Fog Poems Quotes

moonlight disappears down the hills mountains vanish into fog and i vanish into poetry.

How many people came and stayed a certain time, Uttered light or dark speech that became part of you Like light behind windblown fog and sand Filtered and influenced by it, until no part Remains that is surely you.

There's something to walking with autumnal thoughts through the evening fog. One likes to compose poems at a time like that.

. . . We love fog because it shifts old anomalies into the elements surrounding them. It gives relief from a way of seeing

The yellow fog that rubs its back upon the window-panes The yellow smoke that rubs its muzzle on the window-panes Licked its tongue into the corners of the evening Lingered upon the pools that stand in drains Let fall upon its back the soot that falls from chimneys Slipped by the terrace, made a sudden leap And seeing that it was a soft October night Curled once about the house, and fell asleep

Fog The fog comes on little cat feet. It sits looking over harbor and city on silent haunches and then moves on.

you came in slowly like the fog and consumed me.

And I think of the sins I already belong to, all the secrets I already know. I am already fertile with the forest and the fog, my mind pregnant with all the things she wishes I didn’t know.

What seas what shores what grey rocks and what islands What water lapping the bow And scent of pine and the woodthrush singing through the fog What images return O my daughter

Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. Sighs, short and infrequent, were exhaled, And each man fixed his eyes before his feet. Flowed up the hill and down King William Street, To where St Mary Woolnoth kept the hours With a dead sound on the final stock of nine. There I saw one I knew, and stopped him crying: 'Stetson! You, who were with me in the ships at Mylae! That corpse you planted last year in your garden, Has it begun to sprout? Will it bloom this year? Or has the sudden frost disturbed its bed? Oh keep the Dog far hence, that's friend to men, Or with his nails he'll dig it up again! You! hypocrite lecteur!-mon semblable,-mon frere!

But round your image there is no fog, and the Earth can still astonish.

As I walked out one harvest night About the stroke of One, The Moon attained to her full height Stood beaming like the Sun. She exorcised the ghostly wheat To mute assent in Love's defeat Whose tryst had now begun. The fields lay sick beneath my tread, A tedious owlet cried; The nightingale above my head With this or that replied, Like man and wife who nightly keep Inconsequent debate in sleep As they dream side by side. Your phantom wore the moon's cold mask, My phantom wore the same, Forgetful of the feverish task In hope of which they came, Each image held the other's eyes And watched a grey distraction rise To cloud the eager flame. To cloud the eager flame of love, To fog the shining gate: They held the tyrannous queen above Sole mover of their fate, They glared as marble statues glare Across the tessellated stair Or down the Halls of State. And now cold earth was Arctic sea, Each breath came dagger keen, Two bergs of glinting ice were we, The broad moon sailed between; There swam the mermaids, tailed and finned, And Love went by upon the wind As though it had not been. - Full Moon

LET’S GO BACK HOME I can't think about you, Without smiling. What I wouldn’t give, To go back there, Take you in my arms, Kiss you, And tell you, "I still love you." It's been three decades now, And still your smile's with me, Your wave goodbye, The love in your eyes, And everything else you gave me, Before that highway fog swept in, And stole your spirit away. Oh- to return by your side again, Fish beside the Pleasant Hill Dam, Hike through the Mayer's woods, Hang out on your big hill, Sleep naked in your twin bed, Fill your room with laughter- And marijuana smoke. You returned home- And I traveled on down the road, Found new loves, Safely took them under my wing, And deeply into my heart. But you know, as I do- This wasn’t always possible. I didn’t always have the fire- The courage to stand tall, The joy to expand, Nor the love to give deeply. These were all your gifts-- To me. Someday- When I close my eyes for good, And cry out- "Lord- forgive me for I have sinned-" I'll joyously return by your side, Take you into my arms, Kiss you, And tell you, "I still love you.

you came in slowly like the fog and consumed me.

A vision had seized hold of me, like the demented fury of a hound that has sunk its teeth into the leg of a deer carcass and is shaking and tugging at the downed game so frantically that the hunter gives up trying to calm him. It was the vision of a large steamship scaling a hill under its own steam, working its way up a steep slope in the jungle, while above this natural landscape, which shatters the weak and the strong with equal ferocity, soars the voice of Caruso, silencing all the pain and all the voices of the primeval forest and drowning out all birdsong. To be more precise: bird cries, for in this setting, left unfinished and abandoned by God in wrath, the birds do not sing; they shriek in pain, and confused trees tangle with one another like battling Titans, from horizon to horizon, in a steaming creation still being formed. Fog-panting and exhausted they stand in this unreal misery - and I, like a stanza in a poem written in an unknown foreign tongue, am shaken to the core.

Calm because I’m unknown, And myself because I’m calm, I want to fill my days With wanting nothing from them. For those whom wealth touches, Gold irritates the skin. For those on whom fame blows, Life fogs over. On those for whom happiness Is their sun, night will fall. But those who hope for nothing Are glad for whatever comes.

He is in love with the land that is always over The next hill and the next, with the bird that is never, Caught, with the room beyond the looking glass. He likes the half-hid, the half-heard, the half-lit, The man in the fog, the road without an ending …

The fog comes on little cat feet.

It’s so much easier to study than act, to philosophise than go looking for the Self. Losing the scriptures in the thick fog of my practice, I stumbled on second sight.

A light, this side of the hills toward Argyle, / flowed like fog through the hollows, rose to the depth / of the hills, illumined me. I faded in it / as the world faded in me, dissolved in the light. / No one to know and nothing knowable. / Oh, we know that knowing is not our way; / but, the choice is ours, would make it our way, would leave / the world for the same world made knowable.

NOVEMBER Now chill & grey November Come slowly o'er the plain, Drearily the winter wind Sings songs of future pain. Wrapped closely in deep grey, She scarcely will let pass A little ray of sun To cheer the sodden grass. She scatters with her hand The leaves dried up and brown, The few that yet remain From gay October's crown. Her eyes and dark and sad, Sad for the dying year, And often in the mist There falls a silent tear. Beneath a cheerless sky The trees are standing bare, The fog has risen thick And she is no more there.

Autumn The passion Is still flourishing in the branches Yellow funny and daring red The sun warms even in the days Where the fog Stubbornly in the morning From a distance A woodpecker knocks Impermanence Is the enemy of beauty

My name is CRPS, or so they say But I actually go by; a few different names. I was once called causalgia, nearly 150 years ago And then I had a new name It was RSD, apparently so. I went by that name because the burn lived inside of me. Now I am called CRPS, because I have so much to say I struggle to be free. I don't have one symptom and this is where I change, I attack the home of where I live; with shooting/burning pains. Depression fills the mind of the body I belong, it starts to speak harsh to self, negativity growing strong. Then I start to annoy them; with the issues with sensitivity, You'd think the pain enough; but no, it wants to make you aware of its trembling disability. I silently make my move; but the screams are loud and clear, Because I enter your physical reality and you can't disappear. I confuse your thoughts; I contain apart of your memory, I cover your perspective, the fog makes it sometimes unbearable to see. I play with your temperature levels, I make you nervous all the time - I take away your independance and take away your pride. I stay with you by the day & I remind you by the night, I am an awful journey and you will struggle with this fight. Then there's a side to me; not many understand, I have the ability to heal and you can be my friend. Help yourself find the strength to fight me with all you have, because eventually I'll get tired of making you grow mad. It will take some time; remember I mainly live inside your brain, Curing me is hard work but I promise you, You can beat me if you feed love to my pain. Find the strength to carry on and feed the fears with light; hold on to the seat because, like I said, it's going to be a fight. But I hope to meet you, when your healthy and healed, & you will silenty say to me - I did this, I am cured is this real? That day could possibly come; closer than I want- After all I am a disease and im fighting for my spot. I won't deny from my medical angle, I am close to losing the " incurable " battle.

Following Someone is always falling in love with you: men and women, infants and children, octogenarians and adolescents. A tenant of heaven-haven on the pearly doorstep hopes you will wave your hand in passing. Where you stood just now a white bird has flown into a ponderosa pine and a black bee hovers in a bush of yellow flowers. People would like to discuss you, but hold back. Mystery is a fragile substance, too easy to tear. Several persons, however, have noticed that you are followed not by the usual shadow but by a shaft of sunlight. Even on a day of fog or light rain. Even after sunset. When you are not present, you still walk quietly through our minds, and we tell ourselves little stories or small poems about you, like this one. When a bird sings, we listen carefully hoping your name will be mentioned.

Paths of the mirror" I And above all else, to look with innocence. As if nothing was happening, which is true. II But you, I want to look at you until your face escapes from my fear like a bird from the sharp edge of the night. III Like a girl made of pink chalk on a very old wall that is suddenly washed away by the rain. IV Like when a flower blooms and reveals the heart that isn’t there. V Every gesture of my body and my voice to make myself into the offering, the bouquet that is abandoned by the wind on the porch. VI Cover the memory of your face with the mask of who you will be and scare the girl you once were. VII The night of us both scattered with the fog. It’s the season of cold foods. VIII And the thirst, my memory is of the thirst, me underneath, at the bottom, in the hole, I drank, I remember. IX To fall like a wounded animal in a place that was meant to be for revelations. X As if it meant nothing. No thing. Mouth zipped. Eyelids sewn. I forgot. Inside, the wind. Everything closed and the wind inside. XI Under the black sun of the silence the words burned slowly. XII But the silence is true. That’s why I write. I’m alone and I write. No, I’m not alone. There’s somebody here shivering. XIII Even if I say sun and moon and star I’m talking about things that happen to me. And what did I wish for? I wished for a perfect silence. That’s why I speak. XIV The night is shaped like a wolf’s scream. XV Delight of losing one-self in the presaged image. I rose from my corpse, I went looking for who I am. Migrant of myself, I’ve gone towards the one who sleeps in a country of wind. XVI My endless falling into my endless falling where nobody waited for me –because when I saw who was waiting for me I saw no one but myself. XVII Something was falling in the silence. My last word was “I” but I was talking about the luminiscent dawn. XVIII Yellow flowers constellate a circle of blue earth. The water trembles full of wind. XIX The blinding of day, yellow birds in the morning. A hand untangles the darkness, a hand drags the hair of a drowned woman that never stops going through the mirror. To return to the memory of the body, I have to return to my mourning bones, I have to understand what my voice is saying.

Numb to the words you have left heavy on my skin. Dipped with malice and edged with regret, it's within these shadows you have sanctioned my death. And how naive to once think us equal pillars, when really you were my soul killer. No noble knight, no sheltered haven. Just another devil casting mayhem.

The world, once flat to his eyes, now bristled with edges and textures. He saw the tiny grooves of petals and leaves, like fingerprints, their identities written like poems across their surfaces. He saw the slow firecrackers of pine cones, popping and stretching all summer, their stiff armor like soldiers on parade, and also the rolling softness of their sap like happy tears. He understood the flurry of motes, which no longer looked like chaos fogging his vision as it had when he was Birthless. Now he could hear the tune of the world, the song of the wind, and the play of all things in it and he knew now that it was a dance, choreographed down to the smallest antennae thrust into the reeling.

Let us go out in the fog, John, let us roll up our raincoat collars and go on the streets where men are sneering at the kings.

We go out in the fog in the morning won't burn.

Thick fog sweeps passed her, dramatically dissipating away. She exhales a relieved breath and stretches her branched arms, allowing finger leaves to shoot free. {Spirit Tree]

Darling we are not in a hurry Once the haze settles in and The fog leaves I'll be right next to you

The light of San Francisco is a sea light an island light And the light of fog blanketing the hills drifting in at night through the Golden Gate to lie on the city at dawn...

Lovely and unremarkable, the clutter of mugs and books, the almost-empty Fig Newtons box, thick dishes in a big tin tray, the knife still standing in the butter, change like the color of river water in the delicate shift to day. Thin fog veils the hedges, where a neighbor dog makes rounds. 'Go to bed. It doesn't matter about the washing-up. Take this book along.' Whatever it was we said that night is gone, framed like a photograph nobody took. Stretched out on a camp cot with the book, I think that we will talk all night again, there, or another where, but I am wrong.

Renga with Katie There's no better place Than in each moment with you Traveling through life Regardless of place and time, Or seasons and location, I never look back To a time without you there And wish to return We are each other's constant In an ever changing world On a pilgrimage To no place particular, Destinationless Each moment we're arriving At another sacred place Appreciating, Remembering life before You opened my eyes It's both vivid and soothing Like I'd never had vision Now I see the way, As we travel together The fog is lifted Each sight reveals each other Each step reveals another

Listen to me, I'm not hiding it— I'm swimming out to meet the boats coming armed up the river & I wish he were watching through a lead-black fog. I had his book of exits learned by heart. I thought I knew it.

Driving the San Francisco–Oakland Bay Bridge no monument’s in sight but fog prowling Angel Island muffling Alcatraz poems in Cantonese inscribed on fog no icon lifts a lamp here history’s breath blotting the air over Gold Mountain

Gannets I am watching the white gannets blaze down into the water with the power of blunt spears and a stunning accuracy-- even though the sea is riled and boiling and gray with fog and the fish are nowhere to be seen, they fall, they explode into the water like white gloves, then they vanish, then they climb out again, from the cliff of the wave, like white flowers-- and still I think that nothing in this world moves but as a positive power-- even the fish, finning down into the current or collapsing in the red purse of the beak, are only interrupted from their own pursuit of whatever it is that fills their bellies-- and I say: life is real, and pain is real, but death is an imposter, and if I could be what once I was, like the wolf or the bear standing on the cold shore, I would still see it-- how the fish simply escape, this time, or how they slide down into a black fire for a moment, then rise from the water inseparable from the gannets' wings.

The Congregating of Stars They often meet in mountain lakes, No matter how remote, no matter how deep Down and far they must stream to arrive, Navigating between the steep, vertical piles Of broken limestone and chert, through shattered Trees and dry bushes bent low by winter, Across ravines cut by roaring avalanches Of boulders and ripping ice. Silently, the stars have assembled On the surface of this lost lake tonight, Arranged themselves to match the patterns They maintain in the highest spheres Of the surrounding sky. And they continue on, passing through The smooth, black countenance of the lake, Through that mirror of themselves, down through The icy waters to touch the perfect bottom Stillness of the invisible life and death existing In the nether of those depths. Sky-bound- yet touching every needle In the torn and sturdy forest, every stone, Sharp, cracked along the ragged shore- the stars Appear the same as in ancient human ages On the currents of the old seas and the darkened Trails of desert dunes, Orion’s belt the same As it shone in Galileo’s eyes, Polaris certain above The sails of every mariner’s voyage. An echoing Light from the Magi’s star, that beacon, might even Be shining on this lake tonight, unrecognized. The stars are congregating, perhaps in celebration, passing through their own names and legends, through fogs, airs, and thunders, the vapors of winter frost and summer pollens. They are ancestors of transfiguration, intimate with all the eyes of the night. What can they know?

I will choose from my intimate memories what’s fitting: the scent of wrinkled sheets after making love is the scent of grass after rain. — Mahmoud Darwish, from “Dense Fog Over The Bridge,” If I Were Another: Poems. Translated by Fady Joudah. (Farrar, Straus and Giroux; 1 edition, October 27, 2009) Originally published 2009.

At present, people see fogs, not because there are fogs, but because poets and painters have taught them the mysterious loveliness of such effects. There may have been fogs for centuries in London. I dare say there were. But no one saw them, and so we do not know anything about them. They did not exist till art had invented them.

Damask roses and white picket fences, a childhood ripe with an array of senses. Forest black against starry skies, Pink clouds dusting an early sunrise. Hundreds of days slipping through hourglass years. The sands of adolescence fading with solemn tears. Oceans of certainty ebbing away, Lessons learned regardless of one's place.

An Elegy, Years After Sarah” So her ceiling a map of stars. First time we made love late afternoon late winter, and after she slept how her room fogged up with dusk and paper stars she’d stuck up there in childhood came out in strange constellations and I missed the earth till her room was night her breath deepening the stars cooling down: I said come closer and her eyes — half-open, flashing back whatever light there was — went out.

I will win you away from every earth, from every sky, For the woods are my place of birth, and the place to die, For while standing on earth, I touch it with but one foot, For I’ll sing your worth as nobody could or would. I will win you from every time and from every night, From all banners that throb and shine, from all swords held tight, I’ll drive dogs outside, hurl the keys into dark and fog, For in the mortal night I’m a more faithful dog.

The Lighthouse by Stewart Stafford Apart and alone, From where the ships dock, Stands the white sentinel edifice on a promontory rock. Like the land's index finger, At the extent of the sea, Warning passing vessels where it's safe to be. It's one luminous eye, Swivels around its clear head, To keep lucky sailors off the seabed. It seeks no credit, And needs no thanks, Saluting proudly from above the fog banks. © Stewart Stafford, 2021. All rights reserved.

JESUS Woke up in a white veil The fog sets the silence in my hands I think back to my thoughts About the people I'm thinking With increasing pain in my head People who have condemned me Dark hour in the hours And I would now complain quietly But there is no fury And there is no sadness The time has melted away like water in the sea Tears of the women They are covered with clouds Let my heart bleed to death Among the thorns at last There is no sun in the zenith

In his gaze, rooms of the dead; halls of loss; fog- emerald; driven, dirty-rice snow: he was in there somewhere, I looked for him, and he gave me the gift, he let me in, knowing he would never once, in this world or in any other, have to do it again, and I saw him, not as he really was, I was still without the strength of anger, but I saw him see me, even now that dropping down into trust's affection in his gaze, and I held it, some seconds, quiet, and I said, Good-bye, and he said Good-bye

Here there is buried legend after legend of youth and melancholy, of savage nights and mysterious bosoms dancing on the wet mirror of the pavement, of women chuckling softly as they scratch themselves, of wild sailors’ shouts, of long queues standing in front of the lobby, of boats brushing each other in the fog and tugs snorting furiously against the rush of tide while up on the Brooklyn Bridge a man is standing in agony, waiting to jump, or waiting to write a poem, or waiting for the blood to leave his vessels because if he advances another foot the pain of his love will kill him.

Antique Foundation Here I built the ruin in My voice on either side of me In the temple the ocean could Not be a crowd I mined The shore with fog the sun dries These bricks I built the vision in The cinder block that is the city Wall this grave Tone I speak with a picture Of myself in my wallet • Don’t be fooled by grass and these words Grass whispers Because they are real they are Ruinous Here, the gossip is in the dust Not the sea cloud enters the open Child’s window dimming the silver Flute’s sheen Where is he Who hears inside the brick those notes? There is a rumor in the city we’ll exist If he plays his song no one knows • Follow that shadow don’t tell me it’s mine Here there is no being alone Here are my hands which tore the leaves so Quietly in the temple the god Emerging from marble points at the chisel At the base of his stone Did I tell you Where I’m going? To the old man Who sings the margin Where on wave-tip swords turn edge over edge Wound us and the shore with foam • My face on either side of my face I tore My picture in half to show the gate You must climb inside your breath to leave As fog the wind will bear you— If you’re lovely—away In the spare clouds The children’s chorus Do you hear?— Where were you, and where are you going? Here I built the ruin in the stone-crushed Sage leaves my hands scented as long ago When I liked to press the desert against my head to think

III. Ah Vastness of Pines Ah vastness of pines, murmur of waves breaking, slow play of lights, solitary bell, twilight falling in your eyes, toy doll, earth-shell, in whom the earth sings! In you the rivers sing and my soul flees in them as you desire, and you send it where you will. Aim my road on your bow of hope and in a frenzy I will free my flock of arrows. On all sides I see you waist of fog, and yousilence hunts my afflicted hours; my kisses anchor, and my moist desire nests in you with your arms of transparent stone. Ah your mysterious voice that love tolls and darkens in the resonant and dying evening! Thus in deep hours I have seen, over the fields, the ears of wheat tolling in the mouth of the wind.

Count,’ said Mrs. Leo Hunter. ‘Mrs. Hunt,’ replied the count. ‘This is Mr. Snodgrass, a friend of Mr. Pickwick’s, and a poet.’ ‘Stop,’ exclaimed the count, bringing out the tablets once more. ‘Head, potry — chapter, literary friends — name, Snowgrass; ver good. Introduced to Snowgrass — great poet, friend of Peek Weeks — by Mrs. Hunt, which wrote other sweet poem — what is that name? — Fog — Perspiring Fog — ver good — ver good indeed.’ And the count put up his tablets, and with sundry bows and acknowledgments walked away, thoroughly satisfied that he had made the most important and valuable additions to his stock of information. ‘Wonderful man, Count Smorltork,’ said Mrs. Leo Hunter. ‘Sound philosopher,’ said Mr. Pott. ‘Clear-headed, strong-minded person,’ added Mr. Snodgrass.

Dawn and a high film; the sun burned it; But noon had a thick sheet, and the clouds coming, The low rain-bringers, trooping in from the north, From the far cold fog-breeding seas, the womb of storms. Dusk brought a wind and the sky opened: All down the west the broken strips lay snared in the light, Bellied and humped and heaped on the hills. The set sun threw the blaze up; The sky lived redly, banner on banner of far-burning flame, From south to north the furnace door wide and the smoke rolling. We in the fields, the watchers from the burnt slope, Facing the west, facing the bright sky, hopelessly longing to know the red beauty-- But the unable eyes, the too-small intelligence, The insufficient organs of reception Not a thousandth part enough to take and retain. We stared, and no speaking. and felt the deep loneness of incomprehension. The flesh must turn cloud, the spirit, air, Transformation to sky and the burning, Absolute oneness with the west and the down sun. But we, being earth-stuck, watched from the fields, Till the rising rim shut out the light; Till the sky changed, the long wounds healed; Till the rain fell.

But he did not follow the explanation. In the management of his life he was foolish. In mathematics, moronic. His IQ must have halved, for here was another of those moments when he knew he had reached the summit of his understanding. A ceiling, a mountain fog through which he could not pass. His eleven-year-old son was on higher ground, in a clear space his father would never know. As he walked he thought that, apart from raising a child, all else in his life had been and remained formless and he could not see how to change it. Money could not save him. Nothing achieved. What happened to the tune he had started to write more than thirty years ago and was going to send to the Beatles? Nothing. What had he made since? Nothing, beyond a million tennis strokes, a thousand renditions of “Climb Every Mountain.” He blushed now to read his earnest poems. His father was cut down in an instant. His mother was beginning a decline into mindlessness. He knew that a scan would confirm it. Both fates spoke to his own. In theirs he saw the measure of his own existence. He remembered his parents well enough at his age now. From then onwards nothing changed for them apart from physical decline and illness. How easy it was to drift through an unchosen life, in a succession of reactions to events. He had never made an important decision. Except to leave school. No, that too was a reaction. He supposed he had put together a sort of education for himself, but that was messily done in a spirit of embarrassment or shame.

Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.

It is said that, as he wandered the streets of the City, an ancient jackbird cycled three times above him, then came to rest upon Sam's shoulder, saying: "Are you not Maitreya, Lord of Light, for whom the world has waited, lo, these many years–he whose coming I prophesyed long ago in a poem?" "No, my name is Sam," he replied, "and I am about to depart the world, not enter into it Who are you?" "I am a bird who was once a poet. All morning have I flown, since the yawp of Garuda opened the day. I was flying about the ways of Heaven looking for Lord Rudra, hoping to befoul him with my droppings, when I felt the power of a weird come over the land. I have flown far, and I have seen many things, Lord of Light." "What things have you seen, bird who was a poet?" "I have seen an unlit pyre set at the end of the world, with fogs stirring all about it. I have seen the gods who come late hurrying across the snows and rushing through the upper airs, circling outside the dome. I have seen the players upon the ranga and the nepathya, rehearsing the Masque of Blood, for the wedding of Death and Destruction. I have seen the Lord Vayu raise up his hand and stop the winds that circle through Heaven. I have seen all-colored Mara atop the spire of the highest tower, and I have felt the power of the weird he lays–for I have seen the phantom cats troubled within the wood, then hurrying in this direction. I have seen the tears of a man and of a woman. I have heard the laughter of a goddess. I have seen a bright spear uplifted against the morning, and I have heard an oath spoken. I have seen the Lord of Light at last, of whom I wrote, long ago: Always dying, never dead; Ever ending, never ended; Loathed in darkness, Clothed in light, He comes, to end a world, As morning ends the night. These lines were writ By Morgan, free, Who shall, the day he dies, See this prophecy." The bird ruffled his feathers then and was still. "I am pleased, bird, that you have had a chance to see many things," said Sam, "and that within the fiction of your metaphor you have achieved a certain satisfaction. Unfortunately, poetic truth differs considerably from that which surrounds most of the business of life." "Hail, Lord of Light!" said the bird, and sprang into the air. As he rose, he was pierced through by an arrow shot from a nearby window by one who hated jackbirds. Sam hurried on.

we both mistake solitude for safety find comfort in wishing ourselves untouchable you a cloud & i fog daily i remind myself every life must be s e e d e d with fingerprints i say a prayer to an unnameable god the constant motion rotating constellations across a sky that will always be my favorite blue the cactus that has & will continue to bloom every spring of my life & hope it's enough to find you whistling a song only birds sing in morning's memory waiting for me to be present in our living

Today is a trumpet to set the hounds baying. The past is a fox the hunters are flaying. Nothing unspoken goes without saying. Love's a casino where lovers risk playing. The future's a marker our hearts are prepaying. The future's a promise there's no guaranteeing. Today is a fire the field mice are fleeing. Love is a marriage of feeling and being. The past is a mirror for wishful sightseeing. Nothing goes missing without absenteeing. Nothing gets cloven except by dividing. The future is chosen by atoms colliding. The past's an elision forever eliding. Today is a fog bank in which I am hiding. Love is a burn forever debriding. Love's an ascent forever plateauing. Nothing is granted except by bestowing. Today is an anthem the cuckoos are crowing. The future's a convolute river onflowing. The past is a lawn the neighbor is mowing. The past is an answer not worth pursuing, Nothing gets done except by the doing. The future's a climax forever ensuing. Love is only won by wooing. Today is a truce between reaping and rueing.

Hover through the Fog and Filthy Air Nursery school for demons Getting to know yourself through crime Brain music like a wounded ambulance praying in tongues Telepathic merchandise A rhapsodic interrogation of love Another haunted customer Soothing you to sleep and infesting your dreams with mechanical tarantulas Carnivorous mirage The night that hides inside the night you know The night that knows you The fierce bliss of the holy glint The lethal myth you carried all your life The voice within my voice the only one I listen to was never born Sometimes everything’s my child Emotions are deployed in glassy air Lots of wondering what to do in the empty lobby and the all night laundromat The diamond swimming in the noisy light A little origami holy ghost The rain goes on softly not wanting to know my side of the story Bloodstreams running with whispering stars A loose confederation of feral children without human language living in ruined cathedrals on the moon pledging allegiance to the buildings and how they appear the grey noise of the interstate new understandings of madness and terrible love half buried in leaves The trapeze artist of the abyss Her discipline Her ascetic silhouette The way we never see her face no matter how she twists

one must arise above all this shit, keep growing... destiny is only a whore if we make her so. let's light lights let's suffer in the grand style,-- toothpick in mouth, grinning. we can do it. we were born strong and we will die strong. the manner of our living like ocean liners in the fog... thorns on roses... blase boys trotting the parks in swim suits... it has been very good. our bones like stems into the sky will forever cry victory.

So laced and lush is this ecosystem that we walk our several miles through it today without making a footfall, only scuffs. Carol tells me that these Olympic rain forests and the rough coast to their west provide her the greatest calm of any place she has been. That she can walk in this rain forest and only be walking in this rain forest, moving in simple existence. Surprising, that, because neither of us thinks we are at all mystic. Perhaps, efficient dwellers we try to be, we simply admire the deft fit of life systems in the rain forest. The flow of growth out of growth, out of death . . . I do not quite ease off into beingness as she can. Memories and ideas leap to mind. I remember that Callenbach’s young foresters of Ecotopia would stop in the forest to hug a fir and murmur into its bark, brother tree. . . . This Hoh forest is not a gathering of brothers to humankind, but of elders. The dampness in the air, patches of fog snagged in the tree tops above, tells me another story out of memory, of having read of a visitor who rode through the California redwood forest in the first years of this century. He noted to his guide that the sun was dissipating the chilly fog from around them. No, said the guide looking to canyon walls of wood like these, no, “The trees is drinkin’ it. That’s what they live on mostly. When they git done breakfast you’ll git warm enough.” For a time, the river seduces me from the forest. This season, before the glacier melt begins to pour from the Olympic peaks, the water of the Hoh is a painfully lovely slate blue, a moving blade of delicate gloss. The boulder-stropped, the fog-polished Hoh. Question: why must rivers have names? Tentative answer: for the same reason gods do. These Peninsula rivers, their names a tumbled poem of several tongues—Quinault, Quillayute, Hoh, Bogashiel, Soleduck, Elwha, Dungeness, Gray Wolf—are as holy to me as anything I know. Forest again. For comparison’s sake I veer from the trail to take a look at the largest Sitka spruce along this valley bottom. The Park Service has honored it with a sign, giving the tree’s dimensions as sixteen feet four inches in diameter, one hundred eighty feet in height, but now the sign is propped against the prone body of the giant. Toppled, it lies like a huge extracted tunnel bore. Clambering onto its upper surface I find that the Sitka has burls, warts on the wood, bigger around than my body. For all that, I calculate that it is barely larger, if any, than the standard nineteenth-century target that Highpockets and his calendar crew are offhandedly devastating in my writing room. Evening, and west to Kalaloch through portals of sawed-through windfalls, to the campground next to the ocean. In fewer than fifty miles, mountain and ocean, arteried by this pulsing valley.

Traveling through Fog Looking back, we cannot see, except for its blurring lights like underwater stars and moons, our starting-place. Behind us, beyond us now is phantom territory, a world abstract as memories of earth the traveling dead take home. Between obscuring cloud and cloud, the cloudy dark ensphering us seems all we can be certain of. Is Plato’s cave.

Friends, the ancient word is dead; the ancient books are dead; our speech with holes like worn-out shoes is dead; our poems have gone sour; women's hair and nights have gone sour; my grieved nation, in a flash, you turned me from a poet writing for love and tenderness to a poet writing with a knife; our shouting is louder than our actions; our swords are taller than us; friends, smash the doors; wash your brains; grow words, pomegranates and grapes; sail to countries of fog and snow; nobody knows you exit in your caves; friends, we run wildly through streets; dragging people with ropes; smashing windows and locks; we praise like frogs; turn midgets into heroes; in mosques, we crouch idly; write poems and proverbs; and pray God for victory.

Without imagination we are but dimly lit, grabbing at ideas that evade us in the fog.

as he passed on some of the greatest poems of the twentieth century: “Ariel,” “Purdah,” “Daddy,” “Lady Lazarus,” “Fever 103°,” “Poppies in October,” and “Sheep in Fog,” among others. The New Yorker still thought of itself as a family magazine, and these poems were too shocking for a publication that sat on living room coffee tables.

SMOKE From a lit cigarette, a dream of the future rises The blue cloud is the dawn of hope once struggled for But now it becomes a fog of depression in my heart Condensed into a deep cloud of unfalling rain I push open the bright window To greet the refreshing rural breeze How I long to hold on to the fading smoke That is your shadow bidding me farewell

Ode, Aubade" And the morning, too, falters, struggles to assert itself, burn through the errant fog, the pines, scorch the whole grove of trees and crooked streetlamps. Your body’s turning, turning beside me in my bed’s— sprawl? Badlands? You sigh on my neck. Startled, the crick and sob buried inside it like a pulsar behind dust, like a larva in a bean, want out. Greg Wrenn, Poem-A-Day, March 25, 2013

It is not hard to imagine how quickly we’ll be forgotten. What endures is the idea we can endure. We hang these stories on a few fragile branches of memory.                                            This is where you are supposed to be addressed with allusions to the particulars.                                  We are alive because each of us owns a word we keep trying to pronounce. I must go in, the fog is rising, Dickinson said before being “called home.” You’d think the rain might mend a bruised heart.  We can’t even complete the sentences of our lives. —Richard Jackson, from “Endurance,” Out of Place: Poems (The Ashland Poetry Press, 2014)  

I Once Was A Bee by Stewart Stafford I once was a bee, All striped and dorky, I got crushed underfoot, By Amber Heard's Yorkie. It mashed my wings, I never sought money, Even when it made me, Poop out some honey. As I flew to Bee Heaven, In a mystical fog, She made such a fuss, Of that murdering dog. © Stewart Stafford, 2022. All rights reserved.

When I am in the fog of despair I fear I cry too much to be a good partner or parent or person, that something within me is utterly broken, that any reprieve—a day of joy! a poem!—is temporary and somehow false. But that is the fog doing its work, making everything large and grotesque. When the fog lifts I can point up, say Look, it is a cloud.

Fog borne of fatigue, fog of early morning, of restless middle-years sleeplessness, fog of cat hair in my eye, of dog, dogs, fog of darkness, fog of dreary days under a pseudo-autocracy, funk fog of high crimes and misdemeanors, fog of my daily compulsion toward work I do not want to do.

Pilgrim’s Progress by Stewart Stafford Solitary steps in silence grim, As waters lapped the lakeside’s rim, In our time, before and aft, Magpies cackled, crows laughed. I drew level with a miasmic curtain, In vapour folds, to views uncertain, Sound grew thick in compensation, I took each step with trepidation. Sweet breath wind, fog dispersed, Marvelling at the ground traversed, The garden path to a shelter trite, As hailstones on my windows bite. © Stewart Stafford, 2024. All rights reserved.

If there is loss you can act as if in control, stepping carefully, matter of fact between the lines of your life. If your feet feel heavy, you tell yourself it’s all in the head, the heart and carry on, eyes fixed. If a tear falls you say, “Fog!” Something has fallen into you. Count your steps. You are growing a garden of heartaches. Do it well, tend it. When rain falls, open your arms. (Variation 15 in particular)

and farther into cold fog I let him go, I lay and stretched on love's fucking stretcher, and let him wander on his own the haunt salt mazes.

by Luci Shaw To the Edge: for Madeleine L'Engle Be with her now. She faces the ocean of unknowing, losing the sense of what her life has been, and soon will be no longer as she knew it, as we knew it with her. Lagging behind, we cannot join her on this nameless shore. Knots in her bones, flesh flaccid, the skin like paper, pigment gathering like ashes driven by a random wind, a heart that may still sing, interiorly - we cannot know - have pulled her far ahead of us, our pioneer. As we embrace her, her inner eyes embrace the universe.. She recognizes heaven with its innumerable stars - but not our faces. Be with her now, as you have sometimes been - a flare that blazes, then dulls, leaving only a bright blur in the memory. Hold her in the mystery that no one can describe but Lazarus, though he was dumb and didn't speak of it. Fog has rolled in, erasing definition at the edge. Walking to meet it, she hopes soon to see where the shore ends. She listens as the ocean breathes in and out in waves. She hears no other sound.

[I have in me like a haze]” I have in me like a haze Which holds and which is nothing A nostalgia for nothing at all, The desire for something vague. I’m wrapped by it As by a fog, and I see The final star shining Above the stub in my ashtray. I smoked my life. How uncertain All I saw or read! All The world is a great open book That smiles at me in an unknown tongue.

pleas for forgiveness dropping like sweat or red rain or tears from the monster’s mouth and the devil laughs scathingly “i did not control you” and misbahas become nooses throwing the world into fire and fog smears the streets

It was a midnight winter's dream. No sound was to be heard. Only fog, and the oldest sound of history exist, that time. In my careless hair, a poem has hidden the world a child. It would not, be a dreamer, an author or name. It is someone, who has lost her identity, forever. But in winter, a night tells a story of one tale, and children listen, listen and listen because I, have nothing, to say.

In those years, people will say, we lost track of the meaning of we, of you we found ourselves reduced to I and the whole thing became silly, ironic, terrible: we were trying to live a personal life and yes, that was the only life we could bear witness to But the great dark birds of history screamed and plunged into our personal weather They were headed somewhere else but their beaks and pinions drove along the shore, through the rags of fog where we stood, saying I

Early summer: fog covers the mountains. Under each tree, a doily of shade. [from 'From the Japanese']

XVII. Thinking, Tangling Shadows" Thinking, tangling shadows in the deep solitude. You are far away too, oh farther than anyone. Thinking, freeing birds, dissolving images, burying lamps. Belfry of fogs, how far away, up there! Stifling laments, milling shadowy hopes, taciturn miller, night falls on you face downward, far from the city. You presence is foreign, as strange to me as a thing. I think, I explore great tracts of my life before you. My life before anyone, my harsh life. The shout facing the sea, among the rocks, running free, mad, in the sea-spray. The sad rage, the shout, the solitude of the sea. Headlong, violent, stretched towards the sky. You, woman, what were you there, what ray, what vane of that immense fan? You were as far as you are now. Fire in the forest! Burn in blue crosses. Burn, burn, flame up, sparkle in trees of light. It collapses, crackling. Fire. Fire. And my soul dances, seared with curls of fire. Who calls? What silence peopled with echoes? Hour of nostalgia, hour of happiness, hour of solitude, hour that is mine from among them all! Hunting horn through which the wind passes singing. Such a passion of weeping tied to my bedy. Shaking of all the roots, attack of all the waves! My soul wandered, happy, sad, unending. Thinking, burying lamps in the deep solitude. Who are you, who are you?

I’ve found that the best way to live one’s life Is above the fog of negative thought, With gossiping lips outside of earshot, Keeping harsh criticism far less rife. I’ve found that the best way to avoid strife Is by sharing with others who have not, Seeing the good, speaking kindness a lot, Burying hatchets as well as sharp knives. Every compassionate deed we have sown Lifts a heavy burden from a brother. Each positive thought and comment we own Extends joy and love to one another. Life was not meant to be traveled alone. It is where we learn we need each other.