some . . . king, good grief, to tell you what to do, stay here. If you want to make more of your own decisions, well, come with me.” He hadn’t said enough to even cause Toto to comment. “You know which side I’m on, people,” Brianna yelled. “Sam’s been carrying the load since day one.” “It was Caine that saved us,” a voice cried out. “Where was Sam?” The crowd seemed undecided. Caine was beaming confidence, but Sam noticed that his jaw clenched, his smile was forced, and he was worried.
Michael Grant (Plague (Gone, #4))
But that was the most dangerous part, as well as the most alluring. She wanted to feel him take her to that edge. The edge where life met death, where colour met the absence of it, where light met the darkness. She wanted him to bring her to this brink, and she wanted him to let her fall. Why? She longed for self-destruction. She longed to let him show her his darkest, so that she could save him. She had the delusion, no...she was disillusioned. She knew the truth. She also knew that loving him and wanting to save him, to be some sick twisted heaven sent angel was her truest wish. She knew that she could do no saving. She couldn't even save herself, how could she save someone else? She wanted to encapture his heart. She wanted to destroy it, and she wanted to burn him down. Why? So she could watch him as he writhed in the ashes, and became something new. She wanted to watch him rebirth himself in those flames and ashes, like a pheonix would. Why would she want this of him? Why...because she simply could. She wanted to destroy their love, him and her along with it. She wanted to savor it forever. Some beast inside her, wanted nothing more than their destruction, so that it could smile in that darkness. That darkness within her, wanted him like nothing else could matter. She would die for his darkness, so she could bring him to the light. However, she was far from the light herself. She wanted to trade herself in for someone better than she was. She wanted to give him something in her that was pure and innocent. He knew better than that. So did she. They were drawn to each other, because they were darkness, and their darkness was a powerful force. Together they could destroy each other, along with everything else that stood in their way.
Jennifer Megan Varnadore
There’s just one thing I don’t understand,” she remarked, setting the periodical aside for a moment. “And that is?” She tucked her skirts around her legs, denying him further glimpses of her ankles. “Would you by chance know what gamahuching is?” Grey would have thought himself far beyond the age of blushing, but the heat in his cheeks was unmistakable. “Good lord, Rose.” His voice was little more than a rasp. “That is hardly something a young woman brings up in casual conversation.” Oh, but he could show her what gamahuching was. He’d be all too happy to crawl between those trim ankles and climb upward until he found the slit in her drawers… Rose shrugged. “I suppose it might be offensive to someone of your age, but women aren’t as sheltered as they once were, Grey. If you won’t provide a definition, I’m sure Mr. Maxwell will when I see him tonight.” And with that threat tossed out between them, the little baggage returned her attention to her naughty reading. His age? What did she think he was, an ancient? Or was she merely trying to bait him? Tease him? Well, two could play at that game. And he refused to think of Kellan Maxwell, the bastard, educating her on such matters. “I believe you’ve mistaken me if you think I find gamahuching offensive,” he replied smoothly, easing himself down onto the blanket beside her. “I have quite the opposite view.” Beneath the high collar of her day gown, Rose’s throat worked as she swallowed. “Oh?” “Yes.” He braced one hand flat against the blanket near her hip, leaning closer as though they were co-conspirators. “But I’m afraid the notion might seem distasteful to a lady of your inexperience and sheltered upbringing.” Doe eyes narrowed. “If I am not appalled by the practice of frigging, why would anything else done between two adults in the course of making love offend me?” Christ, she had the sexual vocabulary of a whore and the naivete of a virgin. There were so many things that people could do to each other that very well could offend her-hell, some even offended him. As for frigging, that just made him think of his fingers deep inside her wet heat, her own delicate hand around his cock, which of course was rearing its head like an attention-seeking puppy. He forced a casual shrug. Let her think he wasn’t the least bit affected by the conversation. Hopefully she wouldn’t look at his crotch. “Gamahuching is the act of giving pleasure to a woman with one’s mouth and tongue.” Finally his beautiful innocent seductress blushed. She glanced down at the magazine in her hands, obviously reimagining some of what she had read. “Oh.” Then, her gaze came back to his. “Thank you.” Thank God she hadn’t asked if it was pleasurable because Grey wasn’t sure his control could have withstood that. Still, glutton for punishment that he was, he held her gaze. “Anything else you would like to ask me?” Rose shifted on the blanket. Embarrassed or aroused? “No, I think that’s all I wanted to know.” “Be careful, Rose,” he advised as he slowly rose to his feet once more. He had to keep his hands in front of him to disguise the hardness in his trousers. Damn thing didn’t show any sign of standing down either. “Such reading may lead to further curiosity, which can lead to rash behavior. I would hate to see you compromise yourself, or give your affection to the wrong man.” She met his gaze evenly, with a strange light in her eyes that unsettled him. “Have you stopped to consider Grey, that I may have done that already?” And since that remark rendered him so completely speechless, he turned on his heel and walked away.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
You certainly don’t “need” to evangelize. You can rest assured that God is perfectly capable of bringing people to himself in His own good time and in His own good way. That said, though, it’s very likely you will be galvanized by your own joy in the Lord to share that joy with others. It’s only natural to want to share something wonderful you’ve found with everyone around you – and especially with those in your life for whom you have affection or care about. And if that life-enhancing, life-saving something you’ve found is absolutely free to anyone who will but ask for it, well.. Well then it’s a wonder, isn’t it, that every bible sold doesn’t come with a bullhorn. The question of exactly when and how it’s best for you to personally share your faith with others is one that the Holy Spirit stands ever ready to help you answer. Primarily, it’s a matter of simply paying attention to the signals you get from non-christians about the degree to which they’re ready to have a conversation in which it would be natural to talk about the value and nature of personal beliefs. Forcing that conversation is unlikely to prove productive to you or to the other person. You don’t want to alienate someone by too zealously pushing Christ on them before they’re optn to that sort of interaction with you. The best rule of thumb when wondering how and when you should go about evangelizing is to just be yourself and relax about it. When it’s time to talk to someone about Jesus, Jesus by His spirit will let you know. Trust in this. God’s ultimate purpose is to bring every person on earth to the realization that his son died so they might have eternal life. And as a Christian you do have a role in that inspiring mission. Trust God to let you know when it’s time for you to step into it – how and with whom.
Stephen F. Arterburn (Being Christian: Exploring Where You, God, and Life Connect)
Kestrel came often. One day, when she knew from Sarsine that Arin had returned home but she had not yet seen him, she went to the suite. She touched one of his violins, reaching furtively to pluck the highest string of the largest instrument. The sound was sour. The violin was ruined--no doubt all of them were. That is what happens when an instrument is left strung and uncased for ten years. A floorboard creaked somewhere in one of the outer chambers. Arin. He entered the room, and she realized that she had expected him. Why else had she come here so frequently, almost every day, if she hadn’t hoped that someone would notice and tell him to find her there? But even though she admitted to wanting to be here with him in his old rooms, she hadn’t imagined it would be like this. With her caught touching his things. Her gaze dropped. “I’m sorry,” she murmured. “It’s all right,” he said. “I don’t mind.” He lifted the violin off its nails and set it in her hands. It was light, but Kestrel’s arms lowered as if the violin’s hollowness were terribly heavy. She cleared her throat. “Do you still play?” He shook his head. “I’ve mostly forgotten how. I wasn’t good at it anyway. I loved to sing. Before the war, I worried that gift would leave me, the way it often does with boys. We grow, we change, our voices break. It doesn’t matter how well you sing when you’re nine years old, you know. Not when you’re a boy. When the change comes you just have to hope for the best…that your voice settles into something you can love again. My voice broke two years after the invasion. Gods, how I squeaked. And when my voice finally settled, it seemed like a cruel joke. It was too good. I hardly knew what to do with it. I felt so grateful to have this gift…and so angry, for it to mean so little. And now…” He shrugged, a self-deprecating gesture. “Well, I know I’m rusty.” “No,” Kestrel said. “You’re not. Your voice is beautiful.” The silence after that was soft. Her fingers curled around the violin. She wanted to ask Arin a question yet couldn’t bear to do it, couldn’t say that she didn’t understand what had happened to him the night of the invasion. It didn’t make sense. The death of his family was what her father would call a “waste of resources.” The Valorian force had had no pity for the Herrani military, but it had tried to minimize civilian casualties. You can’t make a dead body work. “What is it, Kestrel?” She shook her head. She set the violin back on the wall. “Ask me.” She remembered standing outside the governor’s palace and refusing to hear his story, and was ashamed once more. “You can ask me anything,” he said. Each question seemed the wrong one. Finally, she said, “How did you survive the invasion?” He didn’t speak at first. Then he said, “My parents and sister fought. I didn’t.” Words were useless, pitifully useless--criminal, even, in how they could not account for Arin’s grief, and could not excuse how her people had lived on the ruin of his. Yet again Kestrel said, “I’m sorry.” “It’s not your fault.” It felt as if it was. Arin led the way out of his old suite. When they came to the last room, the greeting room, he paused before the outermost door. It was the slightest of hesitations, no longer than if the second hand of a clock stayed a beat longer on its mark than it should. But in that fraction of time, Kestrel understood that the last door was not paler than the others because it had been made from a different wood. It was newer. Kestrel took Arin’s battered hand in hers, the rough heat of it, the fingernails still ringed with carbon from the smith’s coal fire. His skin was raw-looking: scrubbed clean and scrubbed often. But the black grime was too ingrained. She twined her fingers with his. Kestrel and Arin walked together through the passageway and the ghost of its old door, which her people had smashed through ten years before.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.' It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.' 'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold. Where I slammed into an invisible wall. I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me. I reached a hand to the open air of the doorway. And met solid resistance. 'Tamlin,' I rasped. But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale. 'Tamlin,' I said again, pushing against the wall. He didn't turn. I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake- 'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.' He'd locked me in here. I hit the shield again. Again. Nothing. 'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.' I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too. He'd locked me in. He'd sealed me inside the house. I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin. Breathing became difficult. I was trapped. I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again- I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate. He'd trapped me in here; he'd locked me up. I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains. And then crushing black pounded down and rose up beneath, devouring and roaring and shredding. It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself. He'd trapped me; he'd trapped me; he'd trapped me- I had to get out, because I'd barely escaped from another prison once before, and this time, this time- Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out- Someone was shouting my name from far away. Alis- Alis. But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the folden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air- I couldn't get out; I couldn't get out; I couldn't get out-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Let’s look again at the example of someone’s birthday that is approaching quickly. Because of things that have happened in the past, we have resentments and feel unwilling to do anything for the birthday. Somehow, it just seems impossible to get out and shop for a birthday present. We resent having to spend the money. The mind conjures up all kinds of justifications: “I don’t have time to shop”; “I can’t forget how mean she was”; “She should apologize to me first.” In this case, two things are operating: clinging to the negative and the smallness in ourselves, and resisting the positive and the greatness in ourselves. The way out of apathy is to see, first of all, that “I can’t” is an “I won’t.” In looking at the “I won’t,” we see that it is there because of negative feelings and, as they come up, they can be acknowledged and let go. It is also apparent that we are resisting positive feelings. These feelings of love, generosity, and forgiveness can be looked at one by one. We can sit down and imagine the quality of generosity and let go resisting it. Is there something generous within ourselves? In this case, we may not be willing to apply it to the birthday person in the beginning. What we can begin to see is the existence of such a quality as generosity within our consciousness. We begin to see that, as we let go resisting the feeling of generosity, there is generosity. We do, in fact, enjoy giving to others under certain circumstances. We begin to remember the positive flood of feeling that comes upon us when we express gratitude and acknowledge the gifts that others have given us. We see that we have really been suppressing a desire to forgive and, as we let go of the resistance to being forgiving, there emerges the willingness to let go of the grievance. As we do this, we stop identifying with our small self and become consciously aware that there is something in us that is greater. It is always there but hidden from view.
David R. Hawkins (Letting Go: The Pathway of Surrender (Power vs. Force, #9))
When she turned back to me, her eyes were full of tears. Then she unbuckled herself, slid across the seat, and climbed into my lap. My heart jumped at the unexpected affection. I pulled her in and tucked her head under my chin, breathing in the smell of her hair. The feel of her small, warm body in my arms was like home. There was no other word for it. She was home. It was hard to see how much he affected her. This was the second time I’d seen her crying and both times had been over him. The jealousy was almost more than I could handle. This woman was mine. She was mine, not his. Why couldn’t he have stayed away from her? Let her just get over him? But then I realized the truth. She wasn’t mine—she never was. I’m hers. And it’s not the same thing. I’d been fine being patient, because I was just waiting for her to come out of it. I hadn’t been braced for him to come back into her life. And now, faced with the reality that I might lose her altogether, I realized what I’d known for weeks. I’m in love with her. And now this guy that I couldn’t even begin to compete with might take her from me. I felt helpless. Panicked. A fight response triggered inside and it had nowhere to go, because I couldn’t do shit about this. All I could do was be me, and that wasn’t good enough. A sex thing. It will only ever be a sex thing. She raised her head and planted a soft kiss under my chin, and it almost broke my fucking heart. She was never like this with me. And as much as I loved it, it was all fueled by her feelings for someone else. He hurt her and I was here, so I got to be the one to comfort her. But it was something. At least I could do something for her beyond just scratching an itch. She was with me, holding me. Letting me hold her. I needed to enjoy the moment because I didn’t know how many more of them I’d get. I squeezed my eyes shut and forced down the lump in my throat, tried to focus on her breath on my neck, her cheek pressed to my collarbone—the vulnerability she was giving me that I only ever saw when she was sleeping curled up next to me on those nights when she let me in. I vowed to make tonight fun so she’d forget. And so I’d have something to remember when she left.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
Nick found Gabriel in his bedroom, sitting cross-legged on his bed, surrounded by textbooks. Headphones trailed from his ears, and his pencil tapped in time with whatever he was listening to. He either didn’t notice Nick standing at the door, or he deliberately wasn’t looking up. Nick wanted to shove him off the bed and kick him in the face. Not aggressive, my ass. Gabriel finally looked up and yanked the headphones free. “So I have to leave you alone, but you get to stand there like a freaky stalker?” Oh, good. New adjectives. Nick told his heartbeat to chill out. He pushed Gabriel’s door open. “I need to talk to you about something.” Gabriel stared at him. Nick could read the debate on his face: screw with Nick or just play it easy. He went with the latter. His pencil dropped into the spine of his trig textbook. “Okay. Talk.” “If you grabbed someone by the wrist, could you set their skin on fire without anyone knowing you were doing it?” Gabriel’s eyebrows went up. “Not exactly what I thought you’d want to talk about.” Nick didn’t have an answer for that. He kept his gaze steady and waited. “Look, Nicky . . .” Gabriel hesitated. “Whatever I did to piss you off, just—” “Forget it.” Nick was halfway out his door before Gabriel slid off the bed to grab his arm. “Stop,” said his twin. “I’ll answer your question, all right?” Nick stopped, but he didn’t look at him... Gabriel drew a ragged breath, and it took Nick a second to even remember his question about burning. “I don’t know. I’d have to try it. It would take a lot of control. A lot of focus.” “Fine.” Nick held out his wrist, the good one. “Try it.” “Okay.” Nick braced himself, but Gabriel turned his head. “Hey, Chris. Come here. I want to try something.” Chris came out of his room, took one look at them, and turned around. “No way. I know that look.” But Gabriel was too quick. He rushed around Nick and caught Chris’s door before it latched. He forced his way through. And five seconds later, Chris was yelling and punching him and shoving past Nick to get to the bathroom. He was clutching his wrist. “What the f**k, Gabriel?” Then the door slammed and the water was running. Gabriel turned to Nick and smiled. “So, yeah. I can do it.
Brigid Kemmerer (Secret (Elemental, #4))
No Big Deal or the End of the World? Here’s something that should be obvious: People don’t like to have their grievances downplayed or dismissed. When that happens, even the smallest irritation can turn into an obsessive crusade. Imagine you’re staying at a hotel, and the air-conditioning isn’t working right. You call the front desk to mention it, and they say, oh yeah, they know about that, and someone is going to come fix that next week (after you’ve left). In the meantime, could you just open a window (down to that noisy, busy street)? Not a word of apology, no tone of contrition. Now what was a mild annoyance—that it’s 74F degrees when you like to sleep at 69F—is suddenly the end of the world! You swell with righteous fury, swear you’ll write a letter to management, and savage the hotel in your online review. Jean-Louis Gassée, who used to run Apple France, describes this situation as the choice between two tokens. When you deal with people who have trouble, you can either choose to take the token that says “It’s no big deal” or the token that says “It’s the end of the world.” Whichever token you pick, they’ll take the other. The hotel staff in the example above clearly took the “It’s no big deal” token and as a result forced you to take the “It’s the end of the world” token. But they could just as well have made the opposite choice. Imagine the staff answering something like this: “We’re so sorry. That’s clearly unacceptable! I can completely understand how it must be almost impossible to sleep when it’s so hot in your room. If I can’t fix this problem for you tonight, would you like me to refund your stay and help you find a different hotel room nearby? In any case, while we’re figuring out the solution, allow me to send up a bottle of ice water and some ice cream. We’re terribly sorry for this ordeal and we’ll do everything to make it right.” With an answer like that, you’re almost forced to pick the “It’s no big deal” token. Yeah, sure, some water and ice cream would be great! Everyone wants to be heard and respected. It usually doesn’t cost much to do, either. And it doesn’t really matter all that much whether you ultimately think you’re right and they’re wrong. Arguing with heated feelings will just increase the burn. Keep that in mind the next time you take a token. Which one are you leaving for the customer?
Jason Fried (It Doesn't Have to be Crazy at Work)
He returned to the table with a pile of pastries and two coffees. “Hungry?” she asked. “Let’s figure out what you like.” He waved at the pastries. How thoughtful. She picked up a small biscuit cookie to nibble but shook her head. “Too crunchy.” “Try the scone,” he recommended. One bite. “Nope. No scones. Maybe I’m not a pastry person.” “I’m taking notes over here.” He almost spit out his sip of coffee from laughter when she had to empty her mouth into a small napkin after biting into a cheesy sweet concoction. “Sorry.” Her face went hot. “I’ll stick with croissants. What about you? What do you like?” He shrugged. “I’m not picky.” “Is it bad to be picky? Does it mean I’m high maintenance?” “Maybe you’re not into sweets.” “If I dribbled chocolate all over you, I’d lick it off and like it.” She slapped a hand over her mouth. “Did I just say that out loud? Forget I said that.” “No undoing that. It’s stuck in here.” He tapped his head. “Moon madness.” “It’s mid-morning. There’s no moon in the sky.” He peeked out the window. “Maybe not a full moon, but there’s one in the sky. This insanity is our bodies cranking up for the main event later today.” His eyes traveled down her body and back up; he wet his lips with his tongue. Her mind flashed back to the moment his lips were on hers, the way his fingers had dug into her, the desperation flowing from his fingertips. Things were about to get a lot more interesting as the day wore on. In silence, they ate for a while. She leaned back and stared at him. “You may have to answer to someone, but you like what you do most of the time. Why do you do it? Save humans against things that bump in the night?” “I’m cursed to follow orders.” “Sure, you’re forced into some things, but that only goes so far.” He wiped a few crumbs off the table. “Perhaps so. It’s a good cause. Most of the time. Occasionally, the missions we’re ordered on are based on erroneous information.” She reached out and put her hand over his. “I might be as bad as they made me out. I don’t remember. I appreciate you trying to help me figure it out, but if I start to show an inclination toward evil or world domination, do your job.” He rotated his hand to hold hers and stared at their connection. “The fact you considered it means you’re not someone I should kill.” “We don’t know.” She removed her hand from his. “Tell me something about yourself. What pastry do you like? Are you a scones person?” He shook his head. “I’m not into a lot of sweets, but I’ve realized I like chocolate.
Zoe Forward (Bad Moon Rising (Crown's Wolves, #1))
Through the open doorway suddenly stepped a small woman, long ebony hair braided intricately, huge blue eyes flashing at Mikhail. As Byron shouldered his way inside behind her, she gave him a friendly smile and stood on her toes to brush his chin with a kiss. Mikhail stiffened, then immediately wrapped a possessive arm around her waist. “Carpathian women do not do that kind of thing,” he reprimanded her. She tilted her chin at him, in no way intimidated. “That’s because Carpathian males have such a territorial mentality— you know, a beat-their-chest, swing-from-the-trees sort of thing.” She turned her head to look at the couple lying on the floor. Her indrawn breath was audible. “Jacques.” She whispered his name, tears in her voice and in her blue eyes. “It really is you.” Eluding Mikhail’s outstretched, detaining hand, she ran to him. Let her, Gregori persuaded softly. Look at him. Jacques’ gaze was fastened on the woman’s face, the red flames receding from his eyes as she approached. “I’m Raven, Jacques. Don’t you remember me? Mikhail, your brother, is my lifemate.” Raven dropped to her knees beside the couple. “Thank God you’re alive. I can’t believe how lucky we are. Who did this to you? Who took you from us?” Shea felt the ripple of awareness in her mind. Jacques’ shock. His curiosity. He recognized those tear-filled blue eyes. Shea caught a glimpse, a fragment of memory, the woman bending over him, her hands clamped to his throat, pressing soil and saliva into a pumping wound. Shea held her breath, waiting. Jacques’ silent cry of despair echoed in her head. She forced herself to move, found his hand with hers, silently supporting him as she regarded the woman kneeling beside her. You didn’t tell me she was so beautiful, Shea reprimanded deliberately. In the midst of Jacques’ pain and agony, his possessive fury and maniacal madness, something seemed to melt the ice-cold core of murderous resolve. The urge to smile at that feminine, edgy tone came out of nowhere. Something snarling to be set free retreated, and the tension in him eased visibly. Is she? Jacques asked innocently. Shea’s green eyes touched his face, and warmth spread further inside him. And the beast was temporarily leashed. “Is this your lifemate, Jacques?” Raven asked softly. Shea looked at her then, this woman who had been a part of Jacques’ life. “I’m Shea O’Halloran.” Her voice was husky and ragged. “Jacques has been unable to use his voice since I found him.” Raven touched Shea’s bruised throat with gentle fingers. “Someone had better tell me what happened here.” Her blue eyes were studying the dark smudges closely. “Help her to the bed,” Gregori interceded, distracting Raven from her study. You owe me one, old friend, he sent to Mikhail.
Christine Feehan (Dark Desire (Dark, #2))
I saw a pretty shop across the Sidra the other day. It sold what looked to be lots of lacy little things. Am I allowed to buy that on your credit, too, or does that come out of my personal funds?' Those violet eyes again drifted to me. 'I'm not in the mood.' There was no humour, no mischief. I could go warm myself by a fire inside, but... He had stayed. And fought for me. Week after week, he'd fought for me, even when I had no reaction, even when I had barely been able to speak or bring myself to care if I lived or died or ate or starved. I couldn't leave him to his own dark thoughts, his own guilt. He'd shouldered them alone long enough. So I held his gaze. 'I never knew Illyrians were such morose drunks.' 'I'm not drunk- I'm drinking,' he said, his teeth flashing a bit. 'Again semantics,' I leaned back in my seat, wishing I'd brought my coat. 'Maybe you should have slept with Cresseida after all- so you could both be sad and lonely together.' 'So you're entitled to have as many bad days as you want, but I can't get a few hours?' 'Oh, take however long you want to mope. I was going to invite you to come shopping with me for said lacy little unmentionables, but... sit up here forever, if you have to.' He didn't respond. I went on, 'Maybe I'll send a few to Tarquin- with an offer to wear them for him if he forgives us. Maybe he'll take those blood rubies right back.' His mouth barely, barely tugged up at the corners. 'He'd see that as a taunt.' 'I gave him a few smiles and he handed over a family heirloom. I bet he'd give me the keys to his territory if I showed up wearing those undergarments.' 'Someone thinks mighty highly of herself.' 'Why shouldn't I? You seem to have difficulty not staring at me day and night.' There it was - a kernel of truth and a question. 'Am I supposed to deny,' he drawled, but something sparked in those eyes, 'That I find you attractive?' 'You've never said it.' 'I've told you many times, and quite frequently, how attractive I find you.' I shrugged, even as I thought of all those times- when I'd dismissed them as teasing compliments, nothing more. 'Well, maybe you should do a better job of it.' The gleam in his eyes turned into something predatory. A thrill went through me as he braced his powerful arms on the table and purred, 'Is that a challenge, Feyre?' I held that predator's gaze- the gaze of the most powerful male in Prythian. 'Is it?' His pupils flared. Gone was the quiet sadness, the isolated guilt. Only that lethal force- on me. On my mouth. On the bob of my throat as I tried to keep my breathing even. He said, slow and soft, 'Why don't we go down to that store right now, Feyre, so you can try on those lacy little things- so I can help you pick which ones to send to Tarquin.' My toes curled inside my fleece-lined slippers. Such a dangerous line we walked together.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Evie shook her head in confusion, staring from her husband’s wrathful countenance to Gully’s carefully blank one. “I don’t understand—” “Call it a rite of passage,” Sebastian snapped, and left her with long strides that quickly broke into a run. Picking up her skirts, Evie hurried after him. Rite of passage? What did he mean? And why wasn’t Cam willing to do something about the brawl? Unable to match Sebastian’s reckless pace, she trailed behind, taking care not to trip over her skirts as she descended the flight of stairs. The noise grew louder as she approached a small crowd that had congregated around the coffee room, shouts and exclamations renting the air. She saw Sebastian strip off his coat and thrust it at someone, and then he was shouldering his way into the melee. In a small clearing, three milling figures swung their fists and clumsily attempted to push and shove one another while the onlookers roared with excitement. Sebastian strategically attacked the man who seemed the most unsteady on his feet, spinning him around, jabbing and hooking with a few deft blows until the dazed fellow tottered forward and collapsed to the carpeted floor. The remaining pair turned in tandem and rushed at Sebastian, one of them attempting to pin his arms while the other came at him with churning fists. Evie let out a cry of alarm, which somehow reached Sebastian’s ears through the thunder of the crowd. Distracted, he glanced in her direction, and he was instantly seized in a mauling clinch, with his neck caught in the vise of his opponent’s arm while his head was battered with heavy blows. “No,” Evie gasped, and started forward, only to be hauled back by a steely arm that clamped around her waist. “Wait,” came a familiar voice in her ear. “Give him a chance.” “Cam!” She twisted around wildly, her panicked gaze finding his exotic but familiar face with its elevated cheekbones and thick-lashed golden eyes. “They’ll hurt him,” she said, clutching at the lapels of his coat. “Go help him— Cam, you have to—” “He’s already broken free,” Cam observed mildly, turning her around with inexorable hands. “Watch— he’s not doing badly.” One of Sebastian’s opponents let loose with a mighty swing of his arm. Sebastian ducked and came back with a swift jab. “Cam, why the d-devil aren’t you doing anything to help him?” “I can’t.” “Yes, you can! You’re used to fighting, far more than he—” “He has to,” Cam said, his voice quiet and firm in her ear. “He’ll have no authority here otherwise. The men who work at the club have a notion of leadership that requires action as well as words. St. Vincent can’t ask them to do anything that he wouldn’t be willing to do himself. And he knows that. Otherwise he wouldn’t be doing this right now.” Evie covered her eyes as one opponent endeavored to close in on her husband from behind while the other engaged him with a flurry of blows. “They’ll be loyal to him only if he is w-willing to use his fists in a pointless display of brute force?” “Basically, yes.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
You don’t know me! You know Miss Erstwhile, but--” “Come now, ever since I witnessed your abominable performance in the theatrical, it’s been clear that you can’t act to save your life. All three weeks, that was you.” He smiled. “And I wanted to keep knowing you. Well, I didn’t at first. I wanted you to go away and leave me in peace. I’ve made a career out of avoiding any possibility of a real relationship. And then to find you in that circus…it didn’t make sense. But what ever does?” “Nothing,” said Jane with conviction. “Nothing makes sense.” “Could you tell me…am I being too forward to ask?...of course, I just bought a plane ticket on impulse, so worrying about being forward at this point is pointless…This is so insane, I am not a romantic. Ahem. My question is, what do you want?” “What do I…?” This really was insane. Maybe she should ask that old woman to change seats again. “I mean it. Besides something real. You already told me that. I like to think I’m real, after all. So, what do you really want?” She shrugged and said simply, “I want to be happy. I used to want Mr. Darcy, laugh at me if you want, or the idea of him. Someone who made me feel all the time like I felt when I watched those movies.” It was hard for her to admit it, but when she had, it felt like licking the last of the icing from the bowl. That hopeless fantasy was empty now. “Right. Well, do you think it possible--” He hesitated, his fingers played with the radio and light buttons on the arm of his seat. “Do you think someone like me could be what you want?” Jane smiled sadly. “I’m feeling all shiny and brand new. In all my life, I’ve never felt like I do now. I’m not sure yet what I want. When I was Miss Erstwhile, you were perfect, but that was back in Austenland. Or are we still in Austenland? Maybe I’ll never leave.” He nodded. “You don’t have to decide anything now. If you will allow me to be near you for a time, then we can see.” He rested his head back, and they looked at each other, their faces inches apart. He always was so good at looking at her. And it occurred to her just then that she herself was more Darcy than Erstwhile, sitting there admiring his fine eyes, feeling dangerously close to falling in love against her will. “Just be near…” she repeated. He nodded. “And if I don’t make you feel like the most beautiful woman in the world every day of your life, then I don’t deserve to be near you.” Jane breathed in, taking those words inside her. She thought she might like to keep them for a while. She considered never giving them up. “Okay, I lied a little bit.” He rubbed his head with even more force. “I need to admit up front that I don’t know how to have a fling. I’m not good at playing around and then saying good-bye. I’m throwing myself at your feet because I’m hoping for a shot at forever. You don’t have to say anything now, no promises required. I just thought you should know.” He forced himself to lean back again, his face turned slightly away, as if he didn’t care to see her expression just then. It was probably for the best. She was staring straight ahead with wide, panicked eyes, then a grin slowly took over her face. In her mind was running the conversation she was going to have with Molly. “I didn’t think it was possible, but I found a man as crazy intense as I was.
Shannon Hale (Austenland (Austenland, #1))
Don’t provoke Cheat,” Arin said as they stepped out of the carriage and onto the dusky path that led to the governor’s palace, which looked eerie to Kestrel because its impressive façade was the same as the night before, but the lights burning in the windows were now few. “Kestrel, do you hear me? You can’t toy with him.” “He started it.” “That’s not the point.” Gravel crunched under Arin’s heavy boots as he stalked up the path. “Don’t you understand that he wants you dead? He’d leap at the chance,” Arin said, hands in pockets, head down, almost talking to himself. He strode ahead, his long legs quicker than hers. “I can’t--Kestrel, you must understand that I would never claim you. Calling you a prize--my prize--it was only words. But it worked. Cheat won’t harm you, I swear that he won’t, but you must…hide yourself a little. Help a little. Just tell us how much time we have before the battle. Give him a reason to decide you’re not better off dead. Swallow your pride.” “Maybe that’s not as easy for me as it is for you.” He wheeled on her. “It’s not easy for me,” he said through his teeth. “You know that it’s not. What do you think I have had to swallow, these past ten years? What do you think I have had to do to survive?” They stood before the palace door. “Truly,” she said, “I haven’t the faintest interest. You may tell your sad story to someone else.” He flinched as if slapped. His voice came low: “You can make people feel so small.” Kestrel went hot with shame--then was ashamed of her own shame. Who was he, that she should apologize? He had used her. He had lied. Nothing he said meant anything. If she was to feel shame, it should be for having been so easily fooled. He ran fingers through his cropped hair, but slowly, anger gone, replaced by something heavier. He didn’t look at her. His breath smoked the chill air. “Do what you want to me. Say anything. But it frightens me how you refuse to see the danger you risk with others. Maybe now you’ll see.” He opened the door to the governor’s home. The smell struck her first. Blood and decaying flesh. It pushed at Kestrel’s gut. She fought not to gag. Bodies were piled in the reception hall. Lady Neril was lying facedown, almost in the same place where she had stood the night of the ball, greeting guests. Kestrel recognized her by the scarf in her fist, fabric bright in the guttering torchlight. There were hundreds of dead. She saw Captain Wensan, Lady Faris, Senator Nicon’s whole family, Benix… Kestrel knelt next to him. His large hand felt like cold clay. She could hear her tears drip to his clothes. They beaded on his skin. Quietly, Arin said, “He’ll be buried today, with the others.” “He should be burned. We burn our dead.” She couldn’t look at Benix anymore, but neither could she get to her feet. Arin helped her, his touch gentle. “I’ll make certain it’s done right.” Kestrel forced her legs to move, to walk past bodies heaped like rubble. She thought that she must have fallen asleep after all, and that this was an evil dream. She paused at the sight of Irex. His mouth was the stained purple of the poisoned, but he had sticky gashes in his side, and one final cut to the neck. Even poisoned, he had fought. Tears came again. Arin’s hold tightened. He pushed her past Irex. “Don’t you dare weep for him. If he weren’t dead, I would kill him myself.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
My identity as Jewish cannot be reduced to a religious affiliation. Professor Said quoted Gramsci, an author that I’m familiar with, that, and I quote, ‘to know thyself is to understand that we are a product of the historical process to date which has deposited an infinity of traces, without leaving an inventory’. Let’s apply this pithy observation to Jewish identity. While it is tempting to equate Judaism with Jewishness, I submit to you that my identity as someone who is Jewish is far more complex than my religious affiliation. The collective inventory of the Jewish people rests on my shoulders. This inventory shapes and defines my understanding of what it means to be Jewish. The narrative of my people is a story of extraordinary achievement as well as unimaginable horror. For millennia, the Jewish people have left their fate in the hands of others. Our history is filled with extraordinary achievements as well as unimaginable violence. Our centuries-long Diaspora defined our existential identity in ways that cannot be reduced to simple labels. It was the portability of our religion that bound us together as a people, but it was our struggle to fit in; to be accepted that identified us as unique. Despite the fact that we excelled academically, professionally, industrially, we were never looked upon as anything other than Jewish. Professor Said in his book, Orientalism, examined how Europe looked upon the Orient as a dehumanized sea of amorphous otherness. If we accept this point of view, then my question is: How do you explain Western attitudes towards the Jews? We have always been a convenient object of hatred and violent retribution whenever it became convenient. If Europe reduced the Orient to an essentialist other, to borrow Professor Said’s eloquent language, then how do we explain the dehumanizing treatment of Jews who lived in the heart of Europe? We did not live in a distant, exotic land where the West had discursive power over us. We thought of ourselves as assimilated. We studied Western philosophy, literature, music, and internalized the same culture as our dominant Christian brethren. Despite our contribution to every conceivable field of human endeavor, we were never fully accepted as equals. On the contrary, we were always the first to be blamed for the ills of Western Europe. Two hundred thousand Jews were forcibly removed from Spain in 1492 and thousands more were forcibly converted to Christianity in Portugal four years later. By the time we get to the Holocaust, our worst fears were realized. Jewish history and consciousness will be dominated by the traumatic memories of this unspeakable event. No people in history have undergone an experience of such violence and depth. Israel’s obsession with physical security; the sharp Jewish reaction to movements of discrimination and prejudice; an intoxicated awareness of life, not as something to be taken for granted but as a treasure to be fostered and nourished with eager vitality, a residual distrust of what lies beyond the Jewish wall, a mystical belief in the undying forces of Jewish history, which ensure survival when all appears lost; all these, together with the intimacy of more personal pains and agonies, are the legacy which the Holocaust transmits to the generation of Jews who have grown up under its shadow. -Fictional debate between Edward Said and Abba Eban.
R.F. Georgy (Absolution: A Palestinian Israeli Love Story)
Fuck, she was even hotter when she was furious. I seriously wouldn't have minded her taking that anger out on my body all night long. I'd be more than happy to angry fuck her until her body bent and bowed and finally gave in to the power play between us. I'd force her beneath me physically as well as with my power and maybe she'd find she liked it there just fine. Or maybe she'd stab me to death and cut my cock off for good measure because the look she was aiming my way said that was a whole lot more likely than me getting to spend the night ruining her. But it was a damn nice fantasy to indulge in for a few moments. ... She gave me a look of utter contempt and it made my cock throb as her nearness just compounded the desire I was already feeling for her and made me get all kinds of insane ideas about what I'd like to do with this little princess if I got her to myself for long enough. She made no attempt to cover herself, no sign of shame in her frosty features as she stalked forward to claim her key, a sneer touching those edible lips of hers. Her jaw was tight with rage which she was doing nothing to hide and as she reached out to snatch the key from my hand, I couldn't help but ache to bring her closer, draw her nearer, see just how far she'd go in this denial of my power over her. Her fingers curled around the brass key, but I didn't release it, instead using my hold on it to tug her a step closer so that only a breath of space divided our bodies. I looked down at her from my imposing height, dominating her space with the bulk of my body and making sure she took in every last inch of height I had over her. “Of course, if you’d rather just come on up to my room, I can give you a real welcome to the House of Fire,” I suggested my gaze dropping down to her body, the noticeable bulge in my pants making it clear enough how much I meant that offer. I probably shouldn't have been making it at all, but the beast in me couldn't help myself. Dragons saw something they wanted and they took it. And I hadn't seen something I wanted as much as this girl in as long as I could remember. Our gazes collided and the heat there was almost strong enough to burn, the tension between us crackling so loudly I was surprised the whole room couldn't hear it. But then her gaze shuttered and her lips pursed, her eyes dropping down to take me in, my skin buzzing everywhere they landed as I could feel the want in her while she assessed me. But as those deep green eyes met mine again and I gave her a knowing smirk, I couldn't tell what she was thinking. I didn't know if she was going to bow to this heat between us or just stoke the flames, and the fact that I didn't know had my heart thumping in anticipation deep in my chest. She shifted an inch closer to me, tilting her mouth towards my ear and making my flesh spark with the need to take her, own her, destroy her in all the best ways. But just as my cock began to get overexcited at the prospect of all the ways I could make her scream for me given enough time, she spoke and it wasn't in the sultry purr I'd been expecting, her voice coming out loud enough for everyone to hear instead. “I wouldn’t come near you even if someone held a knife to my heart and told me that the world would end if I didn’t,” she snarled, snatching the key out of my hand as my surprise at her words made me forget to keep my grip tight enough to keep it. “So why don’t you take a long, hard look while you can. Because I can promise you, you won’t be seeing this again.”(Darius POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
It wasn't as though we didn't know how overwhelmingly the army outnumbered us. But the strange thing was, it didn't matter. Ever since the uprising began, I'd felt something coursing through me, as overwhelming as any army. Conscience. Conscience, the most terrifying thing in the world. The day I stood shoulder to shoulder with hundreds of thousands of my fellow civilians, staring down the barrels of the soldiers' guns, the day the bodies of those first two slaughtered were placed in a handcart and pushed at the head of the column, I was startled to discover an absence inside myself: the absence of fear. I remember feeling that it was all right to die; I felt the blood of a hundred thousand hearts surging together into one enormous artery, fresh and clean ... the sublime enormity of a single heart, pulsing blood through that vessel and into my own. I dared to feel a part of it.” (p. 120-121) “Some memories never heal. Rather than fading with the passage of time, those memories become the only things that are left behind when all else is abraded. The world darkens, like electric bulbs going out one by one. I am aware that I am not a safe person. Is it true that human beings are fundamentally cruel? Is the experience of cruelty the only thing we share as a species? Is the dignity that we cling to nothing but self-delusion, masking from ourselves this single truth: that each one of us is capable of being reduced to an insect, a ravening beast, a lump of meat? To be degraded, damaged, slaughtered - is this the essential fate of humankind, one which history has confirmed as inevitable? I once met someone who was a paratrooper during the Busan uprising. He told me his story after hearing my own. He said that they'd been ordered to suppress the civilians with as much violence as possible, and those who committed especially brutal actions were awarded hundreds of thousands of won by their superiors. One of his company had said, 'What's the problem? They give you money and tell you to beat someone up, then why wouldn't you?' I heard a story about one of the Korean army platoons that fought in Vietnam. How they forced the women, children and elderly of one particular village into the main hall, and then burned it to the ground. Some of those who came to slaughter us did so with the memory of those previous times, when committing such actions in wartime had won them a handsome reward. It happened in Gwangju just as it did on Jeju Island, in Kwantung and Nanjing, in Bosnia and all across the American continent when it was still known as the New World, with such a uniform brutality it's as though it is imprinted in our genetic code. I never let myself forget that every single person I meet is a member of this human race. And that includes you, professor, listening to this testimony. As it includes myself. Every day I examine the scar on my hand. This place where the bone was once exposed, where a milky discharge seeped from a festering wound. Every time I come across an ordinary Monami biro, the breath catches in my throat. I wait for time to wash me away like muddy water. I wait for death to come and wash me clean, to release me from the memory of those other, squalid deaths, which haunt my days and nights. I'm fighting, alone, every day. I fight with the hell that I survived. I fight with the fact of my own humanity. I fight with the idea that death is the only way of escaping this fact. So tell me, professor, what answers do you have for me? You, a human being just like me.” (p. 140-142)
Han Kang (Human Acts)
You could have just asked.” She straightened up from Murphy and looked at me. “Instead, you took advantage of me and never said a word.” “I didn’t take advantage of you. I was just doing what I thought was best.” “Well, you don’t get to decide what’s best for me!” Her voice rose, and Murphy paused in purring to look up at her. “I don’t get a say?” I shot back, trying to hold on to my temper. She took a deep breath. “Of course you do. But you didn’t say anything. You just did. Just like at dinner. You just announced I was getting a restraining order. There was no conversation.” I opened my mouth, but she kept talking. “How am I supposed to trust you when you do things like this without me knowing?” “You don’t trust me anymore?” I said the words with quiet calm. Surely this wasn’t enough to ruin the trust between us. She blew out a breath and paced across the room. “I didn’t say that.” She spun away from me and looked at the wall. “I’m just upset.” I strode across the room. It was darker where she was. The lights were off in here, and from this position in the room, the crackling fire in the bedroom didn’t cast much light. My feet stopped when I was directly behind her. Usually, I would touch her without thought. But right then I paused. Fuck. That. I wrapped my hands around her wrists, then loosened my grip to slide my palms up her arms to rest at her shoulders. I felt her exhale, and I wrapped one of my arms across her chest and pulled her back against my front. “I could tell you I’m sorry,” I whispered in her ear. “I could whisper how much I love you and that I won’t ever do something like this again.” The back of her head hit my chest as I spoke. The silky strands of her perfectly straight hair tickled my lips as I talked, and the scent of her shampoo enticed me closer. “But I’m not going to apologize.” She stiffened, but I strengthened my hold, unwilling to let her pull away. I kept my voice whisper soft and my lips right beside her ear. “I’d do it again, in a friggin’ heartbeat if that’s what I thought you needed.” The frustration in her body was evident, but I ignored it. “Do you know how much I love you?” I whispered. “I love you so g**damned much that it scares the shit out of me. You have no idea the kind of power you wield, how much of me you own. Knowing you were completely vulnerable, that you were locked unknowingly in a bathroom with someone who literally lurked around while you were naked, while you were washing yourself, makes me sick. He could have raped you.” My voice broke on the last part because I had to force the words out of my mouth. “He didn’t,” she said quickly and tried to turn to face me. I wouldn’t let her. I liked her where she was. It was easier to bare my heart when she wasn’t staring into me with her eyes. “No, he didn’t. But he’s put bruises on you. The way you looked in that pool last night. The way your body just kind of stopped. You sank to the bottom with a dark cloud of hair obscuring your face. I knew you had to be reliving what happened. It broke me, Rim. Loving me has cost you so fucking much. Too much.” This time, she wouldn’t let me hold her. She spun around and tipped her chin up to look at me. I let her see. I let her see the bleakness in my eyes. “Loving you has given me way more than I imagined.” She reached up and brushed the backs of her knuckles across my cheek. I dragged my fingers through her hair. “It scares me too,” Rimmel whispered. “How much I love you.” “I’m going to protect you. I’m going to protect us,” I said. “I won’t ever stop.
Cambria Hebert
To-day I want those who heard the last paper to consider the question as to whether they can agree that their acquired and unchallenged attitudes receive their secret force from this intractable and violent basis of what orthodox religion calls "unregenerate Man" —that is, Man not yet re-born in himself. I believe, from my own observation, that this is the case. Now when a man observes himself, he observes a lot of things that have their own importance, but he does not observe his attitudes. To speak with exaggeration, I may believe myself God—as so many lunatics do, which shews you how close this idea is to people. Since I believe myself God, I will never think of observing this in myself. Why? Because I take this attitude for granted. To believe oneself God is an attitude. So of course I will never think of observing that. Well, it is just the same with all attitudes. One simply accepts them—or, rather, one simply does not know that one has them, so one does not think of observing them. In fact, one simply cannot observe them and cannot hear anyone who is such a fool as to try to call attention to them. You cannot observe anything you take yourself as. A man, says the Work, before he can shift from where he is internally, must divide himself into two—an observing side and an observed side. That is, he must make his subjectivity objective. He must take himself as the object to observe. But if he remains entirely unconscious of his attitudes, how can he observe them? The most of what self-observation we can do is made useless by subsequent self-justifying. "A man", said Mr. Ouspensky, "who always justifies what he observes in himself cannot become objective to himself." That is understandable, if you reflect. But how can one observe something that is, so to speak, unobservable? One's attitudes are oneself. One takes them as oneself. No—one does not know anything about them. One does not say: "These attitudes I have acquired are me." On the contrary, one does not say anything. They are what you take for granted as you. If one could say: "These attitudes are me"—then it would mean that one has begun to become a little aware of them. That is, these attitudes would begin to be objective to you—to things in yourself that Observing 'I' can observe. But if you remain in inner darkness, how can you proceed? Well, I will end this short commentary by saying that although it is impossible to observe ingrained and fixed attitudes directly, one can begin after some time to notice the results of them. For example, you may begin to wonder why you always grunt like that when someone asks you to do something useless. You may say to yourself after a time- "I wonder why I always think that thing useless." The answer is: "Probably because of some fixed attitude that you are entirely unaware of." In this way one is led down to the fact of the existence of these attitudes in oneself. If such a merciful thing has happened to you— that is, if the Work has given you internal help—you will realize that behind this attitude, that you begin at last to become conscious of, dwells secretly this intractable factor common to us all. Remember that you cannot work on yourself unless you begin to wonder why you say what you say and do what you do and behave as you behave and feel what you feel and think what you think. To take yourself for granted, to imagine you are always right, to ascribe to yourself all that you do ascribe to yourself—all that form of sheer imagination will prevent you from seeing what esotericism means, what the Gospels mean, and what you mean.
Maurice Nicoll (Psychological Commentaries on the Teaching of Gurdjieff and Ouspensky 3)
SELF-MANAGEMENT Trust We relate to one another with an assumption of positive intent. Until we are proven wrong, trusting co-workers is our default means of engagement. Freedom and accountability are two sides of the same coin. Information and decision-making All business information is open to all. Every one of us is able to handle difficult and sensitive news. We believe in collective intelligence. Nobody is as smart as everybody. Therefore all decisions will be made with the advice process. Responsibility and accountability We each have full responsibility for the organization. If we sense that something needs to happen, we have a duty to address it. It’s not acceptable to limit our concern to the remit of our roles. Everyone must be comfortable with holding others accountable to their commitments through feedback and respectful confrontation. WHOLENESS Equal worth We are all of fundamental equal worth. At the same time, our community will be richest if we let all members contribute in their distinctive way, appreciating the differences in roles, education, backgrounds, interests, skills, characters, points of view, and so on. Safe and caring workplace Any situation can be approached from fear and separation, or from love and connection. We choose love and connection. We strive to create emotionally and spiritually safe environments, where each of us can behave authentically. We honor the moods of … [love, care, recognition, gratitude, curiosity, fun, playfulness …]. We are comfortable with vocabulary like care, love, service, purpose, soul … in the workplace. Overcoming separation We aim to have a workplace where we can honor all parts of us: the cognitive, physical, emotional, and spiritual; the rational and the intuitive; the feminine and the masculine. We recognize that we are all deeply interconnected, part of a bigger whole that includes nature and all forms of life. Learning Every problem is an invitation to learn and grow. We will always be learners. We have never arrived. Failure is always a possibility if we strive boldly for our purpose. We discuss our failures openly and learn from them. Hiding or neglecting to learn from failure is unacceptable. Feedback and respectful confrontation are gifts we share to help one another grow. We focus on strengths more than weaknesses, on opportunities more than problems. Relationships and conflict It’s impossible to change other people. We can only change ourselves. We take ownership for our thoughts, beliefs, words, and actions. We don’t spread rumors. We don’t talk behind someone’s back. We resolve disagreements one-on-one and don’t drag other people into the problem. We don’t blame problems on others. When we feel like blaming, we take it as an invitation to reflect on how we might be part of the problem (and the solution). PURPOSE Collective purpose We view the organization as having a soul and purpose of its own. We try to listen in to where the organization wants to go and beware of forcing a direction onto it. Individual purpose We have a duty to ourselves and to the organization to inquire into our personal sense of calling to see if and how it resonates with the organization’s purpose. We try to imbue our roles with our souls, not our egos. Planning the future Trying to predict and control the future is futile. We make forecasts only when a specific decision requires us to do so. Everything will unfold with more grace if we stop trying to control and instead choose to simply sense and respond. Profit In the long run, there are no trade-offs between purpose and profits. If we focus on purpose, profits will follow.
Frederic Laloux (Reinventing Organizations: A Guide to Creating Organizations Inspired by the Next Stage of Human Consciousness)
We need to be humble enough to recognize that unforeseen things can and do happen that are nobody’s fault. A good example of this occurred during the making of Toy Story 2. Earlier, when I described the evolution of that movie, I explained that our decision to overhaul the film so late in the game led to a meltdown of our workforce. This meltdown was the big unexpected event, and our response to it became part of our mythology. But about ten months before the reboot was ordered, in the winter of 1998, we’d been hit with a series of three smaller, random events—the first of which would threaten the future of Pixar. To understand this first event, you need to know that we rely on Unix and Linux machines to store the thousands of computer files that comprise all the shots of any given film. And on those machines, there is a command—/bin/rm -r -f *—that removes everything on the file system as fast as it can. Hearing that, you can probably anticipate what’s coming: Somehow, by accident, someone used this command on the drives where the Toy Story 2 files were kept. Not just some of the files, either. All of the data that made up the pictures, from objects to backgrounds, from lighting to shading, was dumped out of the system. First, Woody’s hat disappeared. Then his boots. Then he disappeared entirely. One by one, the other characters began to vanish, too: Buzz, Mr. Potato Head, Hamm, Rex. Whole sequences—poof!—were deleted from the drive. Oren Jacobs, one of the lead technical directors on the movie, remembers watching this occur in real time. At first, he couldn’t believe what he was seeing. Then, he was frantically dialing the phone to reach systems. “Pull out the plug on the Toy Story 2 master machine!” he screamed. When the guy on the other end asked, sensibly, why, Oren screamed louder: “Please, God, just pull it out as fast as you can!” The systems guy moved quickly, but still, two years of work—90 percent of the film—had been erased in a matter of seconds. An hour later, Oren and his boss, Galyn Susman, were in my office, trying to figure out what we would do next. “Don’t worry,” we all reassured each other. “We’ll restore the data from the backup system tonight. We’ll only lose half a day of work.” But then came random event number two: The backup system, we discovered, hadn’t been working correctly. The mechanism we had in place specifically to help us recover from data failures had itself failed. Toy Story 2 was gone and, at this point, the urge to panic was quite real. To reassemble the film would have taken thirty people a solid year. I remember the meeting when, as this devastating reality began to sink in, the company’s leaders gathered in a conference room to discuss our options—of which there seemed to be none. Then, about an hour into our discussion, Galyn Susman, the movie’s supervising technical director, remembered something: “Wait,” she said. “I might have a backup on my home computer.” About six months before, Galyn had had her second baby, which required that she spend more of her time working from home. To make that process more convenient, she’d set up a system that copied the entire film database to her home computer, automatically, once a week. This—our third random event—would be our salvation. Within a minute of her epiphany, Galyn and Oren were in her Volvo, speeding to her home in San Anselmo. They got her computer, wrapped it in blankets, and placed it carefully in the backseat. Then they drove in the slow lane all the way back to the office, where the machine was, as Oren describes it, “carried into Pixar like an Egyptian pharaoh.” Thanks to Galyn’s files, Woody was back—along with the rest of the movie.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
thepsychchic chips clips ii If you think of yourself instead as an almost-victor who thought correctly and did everything possible but was foiled by crap variance? No matter: you will have other opportunities, and if you keep thinking correctly, eventually it will even out. These are the seeds of resilience, of being able to overcome the bad beats that you can’t avoid and mentally position yourself to be prepared for the next time. People share things with you: if you’ve lost your job, your social network thinks of you when new jobs come up; if you’re recently divorced or separated or bereaved, and someone single who may be a good match pops up, you’re top of mind. This attitude is what I think of as a luck amplifier. … you will feel a whole lot happier … and your ready mindset will prepare you for the change in variance that will come … 134-135 W. H. Auden: “Choice of attention—to pay attention to this and ignore that—is to the inner life what choice of action is to the outer. In both cases man is responsible for his choice and must accept the consequences.” Pay attention, or accept the consequences of your failure. 142 Attention is a powerful mitigator to overconfidence: it forces you to constantly reevaluate your knowledge and your game plan, lest you become too tied to a certain course of action. And if you lose? Well, it allows you to admit when it’s actually your fault and not a bad beat. 147 Following up on Phil Galfond’s suggestion to be both a detective and a storyteller and figure out “what your opponent’s actions mean, and sometimes what they don’t mean.” [Like the dog that didn’t bark in the Sherlock Holmes “Silver Blaze” story.] 159 You don’t have to have studied the description-experience gap to understand, if you’re truly expert at something, that you need experience to balance out the descriptions. Otherwise, you’re left with the illusion of knowledge—knowledge without substance. You’re an armchair philosopher who thinks that just because she read an article about something she is a sudden expert. (David Dunning, a psychologist at the University of Michigan most famous for being one half of the Dunning-Kruger effect—the more incompetent you are, the less you’re aware of your incompetence—has found that people go quickly from being circumspect beginners, who are perfectly aware of their limitations, to “unconscious incompetents,” people who no longer realize how much they don’t know and instead fancy themselves quite proficient.) 161-162 Erik: Generally, the people who cash the most are actually losing players (Nassim Taleb’s Black Swan strategy, jp). You can’t be a winning player by min cashing. 190 The more you learn, the harder it gets; the better you get, the worse you are—because the flaws that you wouldn’t even think of looking at before are now visible and need to be addressed. 191 An edge, even a tiny one, is an edge worth pursuing if you have the time and energy. 208 Blake Eastman: “Before each action, stop, think about what you want to do, and execute.” … Streamlined decisions, no immediate actions, or reactions. A standard process. 217 John Boyd’s OODA: Observe, Orient, Decide, and Act. The way to outmaneuver your opponent is to get inside their OODA loop. 224 Here’s a free life lesson: seek out situations where you’re a favorite; avoid those where you’re an underdog. 237 [on folding] No matter how good your starting hand, you have to be willing to read the signs and let it go. One thing Erik has stressed, over and over, is to never feel committed to playing an event, ever. “See how you feel in the morning.” Tilt makes you revert to your worst self. 257 Jared Tindler, psychologist, “It all comes down to confidence, self-esteem, identity, what some people call ego.” 251 JT: “As far as hope in poker, f#¢k it. … You need to think in terms of preparation. Don’t worry about hoping. Just Do.” 252
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
It started with Isabella trying to escape from Dexter, who Miles led you to believe at the beginning wasn’t a good guy, except he tries to keep Isabella comfortable and he never touches her. But she’s being held against her will, so that didn’t engender any warm and fuzzy feelings between them. In fact, the insults she lobbed at him were fantastic, like, You pikey pillock. [...] Dexter, for his part, took them all in stride and never retaliated, not even when she told him his mother must have been a slag. Yikes. The only time Dexter exerted any force was when he came in to bring her food and she used her feminine charm on him. Poor Dexter was stupid enough to believe it might be real. Wishful thinking on his part. Except when Isabella did get close to him, she felt a little something and it startled her. [...] She kneed him in the groin anyway and ran away. Dexter recovered quickly enough to catch her. That’s when he started sleeping in her room to make sure she didn’t escape. And that was when things started to get interesting. Isabella meant to lure him into believing she was interested in him to gain his trust, but the more she got to know him, the more she can’t help but like him. I read their exchanges as they talked late into every night, with him on the floor and her on the bed, asking all sorts of questions from his family to how he felt about politics. [...] [Dexter] possessed a calm reassurance about himself and a deep understanding of people and situations. [...] Poor Isabella thought she was getting the upper hand in all of this, but it didn’t take her long to realize she was losing ground. She began looking forward to their nights spent talking and sometimes playing Stop the Bus, a card game she used to play with her father. Dexter began using these moments to gain her trust, to start telling her the truth of her situation. It was enough that when they were discovered by two men clad in black who claimed to be there to rescue Isabella, she chose to flee with Dexter after some kick-butt fight scenes. [...] Isabella and Dexter fled to France. They almost kind of had a moment there. Isabella was furious with him because she felt like he was hiding something from her. She goes to slap him, but he grabs her hand before she can make contact. The unspoken words and emotion between them were totally hot. You thought he was going to kiss her, and so did she. She found herself yearning for it and she hated herself for it. [...] While in Paris, Isabella discovered a clue in her father’s journal that led them to Colorado. It had to do with a town legend involving a tree where lovers carved their names. It was said any pair to carve their name into the Aspen tree would only be parted by death. I loved that he used an Aspen tree. That was where they began to see how intertwined their lives were. Dexter’s mother’s name and Isabella’s father’s name were carved together into the tree long before either of them was born, but Isabella’s father’s name was crossed out. At first, I was grossed out thinking that they might be siblings, but Dexter was ten years older than Isabella, and his mother died before Isabella was born. But their parents were lovers. Interesting. [...] While they tried to figure out who might have crossed out Isabella’s father’s name, Isabella and Dexter started dancing on the edge of their feelings. Miles made the cabin they were staying in at the Ranch one room, not just one bedroom. A large, single room with only a bathroom for any privacy. Inch by inch, the sexual tension between them grew. Little touches here and there. But more than that, there was an emotional connection. Isabella began to let down her guard. She owned how afraid she was that her life had been a lie. But on the flipside, she had this desperate hope her father was innocent. More than that, she longed to be able to trust someone, but she didn’t know how.
Jennifer Peel (My Not So Wicked Boss (My Not So Wicked, #3))
Question : I FEEL I HAVE SURRENDERED TO SAI BABA, BUT STILL I FEEL THE NECESSITY OF WORKING WITH ANOTHER TEACHER OR GURU. IS THIS POSSIBLE? Osho : The first thing is to remember that the master really does not work. He is there, his presence works, but the presence can work only if you have trust. If you don't have trust, nothing can be done. So really, if you feel you have surrendered to Sai Baba, what is the need to come to me? If the surrender has really happened, then asking for another master is futile. I doubt your surrender, your trust, because when trust has happened nothing more is needed. It is good if you feel an intimate closeness with Sai Baba..But then don't wander here and there, then don't go to anybody else, because this is impossible. If you have surrendered then move to Sai Baba, open yourself to him so that he can work; then don't go seeking here and there. I am ready to help, but for that you will have to be receptive. If you trust me, something becomes possible. You cannot be forced into nirvana, you can only flow into it. There are many who go on wandering from one master to another. The total result may be simply confusion, because each master works in his own way, he has his own methods, and you go on accumulating information. That information is bound to be contradictory. Then you will get confused, you may even go insane. It is better to stick to one master and give your heart totally to him. If then nothing happens, move. But be finished with that master, don't be in an incomplete relationship. First go back to Sai Baba, be finished with him. Either you are transformed, then there is no need to find anyone; or Sai Baba is not your master, it is proved. Then come to me. And the same applies to my own disciples. If you are here with me, be finished with me. Be totally with me, so that either the mutation happens and then there is no need to find anyone or to go anywhere, or you come to realize, "This man is not for me." Then you can leave me totally, then you can move, then somewhere else.... But being here with me halfheartedly and then moving to someone else halfheartedly will not do. Rather, it may be dangerous. You may become so split, so divided, with so many voices in you, that you may become a crowd. Patience is needed. If you are totally devoted to one master the thing is bound to happen. And I would say that even if the master is not true, the thing can happen if you are totally devoted. Even if the master is false the happening is possible if you are totally devoted - because the happening doesn't happen through the master, it happens through total devotion. So even a dead master, or a master who has never been, just the name, will do. The real alchemy, the science of mutation, is within you. The master is at the most just a catalytic agent, nothing more. Go back to your own master and be with him. And don't try to judge him; you have got no way to judge anybody. All that you can do is give your total heart to him. And what have you got to lose? So why be so afraid? You have got nothing to lose, so why be so untrusting? Give yourself totally. Many times it has happened that a disciple was transformed through a master who was not a master at all. And many times the contrary has also happened: the master was true but the disciple was not transformed. The ultimate thing depends on you, not on me. You are the deciding factor. So wherever you go, make it a law: go with your total heart. Otherwise you will move with empty hands everywhere. And the more you move, the more you go to this master and that, the more there will be confusion, suffering, and finally you may decide that there exists no one who can transform you. Or, you may come to conclude that there is nothing like transformation, this is all hocus-pocus. And the reason will only be this - that you were never anywhere with your total heart.
Osho (Vedanta: Seven Steps to Samadhi- Discourses on Akshyupanishad)
Work in the palace wasn't half as strenuous as it had been at home with her stepmother and stepsisters, yet Cinderella hadn't been sleeping well. There was so much she'd missed during her unhappy years with Lady Tremaine; now that she was free, there was so much she wanted to do. There was so much she could do. She wanted to see the world and to help others who might have felt as lonely and trapped as she had. She didn't want to have to force herself to smile anymore just to bear each day; she wanted to find out what truly made her laugh, what truly made her happy. She wanted to get to the heart of things- to find the truth, instead of turning a blind eye. She drew a deep breath then, wiping the tears from her cheeks, and got up from her bed. Duchess Genevieve must be wondering what had happened to her. Cinderella faced her reflection in the mirror. "I'm not alone anymore. I have Louisa, the girls from the palace, even Duchess Genevieve..." Then why am I still crying? Because every time she dared hope for something, for some glimmer of happiness, it slipped from her grasp, almost like stardust. Whenever she reveled in something of her father and mother's, Lady Tremaine sold it- or destroyed it. When the Grand Duke was searching for her to bring her to the palace, Lady Tremaine locked her in the tower. When she had finally dared hope someone might care for her, it turned out to be part of a larger ploy. Could any happiness she found actually last beyond midnight?
Elizabeth Lim (So This is Love)
No rules?” he asked gruffly. “No rules.” Harry threw the first punch, and Cam dodged easily. Adjusting, calculating, Harry retreated as Cam threw a right. A pivot, and then Harry connected with a left cross. Cam had reacted a fraction too late, deflecting some of the blow’s force, but not all. A quiet curse, a rueful grin, and Cam renewed his guard. “Hard and fast,” he said approvingly. “Where did you learn to fight?” “New York.” Cam lunged forward and flipped him to the ground. “West London,” he returned. Tucking into a roll, Harry gained his footing instantly. As he came up, he used his elbow in a backward jab into Cam’s midriff. Cam grunted. Grabbing Harry’s arm, he hooked a foot around his ankle and took him down again. They rolled once, twice, until Harry sprang away and retreated a few steps. Breathing hard, he watched as Cam leapt to his feet. “You could have put a forearm to my throat,” Cam pointed out, shaking a swath of hair from his forehead. “I didn’t want to crush your windpipe,” Harry said acidly, “before I made you tell me where my wife is.” Cam grinned. Before he could reply, however, there was a commotion as all the Hathaways poured from the conservatory. Leo, Amelia, Win, Beatrix, Merripen, and Catherine Marks. Everyone except Poppy, Harry noted bleakly. Where the hell was she? “Is this the after-dinner entertainment?” Leo asked sardonically, emerging from the group. “Someone might have asked me—I would have preferred cards.” “You’re next, Ramsay,” Harry said with a scowl. “After I finish with Rohan, I’m going to flatten you for taking my wife away from London.” “No,” Merripen said with deadly calm, stepping forward, “I’m next. And I’m going to flatten you for taking advantage of my kinswoman.” Leo glanced from Merripen’s grim face to Harry’s, and rolled his eyes. “Forget it, then,” he said, going back into the conservatory. “After Merripen’s done, there won’t be anything left of him.” Pausing beside his sisters, he spoke quietly to Win out of the side of his mouth. “You’d better do something.” “Why?” “Because Cam only wants to knock a bit of sense into him. But Merripen actually intends to kill him, which I don’t think Poppy would appreciate.” “Why don’t you do something to stop him, Leo?” Amelia suggested acidly. “Because I’m a peer. We aristocrats always try to get someone else to do something before we have to do it ourselves.” He gave her a superior look. “It’s called noblesse oblige.” Miss Marks’s brows lowered. “That’s not the definition of noblesse oblige.” “It’s my definition,” Leo said, seeming to enjoy her annoyance. “Kev,” Win said calmly, stepping forward, “I would like to talk to you about something.” Merripen, attentive as always to his wife, gave her a frowning glance. “Now?” “Yes, now.” “Can’t it wait?” “No,” Win said equably. At his continued hesitation, she said, “I’m expecting.” Merripen blinked. “Expecting what?” “A baby.” They all watched as Merripen’s face turned ashen. “But how . . .” he asked dazedly, nearly staggering as he headed to Win. “How?” Leo repeated. “Merripen, don’t you remember that special talk we had before your wedding night?” He grinned as Merripen gave him a warning glance. Bending to Win’s ear, Leo murmured, “Well done. But what are you going to tell him when he discovers it was only a ploy?” “It’s not a ploy,” Win said cheerfully. Leo’s smile vanished, and he clapped a hand to his forehead. “Christ,” he muttered. “Where’s my brandy?” And he disappeared into the house. “I’m sure he meant to say ‘congratulations,’ ” Beatrix remarked brightly, following the group as they all went inside. Cam and Harry were left alone. “I should probably explain,
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Sharing difficult truths might come with a cost-the need to face them- but there is also a reward: freedom. The truth releases us form shame." "There is a term we use in therapy: Forced forgiveness. Sometimes people feel that in order to get past trauma, they need to forgive whoever caused the damage. But too often people feel pressured to forgive and then end up believing that something is wrong with them if they cant quite get there. You can have compassion without forgiving. there are many ways to move on, and pretending to feel a certain way isn’t one." "I point out to her that pain can be protective; staying in a depressed place can be a form of avoidance. Safe inside her shell of pain, she doesn’t have to face anything, nor does she has to emerge into the world, where she may get hurt again." "What brings you here now? The now is key, why this year, this month, this day, have you decided to come talk to me?" "Just as parents raise their kids to loose them one day, therapists work to loose clients, not retain them." "The inability to say no is largely about approval seeking- people imagine that if they say no, they wont be loved by others. The inability to say yes however, is more about lack of trust in one self." "You cant get through your pain by diminishing it, you get through your pain by accepting it and figuring out what to do with it." "We grow in connection with others. It turns out the books grow in the same way." "Its all you" we tend to say, "I was just here to guide you" And in a sense, that’s true. The fact that they picked up the phone and decided to come to therapy and then work through things every week is something no one else could do for them" "Its like when someone finally has the guts to tell you that you have a problem, and you feel both defensive and relieved that this person is telling it like it is. That’s the delicate work therapists do.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Fae of the match,” she said and I flinched in surprise as her voice rang out over the whole stadium. “Goes to Geraldine Grus.” I could finally let my smile free as I looked around to see Geraldine leaping out of her spot in the line up, her eyes glimmering with emotion. “Oh sweet onion balls!” she gasped as she rushed towards us. “Congratulations!” I said enthusiastically as I placed the medal over her head. She crushed me in an embrace, lifting me clean off of my feet as she celebrated. Darcy wrapped her arms around us too and we laughed as Geraldine descended into happy tears. “And congratulations to the winners of the match: Starlight Academy!” Nova added loudly when we didn’t seem likely to break free of Geraldine any time soon. The crowd from Starlight went crazy, their applause deafening as the team jumped up and down in ecstatic celebration. A low growl caught my attention and I glanced to my right where Darius stood almost close enough to touch. His jaw was locked tight, his spine rigid and his eyes burning with rage. I looked away from him quickly, though I couldn’t help but feel glad that this was upsetting him. Poor little Darius lost his favourite game. Imagine how bad you’d feel if someone tried to drown you though? Not that I’m bitter at all... Nova passed Darcy a bunch of flowers and gave me a medal on a green ribbon as the Starlight Airstriker stepped up to claim them. The guy pulled both of us into an exuberant hug as he claimed his prizes and I couldn’t help but feel a bit pleased for the team as we worked our way through the line, handing over flowers and medals to each of them as they approached. I imagined beating a team filled with the Celestial Heirs was something that none of them would ever forget. I could feel heat radiating off of Darius beside me as he fought to maintain his composure while the line worked its way past us but I didn’t look his way again. The last Starlight player to approach us was the Captain, Quentin. He smiled widely as he accepted the flowers from Darcy, tossing her a wink. As I placed the medal around his neck he pulled me into a tight hug, his hand skimming my ass less than accidentally. I pushed him off with a laugh, his excitement infectious in a way that made me think he was a Siren but it didn’t feel invasive like the way it always did with Max. Maybe because he wasn’t trying to force any emotions onto me, just sharing his own. “Why don’t you two girls come back and party with us at Starlight tonight?” he offered and I didn’t miss his suggestive tone. “Why don’t you fuck off while you’ve still got some teeth left?” Darius said before we could respond. I frowned at him but his gaze was locked on Quentin. To my surprise, Quentin laughed tauntingly. “And to think, we were worried about facing off against the Celestial Heirs,” he said, aiming his comments at me and Darcy. “Turns out they really aren’t that impressive after all. It would be a shame if Solaria ended up in their loser hands. Maybe the two of you should reconsider the idea of taking up your crown?” I laughed at his brazen behaviour, wondering how much more it would take for Darius to snap. “Yeah,” I replied jokingly. “Maybe we should take our crowns back after all.” Darcy laughed too, flicking her long hair. “Oh yeah,” she agreed. “I think a crown would suit me actually.” Quentin yelled out in surprise as a shot of heated energy slammed into him like a freight train and he was catapulted halfway across the pitch before falling into a heap on the ground. Before I could react in any way, I found a severely pissed off Dragon Shifter snarling in my face. My breath caught in my lungs and I blinked up at him as he growled at me. Seth moved in on Darcy beside me, his face set with the same enraged scowl while the other two drew close behind them. “Do you want to say that again?” Darius asked, his voice low, the threat in it sending a tremor right through my core. (tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
He stared at me for a long moment as if he was trying to figure me out and I dropped my eyes before he could. I didn’t want Darius Acrux in my head. My attention snagged on a deep red stain on the sleeve of his pristine white shirt and I pointed it out. “Are you bleeding?” I asked. “No,” he replied forcefully before looking down at the offending stain and waving his hand to clear it away with his water magic. “Well that was obviously blood so-” “I said no, just drop it,” he snarled. I flinched back but he didn’t release me and my heart started beating faster. He sighed heavily and shook his head before letting me go. “Sorry, I just... I’m not bleeding now. It’s not an issue.” “Okay...” I took a step back, wondering why I was even talking to him. This was the guy who had tormented me for weeks and he was clearly going to snap right back into asshole mode after tonight. But something about this nice version of Darius kept drawing me in despite my reservations. “Come on, let’s catch up with the others and get back to the Academy,” he urged, offering me his arm again. The anger which had risen in him a moment ago seemed to have gone so I tentatively accepted his arm and we started walking down the driveway and away from his family. “Careful,” I teased. “Someone might think we don’t even hate each other if you don’t release me soon.” We made it to the edge of the pooling light which lit up the front of his house and he drew me into the darkness beyond it. “I never said I hated you,” he murmured, his voice deep as he tugged me around to face him. I looked up at his striking face, the moonlight highlighting his strong jaw and pulling my attention to his mouth for a moment. “Well I really feel sorry for anyone you do hate,” I muttered, pulling my arm out of his grip. He resisted for a moment like he wanted to keep hold of me but gave in when I tugged a little harder. “The things I’ve done to you... you know it isn’t personal, right?” he asked. I looked up at him for several long seconds, wondering if he seriously bought into that horse shit or if it was just what he was trying to sell me. I wasn’t really sure what I saw there but I definitely didn’t buy his excuses. “Is that how you justify it to yourself?” I asked bitterly, our little bubble of peace well and truly burst now that we were standing in the cold air of the night. Darius hesitated and I gave him an eye roll dramatic enough to fell a small tree. I turned away from him, looking for Orion and the stardust which would take us back to the Academy but his fingers curled around my wrist before I could escape. “Do you hate me, then?” he asked quietly and for some strange reason it sounded like the idea of that didn’t sit well with him. I forced myself to reply in a steady tone, holding his eye as I spoke. “No,” I said and a glimmer of relief spilled through his eyes, almost halting me there but I wasn’t quite so blinded by him as to give him a free pass for all his bullshit. “To hate you, I’d have to care about you. And I don’t give one shit about you,” I said coldly. I shook his hand off of me for the second time and stalked away towards Darcy and Orion. He didn’t follow me and I was glad. Because I had the horrible feeling that that might just have been a lie.(toy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
Sofia just stared at me and I shook my head, turning back towards my door as Roxy mumbled something against my chest. “Forget it,” I muttered, my gut twisting as I failed him again. “You know,” Sofia said softly behind me. “Everyone says Darius Acrux is heartless and cold blooded just like the Dragon he turns into. But you’re not, are you?” I gave her a flat look over my shoulder but she carried on anyway. “You actually give a shit about other people, don’t you? You want to protect them, look after them…” Her gaze fell on the unconscious girl in my arms like that was proof and I growled at her. “Is there a point to your inaccurate analysis?” Sofia had the nerve to roll her fucking eyes at me. “I’ll message you my number. You can tell Phillip to message me whenever he likes.” I raised an eyebrow at her in surprise and she threw a final look at Roxy in my arms before turning and heading away from us. I unlocked my door awkwardly while still holding her and headed inside, kicking it closed behind me as I dropped her bag and crossed the wide space towards the bed. Roxy’s head lolled back against my shoulder and her hair hung over my arm. She was still soaking wet and I hadn’t realised how much she’d been shivering as I’d walked here but now I could feel the tremors of her body where it was pressed to mine. I quickly used my water magic to pull every bit of moisture from her clothes and hair then pushed some warmth from my body into hers. She drifted near to consciousness as she stopped shivering and shifted in my arms, mumbling something incoherent as she pressed her cheek to my chest. My heart thumped a little harder than usual and I cleared my throat uncomfortably as I lowered her down onto the bed. Her brows pinched and she started mumbling something again as I released her. I pulled her shoes off and tossed them on the floor and she kicked out at me, forcing me to step back. “I can do it myself, Darcy,” she muttered, still slurring. “You shouldn’t have to look after me like this.” Before I could stop her, she lifted her hips up, pulled her skirt off and threw it at me. She still hadn’t opened her eyes and I didn’t think she was really awake at all. The gold panties she wore matched the bra which I could still see as her buttonless shirt had fallen open. I tried not to stare at her, I really tried but I couldn’t stop looking at her bronze skin, her narrow waist, the swell of her breasts as they rose and fell in time with her deep breaths... Fuck it’s like someone picked apart my deepest desires and brought every fantasy I’ve ever had to life. Why did it have to be her? Why did I have to lust after one of the only people in the whole of Solaria who I could never have? I knew I was going to have to marry a Dragon Shifter one day but that didn’t stop me from having other women. But this one would never be mine in any way. She hated me more viscerally than I thought anyone else ever had. And I couldn’t even blame her. I’d hate me too if I was her. What we’d done to her, what I’d done... it was necessary but I still didn’t like it. I was supposed to be working with the other heirs to get rid of them and instead here I was protecting her like I'd lost my fucking mind. (Darius POV)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
The duke was standing before the open windows…stark naked. Her lips parted, but no sound emerged, and Jules could only stare as the silvery beam from the moonlight painted itself over his body. His thighs and calves were thick and powerful, stomach and buttocks lean and delineated with muscle. Though they stood several feet apart, she was all too aware of the breadth of his shoulders, his height, and the inherent power in his body. You are so beautifully formed, Your Grace. Alarmingly, her cheeks went hot, then her throat and belly. He was so compelling she stared helplessly, absurdly grateful for the darkened room. Jules drew a soft breath, trying to calm the wild pounding of her heart. The duke tilted his head, baring to her gaze the strong column of his throat. She refused to look lower than his shoulders, not wanting to feel that baffling heat stabbing her belly. He inhaled, and it came on a soft growl when he released his breath. She bit into her lower lip, hard, for that thumping heat low in her belly responded viscerally to that low growl. The corner of the duke’s mouth curled upward and seemed mocking and cynical. Still, she was struck by the incredible sensual beauty of that small smile. Unexpectedly he turned his head and stared directly at her. Jules froze, even her breathing suspended. Though she held herself astonishingly still, her heart jerked with more erratic force. Surely he could not see her. It is impossible. Yet she felt way down inside her, every nuance of his stare. Perilous tension coated the air, and she waited for him to move closer to her, but he turned away and padded over to the bed, the darkness hiding him from her entirely. Jules could not say how long she waited, listening for sounds that he slept. It could have been a few minutes or an hour. She heard nothing, and again she couldn’t escape the feeling the duke knew someone was in the room with him. But why did he not say or do something if he suspects it? She closed her eyes and drew strength for calm, allowing that she might be panicking in vain. There was no peril, and she only had to leave his chamber without being noticed. Jules waited a few more minutes before softly moving from behind the drapes. She paused, then lowered herself to her knees and crawled on her hands and knees to the door. She almost smiled at her absurdity but marshaled her reaction and ventured forward as fast as possible. At the door, she reached up and gently eased open the latch, grateful the hallway was also dark. Perhaps if the duke was awake, he might not notice the slight opening of his door. She crawled through the small space created, and once in the hallway, she lurched to her feet and hurried toward her door.
Stacy Reid (The Wolf and the Wildflower)
It’s all me, all the time, and sometimes I hate Mike for dying and leaving me to do this on my own. Which is completely unfair because there was nothing Mike wanted more than to raise our kids and be there for every bump, scrape, growing pain and bedtime ordeal. There’s no way he would’ve ever left me to do this on my own. That’s something I’m as sure of as I am that tomorrow will dawn far too soon,
Marie Force (Someone to Hold (Wild Widows, #2))
Forced schooling is a cultural relic, reminiscent of a bygone age. Stuck preparing young people to do the jobs now done by robots, mass schooling ignores the cultural and economic realities of a new human era. Instead of robots, we need inventive thinkers, curious seekers, and passionate doers. Inventiveness, curiosity, and passion are all characteristics that young children naturally exude. We don’t need to train them for the jobs of the future; we just need to stop training these inborn characteristics out of them. We need to give them the freedom and opportunity to pursue their passions, follow their curiosity, and invent creative solutions to complex problems. Given the vast amount of information available to us, the creative skills necessary to process it all, and the seemingly insurmountable challenges our planet now faces, we desperately need to embrace a new paradigm of education. We need to let go of the notion of schooling—something someone does to someone else—and instead reclaim learning—something humans naturally do.
Kerry McDonald (Unschooled: Raising Curious, Well-Educated Children Outside the Conventional Classroom)
Simply put, you cannot force someone to believe something they absolutely do not on any level want to believe by using some set of evil techniques to “wash” their brain.
Amanda Montell (Cultish: The Language of Fanaticism—Understanding the Social Science of Cult Influence)
Taking the time to learn from what went wrong is often the most cringe-inducing aspect of intelligent failure. Not all of us can remain as cheerful as Thomas Edison. You’re not alone if you feel disappointed or embarrassed, and it’s easy to want to push those feelings away. That’s why it’s important to reframe and resist blame and push yourself to be curious. It’s natural to fall prey to self-serving analysis—“I was right, but someone in the lab must have altered something”—which takes us away from discovery. But a true desire to learn from failure forces us to confront facts more fully and rationally. You’ll also want to avoid superficial analysis—“It didn’t work. Let’s try something else”—which generates random rather than considered action. Finally, avoid the glib answer “I’ll do better next time,” which circumvents real learning. What’s necessary is to stop and think carefully about what went wrong so as to inform the next act.
Amy C. Edmondson (Right Kind of Wrong: The Science of Failing Well)
It was not the knowledge of his indifference to money that now gave him a shudder of dread. It was the knowledge that he would be equally indifferent, were he reduced to the state of the beggar. There had been a time when he had felt some measure of guilt—in no clearer a form than a touch of irritation—at the thought that he shared the sin of greed, which he spent his time denouncing. Now he was hit by the chill realization that, in fact, he had never been a hypocrite: in full truth, he had never cared for money. This left another hole gaping open before him, leading into another blind alley which he could not risk seeing. I just want to do something tonight!—he cried soundlessly to someone at large, in protest and in demanding anger—in protest against whatever it was that kept forcing these thoughts into his mind—in anger at a universe where some malevolent power would not permit him to find enjoyment without the need to know what he wanted or why.
Ayn Rand (Atlas Shrugged)
Being forced to submit to someone else’s will is the same. It makes people try to justify themselves. In order to avoid acknowledging one’s impotence, one’s abject weakness, people try to find some reason. They think, this person must be something really special to beat me so thoroughly. Or, anyone would be powerless in this situation. This gives some small satisfaction. The more confidence and self-regard someone has, the more they need to tell themselves something like this. And once they do, the power relations are set in stone. Then all you have to do is say two or three things that stroke the person’s ego and they’ll do whatever you tell them.
Kōtarō Isaka (Bullet Train (Assassins, #2))
Giving your heart into someone else’s care isn’t something any of us should do lightly. It’s a big deal to give someone the power to hurt you. I learned that lesson the hard way,
Marie Force (How Much I Love (Miami Nights, #3))
In the case of feedback, when someone says you can't do something or accomplish anything great in life; then this is a great source of motivation for you. It is a waking call to force you to do better than before.
Mwanandeke Kindembo
But when he got to his office, after dropping Peter off at camp, Dakota wasn’t there. She’d left early the day before. He checked the machine to see if she’d called in sick, but there wasn’t any message. By ten, he was worried and wondering whom to talk to. Just when he picked up the phone to call Pia, Dakota walked in. She looked like hell. Her face was pale, her eyes red and swollen. There was an air of grief and loss about her, as if something important to her had been taken away from her. He was on his feet the second he saw her. “What happened?” he demanded. She shook her head. “Nothing.” “It’s not nothing. Were you in an accident? Did someone hurt you?” If she’d had a boyfriend, he would assume he’d beaten her or slept with her best friend. But as far as he knew, Dakota wasn’t dating. “I’m fine,” she said, her mouth trembling as she spoke. “You have to believe me.” “Then you need to be more convincing.” She forced a smile that was more ghoulish than happy. “How’s that?” “Frightening.” She sighed. “I’m fine. I know I look bad. I’m not hurt, I’m not sick.” She swallowed. “Everything is how it’s always been.” “Dakota, get real. Something happened.” “No, it didn’t.” Tears filled her eyes. “It didn’t.” The tears spilled down her cheeks. Instinctively, he walked toward her, but she shook her head and backed away. “I’m sorry,” she whispered. “I can’t do this. I can’t be here today. I need a day or two. Sick days, vacation days, whatever you want.” He felt helpless and confused. “Take whatever time you need. Can I call someone? One of your sisters? Your mom?” “No. No one. I’m fine. I have to go.” With that she grabbed her purse and practically ran out of the office. Raoul stared after her, not sure what he was supposed to do now. Let her go? Follow her? Call a friend? She wasn’t physically hurt—he could figure out that much. So what had happened? Had she heard bad news? But if there’d been a disaster in the family, he would have heard about it. News traveled fast in Fool’s Gold. He would give her time, he decided. If she wasn’t back at work in a couple of days, he would go talk to her. If she wouldn’t talk to him, he would insist she talk to someone else.
Susan Mallery (Finding Perfect (Fool's Gold #3))
God isn't limited to forcing people against their will to repent and be reconciled to him. Got has the power ... to change the human will to see the ugliness and destructiveness of sin, and to turn away from it and embrace the grace that is freely given by God. Take the Apostle Paul, for example. On the road to Damascus, as he is on his way to persecute Christians, Christ reveals himself to Paul in such a way as to cause Paul to see the harm that he is doing and the pain that he is causing Christ (Acts 9:1-19). This compels him to turn away from his violent way of life and open himself up to the light of Christ's forgiveness and empowerment to become a new person (2 Cor. 5:17). Paul wasn't seeking to choose Christ. He had chosen to reject Christ and to try to stamp out those who had accepted Christ as the Messiah. So, to those who say that God cannot ensure that someone will choose God, I ask them this: Did God do something wrong to Paul on the road to Damascus? Did God "rape" or "brainwash" Paul? I don't think so. Out of love, God overwhelmed Paul with a vision of truth that left Paul in repentance and a desire to love Christ. If God can do this for Paul, this hardened murderer of Christians who scripture says is the "chief of all sinners" (1 Tim 1:15), then why can't God do this for anyone?
Heath Bradley (Flames of Love)
My mother, meanwhile, decided to turn herself in to the police and was sentenced to a month of reeducation at something called the “workers’ training corps,” which was like a mobile slave labor camp. The prisoners slept together in a lice-infested room and were sent out during the day to build bridges and work on other heavy construction projects. There were only a few women in my mother’s unit, but the guards made them work as hard as the men. If anyone was too slow, the whole group would be forced to run around the camp all night without any sleep as punishment. To make sure that didn’t happen, the prisoners would beat one another if someone wasn’t working fast enough. The guards didn’t have to do a thing. And the pace was so grueling that some prisoners were near death after a few weeks in the camps.
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
He sat and smoked deliberately, as if he were finished with his recital. I directed him to tonight’s activities. “Tell me about tonight, Jeff. What happened?” He sat up again and appeared eager to tell me. “Well, Pat, it’s weird. I was out of Halcion, but I still wanted to be with someone warm and alive. I went to the mall downtown and started drinking at a pub on the third floor. I met the guy there; we had a few beers together and talked. I figured that he was a willing prospect, so I offered him fifty bucks to come back to my apartment and let me take some pictures of him in the nude. He agreed. I figured I’d ply him with booze until he passed out and then I would kill him, but this guy could really drink. I was getting drunk and knew that if I wanted him, I would have to try something else. I asked him to let me take some bondage pictures of him, thinking that if I could handcuff him behind his back, he would be mine. Then I could knock him out by hitting him over the head or something, I don’t know. I was drunk and not thinking straight. Anyway, I got one cuff on him but he wouldn’t let me cuff his other hand. I got mad and tried to force his other arm behind his back and into the handcuffs. We began to struggle, nothing big, just some wrestling around on the floor. Even though he was a little guy, I couldn’t get the best of him, so I grabbed the knife to stab him, but he got loose and ran out the door. “I was too drunk to chase him. What else could I do? I don’t really remember what happened next. I think I passed out for a while until I heard a knock at the door. It was two big policemen and they were asking for the handcuff key. I could see the little Black guy behind them. He had the one cuff on and said that he didn’t want to prosecute—he just wanted the cuffs off. I fumbled around but couldn’t find the damn key. The cops were getting impatient waiting at the door, so they entered and began to look around. I think one of them found my Polaroids and said something to his partner. The fat cop walked over to the refrigerator and started to open it, and I knew this was it, so I tried to stop him. I’m not sure what happened next; I just know that I got the shit beat out of me. I tried to fight back but it didn’t seem to faze them, and now here I am with you, Pat.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
What should someone who doesn’t know what to do with herself do? Use herself as body and soul to make the most of body and soul? Or make her strength into an outside force? Or wait for the solution, like a consequence, to be born of herself? I can’t tell still inside the form. Everything I possess is very deep within me. One day, after speaking at last, will I still have something to live on? Or will everything I say fall short of or beyond life?
Clarice Lispector (Near to the Wild Heart)
Note: I am sure that now they will approach Medium to stop me from writing. Let’s see what happens. “A genuine person or celebrity doesn’t need a certificate or blue tick. Such ways are blackmailing your passion, emotion, or willingness. Criminals and money-mongers misuse and try to earn in an ugly and easy way. This trend also discriminates against others who cannot afford such an awkward notion.” Istay determined every day. I cannot tolerate liars and those who misuse their authority and attempt to victimize the righteous for their will and purpose in an illegitimate way to please their godfathers of the mafia and international criminal intelligence agencies. I am pretty sure, after reviewing again the replies from the Twitter team that mirror and endorse the Twitter team, that someone works for intelligence agencies or criminal and mafia groups. Since the beginning months of this year, I have been continuously victimized without specifying why I was posting the wrong things. I am going to publish a few emails that will exhibit the picture of how I was being victimized, harassed, and even threatened about things that I was neither aware of nor that the team explained. I was already under the attacks of criminals and even the gang of filthy-minded gays who were suffering from mental issues and sexual frustration; knowing it, I am not gay. In the Twitter team, the presence of such ones is not excluded since I felt a similar style of victimization. How do they dare to adopt such mean tactics to gain their will and desire? This reply email shows that a screenshot article has been displayed since 2020. After four years, it became an issue for someone in the Twitter team who continued to lock my account and tag the restriction flag. Text of my emails; “I am still uncertain about what to post and what not to post. You didn’t specify why my account was locked, whether it was because of the content I removed or something else. Is it permissible for me to share media and social media links in which my quotes are mentioned? My writings do not contain any personal attacks; nonetheless, thank you.” “You locked my Twitter, @EhsanSehgal, again; you know why you are doing it. Now, I can say only goodbye to my locked account and enjoy your terror. It is not a protection of my account; it is victimization. No more requests to unlock my account. Someone of angelic character will do it without my request. Shame on you all, involved ones.” Team replied; Hello, “We had a look at your account, and it appears that everything is now resolved! If that’s not the case, please reply to this message, and we’ll continue to help. Thanks,” X Support This was a screenshot article from Wikipedia about me on my profile that was illegitimately removed by such people as the Twitter team forced me to remove. Despite that, they continued locking my account to identify and provide an ID or passport. I did that twice and identified several times, but the team seemed not satisfied since their goal was something else; they would not approach nor be able to do it. To stop such criminal torture, I deactivated my account and decided never to come back there again.
Ehsan Sehgal
Same premise holds for the liberal critique of “American hegemony” (a term from the 1990s and early 2000s that is very rarely used anymore, but the premise still holds); from the position that America will hold a permanent hegemonic position. This cynical disbelief in the *end* of the Empire’s hegemony is what sustains the decadence that accelerates its precipitous decline. Same thing with global warming or any other exigencies. The denial of the “end” is what accelerates the end. The admission of the crisis is what accelerates the action necessary to negate the crisis and, therefore, turn the cynic into someone who can justify non-belief in the crisis because in the evaporation of the emergency, the proof that the emergency existed is removed, and, therefore, the cynic becomes even more assured that their cynicism is justified. If you do not believe in global warming and policies change to the point where carbon emissions are reduced and global warming is averted, the first thing a cynic will say is, “See! I told you global warming was nothing to worry about!” Same thing with the COVID quarantine and vaccine measures. If they did not work to evade the virus the cynic would cry that the measures were not effective and therefore nobody should trust the government. If the measure did work and the virus was evaded, the cynic would cling to the cynicism and say, “See! The crisis of the virus would have been averted! What is all the fuss? Why did everyone worry?” An ideology succeeds when the facts that at first appearance should serve to contradict it start to serve as arguments in its favor. There is a sense that “enjoyment itself, which we experience as ‘transgression’, is in its innermost status something imposed, ordered—when we enjoy… this obscene call ‘Enjoy!’, is the superego.” Cultural downfall is pressed into action—by the decadent attitudes of those who suspend disbelief even as the demise of hegemonic power is unfolding before their eyes. The same holds true for those who disbelieve that the Other can actually overtake them, and the downplaying of cunning tendencies in the Neighbors. There is an infantilizing process that misunderestimated the possibility that the Other can mobilize itself into a force that can become a “master”-signifier where you are the “subject” to the Other, the condescension that “their” power will remain virtual and never become fully realized as an actual force enacting violence upon you, this is the condescension of liberal compassion towards the “Neighbors.
Bradley Kaye
Sometimes people can't identify their feelings because they were talked out of them as a children. The child says, "I'm angry," and the parent says, "Really? Over such a tiny thing? You're so sensitive!" Or the kid says, "I'm sad," and the parent says, "Don't be sad. Hey, look, a balloon!" Or the child says, "I'm scared," and the parent says, "There's nothing to be worried about. Don't be such a baby." But nobody can keep profound feelings sealed up forever. (...) With two chaotic parents who argued with abandon and liberal strings of expletives, sometimes so loudly that the neighbors complained - she had been forced to act as a grownup prematurely, like an underage driver navigating her life without a license. She rarely got to see her parents acting like adults, like her friends' parents. She'd had to parent herself, and her younger brother too. Children, however, don't like having to be hyper-competent. So it's not surprising that she wants me to be the mother for her now. I can be the normal parent who safely and lovingly drives the car, and she can have the experience of being taken care of in a way she never has before. But in order to cast me in the competent role, she believes she has to cast herself as the helpless one, letting me see only her problems. Patients often do this as a way to ensure that hte therapist won't forget about their pain if they mention something positive. Good things happen in her life too, but I only rarely hear about them; if I do, it's either in passing or months after they occurred.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
I’ll see that Hap gets his apprenticeship. You simply could have asked me to do that when I visited you. Or years ago, you could have brought the lad to Buckkeep and we’d have seen him decently educated.” “He can read and write and figure,” I said defensively. “I saw to that.” “Good.” His reply was chill. “I’m glad to hear you retained that much common sense.” There seemed no rejoinder to that. Both pain and weariness were overcoming me. I knew I had hurt him but I didn’t feel it was my fault. How could I have known he’d be so willing to help me? Nevertheless, I apologized. “Chade, I’m sorry. I should have known you would help me.” “Yes,” he agreed mercilessly. “You should have. And you’re sorry. I don’t doubt you’re sincere. Yet I seem to recall warning you, years ago, that those words will only work so often, and then they ring hollow. Fitz, it hurts me to see you this way.” “It’s starting to ease,” I lied. “Not your head, you stupid ass. It hurts me to see that you are still…as you’ve always been since…damn. Since you were taken from your mother. Wary and isolated and mistrustful. Despite all I’ve…After all these years, have you given your trust to no one?” I was silent for a time, pondering his words. I had love Molly, but I had never trusted her with my secrets. My bond with Chade was as essential as my bones, but no, I had not believed he would do all he could for Hap,simply for the sake of what we shared. Burrich. Verity. Kettricken. Lady Patience. Starling. In every instance, I had held back. “I trust the Fool,” I said, and wondered if I truly did. I did, I assured myself. There was almost nothing about mr that he didn’t know. That was trust, wasn’t it? After a moment, Chade said heavily, “Well, that’s good. That you trust someone.” He turned away from me spoke to the fire. “You should force yourself to eat something. Your body may rebel, but you know that you need the food. Recall how we had to press food on Verity when he skilled.” The neutrality in his voice was almost painful. I realized then that he had hoped I would insist that I did trust him. It would not have been true, and I would not lie to him. I rummaged about in my mind for something else to give him. I spoke the words without thinking. “Chade, I do love you. It’s just that—” He turned to me almost abruptly. “Stop. Say no more.” His voice was almost pleading as he said, “That’s enough for me.” He set his hand to my shoulder and squeezed nearly painfully. “I won’t ask of you that which you can’t give. You are what life has made you. And what I made you, Eda be merciful.
Robin Hobb (Fool's Errand (Tawny Man, #1))
Disney animation was sort of like a dog that had been beaten again and again Byron Howard, the director, told me when I asked him to describe the mindset back then. The crew wanted to succeed, but they were afraid of pouring their hearts into something that wasn’t going to succeed. You could FEEL that fear and in notes meetings everyone was so afraid of hurting someone’s feelings that they held back. We had to learn we weren’t attacking the person. We were attacking the project. Only then could we create a crucible that boils away everything that has not working and leaves the strongest framework. Earning trust takes time. There is no shortcut to understanding that we really do rise and fall together.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
The most arrogant are always the most ignorant. They are too worried about not saying anything that makes them look dumb. When you say something foolish, however, you always find who they are. This is a manipulative technique you do during a job interview to force the candidate to express an opinion. It works even better when you want to force someone to confess a crime or just a lie. In martial arts, the scariest fighters are those who convince you that you have nothing to worry about and even tell you to relax. You don't want to associate yourself, nonetheless, with those who scapegoat you to make themselves look better.
Dan Desmarques
The first thought / the functional job When did you first realize you needed something to solve [your problem]? What were you doing, or trying to do, when this happened? Before you began [using the current solution], how did you solve these same problems in the past? When did you realize the old way wasn’t working? When were you forced to make a change? Was there a deadline or specific event you needed to be ready for? What alternatives did you consider before using [the solution]? What was good or bad about each of those? What was the hardest part of figuring out what solution to use? Was there any point where you got stuck? With [the solution], what can you do that you couldn’t do before? Did you alone make this decision to change, or was someone else involved? What other changes did you have to make to integrate [the solution] into your life? Emotional and social jobs Tell me about how you looked for a product to solve your problem. What job are you ultimately trying to get done? Were you able to accomplish this with [your product]? What kind of solutions did you try? Or not try? Why or why not? Did you ask anyone else what they thought about the purchase you were about to make? What was the conversation like when you talked about purchasing the product with your [friend/colleague/ boss/parents]? Before you purchased it, did you imagine what using the product would be like? Where were you when you were thinking this? Did you have any anxiety about the purchase? Did you hear something about the product that made you nervous? What was it? Why did it make you nervous? How do you use the product you’ve purchased? Are there features you use all the time? How? Are there features you never use? Why not? What’s something you wish [your product] could do?
Ramli John (Product-Led Onboarding: How to Turn New Users Into Lifelong Customers (ProductLed Library Book 3))
Because we sit there in the gap for a long time saying [gasps]. And that’s when you begin to learn the meaning of ‘Lord Have Mercy’. I can’t do anything to raise my state but what I can do is stay honestly ahead of, in plain sight, what’s happened, acknowledging. Here I am. And I think it’s from that repeated acknowledgement of my own helplessness at that level, but refusing to simply hide from that helplessness, that gradually, gradually, gradually the energy that had originally gone into your, sort of, ego programmes gets recaptured to begin to hold this other kind of field of awareness, of attentiveness, that’s not identified with that small self acting out and can begin to become a nest for that deeper and fuller and truer wiser self to live in. And then we begin to Be. Then we begin to have Being. And it’s from that Being that sometimes we can pull ourselves out of that spiral we were heading into, and it’s from that Being that we can begin to offer our force of Being to the world as love, as assistance, as a shift in the energy field for someone else. ‘Baraka’ the Sufis call it. But it comes slowly, because you can’t just, kind of, click your heels together and have Being. It has to accumulate slowly in your being for a life of painfully bearing the crucifixion of inner honesty, and slowly it emerges. Interviewer: So that brings up the question in me, what is then freedom? Because you go on this journey. We start out on this journey to become free, which we call enlightenment. Cynthia: Well, you know, we have so many mixed metaphors as Western and Eastern ways of contexting reality come together like tectonic plates. And they don’t often match up. I think, in a very obvious way, freedom is easy. At the obvious level, what it means is what you’d call ‘freedom from the false self’. Most of us think we’re free, and yet we are not free at all because we are under the absolute compulsion of agendas, addictions and aversions that have been programmed into us from early life, and sometimes from the womb. We have our values, we have our triggers, we have our flash points, we have our agendas. And, as A.H. Almaas said so famously, “Freedom to be your ego is not freedom.” Because that’s slavery. You’re being pulled around by a bull ring in the nose. So part of the work of freedom begins when you can stabilise in yourself this thing that some of the Eastern traditions helpfully call ‘witnessing presence’, which is something deeper that’s not dependent on the pain-pleasure principle, that’s not attracted by attraction, or repulsed by aversion. You know, as my teacher Rafe, the hermit monk of Snowmass, Colorado, used to say, “I want to have enough Being to be nothing.” Which means he is not dependant on the world to give him his identity, because he’s learned his identity nests in something much deeper. [...] And as you finally become free to follow what you might call the ‘homing beacon of your own inner calling’, you realise that it’s only in that complete obedience that freedom lies. And, of course, the trick to that is the word ‘obedience’, which we usually thinks means knuckling under, or capitulating, really comes from the Latin ‘ob audire’, which means ‘to listen deeply’. So, as we listen deeply to the fundamental, what you might call the ‘tuning fork’ of our being – which is given to us not by ourself and is never about self-realisation because the self melts as that realisation comes closer – you find the only freedom is to be your own cell in the vast mystical body of God.
Cynthia Bourgeault
I should be dead. But I’m not human, am I?” She swiped a tear of frustration off her face. “Whatever I am makes me stronger, faster, and scary as hell when fighting. I changed, scaled the top of a moving truck, and fought a guy shooting a gun at me.” She ran her hand across her face to wipe away the tears. “I’m a mess. The mud in that ravine got in all the cracks, even my underwear. But the injuries are already almost gone, and somehow, I know all this will heal. Based on you being all pissy, I assume your meeting didn’t go well.” “It took an unanticipated turn.” His tone was odd as he continued to stare at her. “What exactly do you do that involves secrecy and the Crown?” “I can’t tell you.” Something about how he looked at her was different. Her skin tingled like it had before she’d shifted. Survival instinct flared. “Did they order you to…kill me?” It came out of her on a fatigued exhale. Her shoulders drooped. His face remained remote as if trying to wall off emotion. He neither confirmed nor denied, which might as well have been a screaming affirmative. She dropped her chin. He said nothing, so she looked up. He stared intently at her, making her almost shrink in place under the gaze of those thunderous eyes. “Is this when you tell me to leave again?” she asked. “Would you go?” “If they ordered you to kill me, wouldn’t you be forced to come after me? To hunt me down? So, what’s the point in me running unless you like the hunt?” He pushed his hand through his dark hair and stepped away from her. Frustration oozed from him. Seeing him start to lose some of his composure made him less threatening. He wasn’t the robot assassin. She wanted to run her fingers through his thick hair and down his scruff-roughened chiseled jawline to soothe him. Would her touch, if done in comfort, affect him the way she suspected his touch would destroy her? From the way he simply stared at her, she guessed yes. The silence was killing her. “What’s going on here?” “No idea.” He muttered something under his breath that she couldn’t make out. He stepped toward her and slid a finger under her chin to tilt her face upward. Their eyes met and held. “I’m sorry someone hurt you. That you had to fight for your life and went through a windshield.” In a whisper, he added, “I should’ve been there.” The grit in his voice, the despair, as if he’d let her down, packed one hell of a punch. What was she supposed to do with that? Oh dear…God. His hold on her face, how his thumb gently stroked over the skin on her jaw… How he moved in so she could feel the hard surfaces of his body, the concrete chest and abs… All of it swirled together, turning her mind to mush, which was bad when she needed to remain alert. Death… her death was on the line. But she was about to make a very bad decision to let him do whatever the hell he wanted after that declaration. “I made a promise to erase Dom’s kiss. To make you forget. I never go back on my promises.” Like his promise to help her get answers? He didn’t lower his head, but stood there, hesitant. “You’re too hurt right now.” “Oh, for heaven’s sake.” She slid her good hand up his shoulders and neck. His muscles twitched under her touch, and his chest rose and fell more rapidly. Feeling how much just her hand on him affected him encouraged her to continue. Cradling the back of his head, she pressed her body into his. As she pulled him toward her mouth, his incredible size and power registered but didn’t intimidate. Didn’t scare her. Her mouth touched his. Warmth on warmth. Once… Twice… Three times. His lips were a lot softer than they appeared. The roughness of his facial scruff scratched her skin.
Zoe Forward (Bad Moon Rising (Crown's Wolves, #1))
My mother – I used to call her Auntie – she often felt the same way, maybe worse. People always told her to fight depression. But I have a feeling that as soon as we see something as our enemy we make it stronger. Like a boomerang. You hurl it away, it comes back and hits you with equal force. Maybe what you need is to befriend your depression.’ ‘What a funny thing to say, honey. How am I to do that?’ ‘Well, think about it: a friend is someone you can walk with in the dark and learn lots of things from. But you also know you are different people – you and your friend. You are not your depression. You are much more than what your mood is today or tomorrow.
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
Florence had forgotten how easy schoolwork was. She wanted to have enough homework so she wouldn’t be forced to get a job after school, and found that she had to ask for it. After being in class for only three days, she impressed the teacher, Miss Greer, by electively memorizing the poem “Ozymandias.” Miss Greer let her take home an old dictionary, and the following week Florence finished second in the class spelling bee. She had been positive that the word “ingress” had an “e” at the end. It sure seemed like something that word would do, she explained. “Perhaps you’ll be a teacher yourself one day,” Miss Greer replied. Hearing someone believe that she had a future in something besides cleaning houses or cleaning dishes made her want to cry, and she didn’t want the other kids to see that. She left the room so quickly she forgot to even say thank you, and sat in the outhouse, and wept.
J. Ryan Stradal (Saturday Night at the Lakeside Supper Club)
Relatability alludes to the possibility (and easiness) of understanding someone or something, and by doing so, it facilitates the emergence of connections with those situations, even if these are completely alien to them. This opens the opportunity to give people other perspectives, without forcing them, even temporarily, to occupy those positions without question, resistance, or critical distance.
Daniel Muriel (Video Games as Culture (Routledge Advances in Sociology))
Hephaestus scratched his smoldering beard. “Well, that’s where the monster Typhon is trapped, you know. Used to be under Mount Etna, but when we moved to America, his force got pinned under Mount St. Helens instead. Great source of fire, but a bit dangerous. There’s always a chance he will escape. Lots of eruptions these days, smoldering all the time. He’s restless with the Titan rebellion.” “What do you want us to do?” I said. “Fight him?” Hephaestus snorted. “That would be suicide. The gods themselves ran from Typhon when he was free. No, pray you never have to see him, much less fight him. But lately I have sensed intruders in my mountain. Someone or something is using my forges. When I go there, it is empty, but I can tell it is being used. They sense me coming, and they disappear. I send my automatons to investigate, but they do not return. Something…ancient is there. Evil. I want to know who dares invade my territory, and if they mean to lose Typhon.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
The Need for Justice and the Problem of Evil The search for justice runs through all storytelling. We watch some nefarious villain executing his evil ploy and we hang on the edge of our seats hoping our hero will be victorious. There’s something fundamental in the human spirit that wants to see good triumph. This desire for justice is what attracts us to the adventure quest, like Peter Jackson’s adaptation of J.R.R. Tolkien’s The Lord of the Rings. There, Frodo Baggins is given a ring that holds the power of the evil Sauron, who seeks to wield it and rule Middle Earth. Because he bears this ring, Frodo assumes the dangerous responsibility of finding the path to destroy it. Frodo never asked for this assignment; circumstances thrust it upon him. Yet, he knows the quest is vital even if he may lose his life in the process. In one poignant scene, Frodo is feeling the weight of his choice and laments to Gandalf about the evil Gollum, who is threatening their quest: Frodo: It’s a pity Bilbo didn’t kill him when he had the chance! Gandalf: Pity? It was pity that stayed Bilbo’s hand. Many that live deserve death, and some that die deserve life. Can you give it to them, Frodo? Do not be too eager to deal out death in judgment. Even the very wise cannot see all ends. My heart tells me that Gollum has some part to play yet, for good or ill before this is over. The pity of Bilbo may rule the fate of many. Frodo: I wish the Ring had never come to me. I wish none of this had happened. Gandalf: So do all who live to see such times, but that is not for them to decide. All we have to decide is what to do with the time that is given to us. There are other forces at work in this world, Frodo, besides the will of evil. Bilbo was meant to find the Ring, in which case you also were meant to have it. And that is an encouraging thought. In Frodo’s complaint, we see a particular instance of the problem of evil. You may have heard someone complain about how a loving God could allow so much evil in the world. Frodo believes the world would be better if Gollum had been killed. It’s easy to make the charge that there’s too much evil in the world, but we don’t know how the story of this world plays out. However, fans know that Gandalf is right. Gollum’s existence does figure into the ultimate salvation of Middle Earth. Evil Gollum must exist in order for Frodo’s quest to succeed and a greater evil vanquished. The Roman executioner’s cruelty must also exist for the sacrifice of Jesus to succeed. It isn’t a contradiction to say God exists and is in control even if evil hasn’t been eliminated. We just haven’t gotten to the end of the story.
Sean McDowell (A New Kind of Apologist: *Adopting Fresh Strategies *Addressing the Latest Issues *Engaging the Culture)
They Like to Be the Center of Attention Like children, emotionally immature people usually end up being the center of attention. In groups, the most emotionally immature person often dominates the group’s time and energy. If other people allow it, all the group’s attention will go to that person, and once this happens, it’s hard to redirect the group’s focus. If anyone else is going to get a chance to be heard, someone will have to force an abrupt transition—something many people aren’t willing to do. You may wonder whether these people are just being extroverted. They aren’t. The difference is that most extroverts easily follow a change of topic. Because extroverts crave interaction, not just an audience, they’re interested and receptive when others participate. Extroverts do like to talk, but not with the purpose of shutting everyone else down.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
But I was stuck for a long time by myself at Abraham Lincoln's portrait, standing in the middle of the huge hall as people moved all around me with mostly children. I felt as if time had stopped as I watched Lincoln, facing him, while watching the woman’s back as she was looking out the window. I felt wronged, so much like Truman from the movie, standing there in the middle of the museum alone. I was wondering what would Abraham Lincoln do if he realized he was the slave in his own cotton fields, being robbed by evil thieves, nazis. I had taken numerous photos of Martina from behind, as well as silhouettes of her shadow. I remember standing there, watching as she stood in front of the window; it was almost as if she was admiring the view of the mountains from our new home, as I did take such pictures of her, with a very similar composition to that of the female depicted in the iconic Lincoln portrait looking outwards from the window. I hadn't realized how many photographs I snapped of Martina with her back turned towards me while we travelled to picturesque places. Fernanda and I walked side-by-side in utter silence, admiring painting after painting of Dali's, without exchanging a single word. Meanwhile, Luis and Martina had got lost somewhere in the museum. When I finally found her, she was taking pictures outside of the Rainy Cadillac. We both felt something was amiss without having to say it, as Fernanda knew things I didn't and vice versa. We couldn't bring ourselves to discuss it though, not because we lacked any legal authority between me and Martina, but because neither Fernanda or myself had much parental authority over the young lady. It felt like when our marriages and divorces had dissolved, it was almost as if our parenting didn't matter anymore. It was as if I were unwittingly part of a secret screenplay, like Jim Carrey's character in The Truman Show, living in a fabricated reality made solely for him. I was beginning to feel a strange nauseous feeling, as if someone was trying to force something surreal down my throat, as if I were living something not of this world, making me want to vomit onto the painted canvas of the personalised image crafted just for me. I couldn't help but wonder if Fernanda felt the same way, if she was aware of the magnitude of what was happening, or if, just like me, she was completely oblivious, occasionally getting flashes of truth or reality for a moment or two. I took some amazing photographs of her in Port Lligat in Dali's yard in the port, and in Cap Creus, but I'd rather not even try to describe them—they were almost like Dali's paintings which make all sense now. As if all the pieces are coming together. She was walking by the water and I was walking a bit further up on the same beach on pebbles, parallel to each other as we walked away from Dali's house in the port. I looked towards her and there were two boats flipped over on the two sides of my view. I told her: “Run, Bunny! Run!
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
Likewise, in the eleventh-hour simulations atop the rocket at the Cape. Al showed only one sign of stress: the cycles—Smilin’ Al/Icy Commander—now came one on top of the other, in the same place, and alternated so suddenly that the people around him couldn’t keep track. They learned a little more about the mysterious Al Shepard here in the eleventh hour. Smilin’ Al was a man who wanted very much to be liked, even loved, by those around him. He wanted not just their respect but also their affection. Now, in April, on the eve of the great adventure, Smilin’ Al was more jovial and convivial than ever. He did his José Jiménez routine. His great grin spread wider and his great beer-call eyes beamed brighter than ever before. Smilin’ Al was crazy about a comedy routine that had been developed by a comedian named Bill Dana. It concerned the Cowardly Astronaut and was a great hit. Dana portrayed the Cowardly Astronaut as a stupid immigrant Mexican named José Jiménez, whose tongue wrapped around the English language like a taco. The idea was to interview Astronaut Jiménez like a news broadcaster. You’d say things like: “What has been the most difficult part of astronaut training, José?” “Obtaining de maw-ney, señor.” “The money? What for?” “For de bus back to Mejico, you betcha, reel queeck, señor.” “I see. Well, now, José, what do you plan to do once you’re in space?” “Gonna cry a lot, I theeeenk.” Smilin’ Al used to crack up over this routine. He liked to do the José Jiménez part; and if he could get someone to feed him the straight lines, he was in Seventh Heaven, Smilin’ Al version. Feed him the lines for his José Jiménez knock-off, and he’d treat you like the best beer-call good buddy you ever had. Of course, the Cowardly Astronaut routine was also a perfectly acceptable way for bringing up, on the oblique, as it were, the subject of the righteous stuff that the first flight into space would require. But that was probably unconscious on Al’s part. The main thing seemed to be the good fun, the camaraderie, the closeness and blustery affection of the squadron on the eve of battle. In these moments you saw Smilin’ Al supreme. And in the next moment— —some poor Air Force lieutenant, thinking this was the same Smilin’ Al he had been joking and carrying on with last night, would sing out, “Hey, Al! Somebody wants you on the phone!”—and all at once there would be Al, seething with an icy white fury, hissing out: “If you have something to tell me, Lieutenant … you will call me ‘Sir’!” And the poor devil wouldn’t know what hit him. Where the hell did that freaking arctic avalanche come from? And then he would realize that … all at once the Icy Commander was back in town.
Tom Wolfe (The Right Stuff)
I’ve never really understood the importance of class participation. If I have the knowledge and I can prove that I have it in a test or in some homework, then why do I have to show it off in front of the whole classroom to get the grade? Or worse, if I don’t know the answer, why do I have to humiliate myself in front of the entire classroom just for some points? I just don’t get it. All I can say is that I definitely didn’t want that top spot hard enough to participate daily in every class. Although I gotta say that sometimes I was tempted to force myself to participate just so I could get the teachers off my back. “You have to learn to come out of your shell,” “Don’t be shy, we don’t bite,” “You’re never going to make it in the real world if you don’t talk.” They always used the same old, tired phrases. I knew some of them had good intentions, and maybe they were right, maybe I needed to speak up and participate more, but why did they think it was a good idea to motivate me like that? I’m sure there are other ways to promote class participation without being so aggressive or rude. Public humiliation was not going to magically transform me into someone outgoing like my brother, my parents had already tried that for years with no results. It is the teachers’ job to create a safe space for students to grow and develop, not a safe space for mocking and bullying. By singling me out as the “quiet one,” the teachers basically put a target on my back and gave my classmates permission to mock me for the same reason. And they took that permission by heart. All through middle school, many kids enjoyed bullying me for being quiet—and for other things, like preferring to read during recess instead of playing sports and for my short stature, but mostly it was for being quiet, which is something that I’ve never fully understood. Why did being quiet make me stand out? Shouldn’t it have been the other way around? I used to try to not pay attention to the bullies, but when so many people—including some of the teachers—tell you that there’s something wrong with you, you can’t help but start to wonder if they’re right.
Kevin Martz (Introverted Me)
Simone Simmons Simone Simmons works as an energy healer, helping her patients through empowering them rather than creating a dependency on the healer. She specializes in absent healing, mainly with sufferers of cancer and AIDS. She met Diana four years before her death when the Princess came to her for healing, and they became close friends. In 2005, Simone wrote a book titled Diana: The Last Word. I realized Diana had been born with an extraordinary ability, which had only been waiting to be released. By 1996, when she was fully in control of her life for the first time, she was able to give a great deal of consolation and encouragement to so many people. She received scant attention for this at the time. Everyone seemed to concentrate on the negative aspects. Instead of seeing how genuinely caring she was, they accused her of doing it for the publicity. That was utterly untrue. I often joined her when she returned from a day’s work, and she would be so exhausted, she found relief in crying. She was anxious about what she had seen and experienced and was determined to find something she could do to help. Her late-night visits to hospitals were supposed to be private. She knew how frustrating it is to be alone in a hospital; the staff and patients were always very surprised and pleased to see her. She used to make light of it and say, “I just came round to see if anyone else couldn’t sleep!” Although Diana saw the benefits of the formal visits she also made, and she did get excited when money poured in for her charities, she much preferred these unofficial occasions. They allowed her to talk to people and find out more about their illness and how they were feeling about themselves, in a down-to-earth way without a horde of people noting her every word. She wasn’t trying to fill a void or to make herself feel better. To her, it was not a therapy to help other people: It was a commitment born of selflessness. Diana was forever on the lookout for new projects that might benefit from her involvement. Her attention was caught by child abuse and forced prostitution in Asia. We had both seen a television program showing how little children were being kidnapped and then forced to sell themselves for sex. Diana told me she wanted to do everything she could to eradicate this wicked exploitation taking place in India, Pakistan, and most prevalently in Thailand. As it turned out, it was one of her final wishes. She didn’t have any idea of exactly how she was going to do it, and hadn’t got as far as formulating a plan, but she would have found a way. When Diana put her mind to something, nothing was allowed to stand in her way. As she said, “Because I’ve been given the gift to shine a light into the dark corners of this world, and get the media to follow me there, I have to use it,” and use it she did--to draw attention to a problem and in a very practical way to apply her incredible healing gifts to the victims. In her fight against land mines, she did exactly that. If anyone ever doubted her heartfelt concern for the welfare of others, this cause must surely have dispelled it. It needed someone of her fame and celebrity to bring the matter to the world’s attention, and her work required an immense amount of personal bravery. She faced physical peril and endured public ridicule, but Diana would have seen the campaign to get land mines banned as her greatest legacy. Helping others was her calling in life--right to the very end.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
The answer to that is we have to pray specifically when there is a specific need. We are not only praying for our adult children to be open to all the Holy Spirit wants to do in them, we are also praying for the Holy Spirit to set them free from something in particular. The challenging part is that the Holy Spirit will not do what someone resists Him doing. He will pour out His Spirit on our lives, but He will not force His liberation upon us. He will not set us free if we don’t want to be. This is why praying for our adult children is so important. We can’t force them to want to be free. And let’s face it, there may be things we as parents want our adult children to be free of, but they don’t see it the same way. They like their bad habit, bad influence, or bad choice. Our prayers for our adult children can help them recognize that they do need to be free and what they need to be free of, and our prayers can open their hearts up to want that freedom.
Stormie Omartian (The Power of Praying for Your Adult Children)
JENNA SMILED WHEN Easy walked into the bedroom, carrying what appeared to be half the refrigerator on a bowing cookie sheet. How much more sweet could he be? He glanced between her and Sara like he was unsure what to do next. Jenna pulled the covers back so the surface would be flat and patted the bed next to her. “Put it anywhere.” Easy set the makeshift tray down and rubbed a hand over his head. “I tried to think of things that would be gentle on your stomach,” he said in a low voice. “But if you want something different—” “No, this looks perfect.” Her gaze settled on a tall glass of . . . She gasped. “You made me a milk shake?” At that, Sara patted her on the knee. “Okay, I’m gonna go. Let me know if you need anything?” “Oh, uh, Shane was making you all something to eat,” Easy said. Sara smiled. “Good timing. This is making me hungry,” she said, gesturing to the tray. Jenna grabbed up the milk shake and hugged the glass against her chest. “Get your own.” Holding up her hands in surrender, Sara smiled. “All yours. Besides, Nick and Jeremy have the world’s biggest sweet tooths. There’s an endless supply of ice cream downstairs. I’m not even joking. So there’s more where that came from.” She squeezed Easy’s arm. “You know where to find me if you need me,” she said. And then they were alone. Jenna was glad. Not because having Easy here warded off her panic and fear but because she just wanted to be with him. She fished a spoon out from between two plates and took a taste of her treat. Freaking heaven. “Oh, my God,” she said, scooping another big bite. “This is so good. I can’t believe you made me a milk shake.” Even when her father had been alive, no one was really taking care of Jenna. So maybe Easy’s thoughtfulness wouldn’t have been so earthshaking to someone else, but to her, it meant everything. She peered up at him, which made her realize he was still standing. Crisscrossing her legs, she pointed at the foot of the bed. “Come sit down. Some of this has to be for you, right?” “Yeah,” Easy said. “You sure this is okay?” “It’s great, really. I can’t even remember the last time I ate, so this is like filet mignon and Maine lobster rolled into one. Seriously.” She exchanged the milk shake for the bowl of soup, and the warm, salty broth tasted every bit as good. They ate in companionable silence for a while, then he asked, “So, what are you studying in school?” “International business,” Jenna said around a spoonful of soup. “I always wanted to travel.” And, to put it more plainly, she’d always wanted to get the hell out of here. “Sounds ambitious,” Easy said. “Did you have to learn languages?” Jenna nodded. “I minored in Spanish, and I’ve taken some French, too. What I’d really like to learn is Chinese since there are so many new markets opening up there. But I’ve heard it’s really hard. Do you speak any other languages?” Wiping his mouth with a napkin, Easy nodded. “Hablo español, árabe, y Dari.” Grinning, Jenna reached for her bagel. She’d thought him hard to resist just being his usual sexy, thoughtful, protective self. If he was going to throw speaking to her in a foreign language into the mix, she’d be a goner. “What is Dari?” “One of the main languages in Afghanistan,” he said. “Oh. Guess that makes sense. Are Arabic and Dari hard to learn?” “Yeah. Where I grew up in Philly, there were a lot of Hispanic kids, so Spanish was like a second language. But coming to languages as an adult about kicked my ass. Cultural training is a big part of Special Forces training, though. We’re not out there just trying to win battles, but hearts and minds, too. . .” He frowned. “Or, we were, anyway.
Laura Kaye (Hard to Hold on To (Hard Ink, #2.5))
When my eyes meet his gaze as we’re sitting here staring at each other, time stops. Those eyes are piercing mine, and I can swear at this moment he senses the real me. The one without the attitude, without the façade. Just Brittany. “What would it take for you to go out with me?” he asks. “You’re not serious.” “Do I look like I’m jokin’?” Mrs. Peterson wanders by us, saving me from answering. “I’m keeping my eyes on you two. Alex, we missed you last week. What happened?” “I kinda fell onto a knife.” She shakes her head in disbelief, then moves away to harass other partners. I look at Alex, wide-eyed. “A knife? You’re kidding, right?” “Nope. I was cuttin’ a tomato, and wouldn’t ya know the thing flung up and sliced my shoulder open. The doc stapled me back together. Wanna see?” he asks as he starts pulling up his sleeve. I slap a hand over my eyes. “Alex, don’t gross me out. And I don’t believe for one second a knife flung out of your hand. You were in a knife fight.” “You never answered my question,” he says, not admitting or denying my theory about his wound. “What would it take for you to go out with me?” “Nothing. I wouldn’t go out with you.” “I bet if we make out you’ll change your mind.” “As if that’ll ever happen.” “Your loss.” Alex stretches his long legs in front of him, his chem book resting in his lap. He looks at me with chocolate brown eyes that are so intense I swear they could hypnotize someone. “You ready?” he asks. For a nanosecond, as I’m staring into those dark eyes, I wonder what it would be like to kiss Alex. My gaze drops to his lips. For less than a nanosecond, I can almost feel them coming closer. Would his lips be hard on mine, or soft? Is he a slow kisser, or hungry and fast like his personality? “For what?” I whisper as I lean closer. “The project,” he says. “Hand warmers. Peterson’s class. Chemistry.” I shake my head, clearing all ridiculous thoughts from my overactive teenage mind. I must be sleep-deprived. “Yeah, hand warmers.” I open my chem book. “Brittany?” “What?” I say, staring blindly at the words on the page. I have no clue what I’m reading because I’m too embarrassed to concentrate. “You were lookin’ at me like you wanted to kiss me.” I force a laugh. “Yeah, right,” I say sarcastically. “Nobody’s watchin’ if you want to, you know, try it. Not to brag, but I’m somewhat of an expert.” He gives me a lazy smile, one that was probably created to melt girls’ hearts all over the globe. “Alex, you’re not my type.” I need to tell him something to stop him from looking at me like he’s planning to do things to me I’ve only heard about. “You only like white guys?” “Stop that,” I say through gritted teeth. “What?” he says, getting all serious. “It’s the truth, ain’t it?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
He looks at me with chocolate brown eyes that are so intense I swear they could hypnotize someone. “You ready?” he asks. For a nanosecond, as I’m staring into those dark eyes, I wonder what it would be like to kiss Alex. My gaze drops to his lips. For less than a nanosecond, I can almost feel them coming closer. Would his lips be hard on mine, or soft? Is he a slow kisser, or hungry and fast like his personality? “For what?” I whisper as I lean closer. “The project,” he says. “Hand warmers. Peterson’s class. Chemistry.” I shake my head, clearing all ridiculous thoughts from my overactive teenage mind. I must be sleep-deprived. “Yeah, hand warmers.” I open my chem book. “Brittany?” “What?” I say, staring blindly at the words on the page. I have no clue what I’m reading because I’m too embarrassed to concentrate. “You were lookin’ at me like you wanted to kiss me.” I force a laugh. “Yeah, right,” I say sarcastically. “Nobody’s watchin’ if you want to, you know, try it. Not to brag, but I’m somewhat of an expert.” He gives me a lazy smile, one that was probably created to melt girls’ hearts all over the globe. “Alex, you’re not my type.” I need to tell him something to stop him from looking at me like he’s planning to do things to me I’ve only heard about.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
He put a fresh sheet in and, after spending a few moments wishing he were doing something quite different, typed: Gregory: But this is really qutie farcical. Like all the other lines of dialogue he had so far evolved, it struck him as not only in need of instant replacement, but as requiring a longish paragraph of negative stage direction in the faint hope of getting it said ordinarily, and not ordinarily in inverted commas, either. Experimentally, he typed: (Say this without raising your chin or opening your eyes wide or tilting your face or putting on that look of vague affront you use when you think you are "underlining the emergence of a new balance of forces in the scheme of the action" like the producer told you or letting your mind focus more than you can help on sentences like "Mr. Recktham managed to breathe some life into the wooden and conventional part of Gregory" or putting any more expression into it than as if you were reading aloud something you thought was pretty boring (and not as if you were doing an imitation of someone on a stage reading aloud something he thought was pretty boring, either) or hesitating before or after "quite" or saying "fusskle" instead of "farcical".) Breathing heavily, Bowen now x-ed out his original line of dialogue and typed: Gregory: You're just pulling my leg.
Kingsley Amis (I Like It Here)
TELLING GOD, “THANKS IN ADVANCE FOR YOUR COOPERATION.” I love when people thank me for doing something I haven’t done yet. They’ll send me an email, ask me to work on a project, and then end the message by saying, “Thanks in advance for your cooperation.” Ohh, that is tricky. That bold move is designed to force my hand, to make me sit there and think, “Well they already thanked me for doing it. I suppose I should in fact do it.” Even better though is when there is a condition of speed applied to the request. “Thank you for doing this so quickly,” or, “I really appreciate your quick turnaround.” That’s two levels of trickery. Not only have I not agreed to do it, but I certainly haven’t agreed to do it quickly. If you want to add a third level, get God into the mix and tell someone, “Thank you for serving the kingdom of God with your talents.” That’s church talk for, “We’re not going to pay you any money for that thing we need you to do, but we are going to thank you in a way that makes it next to impossible to say no. What, you don’t want to serve the kingdom of God?” That’s pretty ridiculous, but sometimes I do the same thing. Instead of asking God for his guidance or praying about where/ what/how he would have me move through a situation, I throw him a little advance appreciation. “God, thank you for blessing this book. Thank you for allowing me to sell more copies than The Shack. Thank you for allowing me to become the first Christian author to ever host Saturday Night Live. Thank you for all of that.
Jonathan Acuff (Stuff Christians Like: Sometimes the Stuff That Comes with Faith Is Funny)
Compulsion: noun, mass noun; an ability possessed by certain Que Cum Virtute Judicium (Virts) to force someone to do something or create an irresistible urge to behave in a certain way
Alex Lane (Herophobia (Herophobia, #1))
Cooper,” she said. “Cooper Jax.” As if saying his name would someone break the spell, vanquish the mirage she was still faintly hoping she was seeing. It didn’t. Instead it brought the mirage a few strides farther into the pub as folks moved to clear a path. “What are you doing here?” she asked as she moved forward until the two were standing no more than five yards apart, encircled by the completely hushed crowd. She wished she sounded strong, strident even. They were on her turf now, in her world. He was the interloper, the traveler. But her voice was hoarse even to her own ears, a mere rasp; her throat was too tight, too dry, too…everything, to manage anything more than that. His smile was brief, a slash of white teeth framed by a hard jaw, but his gaze never wavered. “It’s been a year, Kerry. More than. And I’ve come to realize there’s a question I didn’t ask you before you left. One I should have. And I can’t seem to get on with life until I know the answer.” She had no idea what on earth he was talking about. She’d worked his cattle station for a year, the longest she’d ever stayed in one place. She’d left to come home for Logan’s wedding. And, if she were honest, to save herself from having to decide when to leave. Because she’d come close to admitting that maybe she didn’t want to. And she never let herself want. At least not something that wasn’t in her power to get. Fear. Of losing. If there was nothing to lose, there was nothing to fear. “What might that be?” she asked, having to force the bravado that was normally second nature to her. From the corner of her eye, she caught Fergus, his gaze swiveling between the two of them…a broad grin on his face. Auld codger. To think she’d stayed for him. He was the only one who knew. The only one she’d confided in. Of course he was loving this. Cooper walked closer and a murmur of unease swelled, but Fergus waved his good hand, like a silent benediction, approving of what was about to unfold, and they fell silent again. Cooper’s gaze was locked exclusively on hers, and suddenly it was as if they were the only two people in the room. Everything else fell away, and she felt herself getting pulled in, swallowed up. That was always how he’d made her feel, as if she was this close to drowning…and that maybe she should stop trying so hard to keep her head above water. He stopped a foot in front of her and she lifted her gaze--and her chin--to stay even with his. “Before, when you were there, working, living alongside us, I thought if I gave you room, gave you space, you’d figure out that Cameroo Downs was where you belonged,” he said.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Hating someone forever is a difficult thing to do. It uses up all your energy and wears you down. It forces you to be someone and something you’re not.
Bette Lee Crosby (Baby Girl (Memory House, #4))
In ancient times, slaves had nothing else to do but work. In modern times, slaves have to shop too. Slaves have to go to college. Slaves have to look pretty. They have to buy cars and homes. The minute I start college, the world's threshold goes up. The second I buy a car, the moment I purchase a home, the world's threshold will go up again. Why didn't I see this? The moment someone envies someone else, the world's threshold goes up. Even as someone is busy trying to be like someone else, the world's threshold is busy going up. The minute someone puts down someone else for their looks, the world is made a harder place to live in. The second someone puts down someone else for their education, his children will have to face a higher threshold. The second life is brushed aside as something not to be fretted over; life as they know it disappears. The moment a certain way is declared as the one right way to live, it automatically becomes the only way to live. What are slaves? They are bound by something, forced to work their entire lives.
Min-gyu Park (Pavane for a Dead Princess)
As far as he was concerned, he had the three necessary ingredients to happiness: something to do, someone to love, and something to look forward to.
Brad Thor (Use of Force (Scot Harvath, #16))
Rachel,” he said, cutting me off. Abruptly he’d stopped pacing and placed a hand on each side of me, his face directly in front of me. “I refuse to take care of myself alone. You take care of me, and I’ll take care of you, and together we’ll take care of Trip.” “Okay . . .” “And don’t ever tell me again to love another woman the way I have loved you, and will always love you. There is no way you could have expected me to move on after you.” “You say that now, but you don’t know how you would have felt in a few years.” He grabbed my face in his hands and his voice shook as he shouted, “I don’t give a shit! I know I don’t know how I would feel in that situation, there’s no way to know that. But I know that no matter what happens in our lives, if you were taken from me for good, there would never be anyone else like you. There would never be anyone else I could love the way I love you.” “Kash, okay. I’m sorry,” I whispered and brushed the tips of my fingers against the angry set of his face. Something in my touch broke him, because a pained cry burst from his chest at the same time heavy tears fell down his cheeks. He dropped to his knees on the floor and pressed his head against my stomach, his hands gripping my back as he cried into my lap. “I’ve come too close to losing you too many times,” he forced out. “I will do anything to keep you by my side for the rest of my life.” Looking up at me, I felt helpless staring back at his broken expression. “Knowing that you even had to consider me moving on with someone else because you might die, kills me. I hate that you went through that, and I hate that you prepared yourself for that.” “Okay, but I’m—” My voice gave out and I had to clear my throat. “I’m here, we’re together.” “I’m not letting you go, Rachel, for anything. It’s you and me. Always, got it?” I nodded, unable to respond, and his head dropped back against my stomach as another sob ripped through him. I’d only ever seen Kash begin to cry twice. Usually when he was upset, he got angry. So to see him break like this was absolutely breaking my heart. I kept one hand holding his head in my lap, and ran the other over his back. The muscles bunched and shuddered beneath my fingertips as he let everything out. As
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
Just as we were passing the school, Blake slid his hand down my arm and intertwined our fingers. “Rachel, why did you finally agree to go out with me?” When I looked up, I was surprised at his somber expression. I would have expected something a little more taunting. “Do you want me to answer that honestly?” “I’d appreciate it. I’ve asked you out for . . . shit. I don’t know, nine months now? No matter what I said, your answer was always no. Until last night.” “Well . . .” I looked down at the sidewalk passing beneath our feet. “You can tell me, it’s fine. You never were one to hide your feelings. And your hate for me lately has been a little more than apparent. I’m already expecting the worst.” “I don’t hate you. I just don’t exactly like you . . . anymore.” I squinted up at him and nudged his side with the arm he still had a firm grip on. He gave a little grunt with a forced smile. “Um, Candice is always bugging me for turning you down. She said she would stop if I agreed to one date with you.” I know, I know, I could have made something up that wasn’t so harsh. But I didn’t. If I hadn’t looked back down, I probably would have missed the pause in his step. “Figures.” We walked for a few more minutes before he paused and turned to me. “I’m not going to make you go out with me.” “You aren’t. I said I’d go.” He raised an eyebrow, making it disappear under his shaggy hair. “You also told me earlier today that we weren’t going anymore. I’m just letting you know I’ll stop. All of it. Asking you all the time, what I did today. And I’ll talk to Candice.” “Blake—” “No, Rach, I should have stopped a long time ago. I’m sorry you felt pressured into it last night. I want you to want to go on a date with me. I don’t want you to go just so she’ll drop it or because you want me to quit asking. Which I will.” I couldn’t tell if he looked more embarrassed or hurt. Is it ridiculous that I want to comfort him? “I want to go.” “No, you don’t.” Okay, still somewhat true. “I didn’t . . . before.” Ugh, who am I kidding. He knows I’m lying anyway. “Look, I don’t know what you want me to say. You can’t exactly blame me for not wanting to go out with you.” He looked as if I’d slapped him. I hurried on before I could chicken out on the rest. “I mean, come on, Blake, you were rumored to be screwing all these students, coworkers, and faculty. And not once did you try to shut down those rumors. Add to that, the Blake I grew up with is completely gone; now you’re usually kind of a douche. Why would I want to go out with someone like that?” “Rumors are going to spread no matter what I do. The more I try to stop them, the guiltier I look. Trust me. As for you thinking I’m a douche . . .” His voice trailed off and he ran a hand through his hair. “Try seeing it from my side. The only girl I’ve wanted for years now and can’t get out of my head no matter what I do repeatedly blows me off like I’m nothing.” Did he say years? Letting go of my hand, he turned away from me and ran a hand agitatedly through his hair. “Come on, I’ll walk you back to your dorm.” “What about drinks?” “I’m not going to make you do this, Rachel.” “Blake, why can’t you just be like this all the time? If how you were growing up, last night, and the last hour was how you always were . . . I probably wouldn’t have ever turned you down.” He huffed a sad laugh. “Yeah, well . . . obviously I’ve already fucked that up.” I watched him begin walking in the direction of the dorms and squeezed my eyes shut as I called after him, “You know, you kinda traumatized me tonight. I feel like you owe me a beer.” Peeking through my eyelashes, I saw him stop but not turn around. “And maybe dinner on Friday night?” When Blake turned to face me, his smile was wide and breathtaking.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
Fuck,” Syn growled. He was still thinking of solutions when he heard something scrape against his doorknob. Something metal was tampering with the lock. If he were anywhere else in the apartment he wouldn’t have heard it, but he was right next to the door, so he could hear someone trying to get in. He instinctually moved to stand in front of Furi, pulling his Sig from its holster and unlocking the safety. He felt Furi tensing behind him. He could hear the tool manipulating the lock mechanism. Is this bastard really fuckin’ brave enough to break into my home in broad goddamn daylight? Syn was in awe at the size of this guy’s balls. The closet door was arm's length away. He yanked it open and grabbed the blanket off the top shelf, pulling his loaded twelve-gauge shotgun down just as the door eased open. All Syn could see was the tip of a black boot. Furi griped his shoulder. “Hey. Listen to this!” Syn yelled out. He put the stock of the gun firmly against his shoulder and pulled the pump back in two extremely swift moves. The sound was extremely loud and intimidating in the quiet room, by far the scariest sound an intruder could hear. “Don’t shoot, Dirty Harry.” The irritating chuckle that followed was unmistakable. “Son of a bitch,” Syn grumbled. “Day, have you lost your fuckin’ mind?” His Lieutenants came all the way through the door, Day laughing at the pissed look on Syn's face and Furi leaning on the wall behind him recovering from a panic attack. “Syn. What the hell is going on man? Are you really gonna put a buckshot in someone you think is breakin’ into your little-ass apartment? Because, you do know that that’s excessive force, right?” God asked, looking at him expectantly. “I was just scaring them off. No one comes in after hearing that sound, trust me.” Syn removed the shell and placed the gun back in the closet, covering it with the blanket. He turned to look at Furi. He looked a little pale but he was okay. Syn spun back around, “Day. Knock on my damn door like a normal visitor and wait for me to say come in!” Day pfftd, plopping down on the couch. “You don’t invite the wind. The wind just–” “Stop saying that stupid wind bullshit. Because if your door is shut and you weather guard that bitch then the wind stays the fuck out until ... You. Open. The. Door.” Syn’s dark eyes bored into Day’s hazel ones. God’s laugh was raspy, while Day looked bewildered. “But we’re family.” “Oh for fuck’s sake,” Syn grumbled, he had to get going; he had no time to explain to Day about how to behave in civilized society. He turned serious eyes back on Furi. “I gotta go, but I really think–” Furi pulled Syn to him before he could finish the sentence, kissed him hard on the mouth before turning, heading to the bedroom. “Just concentrate on your job and don’t take any officers away from their assignments to follow me. There could be someone out there who really needs their help.” Syn didn’t get to say anything else because Furi had closed the bedroom door. End of discussion.
A.E. Via
Do you think they’ll ever be a place for us? I mean, do you think there’s a place for someone who lives under the radar, someone who has to pretend, someone who is a spy?” “Yes.” Daly said it with such confidence that I sat up in my bed, my cast dangling over the edge. “How do you know?” I asked. “There has to be. I don’t usually philosophize, but I do know one thing.” “What’s that?” “That even when we’re pretending, even when we’re hiding under wigs or accents or clothes that aren’t our style, we can’t hide our nature. Just like I knew from the moment I met you that you would choose this life. And just like I knew, when you told me about this mission, that you would agree to help the CIA find this girl. You would sacrifice yourself and your time with your brother to save someone. It’s just who you are.” “I’ve already messed things up, Daly. What if I’m not good enough? What if I can’t do it?” “That’s the thing, though. You’ll find a way.” I lay back again and buried the side of my face into my pillow. “I’m just not sure how.” “If you continue to think as you’ve always thought, you’ll continue to get what you’ve always got,” Daly said. I considered that. I wasn’t ready to give up. At least not yet. “That one is Itosu wisdom, in case you wondered.” I yawned into the phone. “It’s good advice.” “I’ll let you go. You should be resting. Don’t you have school in the morning?” He said the last part in a teasing tone. “Yeah, if I make it through another day at school. Maybe they’ll get rid of me—kick me out or something. You’d think I would have inherited some of my mom’s artistic genius.” “Can I give you one last bit of advice, Alex?” “Sure.” “Throw it all out the window.” “What?” I stared at my open window. A slight breeze blew the gauzelike drapes in and out as if they were a living creature. “Everything you’ve learned about art, the lines, the colors, the pictures in your head from other artists—just throw it all out. And throw out everything you’ve learned from books and simulations about being a good spy. Don’t try to be like someone else. Don’t force yourself to follow a set of rules that weren’t meant for you. Those work for 99.99% of the people.” “You’re telling me I’m the .01%?” I asked skeptically. “No, I’m telling you you’re not even on the scale.” Daly’s soft breathing traveled through the phone line. “With a mind like yours, you can’t be put in a box. Or even expected to stand outside it. You were never meant to hold still, Alex. You have to stack all the boxes up and climb and keep climbing until you find you. I’m just saying that Alexandra Stewart will find her own way.” The cool night air brushed the skin of my arm and I wished it was Daly’s hand instead. “You sure have a lot of wisdom tonight,” I told him. I expected him to laugh. Instead, the line went silent for a moment. “Because I’m not there. Because I wish I was.” His words were simple, but his message reached inside my heart and left a warmth—a warmth I needed. “Thank you, James.” “Take care, Alex.” I wanted to say more, to keep him at my ear just a little longer. Yet the words itching to break free couldn’t be said from over two thousand miles away. They needed to happen in person. I wasn’t going home until I found Amoriel. Which meant I had to complete this mission. Not just for Amoriel anymore. I had to do it for me. (page 143)
Robin M. King (Memory of Monet (Remembrandt, #3))
There was no way he was going to… But that was exactly what he did. I gasped when I felt his tongue tentatively flick over my hole. I’d never had anyone do this to me before and I had no idea what to expect. I’d never even been sure it was something I wanted because the idea of someone like Reggie rimming me had been a huge turn-off. And I definitely wouldn’t have thought someone who was just starting to explore another side of his sexuality would do anything so intimate. But after the first soft caress, another one followed, then another. And it wasn’t just the tip of Hawke’s tongue that was exploring me. His whole tongue, lips, teeth, they all worked together to put me in an agonizingly blissful haze of sensual pleasure. I felt fingers drifting over my cock and balls and then Hawke fisted my shaft as he continued to play with my hole. I gripped the bedding in between my fingers as the coil of need inside of me started to grow. And then I felt it…Hawke’s tongue probing my hole more forcefully. Before I could even consider what was happening, I felt it push into me and I cried out at the sensation. Hands clamped down on my hips to hold me still, but that didn’t stop me from trying to push back farther on the tongue that was thrusting in and out of me. “Fuck,
Sloane Kennedy (A Family Chosen: Volume 1 (The Protectors and Barrettis #1))
7. Energy. Your degree of personal energy and enthusiasm has a great deal to do with whether or not someone will want to hear the message you are trying to communicate. Believing in what you have to say also helps you to overcome interactive inhibition. If you care passionately about something, your life force will flow naturally, energizing you, and you will be able to focus better on getting the message out to others. Before entering an interactive situation, try “turning yourself on.” Put yourself in a peak state of enthusiasm. This might involve playing a piece of music that makes you feel great or thinking back to a time when you felt absolutely unstoppable. By accessing memories of a time when you felt energetic, you can induce the same state again. 8. Pitch and tone of voice. Speaking in a monotone is a quick way to turn off any audience. Practice using a variety of vocal qualities in your speech. Try using a tape recorder to make sure your voice is pleasant to listen to, and that your message matches your tone of voice. People pick up more from the voice tone than from the actual words you use. 9. Animation and gestures. Don’t be afraid to use your body, especially your hands, to use moderate gestures during conversation. Gestures send signals of enthusiasm and energy. Whenever you speak, you are essentially on stage, and appropriate gesturing helps you to communicate. 10. Ability to hold interest of others. In an interview, be prepared to discuss a variety of topics—not just the job you are applying for. And be sure to ask questions (prepare some in advance if necessary). 11. Commitment. This attribute has to do with caring passionately—about yourself, the other person, and the message you are trying to convey. If you convey that you can make a positive difference in the prospective workplace, you are much more likely to influence the interviewer and leave him or her with a lasting positive impression of you. 12. Ability to make others feel comfortable. In order to make others comfortable, you must first appear comfortable yourself. Practice looking more comfortable and relaxed by watching yourself in the mirror. Encouraging others to speak openly and freely also helps them to feel more comfortable and at ease with you. Dominating a conversation makes others feel uncomfortable very quickly. Asking others for their opinions, feelings, and values opens them up to you equally quickly. In an interview situation, it is usually a good idea to let the interviewer do most of the talking. Again, prepare some questions to get a two-way conversation going. All twelve elements are essential for good communication. They should work together in harmony, and each element should support the overall message you are communicating.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
Swearing through his teeth, Ryan closed the distance between them and enveloped Jamie in a tight hug. “I don’t hate you, you prat,” he said, burying his nose into Jamie’s hair. “Don’t you ever think that.” “I’m sorry,” Jamie whispered. “I fucked up. I didn’t mean to—it just happened.” Ryan pulled back a little to look him in the eye. “Don’t you dare blame yourself for loving someone.” He forced out a teasing smile. “No one can blame you for your excellent taste.” A ghost of a smile touched Jamie’s lips, but his eye-roll was half-hearted at best. His eyes were still shiny, his face very pale. The knowledge that he was the one who had put that look on Jamie’s face made him sick to his stomach. Setting his jaw, Ryan cradled Jamie’s face in his hands. “Listen,” he said, holding Jamie’s gaze intently. “I promise you I’ll do whatever it takes to fix this. If you want to, I’ll find you the best boyfriend in the world. Someone you can fall in love and be happy with. How does that sound, mmm?” The smile Jamie gave him was a little shaky. Ryan told himself it was better than nothing. “You don’t have to do anything,” Jamie said. “I didn’t tell you that because I expected you to do something.” Jamie smiled brighter. “It’s not your fault I’m an idiot. I’ll be fine—” “Stop it,” Ryan said. “Don’t pretend it’s okay.” “It’s not okay,” Jamie said. He smiled at Ryan, a little brokenly, as if he had no clue what that smile was doing to him. “It’s not. But I’m not the first or the last person in the world to love someone I can’t have. I’m not sure what I expected when I decided to tell you. But I didn’t expect anything from you. I know you don’t love me that way. I know you love her, that you’re happy with her.” Jamie’s eyes were a little too bright. “Nothing has to change. Just…just don’t expect me to be your best man when you marry her, okay? I can’t do it, not even for you.” Ryan felt like the ground moved beneath his feet. He could only watch Jamie lie once again that he would be fine, force out another smile and leave. Ryan stood, unmoving, an acid churning deep in the pit of his stomach, and he fought the impulse to retch and break something. Later that night, he didn’t make love to Hannah. He fucked her, hard and rough, pouring out all his frustration and anger, Jamie’s shaky, forced smile before his eyes. When she came, moaning and shuddering around him, he pulled out, rolled out of the bed, and went to the bathroom. He stared at his naked body in the mirror, at his heaving chest and hard dick. He thought of all those times he had unthinkingly, unknowingly hurt Jamie, flaunting how happy he was with Hannah. Of all those times he told Jamie that he loved Hannah. Of all those times he kissed Hannah in front of him. Of all those bright smiles Jamie gave him afterward. Ryan slammed his fist in the mirror.
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
Tips about prayer There is a good indicator that your prayer is “working.” The indicator is this: You begin to notice more the presence of God in the world around you and in the routine of your day. That’s a good sign. (Besides, it’s healthy because now you are seeing things as they are . . . because God is present in all these things.) When you pray, pray. This applies mostly to “public prayers” – grace before meals, a prayer before a meeting, singing a hymn. Don’t “perform” the prayer for others to hear, or simply to do it because you’re supposed to. Pray it. Consciously remind yourself that you are talking directly to God. Don’t force your kind of praying on someone else, or let someone else do this to you. There are a thousand ways to pray. If it tastes good, eat it. If not, try something else. That is why communal prayer should draw upon the most basic forms of prayer. They have the widest appeal. Planners and leaders should not impose their own tastes upon the group. ‘It’s your Church, Lord. I’m going to bed.’ – St. John XXIII’s prayer after a long day
Ken Untener (The Little Black Book for Lent 2017: Six-minute reflections on the Passion according to John)
Everyone has problems, frustrations, and discouragements. Everyone has enemies, or at least people with whom we have conflict. It takes no effort to allow ourselves to be pulled into negative emotions through the things we don’t like. There’s a saying, “Any dead fish can float downstream.” To be carried by our emotions, all we must do is let ourselves go and drift where emotions carry us. If you let your mind wander, chances are it will land on a hurt or something negative and begin brooding. It takes life to swim against the current. Look at the contrast between bitterness and love. These are two opposing forces. One is rooted in the flesh, and one has been given to us by God. Have you ever met a bitter person? Someone who always talks about how they have been wronged, or the things that are wrong in the world? If you spend much time around a negative person, you will adopt negative attitudes. Does a negative person have life? No. Bitterness is a life-sucking emotion. When anger is allowed to rule, it gives birth to bitterness and hatred. These emotions serve no other purpose than to search and destroy. While these may be born from a specific offense, they cannot maintain a single target, and begin attacking our own hearts and minds, and then begin targeting those around us. Negative emotions attempt to rise up, war against our minds, and bring us under its bondage. They are weeds in the garden of our mind. Positive emotions are like fruitful plants, but they cannot thrive when they are being choked out by these weeds.
Eddie Snipes (The Promise of a Sound Mind: God's Plan for Emotional and Mental Health)
While many men indulge freely without any notion of restraint, others are repulsed by their response to pornography. The arousal that they experience sexually is accompanied by a conflicting sense of shame, guilt and/ or anxiety. Such men have a sense that something is just not right about what they are doing. The nagging voice is repressed while viewing pornography, but afterward there is a gnawing sense that we shouldn't have looked. We intuitively know that what we saw was not meant for us. We have intruded into someone's intimate space. To the properly oriented conscience, viewing pornography elicits a healthy sense of guilt. To the seared conscience, one that has been ground down by abuse, fear, selfishness or repeated exposure to sin, pornography is just something you do. The seared conscience is forced either to turn against itself and plunge into the despair of self-loathing and unhealthy shame or to adopt new standards that allow for the acceptability of pornography. That standard may work for a time, but ultimately it leads to hurt, pain and suffering.
William M. Struthers (Wired for Intimacy: How Pornography Hijacks the Male Brain)
Acceptance is a thing... look into it. If it is something in you, about you, done by you... and you aren't happy with it... you don't have to accept it. You have the power to affect change. If it something in someone else, about someone else, done by someone else... and it doesn't directly effect you in a negative way (actual effect, not perceived, mind you) ... you can rally against it, or accept it. While you may have the power in someway to force change on others... acceptance is also totally a real thing... seriously. Look into it. Don't like what others think, or feel, or do with their lives? Neat. Do those things have a direct negative impact on you? If yes, then communicate (in whatever means are situationally appropriate) and seek a positive resolution. If no, then do as I tell my eight and ten year old children... ignore them. You... no matter your age, gender, sexual orientation, belief structure, occupation, or affluence (real or perceived)... You absolutely have the right to accept others. Honest.
Dennis Sharpe
What is it?” she says. “Are you going somewhere?” “Yeah, I’m…” I have to lie, or she’ll try to stop me. “I’m going to see my brother. He’s with the Abnegation, remember?” She narrows her eyes. “I’m sorry to wake you,” I say. “But there’s something I need you to do. It’s really important.” “Okay. Tris, you’re acting really strange. Are you sure you’re not--” “I’m not. Listen to me. The timing of the simulation attack wasn’t random. The reason it happened when it did is because the Abnegation were about to do something--I don’t know what it was, but it had to do with some important information, and now Jeanine has that information…” “What?” She frowns. “You don’t know what they were about to do? Do you know what the information is?” “No.” I must sound crazy. “The thing is, I haven’t been able to find out very much about this, because Marcus Eaton is the only person who knows everything, and he won’t tell me. I just…it’s the reason for the attack. It’s the reason. And we need to know it.” I don’t know what else to say. But Christina is already nodding. “The reason Jeanine forced us to attack innocent people,” she says bitterly. “Yeah. We need to know it.” I had almost forgotten--she was under the simulation. How many Abnegation did she kill, guided by the simulation? How did she feel when she awoke from that dream a murderer? I have never asked, and I never will. “I want your help, and soon. I need someone to persuade Marcus to cooperate, and I think you can do it.” She tilts her head and stares at me for a few seconds. “Tris. Don’t do anything stupid.” I force a smile. “Why do people keep saying that to me?” She grabs my arm. “I’m not kidding around.” “I told you, I’m going to visit Caleb. I’ll be back in a few days, and we can make a strategy then. I just thought it would be better if someone else knew about all this before I left. Just in case. Okay?” She holds my arm for a few seconds, and then releases me. “Okay,” she says. I walk toward the exit. I hold myself together until I’m through the door, and then I feel the tears come. The last conversation I’ll ever have with her, and it was full of lies.
Veronica Roth (Insurgent (Divergent, #2))