Foot Tattoos Quotes

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Let’s say you have an ax. Just a cheap one, from Home Depot. On one bitter winter day, you use said ax to behead a man. Don’t worry, the man was already dead. Or maybe you should worry, because you’re the one who shot him. He had been a big, twitchy guy with veiny skin stretched over swollen biceps, a tattoo of a swastika on his tongue. Teeth filed into razor-sharp fangs-you know the type. And you’re chopping off his head because, even with eight bullet holes in him, you’re pretty sure he’s about to spring back to his feet and eat the look of terror right off your face. On the follow-through of the last swing, though, the handle of the ax snaps in a spray of splinters. You now have a broken ax. So, after a long night of looking for a place to dump the man and his head, you take a trip into town with your ax. You go to the hardware store, explaining away the dark reddish stains on the broken handle as barbecue sauce. You walk out with a brand-new handle for your ax. The repaired ax sits undisturbed in your garage until the spring when, on one rainy morning, you find in your kitchen a creature that appears to be a foot-long slug with a bulging egg sac on its tail. Its jaws bite one of your forks in half with what seems like very little effort. You grab your trusty ax and chop the thing into several pieces. On the last blow, however, the ax strikes a metal leg of the overturned kitchen table and chips out a notch right in the middle of the blade. Of course, a chipped head means yet another trip to the hardware store. They sell you a brand-new head for your ax. As soon as you get home, you meet the reanimated body of the guy you beheaded earlier. He’s also got a new head, stitched on with what looks like plastic weed-trimmer line, and it’s wearing that unique expression of “you’re the man who killed me last winter” resentment that one so rarely encounters in everyday life. You brandish your ax. The guy takes a long look at the weapon with his squishy, rotting eyes and in a gargly voice he screams, “That’s the same ax that beheaded me!” IS HE RIGHT?
David Wong (John Dies at the End (John Dies at the End, #1))
I want one!” The girl stamped her foot just like Elaine had as a child. Maybe she was a princess too? “I don’t think your dad would approve of you getting a tattoo.” “He never approves of anything at all,” Serra frowned. “He’s so mean. You are much kinder. Maybe you can be my dad?” Hadjar choked. The girl’s innocence and naivety always amazed him.
Kirill Klevanski (Sea of Sand (Dragon Heart, #4))
In New York, a fashionably dressed young woman told me, “I am an obsessive lover of footnotes,” then pulled out her phone and showed me a photo of her foot with 7 ibid tattooed on it. I had met my first footnote fetishist!
Ellen Jovin (Rebel With A Clause: Tales and Tips from a Roving Grammarian)
Look, Bob, what part of this don't you understand, eh? It's a matter of style, okay? A proper brawl doesn't just happen. You don't just pile in, not anymore. Now, Oyster Dave here--put your helmet back on, Dave--will be the enemy in front, and Basalt, who, as we know, don't need a helmet, he'll be the enemy coming up behind you. Okay, it's well past knuckles time, let's say Gravy there has done his thing with the Bench Swipe, there's a bit of knife play, we've done the whole Chandelier Swing number, blah blah blah, then Second Chair--that's you, Bob--you step smartly between their Number Five man and a Bottler, swing the chair back over your head, like this--sorry, Pointy--and then swing it right back onto Number Five, bang, crash, and there's a cushy six points in your pocket. If they're playing a dwarf at Number Five, then a chair won't even slow him down, but don't fret, hang on to the bits that stay in your hand, pause one moment as he comes at you, and then belt him across both ears. They hate that, as Stronginthearm here will tell you. Another three points. It's probably going to be freestyle after that but I want all of you, including Mucky Mick and Crispo, to try for a Double Andrew when it gets down to the fist-fighting again. Remember? You back into each other, turn around to give the other guy a thumping, cue moment of humorous recognition, then link arms, swing round and see to the other fellow's attacker, foot or fist, it's your choice. Fifteen points right there if you get it to flow just right. Oh, and remember we'll have an Igor standing by, so if your arm gets taken off do pick it up and hit the other bugger with it, it gets a laugh and twenty points. On that subject, do remember what I said about getting everything tattooed with your name, all right? Igors do their best, but you'll be on your feet much quicker if you make life easier for him and, what's more, it's your feet you'll be on. Okay, positions, everyone, let's run through it again...
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
He still had on last night’s trousers. Not a good sign. However, she had not killed him in his sleep—and that was a good sign. She was probably saving his execution for later, when he could feel it. He stood up straight in front of the mirror. He stuck out his hairy chest. He flexed, popping out tattooed biceps. I am a marine, he said to himself. She is five foot three. He sagged visibly. Who am I kidding? was his next thought. He
Robyn Carr (Shelter Mountain (Virgin River, #2))
There was a risk that Morrison might slip away, and before releasing him, Agent Burger made sure that he’d gone through a rigorous process known as Bertillonage. Devised by the French criminologist Alphonse Bertillon in 1879, it was the first scientific method for identifying repeat criminals. Using a caliper and other special tools, Agent Burger, with the help of the Dallas police, took eleven of Morrison’s body measurements. Among them were the length of his left foot, the width and length of his head, and the diameter of his right ear. After Agent Burger informed Morrison of the purpose of these measurements, he also commissioned a mug shot, another of Bertillon’s innovations. In 1894, Ida Tarbell, the muckraking journalist, wrote that any prisoner who passed through Bertillon’s system would be forever “spotted”: “He may efface his tattooing, compress his chest, dye his hair, extract his teeth, scar his body, dissimulate his height. It is useless.” But Bertillonage was already being displaced by a more efficient method of identification that was revolutionizing the world of scientific detection: fingerprinting. In some cases, a suspect could now be placed at the scene of a crime even without a witness present. When Hoover became the bureau’s acting director, he created the Identification Division, a central repository for the fingerprints of arrested criminals from around the country. Such scientific methods, Hoover proclaimed, would assist “the guardians of civilization in the face of the common danger.
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
Nope.' He grabs my hand and places it over his heart. 'I already know the truth. We’re dating.' His eyebrows waggle. 'Exclusively.' 'Gross.' 'Do you want to wear my letterman’s jacket?' 'I’m going to vomit.' '“Should I buy you a corsage?' 'Seriously. Gagging.' 'Okay, no corsage.' He laughs. 'Just the matching tattoos, then?' 'Seriously.' I fight the urge to stomp my foot. 'Let it go, Parker. Let it go.' 'Hey, Elsa, don’t quote Frozen to me unless you’re prepared to listen to the entire soundtrack in my car on the way to Seaport.' I stare up at him. 'I’m not sure whether I should be disturbed or turned on by the fact that you know all the words to Let It Go.' He grins. 'Definitely turned on.' 'Downloaded in your iTunes library, no doubt.' I shake my head. 'This is nearly as disturbing as the time I learned the song A Whole New World from Aladdin is a metaphor for mind-blowing sex.' 'I’m sorry, what?' 'I can open your eyes? Lead you wonder by wonder? Over, sideways, and under?' I snort. 'Come on. That’s basically soft-core porn.' 'Thank you, Zoe, for ruining a beloved Disney classic for me.' 'Anytime.' 'For the record…' He trails off. I wince, anticipating the worst. 'What?' 'I’ll take you on my magic carpet ride any time you want, snookums.' 'Pass.' 'So, that’s a no on rubbing my lamp then?' 'You know, I think I’ll just find my own way to Nate’s…' I turn and start walking to the elevator. 'Oh, come on.' Parker twines his fingers with mine and pushes the call button, humming under his breath. 'I’m a genie in a bottle, baby, gotta rub—' 'AH!' I stare at him in horror as the elevator arrives. 'So help me god if you start singing vintage Christina Aguilera lyrics right now, I will murder you with my bare hands.
Julie Johnson (One Good Reason (Boston Love, #3))
I look at the marks of my past family every day, the visible ones, the ones that live on my skin. They’ve long since healed over; they no longer open me to anything. But they’re a part of me, of my experience, as much a record of what has come before as any of the others and in some ways more so since I took them on purposefully. They’re choices I made. Even if it is true that we’re counselled to pack away our love letters and our old photos of our lost loves if we want to truly heal from breakups or divorce, my wearing the tokens I couldn’t just pack away ensured that I have struggled and mourned until I healed. That’s worth something. It’s also worth something to remember that even if things ended (and not even all that well), I loved and was loved, risked and was safely caught. In the end, I don’t want to cover that or erase it—I want to celebrate it and carry it forward. The tattoo of Stanley’s left foot on my right thigh is a centimetre at most from the constellation on the same thigh. Like an old tree, I wear every year that I’ve lived inside me, drought or flood, long winter or warm fall, all of them legible in my rings and—like on any old tree—once they become part of the whole, they’re beautiful.
S. Bear Bergman (Blood, Marriage, Wine, & Glitter)
A BLESSING FROM MY SIXTEEN YEARS’ SON I have this son who assembled inside me during Hurricane Gloria. In a flash, he appeared, in a tiny blaze. Outside, pines toppled. Phone lines snapped and hissed like cobras. Inside, he was a raw pearl: microscopic, luminous. Look at the muscled obelisk of him now pawing through the icebox for more grapes. Sixteen years and not a bone broken, not a single stitch. By his age, I was marked more ways, and small. He’s a slouching six foot two, with implausible blue eyes, which settle on the pages of Emerson’s “Self Reliance” with profound belligerence. A girl with a navel ring could make his cell phone buzz, or an Afro’d boy leaning on a mop at Taco Bell— creatures strange as dragons or eels. Balanced on a kitchen stool, each gives counsel arcane as any oracle’s. Dante claims school is harshing my mellow. Rodney longs to date a tattooed girl, because he wants a woman willing to do stuff she’ll regret. They’ve come to lead my son into his broadening spiral. Someday soon, the tether will snap. I birthed my own mom into oblivion. The night my son smashed the car fender, then rode home in the rain-streaked cop cruiser, he asked, Did you and Dad screw up so much? He’d let me tuck him in, my grandmother’s wedding quilt from 1912 drawn to his goateed chin. Don’t blame us, I said. You’re your own idiot now. At which he grinned. The cop said the girl in the crimped Chevy took it hard. He’d found my son awkwardly holding her in the canted headlights, where he’d draped his own coat over her shaking shoulders. My fault, he’d confessed right off. Nice kid, said the cop.
Mary Karr (Now Go Out There: (and Get Curious))
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
None of my tattoos belong to me; other people wore them first. I have Gaga’s Rilke quote on the inside of my arm and Lana del Rey’s paradise on the side of my foot. Rihanna’s stars cascade across my hip; Cara Delevingne’s wasp stings my shoulder. These tattoos belong to people who are free and abundantly themselves. When they walk in, they belong, even though they look like they came from the moon or Mars or the Milky Way. They don’t have scars; they are the scar—the line that separates them from the ordinary is their entire existence. Their tattoos are my icons, little etched Patronus charms that fly across my body. So when I get ink, I get theirs. I reach for what they have; I cling to it in permanent colors.
Saundra Mitchell (All the Things We Do in the Dark)
...You agreed we would be fearless together. I’m gonna need you to keep your promise,” Haley said a little loudly. Falon’s office door opened, and Del stepped inside. “I heard a raised voice,” she said and gave Haley the eye. “Were you out there listening to our conversation?” Falon snapped. “Yes,” Del said unabashedly with her gaze locked on Haley. “I’m Falon’s bodyguard. Don’t let my manicure, impeccable high and lowlighted hair, and makeup fool you. I can have a shoe off my foot in less than half a second and peck you full of holes with the heel before you even know what hit you.” “Del!” Falon exclaimed as she hopped off her stool. “Honey, that might’ve scared me before I met Falon, but I’ve let monkeys climb in my shirt, and I’m about to get a tattoo.” Haley stepped up to Del. “Bring. It. On.
Robin Alexander (Fearless)
I like men who look like they were just dismissed from a police lineup, preferably the young, hard-bodied B-and-E suspects who clear the six-foot mark painted on the cinder-block wall and are only let go because their tattoos don’t match the victim’s description.
Easton, BB
We walk towards nowhere, one foot in front of the other.
Barbara Hodgson (The Tattooed Map)
Why don’t you have a girlfriend, Matt?” I ask. And I really want to know, because it’s unfathomable to me that he’s single. He’s handsome, and he’s so kind. He shakes a finger at me. “There’s a story there,” he says. I settle into the sofa a little deeper and turn so that my feet are pointed toward him, my legs extended. My toes almost touch his thigh. But then he lifts my feet and slides under them, scooting closer to me. “I was in love with a girl. For a long time.” “What happened to her?” I ask. He starts to tickle across my toes, and then his fingertips drag down the top of my foot. It’s a gentle sweep, and it feels so good that I don’t want him to stop. His fingers play absently as he starts to talk. “When I got the diagnosis,” he says, “she couldn’t deal with it.” “Cancer?” I ask. He nods. His fingers drag up and down my shin, and he slides around to stroke the back of my knee. I don’t stop him when his hand slides beneath my skirt, although I do tense up. He smiles when he finds the top of my thigh-highs, and he unclips the little fastener that attaches them to my garters. He repeats the action on the other side, his hands teasing the sensitive skin of my inner thigh as he frees the stocking and rolls it down. He pulls it all the way over my foot, and does the same with the other side. I am suddenly really glad I shaved my legs this morning. I wiggle my toes at him, and he starts to stroke me again. I don’t ever want him to stop. “This okay?” he asks. But he’s not looking at my face. He’s looking at my legs. “Yeah,” I breathe. “Keep talking. You got diagnosed…” “I got diagnosed, and the prognosis wasn’t good. I went through chemo and got a little better. But then I needed a second round. Things didn’t look good, and we were flat broke. I couldn’t work at the tattoo parlor anymore because my immune system was too weak, so I had no money coming in. I was poor and sick, and she didn’t love me enough to walk the path with me.” He shrugs, but I can tell he’s serious. “She cheated with my best friend.” He shrugs again. “And that’s the end of that sad story.” “You still love her?” I ask. I don’t breathe, waiting for his answer. He shakes his head and looks up. “I did love her for a long time. And I haven’t been looking for a relationship. I haven’t dated anyone since her. But I’m not in love with her anymore. I know that now.” “Why now?” I ask. He looks directly into my eyes and says, “Because I met you, and I feel really hopeful that you’ll want to go after something real with me. I know we just met and all, but I was serious about making you fall in love with me.” He laughs. “Then you hit me in the nose tonight, and I knew it was meant to be.” “What?” I have no idea what he’s talking about. “When my brother Logan met Emily, she punched him in the face. And when Pete and Reagan first started dating, she hit him in the nose.” He reaches up and touches his nose gently. “So, when you hit me tonight, I just knew it was meant to be.” He grins. “I hope you feel the same way, because I really want to see where this thing is going to go.” “So the women your brothers fell in love with, they committed bodily harm to them and that’s how you guys knew it was real?” “We kind of have a rule. If a woman punches you in the face, you have to marry her.” He laughs. “I didn’t punch you.” “Same difference,” he says. “That’s my story and I’m sticking to it.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
How about we up the stakes? I win, you talk to me.” Now it was my turn to raise my eyebrows. “I’m afraid to ask what you mean by talk…” “Exactly that. I win, I get thirty minutes of your time tonight.” “To charm me and lie to me and pretend to be whoever you think I want?” “Nope. Tonight it’s me, in case you haven’t noticed. The real Rafe Martinez. A special one-night appearance.” “And if I win?” He grinned. “Then you get to spend thirty minutes with me, lucky birthday girl.” I laughed and motioned for Daniel to start the countdown. Rafe still pulled the “I don’t know what I’m doing” routine, starting slow and cautious, hoping I’d second-guess my assessment and take it easy. I didn’t. He realized that when my foot reached his shoulder level. By the midpoint, he’d shot up to my waist, but his muttered curses told me he’d underestimated how good I was--or overestimated how good he was--and it was clear he wasn’t going to catch up in time. So I stopped. Daniel leaned over and mouthed, “What are you doing?” Below, the others yelled, a cacophony of shouts and cheers and jeers. Rafe reached up, his bracelet hitting the rock with a ping. I glanced at it. A worn rawhide band with a cat’s-eye stone. I could see his tattoo better, too, as he pulled himself up, and I recognized the symbol. A crow mother kachina. Hopi. As he drew up alongside me, he cocked one brow. “You really want that kiss don’t you?” he said. “No, I just want to see what you can really do.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
Finishing her cigarette, Raven put it out in the ashtray then sighed. “I never really bought into the God thing. Religion felt like a lie men told to make people listen to them. Mostly, it seemed dumb to think a magic man in the sky cared about us. Like if I was a magic man and could make the earth or whatever, I wouldn’t waste time on helping out losers.” Raven set the ashtray on the ground and crossed her arms as if cold. “I see what Lark has now with you, this house, the ugly dogs, her friends, and now the baby. It makes me think God might exist. While losers run in our family, Lark could be more if she let herself. Now she has more and I think God might have helped her out. I prayed someone would. Even not believing, I prayed and told God if He was real and wanted me to believe that He needed to help Lark. I guess He heard me because she’s happy like I’ve never seen her happy before. Not even when Phoenix was alive and we were the best we ever were as a family.” “I’m glad you’re here and you’re welcome to stay as long as you want, but, Raven, my dogs aren’t ugly.” She laughed and tapped her foot against mine. “You’re a good guy. I know I said that before, but I didn’t think you would be. I’ve been around and good guys are rare.” “They exist though.” Raven nodded. “I need to quit men the way I need to quit smoking. Just go cold turkey. If I try to be rational about it, I’ll fool myself into falling for another creep. No, just say enough is enough all that shit. Focus on other stuff like a job and roller derby and family.” “If you ever get sick of living here, the Johanssons have an apartment that Cooper used to live in.” “There are plenty of apartments in Ellsberg.” “Yeah, but if you want to avoid loser men, those apartments won’t help. They’re full of assholes. College shitheads and lowlife fuckers. If you stay out there with the Johanssons, no man will bother you. You might even like Bailey. She’s an acquired taste, but a good friend if you can deal with her mouth.” “Bossy bitches are my favorite,” Raven said, pulling her knees up to her chest. “No hurry moving out though. Lark is feeling unsure about stuff and having you here makes her feel more centered. Like she’s combining her old life with her new one and it fits.” “I just have one question, bud,” Raven said, standing up and ready to leave the cold evening. “Are you planning to fix her damn worm?” “I don’t normally tattoo pregnant women.” “You really going to have your kid born to a chick with a worm tattoo?” Smiling at Raven, I nodded. “I don’t want to do anything to jinx the pregnancy. Since we’ve been together, Lark was hurt by Larry, got into a fight with my ex, and had to hide under the table during a bar brawl. I want the rest of her pregnancy to be as pain free as possible.” “Sissy,” she said, grinning. “I’m really glad you aren’t an asshole. It was a pleasant surprise.” “Glad you approve, but don’t mock my dogs again and stop barking at Pollack.” “Fuck off,” she said over her shoulder while walking inside.
Bijou Hunter (Damaged and the Cobra (Damaged, #3))
He glances at my tattooed hand again—probably looking for a gang symbol, which he won’t find. Then he studies my face, like he’s trying to memorize it for the cops, just in case: about seventeen years old, olive-skinned male, dark brown hair, hazel eyes, five foot eight, looks like a homeless junkie. He’d be right about everything but the junkie part. I am homeless these days. Everything I own is in the backpack I’m wearing.
Rachel A. Marks (Darkness Brutal (The Dark Cycle #1))
into the burning end of a torch. Someone was running across the cleared land, torch held high, and I could hear, above the soughing of the wind in the banyan trees, a voice shouting, ‘Tusitala! Come quick!’ Tusitala—teller of tales—is how I am known in the native tongue, and now I could tell that it was the voice of one of my boys, Malaki, who has helped clear the brush and dig the well. He arrived panting at the foot of the porch—his bare brown legs are crisscrossed with so many tattoos that they look as if he wears lace breeches. ‘Keep your voice down!
Robert Masello (The Jekyll Revelation)
I’ve always said I didn’t want an ordinary life. Nothing average or mundane for me. But as I stared at the rather ample naked derriere wiggling two inches from my face today, I realized I should have been more specific with my goals. Definitely not ordinary, but not exactly what I had in mind. The Texas-flag tattoo emblazoned across the left cheek waved at me as she shifted her weight from foot to foot. The flag was distorted and stretched, as was the large yellow rose on the right cheek, both tattoos dotted with dimples and pock marks. An uneven script scrawled out “The Yellow Rose of Texas” across the top of her rump. Her entire bridal party—her closest friends and relatives, mind you—had left her high and dry. They’d stormed off the elevator as I tried to enter it, a flurry of daffodil-yellow silk, spouting and sputtering about their dear loved one, Tonya the bride. “That’s it! We’re done!” They sounded off in a chorus of clucking hens. “We ain’t goin’ back in there. She can get ready on her own!” “Yeah, she can get ready on her own!” “Known her since third grade and she’s gonna talk to me like that?” “Third grade? She’s my first cousin. I’ve known her since the day she was born. She’s always been that way. I don’t know why y’all acting all surprised.” I felt more than a little uneasy about what all this meant for our schedule. The ceremony was supposed to start in fifteen minutes. The bride should have already been downstairs and loaded in the carriage to make her way to the hotel’s beach. My unease grew to panic when I knocked on Tonya’s door and she opened it clad only in a skimpy little satin robe. “Honey, you’re supposed to be dressed and downstairs already.” I tried to say it as sweetly as possible, but I’m sure my panic came through. My Southern accent kicked in thick, which usually only happens when I’m panicked or frustrated. Or pissed. Or drunk. “Do you think I don’t know that?” she asked, arching a perfectly drawn-on eyebrow. “Do you think somehow when I booked this wedding and had invitations printed and planned the entire damned event, I somehow didn’t realize what time the ceremony started? And just who the hell are you anyway?” Well, alrighty then. Obviously this was going to be a fun day. “Um, I’m Tyler Warren. I’m assisting Lillian with your wedding today.” “Fine. Those bitches left me with my nails wet.” She held up both hands to show me the glossy, fresh manicure. “How the hell am I supposed to get dressed with wet nails?” she asked, arching both eyebrows now and glaring at me like I was somehow responsible for this. “Oh.” My mind spun with the limited time frame I had available, the amount of clothing she still needed to put on, and the amount of time it would take to get her in the carriage and to the ceremony. “Give me just a second to let Lillian know we’ll be down shortly.” I smiled what I hoped was my sweetest smile and stepped backward into the hallway. She slammed the door as I frantically dialed Lillian’s cell. “You’d better be calling to tell me she is in the carriage and on her way,” Lillian said. “It is hotter than Hades out here. I have several people looking like they’re about to faint, and I may possibly dunk a cranky, tuxedoed five-year-old
Violet Howe (Diary of a Single Wedding Planner (Tales Behind the Veils, #1))
Prevne was crawling with agents, he went, even if you went to buy a newspaper your identification was checked. "Easier to have it tattooed on, like you," said Kasimir, "Move your foot, Stefan."—"Move your fat rump, then."—" Oh, mine are German numbers, out of date. A few more wars and I'll run out of skin." --- "Shed it, then, like a snake."---No, they go right down to the bone." --- Shed your bones, then," Stefan said, *be a jellyfish. Be an amoeba. When they pin me down, I bud off. Two little spineless Stefans where they thought they had one MR 64100282A. Four of them, eight, sixteen thirty-two sixty-four a hundred and twenty-eight, I would entirely cover the surface of the globe were it not for my natural enemies.
Ursula K. Le Guin (Orsinian Tales)
...You can always tell a Party Girl by her foot tattoo...
Inejiro Koizumi
After lunch we went to have our feet nibbled by hundreds of tiny fish. Then, after that- just kidding, I'll explain. The onsen offers a skin treatment where you dip your feet into a shallow pool stocked with Garra rufa, also known as doctor fish, which perform primitive exfoliation by slurping dead skin off your feet with their tiny jaws. This is illegal in most U.S. states, where health authorities believe that sharing fish between customers is as sanitary as sharing unsterilized tattoo needles. I find this reasoning persuasive. Naturally, we all went and joined a random stranger at the fish pool. I'd heard of this fish treatment before, probably from a "hey, you've got to see this" link passed around online, and somehow I had the idea that it involved the occasional wayward fish sidling up to your foot. Try dozens, hundreds, all gnawing simultaneously. You can feel the little bites. At first it provoked a deep-seated piranha fear which I quelled by sitting still, taking deep breaths, and telling myself I had nothing to worry about other than blood-borne diseases. After that, it proved quite relaxing, although I did give up before my allotted fifteen minutes and went back to the painful reflexology pool where you walk around barefoot on jagged rocks. My feet are still baby soft, but when I need my next treatment, I'll post to Craigslist. Need feet nibbled. Will pay.
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
Ryder would be more my type if we hadn’t known each other since we were in diapers. Six-foot-three, ripped, thighs like tree trunks, and an ass to die for. His ass actually makes me a little jealous. Dark hair and dark brown eyes. Thin hoops in each nostril, tattoos everywhere. The perfect definition of a broody alpha hole.
Ames Mills (Riches to Riches: Part One (Abbs Valley, #1))
Dexton Barlow. Twenty-six. When Alessa took over, he rose through the ranks quickly. Six-foot-six, easily two hundred and sixty pounds of pure muscle. Covered in tattoos. Thick, dark brown hair that is long enough to cover the scar that runs down the side of his head. Pretty sure he can crush me under his boot. Or with his bare hands.
Ames Mills (Riches to Riches: Part One (Abbs Valley, #1))
His skin was darker than I'd remembered- golden now, rather than pale. Pale, from being locked Under the Mountain for fifty years. I scanned him, searching for any sign of the massive, membranous wings- the ones he'd admitted he'd loved flying with. But there was none. Just the male, smirking at me. And that too-familiar expression- 'How dare you-' Rhys snorted. 'I certainly missed that look on your face.' He stalked closer, his movements feline, those violet eyes turning subdued- lethal. 'You're welcome, you know.' 'For what?' Rhys paused less than a foot away, sliding his hands into his pockets. The night didn't seem to ripple from him here- and he appeared, despite his perfection, almost normal. 'For saving you when asked.' I stiffened. 'I didn't ask for anything.' His stare dipped to my hand. Rhys gave no warning as he gripped my arm, snarling softly, and tore off the glove. His touch was like a brand, and I flinched, yielding a step, but he held firm until he'd gotten both gloves off. 'I heard you begging someone, anyone, to rescue you, to get you out. I heard you say no.' 'I didn't say anything.' He turned my bare hand over, his hold tightening as he examined the eye he'd tattooed. He tapped the pupil. Once. Twice. 'I heard it loud and clear.' I wrenched my hand away. 'Take me back. Now. I didn't want to be stolen away.' He shrugged. 'What better time to take you here? Maybe Tamlin didn't notice you were about to reject him in front of his entire court- maybe you can now simply blame it on me.' 'You're a bastard. You made it clear enough that I had... reservations.' 'Such gratitude as always.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))