Flush (novel) Quotes

Considering how common illness is, how tremendous the spiritual change it brings, how astonishing, when the lights of health go down, the undiscovered countries that are then disclosed, what wastes and deserts of the soul a slight attack of influenza brings to view, what precipices and lawns sprinkled with bright flowers a little rise of temperature reveals, what ancient and obdurate oaks are uprooted in us by the act of sickness…it is strange indeed that illness has not taken its place with love and battle and jealousy among the prime themes of literature.” from her essay, On Being Ill

While I have the floor, here's a question that's been bothering me for some time. Why do so few writers of heroic or epic fantasy ever deal with the fundamental quandary of their novels . . . that so many of them take place in cultures that are rigid, hierarchical, stratified, and in essence oppressive? What is so appealing about feudalism, that so many free citizens of an educated commonwealth like ours love reading about and picturing life under hereditary lords? Why should the deposed prince or princess in every clichéd tale be chosen to lead the quest against the Dark Lord? Why not elect a new leader by merit, instead of clinging to the inbred scions of a failed royal line? Why not ask the pompous, patronizing, "good" wizard for something useful, such as flush toilets, movable type, or electricity for every home in the kingdom? Given half a chance, the sons and daughters of peasants would rather not grow up to be servants. It seems bizarre for modern folk to pine for a way of life our ancestors rightfully fought desperately to escape.

I closed my eyes and immediately I pictured Brooklyn’s full lips parted on a moan, her eyes glassy and her pupils dilated, her cheeks flushed and her body…her smoking body bared only for me.

They gleam, reflecting rainbow hues—insinuating questions ... What is eternity? Why are the stars? Where do cats lay their eggs? And why don’t hospitals have flushing bedpans built into the beds?

To be nothing - is that not, after all, the most satisfactory fact in the whole world?' asks a dog in a novel I read once (Virginia Woolf Flush 87). I wonder what the smell of nothing is. Smell of autopsy.

He firmly pulled her body against his and he brushed her lips with his. Staring into her eyes, he lightly slid his tongue across her bottom lip. She drew a deep, staggered breath in response to the wave of heat she felt flushing through her. Derrick smiled at her. Then, he softly kissed her. He lightly swept his tongue between her lips, pressing his warm, soft lips to hers. He slid his hands up her body and cradled her face with his hands. Then, he passionately kissed her, tickling her tongue with his. He sucked her lips, gently, as though he was sampling nectar on a delicate petal. Then, with an intense urgency, he dipped his tongue past her lips, caressing her tongue with his. She felt fluttering inside. Anne’s body craved him. A shallow hum escaped from within her in response to how he was making her feel. She could feel his body responding to her. He was breathing heavier which was waking Anne’s primal needs. The tidal wave of lust that had just churned within her was slowly calming as his kiss became more subtle and tender. He gently pressed his lips against hers. He pulled back a little and looked away, exhaling.

He loves the rough men in the romance novels. The mysterious guys with all the swagger.” Trevor’s cheeks flushed. “Men like that don’t exist,” Denver said matter-of-factly. “Women write those books because they don’t want to deal with the reality that their hero has dirty laundry, belches, and doesn’t worship the ground they walk on.

That is no business of yours either, is it?" said Philip, flushing.

It takes a lifetime to build a name, and yet one day is enough to flush it down the toilet.

There was only one thing left to do: that authentic-sounding flush with which every junkie leaves a bathroom, hoping to deceive the audience that crowds his imagination.

Sherlock Holmes had opened his mouth to reply, when the door flew open, and Peterson, the commissionaire, rushed into the apartment with flushed cheeks and the face of a man who is dazed with astonishment. “The goose, Mr. Holmes! The goose, sir!” he gasped. “Eh? What of it, then? Has it returned to life and flapped off through the kitchen window?” Holmes twisted himself round upon the sofa to get a fairer view of the man’s excited face.

His eyes kindled and a slight flush sprang into his thin cheeks. For an instant the veil had lifted upon his keen, intense nature, but for an instant only. When I glanced again his face had resumed that red-Indian composure which had made so many regard him as a machine rather than a man.

if Rachel were ever to think, feel, laugh, or express herself, instead of dropping milk from a height as though to see what kind of drops it made, she might be interesting though never exactly pretty. She was like her mother, as the image in a pool on a still summer’s day is like the vivid flushed face that hangs over it. Meanwhile

He shook his head and thought about it for a second. “Maybe I'm not straight? Can I still be straight when I'm sitting here looking into your eyes?” he asked. Maybe it was the alcohol talking or maybe he wasn't as straight as he thought he was. “Yes. Absolutely.” Cormag nodded and watched him closely. “Even when I think they're so pretty? They are, you know. So many different shades of brown…and a little green. Just a touch; not a lot. So pretty.” He sighed happily, watching those dark eyes staring back at him in surprise. He lay his head on his arms, smiling at the way Cormag flushed in embarrassment and turned his full attention onto his bottle of beer. “Wow, you are super drunk.

If you have read many adventure novels, you'll know that spies spend about half of their time in the sewers. They run along sewer tunnels, shooting. They find secret hideaways in sewers. They take weird funeral barges through sewers, poled along by old men in hoods. In fact, if a spy's kid wants to get a message to their mom or dad, the easiest way to do it is just to flush it down the toilet.

Sara sat upon the hearth-rug and told her strange things. She sat rather huddled up, and her green eyes shone and her cheeks flushed. She told stories of the voyage, and stories of India; but what fascinated Ermengarde the most was her fancy about the dolls who walked and talked, and who could do anything they chose when the human beings were out of the room, but who must keep their powers a secret and so flew back to their places “like lightning” when people returned to the room. “We couldn’t do it,” said Sara, seriously. “You see, it’s a kind of magic.

His reading habit was so varied that in his early teens, he was reading both Maxim Gorky’s Mother and the detective thrillers (Jasoosi Duniya) of Ibn-e-Safi. The detective thrillers—be it Indian or American pulp fiction—were a big favourite for their fast action, tight plots and economies of expression. He remembers the novels of Ibn-e-Safi for their fascinating characters with memorable names. ‘Ibn-e-Safi was a master at naming his characters. All of us who read him remember those names . . . There was a Chinese villain, his name was Sing Hi. There was a Portuguese villain called Garson . . . an Englishman who had come to India and was into yoga . . . was called Gerald Shastri.’ This technique of giving catchy names to characters would stay with him. The wide range of reading not only gave him the sensitivity with which progressive writers approached their subjects but also a very good sense of plot and speaking styles. Here, it would be apt to quote a paragraph from Ibn-e-Safi’s detective novel, House of Fear—featuring his eccentric detective, Imran. The conversation takes place just outside a nightclub: ‘So, young man. So now you have also starred frequenting these places?’ ‘Yes. I often come by to pay Flush,’ Imran said respectfully. ‘Flush! Oh, so now you play Flush . . .’ ‘Yes, yes. I feel like it when I am a bit drunk . . .’ ‘Oh! So you have also started drinking?’ ‘What can I say? I swear I’ve never drunk alone. Frequently I find hookers who do not agree to anything without a drink . . .’ This scene would find a real-life parallel as well as a fictional one in Javed’s life later. Javed

My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.

These are merely a few of the things that went through my mind, and are related for the sake of vindicating myself in advance in the weak and helpless role I was destined to play. But I thought, also, of my mother and sisters, and pictured their grief. I was among the missing dead of the Martinez disaster, an unrecovered body. I could see the head-lines in the papers; the fellows at the University Club and the Bibelot shaking their heads and saying, “Poor chap!” And I could see Charley Furuseth, as I had said good-bye to him that morning, lounging in a dressing-gown on the be-pillowed window couch and delivering himself of oracular and pessimistic epigrams. And all the while, rolling, plunging, climbing the moving mountains and falling and wallowing in the foaming valleys, the schooner Ghost was fighting her way farther and farther into the heart of the Pacific—and I was on her. I could hear the wind above. It came to my ears as a muffled roar. Now and again feet stamped overhead. An endless creaking was going on all about me, the woodwork and the fittings groaning and squeaking and complaining in a thousand keys. The hunters were still arguing and roaring like some semi-human amphibious breed. The air was filled with oaths and indecent expressions. I could see their faces, flushed and angry, the brutality distorted and emphasized by the sickly yellow of the sea-lamps which rocked back and forth with the ship. Through the dim smoke-haze the bunks looked like the sleeping dens of animals in a menagerie. Oilskins and sea-boots were hanging from the walls, and here and there rifles and shotguns rested securely in the racks. It was a sea-fitting for the buccaneers and pirates of by-gone years. My imagination ran riot, and still I could not sleep. And it was a long, long night, weary and dreary and long.

What is the matter with her?” Lillian asked Daisy, bewildered by her mother’s docile manner. It was nice not to have to scrap and spar with Mercedes, but at the same time, now was when Lillian would have expected Mercedes to mow her over like a charging horse brigade. Daisy shrugged and replied puckishly, “One can only assume that since you’ve done the opposite of everything she has advised, and you seem to have brought Lord Westcliff up to scratch, Mother has decided to leave the matter in your hands. I predict that she will turn a deaf ear and a blind eye to anything you do, so long as you manage to keep the earl’s interest.” “Then… if I steal away to Lord Westcliff’s room later this evening, she won’t object?” Daisy gave a low laugh. “She would probably help you to sneak up there, if you asked.” She gave Lillian an arch glance. “Just what are you going to do with Lord Westcliff, alone in his room?” Lillian felt herself flush. “Negotiate.” “Oh. Is that what you call it?” Biting back a smile, Lillian narrowed her eyes. “Don’t be saucy, or I won’t tell you the lurid details later.” “I don’t need to hear them from you,” Daisy said airily. “I’ve been reading the novels that Lady Olivia recommended… and now I daresay I know more than you and Annabelle put together.” Lillian couldn’t help laughing. “Dear, I’m not certain that those novels are entirely accurate in their depiction of men, or of… of that.” Daisy frowned. “In what way are they not accurate?” “Well, there’s not really any sort of… you know, lavender mist and the swooning, and all the flowery speeches.” Daisy regarded her with sincere disgruntlement. “Not even a little swooning?” “For heaven’s sake, you wouldn’t want to swoon, or you might miss something.” “Yes, I would. I should like to be fully conscious for the beginning, and then I should like to swoon through the rest of it.” Lillian regarded her with startled amusement. “Why?” “Because it sounds dreadfully uncomfortable. Not to mention revolting.” “It’s not.” “Not what? Uncomfortable, or revolting?” “Neither,” Lillian said in a matter-of-fact tone, though she was struggling not to laugh. “Truly, Daisy. I would tell you if it were otherwise. It’s lovely. It really is.” Her younger sister contemplated that, and glanced at her skeptically. “If you say so.

I suppose it means that I will be free to travel with my maid, or to live in the country while you are in town, or I may live in town while you are in the country if I wish. I mean if I find your company...er...unpleasant." "I see," Daniel said dryly. "And if we are always apart, how exactly are we to gain heirs?" "Oh." Suzette flushed. "Well, I suppose we could arrange for occasional visits for...er...procreative purposes." "Occasional visits for procreative purposes?" he achoed with disbelief, and then muttered dryly, "My, how scintillating that sounds." Suzette frowned, for really it did sound rather cold, nothing like the passionate delirium she had read about in one of Lisa's novels. But then, truthfully,she simply couldn't fathom the ecstasies described in that book. She'd never even been kissed and what if she didn't enjoy his kisses? Just because he didn't have bad breath didn't mean she would enjoy these visits she spoke of so boldly. Coming to a decision, she straightened abruptly, and said, "We must kiss." That caught his attention and he asked with amazement, "What?" "Well, we should see if we would deal well together in...er...that regard," she muttered, blushing hotly. Swallowing, she forced herself to add firmly, "You should kiss me. Then we will know." "My dear young lady," Daniel began seeming half amused and half horrified, "I really do not think-" "Oh,for pity's sake," Suzette interuppted impatiently, and then leaned forward again,this time pressing her lips to his. In her rush to get it over with, she lost her balance a bit and had to catch a hold of his jacket to steady herself as she smooshed her mouth against his. She then waited for the warm and wonderful commotion she'd read about to assault her. Unfortunately, there wasn't any commotion. Really this was no more exciting than pressing her mouth to a cup, Suzette thought with dismay, and released him to sit back again with a most disappointed sigh. "Oh dear, I fear you're no good at this." "Excuse me? I am no good at this?" Daniel asked with amazed disbelief. "My dear girl, if you think that was a kiss-" "Do stop calling me a girl," Suzette snapped a bit impatiently and got to her feet, too agitated now to sit. "You sound like you're old enough to be my father and you aren't quite that old." "Not quite that old? For pity's sake! What a charmer you are," he said with irritation, and then stood up as well and informed her with some dignity, "That was not a proper kiss." "Well if you are such an expert, why do you not show me how to do it right?" she suggested, glowering with frustration at this turn of events.

Diriday is the perfect mount for me." In that low, deep, beastly growl, he replied, "It's good to know you'll... ride... as I wish." She flushed. Her toes curled, and her nipples tightened into firm beads that ached to be touched. How had he done it? She'd said the most obvious thing, and he'd made it clear he wasn't talking about the horse. He pried her bare fingers from the rail of the stall and kissed them. "I find Lady Gertrude is a good chaperon," he said. Eleanor nodded, stricken dumb by the brief brush of his lips that had sent goose bumps racing up her arms. He placed her hand on his shoulder. "So good, you and I haven't had a moment alone together." "We're alone now." Unwise to remind him! He crooned with satisfaction, "So we are." "So we should go now." She tried to step away, to obey her instincts and flee. Mr. Knight maneuvered her so that her back was to the post. "Fortunately, Lady Gertrude doesn't ride, and doesn't see that our being together now is a cause of concern." "It's not." Eleanor tried to speak firmly, yet she ended on a questioning note. "Lady Gertrude has no imagination." In the dim light, his eyes watched her relentlessly, like a falcon watches a fleeing morsel. In slow increments, he extended his free hand and wrapped it around her waist. "I find myself wondering about you." When had the situation turned dangerous? "I'm easily understood." "You're a mystery, one I find myself compelled to solve. I want to know whether you like to kiss with your mouth closed... or open." She gasped in shock. "Where you find most pleasure when a man's mouth, my mouth, roams your body." She wanted to gasp once more, but the gratification she saw in his face stopped her. Yes, he shocked her. He enjoyed shocking her. But she hated being so craven. She yearned to take him back, and out of the depths of that need, she found the nerve to reply, "You may ask me those questions, and mayhap, if I wish, I'll reply. But don't imagine you yourself can discover the answers." "Ask. What a novel idea." A small smile played across his velvet lips. "Yes, you could tell me, of course, but I find I like to make discoveries on my own." Pulling her close against his body, he sealed them together. Discoveries? She could tell him about discoveries. She did like being embraced so tightly that her breasts pressed against his chest; and that, and the amusement in his gaze, were reasons enough to leave- at once. With a twist, she freed herself and ran. He sprang after her. Two stalls down, he caught her by the waist. He swung her against the gate and held her hard against him. She stared into his pale blue eyes and with all her heart wished she had some experience in these matters, for she had never felt so helpless in her life. "I'm not going to hurt you." His voice was deep and heated. "I'm not going to ravish you. I'm just going to kiss you.

Eva stroked the back of my neck with one hand and ran her other hand up and down my chest. She broke away from my tongue and kissed my lips over and under. Then she sat slightly back and looked at my face. I looked at her presence with a flush of wonder and at her face which was partially hidden by her long, auburn locks, which had fallen in from the sides. She parted her hair away from her face deftly with her hands and then leaned forward and kissed me first under my right eye and then under my left eye. It was the sexiest moment of my life. “You should close the door,” she told me.

The attempt, then, was to explain Nazism in the light of something, for liberals, readily identifiable, rational and precedented, be it in economic or political terms. That such explanations contained and imparted a measure oftruth is undeniable. But the peculiar admixture ofknown and unprecedented elements which constituted Nazism produced something novel and alien which was not explicable in the light of each ofits parts. Nor was the thrust of Nazi internal and foreign policies intelligible without attending to the ideology's racial core. The failure to understand the ideology resulted in the emergence of secondary misconceptions concerning the workings and policies of the Third Reich. For many years, Nazi excesses were attributed to the first flush of revolutionary zeal or to 'evil counsellors', such as Streicher and Goebbels, with whom the Führer surrounded himself. That the evils and excesses were inherent in the ideology and in the system of government in which it was embodied was thus lost upon many observers. Thus liberalism's values and preconceptions served as a necessary backdrop to the emergence and adoption of a policy of appeasement towards Nazi Germany. Attitudes to war, attitudes to Versailles and perceptions of Nazism constituted the fabric of the backdrop. But while a necessary pre-condition, they were not the sole or indeed main 'cause' of appeasement. Liberalism was responsible for a mood, anti-war and anti-Versailles, and afforded, when necessary, pretexts for that policy.

I love the way she laughs when she squishes a tide-pod, especially that one time it burst, and she couldn’t stop apologizing. I love her clinical obsession with every shade of pink and how incredible she looks in it. I love the glow of her skin in the morning, as if the sun recognizes her as equal. I love how her smile is too big for her face, how her cheeks flush pink when I compliment her, and how her pupils grow in her eyes when we speak. I love the sound of her voice, silvery and sunny, especially when she shares stories of her childhood or asks me about mine. I love her ambitions, her passions, her dedication, and devotion to her craft.” I steal in a breath when beads of tears appear at her waterline. “I love everything she fails to love about herself.

Two pairs of strangers performed. Jane watched them. Mr. Nobley watched her. Then it was her turn. She curtsied to the audience, to Mr. Nobley, and faced him in the center of the floor. All eyes watched them. Jane looked for Martin in the crowd. Maybe I really don’t want this, she thought. This is summer camp. This is a novel. This isn’t home. I need something real. Root beer and disposable umbrellas and bare feet real. “I believe we must say something.” It was Mr. Nobley who spoke. “Sorry,” she said. “Are you unwell tonight?” “Do I look unwell?” He smiled. “You are baiting me. It will not work tonight, Miss Erstwhile. I am completely at ease. I might even say, I am quite content.” Jane pushed the air out of her lungs. Part of her very much wanted to banter and play, to twirl and laugh, to be Miss Erstwhile and fall in love with Mr. Nobley (fall back in love?), but she felt herself on that razor’s edge, talking toe to heel like a gymnast, and when she fell this time, she wanted to be on the real world side, away from heartless fantasy, into the tangible. Then, with his hand on her waist to lead her through another figure, Mr. Nobley smiled at her again, and she clean forgot what she wanted. Him, him, him! she thought. I want him and this and everything, every flower, every strain of music. And I don’t want it wrapped up in a box--I want it living, around me, real. Why can’t I have that? I’m not ready to give it up. The first number ended, the group applauded the musicians. Mr. Nobley seemed to applaud Jane. “You look flushed,” he said. “I will get you a drink.” And he was gone. Jane smiled at his back. She liked a man in tails. Something bumped her elbow. “Excuse me…of, it is you, Jane, dear,” said Aunt Saffronia. She’d been watching Mr. Nobley as well, and her expression was still misty with contemplation. “Where is your partner off to?” “He is fetching me a drink,” said Jane. “I’ve never seen him so attentive. Or so at ease.” “Nor I, not in the four years I have known him. He is acting like a proper gentleman in love, is he not? I might almost say that he looks happy.” Aunt Saffronia was thoughtful, and while she stared, she idly bit her fingernail right through her glove. “Is he in love?” asked Jane. She was feeling bold in her bridal gown. “Hm, a question only hearts can answer.” She looked fully at Jane now and smiled approvingly. “Well, you are a confection tonight! And no wonder.” Aunt Saffronia leaned in to touch cheeks and kiss, and Jane caught a trace of cigarette smoke. Could the dear lady be the unseen smoker? What a lot of secrets in this place, thought Jane. She’d never before considered that Austen didn’t just write romances and comedies, but mysteries as well.

I’m surprised you’re here.” Her mouth curved upward. “I warned you I’d be joining you.” He ignored the heat that spread inside him at the sight of her smile. “That’s just it.” Her smile grew wider. “A politician who keeps his word—what a remarkable aberration in the species.” “How could I have forgotten that keen wit of yours?” he marveled. “Yeah, I’m full of surprises. Might want to remember that.” Then, throwing caution to the wind, he let his eyes roam slowly over her, lingering. She’d have to be blind not to see the hunger in them. Which she clearly wasn’t. She retreated a step. He followed, his longer legs closing the distance, until his body almost brushed hers. That cool composer of Lily’s was unraveling, no matter how hard she struggled to pretend otherwise. The signs were there, in the fine trembling of her limbs, in the flush that stole over her porcelain smooth cheeks. Fierce satisfaction filled Sean at her involuntary reaction. He dipped his head until his lips hovered, a soft whisper away. “Lily?” “Yes?” There was a husky catch to her voice. Sean’s fingers reached up and traced the rosy bloom on her cheek. Was it the sweet flush of desire that made her skin so soft? he wondered, his eyes and fingers memorizing every detail, every sensation. God, he’d die for a taste of her. But Sean denied himself the pleasure. He raised his head, putting distance between himself and his greatest temptation, and forced himself to lower his hand. At the loss of contact, Lily’s head jerked, as if coming out of a trance. Sean stepped back before she could flay him alive. “You’re looking a little pink, Lily. I’ve got some zinc oxide in my bag. I’d be happy to put some on you. Especially on those hard to reach places.” He gave her a casual smile and pulled his sunglasses from the breast pocket of his T-shirt, ignoring the violent thudding of his heart against the cotton fabric. His hands shook, too, racked with tremors of need. Somehow, he managed to settle his shades across the slightly crooked bridge of his nose, before shoving them deep into his pocket, out of sight. Damn Sean and his effect on me, Lily swore silently. He had only to bestow the paltriest of caresses and she nearly swooned. Even more galling was the fact that she was equally helpless before Sean’s verbal taunts. The thought of Sean’s hands, slick with lotion, gliding over her body in long, sweeping caresses had her pulse racing. Lily’s voice was filled with contempt—never mind that it was self-directed—as she spoke. “You know, you and John Granger should get to know each other. You could compare notes on really great pickup lines. By the way, Sean, your nose? Does it trouble you still? I hope so.

Well, because my name is Amy Cross, and I read romance novels – proudly. I don't care if a hundred people hear me snort with laughter, flush at the embarrassing connotations of black and white words, or flash naked men on the front covers of my reads. Fine literature can only be defined by how hot the sex scenes are. Well, at least in my book.

I stare at the flush two blankets bring to her cheek and try to divine her dreams.

He is smiling proudly, his face flushed, thinking that she is enjoying the sight of her son, her adored only son, in his wedding bed, a beautiful bride, a true princess, beside him. Only I understand that the sight of me, with his shoulder under my cheek, smiling in his bed, is eating her up with jealousy as if a wolf had hold of her belly.

Opening my golden eyes, I found Chance’s red ones locked onto me. The intensity of his gaze made me shiver. Then he looked away, just missing the scarlet flush that infused my cheeks. Some things never change. Shaking off jitters, I tested my pack’s connection. Hello, boys. Yo. Hiram. Here. Ben. Still not cool. Shelton. Sister-friend. Coop, far away.

I broke up with him because I realized I’m borderline and a nightmare to deal with.’ But Colby? Supremely limited. It’s like, dude, I get it that you think all I really want to hear is how beautiful I am, but the thing is I already know that I have pleasingly symmetrical features and the whole flush-of-youth thing going for me, so it only shows your own failure of imagination when you fall for the evolutionary fitness mask when I’m right here beneath it and I’m so much more and if you weren’t busy bragging about my looks, you would’ve realized I am the best resource you could ever think to have.

I don’t consider myself as a teacher, but a companion in the struggle of thought,’ Eliot wrote to a friend in 1875, as she worked on her last novel. Writing fiction, she found creative ways to address deep questions: rather than personifying ideas or telling didactic stories, she philosophized through her art. Her willingness to think in the medium of human relations and emotions, and to carry out that thinking in images, symbols and archetypes, expands the canonical view of philosophy that is embedded in universities — institutions that systematically excluded women until the twentieth century. Eliot once reflected that her friend Herbert Spencer, a prominent Victorian philosopher, had an ‘inadequate endowment of emotion’ which made him ‘as good as dead’ to large swathes of human experience, thereby weakening his arguments and theories. She might as well have been talking about philosophy itself. Her own philosophical style is compassionate, subversive, seasoned with humour, and enriched by an attentiveness in which fleeting moments — a glance, a touch, a flush of feeling — become significant.

Jo flushed. “What was I supposed to do? Let them take her?” She took her satchel back from the bench and angrily forced it over her head and shoulder. “And who's to say they saw our faces? I didn't see anyone looking back at the bushes.” Whatever they wanted, these strangers clearly didn't know who the Boliska were or what they were capable of, and Zahira wasn't about to correct them.

If you want a bit of steam in a novel, the skin must flush and the pulse must race - for characters, and for readers, in my opinion.

Kikuchi-san looked me in the eye very earnestly. Her cheeks were flushed, and her eyes were a little moist. “So…I’d like to go out together again…like we did today…” Her fingers curled around the hem of her skirt.