β
Hold fast to dreams,
For if dreams die
Life is a broken-winged bird,
That cannot fly.
β
β
Langston Hughes
β
Tiger got to hunt, bird got to fly;
Man got to sit and wonder 'why, why, why?'
Tiger got to sleep, bird got to land;
Man got to tell himself he understand.
β
β
Kurt Vonnegut Jr. (Catβs Cradle)
β
Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild. So you let them go, or when you open the cage to feed them they somehow fly out past you. And the part of you that knows it was wrong to imprison them in the first place rejoices, but still, the place where you live is that much more drab and empty for their departure.
β
β
Stephen King (Rita Hayworth and Shawshank Redemption)
β
The reason birds can fly and we can't is simply because they have perfect faith, for to have faith is to have wings.
β
β
J.M. Barrie (The Little White Bird)
β
I always wonder why birds choose to stay in the same place when they can fly anywhere on the earth, then I ask myself the same question.
β
β
Harun Yahya
β
The bird fights its way out of the egg. The egg is the world. Who would be born must first destroy a world. The bird flies to God. That God's name is Abraxas.
β
β
Hermann Hesse (Demian)
β
Birds born in a cage think flying is an illness.
β
β
Alejandro Jodorowsky
β
You can't keep the birds of sadness from flying over your head, but you can keep them from nesting in your hair.
β
β
Sharon Creech (Walk Two Moons)
β
Feathers filled the small room. Our laughter kept the feathers in the air. I thought about birds. Could they fly if there wasn't someone, somewhere, laughing?
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
This is what the things can teach us: to fall, patiently to trust our heaviness. Even a bird has to do that before he can fly.
β
β
Rainer Maria Rilke
β
Yes," I say. "Three of these flying birds."
I touch my collarbone, marking the path of their flight - toward my heart. One for each member of the family I left behind.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open.
β
β
Madeline Miller (Circe)
β
The only thing crueler than a cage so
small that a bird canβt fly is a cage so
large that a bird thinks it can fly.
β
β
Caroline Kepnes (You (You, #1))
β
One thing: you have to walk, and create the way by your walking; you will not find a ready-made path. It is not so cheap, to reach to the ultimate realization of truth. You will have to create the path by walking yourself; the path is not ready-made, lying there and waiting for you. It is just like the sky: the birds fly, but they don't leave any footprints. You cannot follow them; there are no footprints left behind.
β
β
Osho
β
Hold fast to dreams
for if dreams die
life is a broken-winged bird
that can not fly.
Hold fast to dreams
for when dreams go
life is a barren field
frozen with snow.
β
β
Langston Hughes (The Collected Poems)
β
It may be hard for an egg to turn into a bird: it would be a jolly sight harder for a bird to learn to fly while remaining an egg. We are like eggs at present. And you cannot go on indefinitely being just an ordinary, decent egg. We must be hatched or go bad.
β
β
C.S. Lewis (Mere Christianity)
β
Advice? I donβt have advice. Stop aspiring and start writing. If youβre writing, youβre a writer. Write like youβre a goddamn death row inmate and the governor is out of the country and thereβs no chance for a pardon. Write like youβre clinging to the edge of a cliff, white knuckles, on your last breath, and youβve got just one last thing to say, like youβre a bird flying over us and you can see everything, and please, for Godβs sake, tell us something that will save us from ourselves. Take a deep breath and tell us your deepest, darkest secret, so we can wipe our brow and know that weβre not alone. Write like you have a message from the king. Or donβt. Who knows, maybe youβre one of the lucky ones who doesnβt have to.
β
β
Alan W. Watts
β
Q: You'er presented with a smooth-faced, eight-foot-high wooden wall. Your objective? Get over it. To, like, save comrades or something. How to accomplish this?
A: Take a running start, brace one foot against the wall, throw one hand to the top, try to hang on long enough for a comrade to either grab your hand at the top or for another comrade to push your butt up from below. It takes team work!
BKA (bird kid answer): Or you could just, like, fly over it.
β
β
James Patterson (Max (Maximum Ride, #5))
β
All Birds find shelter during a rain.
But Eagle avoids rain by flying above
the Clouds.
Problems are common, but attitude
makes the difference!!!
β
β
A.P.J. Abdul Kalam
β
Everything, even herself, was now unbearable to her. She wished that, taking wing like a bird, she could fly somewhere, far away to regions of purity, and there grow young again.
β
β
Gustave Flaubert (Madame Bovary)
β
I keep thinking about a tale my nurse used to read to me about a bird whose wings are pinned to the ground. In the end, when he finally frees himself, he flies so high he becomes a star. My nurse said the story was about how we all have something that keeps us down.
β
β
Shannon Hale (Princess Academy (Princess Academy, #1))
β
It's difficult to see the glass ceiling because it's made of glass. Virtually invisible. What we need is for more birds to fly above it and shit all over it, so we can see it properly.
β
β
Caitlin Moran (How to Be a Woman)
β
The shell must break before the bird can fly.
β
β
Alfred Tennyson
β
You're my bird," I tell him. "You're my bird and you're going to help me fly away.
β
β
Tahereh Mafi (Shatter Me (Shatter Me, #1))
β
Every bird that flies has the thread of the infinite in its claw.
β
β
Victor Hugo (Les MisΓ©rables)
β
It's just a job. Grass grows, birds fly, waves pound the sand. I beat people up.
β
β
Muhammad Ali
β
If only, if only, the moon speaks no reply;
Reflecting the sun and all that's gone by.
Be strong my weary wolf, turn around boldly.
Fly high, my baby bird,
My angel, my only
β
β
Louis Sachar (Holes (Holes, #1))
β
As we all know, time sometimes flies like a bird, and sometimes
crawls like a worm, but people may be unusually happy when they do not
even notice whether time has passed quickly or slowly
β
β
Ivan Turgenev (Fathers and Sons)
β
There will be a bird today. It will be white with streaks of gold like a crown atop its head. It will fly.
β
β
Tahereh Mafi (Shatter Me (Shatter Me, #1))
β
Adam strokes my head, my face, he kisses my tears.
We are blessed.
Let them all go.
The sound of a bird flying low across the garden. Then nothing. Nothing. A cloud passes. Nothing again. Light falls through the window, falls onto me, into me.
Moments.
All gathering towards this one.
β
β
Jenny Downham (Before I Die)
β
Be always drunken.
Nothing else matters:
that is the only question.
If you would not feel
the horrible burden of Time
weighing on your shoulders
and crushing you to the earth,
be drunken continually.
Drunken with what?
With wine, with poetry, or with virtue, as you will.
But be drunken.
And if sometimes,
on the stairs of a palace,
or on the green side of a ditch,
or in the dreary solitude of your own room,
you should awaken
and the drunkenness be half or wholly slipped away from you,
ask of the wind,
or of the wave,
or of the star,
or of the bird,
or of the clock,
of whatever flies,
or sighs,
or rocks,
or sings,
or speaks,
ask what hour it is;
and the wind,
wave,
star,
bird,
clock will answer you:
"It is the hour to be drunken!
β
β
Charles Baudelaire (Paris Spleen)
β
and the sad notes floated out to the
patio and hung in the trees like birds too tired to fly
β
β
Hunter S. Thompson (The Rum Diary)
β
The human heart is like a night bird. Silently waiting for something, and when the time comes, it flies straight toward it.
β
β
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
β
Is not this a true autumn day? Just the still melancholy that I love - that makes life and nature harmonise. The birds are consulting about their migrations, the trees are putting on the hectic or the pallid hues of decay, and begin to strew the ground, that one's very footsteps may not disturb the repose of earth and air, while they give us a scent that is a perfect anodyne to the restless spirit. Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns."
[Letter to Miss Lewis, Oct. 1, 1841]
β
β
George Eliot (George Eliotβs Life, as Related in her Letters and Journals (Cambridge Library Collection - Literary Studies))
β
For everything in this journey of life we are on, there is a right wing and a left wing: for the wing of love there is anger; for the wing of destiny there is fear; for the wing of pain there is healing; for the wing of hurt there is forgiveness; for the wing of pride there is humility; for the wing of giving there is taking; for the wing of tears there is joy; for the wing of rejection there is acceptance; for the wing of judgment there is grace; for the wing of honor there is shame; for the wing of letting go there is the wing of keeping. We can only fly with two wings and two wings can only stay in the air if there is a balance. Two beautiful wings is perfection. There is a generation of people who idealize perfection as the existence of only one of these wings every time. But I see that a bird with one wing is imperfect. An angel with one wing is imperfect. A butterfly with one wing is dead. So this generation of people strive to always cut off the other wing in the hopes of embodying their ideal of perfection, and in doing so, have created a crippled race.
β
β
C. JoyBell C.
β
There is a wisdom that is woe; but there is a woe that is madness. And there is a Catskill eagle in some souls that can alike dive down into the blackest gorges, and soar out of them again and become invisible in the sunny spaces. And even if he for ever flies within the gorge, that gorge is in the mountains; so that even in his lowest swoop the mountain eagle is still higher than other birds upon the plain, even though they soar.
β
β
Herman Melville (Moby Dick)
β
The bird dares to break the shell, then the shell breaks open and the bird can fly openly. This is the simplest principle of success. You dream, you dare and and you fly.
β
β
Israelmore Ayivor
β
The sun was shining on the sea,
Shining with all his might:
He did his very best to make
The billows smooth and bright
-- And this was odd, because it was
The middle of the night.
The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done
-- "It's very rude of him," she said,
"To come and spoil the fun!"
The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky:
No birds were flying overhead
-- There were no birds to fly.
In a Wonderland they lie
Dreaming as the days go by,
Dreaming as the summer die.
β
β
Lewis Carroll (Alice in Wonderland)
β
A bird who hurt her wing,
now forgotten how to fly.
A song she used to sing,
but can't remember why.
A breath she caught and kept -
that left her in a sigh.
It hurts her so to love you,
but she won't say goodbye.
β
β
Lang Leav
β
Let us speak less and say more. ( βWords flew away like birdsβ )
β
β
Erik Pevernagie
β
If you want to fly on the sky, you need to leave the earth. If you want to move forward, you need to let go the past that drags you down.
β
β
Amit Ray (World Peace: The Voice of a Mountain Bird)
β
For thought is a bird of space, that in a cage of words may indeed unfold its wings but cannot fly.
β
β
Kahlil Gibran
β
You cannot keep birds from flying over your head
but you can keep them from building a nest in your hair
β
β
Martin Luther
β
Things! Burn them, burn them! Make a beautiful fire! More room in your heart for love, for the trees! For the birds who own nothingβthe reason they can fly.
β
β
Mary Oliver (Felicity)
β
It's clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty bumming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another.
β
β
Robert James Waller (The Bridges of Madison County)
β
Sing swan, Spring swan then lets fly.
Follow the pretty bird across the sky.
Call swan, Fall swan, then lets rest.
Tucked in the branches of your quiet nest.
β
β
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
β
There are things you canβt reach. But
You can reach out to them, and all day long.
The wind, the bird flying away. The idea of god.
And it can keep you busy as anything else, and happier.
I look; morning to night I am never done with looking.
Looking I mean not just standing around, but standing around
As though with your arms open.
β
β
Mary Oliver
β
Like a weary bird flying out over the most desolate sea, I finally had a place to land.
β
β
Adrienne Young (Fable (The World of the Narrows, #1))
β
That's the beauty of it. Have you seen the contraptions these magicians build to accomplish the most mundane feats? They are a bunch of fish covered in feathers trying to convince the public they can fly, I am simply a bird in their midst.
β
β
Erin Morgenstern (The Night Circus)
β
When we look at modern man, we have to face the fact...that modern man suffers from a kind of poverty of the spirit, which stands in glaring contrast to his scientific and technological abundance; We've learned to fly the air like birds, we've learned to swim the seas like fish, and yet we haven't learned to walk the Earth as brothers and sisters...
β
β
Martin Luther King Jr.
β
You cannot stop the birds of sorrow from flying over your head, but you can stop them nesting in your hair.
β
β
Eva Ibbotson (The Dragonfly Pool)
β
It was cruel. Like opening a birdcage to let the bird fly out, whilst all the while it's tethered by the leg, and freedom is only an illusion.
β
β
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
β
If we surrendered
to earthβs intelligence
we could rise up rooted, like trees.
Instead we entangle ourselves
in knots of our own making
and struggle, lonely and confused.
So like children, we begin again...
to fall,
patiently to trust our heaviness.
Even a bird has to do that
before he can fly.
β
β
Rainer Maria Rilke (Rilke's Book of Hours: Love Poems to God)
β
I know the Goliath Fucking Bird-Eating Spider can't fly because if it could, it would have a different name entirely. We would call it "sir" because it would be the dominant species on the planet. None of us would leave the house unless a Goliath Fucking Bird-Eating Spider said it was okay
β
β
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
β
The shell must be broken before the bird can fly.
β
β
Jennifer Worth (The Midwife: A Memoir of Birth, Joy, and Hard Times)
β
If you become a bird and fly away from me, I will be a tree that you come home to.
β
β
Margaret Wise Brown (The Runaway Bunny)
β
The day we decide to drop the flimsy makeshift scenarios in our cluttered mind and eschew the βalleluiasβ of self-importance, life can become genuine, lucid and graceful, like a flow of wellness in the glow of a new morning. ("Words flew away like birds")
β
β
Erik Pevernagie
β
They cripple the bird's wing, and then condemn it for not flying as fast as they.
β
β
Malcolm X
β
sweet spring is your
time is my time is our
time for springtime is lovetime
and viva sweet love
(all the merry little birds are
flying in the floating in the
very spirits singing in
are winging in the blossoming)
lovers go and lovers come
awandering awondering
but any two are perfectly
alone there's nobody else alive
(such a sky and such a sun
i never knew and neither did you
and everybody never breathed
quite so many kinds of yes)
not a tree can count his leaves
each herself by opening
but shining who by thousands mean
only one amazing thing
(secretly adoring shyly
tiny winging darting floating
merry in the blossoming
always joyful selves are singing)
sweet spring is your
time is my time is our
time for springtime is lovetime
and viva sweet love
β
β
E.E. Cummings
β
Stray birds of summer come to my window to sing and fly away. And yellow leaves of autumn, which have no songs, flutter and fall there with a sigh.
β
β
Rabindranath Tagore
β
I understand why she did it this way, face-first--it was because it made her feel like she was flying, like she was a bird.
β
β
Veronica Roth (Allegiant (Divergent, #3))
β
Open skies painted above painted doorways and painted birds skimming across bricks trying to fly away. Little bird, what are you thinking? You come from a can.
β
β
Cath Crowley (Graffiti Moon)
β
And in much of your talking, thinking is half murdered. For thought is a bird of space, that in a cage of words may indeed unfold its wings but cannot fly.
β
β
Kahlil Gibran (The Prophet)
β
You... were created to be loved. So for you to live as if you were unloved is a limitation, not the other way around... Living unloved is like clipping a bird's wing and removing its ability to fly... A bird is not defined by being grounded but by his ability to fly. Remember this, humans are defined not by their limitations, but by the intentions I have for them; not by what they seem to be, but by everything it means to be created in my image. Love is NOT the limitation; love is the flying. I AM love.
β
β
William Paul Young (The Shack)
β
The only thing crueler than a cage so small that a bird canβt fly is a cage so large that a bird thinks it can fly. Only a monster would lock a bird in here and call himself an animal lover.
β
β
Caroline Kepnes (You (You, #1))
β
That's not how you're going to live, Bird Girl. Not on my account. Spread those strong wings of yours. Fly.
β
β
Annabel Pitcher (Ketchup Clouds)
β
A bibliophile of little means is likely to suffer often. Books don't slip from his hands but fly past him through the air, high as birds, high as prices.
β
β
Pablo Neruda
β
Assumptions are unopened windows that foolish birds fly into, and their broken bodies are evidence gathered too late.
β
β
Bryan Davis (Liberator (Dragons of Starlight, #4))
β
Promise me youβll marry me. Not now. Someday. Because I need to know.β
Claire felt a flutter inside, like a bird trying to fly, and a rush of heat that made her dizzy. And something else, something fragile as a soap bubble,
and just as beautiful. Joy, in the middle of all this horror and heartbreak.
βYes,β she whispered back. βI promise.β
And she kissed him, and kissed him, and kissed him, while the sun came up and bathed Morganville in one last, shining day.
β
β
Rachel Caine (Last Breath (The Morganville Vampires, #11))
β
I mean, d'you know what eternity is? There's this big mountain, see, a mile high, at the end of the universe, and once every thousand years there's this little bird-"
-"What little bird?" said Aziraphale suspiciously.
-"This little bird I'm talking about. And every thousand years-"
-"The same bird every thousand years?"
-Crowley hesitated. "Yeah," he said.
-"Bloody ancient bird, then."
-"Okay. And every thousand years this bird flies-"
-"-limps-"
-"-flies all the way to this mountain and sharpens its beak-"
-"Hold on. You can't do that. Between here and the end of the universe there's loads of-" The angel waved a hand expansively, if a little unsteadily. "Loads of buggerall, dear boy."
-"But it gets there anyway," Crowley persevered.
-"How?"
-"It doesn't matter!"
-"It could use a space ship," said the angel.
Crowley subsided a bit. "Yeah," he said. "If you like. Anyway, this bird-"
-"Only it is the end of the universe we're talking about," said Aziraphale. "So it'd have to be one of those space ships where your descendants are the ones who get out at the other end. You have to tell your descendants, you say, When you get to the Mountain, you've got to-" He hesitated. "What have
they got to do?"
-"Sharpen its beak on the mountain," said Crowley. "And then it flies back-"
-"-in the space ship-"
-"And after a thousand years it goes and does it all again," said Crowley quickly.
There was a moment of drunken silence.
-"Seems a lot of effort just to sharpen a beak," mused Aziraphale.
-"Listen," said Crowley urgently, "the point is that when the bird has worn the mountain down to nothing, right, then-"
Aziraphale opened his mouth. Crowley just knew he was going to make some point about the relative hardness of birds' beaks and granite mountains, and plunged on quickly.
-"-then you still won't have finished watching The Sound of Music."
Aziraphale froze.
-"And you'll enjoy it," Crowley said relentlessly. "You really will."
-"My dear boy-"
-"You won't have a choice."
-"Listen-"
-"Heaven has no taste."
-"Now-"
-"And not one single sushi restaurant."
A look of pain crossed the angel's suddenly very serious face.
β
β
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
β
A man of words and not of deeds
Is like a garden full of weeds
And when the weeds begin to grow
It's like a garden full of snow
And when the snow begins to fall
It's like a bird upon the wall
And when the bird away does fly
It's like an eagle in the sky
And when the sky begins to roar
It's like a lion at the door
And when the door begins to crack
It's like a stick across your back
And when your back begins to smart
It's like a penknife in your heart
And when your heart begins to bleed
You're dead, and dead, and dead indeed.
β
β
Percy B. Green
β
Why do people so often keep on speaking without ever saying anything? Words so often disappear furtively, as if they had never existed. They donβt stir any strings in our minds or thrill our emotions. They leave no trace in our memory and vanish simply like birds in the airy void of the sky. ("Words flew away like birds" )
β
β
Erik Pevernagie
β
On the day of the dead, when the year too dies,
Must the youngest open the oldest hills
Through the door of the birds, where the breeze breaks.
There fire shall fly from the raven boy,
And the silver eyes that see the wind,
And the light shall have the harp of gold.
By the pleasant lake the Sleepers lie,
On Cadfanβs Way where the kestrels call;
Though grim from the Grey King shadows fall,
Yet singing the golden harp shall guide
To break their sleep and bid them ride.
When light from the lost land shall return,
Six Sleepers shall ride, six Signs shall burn,
And where the midsummer tree grows tall
By Pendragonβs sword the Dark shall fall.
Y maent yr mynyddoedd yn canu,
ac y maeβr arglwyddes yn dod.
β
β
Susan Cooper (The Dark Is Rising Sequence (The Dark is Rising, #1-5))
β
I have to remind myself that some birds aren't meant to be caged. Their feathers are just too bright. And when they fly away, the part of you that knows it was a sin to lock them up DOES rejoice. But still, the place you live in is that much more drab and empty that they're gone. I guess I just miss my friend.
β
β
Stephen King (Rita Hayworth and Shawshank Redemption)
β
What would you do if you could fly?" Mrs. V asks as she glances from the bird to me.
"Is that on the quiz?" I ask, grinning as I type.
"I think we've studied just about everything else." Mrs. V chuckles.
"I'd be scared to let go," I type.
"Afraid you'd fall?" she asks.
"No. Afraid it would feel so good, I'd just fly away.
β
β
Sharon M. Draper (Out of My Mind (Out of My Mind, #1))
β
For the sake of a few lines one must see many cities, men and things. One must know the animals, one must feel how the birds fly and know the gesture with which the small flowers open in the morning. One must be able to think back to roads in unknown regions, to unexpected meetings and to partings which one had long seen coming; to days of childhood that are still unexplained, to parents that one had to hurt when they brought one some joy and one did not grasp it (it was joy for someone else); to childhood illness that so strangely began with a number of profound and grave transformations, to days in rooms withdrawn and quiet and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along on high and flew with all the stars-and it is not enough if one may think all of this. One must have memories of many nights of love, none of which was like the others, of the screams of women in labor, and of light, white, sleeping women in childbed, closing again. But one must also have been beside the dying, one must have sat beside the dead in the room with the open window and the fitful noises. And still it is not enough to have memories. One must be able to forget them when they are many, and one must have the great patience to wait until they come again. For it is not yet the memories themselves. Not until they have turned to blood within us, to glance, to gesture, nameless and no longer to be distinguished from ourselves-not until then can it happen that in a most rare hour the first word of a verse arises in their midst and goes forth from them.
β
β
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
β
All day I think about it, then at night I say it.
Where did I come from, and what am I supposed to be doing?
I have no idea.
My soul is from elsewhere, I'm sure of that,
And I intend to end up there.
This drunkenness began in some other tavern.
When I get back around to that place,
I'll be completely sober. Meanwhile,
I'm like a bird from another continent, sitting in this aviary.
The day is coming when I fly off,
But who is it now in my ear who hears my voice?
Who says words with my mouth?
Who looks out with my eyes? What is the soul?
I cannot stop asking.
If I could taste one sip of an answer,
I could break out of this prison for drunks.
I didn't come here of my own accord, and I can't leave that way.
Whoever brought me here will have to take me home.
This poetry. I never know what I'm going to say.
I don't plan it.
When I'm outside the saying of it, I get very quiet and rarely speak at all.
We have a huge barrel of wine, but no cups.
That's fine with us. Every morning
We glow and in the evening we glow again.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
There is nothing else in magic but the wild thought of the bird as it casts itself into the void. There is no creature upon the earth with such potential for magic. Even the least of them may fly straight out of this world and come by chance to the Other Lands. Where does the wind come from that blows upon your face, that fans the pages of your book? Where the harum-scarum magic of small wild creatures meets the magic of Man, where the language of the wind and the rain and the trees can be understood, there we will find the Raven King.
β
β
Susanna Clarke (Jonathan Strange & Mr Norrell)
β
What do you think love is- a thing to startle from the heart like a bird at every shout or blow? You can fly from me, high as you choose into your darkness, but you will see me always beneath you, no matter how far away, with my face turned to you. My heart is in your heart. I gave it to you with my name that night and you are its guardian, to treasure it, or let it whither and die. I do not understand you. I am angry with you. I am hurt and helpless, but nothing will fill the ache of the hollowness in me where your name would echo if I lost you.
β
β
Patricia A. McKillip (The Forgotten Beasts of Eld)
β
At the end of her life she was aware of heat but not pain. She had time to consider his eyes, eyes of that blue which is the color of the sky at first light of the morning. She had time to think of him on the Drop, riding Rusher flat out with his black hair flying back from his temples and his neckerchief rippling; to see him laughing with an ease and freedom he would never find again in the long life which stretched out for him beyond hers, and it was his laughter she took with her as she went out, fleeing the light and heat in to the silkly, consoling dark, calling to him over and over as she went, calling bird and bear and hare and fish.
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Stephen King (Wizard and Glass (The Dark Tower, #4))
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We ate the birds. We ate them. We wanted their songs to flow up through our throats and burst out of our mouths, and so we ate them. We wanted their feathers to bud from our flesh. We wanted their wings, we wanted to fly as they did, soar freely among the treetops and the clouds, and so we ate them. We speared them, we clubbed them, we tangled their feet in glue, we netted them, we spitted them, we threw them onto hot coals, and all for love, because we loved them. We wanted to be one with them. We wanted to hatch out of clean, smooth, beautiful eggs, as they did, back when we were young and agile and innocent of cause and effect, we did not want the mess of being born, and so we crammed the birds into our gullets, feathers and all, but it was no use, we couldnβt sing, not effortlessly as they do, we canβt fly, not without smoke and metal, and as for the eggs we donβt stand a chance. Weβre mired in gravity, weβre earthbound. Weβre ankle-deep in blood, and all because we ate the birds, we ate them a long time ago, when we still had the power to say no.
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Margaret Atwood
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I believe . . . that the petal of a flower or a tiny worm on the path says far more, contains far more than all the books in the library. One cannot say very much with mere letters and words. Sometimes I'll be writing a Greek letter, a theta or an omega, and tilt my pen just the slightest bit; suddenly the letter has a tail and becomes a fish; in a second it evokes all the streams and rivers of the world, all that is cool and humid, Homer's sea and the waters on which Saint Peter wandered; or becomes a bird, flaps its tail, shakes out its feathers, puffs itself up, laughs, flies away. You probably don't appreciate letters like that, very much, do you, Narcissus? But I say: with them God wrote the world.
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Hermann Hesse (Narcissus and Goldmund)
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One day many years ago a man walked along and stood in the sound of the ocean on a cold sunless shore and said, "We need a voice to call across the water, to warn ships; I'll make one. I'll make a voice like all of time and all of the fog that ever was; I'll make a voice that is like an empty bed beside you all night long, and like an empty house when you open the door, and like trees in autumn with no leaves. A sound like the birds flying south, crying, and a sound like November wind and the sea on the hard, cold shore. I'll make a sound that's so alone that no one can miss it, that whoever hears it will weep in their souls, and hearths will seem warmer, and being inside will seem better to all who hear it in the distant towns. I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life."
The Fog Horn blew.
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Ray Bradbury (The Fog Horn (Classics Stories of Ray Bradbury))
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W-what do you want?" I asked, thankful that my voice only trembled a little bit.
That Cat Didn't blink. "Human," he said, and if a cat could sound patronizing, this one nailed it, "think about the absurdity of the question. I am resting in my tree, minding my own business and wondering if I should hunt today, when you come flying in like a bean sidhe and scare off every bird for miles around. Then, you have the audacity to ask what I want." He sniffed and gave me a very catlike stare of disdain. "I am aware that mortals are rude and barbaric, but still.
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Julie Kagawa (The Iron King (The Iron Fey, #1))
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Ego Tripping
I was born in the congo
I walked to the fertile crescent and built
the sphinx
I designed a pyramid so tough that a star
that only glows every one hundred years falls
into the center giving divine perfect light
I am bad
I sat on the throne
drinking nectar with allah
I got hot and sent an ice age to europe
to cool my thirst
My oldest daughter is nefertiti
the tears from my birth pains
created the nile
I am a beautiful woman
I gazed on the forest and burned
out the sahara desert
with a packet of goat's meat
and a change of clothes
I crossed it in two hours
I am a gazelle so swift
so swift you can't catch me
For a birthday present when he was three
I gave my son hannibal an elephant
He gave me rome for mother's day
My strength flows ever on
My son noah built new/ark and
I stood proudly at the helm
as we sailed on a soft summer day
I turned myself into myself and was
jesus
men intone my loving name
All praises All praises
I am the one who would save
I sowed diamonds in my back yard
My bowels deliver uranium
the filings from my fingernails are
semi-precious jewels
On a trip north
I caught a cold and blew
My nose giving oil to the arab world
I am so hip even my errors are correct
I sailed west to reach east and had to round off
the earth as I went
The hair from my head thinned and gold was laid
across three continents
I am so perfect so divine so ethereal so surreal
I cannot be comprehended except by my permission
I mean...I...can fly
like a bird in the sky...
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Nikki Giovanni
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Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
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Luke Davies (Candy)
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Broken WingsΒ Β Β Β Β Β Β Β Β Β Β Β Β Don't break a bird's wings and then tell it to fly. Don't break a heart and then tell it to love. Don't break a soul and then tell it to be happy. Don't see the worst in a person and expect them to see the best in you. Don't judge people and expect them to stand by your side. Don't play with fire and expect to stay perfectly safe. Life is about giving and taking. You cannot expect to give bad and receive good. You cannot expect to give good and receive bad. Does it happen? Yes, but don't make that an excuse for you to keep doing what you know is wrong. Don't blame life for what you do. That is so selfish and ignorant on your behalf.
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Najwa Zebian (Mind Platter)
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One saw a bird dying, shot by a man. It was flying with rhythmic beat and beautifully, with such freedom and lack of fear. And the gun shattered it; it fell to the earth and all the life had gone out of it. A dog fetched it, and the man collected other dead birds. He was chattering with his friend and seemed so utterly indifferent. All that he was concerned with was bringing down so many birds, and it was over as far as he was concerned. They are killing all over the world. Those marvellous, great animals of the sea, the whales, are killed by the million, and the tiger and so many other animals are now becoming endangered species. Man is the only animal that is to be dreaded.
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J. Krishnamurti (Krishnamurti to Himself: His Last Journal)
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In a dark time, the eye begins to see,
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood--
A lord of nature weeping to a tree.
I live between the heron and the wren,
Beasts of the hill and serpents of the den.
What's madness but nobility of soul
At odds with circumstance? The day's on fire!
I know the purity of pure despair,
My shadow pinned against a sweating wall.
That place among the rocks--is it a cave,
Or winding path? The edge is what I have.
A steady storm of correspondences!
A night flowing with birds, a ragged moon,
And in broad day the midnight comes again!
A man goes far to find out what he is--
Death of the self in a long, tearless night,
All natural shapes blazing unnatural light.
Dark, dark my light, and darker my desire.
My soul, like some heat-maddened summer fly,
Keeps buzzing at the sill. Which I is I?
A fallen man, I climb out of my fear.
The mind enters itself, and God the mind,
And one is One, free in the tearing wind.
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Theodore Roethke
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A KISS! A KISS!" the crowd chanted.
(...)
"I dont know," Cleo began, sickened by the thought of it. How far was she willing to go to appear agreeable? "Quite honestly, it seems like a bad--"
Magnus took a tight hold of her arm and turned her around. Before she could say another word, he put his hand behind her neck, drew her closer to him, and kissed her.
Every muscle in her body stiffened. It was the sensation of being a bird caught in a hinter's trap. Her wings screamed out for her to fly away as fast and as far as possible. But he held her firmly in place, his mouth against hers, soft but demanding a response.
She gripped the front of his shirt. It was all too much--she wasn't sure if she was pushing him away or pulling him closer. Much like diving into deep water, she had no idea which way would find her air to breathe or which way would drag her down deeper into the depths where she would surely drown.
And for a moment, just a moment, she found it didn't seem to matter.
The warmth of his body against hers on such a cold day, his now-familiar scent of sandalwood, the heat of his mouth against hers...it all made her head spin, and logic fell away.
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Morgan Rhodes (Rebel Spring (Falling Kingdoms, #2))
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THE TAME BIRD WAS IN A CAGE
THE tame bird was in a cage, the free bird was in the forest.
They met when the time came, it was a decree of fate.
The free bird cries, "O my love, let us fly to the wood."
The cage bird whispers, "Come hither, let us both live in the cage."
Says the free bird, "Among bars, where is there room to spread one's wings?"
"Alas," cries the caged bird, "I should not know where to sit perched in the sky."
The free bird cries, "My darling, sing the songs of the woodlands."
The cage bird sings, "Sit by my side, I'll teach you the speech of the learned."
The forest bird cries, "No, ah no! songs can never be taught."
The cage bird says, "Alas for me, I know not the songs of the woodlands."
There love is intense with longing, but they never can fly wing to wing.
Through the bars of the cage they look, and vain is their wish to know each other.
They flutter their wings in yearning, and sing, "Come closer, my love!"
The free bird cries, "It cannot be, I fear the closed doors of the cage."
The cage bird whispers, "Alas, my wings are powerless and dead.
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Rabindranath Tagore
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Algebra applies to the clouds, the radiance of the star benefits the rose--no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small. All is balanced in necessity; frightening vision for the mind. There are marvelous relations between beings and things, in this inexhaustible whole, from sun to grub, there is no scorn, each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of the earthworm, and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has a greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars. The same promiscuity, and still more wonderful, between the things of the intellect and material things. Elements and principles are mingled, combined, espoused, multiplied one by another, to the point that the material world, and the moral world are brought into the same light. Phenomena are perpetually folded back on themselves. In the vast cosmic changes, universal life comes and goes in unknown quantities, rolling everything up in the invisible mystery of the emanations, using everything, losing no dream from any single sleep, sowing a microscopic animal here, crumbling a star there, oscillating and gyrating, making a force of light, and an element of thought, disseminated and indivisible dissolving all, that geometric point, the self; reducing everything to the soul-atom; making everything blossom into God; entangling from the highest to the lowest, all activities in the obscurity of a dizzying mechanism, linking the flight of an insect to the movement of the earth, subordinating--who knows, if only by the identity of the law--the evolutions of the comet in the firmament to the circling of the protozoa in the drop of water. A machine made of mind. Enormous gearing, whose first motor is the gnat, and whose last is the zodiac.
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Victor Hugo (Les MisΓ©rables)
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And he will have a great aunt called Elinor who tells him there's a world not like this one. A world with neither fairies nor glass men, but with animals who carry their young in a pouch in front of their bellies, and birds with wings that beat so fast it sounds like the humming of a bumblebee, with carriages that drive along without any horses and pictures that move on their own accord... She will tell him that even the most powerful men don't carry swords in the other world, but there are much, much more terrible weapons there...She will even claim that the people there have built coaches that can fly...So the boy will think that perhaps he'll have to go alone one day, if he wants to see that world...Because it must be exciting in that other world, much more exciting than in his own...
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Cornelia Funke (Inkdeath (Inkworld, #3))
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Do I, then, belong to the heavens?
Why, if not so, should the heavens
Fix me thus with their ceaseless blue stare,
Luring me on, and my mind, higher
Ever higher, up into the sky,
Drawing me ceaselessly up
To heights far, far above the human?
Why, when balance has been strictly studied
And flight calculated with the best of reason
Till no aberrant element should, by rights, remain-
Why, still, should the lust for ascension
Seem, in itself, so close to madness?
Nothing is that can satify me;
Earthly novelty is too soon dulled;
I am drawn higher and higher, more unstable,
Closer and closer to the sun's effulgence.
Why do these rays of reason destroy me?
Villages below and meandering streams
Grow tolerable as our distance grows.
Why do they plead, approve, lure me
With promise that I may love the human
If only it is seen, thus, from afar-
Although the goal could never have been love,
Nor, had it been, could I ever have
Belonged to the heavens?
I have not envied the bird its freedom
Nor have I longed for the ease of Nature,
Driven by naught save this strange yearning
For the higher, and the closer, to plunge myself
Into the deep sky's blue, so contrary
To all organic joys, so far
From pleasures of superiority
But higher, and higher,
Dazzled, perhaps, by the dizzy incandescence
Of waxen wings.
Or do I then
Belong, after all, to the earth?
Why, if not so, should the earth
Show such swiftness to encompass my fall?
Granting no space to think or feel,
Why did the soft, indolent earth thus
Greet me with the shock of steel plate?
Did the soft earth thus turn to steel
Only to show me my own softness?
That Nature might bring home to me
That to fall, not to fly, is in the order of things,
More natural by far than that improbable passion?
Is the blue of the sky then a dream?
Was it devised by the earth, to which I belonged,
On account of the fleeting, white-hot intoxication
Achieved for a moment by waxen wings?
And did the heavens abet the plan to punish me?
To punish me for not believing in myself
Or for believing too much;
Too earger to know where lay my allegiance
Or vainly assuming that already I knew all;
For wanting to fly off
To the unknown
Or the known:
Both of them a single, blue speck of an idea?
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Yukio Mishima (Sun & Steel)
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if everything happens that can't be done
(and anything's righter
than books
could plan)
the stupidest teacher will almost guess
(with a run
skip
around we go yes)
there's nothing as something as one
one hasn't a why or because or although
(and buds know better
than books
don't grow)
one's anything old being everything new
(with a what
which
around we come who)
one's everyanything so
so world is a leaf so tree is a bough
(and birds sing sweeter
than books
tell how)
so here is away and so your is a my
(with a down
up
around again fly)
forever was never till now
now i love you and you love me
(and books are shutter
than books
can be)
and deep in the high that does nothing but fall
(with a shout
each
around we go all)
there's somebody calling who's we
we're anything brighter than even the sun
(we're everything greater
than books
might mean)
we're everanything more than believe
(with a spin
leap
alive we're alive)
we're wonderful one times one
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E.E. Cummings
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Though men in their hundreds of thousands had tried their hardest to disfigure that little corner of the earth where they had crowded themselves together, paving the ground with stones so that nothing could grow, weeding out every blade of vegetation, filling the air with the fumes of coal and gas, cutting down trees and driving away every beast and every bird -- spring, however, was still spring, even in the town. The sun shone warm, the grass, wherever it had not been scraped away, revived and showed green not only on the narrow strips of lawn on the boulevards but between the paving-stones as well, and the birches, the poplars and the wild cherry-trees were unfolding their sticky, fragrant leaves, and the swelling buds were bursting on the lime trees; the jackdaws, the sparrows and the pigeons were cheerfully getting their nests ready for the spring, and the flies, warmed by the sunshine, buzzed gaily along the walls. All were happy -- plants, birds, insects and children. But grown-up people -- adult men and women -- never left off cheating and tormenting themselves and one another. It was not this spring morning which they considered sacred and important, not the beauty of God's world, given to all creatures to enjoy -- a beauty which inclines the heart to peace, to harmony and to love. No, what they considered sacred and important were their own devices for wielding power over each other.
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Leo Tolstoy (Resurrection)
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Angels can fly because they can take themselves lightly. This has been always the instinct of Christendom, and especially the instinct of Christian art. Remember how Fra Angelico represented all his angels, not only as birds, but almost as butterflies. Remember how the most earnest mediaeval art was full of light and fluttering draperies, of quick and capering feet. It was the one thing that the modern Pre-raphaelites could not imitate in the real Pre-raphaelites. Burne-Jones could never recover the deep levity of the Middle Ages. In the old Christian pictures the sky over every figure is like a blue or gold parachute. Every figure seems ready to fly up and float about in the heavens. The tattered cloak of the beggar will bear him up like the rayed plumes of the angels. But the kings in their heavy gold and the proud in their robes of purple will all of their nature sink downwards, for pride cannot rise to levity or levitation. Pride is the downward drag of all things into an easy solemnity. One "settles down" into a sort of selfish seriousness; but one has to rise to a gay self-forgetfulness. A man "falls" into a brown study; he reaches up at a blue sky. Seriousness is not a virtue. It would be a heresy, but a much more sensible heresy, to say that seriousness is a vice. It is really a natural trend or lapse into taking one's self gravely, because it is the easiest thing to do. It is much easier to write a good Times leading article than a good joke in Punch. For solemnity flows out of men naturally; but laughter is a leap. It is easy to be heavy: hard to be light. Satan fell by the force of gravity.
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G.K. Chesterton
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From Jess:
FANG.
I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions.
DO YOU HAVE A JAMAICAN ACCENT? No, Mon
DO YOU MOLT? Gross.
WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio.
HAVE YOU TOLD JEB I LOVE HIM YET? No.
DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true...
DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy?
DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does.
DO YOU USE HAIR PRODUCTS? No. Again,no.
DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet.
WHAT'S YOU FAVORITE MOVIE? There are a bunch
WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing.
WHAT'S YOUR FAVORITE SMELL? Max, when she showers.
DO THESE QUESTIONS MAKE YOU ANGRY? Not really.
IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so.
DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody?
ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again.
WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy.
WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast.
DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above.
DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside.
DO YOU LIKE MAX? Duh.
DO YOU LIKE ME? I think you're funny.
DOES IGGY LIKE ME? Sure
DO YOU WRITE DEPRESSING POETRY? No.
IS IT ABOUT MAX? Ahh. No.
IS IT ABOUT ARI? Why do you assume I write depressing poetry?
IS IT ABOUT JEB? Ahh.
ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no.
WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans.
DO YOU WEAR BOXERS OR BRIEFS? No freaking comment.
DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal?
DO YOU WEAR SUNGLASSES? Yes, cheap ones.
DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see.
DO YOU SMOKE APPLES, LIKE US? Huh?
DO YOU PREFER BLONDES OR BRUNETTES? Whatever.
DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock.
ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh...
WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh...
WOULD YOU TELL US IF YOU WERE GAY? Yes.
DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No.
ARE YOU EMO? Whatever.
DO YOU LIKE EGGS? Yes. I had them for breakfast.
DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby.
DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world?
DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek!
HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah
DO YOU LIKE SPONGEBOB? He's okay, I guess.
DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely
CAN YOU COOK? Iggy cooks.
DO YOU LIKE TO COOK? I like to eat.
ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife?
DO YOU SECRETLY HAVE INNER TURMOIL?
Isn't it obvious?
DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars.
DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure.
WHERE DID YOU LEARN TO PLAY POKER? TV.
DO YOU HAVE A GOOD POKER FACE? Totally.
OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes.
CAN HE EVEN PLAY POKER? Iggy beats me sometimes.
DO YOU LIKE POKING PEOPLE HARD? Not really.
ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be.
Fly on,
Fang
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James Patterson (Fang (Maximum Ride, #6))
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When the woman you live with is an artist, every day is a surprise. Clare has turned the second bedroom into a wonder cabinet, full of small sculptures and drawings pinned up on every inch of wall space. There are coils of wire and rolls of paper tucked into shelves and drawers. The sculptures remind me of kites, or model airplanes. I say this to Clare one evening, standing in the doorway of her studio in my suit and tie, home from work, about to begin making dinner, and she throws one at me; it flies surprisingly well, and soon we are standing at opposite ends of the hall, tossing tiny sculptures at each other, testing their aerodynamics. The next day I come home to find that Clare has created a flock of paper and wire birds, which are hanging from the ceiling in the living room. A week later our bedroom windows are full of abstract blue translucent shapes that the sun throws across the room onto the walls, making a sky for the bird shapes Clare has painted there. It's beautiful.
The next evening I'm standing in the doorway of Clare's studio, watching her finish drawing a thicket of black lines around a little red bird. Suddenly I see Clare, in her small room, closed in by all her stuff, and I realize that she's trying to say something, and I know what I have to do.
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Audrey Niffenegger (The Time Traveler's Wife)
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On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze.
A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that?
Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind.
In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday.
Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us.
It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral.
All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
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Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)