Foot Bridge Quotes

Policemen and security guards wear hats with a peak that comes down low over their eyes. Apparently this is for psychological reasons. Eyebrows are very expressive and you appear a lot more authoritative if you keep them covered up. The advantage of this is that it makes a lot harder for cops to see anything more than six foot off the ground. Which is why painting rooftops and bridges is so easy.

I am a woman with a foot in both worlds; and I refuse the split. I feel the necessity for dialogue. Sometimes I feel it urgently.

Up on the Brooklyn Bridge a man is standing in agony, waiting to jump, or waiting to write a poem, or waiting for the blood to leave his vessels because if he advances another foot the pain of his love will kill him.

I raised my foot and deliberately stomped on the bridge. "This is my foot. I put it down. Deal with it.

A walk?" said Catharine. "One foot in front of the other," said Newt, "through leaves, over bridges---

LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.

…brotherhood of the firstborn, which can be both a blessing and a curse: the overwhelming attention to the detail of their lives and development. The expectations that run too high: being the bridge between adults and children, one foot in either place and the accompanying hollow lonely feeling of being nowhere.

One foot in front of the other—through leaves, over bridges," said Newt.

They say she's a girl like a garden, it said. "All roses and lavender and spider mums. Too bright, too bright to be there. One foot among the dead, one foot among the living, like a little breathing bridge. Oh, how I'd love to see her. What a pretty, pretty sight she must be.

Children’s literature must build a bridge between the colorful dream world full of fantasy and illusion, and a tougher real world full of twists and turns. The child armed with the torch of knowledge, awareness and guidance must cross this bridge and set foot to the intense harshness of the bigger world.” An In-Depth Analysis of Educational Deadlock

Lightning struck five feet away. Becca screamed. Then lightning hit the other end of the bridge, almost directly hitting the Guide. Chris froze. Another bolt, five feet off. The man darted back, away from the bridge, fighting to keep his footing in the wind. Another bolt. And another. Lightning rained from the sky, targeting their enemy. The Guide ran. "Yeah," growled a voice from behind them. "Watch that fucker run now.

I wasn't entirely surprised to find Elodin on Stonebridge. Very little about the Master Namer surprised me these days. He sat on the waist-high stone lip of the bridge, swinging his bare feet over the hundred-foot drop to the river below. "Hello Kvothe," he said without turning his eyes from the churning water. "Hello, Master Elodin," I said. "I'm afraid I'm going to be leaving the University for a term or two." "Are you really afraid?" I noticed a whisper of amusement in his quiet, resonant voice.

.... So Cu Chulainn asked and he asked, and at length he learned that the best teacher of the arts of war was a woman, Scathach, a strange creature who lived on a tiny island off the coast of Alba." "A woman?" someone echoed scornfully. "How could that be?" "Ah, well, this was no ordinary woman, as our hero soon found out for himself. When he came to the wild shore of Alba and looked across the raging waters to the island where she lived with her warrior women, he saw that there could be a difficulty before he even set foot there. For the only way across was by means of a high, narrow bridge, just wide enough for one man to walk on. And the instant he set his foot upon its span, the bridge began to shake and flex and bounce up and down, all along its considerable length, so that anyone foolish enough to venture farther along it would straightaway be tossed down onto the knife-sharp rocks or into the boiling surf." "Why didn't he use a boat?" asked Spider with a perplexed frown. "Didn't you hear what Liadan said?" Gull responded with derision. "Raging waters? Boiling surf? No boat could have crossed that sea, I'd wager.

To step inside a sealed, twelve-by-twelve-foot space with a wild animal that is many times your size is extremely hazardous to say the least. Yet sending these frightened animals out into the real world without giving them tools to safely deal with a new environment...could be disastrous. It would not be unlike sending a soldier on a mission without any training. Clearly, it was not a scenario lending itself toward safety or success for either horse or new owner.

Here the children have a custom. After the celebration of evil they take those vacant heads that shone once with such anguish and glee and throw them over the bridge, watching the smash, orange, as they hit below, We were standing underneath when you told it. People do that with themselves when they are finished, light scooped out. He landed here, you said, marking it with your foot. You wouldn't do it that way, empty, you wouldn't wait, you would jump with the light still in you.

One soft humid early spring morning driving a winding road across Mount Tamalpais, the 2,500-foot mountain just north of the Golden Gate Bridge, a bend reveals a sudden vision of San Francisco in shades of blue, a city in a dream, and I was filled with a tremendous yearning to live in that place of blue hills and blue buildings, though I do live there, I had just left there after breakfast.

A bridge wants to not be. If it could choose its shape, a bridge would be no shape, an unspace to link One-place-town to Another-place-town over a river or a road or a tangle of railway tracks or a quarry, or to attach an island to another island or to the continent from which it strains. The dream of a bridge is of a woman standing at one side of a gorge and stepping out as if her job is to die, but when her foot falls it meets the ground right on the other side. A bridge is just better than no bridge but its horizon is gaplessness, and the fact of itself should still shame it.

A rumbling began from somewhere in the direction of the Ice Court. “Oh, Saints, please let that be Jesper,” she pleaded as they pulled themselves over the lip of the gorge and looked back at the bridge festooned with ribbons and ash boughs for Hringkalla. “Whatever is coming, it’s big,” said Matthias. “What do we do, Kaz?” “Wait,” he said as the sound grew louder. “How about ‘take cover?’” Nina asked, bouncing nervously from foot to foot. “‘Have heart?’ ‘I stashed twenty rifles in this convenient shrubbery?’ Give us something.

Keep going, one foot in front of the other, millions of times. Face forward and take the next step. Don’t flinch when the road or gets rough, you fall down, you miss a turn, or the bridge you planned to cross has collapsed. Do what you say you’ll do, and don’t let anything or anyone stop you. Deal with the obstacles as they come. Move on. Keep going, no matter what, one foot in front of the other, millions of times.

And then they set foot on Night’s Bridge, and Richard began to understand darkness: darkness as something solid and real, so much more than a simple absence of light. He felt it touch his skin, questing, moving, exploring—gliding through his mind. It slipped into his lungs, behind his eyes, into his mouth . . .

With every foot I bridged between us, I screamed more loudly at myself to turn back and deny him, but I could only manage to come closer.

Los puentes colgantes / Floating Bridges" Oh what a crush of People Invisible, reborn Make their way to into this garden For their eternal rest Every step we take on earth Brings us to a new world Every foot supported On a floating bridge I know there is no straight road No straight road in this world Only a giant labyrinth Of intersecting crossroads And steadily our feet Keep walking and creating Like enormous fans These roads in embryo Oh garden of white Oh garden of all I am not All I could And should have been I know there is no straight road No straight road in this world Only a giant labyrinth Of intersecting crossroads Comprendo que no existe El camino derecho Solo un gran labertino De encrucijadas multiples

There is a dream, a grand idealism, that mixed-race people are the hope for change, the peacekeepers, we are the people with an other understanding, with an invested interest in everyone being treated equally as we have a foot and a loyalty in many camps, with all shades. We are like love bombs planted in the minefield of black and white. It is as if our parents intended to make us, with courage, and on purpose, as vessels of empathy, bridges for the cultural divide and diplomats for diversity and equality." (from "The Good Immigrant" by Nikesh Shukla)

The Prophet ﷺ said, “The most beloved people to Allah are those who are most beneficial to the people. The most beloved deed to Allah is to make a Muslim happy, or to remove one of his troubles, or to forgive his debt, or to feed his hunger. That I walk with a brother regarding a need is more beloved to me than that I seclude myself in this mosque in Medina for a month. Whoever swallows his anger, then Allah will conceal his faults. Whoever suppresses his rage, even though he could fulfill his anger if he wished, then Allah will secure his heart on the Day of Resurrection. Whoever walks with his brother regarding a need until he secures it for him, then Allah the Exalted will make his footing firm across the bridge on the day when the footings are shaken.”19

In some of the early northern European paintings, Christ looks like you flushed him out from under a bridge, but in Sunday-school books and the sorts of pictures they sell at Christian supply stores, he falls somewhere between Kenny Loggins and Jared Leto, always doe-eyed and, of course, white, with brown—not black—hair, usually wavy. And he always has a fantastic body, shown at its best on the cross, which—face it—was practically designed to make a man's stomach and shoulders look good. What would happen, I often wonder, if someone sculpted a morbidly obese Jesus with titties and acne scars, and hair on his back? On top of that, he should be short—five foot two at most. "Sacrilege!" people would shout. But why? Doing good deeds doesn't make you good-looking.

All roads were open to them, onward to infinity; on most of those roads they would never even set foot, but nonetheless the intoxicating lust for life lay in the fact that they could (in theory at least) be free to choose which they would and dare to cross from one to the other.

He looked a moment at his "unsteadfast footing," then let his gaze wander to the swirling water of the stream racing madly beneath his feet. A piece of dancing driftwood caught his attention and his eyes followed it down the current. How slowly it appeared to move! What a sluggish stream!

The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!

Soon the air of the high place was blowing in through the gaps in the masonry, the open bays, where the wind flowed like water round the arches of a bridge. Borluut felt refreshed fanned by this sea-breeze coming from the beaches of the sky: It seemed to be sweeping up dead leaves inside him. New paths, leading elsewhere, appeared in his soul; fresh clearings were revealed. Finally he found himself. Total oblivion as a prelude to taking possession of one's self! He was like the first man on the first day to whom nothing has yet happened. The delights of metamorphosis. He owed them to the tall tower, to the summit he had gained where the battlemented platform was ready for him, a refuge in the infinite. From that height he could no longer see the world, he no longer understood it. Yes, each time he was seized with vertigo, with a desire to lose his footing, to throw himself off, but not towards the ground, into the abyss with its spirals of belfries and roofs over the depths of the town below. It was the abyss above of which he felt the pull. He was more and more bewildered. Everything was becoming blurred - before his eyes, inside his head - because of the fierce wind, the boundless space with nothing to hold on to, the clouds he had come too close to, which long continued to journey on inside him. The delights of sojourning among the summits have their price.

The author called us to re-examine assumptions bequeathed to us from Greece and Rome. Just as a bridge built by the Roman Empire might have held up tolerably for centuries under foot traffic but crumble under the weight of a modern truck, the author cautions that classical thinking had limits exposed by contemporary events and certainly exposed by the modern world.

They rang the bell; the thug lashed out at them as soon as he opened the door, but Ove’s fist struck the bridge of his nose. The man lost his footing, got up, grabbed a kitchen knife, and ran at Ove. He never got there. Rune’s massive fist slugged him like a mallet. In his heyday he was quite a piece, that Rune. Highly unwise to get involved in fisticuffs with him.

Abruptly, Lara found herself flat on her back, her chair having been yanked out from under her with a quick jerk of her sister’s foot under the table. “You are such a bitch,” Lara muttered, rubbing the back of her head while Cresta and Bronwyn laughed. Sarhina circled the table, then bent down so that they were nose to nose. “I’m in charge, Your Majesty. Understood?

Zet and Lottie swam into New York City from the skies—that was how it felt in the Pacemaker, rushing along the Hudson at sunrise. First many blue twigs overhanging the water, than a rosy color, and then the heavy flashing of the river under the morning sun. They were in the dining car, their eyes were heavy. They were drained by a night of broken sleep in the day coach, and they were dazzled. They drank coffee from cups as heavy as soapstone, and poured from New York Central pewter. They were in the East, where everything was better, where objects were different. Here there was deeper meaning in the air. After changing at Harmon to an electric locomotive, they began a more quick and eager ride. Trees, water, sky, and the sky raced off, floating, and there came bridges, structures, and at last the tunnel, where the air breaks gasped and the streamliner was checked. There were yellow bulbs in wire mesh, and subterranean air came through the vents. The doors opened, the passengers, pulling their clothing straight, flowed out and got their luggage, and Zet and Lottie, reaching Forty-second Street, refugees from arid and inhibited Chicago, from Emptyland, embraced at the curb and kissed each other repeatedly on the mouth. They had come to the World City, where all behavior was deeper and more resonant, where they could freely be themselves, as demonstrative as they liked. Intellect, art, the transcendent, needed no excuses here. Any cabdriver understood, Zet believed.

There was just enough room for the tonga to get through among the bullock-carts, rickshaws, cycles and pedestrians who thronged both the road and the pavement--which they shared with barbers plying their trade out of doors, fortune-tellers, flimsy tea-stalls, vegetable-stands, monkey-trainers, ear-cleaners, pickpockets, stray cattle, the odd sleepy policeman sauntering along in faded khaki, sweat-soaked men carrying impossible loads of copper, steel rods, glass or scrap paper on their backs as they yelled 'Look out! Look out!' in voices that somehow pierced though the din, shops of brassware and cloth (the owners attempting with shouts and gestures to entice uncertain shoppers in), the small carved stone entrance of the Tinny Tots (English Medium) School which opened out onto the courtyard of the reconverted haveli of a bankrupt aristocrat, and beggars--young and old, aggressive and meek, leprous, maimed or blinded--who would quietly invade Nabiganj as evening fell, attempting to avoid the police as they worked the queues in front of the cinema-halls. Crows cawed, small boys in rags rushed around on errands (one balancing six small dirty glasses of tea on a cheap tin tray as he weaved through the crowd) monkeys chattered in and bounded about a great shivering-leafed pipal tree and tried to raid unwary customers as they left the well-guarded fruit-stand, women shuffled along in anonymous burqas or bright saris, with or without their menfolk, a few students from the university lounging around a chaat-stand shouted at each other from a foot away either out of habit or in order to be heard, mangy dogs snapped and were kicked, skeletal cats mewed and were stoned, and flies settled everywhere: on heaps of foetid, rotting rubbish, on the uncovered sweets at the sweetseller's in whose huge curved pans of ghee sizzled delicioius jalebis, on the faces of the sari-clad but not the burqa-clad women, and on the horse's nostrils as he shook his blinkered head and tried to forge his way through Old Brahmpur in the direction of the Barsaat Mahal.

… Where are the ways through black wastes? God, do not abandon us! What are you summoning, God? Raise your hand up to the darkness above you, pray, despair, wring your hands, kneel, press your forehead into the dust, cry out, but do not name Him, do not look at Him. Leave Him without name and form. What should form the formless? Name the nameless? Step onto the great way and grasp what is nearest. Do not look out, do not want, but lift up your hands. The gifts of darkness are full of riddles. The way is open to whomever can continue in spite of riddles. Submit to the riddles and the thoroughly incomprehensible. There are dizzying bridges over the eternally deep abyss. But follow the riddles. Endure them, the terrible ones. It is still dark, and the terrible goes on growing. Lost and swallowed by the streams of procreating life, we approach the overpowering, inhuman forces that are busily creating what is to come. How much future the depths carry! Are not the threads spun down there over millennia? Protect the riddles, bear them in your heart, warm them, be pregnant with them. Thus you carry the future. The tension of the future is unbearable in us. It must break through the narrow cracks, it must force new ways. You want to cast off the burden, you want to escape the inescapable. Running away is deception and detour. Shut your eyes so that you do not see the manifold, the outwardly plural, the tearing away and the tempting. There is only way and that is your way; there is only one salvation and that is your salvation. Why are you looking around for help? Do you believe that help will come from outside? What is to come will be created in you and from you. Hence look into yourself. Do not compare, do not measure. No other way is like yours. All other ways deceive and tempt you. You must fulfil the way that is in you. Oh, that all men and all their ways become strange to you! Thus might you find them again within yourself and recognize their ways. But what weakness! What doubt! What fear! You will not bear going your way. You always want to have at least one foot on paths not your own to avoid the great solitude! So that maternal comfort is always with you! So that someone acknowledges you, recognizes you, bestows trust in you, comforts you, encourages you. So that someone pulls you over onto their path, where you stray from yourself, and where it is easier for you to set yourself aside. As if you were not yourself! Who should accomplish your deeds? Who should carry your virtues and your vices? You do not come to an end with your life, and the dead will besiege you terribly to live your unlived life. Everything must be fulfilled. Time is of the essence, so why do you want to pile up the lived and let the unlived rot?

Here there is buried legend after legend of youth and melancholy, of savage nights and mysterious bosoms dancing on the wet mirror of the pavement, of women chuckling softly as they scratch themselves, of wild sailors’ shouts, of long queues standing in front of the lobby, of boats brushing each other in the fog and tugs snorting furiously against the rush of tide while up on the Brooklyn Bridge a man is standing in agony, waiting to jump, or waiting to write a poem, or waiting for the blood to leave his vessels because if he advances another foot the pain of his love will kill him.

But between them and the foot of the sky there was something so white on the green grass that even with their eagles’ eyes they could hardly look at it. They came on and saw that it was a Lamb. “Come and have breakfast,” said the Lamb in its sweet milky voice. Then they noticed for the first time that there was a fire lit on the grass and fish roasting on it. They sat down and ate the fish, hungry now for the first time for many days. And it was the most delicious food they had ever tasted. “Please, Lamb,” said Lucy, “is this the way to Aslan’s country?” “Not for you,” said the Lamb. “For you the door into Aslan’s country is from your own world.” “What!” said Edmund. “Is there a way into Aslan’s country from our world too?” “There is a way into my country from all the worlds,” said the Lamb; but as he spoke his snowy white flushed into tawny gold and his size changed and he was Aslan himself, towering above them and scattering light from his mane. Oh, Aslan,” said Lucy. “Will you tell us how to get into your country from our world?” “I shall be telling you all the time,” said Aslan. “But I will not tell you how long or short the way will be; only that it lies across a river. But do not fear that, for I am the great Bridge Builder.

Amsterdam, I dreamed about my mother for the first time in years. I’d been shut up in my hotel for more than a week, afraid to telephone anybody or go out; and my heart scrambled and floundered at even the most innocent noises: elevator bell, rattle of the minibar cart, even church clocks tolling the hour, de Westertoren, Krijtberg, a dark edge to the clangor, an inwrought fairy-tale sense of doom. By day I sat on the foot of the bed straining to puzzle out the Dutch-language news on television (which was hopeless, since I knew not a word of Dutch) and when I gave up, I sat by the window staring out at the canal with my camel’s-hair coat thrown over my clothes—for I’d left New York in a hurry and the things I’d brought weren’t warm enough, even indoors. Outside, all was activity and cheer. It was Christmas, lights twinkling on the canal bridges at night; red-cheeked dames en heren, scarves flying in the icy wind, clattered down the cobblestones with Christmas trees lashed to the backs of their bicycles. In the afternoons, an amateur band played Christmas carols that hung tinny and fragile in the winter air. Chaotic room-service trays; too many cigarettes; lukewarm vodka from duty free. During those restless, shut-up days, I got to know every inch of the room as a prisoner comes to know his cell. It was my first time in Amsterdam; I’d seen almost nothing

All of the hows will be meaningless until your whys are powerful enough. Until you’ve set your desire and motivation in place, you’ll abandon any new path you seek to better your life. If your why-power—your desire—isn’t great enough, if the fortitude of your commitment isn’t powerful enough, you’ll end up like every other person who makes a New Year’s resolution and gives up too quickly and reverts to sleepwalking through poor choices. Let me give you an analogy to help bring it home: If I were to put a ten-inch-wide, thirty-foot-long plank on the ground and say, “If you walk the length of the plank, I’ll give you twenty dollars,” would you do it? Of course, it’s an easy twenty bucks. But what if I took that same plank and made a roof-top “bridge

During my time at Eton, I led regular nighttime adventures, and word spread. I even thought about charging to take people on trips. I remember one where we tried to cross the whole town of Eton in the old sewers. I had found an old grill under a bridge that led into these four-foot-high old brick pipes, running under the streets. It took a little nerve to probe into these in the pitch black with no idea where the hell they were leading you; and they stank. I took a pack of playing cards and a flashlight, and I would jam cards into the brickwork every ten paces to mark my way. Eventually I found a manhole cover that lifted up, and it brought us out in the little lane right outside the headmaster’s private house. I loved that. “All crap flows from here,” I remember us joking at that time.

People stepping up and down should not be a problem, and even the 1-Hertz sideways back-and-forth movement of humans walking should not have been a problem, as everyone is likely to be stepping at different times. For anyone pushing with their right foot, another person would be pushing with their left, and all the forces would pretty much cancel each other out. This sideways resonance would only be a problem if enough people walked perfectly in step. This is the “synchronous” in “synchronous lateral excitation” from pedestrians. On the Millennium Bridge, people did start to walk in step, because the movement of the bridge affected the rhythm at which they were walking. This formed a feedback loop: people stepping in sync caused the bridge to move more, and the bridge moving caused more people to step in sync.

We walked on and circled the island. The river was dark and a bateau mouche went by, all bright with lights, going fast and quiet up and out of sight under the bridge. Down the river was Notre Dame squatting against the night sky. We crossed to the left bank of the Seine by the wooden foot-bridge from the Quai de Bethune, and stopped on the bridge and looked down the river at Notre Dame. Standing on the bridge the island looked dark, the houses were high against the sky, and the trees were shadows. "It's pretty grand," Bill said. "God, I love to get back." We leaned on the wooden rail of the bridge and looked up the river to the lights of the big bridges. Below the water was smooth and black. It made no sound against the piles of the bridge. A man and a girl passed us. They were walking with their arms around each other.

The method he adopted in building the bridge was as follows. He took a pair of piles a foot and a half thick, slightly pointed at the lower ends and of a length adapted to the varying depth of the river, and fastened them together two feet apart. These he lowered into the river with appropriate tackle, placed them in position at right angles to the bank, and drove them home with pile-drivers, not vertically, as piles are generally fixed, but obliquely, inclined in the direction of the current. Opposite these, forty feet lower down the river, another pair of piles was planted, similarly fixed together, and inclined in the opposite direction to the current. The two pairs were then joined by a beam two feet wide, whose ends fitted exactly into the spaces between the two piles forming each pair. The upper pair was kept at the right distance from the lower pair by means of iron braces, one of which was used to fasten each pile to the end of the beam. The pairs of piles being thus held apart, and each pair individually strengthened by a diagonal tie between the two piles, the whole structure was so rigid, that, in accordance with the laws of physics, the greater the force of the current, the more tightly were the piles held in position. A series of these piles and transverse beams was carried right across the stream and connected by lengths of timber running in the direction of the bridge; on these were laid poles and bundles of sticks. In spite of the strength of the structure, additional piles were fixed obliquely to each pair of the original piles along the whole length of the downstream side of the bridge, holding them up like a buttress and opposing the force of the current. Others were fixed also a little above the bridge, so that if the natives tried to demolish it by floating down tree-trunks or beams, these buffers would break the force of the impact and preserve the bridge from injury.

She wouldn’t die like this. The rage hit, so staggering that Yrene could hardly see through it, could hardly see anything except a year in Innish, a future beyond her grasp, and a life she was not ready to part with. She gave no warning before she stomped down as hard as she could on the bridge of the man’s foot. He jerked, howling, but Yrene brought up her arms, shoving the dagger from her throat with one hand as she drove her elbow into his gut. Drove it with every bit of rage she had burning in her. He groaned as he doubled over, and she slammed her elbow into his temple, just as the girl had shown her. The man collapsed to his knees, and Yrene bolted. To run, to help, she didn’t know. But the girl was already standing in front of her, grinning broadly. Behind her, the two men lay unmoving. And the man on his knees— Yrene dodged aside as the young woman grabbed the gasping man and dragged him into the dark mist beyond. There was a muffled scream, then a thump.

You know, Micah, that first night, when I saw you on Bridge Street, I wanted to kill you. I wanted to cut your throat and watch your blood soak into the dirt. I wanted to wrap a strangle cord around your neck and throttle you while you kicked and messed yourself." "I'm shaking in my boots," Micah said, looking Han dead in the eyes. Han stood and took a step toward him. "I'm what's hiding in the side street when you walk home from The Four Horses," he said. "I'm the shadow in Greystone Alley when you go out to take a piss. I'm the foot pad in the corridor when you visit the girlie at Grievous Hall." Micah's eyes narrowed, his self-assurance wilting a bit. Han could tell he was going back over a hundred suspicious sights and sounds. "You've been following me?" "I can come and go from your room, any time I want," Han said. "I can tell you what you say when you talk in your sleep. I know what your down low girlie whispers in your ear." He laughed... Michah licked his lips. "Perhaps you take some kind of perverse pleasure in stalking me...

Live water heals memories. I look up the creek and here it comes, the future, being borne aloft as on a winding succession of laden trays. You may wake and look from the window and breathe the real air, and say, with satisfaction or longing, “This is it.” But if you look up the creek, if you look up the creek in any weather, your spirit fills, and you are saying, with an exulting rise of the lungs, “Here it comes!” Here it comes. In the far distance I can see the concrete bridge where the road crosses the creek. Under the bridge and beyond it the water is flat and silent, blued by distance and stilled by depth. It is so much sky, a fallen shred caught in the cleft of banks. But it pours. The channel here is straight as an arrow; grace is itself an archer. Between the dangling wands of bankside willows, and Osage orange, I see the creek pour down. It spills toward me streaming over a series of sandstone tiers, down and down, and down. I feel as though I stand at the foot of an infinitely high staircase, down which some exuberant spirit is flinging tennis ball after tennis ball, eternally, and the one thing I want in the world is a tennis ball.

I can't save everyone, especially not someone who isn't willing to save themselves.' 'Damn, Xaden,' Garrick rubs the bridge of his nose. 'Way to give a pep talk.' 'If they need a fucking pep talk, then we both know they're not flying out of the quadrant on graduation day. Let's get real. I can hold their hands and make them a bunch of bullshit empty promises about everyone making it through if that helps them sleep, but in my experience, the truth is far more valuable.' He turns his head, and I can only assume he's looking at the panicked first-year. 'In war, people die. It's not glorious like the bards sing about, either. It's snapped necks and two-hundreds-foot falls. There's nothing romantic about scorched earth or the scent of sulphur. This'- he gestures back toward the citadel- 'isn't some fable where everyone makes it out alive. It's hard, cold, uncaring reality. Not everyone here is going to make it home... to whatever's left of our homes. And make no mistake, we are at war every time we step foot in the quadrant.' He leans forward slightly. 'So if you won't get your shirt together and fight to live, then no. You're not going to make it.

The woman was in her middle twenties and she wore a sort of tennis dress that shouted Money almost as loudly as the car did, sleeveless and V neck, of a semi-transparent material, chiffon or crêpe-de-Chine or maybe georgette, which allowed the pink of her nipples to show through. She not only wore no brassiere, she obviously wore no undergarment of any description. There was nothing of modesty about her. Not that she was flaunting herself; that was what was so outlandish about it (for this was the late Twenties; plenty of women were dressing almost as scantily); she appeared not even to know the watchers were there. Her hair was brown with streaks of sunburnt yellow, bobbed just a little longer than ponjola, and her skin was tanned to the smooth, soft tint of café au lait. She moved slowly, after the manner of the inherently lazy, not so much as if she had no energy, but as if she were conserving it for something she really cared about—bed, most men would say, for there was a strong suggestion of such about her, like an aura. Her mouth was lipsticked savagely, no prim cupid’s bow, and there was a faint saddle of freckles across the bridge of her nose. She

Amy, listen to me.  Listen to me.  Don't you ever let them tell you you're ugly!  Don't ever let them tell you you're dirty.  You're a beautiful person, inside and out, thoughtful, sensitive and kind.  I don't care what Sylvanus says, or what anyone else thinks.  You'll find yourself a nice man to marry someday, and if your family's trying to convince you otherwise, it's only because they have an unpaid servant in you and they don't want to lose you." He heard what sounded like a gulp, then a sniffle. "Amy?" "I — I'm sorry, Ch-Charles.  No one's ever said anything like that to me before, and . . . and I j-just don't know what to make of it —" "Oh, God, don't cry.  I don't know how to deal with tearful females, truly I don't." "I c-can't help it, you're being so nice to me, saying that I'm beautiful when really, I'm not, and — "You are beautiful, Amy, and don't you ever forget it." "You can't say that, you've never even seen me!" "Come here." "I am here." "Come closer, then, and let me judge the issue for myself." She did. "Now, place my hands on your face." Sniffling, she took his hands within her own.  Or tried to, given that hers were half the size of his and dainty as a bird's foot. And then she raised them to her face, placing one on each hot, tearstained cheek. The minute he felt her flesh beneath his, Charles knew this was a mistake.  A big mistake.  But to stop now would crush her. "Ah, Amy.  How can you think you're ugly?  Your skin is so soft that it feels like roses after a morning rain." "It's too dark.  Bronzy.  Not at all the color of Ophelia's and Mildred's." "And who says skin has to be milk-white to be beautiful?" "Well . . . no one, I guess." He gently pressed his thumbs against her cheeks, noting that they were hot with blush, soft as thistledown, and that the delicate bones beneath were high and prominent.  "And look at these cheekbones!  I know women — aristocratic women, mind you — who'd kill for cheekbones like these.  High cheekbones are a mark of great beauty, you know." "High cheekbones are a mark of Indian blood." "Amy." "Yes?" "Stop it." "I'm sorry." He continued on, now tracing the curve of her brow, and the bridge of her nose.  He had lost his eyesight, but it was amazing what his hands could see. "You have a lovely nose," he said. "It's too strong." "No it isn't.  Close your eyes." She did.  He could feel the fragile veneer of her eyelids, trembling faintly beneath his fingertips, and long, long lashes that brushed those cheekbones he had so admired. "What color are your eyes, Amy?" "Brown." "What color brown?  Brown like conkers?  Brown like nutmeg?  Brown like black?" "Brown like mud." "Can you think of a more flattering word?" "No." His hands moved out over her face, learning its shape, before touching the plaited, pinned-up mass of her hair.  It was straight, he could tell that much.  Shiny like glass, as soft as a fern.  He wished it was down. Good God, man, whatever are you thinking?! "My hair's brown, too," Amy said, her voice now a tremulous, barely audible whisper. "Brown like mud?" he cajoled. "No.  Brown like black.  And when the sun comes out, it's got reddish undertones." "It sounds very pretty." "It's not, really.  It's just hair." "Just hair.  Do you ever wear it down?" "No." "Why not?" "It gets in the way of things." "Don't you think that someday, a man will wish to drag his fingers through all this hair?" "No . . . no respectable man." He shook his head, his heart aching for her.  "Oh, Amy." He

Although he always talked about technology and Oracle with passion and intensity, he didn’t have the methodical relentlessness that made Bill Gates so formidable and feared. By his own admission, Ellison was not an obsessive grinder like Gates: “I am a sprinter. I rest, I sprint, I rest, I sprint again.” Ellison had a reputation for being easily bored by the process of running a business and often took time off, leaving the shop to senior colleagues. One of the reasons often trotted out for Oracle’s success in the 1990s was Ellison’s decision to hire Ray Lane, a senior executive credited with bringing order and discipline to the business, allowing Ellison just to do the vision thing and bunk off to sail his boats whenever he felt like it. But Lane had left Oracle nearly eighteen months before after falling out with Ellison. Since then, Ellison had taken full control of the company—how likely was it that he would he stay the course? One reason to be skeptical was that Ellison just seemed to have too many things going on in his life besides Oracle. During the afternoon, we took a break from discussing the future of computing to take a tour of what would be his new home—nearly a decade in the making, and at that time, still nearly three years from completion. In the hills of Woodside, California, framing a five-acre artificial lake, six wooden Japanese houses, perfect replicas of the fifteenth- and sixteenth-century originals in Kyoto, were under construction. The site also contained two full-size ornamental bridges, hundreds of boulders trucked in from the high Sierras and arranged according to Zen principles and an equal number of cherry trees jostling for attention next to towering redwoods. Ellison remarked: “If I’m remembered for anything, it’s more likely to be for this than Oracle.”3 In the evening, I noticed in Ellison’s dining room a scale model of what would become his second home: a graceful-looking 450-foot motor-yacht capable of circumnavigating the globe. Already the owner of two mega-yachts, bought secondhand and extensively modified (the 192-foot Ronin based in Sausalito and the 244-foot Katana, which was kept at Antibes in the South of France), Ellison wanted to create the perfect yacht. The key to achieving this had been his successful courtship of a seventy-two-year-old Englishman, Jon Bannenberg, recognized as the greatest designer of very big, privately-owned yachts. With a budget of $200 million—about the same as that for the Japanese imperial village in Woodside—it would be Bannenberg’s masterpiece. Bannenberg had committed himself to “handing over the keys” to Ellison in time for his summer holiday in 2003.

Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better." "Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with." He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands." She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X." "Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The Euphrates runs along there. This is Baghdad here. And here is Tahrir Square." He touches the center of her palm. "At the foot of the Jumhurriya Bridge. The center of everything. All the main streets run out from this spot. In this direction and that direction, there are wide busy sidewalks and apartments piled up on top of shops, men in business suits, women with strollers, street vendors selling kabobs, eggs, fruit drinks. There's the man with his cart who sold me rolls sprinkled with thyme and sesame every morning and then saluted me like a soldier. And there's this one street...." He holds her palm cradled in one hand and traces his finger up along the inside of her arm to the inner crease of her elbow, then up to her shoulder. Everywhere he touches her it feels like it must be glowing, as if he were drawing warm butter all over her skin. "It just goes and goes, all the way from Baghdad to Paris." He circles her shoulder. "And here"- he touches the inner crease of her elbow-"is the home of the Nile crocodile with the beautiful speaking voice. And here"- his fingers return to her shoulder, dip along their clavicle-"is the dangerous singing forest." "The dangerous singing forest?" she whispers. He frowns and looks thoughtful. "Or is that in Madagascar?" His hand slips behind her neck and he inches toward her on the seat. "There's a savanna. Chameleons like emeralds and limes and saffron and rubies. Red cinnamon trees filled with lemurs." "I've always wanted to see Madagascar," she murmurs: his breath is on her face. Their foreheads touch. His hand rises to her face and she can feel that he's trembling and she realizes that she's trembling too. "I'll take you," he whispers.

Near a stone house, bleached and weathered from salt and the sun, stood an old abandoned school. At its foot, before the house and the school, a rolling vineyard spread out. The boy walked through the vineyard every day on his way back from the school. That day, when Antonio ran to his father, not suspecting the upheaval in his young life, he’d learned from the village teacher about the crusades, religion, ethnicity, and some wicked people, as his classmate had called them. The little boy ran, full of questions, and shouted from a distance: − Father, I’m happy that we live in Sicily! − Why, my son? − We have no wars, no fighting, and if someone attacks us, we have many dangerous people who will protect us from all evils! Aldo took a long stick with a cloth on top, which he used to cool the fruits in the vineyard, turned it on end and drew two circles in the dry soil. He drew a flower in one circle and a sword in the other. Looking at the boy, he asked: − These are the heads of two rivals. Which adversary is good and which is evil? − I don’t know ‒ the little boy replied, knowing that his father was presenting him with a new riddle. − Both opponents are good. One knows his power and the other doesn’t. − But how can a good adversary wield a sword? − One day you’ll understand.

Since 1884 Bath Iron Works was incorporated by General Thomas W. Hyde who had served in the Union Army during the Civil War. At first the shipyard made iron hardware and windlasses for the wooden ships of the day but soon built warships for the United States Navy although it also started builting commercial vessels. The USS Machias a schooner rigged, steam driven, gunboat was one of two 190-foot (58 m) gunboats, first built by the company. It has been said that Chester Nimitz commanded the Machias during World War I, although this has not been substantiated. In 1892 the yard built their first commercial vessel, the 2,500-ton steel passenger steamer the SS City of Lowell. From these humble beginnings BIW became a major United States shipyard and has designed and built almost every type of naval vessel that the US Navy had or has, including the new stealth destroyers of the Zumwalt class. I first saw Bath Iron Works when I crossed the Kennebec River in 1952. I wrote about this in “Seawater One” describing how our bus crossed on the Carlton Lift Bridge and how I saw the USS Dealey (DE-1006) being built. During World War II, ships built at BIW were considered by Navy officers and sailors to be the toughest afloat, giving rise to the slogan "Bath-built is best-built." In 1995, BIW became a subsidiary of General Dynamics and at that time was the fifth-largest defense contractor in the world.

i went looking for our bridge to burn. & a river bank to drown the flames, stifle the heat. Kentucky was hot; all bare foot & blue flame. i wouldn't say i could see the music, but the music could see me; bare bone wind chime. bare skin dunked in: swimming pool day dreams. full moon feelings. that can't take my eyes off of you. the sticky hands of lust tip-toeing earthquake. it was always & never the right time.

Remember!" she called, as she followed him up the narrow ladders towards the bridge. "It is only a matter of scale and experience. You are not a fraction of the whole. You are a version of the whole! Time will seem to eddy and stall. This is scale. Everything is sentient, but scale alters perception. The time of a tree is not your time." It was as if she shouted to him all she had meant to teach him before this moment. "To the snail the foot which comes from nowhere and crushes him is as natural a disaster as a hurricane; it cannot be appealed to and is impossible to anticipate. The time of a star is not our time. Equity is the natural condition of the multiverse. There are things to fear in the colour fields, but not the fields themselves! Remember, Sam, we are God in miniature!

The old Waldo-Hancock Bridge crossed the Penobscot River from Verona Island in Hancock County to Waldo County in Maine. Built in 1931, it has since been replaced by a 2,040-foot modern suspension bridge that was opened on December 30, 2006…. It was on Verona Island where the wooden ship Roosevelt was built in 1905. This ship carried Robert Peary from New York to the Arctic in 1908 for his last expedition to the North Pole….

They walked slowly, taking the shortest way, deliberately cutting through Campo delle Fava to avoid the crowds in Calle della Bissa. When they arrived at the foot of the Rialto bridge, they looked up at it, horrified. Anthill, termites, wasps. Ignoring these thoughts, they locked arms and started up, eyes on their feet and the area immediately in front of them. Up, up, up as feet descended towards them, but they ignored them and didn't stop. Up, up, up and across the top, shoving their way through the motionless people, deaf to their admiration. Then down, down, down, the momentum of their descent making them more formidable, They saw the feet of the people coming up towards them dance to the side at their approach, hardened their hearts to their protests, and plunged ahead. Then left and into the underpass, where they stopped, Brunetti's pulse raced and Paola leaned helpless on his arm. "I can't stand it any more," Paola said and pressed her forehead against his shoulder.

You are Comanche now, yes?” he said hopefully. “One with us.” Indefinable emotions played across her face. “I’m married to a Comanche. I love him. But I’ll never be a Comanche.” Hunter studied her features, once so repulsive to him, now so cherished. He ran a finger up the fragile bridge of her nose, then traced the line of her brow, acutely conscious of the small bones that shaped her face. Protectiveness welled within him. “You are one with me, one with my people. You cannot stand with one foot on Comanche land and the other on tosi tivo land.

An hour later he lay awake beside Loretta, staring at the firelight that played upon the walls of his lodge. Red Buffalo’s words haunted him. If Loretta had to choose, would she forsake him for her people? He knew she was awake by the sound of her breathing, but her voice still startled him when she spoke. “Hunter, what’s wrong? Surely you’re not still stewing over the scalp. It upset me, but I’m over it now.” He turned to regard her. There were shadows in her eyes, and she was as pale as bleached bones. “You lie, Blue Eyes. Many of your people are dead, by my cousin’s hand, and their spirits wail and call out to you.” “It wasn’t you who killed them. That’s all that counts.” Hunter’s chest tightened. One day he would ride into battle again--to slay White Eyes. It was inevitable. How would she feel about that? “You are Comanche now, yes?” he said hopefully. “One with us.” Indefinable emotions played across her face. “I’m married to a Comanche. I love him. But I’ll never be a Comanche.” Hunter studied her features, once so repulsive to him, now so cherished. He ran a finger up the fragile bridge of her nose, then traced the line of her brow, acutely conscious of the small bones that shaped her face. Protectiveness welled within him. “You are one with me, one with my people. You cannot stand with one foot on Comanche land and the other on tosi tivo land.” “Both my feet are here, Hunter, but part of my heart is at my wooden walls. No matter how much I love you, that will never change. You are one with me, too. Does that make you one with the tosi tivo?” An unnameable fear grew within him. He felt very much as he had several summers ago when he had been caught in a flash flood, swept along by the raging water. The Comanche struggle for survival was like that, surging forward, catching up everyone in its path. Men like Red Buffalo fed its fury.

Once I began to look for the flâneuse, I spotted her everywhere. I caught her standing on street corners in New York and coming through doorways in Kyoto, sipping coffee at café tables in Paris, at the foot of a bridge in Venice, or riding the ferry in Hong Kong. She is going somewhere or coming from somewhere; she is saturated with in-betweenness. She may be a writer, or she may be an artist, or she may be a secretary or an au pair. She may be unemployed. She may be unemployable. She may be a wife or a mother, or she may be totally free. She may take the bus or the train when she's tired. But mostly, she goes on foot. She gets to know the city by wandering its streets, investigating its dark corners, peering behind facades, penetrating into secret courtyards. I found her using cities as performance spaces or as hiding places; as places to seek fame and fortune or anonymity; as places to liberate herself from oppression or to help those who are oppressed; as places to declare her independence; as places to change the world or be changed by it.

To a certain extent, NFTs will likely be the bridge to the metaverse. For now, however, MΞMORIED, The Emotional Journey, and THE EXPERIENTIAL IN BETWEEN are nothing more than Marriott getting its foot in the metaverse door. However, it's still quite an interesting mentality shift. We'll probably see more exciting technology adoptions in the next three to five years, but this is a cool start, nonetheless.

She let him into the house secretly, saw him privately, and kept him out of his father’s sight.53 And yet, even Corneil, this creature of deceit, could not deny the truth about himself. He alternated his bombast with references to “my shame & mortification & sorrow.” He was literally fatalistic about his hope of reform. He wrote to Greeley of his “determination to humbly forfeit my life as the penalty of further vice.” It was the one prediction about himself that would come true.54 ON FEBRUARY 15, 1866, the locomotive Augustus Schell chuffed onto the Albany bridge and rolled westward along its 2,020-foot span, over a total of nineteen piers, across an iron turntable above the center of the river below, and rattled down into Albany itself. Following this symbolic inauguration, the first passenger train crossed one week later. After four years of construction (and many more of litigation), the bridge gave the New York Central a continuous, direct connection to the Hudson River Railroad, and thus to Manhattan. But its completed track became a lighted fuse.55 The Commodore’s cold response to Corneil’s backsliding revealed the icy judge who had always lurked behind the encouraging father. So, too, did the implacable warrior remain within the diplomat who had negotiated with Corning and Richmond. In December 1865, for example, the New York Court of Appeals handed down final judgment in the long-running court battle between Vanderbilt and the New York & New Haven Railroad over the shares that Schuyler had fraudulently issued in 1854. Over the years, weary shareholders had settled with the company—but the Commodore refused. He had waged his battle until the court ruled that the company owed $900,000 to Schuyler’s victims. “The great principle is now settled by the highest court in this State,” wrote the Commercial and Financial Chronicle, “that railroad and other corporations are bound by the fraudulent acts of their own agents.”56 It was, indeed, a great principle—but businessmen also saw a more personal lesson in the Schuyler fraud case. “The Commodore’s word is as good as his bond when it is fairly

I am a wind-swayed bridge, a crossroads inhabited by whirlwinds, Gloria, the facilitator, Gloria, the mediator, straddling the walls between abysses. "Your allegiance is to La Raza, the Chicano movement,” say the members of my race. “Your allegiance is to the Third World,” say my Black and Asian friends. “Your allegiance is to your gender,” say the feminists. Then there’s my allegiance to the Gay movement, to the socialist revolution, to the New Age, to magic and the occult. And there’s my affinity to literature, to the world of the artist. What am I? A third world lesbian feminist with Marxist and mystic leanings. They would chop me up into little fragments and rag each piece with a label. You say my name is ambivalence? Think of me as Shiva, a many-armed and -legged body with one foot on brown soil, one on white, one in straight society, one in the gay world., the man’s world, the women’s, one limb in the literary world, another in the working class, the socialist, an the occult worlds. A sort of spider woman hanging by one thin strand of web. Who, me, confused? Ambivalent? Not so. Only your labels split me.

I am a wind-swayed bridge, a crossroads inhabited by whirlwinds, Gloria, the facilitator, Gloria, the mediator, straddling the walls between abysses. "Your allegiance is to La Raza, the Chicano movement,” say the members of my race. “Your allegiance is to the Third World,” say my Black and Asian friends. “Your allegiance is to your gender,” say the feminists. Then there’s my allegiance to the Gay movement, to the socialist revolution, to the New Age, to magic and the occult. And there’s my affinity to literature, to the world of the artist. What am I? A third world lesbian feminist with Marxist and mystic leanings. They would chop me up into little fragments and rag each piece with a label. You say my name is ambivalence? Think of me as Shiva, a many-armed and -legged body with one foot on brown soil, one on white, one in straight society, one in the gay world., the man’s world, the women’s, one limb in the literary world, another in the working class, the socialist, an the occult worlds. A sort of spider woman hanging by one thin strand of web. Who, me, confused? Ambivalent? Not so. Only your labels split me.

want you to imagine that you are on foot and getting ready to cross a bridge over a small river. It’s old and rickety but still works. There is no other way to cross the river than by using the bridge. Now, I want you to imagine crossing the bridge slowly, step by step. Imagine that you are walking towards someone with whom you want to connect better and that they have to give you permission to take each subsequent step. With each below the surface action, you can move closer. The more powerful the action, the more steps you can take at one time. This is the process of bridging; a process in which each below the surface action creates more trust, leading to permission to get closer. Soon, you will be welcomed to cross the bridge and, eventually, be invited to bring others across.

Dave took a deep breath, walked back to get a run-up, then turned and ran along the bridge with Carl in his arms. When he reached the gap, he leaped forward across the hole. One foot landed on the other side, but the other foot was still dangling in midair. Dave began to fall backward until Alex rushed forward and grabbed his nose. “ARRRRRGGGHHH!!!!!” Dave screamed. Alex pulled Dave up onto the bridge by his nose. It hurt so much, but at least he’d made it to the other side. He carefully put Carl down on the stairs and then rubbed his sore nose. “Thank goodness for your enormous nose, Dave,” said Alex. “It really came in handy.” “Yeah,” said Dave, rubbing his sore nose. “Thank goodness.

By their readiness to do more than their colleagues, agency workers can be used by management to reduce the ‘comfort zones’ of permanent employees, as a personnel manager explained in an interview. In the average firm, moreover, the permanent staff experience precarious employment as a means of social discipline that bridges the internal and external labour markets; this has altered the ‘reserve army’ mechanism on the labour market.71 In the past, it was the unemployed who filled the ranks of the capitalist reserve army, exerting an external structural pressure on wages and working conditions. Precarious employment now internalizes this function within the firm. The agency workers may be inside the firm, but they have one foot outside of it in unemployment, so their mere presence reminds the permanent staff that their future might also become less secure.

I go over and hug her silently, one foot in each culture, both of us trying hopelessly to bridge what seems like an impossible gap between worlds.

We walked home in the beautiful light and I felt grateful for Florence’s life and everything she had taught me. I was grateful for the sun on Kew Bridge as I placed each foot in front of the other. I was grateful for understanding in that moment that life can really be as simple as just breathing in and out. And I was thankful to know what it was to love the person walking next to me as much as I did. So deeply, so furiously. So impossibly.

I pull up to my childhood home. This motherfucker brought Calista here to torment me. There’s no other explanation for this specific choice in location. I grip the steering wheel so tightly, my knuckles turn white, and a tingling sensation skitters along my fingers. The longer I stare at the house, the more nauseous I become. I promised myself that I’d never step foot in this godforsaken place again. This is where my mother died. But I’ll be damned if the same thing happens to Calista.

HALT AND WILL HAD BEEN TRAILING THE WARGALS FOR three days. The four heavy-bodied, brutish creatures, foot soldiers of the rebel warlord Morgarath, had been sighted passing through Redmont Fief, heading north. Once word reached the Ranger, he had set out to intercept them, accompanied by his young apprentice.

More recently, a publicity campaign for a late-night cartoon show backfired when it aroused fears of a terrorist attack and temporarily shut down the city of Boston. The “guerrilla marketing” effort consisted of 1-foot-tall blinking electronic signs with hanging wires and batteries that marketers used to promote the Cartoon Network TV show Aqua Teen Hunger Force (a surreal series about a talking milkshake, a box of fries, and a meatball). The signs were placed on bridges and in other high-profile spots in several U.S. cities. Most depicted a boxy, cartoon character giving passersby the finger. The bomb squads and other police personnel required to investigate the mysterious boxes cost the city of Boston more than $500,000—and a lot of frayed nerves. 99

On the street below, the weather is calm. But up here, high winds threaten to topple the workers. A sudden gust can knock them from their footing with its sheer force or send a fatal vibration through the beams on which they stand. And yet the men joke, laugh, stroll across the foot-wide beams as though they are on solid ground. To the people on the sidewalk, tiny as ants below, the skywalkers appear entirely unafraid. A hundred years ago, their grandfathers and great-grandfathers built the skyscrapers and bridges that surround them.

Seeing is of course very much a matter of verbalization. Unless I call my attention to what passes before my eyes, I simply won’t see it. It is, as Ruskin says, “not merely unnoticed, but in the full clear sense of the word, unseen.” If Tinker Mountain erupted, I’d be likely to notice. But if I want to notice the lesser cataclysms of valley life, I have to maintain in my head a running description of the present…when I see this way I analyze and pry. I hurl over logs and roll away stones; I study the bank a square foot at a time, probing and tilting my head. Some days when the mist covers the mountains, when the muskrats won’t show and the microscope’s mirror shatters, I want to climb up the blank blue dome as a man would storm the inside of a circus tent, wildly, dangling, and with a steel knife, claw a rent in the top, peep, and if I must, fall. But there is another kind of seeing that involves a letting go. When I see this way I sway transfixed and emptied. The difference between the two ways of seeing is the difference between walking with and without a camera. When I walk without a camera, my own shutter opens, and the moment’s light prints on my own silver gut. It was sunny one evening last summer at Tinker Creek; the sun was low in the sky, upstream. I was sitting on the sycamore log bridge with the sunset at my back, watching the shiners the size of minnows who were feeding over the muddy bottom…again and again, one fish, then another, turned for a split second and flash! the sun shot out from its silver side. I couldn’t watch for it. It was always just happening somewhere else…so I blurred my eyes and gazed towards the brim of my hat and saw a new world. I saw the pale white circles roll up, roll up like the world’s turning, mute and perfect, and I saw the linear flashes, gleaming silver, like stars being born at random down a rolling scroll of time. Something broke and something opened. I filled up like a new wineskin. I breathed an air like light; I saw a light like water. I was the lip of a fountain the creek filled forever; I was ether, the leaf in the zephyr; I was flesh-flake, feather, bone. When I see this way, I see truly.

Just look at the architecture," Dr Hartmann explained. Blueprint your feet, and you'll find a marvel that engineers have been trying to match for centuries. Your foot's centerpiece is the arch, the greastest weight-bearing design ever created. The beauty of any arch is the way it gets stronger under stress. The harder you push down, the tighter its parts mesh. No stonemason worth his trowel would ever stick a support under an arch; push up from underneath, and you weaken the whole structure. Buttressing the foot's arch from all sides is a high-tensile web of twenty-six bones, thirty-three joints, twelve rubbery tendons, and eighteen muscles, all stretching and flexing like an earthquake resistant suspension bridge.

Oliver Marley supposed there were more dignified ways to end his life. A lifelong victim to the twin sins of an infertile imagination and pragmatism, the thought of travel simply never crossed his mind.   Had it occurred to him, Oliver could have jumped off the Golden Gate Bridge, into the abyss of the Grand Canyon or said au revoir off the Eiffel Tower. But truth be told, Oliver never was much of a traveler. Even locally there were certainly higher quality casinos to choose from, taller parking garages from which to leap. Instead he found himself perched atop the nearest appropriately-sized structure to his home, that being the parking garage of the Circus Time Hotel & Casino. His view not of Alcatraz Island and the rough waters of the San Francisco Bay, nor the breathtaking vistas of the Arizona desert, or the romanticism of the Paris skyline for that matter. Rather he found himself bathed in a noxious blend of pink and green neon, staring into a pair of giant blinking pastel eyes belonging to the eighty-foot clown staring down at him like a frilly guardian angel. Then again, when your primary objective is to pancake yourself on a public sidewalk, perhaps you’re not in the best position to nitpick over the intricacies of what does and does not constitute bad taste. Oliver would just have to live with the clown, at least for another minute or two.

There were two-foot-tall coils of barbed wire over the bridge wall that caught shopping bags in their spikes and shredded them. I watched those plastic ribbons fight in the wind, and far below saw concrete irrigation ditches that once contained the Rio Grande. The water dissipated, the only thing to see was the concrete spray painted with graffiti. The city, like the river, had dried up and left little in its place.

by a Scotch-Irish preacher, a Presbyterian named James Finley, in the year 1801, or before John Roebling was born. Finley had been a versatile and ingenious man. His “chain bridge” had a seventy-foot span, cost about six hundred dollars, and in the next ten years he built some forty more of them, including one over the Potomac above Washington.

A few minutes after 8 p.m. on the dark, cold Sunday night of March 4, 2001, Robert Hanssen was apprehended in the otherwise quiet Foxstone Park, in suburban Vienna, Virginia. He had been an FBI Agent for 22 years, looking forward to his retirement, while at the same time spying for the KGB Soviet and Russian intelligence against the United States. FBI Agents had finally caught Hanssen, the mole in their midst, in the act of hiding a plastic bag full of U.S. Government secret documents, under a foot bridge in the park. At the same time other FBI Agents retrieved a package, containing $50,000, thought have been Hanssen’s payment. Although he was caught red-handed the FBI still had to buy additional evidence before he pleaded guilty to 13 counts of espionage. Hanssen was sentenced to life in prison, without the possibility of parole, and confined in a “Supermax” prison, where he still remains locked up in his cell, 23 hours a day. It was determined that Hanssen received over $600,000, plus diamonds and cash, during his career as a spy. It was also discovered that he had links to other FBI investigations including the Aldrich Ames and Felix Bloch cases. To date, his 25 years of subversive activities created the worst intelligence disaster in our countries history.

The steel-framed span loomed thirty feet above the muddy water. At the far end of the hundred-foot deck, the forest swallowed up a dirt road that used to lead somewhere. Years of traffic rumbling across the bridge had worn parallel streaks into the deck, and heavy runner boards covered holes in rotted planks. Metal rails sagged in spots. Still, the reddish-brown truss beams on either side stood stiff and straight, and overhead braces cast shadows on the deck below. On that rusty frame, between lines of vertical rivets, someone had painted a skull and crossbones and scribbled: 'Danger, This Is You.

To protect France against a beaten, half-starved, prematurely gray, tuberculosis-ridden, hemorrhaging widow, the full cavalry was called out and the streets and bridges throughout Paris were lined with cannon and bayonet-toting soldiers. Shackled to a rope held by the executioner and surrounded by armed guards, Antoinette rode to the guillotine on a rough cart used to transport hardened criminals. The drive was long and slow, the better to allow the mob to taunt her. Her face was placid, as she continued to pray quietly, showing neither fear nor defiance. On the scaffold, Marie Antoinette uttered her last words after accidentally stepping on the executioner’s foot: “Monsieur, I beg your pardon.”47

So why deny ourselves… pleasure?” he whispered. Christina’s internal temperature soared. Her fear of him and her lust for him were fighting each other in her body—and lust, wanting, desire were suddenly winning. His hot words and his magnetic presence were wrapping themselves around her like a boa and squeezing the breath out of her. She was beginning to breathe harder—and faster—and she saw his eyes rivet to her chest as he watched her breasts underneath her blouse rising and falling to the rhythm of her increased breathing rate. “I… I think… you should go,” her voice came out in a breathy whisper. His gaze quickly came up to rest on her beautifully flushed face. “Okay, if that’s what you want.” “It is,” she breathed a sigh of relief at having him finally agree. “I’ll go then, but first let me at least give you this? I bought it just for you.” He held the diamond necklace out to her again. “Please?” Christina had been prepared to tell him ‘no’, but the soft, gentle way he had said the word ‘please’ did her in. He sounded like a little boy who had spent all day at school drawing a picture for the girl he liked and then she had rejected him and his gift. Okay—so she’d let him give her the necklace and then he’d leave. What harm was there in that? Bill took a few steps forward and Christina remained rooted to the spot. Slowly, he continued to approach her—as if she were a skittish colt who would bolt if he made any sudden moves. He reached her then—and stopped a foot away. Leisurely, he lifted the necklace and unclasped its opening. His slow, deliberate movements were mesmerizing Christina. Whether it was her fatigue at being up all night or her strong physical attraction to him or her love for him she didn’t know, but she was falling under his spell. Christina let her hands drop from her blouse, causing it to fall open and revealing her lacy pink bra. She then lifted her hair up off her neck and turned her back to him. She didn’t see him bridge the last few inches between them but she felt him. She saw his powerful arms come around from behind her and felt the weight of the cold, heavy necklace as he placed it around her neck. He snapped the clasp and from behind, he lowered his lips to her ears. “You look beautiful, my little spitfire,” he whispered and his breath erotically fanned the delicate insides of her ear. Christina briefly closed her eyes as she felt an intense longing for him shoot through her body. God—she wanted him so badly—and her lack of sleep had removed all her inhibitions, excuses, defenses and rationale against making love to him. Why hadn’t she wanted to make love with him before? She

After about half an hour, Mr. Sorenson turns onto a narrow unpaved road. Dirt rises around us as we drive, coating the windshield and side windows. We pass more fields and then a copse of birch tree skeletons, cross through a dilapidated covered bridge over a murky stream still sheeted with ice, turn down a bumpy dirt road bordered by pine trees. Mr. Sorenson is holding a card with what looks like directions on it. He slows the truck, pulls to a stop, looks back toward the bridge. Then he peers out the grimy windshield at the trees ahead. “No goldarn signs,” he mutters. He puts his foot on the pedal and inches forward. Out

The math is very rigorous even if the idea is shocking. We may be only the thinnest curtain away from entire parallel universes. But the curtain can’t be penetrated by us, only by gravity. Unless …” “Unless what?” “Unless dark matter is a bridge.” “She was on strong footing until now,” Neti piped up.

We all came to the foot of the cross in the first place, knowing we were transgressors of God’s perfect, holy, and righteous standard in His Torah.  We were without excuse – unless His laws were unjust or impossible or unreasonable.  Can I get an Amen that we were without excuse?

Houses built on bridges are scandals. A bridge wants to not be. If it could choose its shape, a bridge would be no shape, an unspace to link One-place-town to Another-place-town over a river or a road or a tangle of railway tracks or a quarry, or to attach an island to another island or to the continent from which it strains. The dream of a bridge is of a woman standing at one side of a gorge and stepping out as if her job is to die, but when her foot falls it meets the ground right on the other side. A bridge is just better than no bridge but its horizon is gaplessness, and the fact of itself should still shame it. But someone had built on this bridge, drawn attention to its matter and failure. An arrogance that thrilled me.

Thanksgiving has become the first day of what in now thought of as the “Holy or Holiday Season.” The “holidays” as they are generally known, are an annually recurring period of time from late November to early January. These days are also recognized by many other countries as well, with the “Christmas Tree” and all the trimmings, generally being considered secular. This period of time incorporates the shopping days, which comprises a peak season for the retail market. Regardless of religious affiliation, children and adults alike enjoy the many window displays and Christmas tree lighting ceremonies. To a great extent it really doesn’t matter that there are still some people believing that the commercialism of these holidays is blasphemy and that they should be reserved strictly for worship. There are virtually, no valid reasons why we can’t all enjoy these days in our own way. Children of all faiths and ages should be able to understand the true meaning and still be able to enjoy the music, surprises and magic of the season… This year we are again faced with a severely, politically divided country; with a great number of people fearing for their future. It might be too much to hope for, that politicians will be able to put aside their differences. Unfortunately many of them still believe that their hypocritical concept of Christianity is greater than that of their opposition. Regardless, they should however understand that we are all equal in the eyes of God as well as the law, and that America was built by a diverse people. Let us not slip back into a newer form of “Small Minded Bigotry,” but rather forge ahead in a unified way making our country stronger. The time has come to energize our nation by rebuilding our bridges and highways. Rebuilding our airports, investing in high-speed trains, and making education affordable is the way to a more productive future. If we head down this ambitious path of development, we will create jobs and put more people to work. It will help the middle class to regain their footing and it will strengthen our slowly growing economy. When our citizens earn more, the economy will lift us all out of the recession that so many.

Over my dead body will Captain Cohl set foot on this bridge.

They were at the foot of a little bridge that crossed the canal. The rain had died away, the last light was fading from the sky. The two men stopped there, and looked at one another. And in that moment Dickie learned something. This thing about looking into someone’s eyes. If you’re talking about making a connection, the term is quite misleading. He looked into people’s eyes all the time. What’s really happening in these moments is that you find yourself looking at their eyes – that is, the gaze stops at the eye itself, arrested by the beauty of it; and their gaze does the same at yours; and the two gazes and your souls behind them skate off each other, swirl over each other, like mercury on mercury, so that standing quite still you feel yourself spin out of control, around and around, like a car aquaplaning, until you come to rest again, and you show no sign at all that anything of note has happened, except to permit yourself perhaps a little smile.

Out of habit, Pergram checked traffic ahead and behind him on the highway—there was none—before slowing and taking an unmarked two-track that wound through high sagebrush toward the mountains. Tiny pellets of snow rattled across the hood of the car and against his driver’s side window. Twisted fingers of forsaken lone sage scraped the undercarriage of the Riviera as he drove. The old road took him through a narrow stand of old mountain ash trees and down a switchback slope. He crossed an ancient bridge constructed of railroad ties that sagged over a creek. Every time he drove the tractor over it he expected it to cave in, but it never did. The trees cleared and he topped a rise and the old Schweitzer place was laid out in front of him. It wasn’t really a ranch because it had too few acres—maybe a thousand acres—to feed enough cows to make a go of it, he’d heard. But when crazy old man Schweitzer bought it in the early 1950s, ranching wasn’t his main priority. His thought then was to find a location that would withstand a nuclear war with the Soviet Union or Red China. That’s why he chose acreage with high mountains on all four sides far away from any population center that might be a target. That’s why he built the bunker beneath his house with three-foot reinforced concrete walls and ceiling. It wouldn’t withstand a direct hit, but humans inside could conceivably live through just about anything else. The air-filtration system was on its last legs but it still worked. They’d know when it failed when they found asphyxiated dead bodies inside. So far, though …

foot-high bridge by a gust of wind, possibly from one of the many 18-wheel trucks that cross the bridge at that time. Smith said Wiley had drunk several glasses of wine and suffered from a “seizure disorder that sometimes caused dizziness when he was tired or under stress.

On a morning in late spring and early summer, when the sky was still wet with night dew, my school's sightseeing convoy began to move. Cars full of laughter glided across the bridge across the peaceful, "clear" Day River, then continued on Highway 1. In the distance, behind the mist, the Non Nuoc mountain range appeared as beautiful as a picture. landscape paintings We all feel nervous because although we have heard the sound for a long time, no one has ever set foot in this land of flags and cleans before. eyes eagerly, waiting. On a morning in late spring and early summer, when the sky was still wet with night dew, my school's sightseeing convoy began to move. Cars full of laughter glided across the bridge across the peaceful, "clear" Day River, then continued on Highway 1. In the distance, behind the mist, the Non Nuoc mountain range appeared as beautiful as a picture. landscape paintings We all feel nervous because although we have heard the sound for a long time, no one has ever set foot in this land of flags and cleans before. eyes eagerly, waiting. On a morning in late spring and early summer, when the sky was still wet with night dew, my school's sightseeing convoy began to move. Cars full of laughter glided across the bridge across the peaceful, "clear" Day River, then continued on Highway 1. In the distance, behind the mist, the Non Nuoc mountain range appeared as beautiful as a picture. landscape paintings We all feel nervous because although we have heard the sound for a long time, no one has ever set foot in this land of flags and cleans before. eyes eagerly, waiting. On a morning in late spring and early summer, when the sky was still wet with night dew, my school's sightseeing convoy began to move. Cars full of laughter glided across the bridge across the peaceful, "clear" Day River, then continued on Highway 1. In the distance, behind the mist, the Non Nuoc mountain range appeared as beautiful as a picture. landscape paintings We all feel nervous because although we have heard the sound for a long time, no one has ever set foot in this land of flags and cleans before. eyes eagerly, waiting. \ On a morning in late spring and early summer, when the sky was still wet with night dew, my school's sightseeing convoy began to move. Cars full of laughter glided across the bridge across the peaceful, "clear" Day River, then continued on Highway 1. In the distance, behind the mist, the Non Nuoc mountain range appeared as beautiful as a picture. landscape paintings We all feel nervous because although we have heard the sound for a long time, no one has ever set foot in this land of flags and cleans before. eyes eagerly, waiting. On a morning in late spring and early summer, when the sky was still wet with night dew, my school's sightseeing convoy began to move. Cars full of laughter glided across the bridge across the peaceful, "clear" Day River, then continued on Highway 1. In the distance, behind the mist, the Non Nuoc mountain range appeared as beautiful as a picture. landscape paintings We all feel nervous because although we have heard the sound for a long time, no one has ever set foot in this land of flags and cleans before. eyes eagerly, waiting.

The duckling waddled into the shop and flopped down on Blake’s foot. It had grown since he had seen it last. ‘Still alive,’ Harlan said. Blake bent to pick it up. It nuzzled her hand and whistled happily. ‘We’re keeping it inside to ensure it stays that way.’ He studied her face. ‘You’re not getting attached, are you?’ ‘He does make a great neck warmer on those frosty nights.’ The faintest of smiles played on her lips. ‘My sister named him.’ Harlan pinched the bridge of his nose. ‘Of course she did.’ ‘Garlic.’ His hand fell away. ‘At least it’s part of the recipe.

Her past clutched in her hands and her future laid out in front of her, painted against each other in stark relief, but how could she bridge this divide? Life had set her down a path she’d never imagined traveling, and now she was stuck with one foot in each world—the before and after.

Manifold are the historic interests of the river Thames. There is scarcely a foot of its mud from London Bridge to Gravesend Reach that is not as "consecrated" as that famous bit of soil which Dr. Samuel Johnson and Mr. Richard Savage knelt and kissed on stepping ashore at Greenwich

You can’t be a bridge to someone who tries to steal the ground from beneath your feet. You will break your heart trying to find steady footing, and it will never come.

​Four hundred feet to the north-northwest, beside a narrow bridge and barely above sea level, rises another thin, 19 foot-tall slab named the Watch Stone; thirty feet to the southwest lies the stump of its forgotten twin. Like similar standing stones from Brittany to Britain, they are said to enjoy going for a walk at night, and these two were no exception: on New Year’s Day they were believed “to wrench themselves out of their places and roll down the slope to the sea. There having dipped themselves, they return and resume their accustomed position.”[6]

Grant was torn loose from his foot restraints and went sailing across the bridge, optic fibers popping loose.

They always have one foot in the pre-multitudinal side of the two way mirror. The Pre-prismed, Unseparated, Infinite, Love-emanating, Conscious Oneness side. It’s a pretty good gig if you can get it. Playing in form without getting lost in it. Very low attrition rates. But for us planet-bound, mostly closed-apertured, Greater-Reality-impoverished lowlanders, most of us most of the time don’t have even a modicum of that access. It can be a rough road, and even when it’s not, even when life’s pretty good or better, we’re still mostly really cut off from Greater Reality, from our Greater Consciousness. It’s

They always have one foot in the pre-multitudinal side of the two way mirror. The Pre-prismed, Unseparated, Infinite, Love-emanating, Conscious Oneness side. It’s a pretty good gig if you can get it. Playing in form without getting lost in it. Very low attrition rates. But