“
But you, you foolish girl, you have gone home to a leaky castle across the sea to lie awake in linen smelling of lavender, and hear the nightingale, and long for me.
”
”
Edna St. Vincent Millay
“
She could feel the press of Kaz’s fingers against her skin, feel the bird’s wing brush of his mouth against her neck, see his dilated eyes. Two of the deadliest people the Barrel had to offer and they could barely touch each other without both of them keeling over. But they’d tried. He’d tried. Maybe they could try again. A foolish wish, the sentimental hope of a girl who hadn’t had the firsts of her life stolen, who hadn’t ever felt Tante Heleen’s lash, who wasn’t covered in wounds and wanted by the law. Kaz would have laughed at her optimism.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Unfortunately, my army consists of one unreliable criminal, one girl with a
disability, and one incredibly foolish young vampire with a tanning issue. I am not confident.
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
When you are born,” the golem said softly, “your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk, and crusty things, and dirt, and fear, and knowing how bad things can get and what pain feels like. By the time you’re half-grown, your courage barely moves at all, it’s so grunged up with living. So every once in awhile, you have to scrub it up and get the works going, or else you’ll never be brave again.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
You are first and foremost a person. A reckless, foolish person, but a person nonetheless. If I ever say you are not permitted to do something, rest assured that the last reason I would ever say so would be because you are a girl.
”
”
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
“
I thought the love I'd had for him belonged to the past, to the foolish, lonely girl I never wanted to be again. I'd tried to bury that girl and the love she'd felt, just as I'd tried to bury my power. But I wouldn't make that mistake again.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
Sorry is the fool who trades his soul for a corvette Thinks he'll get the girl he'll only get the mechanic.
”
”
Eddie Vedder
“
I think my love for books sprang from my need to escape the world I was born into, to slide into another where words were straightforward and honest, where there was clearly delineated good and evil, where I found girls who were strong and smart and creative and foolish enough to fight dragons, to run away from home to live in museums, to become child spies, to make new friends and build secret gardens.
”
”
Jesmyn Ward (Men We Reaped: A Memoir)
“
Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?”
“Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says.
“Your father? Why?” I ask.
“He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says.
“What? You’re making that up!” I exclaim.
“No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’”
“That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.
“So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says.
“Oh, please,” I say, laughing.
“No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.”
“Without success,” I add.
“Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death.
It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?
“You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.”
“I am now,” I say.
“Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!”
I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
...ducks and geese are foolish things, and must be looked after, but girls can take care of themselves.
”
”
Washington Irving (The Legend of Sleepy Hollow)
“
Everything changes, foolish girl. It is the nature of the world. Nothing stays the same.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
But you're not a weak and foolish girl.
No. I'm a fucking queen.
”
”
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
“
Miss Granger, you foolish girl, how could you think of tackling a mountain troll on your own? Five points will be taken from Gryffindor for this,” said Professor McGonagall. “I’m very disappointed in you.”
Hermione left. Professor McGonagall turned to Harry and Ron.
“Well, I still say you were lucky, but not many first years could have taken on a full-grown mountain troll. You each win Gryffindor five points.
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
“
You’re right. I’m stupid and sentimental. When we wed I was a foolish girl who hoped to love you. I grew into a foolish woman who hoped to please you. And now, well, I suppose I’m still a foolish woman who only hopes to be rid of you. Go away, Marius.
”
”
Leigh Bardugo (The Familiar)
“
There is so much woman in many a girl and too much boy in many a man.
”
”
Mokokoma Mokhonoana
“
The advantages of natural folly in a beautiful girl have been already set forth by the capital pen of a sister author; and to her treatment of the subject I will only add, in justice to men, that though to the larger and more trifling part of the sex, imbecility in females is a great enhancement of their personal charms, there is a portion of them too reasonable and too well informed themselves to desire anything more in woman than ignorance.
”
”
Jane Austen (Northanger Abbey)
“
I know women whose entire personas are woven from a benign mediocrity. Their lives are a list of shortcomings: the unappreciative boyfriend, the extra ten pounds, the dismissive boss, the conniving sister, the straying husband. I've always hovered above their stories, nodding in sympathy and thinking how foolish they are, these women, to let these things happen, how undisciplined. And now to be one of them! One of the women with the endless stories that make people nod sympathetically and think: Poor dumb bitch.
”
”
Gillian Flynn (Gone Girl)
“
Because I am still learning to walk and talk, and it is a million times easier to be cynical and wield a sword, than it is to be open-hearted and stand there, holding a balloon and a birthday cake, with the infinite potential to look foolish.
”
”
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
“
There were so many beautiful women here. I got the sense that a few of these girls had been on dates before and, perhaps foolishly, I was intimidated.
And then there was America, her mouth stuffed with a strawberry tart, her eyes rolling like she was in heaven. I stifled laugh, and suddenly I had a plan.
”
”
Kiera Cass (The Selection Stories: The Prince & The Guard (The Selection, #0.5, #2.5))
“
Life is long, people change, I would never be foolish enough to think otherwise. But no matter what, nothing can ever be as it was. Everything has changed in a way that sounds trite and borderline offensive when recounted over coffee. I can never be who I was. I can simply watch her with sympathy, understanding, and some measure of awe.
”
”
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
“
I pat her on the head. "Oh, naive little Kitten. Dear, foolish girl. This cookie is worth all this and more. Sit or you will not partake.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
First of all, I must make it clear that this girl does not know herself apart from the fact that she goes on living aimlessly. Were she foolish enough to ask herself 'Who am I?', she would fall flat on her face. For the question 'Who am I?' creates a need. And how does one satisfy that need? To probe oneself is to recognize that one is incomplete.
”
”
Clarice Lispector (The Hour of the Star)
“
I've always found that one of the biggest benefits of being a girl is that most people refuse to take you seriously. While boys must be constantly monitored and are always the first suspects when anything goes wrong, everyone expects girls to do what they're told. It may seem a little insulting at first, but low expectations can be a blessing in disuise. If you're smart, you can use people's foolishness to your own advantage. It's amazing what you can get away with when no one bothers watching.
”
”
Kirsten Miller (Inside the Shadow City (Kiki Strike, #1))
“
Her whole face lights up when she smiles, Vaselik thought. She’s almost beautiful. When Leah entered the office and saw Vaselik standing there, her heart sklipped a beat like any foolish adolescent girl. Still he was her enemy...
”
”
Beverly Magid (Sown in Tears: A Historical Novel of Love and Struggle (Leah's Journey))
“
Silena Beauregard
She betrayed them all, thats what it seemed
But she never knew she was.
Luke made a promise, that she was saving lives
She never knew that she wasn't saving,
But killing
Some knew, that something was about to happen
A trick that ends in death
Some may have thought: Foolish Aphrodite girl. But,
In the end she died brave
In the end she showed her treachourous secret
In the end she saw Charlie
In the end she was a hero
”
”
Sherry Vaughn (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Darling girl, blinded by foolish thoughts of love. How to tell her that the hearts of men were not so easily won. If won, rarely kept.
”
”
Kate Morton (The Forgotten Garden)
“
Oh my gosh, don’t you both look pretty!” We looked like rejects from the auditions for The Sound of Music.
“I will have to buy them – they are meant to be yours!” Karla waved her credit card around like a wand.
“What a shame they didn’t have one in green for me. But then, it is a young girl’s style. I would’ve looked foolish.
”
”
Joss Stirling (Stealing Phoenix (Benedicts, #2))
“
The foolishness of chasing the moon ached my heart. I was stuck between the moon and the shore and surrounded by an empty sea.
”
”
Kevin James Moore (The Go-Go Girl)
“
Leah looked at her parents, lost in their own fantasies, and decided that the three of them were a pretty pathetic family - but she wasn't sure who was more pathetic: the dateless girl spending the night of the big dance by herself in her bedroom, or the parents who foolishly believed a boy would arrive on their doorstep with flowers, a limo, and a promise to rescue their daughter from her solitude.
”
”
J.M. Reep (Leah)
“
Shame upon him who can look on calmly, and exclaim,
‘The foolish girl! she should have waited; she should have
allowed time to wear off the impression; her despair would
have been softened, and she would have found another lover
to comfort her.’ One might as well say, ‘The fool, to die of a
fever! why did he not wait till his strength was restored, till
his blood became calm? all would then have gone well, and
he would have been alive now.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
It’s a foolish girl who waits for Santa.
”
”
Chris Dee (Cattitude)
“
I thought that I’d given up on Mal. I thought the love I’d had for him belonged to the past, to the foolish, lonely girl I never wanted to be again. I’d tried to bury that girl and the love she’d felt, just as I’d tried to bury my power. But I wouldn’t make that mistake again. Whatever burned between us was just as bright, just as undeniable. The moment our lips met, I knew with pure and piercing certainty that I would have waited for him forever.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
It was strange: When you reduced even a fledgling love affair to its essentials--I loved her, she maybe loved me, I was foolish, I suffered--it became vacuous and trite, meaningless to anyone else. In the end, it's only the moments that we have, the kiss on the palm, the joint wonder at the furrowed texture of a fir trunk or at the infinitude of grains of sand in a dune. Only the moments.
”
”
Susan Vreeland
“
Did you imagine that you would make me believe ill of Sophy with your foolish and spiteful letter!' he demanded. 'You have tried to set me against her from the outset, but you over-reached yourself today, my girl! How dared you write in such terms to me! How could you have been so crassly stupid as to suppose that Sophy could ever need your countenance to set her right in the eyes of the world, or that I would believe one word of slander against her?
”
”
Georgette Heyer (The Grand Sophy)
“
Girls say to me, very reasonably, 'why isn't it a bunch of girls? Why did you write this about a bunch of boys?' Well, my reply is I was once a little boy - I have been a brother, a father, I am going to be a grandfather. I have never been a sister, or a mother, or a grandmother. That's one answer. Another answer is of course to say that if you - as it were - scaled down human beings, scaled down society, if you land with a group of little boys, they are more ike a scaled-down version of society than a group of little girls would be. Don't ask me why, and this is a terrible thing to say because I'm going to be chased from hell to breakfast by all the women who talk about equality - this is nothing to do with equality at all. I think women are foolish to pretend they are equal to men, they are far superior and always have been. But one thing you can't do with them is take a bunch of them and boil them down, so to speak, into a set of little girls who would then become a kind of image of civilisation, of society. The other thing is - why aren't they little boys AND little girls? Well, if they'd been little boys and little girls, we being who we are, sex would have raised its lovely head, and I didn't want this to be about sex. Sex is too trivial a thing to get in with a story like this, which was about the problem of evil and the problem of how people are to live together in a society, not just as lovers or man and wife.
”
”
William Golding
“
A clever girl may pass through the phase of foolish miss on the way to sensible woman.
”
”
Mary Lascelles (Jane Austen And Her Art)
“
I never think anyone in love is foolish. We do the best we can.
”
”
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
“
How foolish to think it would stay the same, when everything else has changed. When she has changed, grown from a girl into a woman, and then into this - a phantom, ghost.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
Her neighbor’s husband fell in love with a girl who served coffee to him every morning. She was twenty-three and wanted to be a dancer or a poet or a physical therapist. When he left his family, his wife said, “Does it matter to you how foolish you look? That all our friends find you ridiculous?” He stood in the doorway, his coat in his hand. “No,” he said. The wife watched her neighbor get fat over the next year. The Germans have a word for that. Kummerspeck. Literally, grief bacon.
”
”
Jenny Offill (Dept. of Speculation)
“
We wouldn't even have wars, if adults followed the rules they learned as children. A four-year old would be able to see how foolish grown men are behaving if you explained the war in child's terms. A boy named Germany started causing problems all over the playground that included beating up a girl named Belgium on his way to hurt a kid named France. Then England tried to beat up Germany to help France and Belgium, and when that didn't work, they called over a kid named America, and people started pounding on him, too.
”
”
Cat Winters (In the Shadow of Blackbirds)
“
Belle's tears spilled over. "Even if I could get out of this place, I wouldn't know where to go," she sobbed. "Where is it, Lucanos? Where is my home?"
The beetle sighed. He touched the tip of one leg to the place over Belle's heart. "It's here, foolish girl," he said. "Home is all the people, all the places, and all the things that you love. You carry it wherever you go. Don't you know that?
”
”
Jennifer Donnelly (Beauty and the Beast: Lost in a Book)
“
Not only do you carry the side effects of others, but their side effects are contagious. This affects you mentally to the point where you lose yourself in the process of trying to fix a situation or a person that is beyond repair.
You find yourself helping others who solely depend on you for their mental state and their ability to think for themselves. Foolishly, you do not see how often you carry their burdens. Their side effects begin to poison your life.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
The most foolish thing I've ever done related to money was spend too much of my life worrying about whether I had enough or didn't have enough, I always felt I never had enough. I cheated myselfout of living in the moment, and I'll bet I die with a lot left over.
”
”
Lois P. Frankel (Nice Girls Don't Get Rich: 75 Avoidable Mistakes Women Make with Money)
“
...when "such things happened" it was undoubtedly foolish of the man, but somehow always criminal of the woman. All the elderly ladies whom Archer knew regarded any woman who loved imprudently as necessarily unscrupulous and designing, and mere simple-minded man as powerless in her clutches. The only thing to do was to persuade him, as early as possible, to marry a nice girl, and then trust her to look after him.
”
”
Edith Wharton (The Age of Innocence)
“
I realized how truly inexperienced and foolish I really was, a small-town girl attempting to play in the major leagues with a man who was larger than life itself.
”
”
C.L. Parker (A Million Dirty Secrets (Million Dollar Duet, #1))
“
Surely boys are interested in proposing only to girls in lacy gowns. Why care about beauty and brains when they can have beauty over brains? Foolish creatures they are.
”
”
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
“
Who’s a girl?”
“You’re mine.” His hands glided down her back, around and up to her breasts. “You’re my girl.”
“Sap,” she said, but in a little sigh as she gave him her lips again.
She’d never been anybody’s girl, had never wanted to be. It had always seemed a weak term to her, one of submission and vulnerability. But with him, it was sweet and foolish, and just exactly right.
”
”
J.D. Robb (Celebrity in Death (In Death, #34))
“
You think that you've moved on.
That you’re happier
and now that you think about it —
you're quite glad
that it didn’t work out
because you are free
and happy.
You're so happy.
And it’s better this way.
"Here,
let me tell you my reasons,"
you say. "Let me explain
what I mean."
After hours of telling
your neighbour and
the florist
and the girl on the bus,
you conclude:
"So, you see? I’m happier now.”
You tell the brokenhearted
your tale
and assure them
it's for the best,
“So you see? It was meant to be.”
But my dear,
my foolish
hurting dear,
your ego is the bullet
left in the wound.
It’s this ego
that needs to explain itself
and justify the battle.
A true warrior
would be too busy
fighting to live.
”
”
Kamand Kojouri
“
You foolish idiot,” he suddenly rasped, drawing himself to his feet. “You went without orders from your superior. You ignored the call. You could have killed yourself, you dumb girl.” Vhalla shrunk back as though he’d slapped her. “And you stopped the storm.” He sat heavily on the edge of her bed. Without hesitation, Aldrik reached up and cupped her cheek gently. “You foolish, amazing, astounding woman, you saved us all.
”
”
Elise Kova (Fire Falling (Air Awakens, #2))
“
Not every story is about a girl who dreams of romance, waiting impatiently and dramatically for a tall, handsome, strong man to fall hopelessly in love with, in the foolish hope that he will protect her from all harm and give her the happily ever after she has always wanted.
”
”
Anuja Chandramouli (Yama’s Lieutenant and the Stone Witch (Yama's Lieutenant #2))
“
There were many stories of girls—brave girls, foolish girls, reckless girls, pretty girls—who went into the woods searching for fortune or adventure, only to encounter a monster. Whether man or beast, the monster served as an allegory for all the things that could befall a girl who strayed from the path. If she were valorous and her heart was pure, the stories said, she could rise above being brought low by hubris.
But the stories never talked about the other girls—the ones who never came out of the woods and found themselves an unwilling bride to the venal darkness within those trees. The girls whose virtue was not quite enough to resist the seasoned allure of the wicked villain and who, as a result, found that men, like beasts, could devour the unwary, and that it could feel so good to be consumed.
”
”
Nenia Campbell (Escape (Horrorscape, #4))
“
You dear, foolish, reckless girl.
”
”
Rebecca Ross (Dreams Lie Beneath)
“
This habit starts awfully early. Social psychologist Marilynn Brewer, who has been studying the nature of stereotypes for many years, once reported that her daughter returned from kindergarten complaining that “boys are crybabies.”25 The child’s evidence was that she had seen two boys crying on their first day away from home. Brewer, ever the scientist, asked whether there hadn’t also been little girls who cried. “Oh yes,” said her daughter. “But only some girls cry. I didn’t cry.” Brewer’s little girl was already dividing the world, as everyone does, into us and them. Us is the most fundamental social category in the brain’s organizing system, and it’s hardwired.
”
”
Carol Tavris (Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts)
“
Girl from the fifth floor, who feeds the birds every day, climbs up to the water tank and jumps off.
I see her body on the road below, and feel absolutely nothing. Maybe because I expect her to get up and walk off. In a story, the birds would have joined forces in a show of gratitude and broken her fall, carried her to a faraway land of safety. As it is, they just gurgle foolishly and confer about the no-show of breakfast.
I imagine myself in Pigeon girl's place - a split open bag of skin on tar.
”
”
Amruta Patil (Kari)
“
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze.
A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that?
Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind.
In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday.
Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us.
It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral.
All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
”
”
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
“
She says it’s wrong to be frittering away my hours asking questions when there’s work to be done. But I don’t see how a question can be wrong. Can you, Pa? Ma says the Bible sets out what’s right and wrong so we don’t have to bother ourselves with it none but it seems to me that it ain’t so matter-of-fact. Like when you kilt that old cow last week and I didn’t want to eat it ’cause he was my favorite and so gentle besides. Ma said I was sinful to waste food. But I said that maybe we shouldn’t go about killing and eating cows when they was so peaceful-like. Ma said that was foolishness and that God put the cows here just so as we can eat ’em. But that don’t seem like such a good deal for the cows to me. Preacher told us not more than four Sundays ago that God loves all his creatures, but it ain’t loving to my way of thinking to create a thing just for it to be food. Them cows ain’t never done nothing to us. Which got me to thinking that maybe we got it wrong and they got a purpose we don’t know nothing about.
”
”
Victoria Forester (The Girl Who Could Fly (Piper McCloud, #1))
“
The tears came, and she surrendered to them. There was no one to hear, and no one to see. She cried until her eyes were dry and her heart was empty. The foolishness of it all. She’d wasted so many years allowing the value he placed on her to dictate the way she regarded herself.
”
”
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
“
Listen," she said taking my hand. "Tell me: you wouldn't have behaved like this, would you? You would not have abandoned a girl who had come to you of herself, you would not have thrown into her face a shameless taunt at her weak foolish heart? You would have taken care of her? You would have realized that she was alone, that she did not know how to look after herself, that she could not guard herself from loving you, that it was not her fault, not her fault-that she had done nothing...
”
”
Fyodor Dostoevsky (White Nights)
“
I was such a foolish girl - girls are foolish, Mr. Satterthwaite. They are so sure of themselves, so convinced they know best. People write and talk a lot of a ‘woman’s instinct.’ I don’t believe, Mr.Satterthwaite, that there is any such thing. There doesn’t seem to be anything that warns girls against a certain type of man. Nothing in themselves, I mean. Their parents warn them, but that’s no good - one doesn’t believe. It seems dreadful to say so, but there is something attractive to a girl in being told anyone is a bad man. She thinks at once that her love will reform him.
”
”
Agatha Christie (Three Act Tragedy (Hercule Poirot, #11))
“
I sit back and try to think. I've been discovering, much to my dismay, that I'm not a criminal mastermind or anything. I'm just brute force and my powers in no way include super-intelligence, which kind of pisses me off.
”
”
Kelly Thompson (The Girl Who Would Be King)
“
Rose sighed softly, in a way that seemed to signal a close to the conversation. "I love him, Mamma."
Adeline closed her eyes. Youth! What chance had the most reasonable arguments against the arrogant power of those three words? That her daughter, her precious prize, should utter them so easily, and about such a one as he!
"And he loves me, Mamma, he told me so."
Adeline's heart tightened with fear. Darling girl, blinded by foolish thoughts of love. How to tell her that the hearts of men were not so easily won. If won, rarely kept.
"You'll see," Rose said. "I shall live happily ever after.
”
”
Kate Morton (The Forgotten Garden)
“
Life is long, people change, I would never be foolish enough to think otherwise. But no matter what, nothing can ever be as it was. Everything has changed in a way that sounds trite and borderline offensive when recounted over coffee. I can never be who I was. I can simply watch her with sympathy, understanding, and some measure of awe. There she goes, backpack on, headed for the subway or the airport. She did her best with her eyeliner. She learned a new word she wants to try out on you. She is ambling along. She is looking for it.
”
”
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
“
No one drew their curtains; light and heat and good fortune spilled out into the dark as if these foolish people didn’t know what such bounty might attract, as if they’d left these shining doorways open for any hungry girl to walk through.
”
”
Leigh Bardugo (Ninth House (Alex Stern, #1))
“
I'm holding out hope for a girl who will never, ever have a romantic feeling for me as long as she lives. It's foolish, really, that I'm prepared to die alone when I know for a fact there's a sea of lesbians somewhere I could be swimming in.
”
”
Kristen Zimmer (The Gravity Between Us)
“
When man don't love you, more you try, more he hate you, man like that. If you love them they treat you bad, if you don't love them they after you night and day bothering your soul case out. I hear about you and your husband,' she said.
'But I cannot go. He is my husband after all.'
She spat over her shoulder. 'All women, all colours, nothing but fools. Three children I have. One living in this world, each one a different father, but no husband, I thank my God. I keep my money. I don't give it to no worthless man.'
'When must I go, where must I go?'
'But look me trouble, a rich white girl like you and more foolish than the rest. A man don't treat you good, pick up your skirt and walk out. Do it and he come after you.
”
”
Jean Rhys (Wide Sargasso Sea)
“
By the time we'd moved into that rambling, lopsided wooden house, I'd already fallen in love with reading. I think my love for books sprang from my need to escape the world I was born into, to slide into another where words were straightforward and honest, where there was clearly delineated good and evil, where I found girls who were strong and smart and creative and foolish enough to fight dragons, to run away from home to live in museums, to become child spies, to make new friends and build secret gardens.
”
”
Jesmyn Ward (Men We Reaped: A Memoir)
“
I have heard the songs of many gods, child. Silly gods, powerful gods, and capricious gods, and biddable gods, and dull. Long ago, when you first welcomed us to your household, and fed us and gave us shelter, and invited us to stay, I listened to you say that we are all -- Jana'ata and Runa and H'uman -- children of a God so high that our ranks and our differences are as nothing in his far sight."
Suukmel looked out over the sweep of the valley, dotted now with small stone houses and filled with the sound of voices high and low, home to Runa and to Jana'ata and to the one single outlandish being whom Ha'anala called brother. "I thought then that this was merely a song sung by a foreigner to a foolish girl who believed nonsense. But Taksayu was dear to me, and Isaac was dear to you. I was willing to hear this song, because I had once yearned for a world in which lives would be governed not by lineage and lust and moribund law, but by love and loyalty. In this one valley, such lives are possible," she said. "If it is a mistake to hope for such a world, then it is a magnificent mistake.
”
”
Mary Doria Russell (Children of God (The Sparrow, #2))
“
I wasn’t brave, or strong, or badass. And all those quirky lines I fed you? A foolish attempt at sounding strong.
The truth is: I was just a lost girl. Someone who was clueless on how to get out of the hole she’d dug for herself.
I didn’t want to be the way I was. I wanted to be normal.
”
”
L. Duarte (Fall Out Girl)
“
Listen you..you.."he sputtered.
"You what ? You've already used hellion,draft girl and missy' .i can think of several more degradation,but then again im not the one trying so hard to be intimidating."
"How about you,maddending,foolish,moronic little chit ?"
"Much better !" she applauded.
”
”
Kate Noble (Compromised)
“
Waller was a sensible girl. She meant to shake off the American officer as soon as she could, and meet with Agent Werewolf and his friends in the woods. Germany was counting on them! Still, it seemed foolish to be afraid -- the American officer was only a woman, after all. What could one woman do to another?
”
”
Joseph Heywood (The Berkut)
“
But here's the thing Ona. Howard wrote that song for you.' Quinn had never been more sure of anything. 'I think he wrote all his songs for you, Ona, for young and lovely you.'
'Now you're talking foolish.'
'He wrote them for you, and you refused them because he didn't know how to give them to you.' How could he, living his shadow of a life, floundering in the sludge of grief and failure?
'Have you been drinking?'
'Listen to me,' he said. 'You 're the glittering girl with the cherry-wood hair. You're the angel's breath and sunlight.'
'Oh, for heaven's sake.' She sat up crossly, her tufted hair seeming to quiver. 'Quinn Porter,' she said, 'I never took you for a romantic.'
'Howard Stanhope loved you,' he declared. 'I thought you should know.'
'Well, all right.'
'I thought you should know, Ona.'
'Thank you.'
'People should know these things
”
”
Monica Wood (The One-in-a-Million Boy)
“
It's different up here, you know."
"I know," said Laura miserably. "I was -- enjoying myself, that's all."
Nick watched her for a moment. "Don't look so tragic about it, Laura. It's not a crime to enjoy yourself, you know."
"Yes, it is," muttered Laura, feeling as if she were in some biblical parable, the one where the Lord wreaks vengeance on the stupid girl who is a foolish wanton by removing the last shred of common sense in her brain.
”
”
Harriet Evans (A Hopeless Romantic)
“
Women, for their part, are always complaining that we raise them only to be vain and coquettish, that we keep them amused with trifles so that we may more easily remain their masters; they blame us for the faults we attribute to them. What stupidity! And since when is it men who concern themselves with the education of girls? Who is preventing the mothers from raising them as they please? There are no schools for girls—what a tragedy! Would God, there were none for boys! They would be raised more sensibly and more straightforwardly. Is anyone forcing your daughters to waste their time on foolish trifles? Are they forced against their will to spend half their lives on their appearance, following your example? Are you prevented from instructing them, or having them instructed according to your wishes? Is it our fault if they please us when they are beautiful, if their airs and graces seduce us, if the art they learn from you attracts and flatters us, if we like to see them tastefully attired, if we let them display at leisure the weapons with which they subjugate us? Well then, decide to raise them like men; the men will gladly agree; the more women want to resemble them, the less women will govern them, and then men will truly be the masters.
”
”
Jean-Jacques Rousseau (Emile, or On Education)
“
The best method, I believe, that can be adopted to correct a fondness for novels is to ridicule them; not indiscriminately, for then it would have little effect; but, if a judicious person, with some turn for humour, would read several to a young girl, and point out, both by tones and apt comparisons with pathetic incidents and heroic characters in history, how foolishly and ridiculously they caricatured human nature, just opinions might be substituted instead of romantic sentiments.
”
”
Mary Wollstonecraft (Vindication of the Rights of Woman)
“
You don’t know me, Lei‑zhi,” he sneers. “You’re not as clever as you think. None of your kind are. No matter how hard you fight, it will be in vain. Paper can never triumph over Steel and Moon—you are too easily broken. You are weak, and we... I am strong. You will see. I will burn all your hopes and dreams to ashes, Lei‑zhi—along with everything you so proudly, foolishly love.
”
”
Natasha Ngan (Girls of Fate and Fury (Girls of Paper and Fire, #3))
“
This tub is for washing your courage...When you are born your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk and crusty things and dirt and fear and knowing how bad things can get and what pain feels like. By the time you're half-grown, your courage barely moves at all, it's so grunged up with living. So every once in awhile, you have to scrub it up and get the works going or else you'll never be brave again. Unfortunately, there are not many facilities in your world that provide the kind of services we do. So most people go around with grimy machinery, when all it would take is a bit of a spit and polish to make them paladins once more, bold knights and true.
...
This tub is for washing your wishes...For the wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to catch the world in its changing and change with it.
...
Lastly, we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money, and lost, like a memory; and wasted, like a life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired, riskless living can be pumped up again--after all, it is only a bit thirsty for something to do.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
Play it again," I said. I tried to imagine myself in the same way the singer saw the woman: the dangle of her silver bracelet, tinged with green, the fall of her hair. But I only felt foolish, opening my eyes to the sight of Connie at the mirror, separating her eyelashes with a safety pin, shorts wedged into her ass. It wasn't the same to notice things about yourself. Only certain girls ever called forth that kind of attention. Like the girl I'd seen in the park. Or Pamela and the girls on the high school steps, waiting for the lazy agitation of their boyfriends' idling cars, the signal to leap to their feet. To brush off their seat and trip out into the full sun, waving goodbye to the ones left behind.
”
”
Emma Cline (The Girls)
“
There you have it. We go in General Celchu’s shuttle.”
“Much as I personally want you to succeed in this, I sort of have to say no. Duty and officer’s oaths and all that. You understand.”
“Oh, that’s right.” Luke turned to Wedge. “Could I trouble you to set your blaster on stun and point it at the other general?”
“No, not really.”
“Please?”
Wedge sighed. “I’m not going to point a blaster at my best friend. Plus, his pilot will be obliged to jump in the way or do something equally noble and foolish. I’m not going to point a blaster at my little girl.”
“Thank you, Daddy.
”
”
Troy Denning (Legacy of the Force: Invincible (Star Wars: Legacy of the Force, #9))
“
Dear good guy I can hear your cries I can feel your pain I can smell your frustration I can see the confusion in your eyes Confused about how women see you In a land of women tired of being played They still take you as a joke and think you’re all games They play you like they were played They can’t see the seriousness in your eyes When you call her “Queen” and ask for her heart And you cry for commitment, they back out and shut down Treat you like the bad guys treated them It’s so ironic You hate seeing these ladies get their hearts stomped on Their minds toyed with It’s killing you because you’ve done it to women yourself you’ve seen other guys do it You want to save them from the destruction But like a child who refuses to obey their mother’s wisdom, until they are wise enough to understand through experience They won’t value you until they get burned playing with the fire of curiosity Some of them crave destruction They crave the fun that these fellas who will degrade them have to offer They are being guided by curiosity and their wisdom is foolishness Fight the urge to become like the men these ladies who lack understanding chase after Don’t let rejection consume your heart and cause you to crumble Being a promiscuous man who lacks self-respect and morals is overrated Find peace with being the underdog Your type is needed in this world, my good friend Hold on There are women out there who are in search for someone like you One of them will be the one who appreciates the detailed things about you the previous women called corny There are women out there who will value your honesty, your character, your loyalty Hold on, my friend Narrow is the right path You are on the right path, my friend Your time will come in due time You will not just be getting a girl, you will be getting a woman who will be willing to finish off this life’s journey with you You are not alone I am with you and I understand the hardships you face, the doubt, the anger I want you to know you are doing a great job at being you Do not give up Stand firm and continue to be different You will be an example to many although you are in the minority Corruption
”
”
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
“
October 17, 1946
D’Arline,
I adore you, sweetheart.
I know how much you like to hear that — but I don't only write it because you like it — I write it because it makes me warm all over inside to write it to you.
It is such a terribly long time since I last wrote to you — almost two years but I know you'll excuse me because you understand how I am, stubborn and realistic; and I thought there was no sense to writing.
But now I know my darling wife that it is right to do what I have delayed in doing, and that I have done so much in the past. I want to tell you I love you. I want to love you. I always will love you.
I find it hard to understand in my mind what it means to love you after you are dead — but I still want to comfort and take care of you — and I want you to love me and care for me. I want to have problems to discuss with you — I want to do little projects with you. I never thought until just now that we can do that. What should we do. We started to learn to make clothes together — or learn Chinese — or getting a movie projector. Can't I do something now? No. I am alone without you and you were the "idea-woman" and general instigator of all our wild adventures.
When you were sick you worried because you could not give me something that you wanted to and thought I needed. You needn’t have worried. Just as I told you then there was no real need because I loved you in so many ways so much. And now it is clearly even more true — you can give me nothing now yet I love you so that you stand in my way of loving anyone else — but I want you to stand there. You, dead, are so much better than anyone else alive.
I know you will assure me that I am foolish and that you want me to have full happiness and don't want to be in my way. I'll bet you are surprised that I don't even have a girlfriend (except you, sweetheart) after two years. But you can't help it, darling, nor can I — I don't understand it, for I have met many girls and very nice ones and I don't want to remain alone — but in two or three meetings they all seem ashes. You only are left to me. You are real.
My darling wife, I do adore you.
I love my wife. My wife is dead.
Rich.
PS Please excuse my not mailing this — but I don't know your new address.
”
”
Richard P. Feynman
“
It is foolish to wish for beauty. Sensible people never either desire it for themselves or care about it in others. If the mind be but well cultivated, and the heart well disposed, no one ever cares for the exterior. So said the teachers of our childhood; and so say we to the children of the present day. All very judicious and proper, no doubt; but are such assertions supported by actual experience?
We are naturally disposed to love what gives us pleasure, and what more pleasing than a beautiful face—when we know no harm of the possessor at least? A little girl loves her bird—Why? Because it lives and feels; because it is helpless and harmless? A toad, likewise, lives and feels, and is equally helpless and harmless; but though she would not hurt a toad, she cannot love it like the bird, with its graceful form, soft feathers, and bright, speaking eyes. If a woman is fair and amiable, she is praised for both qualities, but especially the former, by the bulk of mankind: if, on the other hand, she is disagreeable in person and character, her plainness is commonly inveighed against as her greatest crime, because, to common observers, it gives the greatest offence; while, if she is plain and good, provided she is a person of retired manners and secluded life, no one ever knows of her goodness, except her immediate connections. Others, on the contrary, are disposed to form unfavourable opinions of her mind, and disposition, if it be but to excuse themselves for their instinctive dislike of one so unfavoured by nature; and visa versâ with her whose angel form conceals a vicious heart, or sheds a false, deceitful charm over defects and foibles that would not be tolerated in another.
”
”
Anne Brontë (Agnes Grey)
“
The perfect chocolate chip cookie,” I intone, “should have three rings. The center should be soft and a little gooey. The middle ring should be chewy. And the outer ring should be crispy.”
“I can’t hear her give this speech again,” Kitty says to Peter. “I just can’t.”
“Be patient,” he says, squeezing her shoulder. “It’s almost over, and then we get cookies.”
“The perfect cookie is best eaten while still warm, but still delicious at room temperature.”
“If you don’t quit talking, they won’t be warm anymore,” Kitty grumbles. I shoot her a glare, but truthfully, I’m glad she’s here to be a buffer between Peter and me. Her presence makes things feel normal.
“In the baking world, it is a truth universally acknowledged that Jacques Torres has perfected the chocolate chip cookie. Peter, you and I tasted it for ourselves just a few months ago.” I’m really stretching it now to make them suffer. “How will my cookie measure up? Spoiler alert. It’s amazing.”
Kitty slides off her stool. “That’s it. I’m out of here. A chocolate chip cookie isn’t worth all this.”
I pat her on the head. “Oh, naïve little Kitten. Dear, foolish girl. This cookie is worth all this and more. Sit or you will not partake.”
Rolling her eyes, she sits back down.
“My friends, I have finally found it. My white whale. My golden ring. The cookie to rule them all.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
You're eighteen years old, Sayuri," she went on. "Neither you nor I can know your destiny. You may
never know it! Destiny isn't always like a party at the end of the evening. Sometimes it's nothing more
than struggling through life from day to day."
"But, Mameha-san, how cruel!"
"Yes, it is cruel," she said. "But none of us can escape destiny."
"Please, it isn't a matter of escaping my destiny, or anything of that sort. Nobu-san is a good man, just as
you say. I know I should feel nothing but gratitude for his interest, but . . . there are so many things I've
dreamed about."
"And you're afraid that once Nobu has touched you, after that they can never be? Really, Sayuri, what
did you think life as a geisha would be like? We don't become geisha so our lives will be satisfying. We
become geisha because we have no other choice."
"Oh, Mameha-san . . . please . . . have I really been so foolish to keep my hopes alive that perhaps one
day-"
"Young girls hope all sorts of foolish things, Sayuri. Hopes are like hair ornaments. Girls want to wear
too many of them. When they become old women they look silly wearing even one.
”
”
Arthur Golden (Memoirs of a Geisha)
“
Did we win?”
“I’m here, aren’t I?”
He must be running. Her body jounced painfully against his chest with every lurching step. He needed his cane.
“I don’t want to die.”
“I’ll do my best to make other arrangements for you.”
She closed her eyes.
“Keep talking, Wraith. Don’t slip away from me.”
“But it’s what I do best.”
He clutched her tighter. “Just make it to the schooner. Open your damn eyes, Inej.”
She tried. Her vision was blurring, but she could make out a pale, shiny scar on Kaz’s neck, right beneath his jaw. She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information – stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognised the eagerness in their voices and the way they tracked him with their eyes.
One night, as he’d passed her in the parlour, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlour. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life.
“I can help you,” she said now.
“Help me with what?”
She couldn’t remember. There was something she was supposed to tell him. It didn’t matter any more.
“Talk to me, Wraith.”
“You came back for me.”
“I protect my investments.”
Investments. “I’m glad I’m bleeding all over your shirt.”
“I’ll put it on your tab.”
Now she remembered. He owed her an apology. “Say you’re sorry.”
“For what?”
“Just say it.”
She didn’t hear his reply.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Die young, stay pretty. Blondie, right? We think of it as a modern phenomenon, the whole youth thing, but really, consider all those great portraits, some of them centuries old. Those goddesses of Botticelli and Rubens, Goya's Maja, Madame X. Consider Manet's Olympia, which shocked at the time, he having painted his mistress with the same voluptuous adulation generally reserved for the aristocratic good girls who posed for depictions of goddesses. Hardly anyone knows anymore, and no one cares, that Olympia was Manet's whore; although there's every reason to imagine that, in life, she was foolish and vulgar and not entirely hygienic (Paris in the 1860s being what it was). She's immortal now, she's a great historic beauty, having been scrubbed clean by the attention of a great artist. And okay, we can't help but notice that Manet did not choose to paint her twenty years later, when time had started doing its work. The world has always worshipped nascence. Goddamn the world.
”
”
Michael Cunningham (By Nightfall)
“
Love, she told herself, would one day release her from this spell of unreality. She was persuaded that the sublime passion was the key to the enigma; but it was difficult to relate her conception of love to the forms it wore in her experience. Two or three of the girls she had envied for their superior acquaintance with the arts of life had contracted, in the course of time, what were variously described as "romantic" or "foolish" marriages; one even made a runaway match, and languished for a while under a cloud of social reprobation. Here, then, was passion in action, romance converted to reality; yet the heroines of these exploits returned from them untransfigured, and their husbands were as dull as ever when one had to sit next to them at dinner. Her own case, of course, would be different.
”
”
Edith Wharton (The Reef)
“
She remembered the first time she’d seen him at the Menagerie. He paid Tante Heleen for information—stock tips, political pillow talk, anything the Menagerie’s clients blabbed about when drunk or giddy on bliss. He never visited Heleen’s girls, though plenty would have been happy to take him up to their rooms. They claimed he gave them the shivers, that his hands were permanently stained with blood beneath those black gloves, but she’d recognized the eagerness in their voices and the way they tracked him with their eyes.
One night, as he’d passed her in the parlor, she’d done a foolish thing, a reckless thing. “I can help you,” she’d whispered. He’d glanced at her, then proceeded on his way as if she’d said nothing at all. The next morning, she’d been called to Tante Heleen’s parlor. She’d been sure another beating was coming or worse, but instead Kaz Brekker had been standing there, leaning on his crow-head cane, waiting to change her life.
“I can help you,” she said now.
“Help me with what?”
She couldn’t remember. There was something she was supposed to tell him. It didn’t matter anymore.
“Talk to me, Wraith.”
“You came back for me.”
“I protect my investments.”
Investments. “I’m glad I’m bleeding all over your shirt.”
“I’ll put it on your tab.”
Now she remembered. He owed her an apology. “Say you’re sorry.”
“For what?”
“Just say it.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Hanna started to laugh uncontrollably. "Now," Bobby told her, "say, 'I'm a dying cockroach.'"
Again Hanna stopped and rolled over. "Do what?" she asked.
"You were doing good, Girl. Don't stop. Please don't stop. Quick, get back on your back."
It was his patience with her that finally convinced her to go on with the foolishness.
"That's it. Wiggle. Wiggle. Now, say, 'I'm a dying Cockroach.'"
"I cant."
"Yes you can. Say it. Say it."
Hanna started laughing so hard she could not stop.
"I'm a dying cockroach." she managed to say.
"I'm a dying cockroach, " Bobby repeated. "Say it again. Say it over and over. I'm a dying cockroach, I'm a dying cockroach. Say it."
"I'm a dying cockroach," Hanna began.
"Keep wiggling. Wiggle. Wiggle. I'm a dying cockroach."
"I'm a dying cockroach. I'm a dying fucking cockroach!"
Bobby spent nearly half an hour putting Hanna through the exercise he had experienced in the Marine Corps. He was satisfied when finally she began to scream uncontrollably as she flailed about the floor hysterically in absolute absurdity. Tears were pouring over her face. It was then that Bobby fell over her and began to hug and hold her and kiss her cheeks. "You did it!" Girl, you did it. See?" After she came back to her senses and calmed down, Bobby explained why he put her through the ordeal. "How do you feel?" he asked her.
Hanna smiled and said. "Weird. I made a fucking fool of myself."
"Great," said Bobby. "That was the point. See, you got outside yourself. You lost your ego."
Hanna was starting to understand. "I did, didn't I? I let go. I honestly let go of everything. I didn't care. I didn't give a shit for nothing. It felt great. Shiiiitttt!" she screamed into her hands. "I'm a fucking dying cockroach. And I don't give a shit about nothing."
"Anything," Byron said from the kitchen.
”
”
Ronald Everett Capps (Off Magazine Street)
“
Don't fall into the habit of bringing work home, Rick. It indicates a lack of planning, and you would eventually find yourself stuck indoors every night. Teaching is like having a bank account. You can happily draw on it while it is well supplied with new funds; otherwise you're in difficulties.
Every teacher should have a fund of ready information on which to draw; he should keep that fund supplied regularly by new experiences, new thoughts and discoveries, by reading and moving around among people from whom he can acquire such things."
"Not much chance of social movement for me, I'm afraid."
"Nonsense, Rick, you're settled in a job now, so there's no need to worry about that; but you must get out and meet more people. I'm sure you'll find lots of nice people about who are not foolishly concerned with prejudice."
"That's all right, Dad; I'm quite happy to stay at home with you and Mom."
"Nice to hear you say that, but we're old and getting a bit stuffy. You need the company of younger people like yourself. It's even time he had a girl, don't you think, Jess?"
Mom smiled across at me.
"Ah, leave him alone, Bob, there's plenty of time for that."
We went on to chat about other things, but I never forgot what Dad Belmont had said, and never again did I take notebooks home for marking. I would check the work in progress by moving about the class, helping here, correcting there; and I very soon discovered that in this way errors were pin-pointed while they were still fresh in the child's mind.
”
”
E.R. Braithwaite (To Sir, With Love)
“
It is foolish to wish for beauty. Sensible people never either desire it for themselves or care about it in others. If the mind be but well cultivated, and the heart well disposed, no one ever cares for the exterior. So said the teachers of our childhood; and so say we to the children of the present day. All very judicious and proper, no doubt; but are such assertions supported by actual experience?
We are naturally disposed to love what gives us pleasure, and what more pleasing than a beautiful face--when we know no harm of the possessor at least? A little girl loves her bird--Why? Because it lives and feels; because it is helpless and harmless? A toad, likewise, lives and feels, and is equally helpless and harmless; but though she would not hurt a toad, she cannot love it like the bird, with its graceful form, soft feathers, and bright, speaking eyes. If a woman is fair and amiable, she is praised for both qualities, but especially the former, by the bulk of mankind: if, on the other hand, she is disagreeable in person and character, her plainness is commonly inveighed against as her greatest crime, because, to common observers, it gives the greatest offence; while, if she is plain and good, provided she is a person of retired manners and secluded life, no one ever knows of her goodness, except her immediate connections. Others, on the contrary, are disposed to form unfavourable opinions of her mind, and disposition, if it be but to excuse themselves for their instinctive dislike of one so unfavoured by nature; and visa versa with her whose angel form conceals a vicious heart, or sheds a false, deceitful charm over defects and foibles that would not be tolerated in another. They that have beauty, let them be thankful for it, and make a good use of it, like any other talent; they that have it not, let them console themselves, and do the best they can without it: certainly, though liable to be over-estimated, it is a gift of God, and not to be despised.
”
”
Anne Brontë
“
Ren moved just a smidgen closer to me. I closed my eyes, took a deep breath, and then…waited. When I opened my eyes, he was still staring at me. He really was waiting for permission. There was nothing, and I mean nothing I wanted more in the world at that moment than to be kissed by this gorgeous man. But, I ruined it. For some reason, I fixated on the word permission.
I nervously rambled, “What…umm…what do you mean you want my permission?”
He looked at me curiously, which made me feel even more panicky. To say I had no experience with kissing would be an understatement. Not only had I never kissed a boy before, I’d never even met a guy I wanted to kiss until Ren. So, instead of kissing him like I wanted to, I got flustered and started coming up with reasons to not do it.
I babbled, “Girls need to be swept off their feet, and asking permission is just…just…old-fashioned. It’s not spontaneous enough. It doesn’t scream passion. It screams old fogy. If you have to ask, then the answer is…no.”
What an idiot! I thought to myself. I just told this beautiful, kind, blue-eyed, hunk of a prince that he was an old fogy.
Ren looked at me for a long moment, long enough for me to see the hurt in his eyes before he cleared his face of expression. He stood up quickly, formally bowed to me, and avowed softly, “I won’t ask you again, Kelsey. I apologize for being so forward.”
Then he changed into a tiger and quickly ran off into the jungle, leaving me alone to berate myself for my foolishness.
I shouted, “Ren, wait!” But it was too late. He was gone.
I can’t believe I insulted him like that! He must hate me! How could I do that to him? I knew I only said those things because I was nervous, but that was no excuse. What did he mean he would never ask me again? I hope he asks me again.
I replayed my words over and over again in my mind and thought of all the things I could have said that would have given me a better result. Things like, “I thought you’d never ask” or “I was just about to ask you the same question.”
I could have just grabbed the man and kissed him first. Even just a simple “Yes” would have done the trick. I could have said dramatically, “As you wish,” “Kiss me. Kiss me as if it were the last time,” or “You had me at hello.” He’d never seen the movies, so why not? But, no, I had to go on and on about “permission.”
Ren left me alone the rest of the day, which gave my plenty of time to kick myself.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Suppose he really is in love. What about her? She never has anything good to say about him.”
“Yet she blushes whenever he enters a room. And she stares at him a good deal. Or hadn’t you noticed that, either?”
“As a matter of fact, I have.” Gazing up at him, she softened her tone. “But I do not want her hurt, Isaac. I must be sure she is desired for herself and not her fortune. Her siblings had a chance of not gaining their inheritance unless the others married, so I always knew that their mates loved them, but she…” She shook her head. “I had to find a way to remove her fortune from the equation.”
“I still say you’re taking a big risk.” He glanced beyond her to where Celia was talking to the duke. “Do yo really think she’d be better off with Lyons?”
But she doesn’t love him…If you’d just give her a chance-
“I do not know,” Hetty said with a sigh. “I do not know anything anymore.”
“Then you shouldn’t meddle. Because there’s another outcome you haven’t considered. If you try to manipulate matters to your satisfaction, she may balk entirely. Then you’ll find yourself in the sticky position of having to choose between disinheriting them all or backing down on your ultimatum. Personally, I think you should have given up that nonsense long ago, but I know only too well how stubborn you can be when you’ve got the bit between your teeth.”
“Oh?” she said archly. “Have I been stubborn with you?”
He gazed down at her. “You haven’t agreed to marry me yet.”
Her heart flipped over in her chest. It was not the first time he had mentioned marriage, but she had refused to take him seriously.
Until now. It was clear he would not be put off any longer. He looked solemnly in earnest. “Isaac…”
“Are you worried that I am a fortune hunter?”
“Do not be absurd.”
“Because I’ve already told you that I’ll sign any marriage settlement you have your solicitor draw up. I don’t want your brewery or your vast fortune. I know it’s going to your grandchildren. I only want you.”
The tender words made her sigh like a foolish girl. “I realize that. But why not merely continue as we have been?”
His voice lowered. “Because I want to make you mine in every way.”
A sweet shiver swept along her spine. “We do not need to marry for that.”
“So all you want from me is an affair?”
“No! But-“
“I want more than that. I want to go to sleep with you in my arms and wake with you in my bed. I want the right to be with you whenever I please, night or day.” His tone deepened. “I love you, Hetty. And when a man loves a woman, he wants to spend his life with her.”
“But at our age, people will say-“
“Our age is an argument for marriage. We might not have much time left. Why not live it to the fullest, together, while we’re still in good health? Who cares about what people say? Life is too short to let other people dictate one’s choices.”
She leaned heavily on his arm as they reached the steps leading up to the dais at the front of the ballroom. He did have a point. She had been balking at marrying him because she was sure people would think her a silly old fool.
But then, she had always been out of step with everyone else. Why should this be any different? “I shall think about it,” she murmured as they headed to the center of the dais, where the family was gathering.
“I suppose I’ll have to settle for that. For now.” He cast her a heated glance. “But later this evening, once we have the chance to be alone, I shall try more effective methods to persuade you. Because I’m not giving up on this. I can be as stubborn as you, my dear.”
She bit back a smile. Thank God for that.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
NORA [looking earnestly and a little doubtfully at him]. Surely
if you let one woman cry on you like that you'd never let another
touch you.
BROADBENT [conscientiously]. One should not. One OUGHT not, my
dear girl. But the honest truth is, if a chap is at all a
pleasant sort of chap, his chest becomes a fortification that has
to stand many assaults: at least it is so in England.
NORA [curtly, much disgusted]. Then you'd better marry an
Englishwoman.
BROADBENT [making a wry face]. No, no: the Englishwoman is too
prosaic for my taste, too material, too much of the animated
beefsteak about her. The ideal is what I like. Now Larry's taste
is just the opposite: he likes em solid and bouncing and rather
keen about him. It's a very convenient difference; for we've
never been in love with the same woman.
NORA. An d'ye mean to tell me to me face that you've ever been in
love before?
BROADBENT. Lord! yes.
NORA. I'm not your first love?
BROADBENT. First love is only a little foolishness and a lot of
curiosity: no really self-respecting woman would take advantage
of it. No, my dear Nora: I've done with all that long ago. Love
affairs always end in rows. We're not going to have any rows:
we're going to have a solid four-square home: man and wife:
comfort and common sense--and plenty of affection, eh [he puts
his arm round her with confident proprietorship]?
NORA [coldly, trying to get away]. I don't want any other woman's
leavings.
BROADBENT [holding her]. Nobody asked you to, ma'am. I never
asked any woman to marry me before.
NORA [severely]. Then why didn't you if you're an honorable man?
BROADBENT. Well, to tell you the truth, they were mostly married
already. But never mind! there was nothing wrong. Come! Don't
take a mean advantage of me. After all, you must have had a fancy
or two yourself, eh?
”
”
George Bernard Shaw (John Bull's Other Island)
“
We can at least give them our names,” Jeff insisted.
They were very sweet about it, quite willing to do whatever we asked, to please us. As to the names, Alima, frank soul that she was, asked what good it would do.
Terry, always irritating her, said it was a sign of possession. “You are going to be Mrs. Nicholson,” he said, “Mrs. T.O. Nicholson. That shows everyone that you are my wife.”
“What is a ‘wife’ exactly?” she demanded, a dangerous gleam in her eye.
“A wife is a woman who belongs to a man,” he began.
But Jeff took it up eagerly: “And a husband is the man who belongs to a woman. It is because we are monogamous, you know. And marriage is a ceremony, civil and religious, that joins the two together—“until death do us part,” he finished, looking at Celia with unutterable devotion.
“What makes us feel foolish,” I told the girls, “is that here we have nothing to give you—except, of course, our names.”
“Do your women have no names before they are married?” Celis suddenly demanded.
“Why, yes,” Jeff explained. “They have their maiden names—their father’s names, that is.”
“And what becomes of them?” asked Alima.
“They change them for their husband’s, my dear,” Terry answered her.
“Change them? Do the husbands then take the wives’ ‘maiden names’?”
“Oh no,” he laughed. “The man keeps his own and gives it too her, too.”
“Then she just loses hers and takes a new one—how unpleasant! We won’t do that!” Alima said decidedly.
”
”
Charlotte Perkins Gilman (Herland and Selected Stories)
“
There is one terrible weakness you can have if you amusedly and self-deprecatingly describe yourself as an artist and become famous. One letdown if you become loved by millions and your work is meaningful work and that is if some of the millions that know you and love you are teenage girls. There is nothing more shaming than to be loved by teenage girls. The love of teenage girls is not merely substandard or worthless it is an active mortification to an artist. Our language is full of how little we think of artists that are loved by teenage girls, we talk of mad fans and teenyboppers and little girls wetting their knickers. Ohh, you can take those girls' money and become elevated on their devotion and enjoy them putting you at number one. You can do all those things, no band ever refused them but you do not respect those girls, you do not want to talk to them or look them in the eye, or hang out with them or love them back. You do not talk about them unless it is to turn to your cool fans, the men, and mouth "Sorry, these mad girls have crushed the party. So embarrassing!" (...)Men are the right fans to have. This is why rock is cooler than pop, acid house is cooler than disco, prog is cooler than boy bands. Things boys love are cooler than things girls love. That is a simple fact. Boys love clever things cleverly, girls love foolish things foolishly. How awful it would be love bands like teenage girls do? How awful it would be to be the wrong kind of fan? A girl. How awful it would be to be a dumb, hysterical, screaming teenage girl? How amazing it is to be a dumb, hysterical, screaming teenage girl? ...
”
”
Caitlin Moran (How to be Famous (How to Build a Girl, #2))
“
My Dear Mrs Winter. (I had half a mind when I dipped my pen in the ink, to address you by your old natural Christian name.)
The snow lies so deep on the Northern Railway, and the Posts have been so interrupted in consequence, that your charming note arrived here only this morning...
I get the heartache again when I read your commission, written in the hand which I find now to be not in the least changed, and yet it is a great pleasure to be entrusted with it, and to have that share in your gentler remembrances which I cannot find it still my privilege to have, without a stirring of the old fancies. ... I am very very sorry you mistrusted me in not writing before your little girl was born; but I hope now you know me better you will teach her, one day, to tell her children, in times to come when they have some interest in wondering about it, that I loved her mother with the most extraordinary earnestness when I was a boy.
I have always believed since, and always shall to the last, that there never was such a faithful and devoted poor fellow as I was. Whatever of fancy, romance, energy, passion, aspiration and determination belong to me, I never have separated and never shall separate from the hard hearted little woman - you - whom it is nothing to say I would have died for, with the greatest alacrity! I never can think, and I never seem to observe, that other young people are in such desperate earnest, or set so much, so long, upon one absorbing hope. It is a matter of perfect certainty to me that I began to fight my way out of poverty and obscurity, with one perpetual idea of you. This is so fixed in my knowledge that to the hour when I opened your letter last Friday night, I have never heard anybody addressed by your name or spoken of by your name, without a start. The sound of it has always filled me with a kind of pity and respect for the deep truth that I had, in my silly hobbledehoyhood, to bestow upon one creature who represented the whole world to me. I have never been so good a man since, as I was when you made me wretchedly happy. I shall never be half so good a fellow any more.
This is all so strange now, both to think of, and to say, after every change that has come about; but I think, when you ask me to write to you, you are not unprepared for what it is so natural to me to recall, and will not be displeased to read it. I fancy, - though you may not have thought in the old time how manfully I loved you - that you may have seen in one of my books a faithful reflection of the passion I had for you, and may have thought that it was something to have been loved so well, and may have seen in little bits of "Dora" touches of your old self sometimes, and a grace here and there that may be revived in your little girls, years hence, for the bewilderment of some other young lover - though he will never be as terribly in earnest as I and David Copperfield were. People used to say to me how pretty all that was, and how fanciful it was, and how elevated it was above the little foolish loves of very young men and women. But they little thought what reason I had to know it was true and nothing more nor less.
These are things that I have locked up in my own breast, and that I never thought to bring out any more. But when I find myself writing to you again "all to your self", how can I forbear to let as much light in upon them as will shew you that they are there still! If the most innocent, the most ardent, and the most disinterested days of my life had you for their Sun - as indeed they had - and if I know that the Dream I lived in did me good, refined my heart, and made me patient and persevering, and if the Dream were all of you - as God knows it was - how can I receive a confidence from you, and return it, and make a feint of blotting all this out! ...
”
”
Charles Dickens
“
Of the Poet’s Youth"
When the man behind the counter said, “You pay
by the orifice,” what could we do but purchase them all?
Ah, Sandy, vou were clearly the deluxe doll, modish and pert
in your plastic nurse whites, official hostess to our halcyon days,
where you bobbed in the doorway of our dishabille apartment,
a block downwind from the stockyards. Holding court on
the corroded balcony, K. and I passed hash brownies, collecting
change for the building’s monthly pool to predict which balcony
would fall off next. That’s when K. was fucking M. and M. was
fucking J., and even B. and I threw down once on the glass-speckled
lawn, adrift in the headlights of his El Camino. Those were immortal
times, Sandy! Coke wasn’t addictive yet, condoms prevented herpes
and men were only a form of practice for the Russian novel
we foolishly hoped our lives would become. Now it’s a Friday night,
sixteen years from there. Don’t the best characters know better
than to live too long? My estranged husband house-sits for a spoiled
cockatoo while saving to buy his own place. My lover’s gone back
to his gin and the farm-team fiancée he keeps in New York.
What else to do but read Frank O’Hara to my tired three-year-old?
When I put him to bed, he mutters “more sorry” as he turns into sleep.
Tonight, I find you in a box I once marked “The Past.” Well,
therapy’s good for some things, Sandy, but who’d want to forgive
a girl like that? Frank says Destroy yourself if you don’t know!
Deflated, you’re simply the smile that surrounds a hole.
I don’t know anything.
”
”
Erin Belieu
“
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you.
"You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes.
"Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people.
"Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you.
"Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
”
”
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
“
You will help, won’t you?”
Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage! First I ought to know her name, though I’ll tell you she suddenly seems damned familiar.”
“You will help?”
“Didn’t I just say so? Who is that delectable creature?”
“Elizabeth Cameron. She made her debut last-“ Alex stopped as Roddy’s smile turned harsh and sardonic.
“Little Elizabeth Cameron,” he mused half to himself. “I should have guessed, of course. The chit set the city on its ear just after you left on your honeymoon trip, but she’s changed. Who would have guessed,” he continued in a more normal voice, “that fate would have seen fit to endow her with more looks than she had then.”
“Roddy!” Alex said, sensing that his attitude toward helping was undergoing a change. “You already said you’d help.
“You don’t need help, Alex,” he snickered. “You need a miracle.”
“But-“
“Sorry. I’ve changed my mind.”
“Is it the-the gossip about that old scandal that bothers you?”
“In a sense.”
Alexandra’s blue eyes began to spark with dangerous fire. “You’re a fine one to believe gossip, Roddy! You above all know it’s usually lies, because you’ve started your share of it!”
“I didn’t say I believe it,” he drawled coolly. “In fact, I’d find it hard to believe that any man’s hands, including Thornton’s, have ever touched that porcelain skin of hers. However,” he said, abruptly closing the lid on his snuffbox and tucking it away, “society is not as discerning as I, or, in this instance, as kind. They will cut her dead tonight, never fear, and not even the influential Townsendes or my influential self could prevent it. Though I hate the thought of sinking any lower in your esteem than I can see I already have, I’m going to tell you an unlovely truth about myself, my sweet Alex,” he added with a sardonic grin. “Tonight, any unattached bachelor who’s foolish enough to show an interest in that girl is going to be the laughingstock of the Season, and I do not like being laughed at. I do not have the courage, which is why I am always the one to make jokes of others
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip.
He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says.
"Sweet pea, what happened? Can't be that bad."
He nods. "It is. I knocked Emma unconscious."
Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now."
"Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel.
"Oh?" Rachel says. "That how she got your attention?"
"She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-"
Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous."
"No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead.
"Okay, good. Now, back up there, sweet pea. Why did she run from you?"
"A misunderstanding."
Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures."
He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face."
Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school."
"No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers."
"Don't worry. I'm not getting in the water at all."
Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you."
Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!"
He laughs. "From Toraf? Why would I do that?"
She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?"
"Oops," Rachel says.
They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry."
As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner."
Rachel clears her throat and nods behind them.
"Rayna, that's very hurtful. After all we've been through," Toraf says.
Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets.
Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all."
Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?"
Galen grins.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))