Fond Memories Of The Past Quotes

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To all that come to this happy place, welcome. Disneyland is your land. Here age relives fond memories of the past, and here youth may savor the challenge and promise of the future. Disneyland is dedicated to the ideals, the dreams, and the hard facts that have created America... with hope that it will be a source of joy and inspiration to all the world.
Walt Disney Company
There is a stage you reach, Deagle thinks, a time somewhere in early middle age, when your past ceases to be about yourself. Your connection to your former life is like a dream or delirium, and that person who you once were is merely a fond acquaintance, or a beloved character from a storybook. This is how memory becomes nostalgia. They are two very different things - the same way that a person is different from a photograph of a person.
Dan Chaon (Stay Awake)
O all you host of heaven!O Earth! waht else? And shall i couple hell? O Fie! Hold, hold, my heart And you, my sinews, grow not instant old, But bear me stiffly up. Remember thee? Ay, thou poor ghost, while memmory holds a seat In this distracted globe. Remember thee? Yea, from the table of my memory I'll wipe away all trivial fond records, All saws of books, all forms, all pressures past That youth and observation copied there, And thy commandment all alone shall live Within the book and volume of my brain, Unmixed with baser matter; yes, by heaven!
William Shakespeare (Hamlet)
I felt a wave of nostalgia, that sweet poison seeping into my heart, that vain and selfish desire to dwell among glories of the past, when days were better and simpler, when all the world seemed bright, tinted rose-red in the halls of memory. But it’s a fool who looks with more fondness to the days behind than the ones ahead. And it’s a man drenched in defeat who sings that sad refrain; that things were better then.
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
what was past was past. No amount of fond memory could bring back the dead.
Ania Ahlborn (The Bird Eater)
I now lament my lover, and of all my joys have nothing but the painful memory that they are past. Now learn, all you my rivals who once viewed my happiness with jealous eyes, that he you once envied me can never more be mine. I loved him; my love was his crime and the cause of his punishment. My beauty once charmed him; pleased with each other we passed our brightest days in tranquility and happiness. If that were a crime, 'tis a crime I am yet fond of, and I have no other regret save that against my will I must now be innocent.
Héloïse d'Argenteuil (The Letters of Abélard and Héloïse)
Never let the fondness of past memories rob you of the richness of present experiences.
Steve Hallblade
It comforted me to know that my friendship with Bobbi wasn’t confined to memory alone, and that textual evidence of her past fondness for me would survive her actual fondness if necessary.
Sally Rooney (Conversations with Friends)
How long, Klara wondered now, how long after the mortar set did the joy remain? When one embraces a moment of rapture from the past, either by trying to reclaim it or by refusing to let it go, how can its brightness not tarnish, turn grey with longing and sorrow, until the wild spell of the remembered interlude is lost altogether and the memory of sadness claims its rightful place in the mind? And what is it we expect from the sun-drenched past? There is no formula for re-entry, nothing we can do to enable reconstruction. The features of an absent loved one's face are erased one by one, the timbre of the voice drowned by the noise of the world. Fondly recalled landscapes are savagely altered; we lose them tree by tree. Even the chestnut tree outside Klara's window would die a slow, rotting death until it would fall one night in a summer storm when everything in Klara wanted it to remain standing, blossoming in spring, leafy in summer, the only access, she secretly believed, to the window of her former self.
Jane Urquhart
Things That Arouse a Fond Memory of the Past Dried hollyhock. The objects used during the Display of Dolls. To find a piece of deep violet or grape-colored material that has been pressed between the pages of a notebook. It is a rainy day and one is feeling bored. To pass the time, one starts looking through some old papers. And then one comes across the letters of a man one used to love. Last year’s paper fan. A night with a clear moon.
Sei Shōnagon (The Pillow Book)
Those years were Robbie’s first experience of himself as a memory—a figure who’d entered and exited, somebody’s gay phase, remembered fondly, but (this seemed impossible, given all that they’d said and done) unmourned, relegated, a story from Zach’s colorful past.
Michael Cunningham (Day)
Was it really wrong of me to remember the past fondly? It wasn't. Of course it wasn't. But the past was an easy meal after all. I could taste it again any time I wanted in memory and it would always be perfect and true. The here and now though had no recipe. It might be sour or bitter or raw.
N.K. Jemisin
...a country is never simply one thing at a time: it is both fond memories of childhood and bitter civil war, it is both people and tribes, countryside and cities, waves of immigration and emigration, it is its past, its present, and its future, it is what has come to pass, and the sum of its possibilities.
Alice Zeniter (The Art of Losing)
And even if you were in some prison the walls of which let none of the sounds of the world come to your senses would you not then still have your childhood, that precious, kingly possession, that treasure-house of memories? turn your attention thither.try to raise the submerged sensations of the ample past; your personality will grow more firm, your solitude will widen and will become a dusky dwelling past which the noise of others goes by far away. And if out of this turning inward, out of this absorption into your own world verses come, then it will not occur to you to ask anyone whether they are good verses. nor will you try to interest magazines in your poems; for you will see in them your fond natural possessions, a fragment and a voice of your life.
Rainer Maria Rilke (Letters to a Young Poet)
Or I can stay with Colby when he comes back,” she added deliberately. She even smiled. “He’ll take care of me.” His black eyes narrowed. “He can barely take care of himself,” he said flatly. “He’s a lost soul. He can’t escape the past or face the future without Maureen. He isn’t ready for a relationship with anyone else, even if he thinks he is” She didn’t rise to the bait. “I can count on Colby. He’ll help me if I need it.” He looked frustrated. “But you won’t let me help you.” “Colby isn’t involved with anyone who’d be jealous of the time he spent looking out for me. That’s the difference.” He let out an angry breath and his eyes began to glitter. “You have to beat the subject to death, I guess.” She managed to look indifferent. “You have your own life to live, Tate. I’m not part of it anymore. You’ve made that quite clear.” His teeth clenched. “Is it really that easy for you to throw the past away?” he asked. “That’s what you want,” she reminded him. There was a perverse pleasure in watching his eyes narrow. “You said you’d never forget or forgive me,” she added evenly. “I took you at your word. I’ll always have fond memories of you and Leta. But I’m a grown woman. I have a career, a future. I’ve dragged you down financially for years, without knowing it. Now that I do…” “For God’s sake!” he burst out, rising to pace with his hands clenched in his pockets. “I could have sent you to Harvard if you’d wanted to go there, and never felt the cost! “You’re missing the point,” she said, feeling nausea rise in her throat and praying it wouldn’t overflow. “I could have worked my way through school, paid for my own apartment and expenses. I wouldn’t have minded. But you made me beholden to you in a way I can never repay.” He stopped pacing and glared at her. “Have I asked for repayment?” She smiled in spite of herself. “You look just like Matt when you glower that way.” The glare got worse. She held up a hand. “I know. You don’t want to talk about that. Sorry.” “Everyone else wants to talk about it,” he said irritably. “I’ve done nothing but dodge reporters ever since the story broke. What a hell of a way to do it, on national television!
Diana Palmer (Paper Rose (Hutton & Co. #2))
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
Sally Rooney (Conversations with Friends)
Another former chess player shared his own fond memory of Thiel from this era. Around the spring of 1988, the team was driving to Monterey for a tournament, with Thiel behind the wheel of the Rabbit. They took California’s Route 17, a four-lane highway that crosses the Santa Cruz Mountains and is regarded as one of the state’s most dangerous. The team was in no particular hurry, but Thiel drove as if he were a man possessed. He navigated the turns like Michael Andretti, weaving in and out of lanes, nearly rear-ending cars as he slipped past them, and seemed to be flooring the accelerator for large portions of the trip. Somewhat predictably, the lights of a California Highway Patrol cruiser eventually appeared in his rearview. Thiel was pulled over, and the trooper asked if he knew how fast he was going. The young men in the rest of the car, simultaneously relieved to have been stopped and scared of the trooper, looked at each other nervously. “Well,” Thiel responded, in his calmest, most measured baritone. “I’m not sure if the concept of a speed limit makes sense.” The officer said nothing. Thiel continued: “It may be unconstitutional. And it’s definitely an infringement on liberty.” The officer looked at Thiel and the geeks in the beater car and decided the whole thing wasn’t worth his time. He told Thiel to slow down and have a nice day. “I don’t remember any of the games we played,” said the man, now in his fifties, who’d been in the passenger seat. “But I will never forget that drive.
Max Chafkin (The Contrarian: Peter Thiel and Silicon Valley's Pursuit of Power)
And when I looked away for a second and then looked back, I saw her reflection behind me, in the mirror. I was speechless. Somehow I knew I wasn't allowed to turn around--it was against the rules, whatever the rules of the place were--we could see each other, our eyes could meet in the mirror, and she was just as glad to see me as I was to see her. She was herself. An embodied presence. There was psychic reality to her, there was depth and information. She was between me and whatever place she had stepped from, what landscape beyond. And it was all about the moment when our eyes touched in the glass, surprise and amusement, her beautiful blue eyes with the dark rings around the irises, pale blue eyes with a lot of light in them: hello! Fondness, intelligence, sadness, humor. There was motion and stillness, stillness and modulation, and all the charge and magic of a great painting. Ten seconds, eternity. It was all a circle back to her. You could grasp it in an instant, you could live in it forever: she existed only in the mirror, inside the space of the frame, and through she wasn't alive, not exactly, she wasn't dead either because she wasn't yet born, and yet never not born--as somehow, oddly, neither was I. And I knew that she could tell me anything I wanted to know (life, death, past, future) even though it was already there, in her smile, the answer to all questions, the before-Christmas smile of someone with a secret too wonderful to let slip, just yet: well, you'll just have to wait and see, won't you? But just as she was about to speak--drawing an affectionate exasperated breath I knew very well, the sound of which I can hear even now--I woke up.
Donna Tartt (The Goldfinch)
It is a dangerous thing to go back searching to your past. All things grow, that means all things change. Two parallel lines do not meet, unless in infinity. The past would always feel different experienced in the present. What if the fond memories go away if you live in them for a little while. Maybe I am going in circles cause it could go either way. Now orbits, orbits are different. Gravitational pull is at play. And if Newton’s laws are taken into account the only way to create an orbit is to have a force that pushes you into motion, but also pushes you at a distance where another orbit is able to push and pull yours in an equal way. I guess our gravity has to be flung out into the void at its own force in order to find a matching orbit.
Apollo Figueiredo (A Laugh in the Spoke)
So much of our life is buried in the past, the good times we fondly remember. The longer I stay there, the cozier it gets. And rarely do I want to leave a place that feels like home.
Mitali Meelan
When looking back on our lives, it is difficult objectively to evaluate our actions. When retelling our story, it is challenging to achieve balanced journalism. It is understandable why we might be inclined to overemphasize nostalgic feelings of happiness, glamorize stretches of childhood or other periods where life was rather uncomplicated, while assigning a disproportionate amount of anxiety to rougher periods of life. When we create strong, joyous memories, we preserve cherished feelings in the present. By assigning selective pleasant memories to the past, we create a homey place where we can return to visit. Fondness for nostalgic memories provides a buffer from existential threat, improves mood, combats loneliness, increases social consecutiveness, and enhances self-regard.
Kilroy J. Oldster (Dead Toad Scrolls)
I had lived my life by these kinds of banners, only now, searching the sentence, I found little in it that resonated deep in my bones. I had a cerebral sort of appreciation for the sentence, or perhaps, an appreciation based in memory, the way one remembers with fondness a past partner whom one no longer loves.
Lauren Slater (Prozac Diary)
If a social and democratic city is going to be built again, it will most probably be built by those who have no investment in the past, no fond memory of it. That isn’t to say they’ll be building on nothing. There is something to conserve, Tony Judt was right about that much – the very fact a publicly owned Carpenters Estate existed at all was the reason why it sat empty, and the reason why the slogan of the young mothers who occupied it could be so clear and so practical: ‘These people need homes, these homes need people.’ Such words are unlikely to find their way into white letters on a red poster, with an emblem of the crown above them. If we’re ever going to escape from austerity, this clear statement of collective utility is the most likely way out.
Owen Hatherley (The Ministry of Nostalgia)
Free speech is a fond memory of the past in the USA.
Steven Magee
The town of Pahala in Hawaii may be on its way to being a fond memory of the past, as it is where the many earthquakes are centered!
Steven Magee
I know that I’m fond of saying this repeatedly, but the best thing about the past is that it’s over and when it’s not over something is amiss in your mind. It’s not the original event or perpetrator that’s making you remember—it’s you, inside your own mind, holding on to terrible memories. None of us are exempt from this.
Richard Bandler (Get the Life You Want: The Secrets to Quick and Lasting Life Change with Neuro-Linguistic Programming)
He remembered the awe of his first desert night, the dazzling web so clear and bright. He had never seen such a sky when he lived in Paris. The lights of the city were too bright. The lights, such lights .. it was six long years since he'd last seen them. Or was it seven now, or even eight? The years ran together and time lost its urgency and sometimes he didn't notice its passage at all. But surely it was a lifetime since Paris. He was happy in the desert yet sometimes longed to be back in the city, to see what it was like now. His memories of it were fond, the bad parts seeming not so bad, the good parts seeming better than they were. But the more time passed, the harder it became to remember at all. No matter how he tried to hold on, the treasures of his past no longer burned so brightly in his memory. The details dimmed and the people grew fuzzy, and he couldn't remember what some of them looked like. He closed his eyes and tried to bring them up, Paul and Gascon and Aunt Elisabeth, but sometimes he couldn't do it. It worried him terribly when it happened. It seemed as if he didn't care. He DID care, he told himself. He didn't want to be unfaithful. He didn't want to lose his other life completely. He asked the marabout for paper and drew pictures of his father with scraps of charcoal. The pictures were crude, but they helped him remember. He promised himself a thousand times that no matter what pron happened to the other faces and places in his mind, he would never let himself forget his father's face. He folded the papers carefully and put them in a leather pouch that hung from his neck, and at night by the fire took them out to look. After he had folded and unfolded them many times the pictures would smear, and he would draw new ones.
David Ball (Empires of Sand by David Ball (2001-03-06))
e intervening years seemed like an evening that was over before it had started. Some of it, a little of it, he’d remembered fondly: the parts that stuck out for the feeling of hope they had stoked to life or, as a memory, seemed like a moment when they might have done so. Most of it was a blur adding up to this uninspired minute, searching for a better version of the narrative to explain the sufferings of the current enterprise in their novel pursuit of life. A tragic turning had resolved itself into disbelief and longing, both of the past and of a future that would remove both of these people from his life completely.
Jonathan Epps (A Pale Song)
Imagination and recollection of cherished memories of the pastimes are closely related. We do not recall memories verbatim. As our perspective changes regarding our place in the world, we shift through our recollections and revise our memories. People possess the ability to edit their memories by repressing unbearable episodes and highlighting incidences that generate fond memories. How we perceive and comprehend ourselves in the past, the present, and the future shapes our evolving sense of self. Humankind’s ability to repress unpleasant events and humankind’s ability to act as the solo editors of our germinating awareness of the world that we occupy is ultimately responsible for activating our metamorphosing sense of identity.
Kilroy J. Oldster (Dead Toad Scrolls)
There is no past, there is no future, there is only now. We must console ourselves that we may only live here in the now, time being the immaterial matter that it is means it will always be elusive and misleading. The past has gone, we can no longer dwell there, all there is to gain from it is experience and hopefully fond memory. Equally the future is intangible and unknown, to the extent that we don't even know if there is one, but we can throw forth our hopes and dreams so they may always have somewhere to be alive and free. So don't live soon, or then, or later, or tomorrow. Live now.
Raven Lockwood
Was it really wrong of me to remember the past fondly? It wasn't, of course it wasn't--but the past was an easy meal, after all. I could taste it again anytime I wanted, in memory, and it would always be perfect and true. The here-and-now, though, had no recipe. It might be sour or bitter or raw. And yet.
N.K. Jemisin (How Long 'til Black Future Month?)
WE GREW UP in an age where stasis was a possibility and a desired state. Change was something you went through to reach a new and better stasis. We may have found such change temporarily unsettling or even unpleasant, but we knew that eventually it would be over and done with. We knew we could soon settle back to enjoy a longish period of reaping the benefits of the change. During that period, disruptive change would only be a memory. Well, those times are over. The difference between the early nineties and today is the difference between Lenin’s concept of revolution (destroy the old state and replace it with a new and better one) and Trotsky’s concept of continuing revolution (destroy the old state and also destroy each successive state that replaces it). In our new economy, stasis is nothing more than an object of nostalgia. We might look back at it fondly, as we look back at the pre-nuclear age, but we can never go there again. In times of stasis, risk is an unwelcome visitor. But today risk is a constant. Nobody is ever going to succeed again without constantly taking on risks. And yet, surprisingly, risk avoidance is everywhere.
Tom DeMarco (Slack: Getting Past Burnout, Busywork, and the Myth of Total Efficiency)
. One of the very few positive memories I had of school was my tiny group of friends. We’d sit in the hall before class and exchange notebooks full of fanfiction and sketchbooks full of fanart. Like so many kids who thought they’d stay friends forever, we drifted apart after graduation. Those geeky days behind most of them, yet I was stuck in the same mindset.
Quiana Glide (Cosplay Worthy)
a grim reminder that what was past was past. No amount of fond memory could bring back the dead.
Ania Ahlborn (The Bird Eater)
Ground based professional astronomy is well on its way to being a fond memory of the past.
Steven Magee
55 and older is now the fastest growing segment of the USA workforce...and retirement is becoming a fond memory of the past.
Steven Magee
You may return to Odessa to spread the news that Fedot the cousin of fond memory was a walking blind erection that managed to be unable to locate me for the past four years. He was, however, more successful in locating a colorful array of other willing, waiting receptacles.
Stuart M. Kaminsky (A Whisper to the Living (Porfiry Rostnikov #16))
COVID-19 has made shaking hands a fond memory of the past.
Steven Magee