Fold Your Hands Quotes

We've searched our database for all the quotes and captions related to Fold Your Hands. Here they are! All 100 of them:

As he passed me, he leaned to Curran and handed him a paper fan folded from some sort of flyer. Curran looked at the fan. “What?” "An emergency precaution, Your Majesty. In case the lady faints.” Curran just stared at him. Raphael strode toward the Pit, turned, flexed a bit, and winked at me. "Give me that,” I told Curran. “I need to fan myself.” "No, you don’t.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Condemn none: if you can stretch out a helping hand, do so. If you cannot, fold your hands, bless your brothers, and let them go their own way.
Vivekananda
You're a Shadowhunter," he said. "You know how to deal with injuries." He slid his stele across the table toward her. "Use it." "No," Clary said, and pushed the stele back across the table at him. Jace slammed his hand down on the stele. "Clary—" "She said she doesn't want it," said Simon. "Ha-ha." "Ha-ha?" Jace looked incredulous. "That's your comeback?" Alec, folding his phone, approached the table with a puzzled look. "What's going on?" "We seem to be trapped in an episode of One Life to Waste," Magnus observed. "It's all very dull.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Dear Mal, I haven't heard from you, so I assume you've met and married a volcra and that you're living comfortably on the Shadow Fold, where you have neither light nor paper to write. Or, possibly, your new bride ate both your hands.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
What would you know about it?" he said. "Love, I mean." Dorothea folded her soft white hands in her lap. "More than you might think," she said. "Didn't I read your tea leaves, Shadowhunter? Have you fallen in love with the wrong person yet?" Jace said, "Unfortunately, Lady of the Haven, my one true love remains myself." Dorothea roared at that. "At least," she said, "you don't have to worry about rejection, Jace Wayland." "Not necessarily. I turn myself down occasionally, just to keep it interesting.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I’ll make one more promise,” she said, folding her bloodied hand into a fist as she lowered it before them. Darrow tensed. Her blood dripped onto the sacred soil of Terrasen, and her smile turned lethal. Even Aedion held his breath beside her. Aelin said, “I promise you that no matter how far I go, no matter the cost, when you call for my aid, I will come. I promise you on my blood, on my family’s name, that I will not turn my back on Terrasen as you have turned your back on me. I promise you, Darrow, that when the day comes and you crawl for my help, I will put my kingdom before my pride and not kill you for this. I think the true punishment will be seeing me on the throne for the rest of your miserable life.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Party lights hang over the street, yellow and red and green. Sadie stumbles over someone’s chair, but I’m ready for this and I catch her easily by the arm. “Sorry, clumsy,” she says. “You always were, Sadie. One of your more endearing traits.” Before she can ask about that I slip my arm around her waist. She slips hers around mine, still looking up at me. The lights skate across her cheeks and shine in her eyes. We clasp hands, fingers folding together naturally, and for me the years fall away like a coat that’s too heavy and too tight. In that moment, I hope on thing above all others: that she was not too busy to find at least one good man … She speaks in a voice almost too low to be heard over the music. But I hear her – I always did. “Who are you, George?” “Someone you knew in another life, honey.
Stephen King (11/22/63)
From daydreams on the road there was no waking. He plodded on. He could remember everything of her save her scent. Seated in a theatre with her beside him leaning forward listening to the music. Gold scrollwork and sconces and the tall columnar folds of the drapes at either side of the stage. She held his hand in her lap and he could feel the tops of her stockings through the thin stuff of her summer dress. Freeze this frame. Now call down your dark and your cold and be damned.
Cormac McCarthy (The Road)
Close your eyes,” he said. Without waiting for me, he pressed his hand over my eyelids, shutting them for me. I felt the love seat shift as he slid in beside me, heard the inexplicably loud sound of the cover opening, the pages inside scraping against each other as he turned them. Then I felt his breath on my ear as he said, voice barely audible, “‘I am alone in the world, and yet not alone enough to make each hour holy. I am lowly in this world, and yet not lowly enough for me to be just a thing to you, dark and shrewd. I want my will and I want to go with my will as it moves towards action.’” He paused, long, the only sound his breath, a little ragged, before he went on, “‘And I want, in those silent, somehow faltering times, to be with someone who knows, or else alone. I want to reflect everything about you, and I never want to be too blind or too ancient to keep your profound wavering image with me. I want to unfold. I don’t want to be folded anywhere, because there, where I’m folded, I am a lie.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
What the hell do I have to do to get your attention? Do I need to get up there?” I throw an arm toward the stage. His eyes swell for just a second, in shock. He reaches forward to hold my hands, but he catches himself in time and instead folds them across his chest. “Believe me, you have my full attention.
K.A. Tucker (Ten Tiny Breaths (Ten Tiny Breaths, #1))
She takes a step toward me and slides her hands between my folded arms, pushing against them until they unlock. “Daniel Wesley you owe me a do-over since you made me kiss you in a crowded restaurant right next to a dirty diaper.” “It wasn’t crowded,” I interject. She glares at me. “Put your hands on my face and push me against this wall and slip me some tongue! Now!” Before she can laugh at herself, my hands are casing her face and her back is pressed against the wall of her house and my mouth is on hers.
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
Sonnet LXXXI And now you're mine. Rest with your dream in my dream. Love and pain and work should all sleep, now. The night turns on its invisible wheels, and you are pure beside me as a sleeping ember. No one else, Love, will sleep in my dreams. You will go, we will go together, over the waters of time. No one else will travel through the shadows with me, only you, evergreen, ever sun, ever moon. Your hands have already opened their delicate fists and let their soft drifting signs drop away; your eyes closed like two gray wings, and I move after, following the folding water you carry, that carries me away. The night, the world, the wind spin out their destiny. Without you, I am your dream, only that, and that is all.
Pablo Neruda
Satisfaction in life doesn't jump on you, you work for it, you earn it. You will not sit in a place, fold your hands and expect to be satisfied with life.
Jaachynma N.E. Agu (The Best Option)
I'll tell you how the sun rose A ribbon at a time... It's a living book, this life; it folds out in a million settings, cast with a billion beautiful characters, and it is almost over for you. It doesn't matter how old you are; it is coming to a close quickly, and soon the credits will roll and all your friends will fold out of your funeral and drive back to their homes in cold and still and silence. And they will make a fire and pour some wine and think about how you once were . . . and feel a kind of sickness at the idea you never again will be. So soon you will be in that part of the book where you are holding the bulk of the pages in your left hand, and only a thin wisp of the story in your right. You will know by the page count, not by the narrative, that the Author is wrapping things up. You begin to mourn its ending, and want to pace yourself slowly toward its closure, knowing the last lines will speak of something beautiful, of the end of something long and earned, and you hope the thing closes out like last breaths, like whispers about how much and who the characters have come to love, and how authentic the sentiments feel when they have earned a hundred pages of qualification. And so my prayer is that your story will have involved some leaving and some coming home, some summer and some winter, some roses blooming out like children in a play. My hope is your story will be about changing, about getting something beautiful born inside of you, about learning to love a woman or a man, about learning to love a child, about moving yourself around water, around mountains, around friends, about learning to love others more than we love ourselves, about learning oneness as a way of understanding God. We get one story, you and I, and one story alone. God has established the elements, the setting and the climax and the resolution. It would be a crime not to venture out, wouldn't it?
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
I keep my kindness in my eyes Gently folded around my iris Like a velvety, brown blanket That warms my vision I keep my shyness in my hair Tucked away into a ponytail Looking for a chance to escape On a few loose strands in the air I keep my anger on my lips Just waiting to unleash into the world But trust me; it’s never in my heart It evaporates into words I keep my dignity upon my chin Like a torch held up high For those who have betrayed me Radiating a silent, strong message I keep my gratitude in my smile A glistening waterfall in the sun Gently splashing at that person Who made me happy for some reason I keep my sensitivity in my hands Reaching out for your wet cheek Holding you, with all the love The love I want to share, and feel I keep my passion in my writing My words breathing like fire Screeching against an endless road As I continue to be inspired I keep my simplicity in my soul Spread over me like a clear sky Reflecting all that I am And all that’s ever passed me by And I hope you will look Beyond my ordinary face My simple, tied hair My ordinary tastes And I hope you will see me From everyone...apart As I keep my beauty in my heart.
Sanober Khan
I had just put my arms around him in a hug of gratitude when the door opened behind me without a knock. “Am I interrupting something?” a coolly pissed, accented voice asked. This time, my glance heavenward was in silent challenge. Is that how it is? Fine, then, bring it! Let’s see what you’ve got! Timmie jumped like he’d been stabbed. “Ungh!” I didn’t know what that meant, but the sight of him leaping away with a hand shielding his groin had me turning around in irritation. “Dammit, tell him you’re not going to neuter him!” Bones folded his arms and regarded Timmie without pity. “Why?” I gave him an evil look. “Because if you don’t, I’m going to get really, really celibate.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Wolf took Scarlet’s hands into his, as tenderly as he would pick up an injured butterfly, and slid the band onto her finger. His voice was rough and wavering as he recited—“I, Ze’ev Kesley, do hereby claim you, Scarlet Benoit, as my wife and my Alpha. Forevermore, you will be my mate, my star, my beginning of everything.” He smiled down at her, his eyes swimming with emotion. Scarlet returned the look, and though Wolf’s expression teetered between proud and bashful, Scarlet’s face contained nothing but joy. “You are the one. You have always been, and you will always be, the only one. Scarlet took the second ring—a significantly larger version of the same unadorned band—and pressed it onto Wolf’s finger. “I, Scarlet Benoit, do hereby claim you, Ze’ev Kesley, as my husband and my Alpha. Forevermore, you will be my mate, my star, my beginning of everything. You are the one. You have always been, and you will always be, the only one.” Wolf folded his hands around hers. From where she sat, Cinder could see that he was shaking. Kai grinned. “By the power given to me by the people of Earth, under the laws of the Earthen Union and as witnessed by those gathered here today, I do now pronounce you husband and wife.” He spread his hands in invitation. “You may kiss your—” Wolf wrapped his arms around Scarlet’s waist, lifting her off the floor, and kissed her before Kai could finish. Or maybe she kissed him. It seemed mutual, as her hands wound through his disheveled hair. The room exploded with cheers, everyone launching to their feet to congratulate the still-kissing couple. Scarlet had lost one of her red shoes. “I’ll get the champagne,” said Thorne, heading toward the kitchen. “Those two are going to be thirsty when they finally come up for air.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Arms folded across his chest, Arin walked to the end of the pier. “Did you have to bring the tiger?” “I kept him hungry during the journey here, just for you,” Roshar said. “Go give him a nice snuggle, won’t you? He’s come all this way to see you. The least you could do is give him one of your arms to eat. Too much? What about a hand? At least some fingers. Arin, where’s your hospitality?
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Kahlan ambled toward the door. "Well, my breasts aren't as large as yours Berdine." She slowed as she passed Raina. "I think Raina's hands would fit mine better.
Terry Goodkind (Blood of the Fold (Sword of Truth, #3))
Uh, what are you doing?' 'What does it look like I'm doing?' Jake asks, settling into the seat beside me. The bus jerks forward. 'I'm sitting beside you.' 'No, you're not. Your seat is in the middle. Nice try, though.' He has the audacity to ignore me, sets his book bag on his lap and rummages through it. After a minute, he pulls out a folded sheet of paper and hands it to me. I unfold it. 'A love letter? How sweet.' 'No.' He turns pink. 'It's just something I found on the Internet-' 'Porn? You shouldn't have.
Courtney Summers (Cracked Up to Be)
My mind was quickly consumed with thoughts of my girlfriend and all the good times we had had, like one of those cheesy montages ni eighties movies, when the angsty protagonist envisions himself and his ex holding hands on the beach, feeding a small puppy, getting into some kind of zany wrestling match with whipped cream. I interrupted my cliché memories by saying aloud: "Ugh, I'm feeling pretty low about this whole thing." "You just gotta try to put it out of your head," he said, folding the paper halfway down to look at me. "I know, it's just hard. I mean, I still have stuff at her place. What am I going to do about that? I still have a TV...," I said. "Fuck the TV. Leave the TV. Cut your ties." "It's a fifteen-hundred-dollar TV," I insisted. "Go get that fucking TV.
Justin Halpern (Sh*t My Dad Says)
Vous eprouves trop d'emotion, Hastings, It affects your hands and your wits. Is that a way to fold a coat? And regard what you have done to my pyjamas. If the hairwash breaks what will befall them?' 'Good heavens, Poirot,' I cried, 'this is a matter of life and death. What does it matter what happens to our clothes?' 'You have no sense of proportion Hastings. We cannot catch a train earlier than the time that it leaves, and to ruin one's clothes will not be the least helpful in preventing a murder.
Agatha Christie (The A.B.C. Murders (Hercule Poirot, #13))
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Cara waggled a hand over the two of them. "It works better with your clothes off." Richard frowned. His voice came as a hoarse croak. "What?" She seemed mystified by the question. "I believe you will find such things work better without clothes." She put her hands to her hips. "I thought you would know at least that much.
Terry Goodkind (Blood of the Fold (Sword of Truth, #3))
How did I acquire those habits? Perhaps that's what happens during he forging of a relationship: if nothing else, you adopt some of the other person's habits. It makes you feel those adoptions, make him one of you. Have you picked up habits from me? Do you draw circles with a finger on your thali when you have finished eating? Do you, every once in a while, squeeze shaving cream on to your toothbrush? DO you sleep with a knee drawn up to you, the bedclothes kicked away? Do you fold the newspaper neatly and put it where you found it, when you are done? Yesterday, when a cobalt blue smudge of wall ended up on my hand, I wiped on my trouser without thinking.
Sachin Kundalkar (Cobalt Blue)
<…>Tate fell silent. Ty didn't. "Since the day I was released, you knocked yourself out. You had my back, you took care of Lexie when we had our thing then you did what you could to help me sort that. It's important to me that you know I'm grateful. I've been tryin' to figure out how I can show how much but, keep thinkin' on it, nothin' comes to mind and I know why. I get it. You're a man who has everything so there is nothing I can hand you that you want or need. And I get that because I am now that same man. So the only thing I can give you are words and, my guess is, that'll be enough. If it isn't, you name it and it's yours." "Friends do what I did for friends," Tate returned. "No they don't, Tate. You did what you did for me because you're you. That's what I'm talkin' about." Tate ws silent a moment then he said, "Well then, you guessed right. Words are enough." Ty nodded. Tate tipped his head to the side and asked jokingly, "We done with the near-midnight in the middle of fuckin' nowhere heart-to-heart?" Ty didn't feel like joking and answered, "No." "Then what -?" "Love you, man," Ty interrupted quietly. "Learned the hard way not to delay in expressing that sentiment so I'm not gonna delay. You call me brother and I got one who's blood who don't mean shit to me and today, all this shit done, rejoicing and reflecting, it hit me that I got two who aren't blood but who do mean something. And you're one of those two." "Ty-" Tate murmured. "I will never forget, until I die, what you did for me and my wife and until that day I will never stop bein' grateful." "Fuck man," Tate whispered. "Now, do those words work so you get what you did mean to me?" Silence then, "Yeah, they work." "Good, then now we're done with our near-midnight, middle of fuckin' nowhere heart-to-heart," Ty declared, turned, opened the door to the Viper and started folding in. He stopped with his ass nearly to the seat and looked up over the door when Tate called his name. "I don't have a blood brother," Tate said. "But you should know there's a reason I call you that."<…>
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
I took the liberty of designing your pennant,” said Rhy, resting his elbows on the gallery’s marble banister. “I hope you don’t mind.” Kell cringed. “Do I even want to know what’s on it?” Rhy tugged the folded piece of fabric from his pocket, and handed it over. The cloth was red, and when he unfolded it, he saw the image of a rose in black and white. The rose had been mirrored, folded along the center axis and reflected, so the design was actually two flowers, surrounded by a coil of thorns. “How subtle,” said Kell tonelessly. “You could at least pretend to be grateful.” “And you couldn’t have picked something a little more … I don’t know … imposing? A serpent? A great beast? A bird of prey?” “A bloody handprint?” retorted Rhy. “Oh, what about a glowing black eye?” Kell glowered. “You’re right,” continued Rhy, “I should have just drawn a frowning face. But then everyone would know it’s you. I thought this was rather fitting.
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
So, Harold. Friend, pal, chum.” Roux folded her hands on top of the desk. “Are you going to buzz us in or not?” “Go on up, miss,” Harold said, waving us through the lobby and toward the elevators. “Harold, you’re a gem. A pristine gem honed over years of trial and fire.” “That’s how I would describe my job, too,” Harold replied.
Robin Benway (Also Known As (Also Known As, #1))
As I walked out one evening, Walking down Bristol Street, The crowds upon the pavement Were fields of harvest wheat. And down by the brimming river I heard a lover sing Under an arch of the railway: "Love has no ending. "I'll love you, dear, I'll love you Till China and Africa meet, And the river jumps over the mountain And the salmon sing in the street, "I'll love till the ocean Is folded and hung up to dry And the seven stars go squawking Like geese about the sky. "The years shall run like rabbits, For in my arms I hold The Flower of the Ages, And the first love of the world." But all the clocks in the city Began to whirr and chime: "O let not Time deceive you, You cannot conquer Time. "In the burrows of the Nightmare Where Justice naked is, Time watches from the shadow And coughs when you would kiss. "In headaches and in worry Vaguely life leaks away, And Time will have his fancy Tomorrow or today. "Into many a green valley Drifts the appalling snow; Time breaks the threaded dances And the diver's brilliant bow. "O plunge your hands in water, Plunge them in up to the wrist; Stare, stare in the basin And wonder what you've missed. "The glacier knocks in the cupboard, The desert sighs in the bed, And the crack in the teacup opens A lane to the land of the dead. "Where the beggars raffle the banknotes And the Giant is enchanting to Jack, And the Lily-white Boy is a Roarer, And Jill goes down on her back. "O look, look in the mirror, O look in your distress; Life remains a blessing Although you cannot bless. "O stand, stand at the window As the tears scald and start; You shall love your crooked neighbor With all your crooked heart." It was late, late in the evening, The lovers they were gone; The clocks had ceased their chiming, And the deep river ran on.
W.H. Auden
Jesper sniffed. “I thought it had a certain rustic elegance.” “No,” said Wylan. “He hasn’t been trained. He’s stubborn that way.” “Independent,” corrected Jesper. “Pigheaded.” “But stylish.” Kaz rapped his cane on the floor. “And now you know why I don’t visit more often.” Jesper folded his arms. “No one asked you to visit more often. And I don’t remember issuing an invitation for lunch.” “I have a job that requires both of your skill sets.” “Kaz,” Wylan said, carefully collecting some of the half-full glasses around the room. “We’d prefer not to do anything illegal.” “That’s not strictly true,” said Jesper. “Wylan would prefer it, and I want to keep Wylan happy.” He paused, unable to hide his interest. “Is it illegal?” “Highly,” said Kaz. “But the pay is excellent,” offered Nikolai. “We don’t need money,” said Wylan. “Isn’t it glorious?” Jesper sighed happily. Kaz smoothed a gloved hand over his lapel, looking at no one. “It’s for Inej.” Wylan set down the dirty glasses. “Why didn’t you say so? What do you need?
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Aline threw a lamp. No one was expecting it, and the result was quite spectacular: It shattered against one of the dormer windows, and pieces of ceramic flew everywhere. She stood up, dusting off her hands. "Everyone, BE QUIET AND LISTEN TO MY WIFE," she said. "Magnus, I know you make jokes when you're scared. I remember Rome." She gave him a surprisingly sweet smile. "But we have to focus." She turned to Helen. "Go on, honey. You're doing great." She sat back down and folded her hands. "She definitely has a temper," Emma whispered to Cristina. "I like it." "Remind me to tell you about the frittata," Cristina whispered back.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
The reason for this is that prayer is not so much the practice of folding your hands, closing your eyes, and kneeling at the foot of your bed or in a pew as it is an attitude of constantly listening for God’s instructions as you go through the day.
Cindy Trimm (The Prayer Warrior's Way: Strategies from Heaven for Intimate Communication with God)
The witch grunted. "Love gone wrong. The worst." Jace made a soft, almost inaudible noise at that—a chuckle. Dorothea's ears pricked like a cat's. "What's so funny, boy?" "What would you know about it?" he said. "Love, I mean." Dorothea folded her soft white hands in her lap. "More than you might think," she said. "Didn't I read your tea leaves, Shadowhunter? Have you fallen in love with the wrong person yet?" Jace said, "Unfortunately, Lady of the Haven, my one true love remains myself." Dorothea roared at that. "At least," she said, "you don't have to worry about rejection, Jace Wayland." "Not necessarily. I turn myself down occasionally, just to keep it interesting.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
You came back," He said, as if that were an answer. They joined hands. So the world ended. And the next one began. ------------------------------ They were infinite. They were the beginning and the ending; they were eternity. The king standing before them gaped as the shield of flame died out to reveal Aelin and Dorian, hand in hand, glowing like newborn gods as their magic entwined. "YOUR MINE," the man raged. He became darkness; folded himself into the powers he carried, as if he were nothing but malice on a dark wind. He struck them, swallowed them. But they held tighter to each other, past and present and future; flickering between an ancient hall in a mountain castle perched above Orynth, a bridge suspended between glass towers, and another place, perfect and strange, where they had been crafted from stardust and light. A wall of night knocked them back. But they could not be contained. The darkness paused for a breath. They erupted.
Sarah J. Maas
Grandma Ruthie and her sister Jettie hadn't spoken a civil word in about fifteen years. Their last exchange was Ruthie's leaning over Jettie's coffin and whispering, "If you'd married and had children, there would be more people at your funeral." Of course, at the reading of Aunt Jettie's will, Grandma Ruthie was handed an enveloped containing a carefully folded high-resolution picture of a baboon's butt. That pretty much summed up their relationship.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
Annabelle, what happened to you?” Lillian asked the next morning. “You look dreadful. Why aren’t you wearing your riding habit? I thought you were going to try out the jumping course this morning. And why did you disappear so suddenly last night? It’s not like you to simply vanish without saying—” “I didn’t have a choice in the matter,” Annabelle said testily, folding her fingers around the delicate bowl of a porcelain teacup. Looking pale and exhausted, her blue eyes ringed with dark shadows, she swallowed a mouthful of heavily sweetened tea before continuing. “It was that blasted perfume of yours—as soon as he caught one whiff of it, he went berserk.” Shocked, Lillian tried to take in the information, her stomach plummeting. “It… it had an effect on Westcliff, then?” she managed to ask. “Good Lord, not Lord Westcliff.” Annabelle rubbed her weary eyes. “He couldn’t have cared less what I smelled like. It was my husband who went completely mad. After he caught the scent of that stuff, he dragged me up to our room and…well, suffice it to say, Mr. Hunt kept me awake all night. All night ,” she repeated in sullen emphasis, and drank deeply of the tea. “Doing what?” Daisy asked blankly. Lillian, who was feeling a rush of relief that Lord Westcliff had not been attracted to Annabelle while she was wearing the perfume, gave her younger sister a derisive glance. “What do you think they were doing? Playing a few hands of Find-the-Lady?
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Death is a personal matter, arousing sorrow, despair, fervor, or dry-hearted philosophy. Funerals, on the other hand, are social functions. Imagine going to a funeral without first polishing the automobile. Imagine standing at a graveside not dressed in your best dark suit and your best black shoes, polished delightfully. Imagine sending flowers to a funeral with no attached card to prove you had done the correct thing. In no social institution is the codified ritual of behavior more rigid than in funerals. Imagine the indignation if the minister altered his sermon or experimented with facial expression. Consider the shock if, at the funeral parlors, any chairs were used but those little folding yellow torture chairs with the hard seats. No, dying, a man may be loved, hated, mourned, missed; but once dead he becomes the chief ornament of a complicated and formal social celebration.
John Steinbeck (Tortilla Flat)
I am sorry, I didn't mean to imply that either one of you would betray me. But dammit! I walk in to see Colton's clothes on the floor and the two of you snuggled up together." Aiden threw his hands in the air. Meryn thought about it. "Good point. Next time fold your clothes and put them on the dresser," she said, looking down at Colton.
Alanea Alder (My Commander (Bewitched and Bewildered, #1))
Amelia stopped before him, her skirts crowded between his parted knees. The clean, salty, evergreen scent of him drifted to her nostrils. “I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in." "Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.” Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”—she paused with a quick, abashed smile—“whatever that is.” “My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base. “When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him . . . I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle. “Yes, love?” "I would think,” she continued,” ‘Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
And try letting yourself be carried away by your feelings, blindly, without reflection, without a primary cause, repelling consciousness at least for a time, hate or love, if only not to sit with your hands folded.
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
Oh, Cinder, I’ve missed seeing your face when you make sarcastic comments in an attempt to hide your true feelings about me.” “Please.” Rolling her eyes, Cinder started organizing the guns against the wall. “See that eye roll? It translates to ‘How am I possibly keeping my hands off you, Captain?’” “Yeah, keeping them from strangling you.” Kai folded his arms, grinning. “How come no one told me I had such steep competition?” Cinder glared. “Don’t encourage him.” With
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Head lowered, Al looked at his bare hands, folded in his lap. “I knew you could, otherwise I wouldn’t have let you get into that position. But now everyone else knows it, too. I wasn’t expecting how vulnerable you would be, and word gets around. It is too easy for…” He hesitated. “You’re so damn helpless…,” he tried again, his words cutting off once more. “How am I supposed to keep them off you now that they know?
Kim Harrison (Pale Demon (The Hollows, #9))
I'm so sorry we've kept this for such a long time," she said, pulling the watch from her skirt pocket. She unfolded Mother's handkerchief from around it, and offered it to Lord Bradford cradled in her hands. "We shouldn't have taken it in the first place." Lord Bradford's eyebrows rose at the offering, and he opened his mouth, then closed it. He lowered his eyes to the books in his hands, then back to Azalea, and he managed a smile. "When we first met," he said, "ages ago, you gave me a candy stick. Just like you did now, with your hands like that. Do you remember?" Azalea raised an eyebrow. "It happened when my father had just died," he said, quietly. "You came to the graveyard, licking a candy stick. You saw me. You put the stick in my hands, folded my fingers over it, and kissed my fingertips." "That must have been sticky," said Azalea.
Heather Dixon Wallwork (Entwined)
Take your clothes off slowly. For me?” Ethan asked as he folded his large hands behind his head. So he wanted a show? Cecile had never done anything that sexy in her life, and she felt she lacked any real grace, but for Ethan, she’d give it a try.
Amanda Bretz (Love, Simplified)
We rode the basement trains all night, speeding through the subterrains. I held her chin in the cup of my hand and her eyes held tight to mine, imploring me to reveal to her the mystery of that which awaits us on the pavement above, come the day we ascend from this labyrinth of trains... 'We will ride these beautiful basement trains forever,' said I, 'nothing awaits us; and as your beauty folds, so do my dreams. Come, my love, let us wander these tunnels of the endless city. This holy, endless city!
Roman Payne (The Basement Trains: A 21st Century Poem (English and French Edition))
Yes, ma’am,” he said, and folded his hands and stopped where he was, listening, waiting while a very sick woman tried to gather her faculties. “First off, tell the dowager she’s a right damn bastard.” It was no time for a translator to argue. Mitigation, however, was a reasonable tactic. “Aiji-ma, Sabin-aiji has heard our suspicions regarding Tamun and received assurances from me and Gin-aiji that we have not arranged a coup of our own. She addresses you with an untranslatable term sometimes meaning extreme disrepute, sometimes indicating respect for an opponent.” Ilisidi’s mouth drew down in wicked satisfaction. “Return the compliment, paidhi.” “Captain, she says you’re a right damn bastard, too.
C.J. Cherryh (Defender (Foreigner, #5))
when she was 7, a boy pushed her on the playground she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you he probably just thinks you’re cute’ but the thing is, when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same you teach her that boys show their affection through aggression and she grows into a young woman who constantly mistakes the two because no one ever taught her the difference ‘boys will be boys’ turns into ‘that’s how he shows his love’ and bruises start to feel like the imprint of lips she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist the one adult she tells scolds her ‘you know he loses his temper easily why the hell did you have to provoke him?’ so she shrinks folds into herself, flinches every time a man raises his voice by the time she’s 16 she’s learned her job well be quiet, be soft, be easy don’t give him a reason but for all her efforts, he still finds one ‘boys will be boys’ rings in her head ‘boys will be boys he doesn’t mean it he can’t help it’ she’s 7 years old on the playground again with a mouth full of rocks and blood that tastes like copper love because boys will be boys baby don’t you know that’s just how he shows he cares she’s 18 now and they’re drunk in the split second it takes for her words to enter his ears they’re ruined like a glass heirloom being dropped between the hands of generations she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment she touches the bruise the next day boys will be boys aggression, affection, violence, love how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war she draws tally marks on her walls ratios of kisses to bruises one entire side of her bedroom turns purple, one entire side of her body boys will be boys will be boys will be boys when she’s 20, a boy touches her hips and she jumps he asks her who the hell taught her to be scared like that and she wants to laugh doesn’t he know that boys will be boys? it took her 13 years to unlearn that lesson from the playground so I guess what I’m trying to say is i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things baby they exist in different universes my niece can’t even speak yet but I think I’ll start with her now don’t ever accept the excuse that boys will be boys don’t ever let him put his hands on you like that if you see hate blazing in his eyes don’t you ever confuse it with love baby love won’t hurt when it comes you won’t have to hide it under long sleeves during the summer and the only reason he should ever reach out his hand is to hold yours
Fortesa Latifi
When birds look into houses, what impossible worlds they see. Think. What a shedding of every knowable surface and process. She wanted to believe the bird was seeing her, a woman with a teacup in her hand, and never mind the folding back of day and night, the apparition of a space set off from time. She looked and took a careful breath. She was alert to the clarity of the moment but knew it was ending already. She felt it in the blue jay. Or maybe not. She was making it happen herself because she could not look any longer. This must be what it means to see if you've been near blind all your life. She said something to Rey, who lifted his head slightly, chasing the jay but leaving the sparrows unstartled.
Don DeLillo (The Body Artist)
Such a strange thing, to hold a six-year-old's hand. Especially a six-year-old you've only just met. A toddler will grab hold of your finger, and someone your own age will clasp on to your whole hand, but with six-year-olds it's something in between, this acknowledgment that they can't be the one to take hold, so you have to do all the holding, folding your hand around theirs, feeling so much bigger and responsible.
David Levithan (How They Met, and Other Stories)
Ty, I’ve thought so many times about what I would say to you if you reappeared suddenly. If I was walking along the street and you popped out of thin air, walking along beside me like you always used to, with your hands in your pockets and your head tilted back. Mom used to say you walked celestially, looking upat the sky as if you were scanning the clouds for angels. Do you remember that? In your world I am ashes, I am ancestors, my memories and hopes and dreams have gone to build the City of Bones. In your world, I am lucky, because I do not have to live in a world without you. But in this world, I am you. I am the twinless twin. So I can tell you this: When your twin leaves the earth you live on, it never turns the same way again: the weight of their soul is gone, and everything is off balance. The world rocks under your feet like an unquiet sea. I can’t tell you it gets easier. But it does get steadier; you learn how to live with the new rocking of the new earth, the way sailors gain sea legs. You learn. I promise. I know you’re not exactly the Ty I had in this world, my brilliant, beautiful brother. But I know from Julian that you are beautiful and brilliant too. I know that you are loved. I hope that you are happy. Please be happy. You deserve it so much. I want to ask if you remember the way we used to whisper words to each other in the dark: star, twin, glass. But I’ll never know your answer. So I’ll whisper to myself as I fold this letter up and slide it into the envelope, hoping against hope it will somehow reach you. I whisper your name, Ty. I whisper the most important thing: I love you. I love you. I love you. Livvy
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
You're just going to stand there?" I asked. Uriel folded his arms and tapped his chin with one fingertip. "Mmmm. It does seem that perhaps she deserves some form of aid. Perhaps if I'd had the presence of mind to see to it that some sort of agent had been sent to balance the scales, to giver her that one tiny bit of encouragement, that one flicker of inspiration that turned the tide..." He shook his head sadly. "Things might be different now." And, as if on cue, Mortimer Lindquist, ectomancer, limped out of the lower hallway and into the electrical-junction room, with Sir Stuart's shade at his right hand. Mort took a look around, his dark eyes intent, and then his gaze locked onto Molly. "Hey," he croaked. "You. Arrogant bitch ghost.
Jim Butcher (Ghost Story (The Dresden Files, #13))
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution... "Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?" "I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
Charlotte Brontë (Jane Eyre)
You told me men don’t do this.” “Do what?” She walked around the counter, speaking animatedly. “Two years ago. We were at Firelight, having drinks. Cade and I had split up and you said that men don’t mope around after a breakup. You said that men avoid issues, get drunk, and pick up a new girl to forget the old one—but that you don’t brood.” Ford held out his hands in disbelief. “How do you remember that? And I’m not brooding.” She folded her arms across her chest and looked at him. “I know you’re my friend,” he said. “But please, for once, can you just act like you have a penis? Because I don’t want to talk about this.” She shrugged. “Fine. We’ll just sit here and listen to music.” She reached for his phone again. “Have you heard Taylor Swift’s new song?” “No.” “Well, you’re going to—on endless repeat until you start talking.
Julie James (Suddenly One Summer (FBI/US Attorney, #6))
She wanted to touch him, to throw her arms around him — but something held her back. Maybe it was the fear that her arms would pass right through him, that she would have come all this way only to find a ghost after all. As though he’d been able to read her thoughts, he slowly angled toward her. He raised his hands and held his palms out to her. Isobel lifted her own hands to mirror his. He pressed their palms together, his fingers folding down to lace through hers. She felt a rush of warmth course through her, a relief as pure and sweet as spring rain. He was real. This was real. She had found him. She could touch him. She could feel him. Finally they were together. Finally, finally, they could forget this wasted world and go home. "I knew it wasn’t true," she whispered. "I knew you wouldn’t stop believing." He drew her close. Leaning into him, she felt him press his lips to her forehead in a kiss. As he spoke, the cool metal of his lip ring grazed her skin, causing a shudder to ripple through her. "You..." His voice, low and breathy, reverberated through her, down to the thin soles of her slippers. "You think you’re different," he said. She felt his hands tighten around hers, gripping hard, too hard. A streak of violet lightning split the sky, striking close behind them. The house, Isobel thought. It had been struck. She could hear it cracking apart. She looked for only a brief moment, long enough to watch it split open. "But you’re not," Varen said, calling her attention back to him. Isobel winced, her own hands surrendering under the suddenly crushing pressure of his hold. A face she did not recognize stared down at her, one twisted with anger — with hate. "You," he scarcely more than breathed, "are just like every. Body. Else." He moved so fast. Before she could register his words or the fact that she had once spoken them to him herself, he jerked her to one side. Isobel felt her feet part from the rocks. Weightlessness took hold of her as she swung out and over the ledge of the cliff. As he let her go. The wind whistled its high and lonely song in her ears. She fell away into the oblivion of the storm until she could no longer see the cliff — could no longer see him. Only the slip of the pink ribbon as it unraveled from her wrist, floating up and away from her and out of sight forever.
Kelly Creagh (Enshadowed (Nevermore, #2))
Jason and Ferrin turned. Aram, face shiny with sweat, pulled a small pair of pants over his skinny legs. His shrunken hands trembled. Ferrin struggled not to smile. He was unsuccessful. Ferrin's involuntary grin forced Jason to bite his lip to keep from laughing. Ferrin noticed and began to shake, eyes watering. Aram hastily pulled on a shirt. Then he folded his arms, glaring grumpily up at the others. "Go ahead, let it out, have a good laugh." They did. Feeding off each other, magnified by the knowledge that their laughter was so inappropriate, their mirth was uncontrollable. Ferrin buried his face, attempting to compose himself. Jason stared at the ground, trying to summon sober thoughts. "We need to go," Aram said indignantly, clambering up onto his suddenly oversized horse. Atop the huge stallion, he looked like a little jockey. Jason coughed out a final laugh. Ferrin shook quietly, wiping tears from flushed cheeks. "Finished?" Aram asked. "You two are ruthless." He looked down at himself. "I guess it's quite a contrast." "We don't mean to rub it in," Jason apologized. "We've already seen you both ways. It isn't that big of a deal." "It doesn't help that you're so shy about it," Ferrin tried to explain. "It was more your expression than anything." "Let's leave it behind us," Aram said, nudging his horse with his heels. The stallion didn't respond. Ferrin buried his face in the crook of his arm. Jason ground his teeth.
Brandon Mull (Seeds of Rebellion (Beyonders, #2))
Kaz folded his hands over his cane. “It’s getting late, so everybody put away yourPoor Wylan hankies and set your minds to the task at hand. Matthias, Jesper, and Kuwei will leave for the embassy at half past nine bells. You approach from the canal. Jesper, you’re tall, brown, and conspicuous—” “All synonyms for delightful.” “And that means you’ll have to be twice as careful.” “There’s always a price to be paid for greatness.” “Try to take this seriously,” said Kaz, voice like a rusty blade. Was that actual concern? Jesper tried not to wonder if it was for him or the job.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Sandwiching Winter’s face in both hands, Jacin forced her gaze up to his. “Hey,” he said, somehow stern and gentle at the same time. “You’re my princess, right? You were always going to be my princess, no matter what you were born, no matter who your dad married.” Her eyes misted. Reaching up, she folded her fingers over Jacin’s forearms. “And you are always my guard.” “That’s right.” The faintest touch. His calloused thumb against her temple. Winter’s whole body quivered.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
What shall I do?" she asked in a small voice. "Forget your own self," he said. "But all these years," she urged, "I have so carefully fulfilled my duty." "Always with the thought of your own freedom in your mind," he said. She could not deny it. She sat motionless, her hands folded on the pearl-gray satin of her robe. "Direct me," she said at last. "Instead of your own freedom, think how you can free others," he said gently. She lifted her head. "From yourself," he said still gently.
Pearl S. Buck (Pavilion of Women)
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it. I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee. ... I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck. I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy I’m ill; so I thought I would do him a good turn by going to him now. “What a doctor wants,” I said, “is practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.” So I went straight up and saw him, and he said: “Well, what’s the matter with you?” I said: “I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.” And I told him how I came to discover it all. Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasn’t expecting it – a cowardly thing to do, I call it – and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out. I did not open it. I took it to the nearest chemist’s, and handed it in. The man read it, and then handed it back. He said he didn’t keep it. I said: “You are a chemist?” He said: “I am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.” I read the prescription. It ran: “1 lb. beefsteak, with 1 pt. bitter beer every 6 hours. 1 ten-mile walk every morning. 1 bed at 11 sharp every night. And don’t stuff up your head with things you don’t understand.” I followed the directions, with the happy result – speaking for myself – that my life was preserved, and is still going on.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
You," she says,pointing at me. "I expected. All the trouble with your aptitude test results made me suspicious from the beginning.But you..." She shakes her had as she sifts her eyes to Tobias. "You, Tobias-or should I call you Four?-managed to elude me," she says quietly. "Everything about you checked out: test results, initiation simulations, everything. But here you are nonetheless." She folds her hands and sets her chin on top of them. "Perhaps you could explain to me how that is?" "You're the genius," he says coolly. "Why don't you tell me?" Her mouth curls into a smile. "My theory is that you really do belong in Abnegation. That your Divergence is weaker." She smiles wider. Like she's amused. I grit my teeth and consider lunging across the table and strangling her. If I didn't have a bullet in my shoulder, I might. "Your powers of deductive reasoning are stunning," spits Tobias. "Consider me awed." I look sideways at him. I had always forgotten about this side of him-the part that is more likely to explode than to lie down and die." "Now that your intelligence has been verified, you might want to get on with killing us." Tobias closes his eyes. "You have a lot of Abnegation leaders to murder, after all.
Veronica Roth (Divergent (Divergent, #1))
I would like to hold your hand as it holds this green leaf, yellowed, that fell early from its tree, this Autumn. And I would like to imagine that it feels your careful care, for your eyes are warmed by your heart, and I would let you sadly nestle into me as a bird folds into its nest, resigning itself to a storm. For my heart is as large as a city, and it glows with the fire that, with the right mischievous love, shall serve to inspire thousands upon thousands to inspire thousands upon thousands.
Waylon H. Lewis (Things I Would Like To Do With You)
Folding her arms and closing her eyes, Hatsumi sank back into the corner of the seat. Her small gold earrings caught the light as the taxi swayed. Her midnight blue dress seemed to have been made to match the darkness of the cab. Every now and then her thinly daubed, beautifully formed lips would quiver slightly as if she had caught herself on the verge of talking to herself. Watching her, I could see why Nagasawa had chosen her as his special companion. There were any number of women more beautiful than Hatsumi, and Nagasawa could have made any of them his. But Hatsumi had some quality that could send a tremor through your heart. It was nothing forceful. The power she exerted was a subtle thing, but it called forth deep resonances. I watched her all the way to Shibuya, and wondered, without ever finding an answer, what this emotional reverberation that I was feeling could be. It finally hit me some dozen or so years later. I had come to Santa Fe to interview a painter and was sitting in a local pizza parlor, drinking beer and eating pizza and watching a miraculously beautiful sunset. Everything was soaked in brilliant red—my hand, the plate, the table, the world—as if some special kind of fruit juice had splashed down on everything. In the midst of this overwhelming sunset, the image of Hatsumi flashed into my mind, and in that moment I understood what that tremor of the heart had been. It was a kind of childhood longing that had always remained—and would forever remain—unfulfilled. I had forgotten the existence of such innocent, all-but-seared-in longing: forgotten for years to remember what such feelings had ever existed inside of me. What Hatsumi had stirred in me was a part of my very self that had long lain dormant. And when the realization struck me, it aroused such sorrow I almost burst into tears. She had been an absolutely special woman. Someone should have done something—anything—to save her. But neither Nagasawa nor I could have managed that. As so many of those I knew had done, Hatsumi reached a certain stage in her life and decided—almost on the spur of the moment—to end it. Two years after Nagasawa left for Germany, she married, and two years after that she slashed her wrists with a razor blade. It was Nagasawa, of course, who told me what had happened. His letter from Bonn said this: “Hatsumi’s death has extinguished something. This is unbearably sad and painful, even to me.” I ripped his letter to shreds and threw it away. I never wrote to him again.
Haruki Murakami (Norwegian Wood)
Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.” He folds his hands gently, a teacher arriving at his point. “So do I feel lost? Always. When Lea died at the Institute …” His lips slip gently downward. “… I was in a dark woods, blind and lost as Dante before Virgil. But Quinn helped me. Her voice calling me out of misery. She became my home. As she puts it, ‘Home isn’t where you’re from, it’s where you find light when all grows dark.’ ” He grasps the top of my hand. “Find your home, Darrow. It may not be in the past. But find it, and you’ll never be lost again.
Pierce Brown (Golden Son (Red Rising Saga, #2))
I drifted lower, adjusting my position so I could squeeze her ass. Hard. “Your ass is mine…” I reached around and parted her thighs, sliding my fingers past her slippery folds. She was so wet they were drenched within seconds. “And your pussy is mine. Every inch of you belongs to me, and if you ever let another man touch you—” My other hand closed around her throat. “He’ll end up in pieces, and you’ll end up tied to my bed and fucked in every hole until my name is the only one you remember. Do you understand?” Her cunt clenched around my fingers. “Yes.” “Say it. Who do you belong to?” “You,” Ava whispered. “I belong to you.
Ana Huang (Twisted Love (Twisted, #1))
So you were checking up on me?" I aks "No," Noah says. He puts a faux-shocked look on his face, then turns back to his magazine, pretending to be engrossed. I take the magazine our of his hand and toss it back onto the table. "That's good," I say, "That you weren't checking up on me. Because I'm totally fine." "I know." He shrugs. "And I don't need to be checked up on." "Definitely not." "I'm perfectly capable of taking care of myself." "Perfectly." "So we agree." "Yup." "So then where are you clothes?" "What?" "Your clothes," I say. "Where are your clothes? You came to the Laundromat so you must have some clothes." I fold my arms across my chest and wait, "Oh, my clothes," he says, giving me an easy grin. "I didn't come here to do laundry." "Oh, really?" I say. "The what were you here to do?" "I was here," he says, rolling his eyes like it should be obvious, "so I could go across the street to Cooley's and check my schedule for the week." "And you just happened to see me coming into the Laundromat?" "Exactly,
Lauren Barnholdt (Sometimes It Happens (Bestselling Teen Romantic Fiction))
Excellent," said Cinder, standing up and brushing off her hands. "I was beginning to worry we wouldn't have a pilot for when it's time to take Kai back to Earth. Now I just have to worry about not having a competent one." Thorne leaned against the crate Cress was organizing. She froze, but when she dared to peer up through her lashes, his attention was on the other side of the cargo bay. "Oh, Cinder, I've missed seeing your face when you make sarcastic comments in an attempt to hide your true feelings about me." "Please." Rolling her eyes, Cinder started organizing the guns against the wall. "See that eye roll? It translates to 'How am I possibly keeping my hands off you, Captain?" "Yeah, keeping them from strangling you." Kai folded his arms, grinning. "How come no one told me I had such steep competition?" Cinder glared. "Don't encourage him.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
WHAT HAPPENS WHEN we pray? Have you ever really thought about that? When you bow your knee and fold your hands or walk the floor with your eyes closed, opening your heart to heaven, what exactly happens? There are very few references in the Bible about the proper procedures for how to pray, and I believe that is because prayer is more about the heart’s attitude and focus than it is about whether we stand, sit, close our eyes, or any other practice we normally associate with prayer. The truth be told, if we are supposed to pray without ceasing, we should also be able to work on an engine, write an e-mail, give a presentation, change a diaper, write a report, have coffee with a friend, encourage a coworker, pay our bills, and any of the other myriad of things we do in a day while still keeping the communication lines open with heaven. I believe that every day we need focused times of prayer, but at all other times we should be in an attitude of prayer with our spiritual ears open to the thoughts of heaven. There should be seasons of intense, concentrated prayer and fasting with specified hours set aside for intercession, and there should be times when prayer is simply a regular part of our daily routine. A great interest has arisen in the last decade around 24-7 prayer rooms where different church members pray in hour-long blocks so that unbroken intercession is raised up for their city and our world. Other churches dedicate evenings solely to prayer and worship and gather believers to lift their voices in song and petition to the Lord. While all of these are wonderful things to do, at its essence prayer is simply conversation with God. Because we have changed passports from the kingdom of this world to the kingdom of heaven, we are members of God’s family and therefore have the right to talk with our Father anytime we want because He is not limited by time and space. Yet while it isn’t difficult to speak to Him, even as a babe in faith, it does take some maturity to discern His voice from the voice of our own thoughts, dreams, and desires. This is why, when I speak about prayer, I get more questions about hearing the voice of God than anything else.
Cindy Trimm (The Prayer Warrior's Way: Strategies from Heaven for Intimate Communication with God)
It is not written that great men shall be happy men. It is nowhere recorded that the rewards of public office include a quiet mind. He sits in Whitehall, the year folding around him, aware of the shadow of his hand as it moves across the paper, his own inconcealable fist; and in the quiet of the house, he can hear the soft whispering of his quill, as if his writing is talking back to him. Can you make a new England? You can write a new story. You can write new texts and destroy the old ones, set the torn leaves of Duns Scotus sailing about the quadrangles, and place the gospels in every church. You can write on England, but what was written before keeps showing through, inscribed on the rocks and carried on floodwater, surfacing from deep cold wells. It’s not just the saints and martyrs who claim the country, it’s those who came before them: the dwarves dug into ditches, the sprites who sing in the breeze, the demons bricked into culverts and buried under bridges; the bones under your floor. You cannot tax them or count them. They have lasted ten thousand years and ten thousand before that. They are not easily dispossessed by farmers with fresh leases and law clerks who adduce proof of title. They bubble out of the ground, wear away the shoreline, sow weeds among the crops and erode the workings of mines.
Hilary Mantel (The Mirror & the Light (Thomas Cromwell, #3))
He pulled me toward him so that I was resting on my side. I coughed up some more water. He took off his wet shirt and folded it. Then he gently lifted me and placed it under my sore head, which hurt too much to appreciate his…bronzed…sculpted…muscular…bare chest. Well I guess I must be okay if I can appreciate the view, I thought. Sheesh, I’d have to be dead not to appreciate it. I winced as Ren’s hand brushed against my head, shaking me from my reverie. “You’ve got a major bump here.” I reached up to feel the giant lump on the back of my skull. I gingerly touched it and recalled the source of my headache. I must have lost consciousness when the rock hit me. Ren saved my life. Again. I looked up at him. He was kneeling next to me with a look of desperation on his face, and his body was shaking. I realized that he must have changed to a man, dragged me out of the pool, and then remained by my side until I woke up. Who knows how long I’ve been laying here unconscious. “Ren, you’re in pain. You’ve been in this form too long today.” He shook his head in denial, but I saw him grit his teeth. I pressed my hand on his arm. “I’ll be okay. It’s just a bump on the head. Don’t worry about me. I’m sure Mr. Kadam has some aspirin tucked away in the backpack. I’ll just take that and lie down to rest for a while. I’ll be alright.” He trailed his finger slowly from my temple to my cheek and smiled softly. When he pulled back, his whole arm shook and tremors rippled under the surface of his skin. “Kells, I-“ His face tightened. He threw his head to the side, snarled angrily, and morphed to a tiger again. He softly growled, then quieted, and drew close beside me. He lay down next to me and watched me carefully with his alert blue eyes. I stroked his back, partly to reassure him and partly because it soothed me too.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
It's good luck!" Winter said suddenly, her eyes bright with mischief. Scarlet paused. "What's good luck?" "On Luna," said Winter, folding her hands as if she were reciting from a wedding etiquette guide, "it's considered good luck for the bride to don her dress for at least an hour for each of the three days leading up to the wedding. It symbolizes her commitment to the marriage. And as your groom is Lunar, I think we should follow some of his traditions, don't you?" "An hour? said Scarlet. "That's really pushing it, don't you think?" Winter shrugged. With a drawn-out sigh, Scarlet said, "Fine, I'll go put it on. But I'm not going to stay in it for an hour. I still have chores to do." She slipped out of the bedroom carrying the dress, and a moment later they heard the click of the bathroom door in the hall. "I've never heard of that tradition before," said Cress. "That's because I made it up," said Winter.
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
You once told me why you chose 'Day' as your street name,' she says firmly. 'Every morning, everything is possible again. Right?' A river of tingles run up my spine. I want to take her face in my hands again, kiss her cheeks and study her dark, sad eyes and tell her I'll be okay. But that would just be another lie. Half of my heart is breaking at the pain in her face; the other half, I realize quiltily, is swelling with happiness to know that she still cares. There's love in her tragic words, in the folds of that thin metal ring. Isn't there? Finally I take a deep breath. 'Sometimes, the sun sets earlier. Days don't last forever, you know. But I'll fight as hard as I can. I can promise you that.
Marie Lu (Champion (Legend, #3))
Sometimes... Come on, how often exactly, Bert? Can you recall four, five, more such occasions? Or would no human heart have survived two or three? Sometimes (I have nothing to say in reply to your question), while Lolita would be haphazardly preparing her homework, sucking a pencil, lolling sideways in an easy chair with both legs over its arm, I would shed all my pedagogic restraint, dismiss all our quarrels, forget all my masculine pride - and literally crawl on my knees to your chair, my Lolita! You would give me one look - a gray furry question mark of a look: "Oh no, not again" (incredulity, exasperation); for you never deigned to believe that I could, without any specific designs, ever crave to bury my face in your plaid skirt, my darling! The fragility of those bare arms of yours - how I longed to enfold them, all your four limpid lovely limbs, a folded colt, and take your head between my unworthy hands, and pull the temple-skin back on both sides, and kiss your chinesed eyes, and - "Please, leave me alone, will you," you would say, "for Christ's sake leave me alone." And I would get up from the floor while you looked on, your face deliberately twitching in imitation of my tic nerveux. But never mind, never mind, I am only a brute, never mind, let us go on with my miserable story.
Vladimir Nabokov (Lolita)
You dont get your black ass away from this fire I’ll kill you graveyard dead. He looked to where Glanton sat. Glanton watched him. He put the pipe in his mouth and rose and took up the apishamore and folded it over his arm. Is that your final say? Final as the judgement of God. The black looked once more across the flames at Glanton and then he moved away in the dark. The white man uncocked the revolver and placed it on the ground before him. Two of the others came back to the fire and stood uneasily. Jackson sat with his legs crossed. One hand lay in his lap and the other was outstretched on his knee holding a slender black cigarillo. The nearest man to him was Tobin and when the black stepped out of the darkness bearing the bowieknife in both hands like some instrument of ceremony Tobin started to rise. The white man looked up drunkenly and the black stepped forward and with a single stroke swapt off his head.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
I've been thinking about this mouth all day" he said before covering my lips with his. I licked at his bottom lip and he opened for me, letting me leisurely taste him. The gentle pressure of his mouth was perfect and made me a little dizzy. His fingers slip up my thigh until both hands were gripping my butt. One of his fingers traced the edge of my panties. "I really like this skirt," he murmured against my lips. I really liked it too at the moment. My breath was coming in short gasps as he slid one hand inside the edge of my panties. He gripped my bare butt with one hand while he slid his other slowly back down my thigh and shifted closer to my inner thigh. I liked what his next move would be. What I didn't know was if I was going to let it go that far. Then he moaned into my mouth as his fingers touched the inside of my thigh and my leg fell open of its own accord. The slow, easy kiss became frenzied as we both fought to calm our breathing. His hand inched higher and higher up my exposed thigh. The second his finger grazed the outside of my panties, I jerked in his hold, and something very close to pleading squeaked in my throat. Sawyer pulled back, and his accelerated breathing made me tingle with pleasure. I loved knowing I did that to him. He kissed down my neck until he met the curve of my shoulder. He went very still. His warm breath bathed my chest and neck. His hand slowly moved again. One lone finger slipped inside the edge of my panties and made direct contact. He murmured something against my neck, but I couldn't focus enough to understand. My brain was in a foggy haze, and my heart was about to pound out of my chest. The urge to move against the hand, which now cupped the crotch of my panties, was strong. But I waited while he eased his finger farther inside and gently ran it along the folds. "oh, oh, oh my god," I managed to get out in a breathless chant. "God, you're so warm," he whispered in a strained voice as he began kissing the spot where he had buried his head in my neck. When he slipped his other hand over my leg and pulled it farther open then reached down and pulled my panties to the side as he gently stroked me, I started to come apart in his arms. "That's it, baby," he encouraged me as I clung to him, calling his name and wanting it to never end.
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
You asked what my intentions are, Mrs. Brenner, and I would like to answer your question.” Dibs opened his mouth as if preparing to argue and she glared at him from across the table. Did he really think not to let her state her case in front of his family? He snapped his mouth shut and briskly rubbed a palm across his forehead before tossing that same hand in the air. “My intentions are these.” She gathered her thoughts, folding her hands in her lap. “When David is sad, I intend to make him happy. When he is ill, I intend to make him well. When he is angry or upset, I intend to listen and find the words to make him feel better. When he is depressed, I intend to bring him joy, and when he is hurt, I intend to find the source of his pain and take it away from him.” She bridged the distance to Dibs’s devoted gaze, and radiant love crested the last barricade surrounding her heart. “You see, Mr. and Mrs. Brenner, I’m in love with your son. But I don’t want anything from him. You don’t need to worry because my only intention is to give to him. That’s the way it’s supposed to be when you love someone, isn’t it? To think only of their needs, instead of your own?” She broke off from Dibs and faced his mother. “Those are my intentions, Mrs. Brenner. I hope you find them satisfactory.
A.J. Nuest
You are quarter ghost on your mother’s side. Your heart is a flayed peach in a bone box. Your hair comes away in clumps like cheap fabric wet. A reflecting pool gathers around your altar of plywood sub flooring and split wooden slats. You are rag doll prone. You are contort, angle and arc. Here you rot. Here you are a greening abdomen, slipping skin, flesh fly, carrion beetles. This is where bullets take shelter, where scythes find their function, breath loses its place on the page. This is where the page is torn out of every book before chapter’s close, this is slippage, this is a shroud of neglect pulled over the body, this is your chance to escape. Little wraith, bend light around your skin until it colors you clear, disappear like silica in a kiln, become glass and glass beads, become the staggered whir of an exhaust fan: something only noticed when gone. Become an origami swan. Fold yourself smaller than ever before. Become less. More in some ways but less in the way a famine is less. They will forgive you for not being satisfied with fitting in their hands. They will forgive you for dying to be a bird diminutive enough to fit in a mouth and not be crushed.
Jamaal May
The Tustin police seemed reluctant to publicise the racial implication of the crime. For instance, the Tustian Weekly omitted the words- I killed a jap- in their rendition of Lindberg's letter.' Wait, they did edit it. I don't get it. Why the hell would they do that?" "I am sorry" Junes looked up from the article. Margaret hold out a hand and placed it on top of his. He couldn't tell if it was trembling because his own hand was shaking pretty badly now. "Why are you sorry?" "Because you're Korean" "So?" "He was one of your people" Junseok snatched his hand away from her. Hequicklc shoved it under the table. "I'm Korean-American," he said. "But still" "Still what? This guy was Vietnamese. How is he one of my people?" "Well, both of you are Asians" Junseok stared back at her sincere eyes, then at his hand under the table. He wanted desperately to explain how non-sensical her comment was, but instead, he folded up the paper slowly and carefully. Tucking it under his arm, he got up , and whiteout saying anything to her, walked towards the exit. She called from behind, but he walked on, feeling the dirties expand inside him like a large flower. Each step quickened until he was running, running out the door and into the street, running past people and cars, running without the finest idea of what he was running from, to a place that he couldn't possibly picture in his mind.
Tablo (Pieces of You)
Hey, and the rock star is here too! How you doing, son?” “Hey, Mr. Rossi. Thanks for having me today. I’m doing great. How have you been?” I answered. He lowered his gaze and stepped closer to me. “Good, good, son. I’m sure glad that everything was settled and you didn’t have anything to do with hurting our Gracie. Lea told me that you were the one to help her when that son of a bitch got his hands on her. We’re forever in your debt, Shane. I knew you couldn’t have hurt her.” He slid in front of the dining room chair at the head of the table, and sat down, leaning back with his arms folded across his chest. A serious expression crossed his features, “So did anybody get the son of a bitch, yet? Or am I going to have to make some calls…” Holy shit, it’s like the Godfather.
Christine Zolendz (Scars and Songs (Mad World, #3))
Oh, how awful is truth on earth! That exquisite creature, that gentle spirit, that heaven - she was a tyrant, she was the insufferable tyrant and torture of my soul! I should be unfair to myself if I didn't say so! You imagine I didn't love her? Who can say that I did not love her! Do you see, it was a case of irony, the malignant irony of fate and nature! We were under a curse, the life of men in general is under a curse! (mine in particular). Of course, I understand now that I made some mistake! Something went wrong. Everything was clear, my plan was clear as daylight: "Austere and proud, asking for no moral comfort, but suffering in silence." And that was how it was. I was not lying, I was not lying! "She will see for herself, later on, that it was heroic, only that she had not known how to see it, and when, some day, she divines, it she will prize me ten times more and will abase herself in the dust and fold her hands in homage" - that was my plan. But I forgot something or lost sight of it. There was something I failed to manage. But, enough, enough! And whose forgiveness am I to ask now? What is done is done. By bolder, man, and have some pride! It is not your fault!... Well, I will tell the truth, I am not afraid to face the truth; it was her fault, her fault!
Fyodor Dostoevsky (The Gentle Spirit)
Have you beauty, that leads the heart from things fashioned of wood and stone to the holy mountain? Tell me, have you these in your houses? Or have you only comfort, and the lust for comfort, that stealthy thing that enters the house a guest, and becomes a host, and then a master? Ay, and it becomes a tamer, and with hook and scourge makes puppets of your larger desires. Though its hands are silken, its heart is of iron. It lulls you to sleep only to stand by your bed and jeer at the dignity of the flesh. It makes mock of your sound senses, and lays them in thistledown like fragile vessels. Verily the lust for comfort murders the passion of the soul, and then walks grinning in the funeral. But you, children of space, you restless in rest, you shall not be trapped nor tamed. Your house shall be not an anchor but a mast. It shall not be a glistening film that covers a wound, but an eyelid that guards the eye. You shall not fold your wings that you may pass through doors, nor bend your heads that they strike not against a ceiling, nor fear to breathe lest walls should crack and fall down. You shall not dwell in tombs made by the dead for the living. And though of magnificence and splendour, your house shall not hold your secret nor shelter your longing. For that which is boundless in you abides in the mansion of the sky, whose door is the morning mist, and whose windows are the songs and the silences of night.
Kahlil Gibran (The Prophet)
watched him let the blanket fall to his waist and then fold his hands under his head. Once he appeared comfortable, he said, “But, just so you know, if you want my lips on any piece of you, I’m more than willing to appease you.” My mouth dropped open. “And my willingness to comply extends to my hands, my fingers, and my cock—” “Oh, my gods,” I cut him off. “You don’t have to worry about that. I will never request your…your services.” “Services?” He tipped his head toward me. “That sounds so dirty.” I ignored that comment. “You and I are never going to do anything like what we did before.” “Never?” “Never.” “Would you say it would be…impossible?” “Yes. It’s definitely impossible.” Hawke smiled then, and it was Hawke’s smile. Dimples appeared in both cheeks, and I hated the catch I felt in my chest upon seeing them. Loathed that it made me see him as Hawke. “But didn’t you just say nothing was impossible?” he all but purred. I stared down at him, at an absolute loss for words. “I want to stab you in the heart right now.” “I’m sure you do,” he replied, closing his eyes.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
The back of my neck breaks out in a sweat, and I’m getting nervous. Why is he just standing there, staring at me? “What do you want?” I press, my tone curt. He opens his mouth but then closes it swallowing. “Pike, Jesus—” “The day you left,” he blurts out, and I stop. I wait, listening as a look of fear crosses his eyes. “The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hairdryer or anticipate you walking into a room. You were gone. Everything was…” he drops his eyes, “gone.” A ball lodges in my throat, and I feel tears threaten, but I tense my jaw, refusing to let it out. “But I could still feel you,” he whispers. “You were still everywhere. The container of cookies in the fridge, the backsplash you picked out, the way you put all my pictures back in the wrong spot after you dusted my bookshelves.” He smiles to himself. “But I couldn’t rearrange them, because you were the last to touch them, and I wanted everything the way you had it.” My chin trembles, and I fold my arms over my chest, hiding my balled fists under my arms. He pauses and then goes on. “Nothing would ever go back to the way it was before you came into my house. I didn’t want it to.” He shakes his head. “I went to work, and I came home, and I stayed there every night and all weekend, every weekend, because that’s where we were together. That’s where I could still feel you.” He steps closer, dropping his voice. “That’s where I could wrap myself up in you and hang on to every last thread in that house that proved you were mine for just a little while.” His tone grows thick, and I see his eyes water. “I really thought I was doing what was best,” he says, knitting his brow. “I thought I was taking advantage of you, because you’re young and beautiful and so happy and hopeful despite everything you’d been through. You made me feel like the world was a big place again.” My breathing shakes, and I don’t know what to do. I hate that he’s here. I hate that I love that he’s here. I hate him. “I couldn’t steal your life from you and keep you to myself, you know?” he explains. “But then I realized that you’re not happy or hopeful or making me feel good because you’re young. You are those things and you’re capable of those things, because you’re a good person. It’s who you are.” A tear spills over, gliding down my cheek. “Baby,” he whispers, his hands shaking. “I hope you love me, because I love you like crazy, and I’m going to want you the rest of my life. I tried to stay away, because I thought it was the right thing, but I fucking can’t. I need you, and I love you. This doesn’t happen twice, and I’m not going to be stupid again. I promise.” My chin trembles, and something lodges in my throat, and I try to hold it in, but I can’t. My face cracks, and I break down, turning away from him. The tears come like a goddamn waterfall, and I hate him. I fucking hate him. His arms are around me in a second, and he hugs me from behind, burying his face in my neck. “I’m sorry I took so long,” he whispers in my ear.
Penelope Douglas (Birthday Girl)
So . . . ,” she says, following him to the chalkboard. “You got a Visiting. An actual Visiting—Natasha Grimm-Pitch was here.” Baz glances back over his shoulder. “You sound impressed, Bunce.” “I am,” Penelope says. “Your mother was a hero. She developed a spell for gnomeatic fever. And she was the youngest headmaster in Watford history.” Baz is looking at Penny like they’ve never met. “And,” Penny goes on, “she defended your father in three duels before he accepted her proposal.” “That sounds barbaric,” I say. “It was traditional,” Baz says. “It was brilliant,” Penny says. “I’ve read the minutes.” “Where?” Baz asks her. “We have them in our library at home,” she says. “My dad loves marriage rites. Any sort of family magic, actually. He and my mother are bound together in five dimensions.” “That’s lovely,” Baz says, and I’m terrified because I think he means it. “I’m going to make time stop when I propose to Micah,” she says. “The little American? With the thick glasses?” “Not so little anymore.” “Interesting.” Baz rubs his chin. “My mother hung the moon.” “She was a legend,” Penelope beams. “I thought your parents hated the Pitches,” I say. They both look at me like I’ve just stuck my hand in the soup bowl. “That’s politics,” Penelope says. “We’re talking about magic.” “Obviously,” I say. “What was I thinking.” “Obviously,” Baz says. “You weren’t.” “What’s happening right now?” I say. “What are we even doing?” Penelope folds her arms and squints at the chalkboard. “We,” she declares, “are finding out who killed Natasha Grimm-Pitch.” “The legend,” Baz says. Penelope gives him a soft look, the kind she usually saves for me. “So she can rest in peace.
Rainbow Rowell (Carry On (Simon Snow, #1))
You have a visitors," Maximus stated. His face was impassive, but I still cringed, trying to discreetly tug my hand out of Vlad's. He let me go and folded his arms, smiling in that scary, pleasant way at Maximus. “And they are so important that you had to find me at once and enter without knocking?” I heard the threat behind those words and blanched. He wasn’t about to throw down on Maximus over this, was he? Don’t, I sent him, not adding the please only because I knew the word didn’t work on him. “Forgive me, but it’s Mencheres and his co-ruler,” Maximus stated, not sounding apologetic even though he bowed. “Their wives as well.” I started to slink away, sanity returning now that I wasn’t caught up by Vlad’s mesmerizing nearness. What had I been doing? Nothing smart, that was for sure. “Leila Stop,” Vlad said I kept heading for the door. “You have company, so I’ll just make myself scarce-“ “Stop” I did at his commanding tone, and then cursed. I wasn’t one of his employees-he had no right to order me around. “NO,” I said defiantly. “I’m sweaty, and bloody and I want to take a shower, so whatever you have to say, it can wait.” Maximus lost his impassive expression and looked at me as if I’d suddenly sprouted a second head. Vlad’s brow drew together and he opened his mouth, but before he could speak, laughter rang out from the hallway. “I simply must meet whoever has put you in your place so thoroughly, Tepesh,” an unfamiliar British voice stated. “Did I mention they were on their way down?” Maximus muttered before the gym door swung open and four people entered. The first was a short-haired brunet whose grin made me assume he was the one who’d greeted Vlad with the taunt. He was also handsome in a too-pretty way that made me think with less muscles, a wig, and some makeup he’d look great in a dress. Vlad’s scowl vanished into a smile as the brunet’s gaze swung in my direction as though he’d somehow heard that. “Looks as though she’s put you in your place as well, Bones,” Vlad drawled. “So it seems.” Bones replied, winking at me.” “But while I’ve worn many disguises, I draw the line at a dress.” My mouth dropped another mind reader?
Jeaniene Frost (Once Burned (Night Prince, #1))
Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
Paul Harding (Tinkers)
I pretend to reach for them, but before he can guess my intentions, I catch one of his wings instead. He flutters, trying to break loose, his one free wing batting my hand. I draw out the decanter and stuff him into it, careful to fold his wings. I don’t want to hurt him. I just want to better him. Once he’s settled inside, I shove a paper towel into the bottle’s neck. No need to worry that he’ll smother. After all, he spent that night in a bug trap last year and survived. “Looks like you’re going to have some turbulence on your flight,” I tell him through the glass. His voice fills my head, an angry, scolding growl. When I don’t respond, he yells Chessie’s name. Chessie flits over to the car and sits on the side mirror, licking his paw, amused and uninterested in taking sides. I hold the decanter up to get a closer look at Morpheus. “Game, set, match, luv. You do realize that my human side defeated you, right? No magic required.” Unlike a real moth that would beat itself against the glass walls until exhausted, he hangs under the curved neck, dignified, glaring with his bulbous eyes. If he had a mouth instead of a proboscis, I’d be able to tell if he’s snarling or beaming with pride. Knowing him, it could be either. Most likely, it’s both.
A.G. Howard (Unhinged (Splintered, #2))
What, then, should you do? With an excellent hand, you should bet: You lose nothing if your opponent folds, while giving yourself a good chance of winning a big pot if he calls. But with a middling hand, you shouldn't bet: If he has a bad hand, he'll fold, and you'll win the ante, which is what you'd have won anyway by checking; but if he has a good hand, he'll call and win. It's heads he wins, tails you don't. You should check instead, and hope your middling hand wins the ante. What about with a terrible hand? Should you check or bet? The answer is surprising. Checking would be unwise, because the hands will be compared and you will lose. It actually makes more sense to bet with these bad hands, because the only way he might drop out is if you make a bet. Perversely, you are better off betting with awful cards than with mediocre ones, the quintessential (and rational) bluff. There's a second reason for you to bet with terrible cards rather than middling ones: Your opponent will have to call a little more often. Because he knows that your bets are sometimes very weak, he can't afford to fold too easily. That means that when you bet with a good hand, you are more likely to be called, and to win when you are. Because you are bluffing with bad cards, your good hands make more money.
Tim Harford (The Logic of Life: The Rational Economics of an Irrational World)
This was not going the way I wanted it to. I felt a desperate need to escape before I said something that would screw up my plans. Ren was the dark side, the forbidden fruit, my personal Delilah-the ultimate temptation. The question was…could I resist? I gave his knee a friendly pat and played my trump card…”I’m leaving.” “You’re what?” “I’m going home to Oregon. Mr. Kadam thinks it will be safer for me anyway, with Lokesh out there looking to kill us and all. Besides, you need time to figure out…stuff.” “If you’re leaving, then I’m going with you!” I smiled at him wryly. “That kind of defeats the purpose of me leaving. Don’t you think?” He slicked back his hair, let out a deep breath, then took my hand and looked intently into my eyes. “Kells, when are you going to accept the fact that we belong together?” I felt sick, like I was kicking a faithful puppy who only wanted to be loved. I looked out at the pool. After a moment, he sat back scowling and said menacingly, “I won’t let you leave.” Inside, I desperately wanted to take his hand and beg him to forgive me, to love me, but I steeled myself, dropped my hands in my lap, then implored, “Ren, please. You have to let me go. I need…I’m afraid…look, I just can’t be here, near you, when you change your mind.” “It’s not going to happen.” “it might. There’s a good chance.” He growled angrily. “There’s no chance!” “Well, my heart can’t take that risk, and I don’t want to put you in what can only be an awkward position. I’m sorry, Ren. I really am. I do want to be your friend, but I understand if you don’t want that. Of course, I’ll return when you need me, if you need me, to help you find the other three gifts. I wouldn’t abandon you or Kishan in that way. I just can’t stay here with you feeling obligated to pity-date me because you need me. But I’d never abandon your cause. I’ll always be there for you both, no matter what.” He spat out, “Pity-date! You? Kelsey, you can’t be serious!” “I am. Very, very serious. I’ll ask Mr. Kadam to make arrangements to send me back in the next few days.” He didn’t say another word. He just sat back in his chair. I could tell he was fuming mad, but I felt that, after a week or two, when he started getting back out in the world, he would come to appreciate my gesture. I looked away from him. “I’m very tired now. I’d like to go to bed.” I got up and headed to my room. Before I closed the sliding door, I asked, “Can I make one last request?” He sat there tight-lipped, his arms folded over his chest, with a tense, angry face. I sighed. Even infuriated he was beautiful. He said nothing so I went on, “It would be a lot easier on me if I didn’t see you, I mean as a man. I’ll try to avoid most of the house. It is yours after all, so I’ll stay in my room. If you see Mr. Kadam, please tell him I’d like to speak with him.” He didn’t respond. “Well, good-bye, Ren. Take care of yourself.” I tore my eyes away from him, shut the door, and drew the curtains. Take care of yourself? That was a lame goodbye. Tears welled in my eyes and blurred my vision. I was proud that I’d gotten through it without showing emotion. But, now, I felt like a steamroller had come along and flattened me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
What's Toraf's favorite color?" She shrugs. "Whatever I tell him it is." I raise a brow at her. "Don't know, huh?" She crosses her arms. "Who cares anyway? We're not painting his toenails." "I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact. Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color." Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before. When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me. "Yes, I do," I say, searching Rachel's face for the answer. She shrugs. Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time. Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue. "Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?" Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted." Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers. "Not as much as I missed you," he tells her. Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish. If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before." Rayna slaps her knee in triumph. "Ha!" Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck. Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock. Okay, it looked as bad as I thought it did.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Will and Lake, Love is the most beautiful thing in the world. Unfortunately, it's also one of the hardest things in the world to hold on to, and one of the easiest to throw away. Neither of you has a mother or a father to go to for relationship advice anymore. Neither of you has anyone to go to for a shoulder to cry on when things get touch, and they will get touch. Neither of you has someone to go to when you just want to share the funny, or the happy, or the heartache. You are both at a disadvantage when it comes to this aspect of love. You both only have each other, and because of this, you will have to work harder at building a strong foundation for your future together. You are not only each other's love; you are also one another's sole confidant. I hand wrote some things onto strips of paper and folded them into stars. It might be an inspirational quote, an inspiring lyric, or just some downright good parental advice. I don't want you to open one and read it until you truly feel you need it. If you have a bad day, if the two of you fight, or if you just need something to lift your spirits...that's what these are for. You can open one together; you can open one alone. I just want there to be something both of you can go to, if and when you ever need it. Will...thank you. Thank you for coming into our lives. So much of the pain and worry I've been feeling has been alleviated by the mere fact that I know my daughter is loved by you....You are a wonderful man, and you've been a wonderful friend to me. I thank you from the bottom of my heart for loving my daughter like you do. You respect her, you don't need to change for her, and you inspire her. You can never know how grateful I have been for you, and how much peace you have brought my soul. And Lake; this is me-nudging your shoulder, giving you my approval. You couldn't have picked anyone better to love if I would have hand-picked him myself. Also, thank you for being so determined to keep our family together. You were right about Kel needing to be with you. Thank you for helping me see that. And remember when things get touch for him, please teach him how to stop caring pumpkins... I love you both and with you a lifetime of happiness together. -Julia "And all around my memories, you dance..." ~The Avett Brothers
Colleen Hoover (Point of Retreat (Slammed, #2))
He surveyed what remained of his crew. Rotty still hovered by the wreckage of the longboat. Jesper sat with elbows on knees, head in hands, Wylan beside him wearing the face of a near-stranger; Matthias stood gazing across the water in the direction of Hellgate like a stone sentinel. If Kaz was their leader, then Inej had been their lodestone, pulling them together when they seemed most likely to drift apart. Nina had disguised Kaz’s crow-and-cup tattoo before they’d entered the Ice Court, but he hadn’t let her near the R on his bicep. Now he touched his gloved fingers to where the sleeve of his coat covered that mark. Without meaning to, he’d let Kaz Rietveld return. He didn’t know if it had begun with Inej’s injury or that hideous ride in the prison wagon, but somehow he’d let it happen and it had cost him dearly. That didn’t mean he was going to let himself be bested by some thieving merch. Kaz looked south toward Ketterdam’s harbors. The beginnings of an idea scratched at the back of his skull, an itch, the barest inkling. It wasn’t a plan, but it might be the start of one. He could see the shape it would take—impossible, absurd, and requiring a serious chunk of cash. “Scheming face,” murmured Jesper. “Definitely,” agreed Wylan. Matthias folded his arms. “Digging in your bag of tricks, demjin?” Kaz flexed his fingers in his gloves. How did you survive the Barrel? When they took everything from you, you found a way to make something from nothing. “I’m going to invent a new trick,” Kaz said. “One Van Eck will never forget.” He turned to the others. If he could have gone after Inej alone, he would have, but not even he could pull that off. “I’ll need the right crew.” Wylan got to his feet. “For the Wraith.” Jesper followed, still not meeting Kaz’s eyes. “For Inej,” he said quietly. Matthias gave a single sharp nod. Inej had wanted Kaz to become someone else, a better person, a gentler thief. But that boy had no place here. That boy ended up starving in an alley. He ended up dead. That boy couldn’t get her back. I’m going to get my money, Kaz vowed. And I’m going to get my girl. Inej could never be his, not really, but he would find a way to give her the freedom he’d promised her so long ago. Dirtyhands had come to see the rough work done.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I've been ordered to take you men with me. I've been told that if you don't come I can shoot you. Well, you know I won't do that. Not Maine men. I won't shoot any man who doesn't want this fight. Maybe someone else will, but I won't. So that's that." He paused again. There was nothing on their faces to lead him. "Here's the situation. I've been ordered to take you along, and that's what I'm going to do. Under guard if necessary. But you can have your rifles if you want them. The whole Reb army is up the road a ways waiting for us and this is no time for an argument like this. I tell you this: we sure can use you. We're down below half strength and we need you, no doubt of that. But whether you fight or not is up to you. Whether you come along, well, you're coming." Tom had come up with Chamberlain's horse. Over the heads of the prisoners Chamberlain could see the regiment falling into line out in the flaming road. He took a deep breath. "Well, I don't want to preach to you. You know who we are and what we're doing here. But if you're going to fight alongside us there's a few things I want you to know." He bowed his head, not looking at eyes. He folded his hands together. "This regiment was formed last fall, back in Maine. There were a thousand of us then. There's not three hundred of us now." He glanced up briefly. "But what is left is choice." He was embarrassed. He spoke very slowly, staring at the ground. "Some of us volunteered to fight for Union. Some came in mainly because we were bored at home and this looked like it might be fun. Some came because we were ashamed not to. Many of us came...because it was the right thing to do. All of us have seen men die. Most of us never saw a black man back home. We think on that, too. Freedom...is not just a word." He looked into the sky, over silent faces. "This is a different kind of army. If you look at history you'll see men fight for pay, or women, or some other kind of loot. They fight for land, or because a king makes them, or just because they like killing. But we're here for something new. I don't...this hasn't happened much in the history of the world. We're an army going out to set other men free." He bent down, scratched the black dirt into his fingers. He was beginning to warm to it; the words were beginning to flow. No one in front of him was moving. He said, "This is free ground. All the way to the Pacific Ocean. No man has to bow. No man born to royalty. Here we judge you by what you do, not by what your father was. Here you can be something. Here's a place to build a home. It isn't the land- there's always more land. It's the idea that we all have value, you and me, we're worth something more than the dirt. I never saw dirt I'd die for, but I'm not asking you to come join us and fight for dirt. What we're all fighting for, in the end, is each other.
Michael Shaara (The Killer Angels: A Novel of the Civil War)
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
A few days later, I found myself back in the cellar. But this time, I was involved in an activity way more fun than cataloging magic junk. “What happened to the promise of making out in castles?” I asked as Archer and I pulled back for a breather. I was leaning back against one of the shelves, my hands clutching Archer’s waist. Over his shoulder, there was a jar of eyeballs staring at me, and I nodded toward it. “Because, see, things like that? Kind of a mood killer.” He glanced at the jar and then turned back to me, waggling his eyebrows. “Really? I find it has the opposite effect.” Giggling, I elbowed him in the stomach and pushed myself off the shelf. “You’re sick.” He smiled and ducked his head to kiss me again, but I skirted around him. “Come on, Cross, we came down here for a reason, and it wasn’t fooling around.” Smirking, Archer folded his arms over his chest. “May not have been your reason, but-“ I cut him off. “No. Don’t distract me with your sexy talk. We need to search this place, and that spell Elodie did will only last so long.” Elodie had swooped into my body at the cellar door, doing a quick spell to unlock it. She hadn’t even looked at Archer, much less said anything. And the second the lock clicked open, she’d vanished. The smirk disappeared from Archer’s face, and he actually looked kind of sullen. “Are you honestly that bummed about not hooking up right now?” I teased. But he was deadly serious when he shook his head and said, “It’s not that. It’s Elodie.” “What about her?” Archer rolled his eyes. “I don’t know, Mercer. Maybe it’s that I’m not completely crazy about the ghost of my ex-girlfriend occasionally inhabiting the body of my current girlfriend.” I backed up another step and ran into another shelf. Something fell off and thunked against the dirt floor. “Whoa, I’m your girlfriend now?” Archer shrugged. “We’ve tried to kill each other, fought ghouls, and kissed a lot. I’m pretty sure we’re married in some cultures.” Now it was my turn to roll my eyes. “Whatever. Look, the fact of the matter is, I don’t have any magic right now. Elodie does. If her occasionally using me as her puppet means that I have powers again, then I’m fine with it. And you should be, too. My body, my ghost, and all that.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Do you get it now,Becks?" Jack wrapped a finger around a long strand of my hair, and we were quiet as it slipped through his grip. "You haven't moved on?" He chuckled. "I have a lifetime of memories made up of chestnut wars and poker games and midnight excursions and Christmas Dances...It's all you. It's only ever been you.I love you." The last part seemed to escape his lips unintentionally, and afterward he closed his eyes and put his head in his hands,as if he had a sudden headache. "I've gotta not say that out loud." The sight of how messed up he was made me want to wrap my arms around him and fold him into me and cushion him from everything that lay ahead. Instead,I reached for his hand. Brought it to my lips. Kissed it. He raised his head and winced. "You shouldn't do that," he said, even though he didn't pull his hand away. "Why?" "Because...it'll make everything worse...If you don't feel-" His voice cut off as I kissed his hand again, pausing with his fingers at my lips. He let out a shaky sigh and his hair flopped forward. Then he looked at my lips for a long moment. "What if...?" I bit my lower lip. "What?" "What if we could be like this again?" He leaned in closer with a smile, and as he did,he said, "Are you going to steal my soul?" "Um...it's not technically your soul that..." I couldn't finish my sentence. His lips brushed mine, and I felt the whoosh of transferring emotions,but it wasn't as strong as the last time. The space inside me was practically full again. The Shades were right. Six months was just long enough to recover. He kept his lips touching mine when he asked, "Is it okay?" Okay in that I wasn't going to suck him dry anymore. Not okay in that my own emotions were in hyperdrive. Only our lips touched.Thankfully there was space between us everywhere else. He took my silence to mean it was safe. We held our lips together, tentative and still. But he didn't let it stay that casual for long.He pressed his lips closer, parting his mouth against mine. I shivered,and he put his arms around me and pulled me closer so that our bodies were touching in so many places. He pulled back a little.His breath was on my lips. "What is it?" I asked. "I dreamed of you every night." He briefly touched his lips to mine again. "It felt so real.And when I'd wake up the next morning,it was like your disappearance was fresh. Like you'd left me all over again." I lowered my chin and tucked my head into his chest. "I'm sorry." He sighed and tightened his grip around me. "It never got easier.But the dreams themselves." I felt him shake his head. "It's like I had a physical connection to you. They were so real. Every night,you were in my room with me. It was so real." I tilted my head back so I could face him again, realizing for the first time how difficult it must've been for Jack. I kissed his chin, his cheek, and then his lips. "I'm sorry," I said again. He shook his head. "It's not your fault I dreamed of you, Becks.I just want to know if it was as real as it felt." "I don't know," I said. But I told him about the book I'd read on Orpheus and Eurydice, and my theory that it was her connection to Orpheus that saved her.
Brodi Ashton (Everneath (Everneath, #1))
Morning comes. I go to my class. There sit the little ones with folded arms. In their eyes is still all the shy astonishment of the childish years. They look up at me so trustingly, so believingly - and suddenly I get a spasm over the heart. Here I stand before you, one of the hundreds of thousands of bankrupt men in whom the war destroyed every belief and almost every strength. Here I stand before you, and see how much more alive, how much more rooted in life you are than I. Here I stand and must now be your teacher and guide. What should I teach you? Should I tell you that in twenty years you will be dried-up and crippled, maimed in your freest impulses, all pressed mercilessly into the selfsame mold? Should I tell you that all the learning, all culture, all science is nothing but hideous mockery, so long as mankind makes war in the name of God and humanity with gas, iron, explosive and fire? What should I teach you then, you little creatures who alone have remained unspotted by the terrible years? What am I able to teach you then? Should I tell you how to pull the string of a hand grenade, how best to throw it at a human being? Should I show you how to stab a man with a bayonet, how to fell him with a club, how to slaughter him with a spade? Should I demonstrate how best to aim a rifle at such an incomprehensible miracle as a breathing breast, a living heart? Should I explain to you what tetanus is, what a broken spine is, and what a shattered skull? Should I describe to you what brains look like when they scatter about? What crushed bones are like - and intestines when they pour out? Should I mimic how a man with a stomach wound will groan, how one with a lung wound gurgles and one with a head wound whistles? More I do not know. More I have not learned. Should I take you the brown-and-green map there, move my finger across it and tell you that here love was murdered? Should I explain to you that the books you hold in your hands are but nets with which men design to snare your simple souls, to entangle you in the undergrowth of find phrases, and in the barbed wire of falsified ideas? I stand here before you, a polluted, a guilty man and can only implore you ever to remain as you are, never to suffer the bright light of your childhood to be misused as a blow flame of hate. About your brows still blows the breath of innocence. How then should I presume to teach you? Behind me, still pursuing, are the bloody years. - How then can I venture among you? Must I not first become a man again myself?
Erich Maria Remarque (The Road Back)
All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?” He gave a half smile and then turned back to the path. “We don’t need to be weird,” he said. “These past few days, since the thing with Elodie, I’ve been thinking.” He took a deep breath, and I knew that this was one of those rare occasions when Cal was about to say a lot of words at once. “I like you, Sophie. A lot. For a while, I thought it might be more than that. But you love Cross.” He said it matter-of-factly, but I still caught the way his ears reddened. “I know I’ve said some pretty awful stuff about him, but…I was wrong. He’s a good guy. So, I guess what I’m saying is that as the guy who’s betrothed to you, I wish we could be more than friends.” He stopped, turning around to face me. “But as your friend, I want you to be happy. And if Cross is who you want, then I’m not gonna stand in the way of that.” “I’m the worst fiancé ever, aren’t I?” Cal lifted one shoulder. “Nah. This one warlock I knew, his betrothed set him on fire.” Laughing so I wouldn’t cry, I tentatively lifted my arms to hug him. He folded me against his chest, and there was no awkwardness between us, and I knew the warmth in the pit of my stomach was love. Just a different kind. Sniffling, I pulled back and rubbed at my nose. “Okay, now that the hard part’s over, let’s go tackle the Underworld.” “Got room for two more?” Startled, I turned to see Jenna and Archer standing on the path, Jenna’s hand clutching Archer’s sleeve as she tried to stay on her feet. “What?” was all I could say. Archer took a few careful steps forward. “Hey, this has been a group effort so far. No reason to stop now.” “You guys can’t go into the Underworld with me,” I told them. “You heard Dad, I’m the only one with-“ “With powers strong enough. Yeah, we got that,” Jenna said. “But how are you supposed to carry a whole bunch of demonglass out of that place? It’ll burn you. And hey, maybe your powers will be strong enough to get all of us in, too.” She gestured to herself and the boys. “Plus it’s not like we don’t have powers of our own.” I knew I should tell them to go back. But having the three of them there made me feel a whole lot better and whole lot less terrified. So in the end, I gave an exaggerated sign and said, “Okay, fine. But just so you know, following me into hell means you’re all definitely the sidekicks.” “Darn, I was hoping to be the rakishly charming love interest,” Archer said, taking my hand. “Cal, any role you want?” I asked him, and he looked ruefully at the craggy rock looming over us. As he did, there was the grinding sound of stone against stone. We all stared at the opening that appeared. “I’m just hoping to be the Not Dead Guy,” Cal muttered. We faced the entrance. “Between the four of us, we fought ghouls, survived attacks by demons and L’Occhio di Dio, and practically raised the dead,” I said. “We can do this.” “See, inspiring speeches like that are why you get to be the leader,” Archer said, and he squeezed my hand. And then, moving almost as one, we stepped into the rock.
Rachel Hawkins (Spell Bound (Hex Hall, #3))