Foo Fighters Quotes

He looked like he always did. Jeans and a black Foo Fighters t-shirt, his hair lay over his forehead and around his ears. I pushed my hand through it. "It's perfect. It's you." He grinned, shaking his head. "Zeke told me to wear leather, lots of it." "And you're rebelling?" I said through a laugh. "I'm telling him to subtly screw himself.

What if I say I'm not like the others What if I say I'm not just another one of your plays You're the pretender What if I say I will never surrender

Pearl Jam is a band I have a lot of respect for. Nirvana and Sonic Youth I feel the same way about. Mumford & Sons, My Morning Jacket, Wilco, Givers, and Foo Fighters are just some of my favorites. I respect bands that give me something of themselves that I can feel. ("Posing" bands turn me off generally speaking.) It all has to do with a feeling I have about them. That is what music is to me, a feeling. It's similar with people too.

Amy turned to Nellie. "Can you create a diversion to draw the clerk outside?" The au pair was wary. "What kind of diversion?" "You could pretend to be lost," Dan proposed. "The guy comes out to give you directions, and we slip inside." "That's the most sexist idea I've ever heard," Nellie said harshly. "I'm female, so I have to be clueless. He's male, so he's got a great sense of direction." "Maybe you're from out of town," Dan suggested. "Wait–you are from out of town." Nellie stashed their bags under a bench and set Saladin on the seat with a stern "You're the watchcat. Anybody touches those bags, unleash your inner tiger." The Egyptian Mau surveyed the street uncertainly. "Mrrp." Nellie sighed. "Lucky for us there's no one around. Okay, I'm going in there. Be ready." The clerk said something to her–probably May I help you? She smiled apologetically. "I don't speak Italian." "Ah–you are American." His accent was heavy, but he seemed eager to please. "I will assist you." He took in her black nail polish and nose ring. "Punk, perhaps, is your enjoyment?" "More like a punk/reggae fusion," Nellie replied thoughtfully. "With a country feel. And operatic vocals." The clerk stared in perplexity. Nellie began to tour the aisles, pulling out CDs left and right. "Ah–Artic Monkeys–that's what I'm talking about. And some Bad Brains–from the eighties. Foo Fighters–I'll need a couple from those guys. And don't forget Linkin Park..." He watched in awe as she stacked up an enormous armload of music. "There," she finished, slapping Frank Zappa's Greatest Hits on top of the pile. "That should do for a start." "You are a music lover," said the wide-eyed cashier. "No, I'm a kleptomaniac." And she dashed out the door.

Learning to walk again I believe I've waited long enough Where do I begin Learning to talk again Can't you see I've waited long enough Where do I begin

The only thing I'll ever ask of you, you've got to promise not to stop when I say when

THE SOUNDTRACK OF WES AND LIZ Someone Like You | Van Morrison Paper Rings | Taylor Swift Lovers | Anna of the North ocean eyes | Billie Eilish Bad Liar | Selena Gomez Public Service Announcement (Interlude) | Jay-Z Up All Night | Mac Miller How Would You Feel (Paean) | Ed Sheeran Hello Operator | The White Stripes Paradise | Bazzi Sabotage | Beastie Boys Feelin’ Alright | Joe Cocker Someone Like You | Adele Monkey Wrench | Foo Fighters Bella Luna | Jason Mraz Forrest Gump | Frank Ocean Electric (feat. Khalid) | Alina Baraz Kiss | Tom Jones Enter Sandman | Metallica Death with Dignity | Sufjan Stevens We Are Young | fun. feat. Janelle Monáe New Year’s Day | Taylor Swift River | Joni Mitchell

Long road to ruin, there in your eyes Under the cold streetlights. No tomorrow, no dead-ends in sight!

Playlist 1. Wild Honey - U2 2. Like Real People Do - Hozier 3. Colorblind - Counting Crows 4. Oh Darling - Gossling 5. Breathing Underwater - Metric 6. Let It Die - Foo Fighters 7. I’m Sorry - Imagine Dragons 8. Fools - Troye Sivan 9. Don’t Mess Me Around - Clare Maguire 10. Heal - Tom Odell 11. Unbreakable - Jamie Scott 12. I’m The Man Who Loves You - Wilco 13. Creep - Radiohead

The Fifth Key Lizbet Keaton’s Breakup Playlist “Good 4 U”—Olivia Rodrigo “All Too Well” (Taylor’s version)—Taylor Swift “If Looks Could Kill”—Heart “You Oughta Know”—Alanis Morissette “Far Behind”—Social Distortion “Somebody That I Used to Know”—Gotye “Marvin’s Room”—Drake “Another You”—Elle King “Gives You Hell”— The All-American Rejects “Kiss This”—The Struts “Save It for a Rainy Day”—Kenny Chesney “I Don’t Wanna Be in Love”—Good Charlotte “Best of You”—Foo Fighters “Rehab”—Rihanna “Better Now”—Post Malone “Forget You”—CeeLo Green “Salt”—Ava Max “Go Your Own Way”—Fleetwood Mac “Since U Been Gone”—Kelly Clarkson “Praying”—Kesha

I will not belabor my experience here as the story is basically described in my books, Inside Saucer Post 3-0 Blue and in Situation Red: The UFO Siege. Apparently, the Colonel used the word, Foo Fighter, loosely as we in research, have loosely used, Roswell. His

Best Of You I've got another confession to make I'm your fool Everyone's got their chains to break Holdin' you Were you born to resist or be abused Is someone getting the best, the best, the best, the best of you Is someone getting the best, the best, the best, the best of you Or are you gone and onto someone new I needed somewhere to hang my head Without your noose You gave me something that I didn't have But had no use I was too weak to give in Too strong to lose My heart is under arrest again But I'll break loose My head is giving me life or death But I can't choose I swear I'll never give in I refuse Is someone getting the best, the best, the best, the best of you Is someone getting the best, the best, the best, the best of you Has someone taken your faith Its real, the pain you feel Your trust, you must Confess Is someone getting the best, the best, the best, the best of you Oh... Oh...Oh...Oh... Oh...Oh...Oh... Oh...Oh...Oh... Oh... Has someone taken your faith It's real, the pain you feel The life, the love You'd die to heal The hope that starts The broken hearts Your trust, you must Confess Is someone getting the best, the best, the best, the best of you Is someone getting the best, the best, the best, the best of you I've got another confession my friend I'm no fool I'm getting tired of starting again Somewhere new Were you born to resist or be abused I swear I'll never give in I refuse Is someone getting the best, the best, the best, the best of you Is someone getting the best, the best, the best, the best of you Has someone taken your faith It's real, the pain you feel Your trust, you must Confess Is someone getting the best, the best, the best, the best of you Oh...

Walk Million miles away Your signal in the distance To whom it may concern I think I lost my way Gettin good at starting over Every time that I return Learning to walk again I believe I've waited long enough Where do I begin Learning to talk again Can't you see I've waited long enough Where do I begin Do you remember the days We built these paper mountains And sat and watched them burn I think I found my place Can't you feel it growing stronger Little conquerors Learning to walk again I believe I've waited long enough Where do I begin? Learning to talk again I believe I've waited long enough Where do I begin? Now For the very first time Don't you pay no mind Set me free, again You keep alive a moment at a time But still inside a whisper to a liar To sacrifice but knowing to survive The first to find another state of mind I'm on my knees, I'm praying for a sign Forever, whenever I never wanna die I never wanna die I never wanna die I'm on my knees I never wanna die I'm Dancing on my grave I'm Running through the fire Forever, whenever I Never wanna die I Never wanna leave I'll Never say goodbye Forever, whenever Forever, whenever Learning to walk again I believe I've waited long enough Where do I begin? Learning to talk again Can't you see I've waited long enough Where do I begin? Learning to walk again I believe I've waited long enough Learning to talk again Can't you see I've waited long enough

The Pretender Keep you in the dark you know they all pretend Keep you in the dark and so it all began Send in your skeletons Sing as their bones come marching in again The need you buried deep The secrets that you keep are at the ready, are you ready? I'm finished making sense Done pleading ignorance that whole defense Spinning infinity, but the wheel is spinning me It's never ending, never ending Same old story What if I say I'm not like the others What if I say I'm not just another one of your plays You're the pretender What if I say I will never surrender What if I say I'm not like the others What if I say I'm not just another one of your plays You're the pretender What if I say that I'll never surrender In time or so I'm told I'm just another soul for sale, oh well The page is out of print We are not permanent, we're temporary, temporary Same old story What if I say I'm not like the others What if I say I'm not just another one of your plays You're the pretender What if I say that I'll never surrender What if I say I'm not like the others What if I say I'm not just another one of your plays You're the pretender What if I say I will never surrender I'm the voice inside your head, you refuse to hear I'm the face that you have to face, mirrored in your stare I'm what's left, I'm what's right, I'm the enemy I'm the hand that'll take you down, bring you to your knees So, who are you? Yeah, who are you? Yeah, who are you? Yeah, who are you? Keep you in the dark you know they all pretend What if I say I'm not like the others What if I say I'm not just another one of your plays You're the pretender What if I say I will never surrender What if I say I'm not like the others What if I say I'm not just another one of your plays You're the pretender What if I say that I'll never surrender What if I say I'm not like the others? (Keep you in the dark) What if I say I'm not just another one of your plays (You know they all) You're the pretender (Pretend) What if I say I will never surrender What if I say I'm not like the others? (Keep you in the dark) What if I say I'm not just another one of your plays (You know they all) You're the pretender (Pretend) What if I say I will never surrender So who are you Yeah who are you Yeah who are you!

All My Life All my life I've been searching for something Something never comes, never leads to nothing Nothing satisfies, but I'm getting close Closer to the prize at the end of the rope All night long I dream of the day When it comes around and it's taken away Leaves me with the feeling that I feel the most Feel it come to life when I see your ghost Calm down, don't you resist You've such a delicate wrist And if I give it a twist Something to hold when I lose my grip Will I find something in there To give me just what I need Another reason to bleed One by one hidden up my sleeve One by one hidden up my sleeve Hey don't let it go to waste I love it but I hate the taste Weight keep pinning me down Hey don't let it go to waste I love it but I hate the taste Weight keep pinning me down Will I find a believer Another one who believes Another one to deceive Over and over down on my knees If I get any closer And if you open up wide And if you let me inside On and on I got nothing to hide On and on I got nothing to hide Hey don't let it go to waste I love it but I hate the taste Weight keep pinning me down Hey don't let it go to waste I love it but I hate the taste Weight keep pinning me down All my life I've been searching for something Something never comes, never leads to nothing Nothing satisfies, but I'm getting close Closer to the prize at the end of the rope All night long I dream of the day When it comes around and it's taken away Leaves me with the feeling that I feel the most Feel it come to life when I see your ghost Then I'm done, done, on to the next one Done, done, and I'm on to the next one Done, done, and I'm on to the next one Done, done, and I'm on to the next one Done, done, and I'm on to the next one Done, done, and I'm on to the next one Done, done, and I'm on to the next one Done, I'm done, and on to the next Done, done, on to the next one Done, I'm done, and on to the next one Done, done, on to the next one Done, I'm done, and on to the next Hey don't let it go to waste I love it but I hate the taste Weight keep pinning me down Hey don't let it go to waste I love it but I hate the taste Weight keep pinning me down Done, done, on to the next one Done, I'm done, and on to the next

Night after night I would speak to Violet in the womb (no matter how strange that may seem to some people) because I was looking forward to the day when I would hold her in my arms, no longer just talking to my wife’s pajamas like a fucking lunatic. When the day finally came, I was nervously packing up the car to go to the hospital when I noticed a huge rainbow overhead, something that happens maybe once every thousand years in Los Angeles. I was immediately calmed. Yes, it sounds nauseatingly romantic, but yes, it’s true, and I took it as a sign. After a long and difficult labor, Violet was born to the sound of the Beatles in the background, and she arrived screaming with a predetermined vocal capacity that made the Foo Fighters sound like the Carpenters. Once she was cleaned up and put under the little Arby’s heat-lamp bed, I put my face close to hers, stared into her gigantic blue eyes, and said, “Hey, Violet, it’s Dad.” She immediately stopped screaming and her eyes locked with mine. She recognized my voice. We stared at each other in silence, our first introduction, and I smiled and talked to her as if I had known her my whole life. I am happy to say that, still to this day, when we lock eyes it’s the same feeling. This was a love I had never experienced before. There is an inevitable insecurity that comes along with being a famous musician that makes you question love. Do they love me? Or do they love “it”? You are showered with superficial love and adoration on a regular basis, giving you something similar to a sugar high, but your heart crashes once the rush dies off. Is it possible for someone to see a musician without the instrument being a part of their identity? Or is that a part of the identity that the other loves? Regardless, it’s a dangerous and slippery slope to question love, but one thing is for certain: there is nothing purer than the unconditional love between a parent and their child.

Into the vacuum of my disinterest, music rushed to fill the void. It cracked a fissure, splintered a vein through the already precarious and widening rift between my mother and me; it would become a chasm that threatened to swallow us whole. Nothing was as vital as music, the only comfort for my existential dread. I spent my days downloading songs one at a time off LimeWire and getting into heated discussions on AIM about whether the Foo Fighters’ acoustic version of “Everlong” was better than the original. I pocketed my allowance and lunch money to spend exclusively on CDs from House of Records, analyzing lyrics in the liner notes, obsessing over interviews with the champions of Pacific Northwest indie rock, memorizing the rosters of labels like K Records and Kill Rock Stars, and plotting which concerts I’d attend.

Where Do I Begin,” Shirley Bassey; “Swing Life Away,” Rise Against; “I’ve Got a Crush on You,” Frank Sinatra; “My Best Friend’s Girl,” The Cars; “Mr. Brightside,” The Killers; “What Sarah Said,” Death Cab for Cutie; “The Scientist,” Coldplay; “Everlong,” Foo Fighters; “Wild Horses,” The Sundays; “One Love,” U2; “Criminal,” Fiona Apple; “Bleeding Love,” Leona Lewis; “Again,” Janet Jackson; “I Think That She Knows,” Justin Timberlake; “Let’s Get it On,” Marvin Gaye; “Let’s Stay Together,” Al Green; “Save the Last Dance for Me,” The Drifters.

Kemper astutely explains how the highly integrated music industry created, developed, and eventually abandoned the Monkees." -- Library Journal "A keenly incisive---and, at times, refreshingly objective and even-handed---analysis of the entertainment machinery of the era, and the manner in which radio, television, and other areas worked together to manufacture The Monkees seemingly out of thin air." -- Musoscribe "I spent the entire summer of 1987 on the road opening up for The Monkees, and I didn't learn 1% as much about them as I learned from this thorough and remarkable book by Tom Kemper." -- "Weird Al" Yankovic "The Monkees gets into the vast machinery that goes on behind the scenes of producing perfect pop - still relevant today even if the names and corporations have changed - and does it with a lot of fun." -- Chris Shiflett, Foo Fighters "Kemper's book clarifies so much that is misunderstood in the Monkees story." -- Susanna Hoffs, The Bangles "A knowledgeable and incisive portrait of the popular music industry." -- Paul Hirsch, Northwestern University "Fascinating and witty . . .The book is full of interesting insights . . . [and] Kemper is impressive in unpacking particular songs . . . a fresh and engaging take on an oft-told story." ― Shindig! " Valuable, interesting, well-argued, and built on a pile of documented evidence. " - Psychobabble "Belittled at the time of their creation in the mid-Sixties, as made-for-TV Help-era Beatles clones, The Monkees' music has stood the test of time, and then some. Tom Kemper suggests, in his excellent book, that the initial snobbery surrounding the group, at least in elevated critical circles, came about because of the rise of a new rock culture based on authenticity, individual expression and idealism." - Pick of the Week, Choice "Kemper helps us understand what it is that continues to make the Monkees phenomenon 'compelling, fascinating and divisive." - The Spectator

He looked at me in frustration and very politely informed me, "If I let go of your foot, it will fall back out of the socket!" Without hesitation, and in a moment of of pure, stubborn will, I loudly exclaimed, "Well then, you're coming up on stage with me, motherfucker!

My Hero" Too alarming now to talk about Take your pictures down and shake it out Truth or consequence, say it aloud Use that evidence, race it around There goes my hero Watch him as he goes There goes my hero He's ordinary Don't the best of them bleed it out While the rest of them peter out Truth or consequence, say it aloud Use that evidence, race it around There goes my hero Watch him as he goes There goes my hero He's ordinary Kudos, my hero Leaving all the mess You know my hero The one that's on There goes my hero Watch him as he goes There goes my hero He's ordinary There goes my hero Watch him as he goes There goes my hero He's ordinary Foo Fighters, The Colour And The Shape (1997)