Flurry Quotes

We've searched our database for all the quotes and captions related to Flurry. Here they are! All 100 of them:

Snow flurries began to fall and they swirled around people's legs like house cats. It was magical, this snow globe world.
Sarah Addison Allen (The Sugar Queen)
He ran his thumb over my lower lip, sending a flurry of sparks through me. "Good-bye, Sophie." -Cal
Rachel Hawkins (Demonglass (Hex Hall, #2))
If you in the morning Throw minutes away, You can't pick them up In the course of a day. You may hurry and scurry, And flurry and worry, You've lost them forever, Forever and aye.
Anna Sewell (Black Beauty)
While retreating timely into a break of reflection, we can conquer the sanity of our mental condition and find a piece of stillness in the flurry of the world. (“Finally unbend.”)
Erik Pevernagie
My head was once a filing cabinet. Now it’s a flurry of papers, floating on a draft.
A.J. Finn (The Woman in the Window)
Love isn’t in a hurry like a flurry of flowery words on paper. It’s lush and slow to grow its aroma in the garden of time.
Jarod Kintz (This Book is Not for Sale)
A flowing flurry of flowers fell to the floor when I fell in love, as if my heart were a garden that gushed forth and flooded her being with the fragrance of romance.
Jarod Kintz (This Book is Not for Sale)
the camp children descended upon me in a raucous, violent flurry of little bodies. I felt like tiny buffalo were stampeding over me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
By ring-fencing a time budget for a momentous ‘breathing space’ in the flurry of our life, we may encounter ourselves and take the time to fill the gaps in the framework of our individuality so as to reconcile the qualities of our personality. ( "What after bowling alone?
Erik Pevernagie
If you in the morning Throw minutes away, you can't pick them up in the course of a day. You may hurry and scurry, and flurry and worry, you've lost them forever, forever and aye.
Kathryn Stockett (The Help)
...love is a chemical imbalance, too. That perilous highs and desperate lows and extravagant flurries of mood are not always symptoms of a broken mind, but signs of a beating heart.
Terri Cheney (Manic: A Memoir)
When we still our mind and stroll through the human landscapes around us, we can see astounding images sneaking from undisclosed places, and hear roaring sounds behind unsuspected walls. If we take the time to listen to the blistering flurry of the silence and look at the inconspicuous specks in our surroundings, our world can turn into an explosion of little wonders. We realize that we finally recognize the things we have overlooked, due to our deafness and blindness. ("Fish for silence.")
Erik Pevernagie
The bowler approached the wicket at a lope, a trot, and then a run. He suddenly exploded in a flurry of arms and legs, out of which flew a ball.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
The fragmentation of our awareness may trigger dizzying vertigo in the chaos of our living. As such, an overwhelming flurry of connectivity and images generate thereby an oversaturation in our brain and the overabundance makes us anxious, fractured and insecure. This might, in turn, actuate us to cut the wire with the world and stumble into an estranging and contentious cocoon of self-absorption, while off-loading the lush supply of social interaction. Life becomes, then, an intricate maneuvering ground for walking a fine line between sound connectedness and crumbling consciousness, between unflinching cohesion and atomizing fragmentation. ("Give me more images")
Erik Pevernagie
He didn’t need to touch me. His attention alone, recognizing my existence, send a flurry of sparks through my body.
Rebecca Donovan (Reason to Breathe (Breathing, #1))
Ruby, what does the future look like?” Nico asked. “I can’t picture it. I try all the time, but I can’t imagine it. Jude said it looked like an open road just after a rainstorm.” I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name. You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen they’d thrown all of us animals into. “I see it in colors,” I said. “A deep blue, fading into golds and reds—like fire on a horizon. Afterlight. It’s a sky that wants you to guess if the sun is about to rise or set.” Nico shook his head. “I think I like Jude’s better.” “Me too,” I said softly. “Me too.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
After a short flurry of national and international concern over the "death of the Sun," the human race settled down to solving the insoluble problem in the best way that they knew - they ignored it and hoped it would go away.
Robert L. Forward (Dragon's Egg (Cheela, #1))
She went to the window. A fine sheen of sugary frost covered everything in sight, and white smoke rose from chimneys in the valley below the resort town. The window opened to a rush of sharp early November air that would have the town in a flurry of activity, anticipating the tourists the colder weather always brought to the high mountains of North Carolina. She stuck her head out and took a deep breath. If she could eat the cold air, she would. She thought cold snaps were like cookies, like gingersnaps. In her mind they were made with white chocolate chunks and had a cool, brittle vanilla frosting. They melted like snow in her mouth, turning creamy and warm.
Sarah Addison Allen (The Sugar Queen)
You're collecting pieces of me, aren't you?" His voice turned thick as warm toffee, rolling over her skin, heating it. "A bit here. A bit there. Soon you'll set me out on the table, to try and fit me back together." Ignoring the flurries plaguing her belly, she affected blandness. "I've only got the corners. But it is a start." A warm breath touched her neck. "I believe you have the centerpiece as well.
Kristen Callihan (Firelight (Darkest London, #1))
My dreams are going through their death flurries. I thought they were all safely buried, but sometimes they stir in their grave, making my heartstrings twinge. I mean no particular dream, you understand, but the whole radiant flock of them together—with their rainbow wings, iridescent, bright, soaring, glorious, sublime. They are dying before the steel javelins and arrows of a world of Time and Money.
Barbara Newhall Follett
I used to collect snow globes when I was younger. They lined a shelf in my bedroom, and sometimes I would shake them up, one after the other, then sit on my bed and watch as the flurries and the glitter swirled around inside the glass. Eventually, the contents inside the globe would begin to settle. All would grow still, and then the globes on my shelf would return to their quiet, peaceful states. I liked them because they reminded me of life. How sometimes, it feels like someone is shaking the world around you, and things are flying at you from every direction, but if you wait long enough, everything will start to calm. I liked that feeling of knowing that the storm inside always eventually settles.
Colleen Hoover (Regretting You)
A knife!" I yelled, still brandishing my pillow. "Jim, I command you to get me a gelding knife. If this guy wants to be a stallion—" He dissolved in a flurry of white smoke even before I could finish the sentence. Ha! Victorious again!" Yeah," Jim drawled while I remade the bed and fluffed up my pillows. "Aisling, two; sexy, naked men who just want to give her the pleasure of a lifetime with no commitment, zero.
Katie MacAlister (Fire Me Up (Aisling Grey, #2))
Leaves grow old gracefully, bring such joy in their last lingering days. How vibrant and bright is their final flurry of life.
Karen Gibbs
My insides twist in a flurry of excitement, and I stifle the laugh welling inside. Parker Whalen knows I’m alive.
Katie Klein (Cross My Heart (Cross My Heart, #1))
He gently pried my hand off his arm. "I have to," he said softly. He went to turn away, and then stopped, like maybe he was reconsidering. But instead of agreeing to come back to the Itineris with me, he reached out, cupped my face, and brought his lips to mine. I was so shocked that I literally froze in place, one hand hovering in the air next to Cal's shoulder. The kiss was brief--just a little too long to be considered chaste--but when he pulled away, all I could do was stare at him, my mouth slightly agape. He ran his thumb over my lower lip, sending a tiny flurry of sparks through me. "Goodbye, Sophie.
Rachel Hawkins (Demonglass (Hex Hall, #2))
I was desperate. I had to keep Annabeth alive. I imagined all the bubbles in the sea—always churning, rising. I imagined them coming together, being pulled toward me. The sea obeyed. There was a flurry of white, a tickling sensation all around me, and when my vision cleared, Annabeth and I had a huge bubble of air around us. Only our legs stuck into the water. She gasped and coughed. Her whole body shuddered, but when she looked at me, I knew the spell had been broken. She started to sob—I mean horrible, heartbroken sobbing. She put her head on my shoulder and I held her. Fish gathered to look at us—a school of barracudas, some curious marlins. 'Scram!' I told them. They swam off, but I could tell they went reluctantly. I swear I understood their intentions. They were about to start rumors flying around the sea about the son of Poseidon and some girl at the bottom of Siren Bay.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Nico's smile was a bit of a winter sun breaking between snow flurries.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Snowflakes fall from high. Flurries lift and twirl below. The world has turned white.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
The universe is against us, which makes sense. So we get another McFlurry and talk about how fat we are for a while.
Mona Awad (13 Ways of Looking at a Fat Girl)
If you in the morning Throw minutes away, You can't pick them up In the course of a day. You may hurry and scurry, And flurry and worry, You've lost them forever, Forever and aye.
Anna Sewell (Black Beauty)
People talk about books being an escape, but here on the tube, this one feels more like a lifeline. As she leafs through the pages, the rest of it fades away: the flurry of elbows and purses, the woman in a tunic biting her fingernails, the two teenagers with blaring headphones, even the man playing the violin at the other end of the car, its reedy tune working its way through the crowd. The motion of the train makes her head rattle, but her eyes lock on the words the way a figure skater might choose a focal point as she spins, and just like that, she’s grounded again.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
Flurries early, pristine and pearly. Winter's come calling! Can we endure so premature a falling? Some may find this trend distressing- others bend to say a blessing over sage and onion dressing.
Old Farmer's Almanac (The Old Farmer's Almanac 2013)
As if she had summoned them, a flurry of stones flew out of the darkness, striking his mail, pinging off his helm. One hit his unprotected leg and he yelped and clutched it. That was a mistake. The second barrage was entirely directed at his legs.
Hilari Bell (The Goblin Wood (Goblin Wood, #1))
The most ludicrous of all ludicrous things, it seems to me, is to be busy in the world, to be a man who is brisk at his meals and brisk at his work. Therefore, when I see a fly settle on the nose of one of those men of business in a decisive moment, or if he is splashed by a carriage that passes him in even greater haste… I laugh from the bottom of my heart. And who could keep from laughing? What, after all, do these busy bustlers achieve? Are they not just like the woman who, in a flurry because the house was on fire, rescued the fire tongs?
Søren Kierkegaard (Either/Or: A Fragment of Life)
Jesper swung first. Kaz dodged right and then they were grappling. They slammed into the wall, knocked heads, drew apart in a flurry of punches and grabs. Wylan turned to Inej, expecting her to object, for Matthias to separate them, for someone to do something, but the others just backed up, making room. Only Kuwei showed any kind of distress. Jesper and Kaz swung around, crashed into the mechanism of the clock, righted themselves. It wasn't a fight, it was a brawl--graceless, a tangle of elbows and fists. "Ghezen and his works, someone stop them!" Wylan said desperately.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
He suddenly exploded in a flurry of arms and legs, out of which flew a ball.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
Cats have a sort of game they play when they meet. A player alternates between watching the strange cat and ignoring her, grooming or examining everything around herself - a dead leaf, a cloud - with complete absorption. It is almost accidental how the two cats approach, a sidelong step and then the sitting again. This often ends in a flurry of spitting and slashing claws, too fast to see clearly, and then one or the other (or both) of the cats leap out of range. The game can have one exchange or many - and is not so different from the first meetings of women.
Kij Johnson (Fudoki (Love/War/Death, #2))
Similarly, perhaps it never did snow that August in Vermont; perhaps there never were flurries in the night wind, and maybe no one else felt the ground hardening and summer already dead even as we pretended to bask in it, but that was how it felt to me, and it might as well have snowed, could have snowed, did snow.
Joan Didion (Slouching Towards Bethlehem)
Cover me!' Augustus said as he jumped out from behind the wall and raced toward the school. Isaac fumbled for his controller and then started firing while the bullets rained down on Augustus, who was shot once and then twice but still ran, Augustus shouting,'YOU CAN’T KILL MAX MAYHEM!' and with a final flurry of button combinations, he dove onto the grenade, which detonated beneath him. His dismembered body exploded like a geyser and the screen went red. A throaty voice said, 'MISSION FAILURE,' but Augustus seemed to think otherwise as he smiled at his remnants on the screen. He reached into his pocket, pulled out a cigarette, and shoved it between his teeth. 'Saved the kids' he said. 'Temporarily' I pointed out. 'All salvation is temporary' Augustus shot back. 'I bought them a minute. Maybe that’s the minute that buys them an hour, which is the hour that buys them a year. No one’s gonna buy them forever, Hazel Grace, but my life bought them a minute. And that’s not nothing.
John Green (The Fault in Our Stars)
A hallmark of true expertise and insight is making a complex subject understandable. A hallmark of mediocrity and bad strategy is unnecessary complexity—a flurry of fluff masking an absence of substance.
Richard P. Rumelt (Good Strategy Bad Strategy: The Difference and Why It Matters)
The days of my youth, as I look back on them; seem to fly away from me in a flurry of pale repetitive scraps like those morning snow storms of used tissue paper that a train passenger sees whirling in the wake of the observation can.
Vladimir Nabokov (Lolita)
Any fool can choose the boy who sends her heart into a flurry. But there’s a big deep divide between desire and devotion. You better not choose the boy who makes you dizzy. No, ma’am. You have to choose the one who is steady. Stable. Safe. Choose the one who loves you, through and through, for who you really are. The one who wouldn’t change a single thing about you, even if he could.
Julie Cantrell (Into the Free (Into the Free, #1))
Dust motes flurried through the air like demented tiny fairies.
Kelly Covic (Insomnia (A Short Stories Collection))
If flurries be the food of quests, snow on.
Ian Doescher (William Shakespeare's The Empire Striketh Back (William Shakespeare's Star Wars, #5))
You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there." "Naked," he said grimly. "Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." "The what?" "It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. "But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" "What color?" he asked. His low voice had roughened. "Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---" "Jess." Her name was a strangled whisper. "--slippers to match," she continued." Black mules with--" "Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
And there was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-tilted streetlight; a frozen clock, bird-visited within its high tower; cold water from a tin jug; toweling off one’s clinging shirt post–June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease.
George Saunders (Lincoln in the Bardo)
If it were not for the depressing heat and the urgency of the work, one could sit down and laugh to tears at the absurdity of the thing, and under the circumstances it is a little wearing. But our motto is the old west coast proverb, Softly, softly, catchee monkey; in other words, don't flurry; patience gains the day.
Robert Baden-Powell
It was the end of August — the time when owls hoot at night and flurries of bats swoop noiselessly over the garden. Moomin Wood was full of glow-worms, and the sea was disturbed. There was expectation and a certain sadness in the air, and the harvest moon came up huge and yellow. Moomintroll had always liked those last weeks of summer most, but he didn’t really know why.
Tove Jansson (Finn Family Moomintroll (The Moomins, #3))
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
Okey dokey, fire up the blender, let's make a furry-flurry smoothie out of that squirrel!
Christopher Moore (A Dirty Job (Grim Reaper, #1))
I was desperate. I had to keep Annabeth alive. I imagined all the bubbles in the sea—always churning, rising. I imagined them coming together, being pulled toward me. The sea obeyed. There was a flurry of white, a tickling sensation all around me, and when my vision cleared, Annabeth and I had a huge bubble of air around us. Only our legs stuck into the water. She gasped and coughed. Her whole body shuddered, but when she looked at me, I knew the spell had been broken. She started to sob—I mean horrible, heartbroken sobbing. She put her head on my shoulder and I held her.
Rick Riordan (The Sea of Monsters (Percy Jackson & the Olympians))
Nature has so much to do in this world, and is engaged in generating such a vast variety of co-existent productions, that she must surely be now and then too flurried and confused to distinguish between the different processes that she is carrying on at the same time. Starting from this point of view, it will always remain my private persuasion that Nature was absorbed in making cabbages when Mrs. Vesey was born, and that the good lady suffered the consequences of a vegetable preoccupation in the mind of the Mother of us all.
Wilkie Collins (The Woman in White)
According to more than one astronaut memoir, one of the most beautiful sights in space is that of a sun-illumined flurry of flash-frozen waste-water droplets. Space doesn’t just encompass the sublime and the ridiculous. It erases the line between.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
As the elms bent to one another, like giants who were whispering secrets, and after a few seconds of such repose fell into a violent flurry, tossing their wild arms about, as if their late confidences were really too wicked for their peace of mind, some weather-beaten, ragged old rooks’ nests, burdening their higher branches, swung like wrecks upon a stormy sea.
Charles Dickens (David Copperfield)
By noon, in a gray February world, we had come down through snow flurries to land at Albany, and had taken off again. When the snow ended the sky was a luminous gray. I looked down at the winter calligraphy of upstate New York, white fields marked off by the black woodlots, an etching without color, superbly restful in contrast to the smoky, guttering, grinding stink of the airplane clattering across the sky like an old commuter bus.
John D. MacDonald (The Quick Red Fox (Travis McGee #4))
A soft gust of wind swooped at them under the hornbeam branches, setting the shadows flurrying, and when it died into the grass, Randal laid Bevis' body down, with a stunned emptiness inside him as though something of himself had gone too.
Rosemary Sutcliff (Knight's Fee)
Perhaps all life was like that--dull and then a heroic flurry at the end.
Graham Greene (The Power and the Glory)
He watched me, his breathing heavy and strained, when I whispered, “You have stolen my first kiss.” A flurry of feelings swarmed in my stomach. Loss and pain warring with delight and lust. I didn’t know what to feel, I didn’t know whether to feel happiness or betrayal, until Valentin threaded his fingers between mine and countered in a hushed voice, “And you have stolen mine.
Tillie Cole (Ravage (Scarred Souls, #3))
Unable to ride, he paced the winter earth, while clouds boiled up in the north and blew snow-flurries on them both. “She was supposed to go home,” he snarled to no one in particular. “She was supposed to tire of her folly, go home with her necklace, wear it, and tremble sometimes, at the memory of a frost-demon, in her impetuous youth. She was supposed to bear girl-children who might wear the necklace in turn. She was not supposed to—” Enchant you, finished the horse with some asperity, not raising her nose from the snow. Her tail lashed her flanks. Do not pretend otherwise. Or has she dragged you near enough to humanity that you have also become a hypocrite?
Katherine Arden (The Girl in the Tower (Winternight Trilogy, #2))
Taking the things people do wrong seriously is part of taking them seriously. It's part of letting their actions have weight. It's part of letting their actions be actions rather than just indifferent shopping choices; of letting their lives tell a life-story, with consequences, and losses, and gains, rather than just being a flurry of events. It's part of letting them be real enough to be worth loving, rather than just attractive or glamorous or pretty or charismatic or cool.
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
Cowboys, aliens, hit men, and now a canyon full of survivalists. Young stared down into the chasm and the flurry of movement their approach was causing and shook his head in disbelief. How was this his life?
J. Fally (Bone Rider)
Oh, dear child. You've got a lot to learn about marriage. Any food can choose the boy who send her heart into a flurry. But there's a big deep divide between desire and devotion. You better not choose the boy who makes you dizzy. No ma'am. You have to choose the one who is steady. Stable. Safe. Choose the one who loves you, through and through, for who you really are. The one who wouldn't change a single thing about you even if he could.
Julie Cantrell (Into the Free (Into the Free, #1))
Emergency? Knighthawk sent. I’m just bored. I blinked, holding my phone and rereading that text. Bored? I sent. You’re literally spying on the entire world, Knighthawk. You can read anyone’s mail, listen to anyone’s phone calls. First, it’s not the whole world, he wrote. Only large chunks of North and Central America. Second, do you have any idea how mind-numbingly DULL most people are? I started a reply, but a flurry of messages came at me, interrupting what I was going to say. Oh! Knighthawk wrote. Look at this pretty flower! Hey. I want to know if you like me, but I can’t say that, so here’s an awkward flirtation instead. Where are you? I’m here. Where? Here. There? No, here. Oh. Look at my kid. Look at my dog. Look at me. Look at me holding my kid and dog. Hey, everyone. I took a huge koala this morning. Barf. The world is ruled by deific beings who can do stuff like melt buildings into puddles of acid, and all people can think of to do with their phones is take pictures of their pets and try to figure out how to get laid.
Brandon Sanderson (Calamity (Reckoners, #3))
The tight sound of Jenks’s wings prompted a flurry of motion, and I watched Bis jam the wad of paper into his mouth and Belle yank a hand of homemade cards from under her leg. Bis suddenly had a hand of cards, too—looking tiny in his craggy fist—and I rolled my eyes when he threw a card down on the pile as Jenks flew in.
Kim Harrison (A Perfect Blood (The Hollows, #10))
They looked at each other in open hostility—she, leaning on her elbow in a flurry of frills and lace; he, sitting side-saddle on the edge of the bed. He was thinking ‘Who’s she to talk of any wrinkles I may have one day?’ and she ‘Why is he so ugly when he laughs?—he who’s the very picture of beauty!’ She thought for a moment, then finished aloud: “It’s because you look so ill-natured when you’re joking. You never laugh except unkindly—ᴀᴛ people, and that makes you ugly. You’re often ugly.
Colette Gauthier-Villars (Chéri)
I see it all through the lens of my camera—the flurry of movement, the venue staff in black T-shirts, giving orders into their headsets. As I take it all in, my mind weighs the texture, the composition, the possibility of each changing scene, and I struggle to hold back, to keep my finger from pressing too soon. That’s my biggest flaw as a photographer. I’m impatient—trigger-happy. I want the shot now, now, now, click, click, click, and if I could just wait a second more, the moment would really flourish.
Emery Lord (Open Road Summer)
Yet I loathe the thought of annihilating myself quite as much now as I ever did. I think with sadness of all the books I’ve read, all the places I’ve seen, all the knowledge I’ve amassed and that will be no more. All the music, all the paintings, all the culture, so many places: and suddenly nothing. ... If it had at least enriched the earth; if it had given birth to… what? A hill? A rocket? But no. Nothing will have taken place. I can still see the hedge of hazel trees flurried by the wind and the promises with which I fed my beating heart while I stood gazing at the gold-mine at my feet: a whole life to live. The promises have all been kept. And yet, turning an incredulous gaze towards that young and credulous girl, I realise with stupor how much I was gypped.
Simone de Beauvoir (Force of Circumstance)
Jesper swung first. Kaz dodged right and then they were grappling. They slammed into the wall, knocked heads, drew apart in a flurry of punches and grabs. Wylan turned to Inej, expecting her to object, for Matthias to separate them, for someone to do something, but the others just backed up, making room. Only Kuwei showed any kind of distress.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Thinking! Thinking! The process should no longer be merely this feeble flurry of hailstones that raises a little dust. It should be something quite different. Thinking should be a terrifying process. When the earth thinks, whole towns crumble to the ground and thousands of people die. Thinking: raising boulders, hollowing out valleys, preparing tidal waves at sea. Thinking like a town: that's to say: eight million inhabitants, twelve million rats, nine million pints of carbon dioxide, two billion tons. Grey light. Cathedral of light. Din. Sudden flashes. Low-lying blanket of black cloud. Flat roofs. Fire alarms. Elevators. Streets. Eighteen thousand miles of streets. 145 million electric light bulbs.
J.M.G. Le Clézio (The Book of Flights)
Never allow yourself to get discouraged.
Teresa Kelleher (Snowflakes: A Flurry of Adoption Stories)
As I opened my eyes and witnessed the whites; my world transformed and I looked at everything in a different light!
Archana Chaurasia Kapoor
Hands were such extraordinary tools, she mused. Tools, weapons, clumsy and deft, numb and tactile. Among tribal hunters, they could speak, a flurry of gestures eloquent in silence. But they could not taste. Could not hear. Could not weep. For all that, they killed so easily.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
The moon grew plump and pale as a peeled apple, waned into the passing nights, then showed itself again as a thin silver crescent in the twilit western sky. The shed of leaves became a cascade of red and gold and after a time the trees stood skeletal against a sky of weathered tin. The land lay bled of its colors. The nights lengthened, went darker, brightened in their clustered stars. The chilled air smelled of woodsmoke, of distances and passing time. Frost glimmered on the morning fields. Crows called across the pewter afternoons. The first hard freeze cast the countryside in ice and trees split open with sounds like whipcracks. Came a snow flurry one night and then a heavy falling the next day, and that evening the land lay white and still under a high ivory moon.
James Carlos Blake (Wildwood Boys)
Ms Rowanberg’s with you? Good, so you got her out? How is she? ” He didn’t realise that his flurry of eager questions were a definite tell, but the Lieutenant pretended not to notice. “Annoyed, sir.” The Lieutenant chuckled. “She was looking forward to taking out her anger on her captors, but I’m afraid we denied her that privilege. The five we got are not answering any calls now.” “Good,” James spat, and under his breath he added, “F*cking bastards.” He thought no one heard him, and he didn’t see the Lieutenant struggling not to grin. So he’s one of us after all, mused the Lieutenant.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
Why, I . . . I still like you.” Nerves fluttered in her chest, but she kept her tone light. “Do you like me?” A few moments passed in silence. She would have counted them in heartbeats, but her foolish heart had become a most unreliable timepiece. It gave three pounding beats in a flurry, then none at all. Just when she’d begun to despair, he turned his head, catching her in a passionate, openmouthed kiss. He put both arms around her, fisting his hands in the fabric of her dress, lifting her up and against his chest. So that her body recalled every inch of his, every second of their blissful lovemaking. The now-familiar ache returned—that sweet, hollow pang of desire that only deepened as his tongue flickered over hers. In a matter of seconds, he had her gasping. Needing. Damp. Then he set her back on her toes. Pressed his brow to hers and released a deep, resonant sigh. And just before turning to leave, he spoke a single word. He said, “No.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Miss Sedley was almost as flurried at the act of defiance as Miss Jemima had been; for, consider, it was but one minute that she had left school, and the impressions of six years are not got over in that space of time. Nay, with some persons those awes and terrors of youth last for ever and ever. I know, for instance, an old gentleman of sixty-eight, who said to me one morning at breakfast, with a very agitated countenance, 'I dreamed last night that I was flogged by Dr Raine.' Fancy had carried him back five-and-fifty years in the course of that evening. Dr Raine and his rod were just as awful to him in his heart then, at sixty-eight, as they had been at thirteen. If the Doctor, with a large birch, had appeared bodily to him, even at the age of threescore and eight, and had said in awful voice, 'Boy, take down your pants...' Well, well...
William Makepeace Thackeray (Vanity Fair)
Tenways showed his rotten teeth. ‘Fucking make me.’ ‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’ Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’ And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea. ‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’ ‘So what?’ ‘So shall I draw?
Joe Abercrombie (The Heroes)
His height forced her to stand on her toes. For a woman who’d been taller than most of the boys in her class in high school, that particular physical trait provoked a flurry of sensual images to flash through her mind. Sex against a wall. It was a possibility. And given the breadth of his shoulders, she imagined he’d hold her up just fine. Oh, glorious day.
Mia Sosa (Unbuttoning the CEO (The Suits Undone #1))
On occasion Jobs would use the semi-abandoned Woodside home, especially its swimming pool, for family parties. When Bill Clinton was president, he and Hillary Clinton stayed in the 1950s ranch house on the property on their visits to their daughter, who was at Stanford. Since both the main house and ranch house were unfurnished, Powell would call furniture and art dealers when the Clintons were coming and pay them to furnish the houses temporarily. Once, shortly after the Monica Lewinsky flurry broke, Powell was making a final inspection of the furnishings and noticed that one of the paintings was missing. Worried, she asked the advance team and Secret Service what had happened. One of them pulled her aside and explained that it was a painting of a dress on a hanger, and given the issue of the blue dress in the Lewinsky matter they had decided to hide it. (During one of his late-night phone conversations with Jobs, Clinton asked how he should handle the Lewinsky issue. “I don’t know if you did it, but if so, you’ve got to tell the country,” Jobs told the president. There was silence on the other end of the line.)
Walter Isaacson (Steve Jobs)
None the less, you have my leave, if only that you might ensure your spies are made aware of precisely when her spies make their report, so that they in turn may report to you and you may then report to me. Although what I am to do with such knowledge will no doubt escape me, given that the event initiating these flurries of reporting is none other than the one occurring right now in this room.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
Yet there was a momentary hint of blue sky, and even this bit of light was enough to release a flash of diamonds across the wide landscape, so oddly disfigured by its snowy adventure. Usually the snow stopped at that hour of the day, as if for a quick survey of what had been achieved thus far; the rare days of sunshine seemed to serve much the same purpose—the flurries died down and the sun’s direct glare attempted to melt the luscious, pure surface of drifted new snow. It was a fairy-tale world, child-like and funny. Boughs of trees adorned with thick pillows, so fluffy someone must have plumped them up; the ground a series of humps and mounds, beneath which slinking underbrush or outcrops of rock lay hidden; a landscape of crouching, cowering gnomes in droll disguises—it was comic to behold, straight out of a book of fairy tales. But if there was something roguish and fantastic about the immediate vicinity through which you laboriously made your way, the towering statues of snow-clad Alps, gazing down from the distance, awakened in you feelings of the sublime and holy.
Thomas Mann (The Magic Mountain)
Idiot!" he cried, "that from you! Here I sit, young Anthony, as I'll sit for a generation or more and watch such gay souls as you and Dick and Gloria Gilbery go past me, dancing and singing and loving and hating one another and being moved, being eternally moved. And I am moved only by my lack of emotion. I shall sit and the snow will come--oh, for a Caramel to take notes--and another winter and I shall be thirty and you and Dick and Gloria will go on being eternally moved and dancing by me and singing. But after you've all gone I'll be saying things for new Dicks to write down, and listening to the disillusions and cynicisms and emotions of new Anthonys--yes, and talking to new Glorias about the tans of summers yet to come." The firelight flurried up on the hearth. Maury left the window, stirred the blaze with a poker, and dropped a log upon the andirons. Then he sat back in his chair and the remnants of his voice faded in the new fire that spit red and yellow along the bark. "After all, Anthony, it's you who are very romantic and young. It's you who are infinitely more susceptible and afraid of your calm being broken. It's me who tries again and again to be moved--let myself go a thousand times and I'm always me. Nothing--quite--stirs me. "Yet," he murmured after another long pause, "there was something about that little girl with her absurd tan that was eternally old--like me.
F. Scott Fitzgerald (The Beautiful and Damned)
And there was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-tilted streetlight; a frozen clock, bird-visited within its high tower; cold water from a tin jug; toweling off one’s clinging shirt post–June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody roast death-red on a platter; a hedgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.
George Saunders (Lincoln in the Bardo)
He had read somewhere that the Eskimos had over two hundred different words for snow, without which their conversation would probably have got very monotonous. So they would distinguish between thin snow and thick snow, light snow and heavy snow, sludgy snow, brittle snow, snow that came in flurries, snow that came in drifts, snow that came in on the bottom of your neighbor’s boots all over your nice clean igloo floor, the snows of winter, the snows of spring, the snows you remember from your childhood that were so much better than any of your modern snow, fine snow, feathery snow, hill snow, valley snow, snow that falls in the morning, snow that falls at night, snow that falls all of a sudden just when you were going out fishing, and snow that despite all your efforts to train them, the huskies have pissed on.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
She was gone then in a flurry of bonnet ribbons and clicking slippers. I turned, paying no attention to where I went, wishing the city would swallow me, conscious now of the hunger rising to overtake reason. I was almost loath to put an end to it. I needed to let the lust, the excitement blot out all consciousness, and I thought of the kill over and over and over, walking slowly up this street and down the next, moving inexorably towards it, saying, It's a string which is pulling me through the labyrinth.
Anne Rice
Ree Dolly stood at the break of day on her cold front steps and smelled coming flurries and saw meat. Meat hung from trees across the creek. Carcasses hung pale of flesh with fatty gleam from low limbs of saplings in the side yards. Three halt haggard houses formed a kneeling rank on the far creekside and each had two or more skinned torsos dangling by rope from sagged limbs, venison left to the weather for two nights and three days so the early blossoming of decay might round the flavor, sweeten that meat to the bone.
Daniel Woodrell (Winter's Bone)
The world, once flat to his eyes, now bristled with edges and textures. He saw the tiny grooves of petals and leaves, like fingerprints, their identities written like poems across their surfaces. He saw the slow firecrackers of pine cones, popping and stretching all summer, their stiff armor like soldiers on parade, and also the rolling softness of their sap like happy tears. He understood the flurry of motes, which no longer looked like chaos fogging his vision as it had when he was Birthless. Now he could hear the tune of the world, the song of the wind, and the play of all things in it and he knew now that it was a dance, choreographed down to the smallest antennae thrust into the reeling.
Remy Wilkins (Strays)
…‘I haven’t seen you before.’ His voice was velvet soft, lazy with provocation. But his gaze wasn’t lazy; it was predatory, like an animal on the scent. ‘My father and I are down from Scotland’ Zelda replied, half breathless under the unmistakable lust in his eyes, the warmth of his hand still tingling on her skin; her heart suddenly pounding. Their eyes held for a moment-pale blue and amethyst-and a flurry of ripe unguarded expectation shimmered in the air. Hotspur and graphic. Alec recovered first because he wasn’t given to blind impetuosity.
Susan Johnson (Seductive as Flame (Bruton Street Bookstore, #4))
He saw nothing but the gentle ruffling of the leaves in the wind, but as he finished his sweep of the area, he somehow knew. "Sophie!" He heard a gasp, followed by a huge flurry of activity. "Sophie Beckett," he yelled, "if you run from me right now, I swear I will follow you,and I will not take the time to don my clothing." The noises coming from the shore slowed. "I will catch up with you," he continued, "because I'm stronger and faster. And I might very well feel compelled to tackle you to the ground, just to be certain you do not escape." The sounds of her movements ceased. "Good," he grunted. "Show yourself." She didn't. "Sophie," he warned. There was a beat of silence, followed by the sound of slow, hesitant footsteps, and then he saw her, standing on the shore in one of those awful dresses he'd like to see sunk to the bottom of the Thames. "What are you doing here?" he demanded. "I went for a walk.What are you doing here?" she countered. "You're supposed to be ill.That-" she waved her arm toward him and, by extension, the pond- "can't possibly be good for you." He ignored her question and comment. "Were you following me?" "Of course not," she replied, and he rather believed her. He didn't think she possessed the acting talents to fake that level of righteousness. "I would never follow you to a swimming hole," she continued. "It would be indecent." And then her face went completely red, because they both knew she hadn't a leg to stand on with that argument. If she had truly been concerned about decency, she'd have left the pond the second she'd seen him, accidentally or not.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
I divined and chose a distant place to dwell T'ien-t'ai; what more is there to say? Monkeys cry where valley mists are cold, My grass gate blends with the color of the crags, I pick leaves to thatch a hut among the pines, Scoop out a pond and lead a runnel from the spring. By now I am used to doing without the world, Picking ferns, I pass the years that are left. The trail to Cold Mountain is faint the banks of Cold Stream are a jungle birds constantly chatter away I hear no sound of people gusts of wind lash my face flurries of snow bury my body day after day, no sun year after year no spring.
Hanshan
He entered the house quickly, pushed past the detectives, and clasped both of Alexandria’s hands in his. Something deep within Aidan coiled dangerously at the sight of her hands in Thomas Ivan’s. His breath stopped. His heart ceased to beat. The demon within stirred and roared for release, fangs exploded into his mouth, and the red haze of the beasts flamed in his eyes. As Thomas leaned in close, intending to kiss her cheek, Aidan fought for control so that he could casually wave a hand, directing a flurry of dust spores to whirl and dance beneath Ivan’s nose. As Ivan inhaled, he began to sneeze violently, the spasms wracking his entire body.
Christine Feehan (Dark Gold (Dark, #3))
In this country, lesbianism is a poverty-as is being brown, as is being a woman, as is being just plain poor. The danger lies in ranking the oppressions. The danger lies in failing to acknowledge the specificity of the oppression. The danger lies in attempting to deal with oppression purely from a theoretical base. Without an emotional, heartfelt grappling with the source of our own oppression, without naming the enemy within ourselves and outside of us, no authentic, non-hierarchical connection among oppressed groups can take place. When the going gets rough, will we abandon our so-called comrades in a flurry of racist/heterosexist/what-have-you panic? To whose camp, then, should the lesbian of color retreat? Her very presence violates the ranking and abstraction of oppression. Do we merely live hand to mouth? Do we merely struggle with the "ism" that's sitting on top of our heads? The answer is: yes, I think first we do; and we must do so thoroughly and deeply. But to fail to move out from there will only isolate us in our own oppression- will only insulate, rather than radicalize us.
Cherríe L. Moraga (Loving in the War Years)
Standing in the corner, leaning aginst the wall, is a fifth man. If Grange is a Hummer, this guy's an 18-wheel Mack truck, thinks Roddy. Parked, with its engine idling. He reminds Roddy of Ivan Drago from that Rocky movie. The guy must stand six five and tip the scales at 270. Pure, rock-hard muscle. His crew-cut blond hair is slickly gelled; his face--especially those cheekbones and that lantern jaw--could be carved from granite. He, no doubt, spends counteless hours at some muscle emporium. Pure muscle, but probably clumsy; he would go down fast if Roddy drove a flurry of punches into his gut and face. A gold earring pierces the guy's left earlobe. The drape of the jacket on his Schwarzenegger shoulders shows a bulge on the left side. The guy's packing some serious hardware. Mack Truck stares blankly and stands rock-still, hands clasped in front of his gargantuan body.
Mark Rubinstein (Mad Dog House)
baseball. The intestines may fill up completely with blood. The lining of the gut dies and sloughs off into the bowels and is defecated along with large amounts of blood. In men, the testicles bloat up and turn black-and-blue, the semen goes hot with Ebola, and the nipples may bleed. In women, the labia turn blue, livid, and protrusive, and there may be massive vaginal bleeding. The virus is a catastrophe for a pregnant woman: the child is aborted spontaneously and is usually infected with Ebola virus, born with red eyes and a bloody nose. Ebola destroys the brain more thoroughly than does Marburg, and Ebola victims often go into epileptic convulsions during the final stage. The convulsions are generalized grand mal seizures—the whole body twitches and shakes, the arms and legs thrash around, and the eyes, sometimes bloody, roll up into the head. The tremors and convulsions of the patient may smear or splatter blood around. Possibly this epileptic splashing of blood is one of Ebola’s strategies for success—it makes the victim go into a flurry of seizures as he dies, spreading blood all over the place, thus giving the virus a chance to jump to a new host—a kind of transmission through smearing. Ebola (and Marburg) multiplies so rapidly and powerfully that the body’s infected cells become crystal-like blocks of packed virus particles. These crystals are broods of virus getting ready to hatch from the cell. They are known as bricks. The bricks, or crystals, first appear near the center of the cell and then migrate toward the surface. As a crystal
Richard Preston (The Hot Zone)
The Jealous Sun The sunlight whispers in my ear, his breath a warm, sultry tease. I shrink and duck beneath a tree. My eyes squint to scan the horizon for a glimpse of the wind, but there are no ashen ribbons or golden waves in sight. He is missing. Trickling, tinkling notes reflect loudly off a chandelier of glimmering droplets. The rain sings to me, and I shield my eyes, admiring the song. Far off in my western view I expect to see snow, but the sun grows hot with jealousy, knowing this. He refuses my snowman a place to set. My sight drops to search for the man in the moon. Normally he rises dripping wet from out of the lake, often pale and naked, supple and soft to my caressing gaze. On rare occasions he dons a pumpkin robe as luminous as fire. Today he is draped in silks of the saddest blue. My heart weeps as he steals up and away. An army of stars in shining armor come to my aid, and they force the sun into the ground—a temporary grave. I am fed with a billion bubbles of laughter until I feel I will burst. But the stars will not stop giving, and I will not stop taking. A kiss brands my cheek, and I turn abruptly to find my snowman. He landed safely in the dark. We hide from the man in the moon behind a curtain of flurries to dance on polished rainbows and feast on stars until I hear a fire-red growl. The sun claws its way out of the soil, and everyone scatters.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
And if I was seen as temperamentally cool and collected, measured in how I used my words, Joe was all warmth, a man without inhibitions, happy to share whatever popped into his head. It was an endearing trait, for he genuinely enjoyed people. You could see it as he worked a room, his handsome face always cast in a dazzling smile (and just inches from whomever he was talking to), asking a person where they were from, telling them a story about how much he loved their hometown (“Best calzone I ever tasted”) or how they must know so-and-so (“An absolutely great guy, salt of the earth”), flattering their children (“Anyone ever tell you you’re gorgeous?”) or their mother (“You can’t be a day over forty!”), and then on to the next person, and the next, until he’d touched every soul in the room with a flurry of handshakes, hugs, kisses, backslaps, compliments, and one-liners. Joe’s enthusiasm had its downside. In a town filled with people who liked to hear themselves talk, he had no peer. If a speech was scheduled for fifteen minutes, Joe went for at least a half hour. If it was scheduled for a half hour, there was no telling how long he might talk. His soliloquies during committee hearings were legendary. His lack of a filter periodically got him in trouble, as when during the primaries, he had pronounced me “articulate and bright and clean and a nice-looking guy,” a phrase surely meant as a compliment, but interpreted by some as suggesting that such characteristics in a Black man were noteworthy. As I came to know Joe, though, I found his occasional gaffes to be trivial compared to his strengths. On domestic issues, he was smart, practical, and did his homework. His experience in foreign policy was broad and deep. During his relatively short-lived run in the primaries, he had impressed me with his skill and discipline as a debater and his comfort on a national stage. Most of all, Joe had heart. He’d overcome a bad stutter as a child (which probably explained his vigorous attachment to words) and two brain aneurysms in middle age.
Barack Obama (A Promised Land)
I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome. And look at that—someone left the keys in the ignition. Stealthily, I sidle up to Sarah. “Have you ever driven in a convertible?” She looks up sharply, like she didn’t see me approach. “Of course I have.” My hands slide into my pockets and I lean back on my heels. “Have you ever been in a convertible driven by a prince?” Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles. “No.” I nod. “Perfect. We do this in three.” Now she looks nervous. “Do what?” I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time. “Three . . .” “I don’t know what you mean.” “Two . . .” “Henry . . .” “One.” “I . . .” “Go, go, go!” “Go where?” she asks, loud enough to draw attention. So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side. “Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods. “The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl. “I know a shortcut. Buckle up.” We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good. “Duck.” “What?” I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree. After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me. I smirk. “If you wanted me to push your head down, love, you could’ve just said so.” “You’re insane!” I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?” We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.
Emma Chase (Royally Matched (Royally, #2))
Her. Her. Her. Future breezes implore me to stay. But I'm no future. I'm no past. Only ever contemporary of this path. I'll sacrifice everything for all her seasons give from losing. She, I sigh from The Mountain top. By her now. My only role. And for that freedom, spread my polar chill, reaching even the warmest times, a warning upon the back of every life that would by harming Hailey's play, ever wayward around this vegetative rush of orbit & twine, awaken among these cascading cliffs of bellicose ice me. And my Vengeance. At once. The Justice of my awful loss set free upon this crowded land. An old terror violent for the glee of ends. But to those who would tend her, harrowed by such Beauty & Fleeting Presence to do more, my cool cries will kiss their gentle foreheads and my tears will kiss their tender cheeks, and then if the Love of their Kindness, which only Kindness ever finds, spills my ear, for a while I might slip down and play amidst her canopies of gold. Solitude. Hailey's bare feet. And all her patience now assumes. Garland of Spring's Sacred Bloom. By you, ever sixteen, this World's preserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so dangerously resumes. I'll destroy no World so long it keeps turning with flurry & gush, petals & stems bending and lush, and allways our hushes returning anew. Everyone betrays the Dream but who cares for it? O Hailey no, I could never walk away from you. - Haloes! Haleskarth! Contraband! I can walk away from anything. Everyone loves the Dream but I kill it. Bald Eagles soar over me: —Reveille Rebel! I jump free this weel. On fire. Blaze a breeze. I'll devastate the World. \\ Samsara! Samarra! Grand! I can walk away from anything. Everyone loves the Dream but I kill it. Atlas Mountain Cedars gush over me: —Up Boogaloo! I leap free this spring. On fire. How my hair curls. I'll destroy the World. - Him. Him. Him. Future winds imploring me to stay. But I'm no tomorrow. I'm no yesterday. Only ever contemporary of this way. I will sacrifice everything for all his seasons miss of soaring. He, I sigh from The Mountain top. By him now. My only role. And for that freedom, spread my polar chill, reaching even the warmest climes, a warning upon the back of every life that would by harming Sam's play, ever wayward around this animal streak of orbit & wind, awaken among these cataracts of belligerent ice me. And my Justice. At once. The Vengeance of my awful loss set free upon this crowded land. An old terror violent for the delirium of ends. But to those who would protect him, frightened by such Beauty & Savage Presence to do more, my cool cries will kiss their tender foreheads and my tears will kiss their gentle cheeks, and then if the Kindness of their Love, which only Loving ever binds, spills my ear, for a while I might slip down and play among his foals so green. My barrenness. Sam's solitude. And all his patience now presumes. Luster of Spring's Sacred Brood. By you, ever sixteen, this World's reserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so terrifyingly elects. I'll destroy no World so long it keeps turning with scurry & blush, fledgling & charms beading with dews, and allways our rush returning renewed. Everyone betrays the Dream but who cares for it? O Sam no, I could never walk away from you.
Mark Z. Danielewski (Only Revolutions)
The thing I remember from the Letters Page in those antique days was the way the OBs signed off. There was Yours faithfully, Yours sincerely, and I have the honour to be, sir, your obedient servant. But the ones I always looked for - and which I took to be the true sign of an Old Bastard - simply ended like this: Yours etc. And then the newspaper drew even more attention to the sign-off by printing it: Yours &c. Yours &c. I used to muse about that. What did it mean? Where did it come from? I imagined some bespatted captain of industry dictating his OB’s views to his secretary for transmission to the Newspaper of Record which he doubtless referred to with jocund familiarity as ‘The Thunderer’. When his oratorical belch was complete, he would say ‘Yours, etc,’ which Miss ffffffolkes would automatically transcribe into, ‘I have the honour to be, sir, one of the distinguished Old Bastards who could send you the label off a tin of pilchards and you would still print it above this my name,’ or whatever, and then it would be, ‘Despatch this instanter to The Thunderer, Miss ffffffolkes.’ But one day Miss ffffffolkes was away giving a handjob to the Archbishop of York, so they sent a temp. And the temp wrote Yours, etc, just as she heard it and The Times reckoned the OB captain a very gusher of wit, but decided to add their own little rococo touch by compacting it further to &c., whereupon other OBs followed the bespatted lead of the captain of industry, who claimed all the credit for himself. There we have it: Yours &c. Whereupon, as an ardent damp-ear of sixteen, I took to the parodic sign-off: Love, &c. Not all my correspondents unfailingly seized the reference, I regret to say. One demoiselle hastened her own de-accessioning from the museum of my heart by informing me with hauteur that use of the word etc., whether in oral communication or in carven prose, was common and vulgar. To which I replied, first, that ‘the word’ et cetera was not one but two words, and that the only common and vulgar thing about my letter - given the identity of its recipient - was affixing to it the word that preceded etc. Alack, she didn’t respond to this observation with the Buddhistic serenity one might have hoped. Love, etc. The proposition is simple. The world divides into two categories: those who believe that the purpose, the function, the bass pedal and principal melody of life is love, and that anything else - everything else - is merely an etc.; and those, those unhappy many, who believe primarily in the etc. of life, for whom love, however agreeable, is but a passing flurry of youth, the pattering prelude to nappy-duty, but not something as solid, steadfast and reliable as, say, home decoration. This is the only division between people that counts.
Julian Barnes (Talking It Over)
A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies. At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)