Focusing On Me Quotes

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To douchebags!" he said, gesturing to Brad. "And to girls that break your heart," he bowed his head to me. His eyes lost focus. "And to the absolute fucking horror of losing your best friend because you were stupid enough to fall in love with her.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I'm coming back into focus when Caesar asks him if he has a girlfriend back home. Peeta hesitates, then gives an unconvincing shake of his head. Handsome lad like you. There must be some special girl. Come on, what’s her name?" says Caesar. Peeta sighs. "Well, there is this one girl. I’ve had a crush on her ever since I can remember. But I’m pretty sure she didn’t know I was alive until the reaping." Sounds of sympathy from the crowd. Unrequited love they can relate to. She have another fellow?" asks Caesar. I don’t know, but a lot of boys like her," says Peeta. So, here’s what you do. You win, you go home. She can’t turn you down then, eh?" says Caesar encouragingly. I don’t think it’s going to work out. Winning...won’t help in my case," says Peeta. Why ever not?" says Caesar, mystified. Peeta blushes beet red and stammers out. "Because...because...she came here with me.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
It is not for me to judge another man's life. I must judge, I must choose, I must spurn, purely for myself. For myself, alone.
Hermann Hesse (Siddhartha)
He sighed and then focused his eyes right on me. It was like drowning, drowning in seas of green. There was nothing in the world except for those eyes. "I want to kiss you, Rose," he said softly. "And I want you to want me too.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
He leaned against the window, and the gilded frame came into sharp focus. “Do you think it would be any different with your tracker beside you? With that Lantsov pup?” “Yes,” I said simply. “Because you would be the strong one?” “Because they’re better men than you.” “You might make me a better man.” “And you might make me a monster.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Can you, like, see invisible people, too?" "No," Warner says to him, eyes focused in front of him. "I can feel your presence. Hers, most of all." "Really?" Kenji says. "That's some weird shit. What do I feel like? Peanut butter?" Warner is unamused.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
So, Grace, how's school?" I asked myself. Dad nodded, eyes on the baby koala now struggling in the guest's arms. "Oh, it's fine," I continued, and Dad made a mumbling noise of agreement. I added, "Nothing special, aside from the load of pandas they brought in, and the teachers abandoning us to cannibalistic savages-" I paused to see if I'd caught his attention yet, then pressed on. "The whole building caught fire, then I failed drama, and then sex, sex, sex." Dad's eyes abruptly focused, and he turned to me and frowned. "What did you say they were teaching you in school?
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Hey--jazz hands!" Kenji barks. "Get your ass back over here." He makes it a point to look as irritated as possible. "Back to work. And this time, focus. You're not an ape. Don't just throw your shit everywhere.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Nerd herd, focus. You're here to help the fledglings. Dour One and Dour Two aren't important," said Aphrodite. "Dr. Seuss reference. I like it," Stark said, giving me a check-me-out-I've-always-read-books hottie grin. Aphrodite frowned at him. "I said focus, not flirt.
P.C. Cast (Tempted (House of Night, #6))
Accepting death doesn't mean you won't be devastated when someone you love dies. It means you will be able to focus on your grief, unburdened by bigger existential questions like, "Why do people die?" and "Why is this happening to me?" Death isn't happening to you. Death is happening to us all.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
I am focused on the work. I am constantly creating. I am a busy girl. I live and breathe my work. I love what I do. I believe in the message. There's no stopping. I didn't create the fame, the fame created me.
Lady Gaga
Can we please focus? We are supposed to be professionals." Holly said. "Not me!" said Orion cheerily, "I'm just a Teenager with hormones running wild and may I say, young fairy lady, they're running wild in your direction.
Eoin Colfer (The Atlantis Complex (Artemis Fowl, #7))
Question for God every morning: What is the main event today? What do you want me to focus on today?
John C. Maxwell
Have you kissed many boys before?" he asked quietly. His question brought my mind back into focus. I raised an eyebrow. "Boys? That's an assumption." Noah laughed, the sound low and husky. "Girls, then?" "No." "Not many girls? Or not many boys?" "Neither," I said. Let him make of that what he would. "How many?" "Why—" "I am taking away that word. You are no longer allowed to use it. How many?" My cheeks flushed, but my voice was steady as I answered. "One." At this, Noah leaned in impossibly closer, the slender muscles in his forearm flexing as he bent his elbow to bring himself nearer to me, almost touching. I was heady with the proximity of him and grew legitimately concerned that my heart might explode. Maybe Noah wasn't asking. Maybe I didn't mind. I closed my eyes and felt Noah's five o' clock graze my jaw, and the faintest whisper of his lips at my ear. "He was doing it wrong.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
From this experience, I understood the danger of focusing only on what isn't there. What if I came to the end of my life and realized that I'd spent every day watching for a man who would never come to me? What an unbearable sorrow it would be, to realize I'd never really tasted the things I'd eaten, or seen the places I'd been, because I'd thought of nothing but the Chairman even while my life was drifting away from me. And yet if I drew my thoughts back from him, what life would I have? I would be like a dancer who had practiced since childhood for a performance she would never give.
Arthur Golden (Memoirs of a Geisha)
Whenever she turned her steep focus to me, I felt the warmth that flowers must feel when they bloom through the snow, under the first concentrated rays of the sun.
Janet Fitch (White Oleander)
APPLY WITHIN You once told me You wanted to find Yourself in the world - And I told you to First apply within, To discover the world within you. You once told me You wanted to save The world from all its wars - And I told you to First save yourself From the world, And all the wars You put yourself Through. APPLY WITHIN by Suzy Kassem
Suzy Kassem
A lot of people feel like they’re victims in life, and they’ll often point to past events, perhaps growing up with an abusive parent or in a dysfunctional family. Most psychologists believe that about 85 percent of families are dysfunctional, so all of a sudden you’re not so unique. My parents were alcoholics. My dad abused me. My mother divorced him when I was six…I mean, that’s almost everybody’s story in some form or not. The real question is, what are you going to do now? What do you choose now? Because you can either keep focusing on that, or you can focus on what you want. And when people start focusing on what they want, what they don’t want falls away, and what they want expands, and the other part disappears. (Jack Canfield)
Rhonda Byrne (The Secret (The Secret, #1))
Take a drink every time you hear you’re not enough. Not the right fit. Not the right look. Not the right focus. Not the right drive. Not the right time. Not the right job. Not the right path. Not the right future. Not the right present. Not the right you. Not you. (Not me?) There’s just something missing. From us. What could I have done? Nothing. It’s just… (Who you are.) I didn’t think we were serious. (You’re just too… …sweet. …soft. …sensitive.) I just don’t see us ending up together. I met someone. I’m sorry It’s not you. Swallow it down. We’re not on the same page. We’re not in the same place. It’s not you. We can’t help who we fall in love with. (And who we don’t.) You’re such a good friend. You’re going to make the right girl happy. You deserve better. Let’s stay friends. I don’t want to lose you. It’s not you. I’m sorry.
V.E. Schwab (The Invisible Life of Addie LaRue)
I hear a thousand kind words about me and it makes no difference yet i hear one insult and all confidence shatters - focusing on the negative
Rupi Kaur (the sun and her flowers)
Miss Ellis?" Mrs. Perterson says. "It's your turn. Introduce Alex to the class" "This is Alejandro Fuentes. When he wasn't hanging out on street corners and harrassing innocent people this summer, he toured the inside of jails around the city, if you know what i mean. His secret desire is to go to college and become a chemistry teacher, like you Mrs. Peterson." Brittney flashed me a triumpnet smile, thinking she won this round. Guess again, gringa. "This is Brittney Ellis," I say, all eyes focused on me. "This summer she went to the mall, bought new clothes to extend her wardrobe, and spent her daddy's money on plastic surgery to enhance her, ahem, assets. Her secret desire is to date a Mexicano before she graduates." Game on...
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Then his eyes focus on something over my shoulder, and he starts walking. I turn to see Uriah jogging from the elevator bank. He is grinning. “Heard a rumor you were a dirty traitor,” Uriah says. “Yeah, whatever,” says Zeke. They collide in an embrace that looks almost painful to me, slapping each other’s backs and laughing with their fists clasped between them.
Veronica Roth (Insurgent (Divergent, #2))
He who has let go of hatred who treats all beings with kindness and compassion, who is always serene, unmoved by pain or pleasure, free of the "I" and "mine," self-controlled, firm and patient, his whole mind focused on me --- that is the man I love best.
Anonymous (The Bhagavad Gita)
Women can go over it again and again in their minds, finding all kinds of deficiencies in themselves-"I didn't do this right," "I wasn't good enough," "I didn't love him the way I should," "she came in here and outperformed me"-but the fact still remeinas that he didn't have any business cheating. So women need to realease themselves from the blame of a cheating man's actions-just do that for yourselves. Because holding on to that baggage can be paralyzing; it can cripple you and keep you from performing in your next encounter. You simply cannot drive forward if you're focused on what's happening in the rearview mirror.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
It won’t always go your way, so you can’t get trapped in this idea that just because you’ve imagined a possibility for yourself that you somehow deserve it. Your entitled mind is dead weight. Cut it loose. Don’t focus on what you think you deserve. Take aim on what you are willing to earn!
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
So many details came into focus. The shape of his lips, the line of his neck. “I’m not dangerous,” I breathed. He brought his face toward mine. “You are to me.” And somehow, against all reason, we were kissing. I closed my eyes, and the world around me faded.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Yes,” I whisper. The red blinking light on one of the cameras catches my eye. I know I’m being recorded. “Yes,” I say more forcefully. Everyone is drawing away from me—Gale, Cressida, the insects—giving me the stage. But I stay focused on the red light. “I want to tell the rebels that I am alive. That I’m right here in District Eight, where the Capitol has just bombed a hospital full of unarmed men, women, and children. There will be no survivors.” The shock I’ve been feeling begins to give way to fury. “I want to tell people that if you think for one second the Capitol will treat us fairly if there’s a cease-fire, you’re deluding yourself. Because you know who they are and what they do.” My hands go out automatically, as if to indicate the whole horror around me. “This is what they do! And we must fight back!” I’m moving in toward the camera now, carried forward by my rage. “President Snow says he’s sending us a message? Well, I have one for him. You can torture us and bomb us and burn our districts to the ground, but do you see that?” One of the cameras follows as I point to the planes burning on the roof of the warehouse across from us. The Capitol seal on a wing glows clearly through the flames. “Fire is catching!” I am shouting now, determined that he will not miss a word. “And if we burn, you burn with us!
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I bit my lip to focus on the fact that he's actually giving me a plain answer to my question. He can't help it if his voice is mesmerizingly sexy
Susan Ee (Angelfall (Penryn & the End of Days, #1))
This emptiness inside of me here,” he placed my hand on his chest, “means I love you. When you’re not here, I can’t focus. It’s too loud . . . But my heartbeat does this when you’re close.
Amber L. Johnson (Puddle Jumping (Puddle Jumping, #1))
Simon was looking at Jace as if he were both fascinating and also a little alarming. 'Did I--did we ever--did I bite you?' Jace touched the scar on his throat. 'I can't believe you remember that.' 'Did we...roll around on the bottom of a boat?' 'Yes you bit me, yes, I kind of liked it, yes, let's not talk about it again,' said Jace. 'You're not a vampire anymore. Focus.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I need to write. It keeps me focused for long enough to complete thoughts. To let each train of thought run to its conclusion and let a new one begin. It keeps me thinking. I’m afraid that if I stop writing I’ll stop thinking and start feeling.
Carrie Fisher (The Princess Diarist)
We are focusing on the small details and hiding the misery in the world. Look at the smoker and we miss global warming, war, and the crap we eat--not the bad guys but smoking. I smoke and they talk about cancer, I eat and they talk about cholesterol, I make love, it's AIDS. Before AIDS and cholesterol and cancer there's the pleasure of making love and eating and smoking. I have to die someday, so if the thing that gave me pleasure all of my life kills me instead of me going under a truck, that's fine. Besides, why should I live so that when I die I give fresh meat to the worms? I hope that I am rotted and they don't want to eat me. F@#$ck the worms.
Marjane Satrapi
I made a concerned effort to focus. There was something I needed to say. The most important thing. I love you," I said, but it sounded like singing. My voice rang and shimmered like a bell. As i love you,"He told me.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
The nutritionist said I should eat root vegetables. Said if I could get down thirteen turnips a day I would be grounded, rooted. Said my head would not keep flying away to where the darkness lives. The psychic told me my heart carries too much weight. Said for twenty dollars she’d tell me what to do. I handed her the twenty. She said, “Stop worrying, darling. You will find a good man soon.” The first psycho therapist told me to spend three hours each day sitting in a dark closet with my eyes closed and ears plugged. I tried it once but couldn’t stop thinking about how gay it was to be sitting in the closet. The yogi told me to stretch everything but the truth. Said to focus on the out breath. Said everyone finds happiness when they care more about what they give than what they get. The pharmacist said, “Lexapro, Lamicatl, Lithium, Xanax.” The doctor said an anti-psychotic might help me forget what the trauma said. The trauma said, “Don’t write these poems. Nobody wants to hear you cry about the grief inside your bones.” But my bones said, “Tyler Clementi jumped from the George Washington Bridge into the Hudson River convinced he was entirely alone.” My bones said, “Write the poems.
Andrea Gibson (The Madness Vase)
He looks away. And he smiles. Its the kind of smile that makes me forget how to do everything but blink and blink and I don't understand what's happening to me. I don't know why I cant convince my eyes to find something else to focus on. I don't know why my heart is losing its mind.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
I would, for once, focus on me
Elizabeth Eulberg (The Lonely Hearts Club (The Lonely Hearts Club, #1))
Look, this is all very, very weird. Why are you focusing on rumours and urban legends? You haven’t even asked me any normal questions.” “Normal questions? Like what?” “Like, I don’t know, like if Lynch had any enemies.” “Did Lynch have any enemies?” “Well, not that I know of, no.” “Then there really was no point in me asking that, was there? Unless you wanted to distract me. You didn’t want to distract me, did you, Kenny?” “No, that’s not—” “Are you playing a game with me, Kenny?” “I don’t know what you’re—” Inspector Me leaned forward. “Did you kill him?” “No!” “It’d be OK if you did.” Kenny recoiled, horrified. “How would that be OK?” “Well,” Me said, “maybe not
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
Steve said, “I don’t know. I really don’t. All I know is that my life is better when I assume that people are doing their best. It keeps me out of judgment and lets me focus on what is, and not what should or could be.” His answer felt like truth to me. Not an easy truth, but truth.
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
I warn you, Kelsey, that I’m an extremely patient man. I’ve had extensive practice in waiting out the enemy. My life as a tiger has taught me that attentive persistence and focused diligence always pay off. Consider yourself forewarned, priyatama. I’m on the hunt. I’ve caught your scent, and I won’t be thwarted in my course.
Colleen Houck
If you can’t believe in miracles, then believe in yourself. When you want something bad enough, let that drive push you to make it happen. Sometimes you’ll run into brick walls that are put there to test you. Find a way around them and stay focused on your dream. Where there’s a will, there’s a way.
Isabel Lopez (Isabel's Hand-Me-Down Dreams)
I didn't say you were a bad person. I just don't like being a foregone conclusion for sole reason of having a vagina." I focused on the grains of salt on the table until I heard a choking noise from Travis's direction. His eyes widened and he quivered with howling laughter. "Oh my God! You're killing me! That's it. We have to be friends. I won't take no for an answer.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
When I find myself focusing overmuch on the anticipated future happiness of arriving at a certain goal, I remind myself to 'Enjoy now'. If I can enjoy the present, I don't need to count on the happiness that is (or isn't) waiting for me in the future".
Gretchen Rubin (The Happiness Project)
I wish the whole day were like breakfast, when people are still connected to their dreams, focused inward, and not yet ready to engage with the world around them. I realized this is how I am all day; for me, unlike other people, there doesn't come a moment after a cup of coffee or a shower or whatever when I suddenly feel alive and awake and connected to the world. If it were always breakfast, I would be fine.
Peter Cameron (Someday This Pain Will Be Useful to You)
Somehow, Sydney had an internal clock that told her when time was up. I think it was part of her inherent ability to keep track of a hundred things at once. Not me. In these moments, my thoughts were usually focused on getting her shirt off and whether I’d get past the bra this time. So far, I hadn’t.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
You’re okay," Zane said quietly but clearly. "Just focus on me for a few minutes. What’s the first thing that comes to mind?" While talking, he was gently wiping away the blood. Ty blinked at him, opening his mouth as he thought the very first thing that came to mind when Zane prompted him. I love you. He snapped his mouth closed and stared at Zane, unable and unwilling to answer.
Abigail Roux (Sticks & Stones (Cut & Run, #2))
Claire was going to hate me. Our son was sucked into the pits of hell while I was watching General Hospital. God damn you Brenda and Sonny for making me lose focus.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
Since he saved me from the attack, I have associated his smell with safety, so as long as I focus on it, I feel safe now.
Veronica Roth (Divergent (Divergent, #1))
The Internet also makes it extraordinarily difficult for me to focus. One small break to look up exactly how almond milk is made, and four hours later I'm reading about the Donner Party and texting all my friends: DID YOU GUYS KNOW ABOUT THE DONNER PARTY AND HOW MESSED UP THAT WAS? TEXT ME BACK SO WE CAN TALK ABOUT IT!
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
It takes energy to get angry. It eats you up inside. I can't waste my energy like that and expect to get ahead. When they left, it took everything I had in me just to survive. Now I have to stay focused. I've just gotta take care of it myself' Joe Rantz
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
It’s about the dream of second chances,” he says finally. He hasn’t raised his eyes from the paper on his desk and I feel him looking at me without looking when he uses his grandfather’s words. “The narrator doesn’t respect the beauty of life and the world around her, so it crushes her into the ground and once she’s dead, she realizes everything she took for granted and didn’t see right in front of her while she was alive. She’s begging for another chance to live again so she can appreciate it this time.” “And does she get that chance?” she asks Josh while I desperately focus on the poster of literary terms on the wall and wait for absolution. When it comes, I barely hear it. “She does.
Katja Millay (The Sea of Tranquility)
As I focus on diligent joy, I also keep remembering a simple idea my friend Darcey told me once -- that all the sorrow and trouble of this world is caused by unhappy people. Not only in the big global Hitler-'n'-Stalin picture, but also on the smallest personal level. Even in my own life, I can see exactly where my episodes of unhappiness have brought suffering or distress or (at the very least) inconvenience to those around me. The search for contentment is, therefore, not merely a self-preserving and self-benefiting act, but also a generous gift to the world. Clearing out all your misery gets you out of the way. You cease being an obstacle, not only to yourself but to anyone else. Only then are you free to serve and enjoy other people.
Elizabeth Gilbert (Eat, Pray, Love)
You give a lot of great advice about what to do. Do you have any advice of what not to do? Don’t do what you know on a gut level to be the wrong thing to do. Don’t stay when you know you should go or go when you know you should stay. Don’t fight when you should hold steady or hold steady when you should fight. Don’t focus on the short-term fun instead of the long-term fall out. Don’t surrender all your joy for an idea you used to have about yourself that isn’t true anymore. Don’t seek joy at all costs. I know it’s hard to know what to do when you have a conflicting set of emotions and desires, but it’s not as hard as we pretend it is. Saying it’s hard is ultimately a justification to do whatever seems like the easiest thing to do—have the affair, stay at that horrible job, end a friendship over a slight, keep loving someone who treats you terribly. I don’t think there’s a single dumbass thing I’ve done in my adult life that I didn’t know was a dumbass thing to do while I was doing it. Even when I justified it to myself—as I did every damn time—the truest part of me knew I was doing the wrong thing. Always. As the years pass, I’m learning how to better trust my gut and not do the wrong thing, but every so often I get a harsh reminder that I’ve still got work to do.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
Let me begin by telling you that I was in love. An ordinary statement, to be sure, but not an ordinary fact, for so few of us learn that love is tenderness, and tenderness is not, as a fair proportian suspect, pity; and still fewer know that happiness in love is not the absolute focusing of all emotion in another: one has always to love a good many things which the beloved must come only to symbolize; the true beloveds of this world are in their lovers's eyes lilacs opening, ship lights, school bells, a landscape, remembered conversations, friends, a child's Sunday, lost voices, one's favourite suit, autumn and all seasons, memory, yes, it being the earth and water of existence, memory.
Truman Capote (Other Voices, Other Rooms)
You aren't going to go crazy," I said firmly. "You're stronger than you think. The next time you feel that way, find something to focus on, to remind you of who are." "Like what? Got some magic object in mind?" "Doesn't have to be magic," I said. I racked my brain. "Here." I unfastened the golden cross necklace. "This has always been good for me. Maybe it'll help you." I set it in his hand, but he caught hold of mine before I could pull back
Richelle Mead
Your world is so different from mine. Do you guys have anything in common with humans?” He looks at me with those killer eyes in that perfect face over his Adonis body. “Nothing we’ll admit to.” “There’s no way around it, is there?” I ask. “We’re mortal enemies and I should be trying to kill you and everyone like you.” He leans over, touches the tip of his forehead to mine, and closes his eyes. “Yes.” His gentle breath caresses my lips as he says the word. I close my eyes too, and try to focus on the warmth of his forehead resting on mine.
Susan Ee (World After (Penryn & the End of Days, #2))
What's wrong with me? ... I might seem like the ideal student: homework always in early, every extra credit and extra curricular I can get my hands on, the good girl and the high achiever. But I realized something just now: it's not ambition, not entirely. It's fear. Because I don't know who I am when I'm not working, when I'm not focused on or totally consumed by a task. Who am I between the projects and the assignments, when there's nothing to do? I haven't found her yet and it scares me. Maybe that's why, for my senior capstone project this year, I decided to solve a murder.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
Stop whining; you're eighteen years old and you keep acting like a puppy. Throgh my complaint carried a teasing note, the irriated eddge behind it was real. The focus required by the hunt made me tense. It's not my fault. His plaintive reply came back. I've never had a tail before. I can't figure out what exactly it's supposed to do. It's so distracting.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
I moaned then, tilting my head back to give him better access. His hands clamped on my waist, then moved—one going to cup my rear, the other sliding between us. This—this moment, when it was him and me and nothing between our bodies … His tongue scraped the roof of my mouth as he dragged a finger down the center of me, and I gasped, my back arching. “Feyre,” he said against my lips, my name like a prayer more devout than any Ianthe had offered up to the Cauldron on that dark solstice morning. His tongue swept my mouth again, in time to the finger that he slipped inside of me. My hips undulated, demanding more, craving the fullness of him, and his growl reverberated in my chest as he added another finger. I moved on him. Lightning lashed through my veins, and my focus narrowed to his fingers, his mouth, his body on mine. His palm pushed against the bundle of nerves at the apex of my thighs, and I groaned his name as I shattered
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
In this one terrified moment, my mind couldn’t focus on any of it. “I’ve forgotten everything.” “No, you haven’t.” His voice in the darkness was calm and reassuring. He smoothed back my hair and pressed one of those half kisses to my forehead. “Just relax and focus." “His reasonable words centered me and allowed the gears of logic that ran my life to take over again.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Katniss: I’m coming back into focus when Caesar asks him if he has a girlfriend back home. Peeta: (Gives an unconvincing shake of head.) Caesar: Handsome lad like you. There must be some special girl. Come on, what’s her name? Peeta: Well, there is this one girl. I’ve had a crush on her ever since I can remember. But I’m pretty sure she didn’t know I was alive until the reaping. Caesar: She have another fellow? Peeta: I don’t know, but a lot of boys like her. Caesar: So, here’s what you do. You win, you go home. She can’t turn you down, eh? Peeta: I don’t think it’s going to work out. Winning… won’t help in my case. Caesar: Why ever not? Peeta: Because… because… she came here with me. Caesar: Oh, that is a piece of bad luck. Peeta: It’s not good. Caesar: Well, I don’t think any of us can blame you. It’d be hard not to fall for that young lady. She didn’t know? Peeta: Not until now.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Flipping to the front, I caught Aiden's gaze and offered a sympathetic smile. "Skittles?" "Please." I dumped some into his open palm, then picked out the green ones. Aiden grinned at me. "You know I don't like the green ones?" Shrugging, I popped them in my mouth. "The few times I've seen you eat them, you leave the green ones behind." Deacon popped his head between our seats. "That's true love right there." "That it is." Aiden's gaze flicked to the road. I flushed like a little schoolgirl and focused on the remaining pieces of candy until Deacon drifted back into his seat. I handed all the red ones to Aiden.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
My eyelids flickered open again and focused on Daemon. He had his eyes closed as he leaned his head against the wall but I knew he was listening to everything. Dee talked about taking me home if my mom couldn’t leave. I was struck again by the twins. Daemon and Dee didn’t belong here, but I did. I could blend easily with the whitewashed walls and pale green curtains. I was as plain as the linoleum, but these two seemed to light the room with their flawless beauty and demanding presence. Ah, the medication was kicking in. I was poetic. And high. Bliss.
Jennifer L. Armentrout (Obsidian (Lux, #1))
Travis staggered backward, the hurt plainly displayed in his eyes. "A toast!" he yelled. I flinched, turning just in time to see him climbing onto a chair, stealing a beer from the shocked Sig Tau brother closest to him. I glanced to America, who watched Travis with a pained expression. "To douchebags!" he said, gesturing to Brad. "And to girls that break your heart, he bowed his head to me. His eyes lost focus. "And to the absolute horror of losing your best friend because you were stupid enough to fall in love with her.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
You’re a coward,” he whispers. “You want to be with me and it terrifies you. And you’re ashamed,” he says. “Ashamed you could ever want someone like me. Aren’t you?” He drops his gaze and his nose grazes mine and I can almost count the millimeters between our lips. I’m struggling to focus, trying to remember that I’m mad at him, mad about something, but his mouth is right in front of mine and my mind can’t stop trying to figure out how to shove aside the space between us. “You want me,” he says softly, his hands moving up my back, “and it’s killing you.” I jerk backward, breaking away, hating my body for reacting to him, for falling apart like this. My joints feel flimsy, my legs have lost their bones. I need oxygen, need a brain, need to find my lungs— “You deserve so much more than charity,” he says, his chest heaving. “You deserve to live. You deserve to be alive.” He’s staring at me, unblinking. “Come back to life, love. I’ll be here when you wake up.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
She'd always believed that people come in two varieties: those who look out the windshield and those who stare in the rearview mirror. She'd(Julie) always been the windshield type: gotta focus on the future, not the past, because that's the only part that's still up for grabs. Mom throws me out? Gotta get some food and find a place to live. Husband dies? Gotta keep working, or I'll end up going crazy. Got some guy stalking me? Gotta figure out a way to stop it.
Nicholas Sparks (The Guardian)
I didn't sleep at all last night, my heart and mind plagued and conflicted and I cant feel my limbs, I cant taste the food I'm not eating and I cant see straight, I cant focus on the things I'm supposed to be hearing. All I can think about are all the casualties and Warner's lips on my neck, his hands on my body, the pain and passion in his eyes and the many possible ways I could die today. I can only think about Warner touching me, kissing me, torturing me with his heart and Adam sitting beside me, not knowing what I've done.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Why can't I go to Idris with you, then? Because it's not safe for you there O and it's safe for me here? I've been nearly killed almost a dozen times in the past month. That's because Valentine has been concentrating on the two Mortal Instruments that were here. He's going to shift his focus to Idris now. We all know it-- We're hardly as certain of anything as all that. And the Clave wants to meet Clarissa. You know that, Jace. The Clave can screw itself.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
life's kind of like a painting. A really bizarre, abstract painting. You could look at it and think that all it is, is a blur. And you could continue living your life thinking that all it is, is just a blur. But if you really look at it, really see it, focus on it, and use your imagination, life can become so much more. The painting could be of the sea, the sky, people,buildings, a butterfly on a flower, or anything except the blur you were once convinced it was.
Cecelia Ahern (If You Could See Me Now)
He grinned. "You're jealous." I considered it. "No. But when you stared at that woman like she was made of diamonds, it didn't feel very good." "I stared at her because she smelled strange." "Strange how?" "She smelled like rock dust. Very strong dry smell." Curran put his arms around me. "I love it when you get all fussy and possessive." "I never get fussy and possessive." He grinned, showing his teeth. His face was practically glowing. "So you're cool if I go over and chat her up?" "Sure. Are you cool if I go and chat up that sexy werewolf on the third floor?" He went from casual and funny to deadly serious in half a blink. "What sexy werewolf?" I laughed. Curran's eyes focused. He was concentrating on something. "You're taking a mental inventory of all people working on the third floor, aren't you?" His expression went blank. I'd hit the nail on the head. I slid off him and put my head on his biceps. The shaggy carpet was nice and comfortable under my back. "Is it Jordan?" "I just picked a random floor," I told him. "You're nuts, you know that?" He put his arm around me. "Look who is talking.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
Wealth File 1. Rich people believe "I create my life." Poor people believe "Life happens to me." 2. Rich people play the money game to win. Poor people play the money game to not lose. 3. Rich people are committed to being rich. Poor people want to be rich. 4. Rich people think big. Poor people think small. 5. Rich people focus on opportunities. Poor people focus on obstacles. 6. Rich people admire other rich and successful people. Poor people resent rich and successful people. 7. Rich people associate with positive, successful people. Poor people associate with negative or unsuccessful people. 8. Rich people are willing to promote themselves and their value. Poor people think negatively about selling and promotion. 9. Rich people are bigger than their problems. Poor people are smaller than their problems. 10. Rich people are excellent receivers. Poor people are poor receivers. 11. Rich people choose to get paid based on results. Poor people choose to get paid based on time. 12. Rich people think "both". Poor people think "either/or". 13. Rich people focus on their net worth. Poor people focus on their working income. 14. Rich people manage their money well. Poor people mismanage their money well. 15. Rich people have their money work hard for them. Poor people work hard for their money. 16. Rich people act in spite of fear. Poor people let fear stop them. 17. Rich people constantly learn and grow. Poor people think they already know.
T. Harv Eker (Secrets of the Millionaire Mind: Mastering the Inner Game of Wealth)
They’re on Lee and Indy Sex Watch.” “Come again?” “They want to know when we’ve done it.” Silence. I went on. “If we don’t do it soon, they might force us to at gunpoint.” “Christ.” “I know. No pressure though. I told them we’re taking is slow.” “You have to report in?” “I kind of feel obliged.” “How’s that?” I didn’t want to tell him I’d recruited them both for Lee Maneuvres in the past, so I said, “Never mind.” “If something doesn’t happen soon, it’s gonna be bad. I can’t keep focussed, all I can think of is what’s on your Victoria’s Secret credit statement. “You need to keep focused,” I told him, “bad guys are after me.” “Tell me about it.
Kristen Ashley (Rock Chick (Rock Chick, #1))
Abe's face came back into focus. "Greetings, Zmey," I said weakly. Somehow, him being here didn't surprise me. "Nice of you to slither on in." He shook his head, wearing a rueful smile. "I think you've outdone me when it comes to sneaking around dark corners. I thought you were on your way back to Montana." "Next time, make sure you write a few more details into your bargains. Or just pack me up and send me back to the U. S. For real." "Oh," he said, "that's exactly what I intend to do." He kept smiling as he said it, but somehow, I had a feeling he wasn't joking.
Richelle Mead (Blood Promise (Vampire Academy, #4))
I read an article once that said that when women have a conversation, they're communicating on five levels. They follow the conversation that they're actually having, the conversation that is specifically being avoided, the tone being applied to the overt conversation, the buried conversation that is being covered only in subtext, and finally the other person's body language. That is, on many levels, astounding to me. I mean, that's like having a freaking superpower. When I, and most other people with a Y chromosome, have a conversation, we're having a conversation. Singular. We're paying attention to what is being said, considering that, and replying to it. All these other conversations that have apparently been booing on for the last several thousand years? I didn't even know that they existed until I read that stupid article, and I'm pretty sure I'm not the only one. ... So, ladies, if you ever have some conversation with your boyfriend or husband or brother or male friend, and you are telling him something perfectly obvious, and he comes away from it utterly clueless? I know it's tempting to thing to yourself, 'The man can't possibly be that stupid!' But yes. Yes, he can. Our innate strengths just aren't the same. We are the mighty hunters, who are good at focusing on one thing at a time. For crying out loud, we have to turn down the radio in the car if we suspect we're lost and need to figure out how to get where we're going. That's how impaired we are. I'm telling you, we have only the one conversation. Maybe some kind of relationship veteran like Michael Carpenter can do two, but that's pushing the envelope. Five simultaneous conversations? Five? Shah. That just isn't going to happen. At least, not for me.
Jim Butcher (Cold Days (The Dresden Files, #14))
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Why do you like jellyfish so much?" I asked. "I don't know. I guess I think they're cute," she said. "But one thing did occur to me when I was really focused on them. What we see before us is just one tiny part of the world. We get into the habit of thinking, This is the world, but that's not true at all. The real world is in a much darker and deeper place than this, and most of it is occupied by jellyfish and things. We just happen to forget all that. Don't you agree? Two thirds of the earth's surface is ocean, and all we can see of it with the naked eye is the surface: the skin. We hardly know anything about what's beneath the skin.
Haruki Murakami (The Wind-Up Bird Chronicle)
The sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine.
Charlotte Eriksson
Would you like to have dinner with me?” “You mean go on a date?” I focused on stirring instead of my suddenly racing heart. “When?” “Before the union. Have dinner with me and I’ll take you to Blood Moon for a couple of hours until it’s time for the ceremony.” His fingers moved from the pleats to the hem of my sweater, his hand slipping under the pale blue cashmere to stroke the skin of my lower back. I gasped, caught his wrist in my fingers, and pulled his hand away from its provocative exploration. “We are in class,” I hissed at him through clenched teeth.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
When Luke had descended into the River Styx, he would've had to focus on something important that would hold him to his mortal life. Otherwise he would've dissolved. I had seen Annabeth, and I had a feeling he had too. He had pictured that scene Hestia showed me—of himself in the good old days with Thalia and Annabeth, when he promised they would be a family. Hurting Annabeth in battle had shocked him into remembering that promise. It had allowed his mortal conscience to take over again, and defeat Kronos. His weak spot—his Achilles heel—had saved us all
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
The way you move is incredible.” Ren drew me back to press against him. His fingers slid down to the curve of my hips, rocking our bodies in rhythm with the heavy bass. The sensation of being molded against the hard narrow line of his hips threatened to overwhelm me. We were hidden in the mass of people, right? The Keepers couldn’t see? I tried to steady my breath as Ren kept us locked together in the excruciatingly slow pulse of the music. I closed my eyes and leaned back into his body; his fingers kneaded my hips, caressed my stomach. God, it felt good. My lips parted and the misty veil slipped between them, playing along my tongue. The taste of flower buds about to burst into bloom filled my mouth. Suddenly I wanted nothing more than to melt into Ren. The surge of desire terrified me. I had no idea if the compulsion to draw him more tightly around my body emerged from my own heart or from the succubi’s spellcraft. This couldn’t happen! I started to panic when he bent his head, pressing his lips against my neck. My eyes fluttered and I struggled to focus despite the suffocating heat that pressed down all around me. His sharpened canines traced my skin, scratching but not breaking the surface. My body quaked and I pivoted in his arms, pushing against his chest, making space between us. “I’m a fighter, not a lover,” I gasped. “You can’t be both?” His smile made my knees buckle.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
Aw, hell!" Kyle grumbled. My gaze flickered toward him at the sound of his voice. I could just see his bright eyes around Jared's elbow, focused on me. " It didn't fall!" He complained. Jared lundged forward, away from me. With a loud smacking sound, his fist hit Kyle's face. Kyle's eyes rolled back in his head, and his mouth fell slack. The room was very quiet for a few seconds. "Um," Doc said in a mild voice, "medically speaking, I'm not sure that was the most helpful thing for his condition." "But I feel better," Jared answered, sullen.
Stephenie Meyer (The Host (The Host, #1))
I remember watching an episode of The West Wing about education in America, which the majority of people rightfully believe is the key to opportunity. In it, the fictional president debates whether he should push school vouchers (giving public money to schoolchildren so that they escape failing public schools) or instead focus exclusively on fixing those same failing schools. That debate is important, of course—for a long time, much of my failing school district qualified for vouchers—but it was striking that in an entire discussion about why poor kids struggled in school, the emphasis rested entirely on public institutions. As a teacher at my old high school told me recently, “They want us to be shepherds to these kids. But no one wants to talk about the fact that many of them are raised by wolves.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
You never explained the change of heart." "Maybe I got tired of seeing Kevin bend. Or maybe it was the zombies. A few weeks back you and Renee argued contingency plans for a zombie apocalypse. She said she'd focus on survivors. You said you'd go back for some of us. Five of us. You weren't counting Abby or Coach. Since you trust Renee to handle the rest of the team, I'm guessing the last spot is for Dobson. I didn't say anything then because I knew I'd look out for only me when the world went to hell. I don't want to be that person anymore. I want to go back for you.
Nora Sakavic (The King's Men (All for the Game, #3))
Let me list for you some of the many ways in which you might be afraid to live a more creative life: You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
What's the first sign of a lurking, hidden expectation you didn't know you had? Pain! People don't do what we want, things don't happen quickly enough, the weather doesn't cooperate, our bodies don't cooperate. Why are these moments so painful? Because our minds are focused on a static, unchanging, me-centric picture while the dynamic unfolding of a broader life continues around us. There is nothing wrong with expectations per se, as it's appropriate to set goals and work, properly, towards their fruition. But the instant we feel pain over life not going "my way," our expectations have clearly taken an improper turn. Any moment you feel resistance or pain, look for -- and then let go of -- the hidden expectation. Practice giving yourself over to what "you" don't want. Let the line at the store be long. Let the other person interrupt you. Let the nervousness make you shake. Be where your body is, not where your mind is trying to take you.
Guy Finley
I wasn’t aware of just how close he’d moved to me until now. So many details came into focus. The shape of his lips, the line of his neck. “I’m not dangerous,” I breathed. He brought his face toward mine. “You are to me.” And somehow, against all reason, we were kissing. I closed my eyes, and the world around me faded. The noise, the smoke . . . it was gone. All that mattered was the taste of his mouth, a mix of cloves and mints. There was a fierceness in his kiss, a desperation . . . and I answered, just as hungry for him. I didn’t stop him when he pulled me closer, so that I almost sat on his lap. I’d never been wrapped around someone’s body like that, and I was shocked at how eagerly mine responded. His arm went around my waist, pulling me onto him further, and his other hand slid up the back of my neck, getting entangled in my hair. He took his lips away from my mouth, gently trailing kisses down to my neck. I tipped my head back, gasping when the intensity returned to his mouth. There was an animalistic quality that sent shock waves through the rest of my body.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
When you look at the earth’s existence as a whole, we’re nothing. We haven’t even been here long enough to earn bragging rights. Yet humans believe we’re the center of the universe. We focus on the stupidest, most mundane issues. We stress about things that mean absolutely nothing to the universe, when we should be nothing but grateful that evolution even gave our species a chance to have problems. Because one of these days . . . humans won’t exist. History will repeat itself and earth will move on to a different species altogether. Me and you . . . we’re just two people out of an entire race that, in retrospect, is still way less impressive at sustainability than a dinosaur. We just haven’t reached our expiration date yet.
Colleen Hoover (All Your Perfects)
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.
Ali Hazelwood (Love on the Brain)
It was a mug. And it had a joke printed on it. It said, Engineers don’t cry. They build bridges and get over it.” Someone laughed then. Isabel or perhaps Gonzalo—I wasn’t sure. With all that crazy banging, my heart had somehow moved up my throat and to my temples, so it was hard to focus on anything besides its beating and Aaron’s voice. “And you know what I did?” he continued, bitterness filling his tone. “Instead of laughing like I wanted to, instead of looking up at her and saying something funny that would hopefully make her give me one of those bright smiles I had somehow already seen her give so freely in the short day I had been around her, I pushed it all down and set the mug on my desk. Then, I thanked her and asked her if there was anything else she needed.” I knew I shouldn’t feel embarrassed, but I was. Just as much as I had been back then, if not more. It had been such a silly thing to do, and I had felt so tiny and dumb after he brushed it away so easily. Closing my eyes, I heard him continue, “I pretty much kicked her out of my office after she went out of her way and got me a gift.” Aaron’s voice got low and harsh. “A fucking welcome gift.” I opened my eyes just in time to watch him turn his head in my direction. Our gazes met. “Just like the big jerk I had advertised myself to be, I ran her out. And to this day, I regret it every time it crosses my mind. Every time I look at her.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
I am, and always have been - first, last, and always - a child of America. You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand. I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House. You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down. Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too. The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms. We were not afforded that liberty. But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice. Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us. If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election. And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
Casey McQuiston (Red, White & Royal Blue)
Nothing can fill you up,” she stated. “Nope,” he agreed again. “You won’t let it.” “Barrel’s got a hole in the bottom, buddy, everything leaks out no matter how much you pour in.” She was silent a moment then she whispered, “Right.” She turned to the door and his hand gripped his bourbon so hard he had to focus everything on loosening his grip or the glass would shatter. Before she opened it, she turned back. “You don’t know, Cal, you have no idea. You’ve shut yourself up for so long in this fucking house with your tragic memories, you have no idea what’s about to walk out your door. Kate, Keira and me, we could have plugged that hole. We could have filled you so full, you’d be bursting. We would have loved that chance. We’d have given it everything we had, no matter the time that slid by, graduations, weddings, grandbabies, you’d have been a part of us and we’d have given everything we had to keep you so full, you’d be bursting.” Cal didn’t reply. “Joe,” she whispered, “you let me walk out this door, you’ll lose your chance.” Cal didn’t move. Vi waited. Cal stayed seated.
Kristen Ashley (At Peace (The 'Burg, #2))
I was, after the breakup, what you call a complete wreck. For the first time in my life, my pain had a focus. Any I just couldn't help myself. I didn't care what anyone thought, I didn't care that all the girls in school would say, See, he finally got wise, I didn't care how stupid I would look with teary mascara stains and purple eyeliner tracks down my cheeks, I didn't care about anything except how this was the worst pain ever. I used to weep for never having anything worth losing, but now I was simply resplendent--puffy, red, hysterical-- with a loss I could identify completely. I felt justified in my sorrow and I couldn't stand the way everything about Zachary seemed to be everywhere: Every staircase we'd necked on and lounge chair we'd chatted on between classes was redolent with memories of him. My God, even the lint that gathered on my clothing and still hadn't come out in the wash reminded me of Zachary. I would burst into tears in class and not bother to excuse myself. I cried on the subway. One day, I got mugged walking to the subway, and figured it was as good an excuse as any to go home and stay there.
Elizabeth Wurtzel (Prozac Nation)
I did my best to fight and claw my way back to the life I once knew, but panic had taken over and colors were swirling and fading all around me. It was all turning into a great cloud of blackness, just like the one I had seen in my dream. The looming cloud of nothingness I had feared for so long was finally grabbing me, wiping my world dark and blank. The darkness was thick and intense, an inky void that stretched to eternity in every direction. Eventually my panic burnt itself out and I simply stayed there in the dark, feeling as if someone had drained my adrenal glands. I was no longer responding to the dark with fear, but acceptance. In fact, curiosity was beginning to take over. The longer I let myself stare into it, the less dark it appeared. After some time, I realized that it was all different shades of murky black and foggy gray overlapping and undulating, just out of focus. I blinked mentally and suddenly she was there, standing above me with concern etched in sooty-colored lines on her monochromatic face.
Misty Mount (The Shadow Girl)
Tristan followed so close behind her she could feel his hot breath on the back of her neck. Again. “Ten foot rule,” called Nate. “Bite me!” Tristan hollered back, more hot breath caressing her skin with his words. A wonderful shiver ran through her body. Damn him and his beautiful mouth and hot breath and his leather-smelling shirt. She assumed he was headed to his own room in the basement, but when she walked into the guest bedroom, he followed her inside. She turned around to tell him to leave her alone, but his bright green eyes derailed her words. He was so pretty… No! No. He was not pretty. He was in danger of dying. Focus on the danger, Scarlet. She glared at him. “What are you doing?” “I’m sleeping with you.” Was he insane? She lifted a brow. “I thought you were mad at me.” “I’m concerned. Not mad.” “Huh. Well either way you’re not sleeping with me.” “Yes, I am.” He was insane. “No,” Scarlet repeated. “You’re not. You could die, Tristan. We can’t touch and we certainly can’t…sleep together.” She felt her face flush. A look of amusement crossed his face. “I meant sleep, Scar.” “Oh. Well.” She cleared her throat. “I don’t want to wake up next to a corpse, so, like…scram.
Chelsea Fine (Avow (The Archers of Avalon, #3))
Do you know what it was like kissing Holly and looking up to see you?" "What?" "You said to begin anywhere." But I hadn't expected that as a beginning, middle or end. I felt my cheeks getting warm. "I guess it was pretty embarrassing for both of us," I said, and walked ahead of him so he wouldn't see my face. "I know, I just kept staring at you." "What were you thinking?" "I don't remember." "Don't you start using that line," he chided. "Then don't ask me, Nick." Did he suspect how I felt. He caught me and turned me around to face him. I focused on his shirt. "Okay," he said quietly, "I'll tell you what I was thinking. I couldn't believe that I, who was never going to get hooked, had fallen in love with a girl who didn't want to date, and she was watching me kiss somebody else." I glanced up. "Your turn, brave girl. What were you thinking?" "That Holly looked beautiful in your arms and that you didn't pull away from her the way you had pulled away from me when I kissed you." He drew me to him. "I'm not pulling away again," he said holding me close.
Elizabeth Chandler (Dark Secrets 1 (Dark Secrets, #1-2))
they're good fighters, i think proudly as i watch them duke it out. But as the oldest male in the house, it's my duty to break it up. I grab the collar of Carlos's shirt but on Louis's leg and land on the floor with them. Before I can regain my balance, icy cold water is pored on my back. Turning quickly, I catch mi'ama dousing us all, a bucket poised in her fist abouve us while she is wearing her work uniform. She works as a checker for the local grocery store a couple blocks from our house. It doesn't pay a whole heck of a lot, but we don't need much. "Get up" she orders, her fiery attitude out in full force. "Shit, Ma" Carlos says, standing Mi'ama takes what's left in her bucket, sticks her fingers in the icy water, and flicks the liquid in Carlos's face. Luis laughs and before he knows it, he gets flicked with water as well. Will they ever learn? "Any More attitude, Lous?" She asks. "No, ma'am" Louis says, standing as straight as a soilder. "You have any more filthy words to come out of that boca of yours, Carlos?" She dips her hand in the water as a warning. "No, ma'am" echos soldier number two. "And what abot you, Alejandro?" her eyes narrow into slits as she focuses on me "What? I was try'in to break it up" I say innocently, giving her my you-can't-resist-me smile. She flicks water in my face. "That's for not breaking it up sooner. Now get dressed, all of you, and come eat breakfast before school." So much for my you-can't-resist-me smile
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
A woman in her thirties came to see me. As she greeted me, I could sense the pain behind her polite and superficial smile. She started telling me her story, and within one second her smile changed into a grimace of pain. Then, she began to sob uncontrollably. She said she felt lonely and unfulfilled. There was much anger and sadness. As a child she had been abused by a physically violent father. I saw quickly that her pain was not caused by her present life circumstances but by an extraordinarily heavy pain-body. Her pain-body had become the filter through which she viewed her life situation. She was not yet able to see the link between the emotional pain and her thoughts, being completely identified with both. She could not yet see that she was feeding the pain-body with her thoughts. In other words, she lived with the burden of a deeply unhappy self. At some level, however, she must have realized that her pain originated within herself, that she was a burden to herself. She was ready to awaken, and this is why she had come. I directed the focus of her attention to what she was feeling inside her body and asked her to sense the emotion directly, instead of through the filter of her unhappy thoughts, her unhappy story. She said she had come expecting me to show her the way out of her unhappiness, not into it. Reluctantly, however, she did what I asked her to do. Tears were rolling down her face, her whole body was shaking. “At this moment, this is what you feel.” I said. “There is nothing you can do about the fact that at this moment this is what you feel. Now, instead of wanting this moment to be different from the way it is, which adds more pain to the pain that is already there, is it possible for you to completely accept that this is what you feel right now?” She was quiet for a moment. Suddenly she looked impatient, as if she was about to get up, and said angrily, “No, I don't want to accept this.” “Who is speaking?” I asked her. “You or the unhappiness in you? Can you see that your unhappiness about being unhappy is just another layer of unhappiness?” She became quiet again. “I am not asking you to do anything. All I'm asking is that you find out whether it is possible for you to allow those feelings to be there. In other words, and this may sound strange, if you don't mind being unhappy, what happens to the unhappiness? Don't you want to find out?” She looked puzzled briefly, and after a minute or so of sitting silently, I suddenly noticed a significant shift in her energy field. She said, “This is weird. I 'm still unhappy, but now there is space around it. It seems to matter less.” This was the first time I heard somebody put it like that: There is space around my unhappiness. That space, of course, comes when there is inner acceptance of whatever you are experiencing in the present moment. I didn't say much else, allowing her to be with the experience. Later she came to understand that the moment she stopped identifying with the feeling, the old painful emotion that lived in her, the moment she put her attention on it directly without trying to resist it, it could no longer control her thinking and so become mixed up with a mentally constructed story called “The Unhappy Me.” Another dimension had come into her life that transcended her personal past – the dimension of Presence. Since you cannot be unhappy without an unhappy story, this was the end of her unhappiness. It was also the beginning of the end of her pain-body. Emotion in itself is not unhappiness. Only emotion plus an unhappy story is unhappiness. When our session came to an end, it was fulfilling to know that I had just witnessed the arising of Presence in another human being. The very reason for our existence in human form is to bring that dimension of consciousness into this world. I had also witnessed a diminishment of the pain-body, not through fighting it but through bringing the light of consciousness to it.
Eckhart Tolle (A New Earth: Awakening to Your Life's Purpose)
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it." He grumbled, but I could see relif in his eyes, like he was glad to see me smile. "SO i was right, wasn't I? It's still youm even in wolf form." He grunted. "No sudden uncontrollable urges to go kill something?" He rolled his eyes. "Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?" I got a real look for that one. "Just covering all the bases." He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers. Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it. "The lack of opposanle thumbs is going to take some getting used to, huh?" He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it. "Okay, okay. I'm just trying not to croud you." That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace. He grunted. "Yes, thats better.thanks. now get some rest." i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that. and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days? Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing. when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep. i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me. "S-sorry, I didn't mean-" He cut me short with a growl, telling me off for apologizing.
Kelley Armstrong
Harry’s letter to his daughter: If I could give you just one thing, I’d want it to be a simple truth that took me many years to learn. If you learn it now, it may enrich your life in hundreds of ways. And it may prevent you from facing many problems that have hurt people who have never learned it. The truth is simply this: No one owes you anything. Significance How could such a simple statement be important? It may not seem so, but understanding it can bless your entire life. No one owes you anything. It means that no one else is living for you, my child. Because no one is you. Each person is living for himself; his own happiness is all he can ever personally feel. When you realize that no one owes you happiness or anything else, you’ll be freed from expecting what isn’t likely to be. It means no one has to love you. If someone loves you, it’s because there’s something special about you that gives him happiness. Find out what that something special is and try to make it stronger in you, so that you’ll be loved even more. When people do things for you, it’s because they want to — because you, in some way, give them something meaningful that makes them want to please you, not because anyone owes you anything. No one has to like you. If your friends want to be with you, it’s not out of duty. Find out what makes others happy so they’ll want to be near you. No one has to respect you. Some people may even be unkind to you. But once you realize that people don’t have to be good to you, and may not be good to you, you’ll learn to avoid those who would harm you. For you don’t owe them anything either. Living your Life No one owes you anything. You owe it to yourself to be the best person possible. Because if you are, others will want to be with you, want to provide you with the things you want in exchange for what you’re giving to them. Some people will choose not to be with you for reasons that have nothing to do with you. When that happens, look elsewhere for the relationships you want. Don’t make someone else’s problem your problem. Once you learn that you must earn the love and respect of others, you’ll never expect the impossible and you won’t be disappointed. Others don’t have to share their property with you, nor their feelings or thoughts. If they do, it’s because you’ve earned these things. And you have every reason to be proud of the love you receive, your friends’ respect, the property you’ve earned. But don’t ever take them for granted. If you do, you could lose them. They’re not yours by right; you must always earn them. My Experience A great burden was lifted from my shoulders the day I realized that no one owes me anything. For so long as I’d thought there were things I was entitled to, I’d been wearing myself out —physically and emotionally — trying to collect them. No one owes me moral conduct, respect, friendship, love, courtesy, or intelligence. And once I recognized that, all my relationships became far more satisfying. I’ve focused on being with people who want to do the things I want them to do. That understanding has served me well with friends, business associates, lovers, sales prospects, and strangers. It constantly reminds me that I can get what I want only if I can enter the other person’s world. I must try to understand how he thinks, what he believes to be important, what he wants. Only then can I appeal to someone in ways that will bring me what I want. And only then can I tell whether I really want to be involved with someone. And I can save the important relationships for th
Harry Browne
It doesn't matter what the manifest problem was in our childhood family. In a home where a child is emotionally deprived for one reason or another that child will take some personal emotional confusion into his or her adult life. We may spin our spiritual wheels in trying to make up for childhood's personal losses, looking for compensation in the wrong places and despairing that we can find it. But the significance of spiritual rebirth through Jesus Christ is that we can mature spiritually under His parenting and receive healing compensation for these childhood deprivations. Three emotions that often grow all out of proportion in the emotionally deprived child are fear, guilt, and anger. The fear grows out of the child's awareness of the uncontrollable nature of her fearful environment, of overwhelming negative forces around her. Her guilt, her profound feelings of inadequacy, intensify when she is unable to put right what is wrong, either in the environment or in another person, no matter how hard she tries to be good. If only she could try harder or be better, she could correct what is wrong, she thinks. She may carry this guilt all her life, not knowing where it comes from, but just always feeling guilty. She often feels too sorry for something she has done that was really not all that serious. Her anger comes from her frustration, perceived deprivation, and the resultant self-pity. She has picked up an anger habit and doesn't know how much trouble it is causing her. A fourth problem often follows in the wake of the big three: the need to control others and manipulate events in order to feel secure in her own world, to hold her world together- to make happen what she wants to happen. She thinks she has to run everything. She may enter adulthood with an illusion of power and a sense of authority to put other people right, though she has had little success with it. She thinks that all she has to do is try harder, be worthier, and then she can change, perfect, and save other people. But she is in the dark about what really needs changing."I thought I would drown in guilt and wanted to fix all the people that I had affected so negatively. But I learned that I had to focus on getting well and leave off trying to cure anyone around me." Many of those around - might indeed get better too, since we seldom see how much we are a key part of a negative relationship pattern. I have learned it is a true principle that I need to fix myself before I can begin to be truly helpful to anyone else. I used to think that if I were worthy enough and worked hard enough, and exercised enough anxiety (which is not the same thing as faith), I could change anything. My power and my control are illusions. To survive emotionally, I have to turn my life over to the care of that tender Heavenly Father who was really in charge. It is my own spiritual superficiality that makes me sick, and that only profound repentance, that real change of heart, would ultimately heal me. My Savior is much closer than I imagine and is willing to take over the direction of my life: "I am the vine, ye are the branches: He that abideth in me, and I in him, the same bringeth forth much fruit: for without me, ye can do nothing." (John 15:5). As old foundations crumble, we feel terribly vulnerable. Humility, prayer and flexibility are the keys to passing through this corridor of healthy change while we experiment with truer ways of dealing with life. Godly knowledge, lovingly imparted, begins deep healing, gives tools to live by and new ways to understand the gospel.
M. Catherine Thomas