Folio Quotes

Above my cradle loomed the bookcase where/ Latin ashes and the dust of Greece/ mingled with novels, history, and verse/ in one dark Babel. I was folio-high/ when I first heard the voices.

I guard my memories of my lost one jealously, keep them securely under wraps, like a folio of delicate watercolours that must be protected from the harsh light of day.

He was beastly tired, but it was hard to stop. One more book, he had told himself, then I'll stop. One more folio, just one more. One more page, then I'll go up and rest and get a bite to eat. But there was always another page after that one, and another after that, and another book waiting underneath the pile. I'll just take a quick peek to see what this one is about, he'd think, and before he knew he would be halfway through it.

We should try to be happy, just to set an example

You have liberty to cast all your cares upon him who cares for you. By one hour's intimate access to the throne of grace, where the Lord causes his glory to pass before the soul that seeks him — you may acquire more true spiritual knowledge and comfort, than by a day or a week's converse with the best of men, or the most studious perusal of many folios.

Here we are and there we go:---but where?

Love is always love, come whence it may. A heart that beats at your approach, an eye that weeps when you go away are things so rare, so sweet, so precious that they must never be despised.

Arthur lay in startled stillness on the acceleration couch. He wasn't certain whether he had just got space-sickness or religion.

The problem, in a nutshell, is that collecting books is much more than a hobby. The sheer amount of space required to house most book collections means that whoever shares your living area needs to be very understanding, or more ideally a co-conspirator, because the rest of their lives will be spent making room for your incredibly invasive pastime, until one day they trip on a folio and plummet to their doom down a staircase.

Money buys a man's silence for a time. A bolt in the heart buys it forever.

William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623 two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry". In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world. Source: Wikipedia

When Mr. William Faraday sat down to write his memoirs after fifty-eight years of blameless inactivity he found the work of inscribing the history of his life almost as tedious as living it had been, and so, possessing a natural invention coupled with a gift for locating the easier path, he began to prevaricate a little upon the second page, working his way up to downright lying on the sixth and subsequent folios.

I go downstairs and the books blink at me from the shelves. Or stare. In a trick of the light, a row of them seems to shift very slightly, like a curtain blown by the breeze through an open window. Red is next to blue is next to cream is adjacent to beige. But when I look again, cream is next to green is next to black. A tall book shelters a small book, a huge Folio bullies a cowering line of Quartos. A child's nursery rhyme book does not have the language in which to speak to a Latin dictionary. Chaucer does not know the words in which Henry James communicates but here they are forced to live together, forever speechless.

Thus, towards the end of the eighteenth century a change came about which, if I were rewriting history, I should describe more fully and think of greater importance than the Crusades or the Wars of the Roses. The middle-class woman began to write. For if Pride and Prejudice matters, and Middlemarch and Villette and Wuthering Heights matter, then it matters far more than I can prove in an hour’s discourse that women generally, and not merely the lonely aristocrat shut up in her country house among her folios and her flatterers, took to writing.

Δεν ξέρουν τι άλλο να πούνε. Μυρίζουν ο ένας τον άλλο σαν τα ζώα που εξοικειώνονται σιωπηρά. Είναι μια φιλία χωρίς πολλά λόγια που γεννιέται γλυκά, αλλά ακόμη δεν μπορούν να το μαντέψουν. Πολλές φορές η φιλία στερείται λεξιλογίου. Καλύτερα έτσι, από το να μιλάς με χιλιοειπωμένες λέξεις.

Adieu, valour: rust, rapier: be still, drum, for your manager is in love: yea, he loveth. Assist me, some extemporal god of rhyme, for I am sure I shall turn sonnet. Devise, wit: write, pen, for I am for whole volumes in folio.

When I worked in a second-hand bookshop — so easily pictured, if you don't work in one, as a kind of paradise where charming old gentlemen browse eternally among calf-bound folios — the thing that chiefly struck me was the rarity of really bookish people. Our shop had an exceptionally interesting stock, yet I doubt whether ten per cent of our customers knew a good book from a bad one. First edition snobs were much commoner than lovers of literature, but oriental students haggling over cheap textbooks were commoner still, and vague-minded women looking for birthday presents for their nephews were commonest of all.

She was, in fact, one of those people of exalted principles; one of those opinionated puritans, of which England produces so many; one of those good and insupportable old maids who haunt the tables d'hôte of every hotel in Europe, who spoil Italy, poison Switzerland, render the charming cities of the Mediterranean uninhabitable, carry everywhere their fantastic manias, their manners of petrified vestals, their indescribable toilets and a certain odor of india-rubber which makes one believe that at night they are slipped into a rubber casing.

He was beastly tired, but it was hard to stop. One more book, he had told himself, then I’ll stop. One more folio, just one more. One more page, then I’ll go up and rest and get a bite to eat. But there was always another page after that one, and another after that, and another book waiting underneath the pile. I’ll just take a quick peek to see what this one is about, he’d think, and before he knew he would be halfway through it.

In former times great objects were attained by great work. When evils were to be reformed, reformers set about their heavy task with grave decorum and laborious argument. An age was occupied in proving a grievance, and philosophical researches were printed in folio pages, which it took a life to write, and an eternity to read. We get on now with a lighter step, and quicker: ridicule is found to be more convincing than argument, imaginary agonies touch more than true sorrows,

Μια ολόκληρη εβδομάδα χωρίς να ιδωθούν. Ο χρόνος τούς είχε φανεί ατελείωτος. Μιλάνε ελάχιστα. Οι λέξεις τους είναι τα βλέμματα που ανταλλάσσουν.

He peered gloomily into a folio of maps. 'I always think Brazil is too big.

Cloud Cuckoo Land by Antonius Diogenes, Folio K

Johnstoune’s copy of the First Folio is now in Meisei University in Tokyo, but I can read it in London on my smartphone.

¿Qué es esto? Le doy la vuelta al folio y encuentro la respuesta. Y un miedo palpable, exagerado pero muy real, se apodera de mí al leerlo: «¿Y tú cuánto vas a tardar en morir?».

...the statement is a record stretching over a whole year and filling three notebooks the size of folios.

Coche cinco, dirección norte y sin retrasos. Recuerdos de aquel pequeño amor, folio en blanco y nuestro cuarto creciente hecho pedazos.

The humorous self-sufficiency of genius is the unity of a modest resignation in the world and a proud elevation above the world: of being an unnecessary superfluity and a precious ornament. If the genius is an artist, then he accomplishes his work of art, but neither he nor his work of art has a telos outside him. Or he is an author, who abolishes every teleological relation to his environment and humorously defines himself as a poet. Lyrical art has certainly no telos outside it: and whether a man writes a short lyric or folios, it makes no difference to the quality of the nature of his work. The lyrical author is only concerned with his production, enjoys the pleasure of producing, often perhaps only after pain and effort; but he has nothing to do with others, he does not write in order that: in order to enlighten men or in order to help them along the right road, in order to bring about something; in short, he does not write in order that. The same is true of every genius. No genius has an in order that; the Apostle has absolutely and paradoxically, an in order that.

Y como Ovidio escribe en su Epistolio, que no me acuerdo el folio, estas heridas del amor protervas no se curan con yerbas; que no hay, para olvidar amor, remedio, como otro nuevo amor o tierra enmedio.

There was no sign of disorder in the chancel any more than in the rest of the chapel, which was beautifully clean, but the eight folio Prayer-Books on the cushions of the stall-desks were indubitably open.

If I wanted to be a painter, I might think about trying to be like Van Gogh, or if I was an actor, act like Laurence Olivier. If I was an architect, there’s Frank Gehry. But you can’t just copy somebody. If you like someone’s work, the important thing is to be exposed to everything that person has been exposed to.

one more book, he had told himself, then i'll stop. one more folio, just one more. one more page then i'll go up and rest and get a bite to eat. But there was always another page after that one, and another after that, and another book waiting underneath the pile. "I'll just take a quick peek to see what this one is about", he'd think, and before he knew he would be halfway through it. Ladies and Gentlemen, SAMWELL TARLY IS ONE OF US!

There is no doubt that a little difficulty and plenty of variety keep you young, or at any rate amused, which may be nearly the same thing. I sometimes wonder whether science will one day establish that we die of boredom.

Another wide room, a library. The shelves bulged with aged book spines and unbound manuscripts of old, flaking paper, as well as folios and parchment scrolls. These were rare books indeed, most with Latin or French titles,

Every person’s story contains chapters of pain and loss, victory and defeat, love and hate, pride and prejudice, courage and fear, faith and self-distrust, charity and kindness, selfishness and jealously. Every person’s story also contains folios of hopefulness and truthfulness, deceit and despair, action and change, passion and compassion, excitement and boredom, birth and creation, mutation and defect, generation and preservation, delusions and illusions, imagination and fantasy, bafflement and puzzlement. What makes a person’s selfsame story unique is how he or she organizes the pure and impure forces that comprise them, how they respond to internal and external crisis, if they act in a safeguarding and humble manner, or lead a self-seeking and destructive existence.

What we do have for Shakespeare are his plays—all of them but one or two—thanks in very large part to the efforts of his colleagues Henry Condell and John Heminges, who put together a more or less complete volume of his work after his death—the justly revered First Folio.

This same library is my den — the only corner of the Hall-house where I am safe from my … cousins. They never venture there, I suppose for fear the folios should fall down and crack their skulls; for they will never affect their heads in any other way... — Miss Diana Vernon

Old books, as you well know, are books of the world's youth, and new books are fruits of its age. How many of all these ancient folios round me are like so many old cupels? The gold has passed out of these long ago, but their pores are full of the dross with which it was mingled.

Gabe watched her move to the center of the green. In one gloved hand, she clutched a leash. The other end of the leash was attached to... something furry and brown that rolled. "What is that?" "That would be mongrel with two lamed hind legs. Apparently, Her Ladyship's friend devised a little chariot for his rear half, and the dog careens around the neighborhood like a yapping billiard ball. If you think that's strange, wait until you see the goat." "Hold a moment. There's a goat?" "Oh, yes. She grazes it on the square every afternoon. Doesn't precisely elevate the atmosphere of Bloom Square, now does it?" "I see the problem." "I'm only getting started. Her Ladyship has single-handedly set us back a month on the improvements." Hammond pulled a collection of letters from a folio. He held one aloft and read from it. "'Dear Mr. Hammond, I must request that you delay completion of the parquet flooring. The fumes from the lacquer are dizzying the hens. Sincerely yours, Lady Penelope Campion.'" He withdrew another. "'Dear Mr. Hammond, I'm afraid your improvements to the mews must be temporarily halted. I've located a litter of newborn kittens in the hayloft. Their mother is looking after them, but as their eyes are not yet open, they should not be displaced for another week. Thank you for your cooperation. Gratefully yours, Lady Penelope Campion.'" Gabe sensed a theme. "Oh, and here's my favorite." Hammond shook open a letter and cleared his throat for dramatic effect. "'Dear Mr. Hammond, if it is not too great an imposition, might I ask that your workers refrain from performing heavy labor between nine o'clock in the morning and half-three in the afternoon? Hedgehogs are nocturnal animals, and sensitive to loud noises. My dear Freya is losing quills. I feel certain this will concern you as much as it does me. Neighborly yours, Lady Penelope Campion.'" He tossed the folio of letters onto the table, where they landed with a smack. "Her hedgehog. Really.

At the other end....was provided a deep and cushioned seat. Here, on the cushion, lay a folio tome, probably of the Chronicles of England, or other such substantial literature; even as, in our own days, we scatter gilded volumes on the centre-table, to be turned over by the casual guest.

If the Chandos portrait is not genuine, then we are left with two other possible likenesses to help us decide what William Shakespeare looked like. The first is the copperplate engraving that appeared as the frontispiece of the collected works of Shakespeare in 1623—the famous First Folio.

We’ve upgraded our service, too!” Tempest boasted. I forced myself to focus on her eye sockets. “How?” “You can use our app!” she said. “You don’t have to summon us with gold coins anymore!” She pointed to a sign on the Plexiglas partition. Apparently, I could now link my favorite magic weapon to their cab and pay via virtual drachma using something called GRAY RYYD. I shuddered to think what the Arrow of Dodona might do if I allowed it to make online purchases. If I ever got back to Olympus, I’d find my accounts frozen and my palace in foreclosure because the arrow had bought every known copy of Shakespeare’s First Folio. “Cash is fine,” I said. Wasp grumbled to Anger, “You and your predictions. I told you the app was a stupid idea.” “Stopping for Apollo was stupider,” she muttered back. “That was your prediction.” “You’re both stupid!” snapped Tempest. “That’s my prediction!

Sabes, al cerrar de nuevo el folio, que por eso vive Aura en esta casa: para perpetuar la ilusion de juventud y belleza de la pobre anciana enloquecida. Aura, encerrada como un espejo, como un icono mas de ese muro religioso, cuajado de milagros, corazones preservados, demonios y santos imaginados.

It is better to lose health like a spendthrift than to waste it like a miser. It is better to live and be done with it, than to die daily in the sick-room. By all means begin your folio; even if the doctor does not give you a year, even if he hesitates about a month, make one brave push and see what can be accomplished in a week. It is not only in finished undertakings that we ought to honour useful labour. A spirit goes out of the man who means execution, which outlives the most untimely ending. All who have meant good work with their whole hearts, have done good work, although they may die before they have the time to sign it. Every heart that has beat strong and cheerfully has left a hopeful impulse behind it in the world, and bettered the tradition of mankind. And even if death catch people, like an open pitfall, and in mid-career, laying out vast projects, and planning monstrous foundations, flushed with hope, and their mouths full of boastful language, they should be at once tripped up and silenced: is there not something brave and spirited in such a termination? and does not life go down with a better grace, foaming in full body over a precipice, than miserably straggling to an end in sandy deltas? When the Greeks made their fine saying that those whom the gods love die young, I cannot help believing they had this sort of death also in their eye. For surely, at whatever age it overtake the man, this is to die young. Death has not been suffered to take so much as an illusion from his heart. In the hot-fit of life, a-tiptoe on the highest point of being, he passes at a bound on to the other side. The noise of the mallet and chisel is scarcely quenched, the trumpets are hardly done blowing, when, trailing with him clouds of glory, this happy-starred, full-blooded spirit shoots into the spiritual land.

This folio never leaves this room," Natalie said, turning from the bureau with a leather folder in her arms. "But you have plenty of time. Enjoy it, and when you're done set it back and join us for coffee." "I couldn't possibly—it's so old—" One of the woman's brow ridges quirked. "And only young things need to be touched?

Cuando escribo procedo por series: tengo muchas carpetas donde meto las páginas escritas, según las ideas que se me pasan por la cabeza, o apuntes de cosas que quisiera escribir. Tengo una carpeta para los objetos, una carpeta para los animales, una para las personas, una carpeta para los personajes históricos y otra para los héroes de la mitología; tengo una carpeta sobre las cuatro estaciones y una sobre los cinco sentidos; en una recojo páginas sobre las ciudades y los paisajes de mi vida y en otra ciudades imaginarias, fuera del espacio y del tiempo. Cuando una carpeta empieza a llenarse de folios, me pongo a pensar en el libro que puedo sacar de ellos.

«La sua mente e la sua mano andavano di pari passo» scrissero [John Eminges e Henri Condell] nell'introduzione all'in-folio, «e ciò che pensava lo esprimeva con una tale facilità che nelle sue carte non vi sono quasi correzioni o versi cancellati.» Al che giunse la celebre replica di Ben Jonson: «Magari ne avesse cancellati un migliaio!»

Methinks, Oh! vain ill-judging Book, I see thee cast a wishful look, Where reputations won and lost are In famous row called Paternoster. Incensed to find your precious olio Buried in unexplored port-folio, You scorn the prudent lock and key, And pant well bound and gilt to see Your Volume in the window set Of Stockdale, Hookham, or Debrett. Go then, and pass that dangerous bourn Whence never Book can back return: And when you find, condemned, despised, Neglected, blamed, and criticised, Abuse from All who read you fall, (If haply you be read at all Sorely will you your folly sigh at, And wish for me, and home, and quiet. Assuming now a conjuror’s office, I Thus on your future Fortune prophesy: — Soon as your novelty is o’er, And you are young and new no more, In some dark dirty corner thrown, Mouldy with damps, with cobwebs strown, Your leaves shall be the Book-worm’s prey; Or sent to Chandler–Shop away, And doomed to suffer public scandal, Shall line the trunk, or wrap the candle! But should you meet with approbation, And some one find an inclination To ask, by natural transition Respecting me and my condition; That I am one, the enquirer teach, Nor very poor, nor very rich; Of passions strong, of hasty nature, Of graceless form and dwarfish stature; By few approved, and few approving; Extreme in hating and in loving; Abhorring all whom I dislike, Adoring who my fancy strike; In forming judgements never long, And for the most part judging wrong; In friendship firm, but still believing Others are treacherous and deceiving, And thinking in the present aera That Friendship is a pure chimaera: More passionate no creature living, Proud, obstinate, and unforgiving, But yet for those who kindness show, Ready through fire and smoke to go. Again, should it be asked your page, ‘Pray, what may be the author’s age?’ Your faults, no doubt, will make it clear, I scarce have seen my twentieth year, Which passed, kind Reader, on my word, While England’s Throne held George the Third. Now then your venturous course pursue: Go, my delight! Dear Book, adieu!

Είμαστε φίλοι επειδή μοιραζόμαστε τις σιωπές.

you seldom hear, at a funeral, a friend of the deceased saying, “What do you expect, she wore L’Heure Bleue,

Wisdom and goodness to the vile seem vile:

By age seventeen he’d convinced himself that every human he saw was a parasite, captive to the dictates of consumption. But as he reconstructs Zeno’s translation, he realizes that the truth is infinitely more complicated, that we are all beautiful even as we are all part of the problem, and that to be a part of the problem is to be human. He cries at the end. Aethon steals into the garden in the center of the cloud city, talks to the gigantic goddess, and opens the Super Magical Extra Powerful Book of Everything. The academic articles among Zeno’s papers suggest that translators arrange the folios in such a way that leaves Aethon in the garden, inducted into the secrets of the gods, finally freed of his mortal desires. But evidently the children have decided at the last moment that the old shepherd will look away and not read to the end of the book. He eats the rose proffered by the goddess and returns home, to the mud and grass of the Arkadian hills. In a child’s cursive, beneath the crossed-out lines, Aethon’s new line is handwritten in the margin, “The world as it is is enough.

No scientist before Leonardo had methodically shown how birds stay aloft. Most had simply embellished on Aristotle, who mistakenly thought that birds were supported by air the way ships were by water.12 Leonardo realized that keeping aloft in air requires fundamentally different dynamics than doing so in water, because birds are heavier than air and are thus subject to being pulled down by gravity. The first two folios of his Codex on the Flight of Birds deal with the laws of gravity, which he calls the “attraction of one object to another.” The force of gravity, he wrote, acts in the direction of “an imaginary line between the centers of each object.”13 He then described how to calculate the center of gravity of a bird, a pyramid, and other complex shapes.

The first is that I firmly believe that much of the quality we call intelligence is quantitative: he who finds the correct solution to a problem has simply tried out more things that he who does not.

Shakespeare’s First Folio. Below the title sits the famous portrait of Shakespeare known as the Droeshout portrait, after its engraver, Martin Droeshout. It is a famously awful portrait. Critics over the years have complained that the head is huge—“ much too big for the body.” The skull is of “horrible hydrocephalus development.” The mouth is too small. The ear is malformed. The hair is lopsided, like a bad wig.

Suffice it to say I was compelled to create this group in order to find everyone who is, let's say, borrowing liberally from my INESTIMABLE FOLIO OF CANONICAL MASTERPIECES (sorry, I just do that sometimes), and get you all together. It's the least I could do. I mean, seriously. Those soliloquies in Moby-Dick? Sooo Hamlet and/or Othello, with maybe a little Shylock thrown in. Everyone from Pip in Great Expectations to freakin' Mr. Rochester in Jane Eyre mentions my plays, sometimes completely mangling my words in nineteenth-century middle-American dialect for humorous effect (thank you, Sir Clemens). Many people (cough Virginia Woolf cough) just quote me over and over again without attribution. I hear James Joyce even devoted a chapter of his giant novel to something called the "Hamlet theory," though do you have some sort of newfangled English? It looks like gobbledygook to me. The only people who don't seek me out are like Chaucer and Dante and those ancient Greeks. For whatever reason. And then there are the titles. The Sound and the Fury? Mine. Infinite Jest? Mine. Proust, Nabokov, Steinbeck, and Agatha Christie all have titles that are me-inspired. Brave New World? Not just the title, but half the plot has to do with my work. Even Edgar Allan Poe named a character after my Tempest's Prospero (though, not surprisingly, things didn't turn out well for him!). I'm like the star to every wandering bark, the arrow of every compass, the buzzard to every hawk and gillyflower ... oh, I don't even know what I'm talking about half the time. I just run with it, creating some of the SEMINAL TOURS DE FORCE OF THE ENGLISH LANGUAGE. You're welcome.

It was very kind in you to pat Flush’s head in defiance of danger and from pure regard for me. I kissed his head where you had patted it; which association of approximations I consider as an imitation of shaking hands with you and as the next best thing to it. You understand — don’t you? — that Flush is my constant companion, my friend, my amusement, lying with his head on one page of my folios while I read the other. (Not your folios — I respect your books, be sure.) Oh, I dare say, if the truth were known, Flush understands Greek excellently well.

Scholars have protested that the engraver was merely incompetent. “Droeshout’s deficiencies are, alas, only too gross,” sighed Professor Samuel Schoenbaum. But it is hard to believe that a professionally commissioned artist would be so inept as to accidentally make two left arms, two right eyes, a huge head, and all of the other alleged deformities. The First Folio was an expensive undertaking, several years in the making. The anti-theatrical puritan William Prynne complained that “Shakespeare’s plays are printed in the best crown paper, far better than most bibles.

This reasoning is based on the wishful thinking that genius can only be earned through education and hard work. It denies the time-proven truth that genius can strike like a random bolt of lightning, at any time in any place, even in a humble glover's home in a small town in Elizabethan England.

was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623 two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called "bardolatry". In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world. Source: Wikipedia

Good books are rare, and to have a really good library, a few shelves are all we need. When I was still on my campus in India, I was convinced, like many professors, that if the Lord was to be found anywhere, it was in the lower stacks of the library. But now - just as when I go into a big department store, I can say, "How many things I don't need! How many expensive suits I don't want!" - when I enter a big library I say, "What tomes I don't have to read again! What folios I will never open!" This feeling of freedom will come to all of us when we realise, in the depths of our meditation, that all wisdom lies within.

Probably the first book that Hamilton absorbed was Malachy Postlethwayt’s Universal Dictionary of Trade and Commerce, a learned almanac of politics, economics, and geography that was crammed with articles about taxes, public debt, money, and banking. The dictionary took the form of two ponderous, folio-sized volumes, and it is touching to think of young Hamilton lugging them through the chaos of war. Hamilton would praise Postlethwayt as one of “the ablest masters of political arithmetic.” A proponent of manufacturing, Postlethwayt gave the aide-de-camp a glimpse of a mixed economy in which government would both steer business activity and free individual energies. In the pay book one can see the future treasury wizard mastering the rudiments of finance. “When you can get more of foreign coin, [the] coin for your native exchange is said to be high and the reverse low,” Hamilton noted. He also stocked his mind with basic information about the world: “The continent of Europe is 2600 miles long and 2800 miles broad”; “Prague is the principal city of Bohemia, the principal part of the commerce of which is carried on by the Jews.” He recorded tables from Postlethwayt showing infant-mortality rates, population growth, foreign-exchange rates, trade balances, and the total economic output of assorted nations.

La plupart sont aveugles dans cet univers du langage; sourds aux mots qu'ils emploient. Leurs paroles ne sont qu'expédients; et l'expression pour eux n'est qu'un plus court chemin : ce minimum définit l'usage purement pratique du langage. Être compris, ---comprendre, --- sont les bornes entre lesquelles se resserre de plus en plus ce langage pratique, c'est-à-dire, abstrait.

[[[Escuché todas estas cosas y las escribí a vuelapluma en folios dispersos, en libretas viejas y nuevas, en notas adhesivas multicolor que acabaron cubriendo todas las paredes y casi todo el techo y el suelo de mi habitación. Con ello esperaba entretenerme en el acto, transcribiendo, y cuando no pudiese dormir, releyendo. Esperaba imaginar algo en algún momento diferente de lo imaginado en el momento del descubrimiento. Esperaba que pudiese esperanzarme, quizá incluso sonreír, quizá mantener el recuerdo vivo o alterarlo a voluntad, quizá recordar que no había olvidado. Nada es tan difícil como no engañarse. Los que se preguntaron ¿Por qué!, mirando al sol directamente, no me parecieron muy lúcidos; los que se preguntaron ¿Por qué?, no mirando al sol directamente, con un folleto en la mano, no me parecieron mucho más listos.]]]

The round, unformed script on the fly-leaf said, Francis Crawford of Lymond. She stared at it; then put it down and picked up another. The writing in this one was older; the neat level hand she had seen once before, in Stamboul. This time it said only, The Master of Culter. That dated it after the death of his father, when until the birth of Richard’s son Kevin, the heir’s rank and title were Lymond’s. And all the books were his, too. She scanned them: some works in English; others in Latin and Greek, French, Italian and Spanish.… Prose and verse. The classics, pressed together with folios on the sciences, theology, history; bawdy epistles and dramas; books on war and philosophy; the great legends. Sheets and volumes and manuscripts of unprinted music. Erasmus and St Augustine, Cicero, Terence and Ptolemy, Froissart and Barbour and Dunbar; Machiavelli and Rabelais, Bude and Bellenden, Aristotle and Copernicus, Duns Scotus and Seneca. Gathered over the years; added to on infrequent visits; the evidence of one man’s eclectic taste. And if one studied it, the private labyrinth, book upon book, from which the child Francis Crawford had emerged, contained, formidable, decorative as his deliberate writing, as the Master of Culter.

Ladies and gentlemen!” A loud, brash male voice rose above the din in the bar; it was bellowing and unmistakable. “May I have your attention, please!” Abe’s stomach tightened into a ball. After more than twenty years of listening to absurd nonsequiturs being bandied about during lulls in the office by the same voice, Abe knew who was speaking in an instant. His longtime business partner, CS Duffy, clad in his standard black Carhartt hooded sweatshirt and faded blue jeans, a Milwaukee Brewers cap on his head, was standing on a chair holding up his private investigator’s license folio as if it was some sort of officious piece of federal ID. “My name is Dr. Herbert Manfred Marx. I am with the CDC. We have an emergency situation.” The bar quieted nearly to silence. Abe started to move toward his partner. He had no idea what Duff was planning to say or do, but he knew it wouldn’t be good. Duff looked around the room, taking the time to make eye contact with the dozens of concerned speed daters. “The CDC has isolated a new form of sexually transmitted disease. We are calling it Mega-Herpes Complex IX. It is highly contagious and may result in your genitals exploding off your bodies in much the same way some lizards eject their own tails to confuse pursuing predators.” There were a few gasps from some of the women in the room and a round of confused murmurs. Duff continued unfazed. He unfurled a large, unflattering photocopy of an old photograph of Abe’s face. “We believe we have tracked Patient Zero to this location. If you see this man, for the love of God, do not sleep with him!” Abe walked up to Duff, grabbed his sleeve, and yanked him off the chair. Duff landed heavily. “Hey, Patient Zero! Good to see you.

Of course, he thought, if he ever thought about it at all, that he would be remembered for some of the many small works he wrote and published, mostly travel chronicles, though not necessarily travel chronicles in the modern sense, but little books that are still charming today and, how shall I say, highly perceptive, anyway as perceptive as they could be, little books that made it seem as if the ultimate purpose of each of his trips was to examine a particular garden, gardens sometimes forgotten, forsaken, abandoned to their fate, and whose beauty my distinguished forebear knew how to find amid the weeds and neglect. His little books, despite their, how shall I say, botanical trappings, are full of clever observations and from them one gets a rather decent idea of the Europe of his day, a Europe often in turmoil, whose storms on occasion reached the shores of the family castle, located near Gorlitz, as you’re likely aware. Of course, my forebear wasn’t oblivious to the storms, no more than he was oblivious to the vicissitudes of, how shall I say, the human condition. And so he wrote and published, and in his own way, humbly but in fine German prose, he raised his voice against injustice. I think he had little interest in knowing where the soul goes when the body dies, although he wrote about that too. He was interested in dignity and he was interested in plants. About happiness he said not a word, I suppose because he considered it something strictly private and perhaps, how shall I say, treacherous or elusive. He had a great sense of humor, although some passages of his books contradict me there. And since he wasn’t a saint or even a brave man, he probably did think about posterity. The bust, the equestrian statue, the folios preserved forever in a library. What he never imagined was that he would be remembered for lending his name to a combination of three flavors of ice cream.

adolescence; as never, surely, were the certain-coursed, dynamic roller-coasters of youth. For most men and women these thirty years are taken up with a gradual withdrawal from life, a retreat first from a front with many shelters, those myriad amusements and curiosities of youth, to a line with less, when we peel down our ambitions to one ambition, our recreations to one recreation, our friends to a few to whom we are anaesthetic; ending up at last in a solitary, desolate strong point that is not strong, where the shells now whistle abominably, now are but half-heard as, by turns frightened and tired, we sit waiting for death. At forty, then, Merlin was no different from himself at thirty-five; a larger paunch, a gray twinkling near his ears, a more certain lack of vivacity in his walk. His forty-five differed from his forty by a like margin, unless one mention a slight deafness in his left ear. But at fifty-five the process had become a chemical change of immense rapidity. Yearly he was more and more an "old man" to his family--senile almost, so far as his wife was concerned. He was by this time complete owner of the bookshop. The mysterious Mr. Moonlight Quill, dead some five years and not survived by his wife, had deeded the whole stock and store to him, and there he still spent his days, conversant now by name with almost all that man has recorded for three thousand years, a human catalogue, an authority upon tooling and binding, upon folios and first editions, an accurate inventory of a thousand authors whom he could never have understood and had certainly never read. At sixty-five he distinctly doddered. He had assumed the melancholy habits of the aged so often portrayed by the second old man in standard Victorian comedies. He consumed vast warehouses of time searching for mislaid spectacles. He "nagged" his wife and was nagged in turn. He told the same jokes three or four times a year at the family table, and gave his son weird, impossible directions as to his conduct in life. Mentally and materially he was so entirely different from the Merlin Grainger of twenty-five that it seemed incongruous that he should bear the same name. He worked still In the bookshop with the assistance of a youth, whom, of course, he considered

L'histoire montre ... que moins on lit et plus on achète de livres.

Cuando le preguntaron qué era la cosa más terrorífica con la que se había encontrando, repuso: "Un folio en blanco".

Mas la sorpresa vino cuando puse atención en lo que esta- ba escrito en el folio mismo del cuadernillo, que separaba el volante. Se leía una lista de libros, donde el número once po- nía: Manuscrito pernicioso de los indios infieles de Ilabaya; y en corchetes le seguía una glosa en tinta azul moderna, hecha con un bolígrafo común de nuestros días: [Arte de los Qui- pus, 1574]. Enseguida saqué la nota de papel que aún conser- vaba arrugada en el bolsillo de atrás de mis vaqueros; la releí con mayor detenimiento y sentí que volvía a ser observada; me giré a mirar hacia la puerta y ésta se cerró con un golpe de viento. Un escalofrío recorrió mi cuerpo. Entonces pensé en cuestión de segundos cuál tendría que ser el paso a seguir. ¿Fotografiar estas listas?, ¿llamar a Salamanca a mi profesora, la doctora Del Pozo?, ¿llamar a Burgos y contárselo a María Con- cepción?, ¿guardar silencio?, ¿comunicarme con el de la carta?, ¿y si era una broma?, ¿quién me gastaría una broma así?, ¿me estaría poniendo a prueba el Padre José?. De pronto, mis pen- samientos consiguieron asociar la palabra ‘Inquisición’ impre- sa en el viejo volante, que hizo de separador en el cuadernillo, con aquella foto del folio de algún Índice colonial, que yo vie- ra en la exposición fotográfica itinerante del Museo de la Santa Inquisición el primer día que llegué al Perú. Yo había estado soñando con poseer ese libro pecaminoso, que supuse un Bes- tiario indiano. Pero el gran pecado del libro de Ilabaya parecía ir por el camino de dar luces a la escritura indígena, idólatra hijastra de Belcebú para ciertos inquisidores. Mi corazón casi detuvo sus latidos. Entonces clavé mis ojos en la poca luz que aún entraba por la claraboya del techo, y luego los cerré. Oí el zumbido de un moscardón, o tal vez sólo le imaginé. Resoplé. O suspiré. Mis cartas estaban echadas desde un principio".

les parents ne mettaient des enfants au

The door opened to reveal a room with walls consisting mostly of inset mahogany bookcases covered by leaded glass doors. Intricate plasterwork adorned the ceiling in a flowered medallion style that matched the thick Aubusson carpet on the floor. "Are all of these books for sale?" Amanda asked in a hushed voice, feeling as if she had entered a king's treasure room. Fretwell nodded. "You'll find everything from antiques to zoology. We have a wide selection of antique maps and celestial charts, original folios and manuscripts..." He gestured around them, as if the extensive rows of books were self-explanatory. "I would love to lock myself in here for a week," she said impulsively.

The Internet, however, is nothing like a library. Rather, it’s a giant repository where anyone can dump anything, from a first folio to a faked photograph, from a scientific treatise to pornography, from short bulletins of information to meaningless electronic graffiti. It’s an environment almost entirely without regulation, which opens the door to content being driven by marketing, politics, and the uninformed decisions of other laypeople rather than the judgment of experts. Can

When life has lost its meaning, a pilgrim will risk everything to get back in touch with life. This is why relics, such as a tooth of the Buddha, the dried blood of Christ, or a Shakespeare folio, are objects that must be touched as an integral part of the pilgrimage. This is what the risk is for, the confirmation that the mystery exists at all in a modern world seemingly determined to undermine the sacred as mere superstition.

Hay hombres que vienen al mundo con el exclusivo objeto de estropear dos folios del registro civil. El primero lo estropean con la partida de nacimiento, y el segundo, con la partida de defunción.

the spirit of an Heylin, who seems to count no obloquy too hard for a reformer; and the spirit of those (folio-writers there are, some of them, in the English nation!) whom a noble Historian stigmatizes, as, “Those hot-headed, passionate bigots, from whom, ’tis enough, if you be of a religion contrary unto theirs, to be defamed, condemned and pursued with a thousand calumnies.

HAMLET. — ¡Football! ¡Extraña palabra esa! Suena a mis oídos como una voz extranjera cuyo significado no alcanzo. Seguramente no es palabra dinamarquesa. ¿Qué es football? GARIBALDI (extrañado). —¿No sabe lo que es el football? HAMLET (tonante). — ¿Sabes tú lo que es el Hébenon? Seguramente lo ignoras. Pues ahí tienes. Yo no sé lo que es football. Y en cuanto al Hébenon, también tengo mis dudas. Se supone que es un veneno que figura en la escena quinta del acto primero de mi historia. Pero solo se dice Hébenon en las dos ediciones in folio. En la edición inquarto se dice Hébona. ¡Vaya uno a saber! La mayoría supone que debe decirse Hémbame, que quiere decir beleño, aunque comentaristas como Onions suponen que es Hébon, basándose en la obra de Marlowe, mientras la revista "Modern Language Review", de julio de 1920, dice que es el Guayaco o Lignum Vitae. De modo que ya ves. Cada uno con su ignorancia y así se puede vivir entre hombres y tenerse mutuo respeto. Y ahora, explícame, extranjero, ¿qué es football?

Un homme sans défauts est une montagne sans crevasses. Il ne m’intéresse pas.

My vast episodic memory of my past, together with its counterpart pointing blurrily towards what is yet to come (my episodic projectory, I think I’ll call it), and further embellished by a fantastic folio of alternative versions or “subjunctive replays” of countless episodes (“if only X had happened…”; “how lucky that Y never took place…”, “wouldn’t it be great if Z were to occur…” — and why not call this my episodic subjunctory?), gives rise to the endless hall of mirrors that constitutes my “I”.

Amplificatum

Age: 13 [ERROR] / 28 Class/Level: Divine Candidate 1 XP: 0/50 HP: 20/20 Attributes [Free Points 2] Body: 5 Agility: 4 Mind: 10 Spirit: 9 Attunement Moon: 20 Sun: 1 Night: 10 Mana Moon: 54/54 Sun: 16/16 Night: 34/34 Affinities Time: 10 Wood: 6 Air: 5 Blessings Mythic Blessing of Mursa - Blessed Return Ageless Folio Skills Anatomy: 7 Arcana: 11 Enchanting: 16 Fishing: 1 Herbalism: 5 Librarian: 5 Ritual Magic: 25 Spear: 11 -Wind Spear:8 Spellcasting: 30

Ageless Folio Bound Item The Ageless Folio takes the form of a tattoo on the user’s wrist. The user may freely withdraw the Folio, which takes the form of a thin book, at will. While holding the Folio, the user learns skills 20% faster and all of their thoughts are recorded automatically in their own hand. The Folio has an infinite number of pages and the user instinctively knows on which page any information rests. Notes taken in the Folio will remain in the Folio, even if the user utilizes Blessed Return, allowing the user to retain notes from a previous life. The Folio is blank when bestowed upon the user.

Micah Silver Age 16 Class/Level Wizard 1 XP 0/50 HP 10/10 Attributes Body 5, Agility 5, Mind 9, Spirit 8 Attunement Moon 8, Sun 3, Night 5 Mana Moon 5/16, Sun 4/6, Night 1/8 Affinities Time 10 Wood 6 Tier I - Refresh 3, Mending 3 Tier II - Augmented Mending 2 Air 5 Tier I - Gale 2, Air Knife 3 Tier II - Wind Shield 1 Blessings Mythic Blessing of Mursa - Blessed Return, Ageless Folio Skills Anatomy 2 Fishing 1 Herbalism 1 Librarian 3 Spear 3 Spellcasting 5

Micah Silver Age 13 [ERROR] / 18 Class/Level-XP HP 8/8 Attributes Body 4, Agility 3, Mind 9, Spirit 8 Attunement Moon 4, Sun 1, Night 2 Mana Moon 8/8, Sun 2/2, Night 4/4 Affinities Time 10 Wood 6 Air 5 Blessings Mythic Blessing of Mursa - Blessed Return, Ageless Folio Skills Anatomy 6 Fishing 1 Herbalism 4 Librarian 3 Ritual Magic 2 Spear 5 Spellcasting 10

Age: 16 [ERROR] / 30 Class/Level: Divine Candidate 27 XP: 17,000/60,000 HP: 2542/2542 Class Specialty Chronomancer Attributes Body: 31 Agility: 31 Mind: 63 Spirit: 62 Attunement Moon: 32 Sun: 3 Night: 28 Mana Moon: 2575/2575 Sun: 2517/2517 Night: 2567/2567 Affinities Time: 10 Tier V - Foresight 8, Time Echoes 1, Temporal Transfer 2, Haste 10 Tier VI - Temporal Vortex 5, Temporal Stutter 4 Wood: 7 Tier I - Refresh 11, Mending 9, Plant Weave 12 Tier II - Augmented Mending 18, Root Spears 13 Tier III - Heal 11, Paralytic Sting 6, Explosive Thicket 6 Tier IV - Regeneration 6, Healing Wave 6, Poison Fog 7 Tier V - Panacea 1, Coma 1 Tier VI - Binding Vines 3, Air: 6 Tier I - Gale 8, Air Knife 18, Air Supply 4 Tier II - Wind Shield 8, Sonic Bolt 14 Tier III - Updraft 3, Pressure Spear 8, Sonic Orb 7 Tier IV - Flight 3 Blessings Mythic Blessing of Mursa - Blessed Return, Ageless Folio Skills Anatomy: 7 Arcana: 13 Enchanting: 28 Fishing: 1 Herbalism: 5 Librarian: 5 Ritual Magic: 30 Spear: 25 -Wind Spear: 13 -TITS: 7 Spellcasting37

Sometimes, she thinks he’s right to worry. Because adventure, it turns out, is a dangerously seductive word. It reaches underneath Violet’s ribcage and pulls, like a cosmic string attuned to a compass point elsewhere. She spends hours cloistered in the library, poring over a map in its appropriately sized atlas folio splendour, until her vision bleeds faint blue latitude and longitude lines. She collects city names like other people collect spare change, letting words linger in unfamiliar satisfaction. She imagines, too, what it would be like to be that person heaving the bag over her shoulders, her diary stuffed with tales of the delights and dangers on the road. The stories she would bring back, wonder itself captured in her scrawled handwriting. A dozen languages on her lips, a hundred histories at her fingertips, every sight unforgettable. See? Seduction. Ambrose tells her it’ll fade as she gets older. But that peculiar time when magic fades and cynicism sets in never happens, so there’s always a part of her waiting for something.

Hope is leaven; it makes things rise without effort. I have moved forward at times without hope, when Wally was sick and dying, and there wasn't a thing in the world to do but ease his way. Without hope, you hunker down and do what needs to be done in this hour; you do not attend to next week. It is somehow like writing without any expectation or belief that one will ever be read-only worse, since even a Dickinson secreting her poems away in private folios sewn by hand expects, at some unknowable time, her treasure to be found, her words to be read. Hopelessness means you do the work at hand without looking for a future.

Anne's Will by Stewart Stafford Young Shakespeare set off to London town, To quill and ink his masterpiece plays, Still, Anne Hathaway grew anxious; Marriage and family rent twain ways. He vowed to send back funds to them, With a fledgling kiss, Will was gone, Tearful goodbyes of wife and daughters, Stratford shrank, cartwheels spun. The distance honeyed homesickness, The farther from hearth Will roamed, The capital's theatres awaited him; Words etched in stone in folio tome. The absentee bard kept his word true; Admirably providing for kin well, Through a bitter, lonely aftertaste, With only one truism to tell: "For, aye, where'er there was a Will, Truly, good Anne always hath a way." © Stewart Stafford, 2024. All rights reserved.

Melina nodded. “I don’t know if it was a secret. Maybe for poets and playwrights William Shakespeare was a code word to the people in the theater world who were in the know. Maybe that’s why Ben Jonson leaves all these little riddles in the Folio.

By this edition of HAMLET I hope to help the student of Shakspere to understand the play—and first of all Hamlet himself, whose spiritual and moral nature are the real material of the tragedy, to

I'm handed faith like a sealed package on a strange-looking platter and am expected to accept it without opening it. I'm handed science, like a knife on a plate, to cut the folios of a book whose pages are blank. I'm handed doubt, like dust inside a box--but why give me a box if all it contains is dust?

Every child is at some point a small Perseus, and this infatuation with the dark and the lonely is for most people an acute condition, best caught early in life like mumps, and which seldom recurs.

Until proven innocent, I regard all “gardenias” as I do footprints of the Snowman, engines that run on vacuum energy, or good wines from Savoie.

Το αίμα είναι πάντοτε θέμα τύχης. Όχι όμως και η ώθηση της καρδιάς.

Earlier, when I made my coffee (after releasing my grateful geese), I sat at the big Northridge desk and got out the Edward Curtis portfolio for breakfast reading. When I untied the first folio there was a note—“Dalva & Ruth. Wash your hands. I love you. Grandpa.” A simple old note, brittle with age, but I was momentarily overcome with loneliness for her; at the same time, though, I knew in a deeper sense that I was totally out of the running. In the long and short of it, love is a more difficult subject than sex. Or history. I

Un trou de mémoire, c'est une folle envie de tomber.

Rare books can be seen in Roorkee, in the University's old library. Here, not many years ago, a First Folio Shakespeare turned up and was celebrated in the Indian Press as a priceless discovery. Perhaps it's still there. Also

Le Bosphore a ses contemplatifs, ceux qui s'enivrent de l'ensoleillement des eaux, assis sur la pierre des berges, ou aux terrasses des cafés, il a ses promeneurs, qui marchent le long du rivage et règlent leur pas sur ses remous. D'autres le regardent de loin, les heureux, de nuit comme de jour, sur le plein écran de leurs fenêtres, ou bien de leurs terrasses, dans des appartements à hauteur, à Cihangir ou à Ortakoy

Leurs gestes nous parlent de l'orgueil de vivre, de peuples accomplis, d'une façon de s'accorder au monde, d'une certaine unité, de l'une à l'autre rive de cette mer qui fut l'une des patries de l'âme.