Fluidity Quotes

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When you love someone, you do not love them all the time, in exactly the same way, from moment to moment. It is an impossibility. It is even a lie to pretend to. And yet this is exactly what most of us demand. We have so little faith in the ebb and flow of life, of love, of relationships. We leap at the flow of the tide and resist in terror its ebb. We are afraid it will never return. We insist on permanency, on duration, on continuity; when the only continuity possible, in life as in love, is in growth, in fluidity - in freedom, in the sense that the dancers are free, barely touching as they pass, but partners in the same pattern. The only real security is not in owning or possessing, not in demanding or expecting, not in hoping, even. Security in a relationship lies neither in looking back to what was in nostalgia, nor forward to what it might be in dread or anticipation, but living in the present relationship and accepting it as it is now. Relationships must be like islands, one must accept them for what they are here and now, within their limits - islands, surrounded and interrupted by the sea, and continually visited and abandoned by the tides.
Anne Morrow Lindbergh (Gift from the Sea)
Of course it was painful, and there were times when, emotionally, I just wanted to chuck it all. But pain seems to be a precondition for this kind of sport. If pain weren't involved, who in the world would ever go to the trouble of taking part in sports like the triathlon or the marathon, which demand such an investment of time and energy? It's precisely because of the pain, precisely because we want to overcome that pain, that we can get the feeling, through this process, of really being alive--or at least a partial sense of it. Your quality of experience is based not on standards such as time or ranking, but on finally awakening to an awareness of the fluidity within action itself.
Haruki Murakami (What I Talk About When I Talk About Running)
I know the empathy borne of despair; I know the fluidity of thought, the expansive, even beautiful, mind that hypomania brings, and I know this is quicksilver and precious and often it's poison. There has always existed a sort of psychic butcher who works the scales of transcendence, who weighs out the bloody cost of true art.
David Lovelace (Scattershot: My Bipolar Family)
When you love someone you do not love them all the time, in exactly the same way, from moment to moment. It is an impossibility. It is even a lie to pretend to. And yet this is exactly what most of us demand. We have so little faith in the ebb and flow of life, of love, of relationships. We leap at the flow of the tide and resist in terror its ebb. We are afraid it will never return. We insist on permanency, on duration, on continuity; when the only continuity possible, in life as in love, is in growth, in fluidity - in freedom
Anne Morrow Lindbergh (Gift from the Sea)
If then you do not make yourself equal to God, you cannot apprehend God; for like is known by like. Leap clear of all that is corporeal, and make yourself grown to a like expanse with that greatness which is beyond all measure; rise above all time and become eternal; then you will apprehend God. Think that for you too nothing is impossible; deem that you too are immortal, and that you are able to grasp all things in your thought, to know every craft and science; find your home in the haunts of every living creature; make yourself higher than all heights and lower than all depths; bring together in yourself all opposites of quality, heat and cold, dryness and fluidity; think that you are everywhere at once, on land, at sea, in heaven; think that you are not yet begotten, that you are in the womb, that you are young, that you are old, that you have died, that you are in the world beyond the grave; grasp in your thought all of this at once, all times and places, all substances and qualities and magnitudes together; then you can apprehend God. But if you shut up your soul in your body, and abase yourself, and say “I know nothing, I can do nothing; I am afraid of earth and sea, I cannot mount to heaven; I know not what I was, nor what I shall be,” then what have you to do with God?
Hermes Trismegistus (Hermetica: The Greek Corpus Hermeticum and the Latin Asclepius)
Decided only to be undecided, resolved to be irresolute, adamant for drift, solid for fluidity, all-powerful to be impotent.
Winston S. Churchill
If gold has been prized because it is the most inert element, changeless and incorruptible, water is prized for the opposite reason -- its fluidity, mobility, changeability that make it a necessity and a metaphor for life itself. To value gold over water is to value economy over ecology, that which can be locked up over that which connects all things.
Rebecca Solnit (Storming the Gates of Paradise: Landscapes for Politics)
Blood circulated through her veins with the fluidity of a song that branched off into the most hidden areas of her body and returned to her heart, purified by love.
Gabriel García Márquez
Fluidity means that our black identities are constantly changing as we respond to circumstances in our families and communities of origin, and as we interact with a wider world.
bell hooks (Killing Rage: Ending Racism)
With no expectations anything can become.
Steven D. Farmer
There is a fluidity to his movements, despite his size, that tells me he has never had to justify his existence, has never had to fold himself into a hidden thing, and I wonder what that must be like, to know that your body is irreproachable.
Sophie Mackintosh (The Water Cure)
We would kiss slowly, like scientists who analyzed the chemistry of passion, the electricity of desperation, the heat of loneliness, the sudden fluidity of time.
Nikolai Grozni (Wunderkind)
I fall in love with human beings based on who they are, not based on what they do or what sex they are.
Shailene Woodley
Blood circulated through her veins with the fluidity of a song that branched off into the most hidden areas of her body and returned to her heart, purified by love. Before I left at dawn I drew the lines of her hand on a piece of paper and gave it to Diva Sahibí for a reading so I could know her soul.
Gabriel García Márquez (Memories of My Melancholy Whores)
A desire to be apart, sometimes, to understand who I am without the rest. And what I return to, the me-ness that I know as pure, inescapable self . . . . is hunger. Desire. Longing, this longing to possess, to become, to break like a wave on a rock and reform, and break again, and wash away.
Max Gladstone (This is How You Lose the Time War)
Knowledge is fluid, not finite; the same for wisdom.
Shellen Lubin
Fixation is the way to death, fluidity is the way to life. This is something that should be well understood.
Miyamoto Musashi (The Book of Five Rings: A Classic Text on the Japanese Way of the Sword (Shambhala Library))
The physical reinvention of the world is endless, relentless, fascinating, exhaustive; nothing that seems solid is. If you could stand at just a little distance in time, how fluid and shape-shifting physical reality would be, everything hurrying into some other form, even concrete, even stone.
Mark Doty
They say language comes better to people who are right-brained, but I'm not so sure. I think you need a certain looseness, a certain fluidity, to speak another language. To take all the words in your brain and turn them over, one by one, like stones - and find something else scrolled on the underside
Rebecca Serle (In Five Years)
When women cover songs by men, they don’t swap the pronouns. Is this a.) a lack of anxiety about convention, b.) a biologically essential fluidity native to humans with vaginas and/or two X chromosomes, c.) rampant queerness among women singers, or d.) the universal male default?
Andrea Lawlor (Paul Takes the Form of a Mortal Girl)
After a great blow, or crisis, after the first shock and then after the nerves have stopped screaming and twitching, you settle down to the new condition of things and feel that all possibility of change has been used up. You adjust yourself, and are sure that the new equilibrium is for eternity. . . But if anything is certain it is that no story is ever over, for the story which we think is over is only a chapter in a story which will not be over, and it isn't the game that is over, it is just an inning, and that game has a lot more than nine innings. When the game stops it will be called on account of darkness. But it is a long day.
Robert Penn Warren (All the King’s Men)
But faith betrays sometimes. Faith has fluidity. Faith evolves like her machine-learning-models, self-correcting from previous experiences.
Misba (The High Auction (Wisdom Revolution, #1))
The trouble with life (the novelist will feel) is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it’s always the same beginning, and the same ending.
Martin Amis (Experience: A Memoir)
It is a common belief that we breathe with our lungs alone, but in point of fact, the work of breathing is done by the whole body. The lungs play a passive role in the respiratory process. Their expansion is produced by an enlargement, mostly downward, of the thoracic cavity and they collapse when that cavity is reduced. Proper breathing involves the muscles of the head, neck, thorax, and abdomen. It can be shown that chronic tension in any part of the body's musculature interferes with the natural respiratory movements. Breathing is a rhythmic activity. Normally a person at rest makes approximately 16 to 17 respiratory incursions a minute. The rate is higher in infants and in states of excitation. It is lower in sleep and in depressed persons. The depth of the respiratory wave is another factor which varies with emotional states. Breathing becomes shallow when we are frightened or anxious. It deepens with relaxation, pleasure and sleep. But above all, it is the quality of the respiratory movements that determines whether breathing is pleasurable or not. With each breath a wave can be seen to ascend and descend through the body. The inspiratory wave begins deep in the abdomen with a backward movement of the pelvis. This allows the belly to expand outward. The wave then moves upward as the rest of the body expands. The head moves very slightly forward to suck in the air while the nostrils dilate or the mouth opens. The expiratory wave begins in the upper part of the body and moves downward: the head drops back, the chest and abdomen collapse, and the pelvis rocks forward. Breathing easily and fully is one of the basic pleasures of being alive. The pleasure is clearly experienced at the end of expiration when the descending wave fills the pelvis with a delicious sensation. In adults this sensation has a sexual quality, though it does not induce any genital feeling. The slight backward and forward movements of the pelvis, similar to the sexual movements, add to the pleasure. Though the rhythm of breathing is pronounced in the pelvic area, it is at the same time experienced by the total body as a feeling of fluidity, softness, lightness and excitement. The importance of breathing need hardly be stressed. It provides the oxygen for the metabolic processes; literally it supports the fires of life. But breath as "pneuma" is also the spirit or soul. We live in an ocean of air like fish in a body of water. By our breathing we are attuned to our atmosphere. If we inhibit our breathing we isolate ourselves from the medium in which we exist. In all Oriental and mystic philosophies, the breath holds the secret to the highest bliss. That is why breathing is the dominant factor in the practice of Yoga.
Alexander Lowen (The Voice of the Body)
If happiness is the highest good of a rational nature, and if what can be taken from you in any way cannot be the highest (for what cannot be taken away ranks higher than what can), it is obvious that the fluidity of Fortune cannot hope to win happiness. 24
Boethius (The Consolation of Philosophy)
...Caroline said easily, amazed all over again at this sudden facility she'd developed, the fluidity and ease of her lies.
Kim Edwards (The Memory Keeper's Daughter)
Fluidity, mobility, illusoriness -- these are precisely the qualities that make us civilised. Barbarians don't travel. They simply go to destinations or conduct raids.
Olga Tokarczuk
Just remember, it's an easy place to be at home in, Ireland. I think the people are very skilled at relating. I notice, watching the different nationalities on the mountain, the fluidity of interaction the Irish people have with the visitors, and with each other. It's a skill that's less developed in other nationalities, and it's so instinctive it doesn't even look like a skill.
Pete McCarthy
[O]nce we give up on the idea that only heterosexuality is normal and that all human bodies are clearly either male or female, more and more kinds of bodies and desires will come into view. Perhaps also, one body may, in one lifetime, move through many identities and desires. The use of,queer’ then, is a deliberate political move, which underscores the fluidity (potential and actual) of sexual identity and sexual desire. The term suggests that all kinds of sexual desire and identifications are possible, and all these have socio-cultural and historical co-ordinates.
Nivedita Menon (Seeing Like a Feminist)
By taking a shape, by having a visible plan, you open yourself to attack. Instead of taking a form for your enemy to grasp, keep yourself adaptable and on the move. Accept the fact that nothing is certain and no law is fixed. The best way to protect yourself is to be as fluid and formless as water; never bet on stability or lasting order. Everything changes.
Robert Greene (The 48 Laws of Power)
fluidity of the sea, not the rigidity of irresistible law, characterizes human conduct, especially in the midst of a calamity.
Nathaniel Philbrick (The Last Stand: Custer, Sitting Bull and the Battle of the Little Big Horn)
Could it be that toxic mimics are toxic because they ignore responsibility, they ignore relationship, they ignore presence, they substitute control for fluidity and choice?
Ward Churchill
Recognizing the fluidity of all forms disempowers the false claims of the fixed mind.
Yongey Mingyur (In Love with the World: A Monk's Journey Through the Bardos of Living and Dying)
I crossed the line.” “The line shifts.” Now he gave those shoulders a quick, impatient shake. “If the law, if justice has no compassion, no fluidity, no humanity, how is it justice?
J.D. Robb (Salvation in Death (In Death, #27))
A Martial Artist may become A professional fighter but not every Fighter is capable of becoming A martial artist. Martial Arts are about restoration of physical and spiritual balance and fluidity; they are about observing restraints and 'setting example'. Every practice session is A reminder of the play of opposites (yin and yang), . . . .
Soke Behzad Ahmadi (Dirty Fighting : Lethal Okinawan Karate)
It is best to live in a state of perplexity and fluidity, like water, than to live in a hardened and doctrinal state of believing one knows everything.
Laurence Galian (The Sun at Midnight: The Revealed Mysteries of the Ahlul Bayt Sufis)
It is, therefore, this fluidity that presents us with an unavoidable challenge: how to contain the serious within the truly playful; that is, how to keep all our finite games in infinite play.
James P. Carse (Finite and Infinite Games)
A building is not a sentence, which in principle has the ability to match and express a thought closely. It is not linear, like language. Compared to the fluidity of words, a building is atrociously clumsy, but it can be lived and inhabited as books cannot be.
Rowan Moore (Why We Build)
To a novelist, fluidity is the ultimate good omen; suddenly difficult problems are simply solved, intractable structural knots loosen themselves, and you come upon the key without even recognizing that this is what you hold.
Zadie Smith
For African Americans and Latinos trying to circulate and make it in the larger white world, code-switching is a fluidity born of necessity, so subtle that most whites have no idea that we do it, though it requires great skill and can be exhausting.
Sunny Hostin (I Am These Truths: A Memoir of Identity, Justice, and Living Between Worlds)
To what end the ‘world’ exists, to what end ‘man­kind’ exists, ought not to concern us at all for the moment except as objects of humour: for the presumptuousness of the little human worm is the funniest thing at present on the world’s stage; on the other hand, do ask yourself why you, the individual, exist, and if you can get no other answer try for once to justify the meaning of your existence as it were a posteriori by setting before yourself an aim, a goal, a ‘to this end’, an exalted and noble ‘to this end’ . Perish in pursuit of this and only this - I know of no better aim of life than that of perishing, animae magnae prodigus, in pursuit of the great and the impossible. If, on the other hand, the doctrines of sovereign becoming, of the fluidity of all concepts, types and species, of the lack of any cardinal distinction between man and animal - doctrines which I consider true but deadly - are thrust upon the people for another generation with the rage for instruction that has by now become normal, no one should be surprised if the people perishes of petty egoism, ossification and greed, falls apart and ceases to be a people; in its place sys­tems of individualist egoism, brotherhoods for the rapacious exploitation of the non-brothers, and similar creations of utilitarian vulgarity may perhaps appear in the arena of the future. To prepare the way for these creations all one has to do is to go on writing history from the standpoint of the masses and seeking to derive the laws which govern it from the needs of these masses, that is to say from the laws which move the lowest mud- and clay-strata of society. The masses seem to me to deserve notice in three respects only: first as faded copies of great men produced on poor paper with worn-out plates, then as a force of resistance to great men, finally as instruments in the hands of great men; for the rest, let the Devil and statistics take them!
Friedrich Nietzsche (Untimely Meditations)
History resists an ending as surely as nature abhors a vacuum; the narrative of our days is a run-on sentence, every full stop a comma in embryo. But more: like thought, like water, history is fluid, unpredictable, dangerous. It leaps and surges and doubles back, cuts unpredictable channels, surfaces suddenly in places no one would expect.
Mark Slouka (Essays from the Nick of Time: Reflections and Refutations)
Jerico was from Madagascar—one of the world’s seven Charter Regions, where the Thunderhead employed different social structures to better the human experience—and people flocked to Madagascar because of the popular uniqueness of its mandate. All children in Madagascar were raised genderless and forbidden to choose a gender until reaching adulthood. Even then, many didn’t choose a single state of being. Some, like Jerico, found fluidity to be their nature. “I feel like a woman beneath the sun and the stars. I feel like a man under the cover of clouds,” Jerico had explained to the crew when assuming command. “A simple glance at the skies will let you know how to address me at any given time.
Neal Shusterman (The Toll (Arc of a Scythe, #3))
Your quality of life is not based on standards such as time or ranking, but on finally awakening to an awareness of the fluidity within action itself
Haruki Murakami (What I Talk About When I Talk About Running)
In Lucy’s experience, these were the two genders, boys and readers. She wished there was as much gender fluidity as people seemed to think.
Nick Hornby (Just Like You)
Working as a white ally is tough, but certainly not impossible. Learning to listen is a virtue that whiteness has often avoided. I asked him to engage, to adopt the vocabulary of empathy, to develop fluidity in the dialect of hope and the language of racial understanding. It
Michael Eric Dyson (Tears We Cannot Stop: A Sermon to White America)
Further, when markers of race, gender, gender fluidity, sexual orientation, ethnicity, religion and other factors are the only criteria considered in hiring or admissions, students are cheated, as are those chosen to meet diversity measures on the basis of identity alone. Nothing is more essentialist or constraining than diversity understood strictly in terms of identity.
Michael Rectenwald (Springtime for Snowflakes: Social Justice and Its Postmodern Parentage)
Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and, above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso -- who subsequently kept African art objects in his studio until his death. Cubism was new only for Europeans, for it was partly inspired by specific pieces of African art, some of them from the Pende and Songye peoples, who live in the basin of the Kasai River, one of the Congo's major tributaries. It was easy to see the distinctive brilliance that so entranced Picasso and his colleagues at their first encounter with this art at an exhibit in Paris in 1907. In these central African sculptures some body parts are exaggerated, some shrunken; eyes project, cheeks sink, mouths disappear, torsos become elongated; eye sockets expand to cover almost the entire face; the human face and figure are broken apart and formed again in new ways and proportions that had previously lain beyond sight of traditional European realism. The art sprang from cultures that had, among other things, a looser sense than Islam or Christianity of the boundaries between our world and the next, as well as those between the world of humans and the world of beasts. Among the Bolia people of the Congo, for example, a king was chosen by a council of elders; by ancestors, who appeared to him in a dream; and finally by wild animals, who signaled their assent by roaring during a night when the royal candidate was left at a particular spot in the rain forest. Perhaps it was the fluidity of these boundaries that granted central Africa's artists a freedom those in Europe had not yet discovered.
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
The Government simply cannot make up their mind or they cannot get the prime minister to make up his mind. So they go on in strange paradox, decided only to be undecided, resolved to be irresolute, adamant for drift, solid for fluidity, all powerful for impotency. And so we go on preparing more months more years precious perhaps vital for the greatness of Britain for the locusts to eat. - Speaking in the Address in Reply debate, after giving some specific instances of Germany's war preparedness
Winston S. Churchill
The marginalized individual is systematically concretized into an identity—through either discrimination or the guise of acceptance—as a restraint, because there’s nothing more frightening than fluidity.
Vivek Shraya (People Change)
Was Trakl a Christian? Yes, of course, at times he becomes a Christian, among a general confusion of becomings—becoming an animal, becoming a virus, becoming inorganic—just as he was also an antichrist, a poet, a pharmacist, an alcoholic, a drug addict, a psychotic, a leper, a suicide, an incestuous cannibal, a necrophiliac, a rodent, a vampire, and a werewolf. Just as he became his sister, and also a hermaphrodite. Trakl's texts are scrawled over by redemptionist monotheism, just as they are stained by narcotic fluidities, gnawed by rats, cratered by Russian artillery, charred and pitted by astronomical debris. Trakl was a Christian and an atheist and also a Satanist, when he wasn't simply undead, or in some other way inhuman. It is perhaps more precise to say that Trakl never existed, except as a battlefield, a reservoir of disease, the graveyard of a deconsecrated church, as something expiring from a massive cocaine overdose on the floor of a military hospital, cheated by lucidity by the searing onslaught of base difference.
Nick Land (Fanged Noumena: Collected Writings, 1987–2007)
In practice, race was a sliding signifier in Jamaica. The social slippage – the sliding of the signifier – was extensive, constitutive of social life itself. There were wide skin colour variations even within the same family, as was the case in my own. Jamaican society gossiped, monitored intensely and speculated riotously about this perpetual, confusing fluidity of the body. When I was a child it’s what Jamaica was. Such
Stuart Hall (Familiar Stranger: A Life Between Two Islands (Stuart Hall: Selected Writings))
Carl Jung understood the fluidity of truth when he made the statement that what is true at one time for us, at some point no longer serves us, and eventually becomes a lie. He understood that truth changes over time;
Deborah Adele (The Yamas & Niyamas: Exploring Yoga's Ethical Practice)
In an attempt to deeper explore the infinite game of Life, we explore: • Earth that is fixed, rigid, static and quiet, and symbolizes your world of senses; • Water that is the primordial Chaos, is fluidity and flexibility, and symbolizes your subconscious mind; Intuition is a deeper perception. Without clear evidence or proof, intuition perceives the subtle inner relationships and underlying processes creatively, and imaginatively. • Fire that is boundless and invisible, and is a parching heat that consumes all, or within its highest manifestation, becomes the expression of Divine Love. It is a symbol of your emotions, and • Air that has no shape and is incapable of any fixed form. It symbolizes your world of thoughts. It is a rational, systematic process, it is our intellectual comprehension of things. All elements are bound by: • Soul that stands at the center of the four elements as an Essence, an Observer, Consciousness coming forth to experience the magic of Life.
Nataša Pantović (Mindful Being)
We need, between us and the fish which, if we saw it for the first time cooked and served on a table, would not appear worth the endless shifts and wiles required to catch it, the intervention, during our afternoons with the rod, of the rippling eddy to whose surface come flashing, without our quite knowing what we intend to do with them, the bright gleam of flesh, the hint of a form, in the fluidity of a transparent and mobile azure.
Marcel Proust (In the Shadow of Young Girls in Flower)
My aim is to bring about a psychic state in which my patient begins to experiment with his own nature—a state of fluidity, change and growth, in which there is no longer anything eternally fixed and hopelessly petrified.
C.G. Jung (Modern Man in Search of a Soul)
There is a fluidity to his movements despite his size that tells me he has never had to justify his existence, has never had to fold himself into a hidden thing and I wonder what that must be like- to know that your body is irreproachable.
Sophie Mackintosh (The Water Cure)
Art allows us to say the things we wouldn't normally be able to articulate in our waking life.
Nico Tortorella (Space Between: Explorations of Love, Sex, and Fluidity)
Universities are no longer institutions of inquiry but 'safe spaces' where delicate flowers of diversity of race, sex, orientation, 'gender fluidity,' and everything else except diversity of thought have to be protected from exposure to any unsafe ideas.
Mark Steyn (The Undocumented Mark Steyn)
James Brown hid everything, and in the game of instant information he lost big-time, because the information machine turns a truth into a lie and a lie into the truth, transforms superstitions and stereotypes into fact with such ease and fluidity that after a while you get to believing as I do, that the media is not a reflection of the American culture but rather is teaching it. As long as James Brown was selling records he let that craziness run. He didn't care. The media worked in his favor and helped fuel his success. But it killed his public reputation and once the success was gone once the head disappeared, the body followed.
James McBride (Kill 'Em and Leave: Searching for James Brown and the American Soul)
But without the judgment of my left brain saying that I am a solid, my perception of myself returned to this natural state of fluidity. Clearly, we are each trillions upon trillions of particles in soft vibration. We exist as fluid-filled sacs in a fluid world
Jill Bolte Taylor (My Stroke of Insight: A Brain Scientist's Personal Journey)
They usually did not fight what is known as a “war of attrition.” Rather, they used deception, speed, fluidity of action, and strength against weakness. They used tactics that disoriented and confused—tactics that, in Boyd’s words, caused the enemy “to unravel before the fight.
Robert Coram (Boyd: The Fighter Pilot Who Changed the Art of War)
Don't cling to your self-concept purely because your will demands it. Demand that your environment aligns as much as possible and change what you must about yourself when the outer world can’t be changed. Mental health is about mental fluidity, mental illness stems in rigidity.
Oli Anderson (Personal Revolutions: A Short Course in Realness)
Magic happens when the wand of language strikes a stone and makes it melt, touches a spindle and turns it into gold, or taps a trunk and makes it fly. By drawing on a syntax of enchantment that conjures fluidity, ethereality, flimsiness, and transparency, writers turn solidity into resplendent airy lightness to produce miracles of linguistic transubstantiation. What is the effect of that beauty? How do readers respond to words that create that beauty? In a world that has discredited that particular attribute and banished it from high art, beauty has nonetheless held on to its enlivening power in children's books. It draws readers in, then draws them to understand the fictional worlds it lights up.
Maria Tatar (Enchanted Hunters: The Power of Stories in Childhood)
It must be obvious, from the start, that there is a contradiction in wanting to be perfectly secure in a universe whose very nature is momentariness and fluidity. But the contradiction lies a little deeper than the mere conflict between the desire for security and the fact of change. If I want to be secure, that is, protected from the flux of life, I am wanting to be separate from life. Yet it is this very sense of separateness which makes me feel insecure
Alan W. Watts (The Wisdom of Insecurity)
There has been a yearning in me that I'm only just beginning to understand, a craving for transcendent experience, for depth, for meaning-making. It's not just that the world needs to change - I need to change, too. I need to soften, to let go of the tight empirical boundaries, to find a greater fluidity in my being.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
Thinking of yourself is boyish is one thing, but your friends assigned you a gender - without asking - and that flayed you. If I had to speculate, you're actually upset because you believe they should know you well enough to avoid such an error. Which isn't totally fair to you or them. Gender, sexuality, fluidity: Those areas require stumbling around in the dark, feeling, and bumping into things. But even if you can admit to that, you still feel out of control. And probably lonely.
Courtney C. Stevens (Dress Codes for Small Towns)
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
Gabriel García Márquez (Of Love and Other Demons)
We claim that cognition takes place thanks to a constant flow of categorizations, and that at the base of it all is found, in contrast to classification (which aims to put all things into fixed and rigid mental boxes), the phenomenon of categorization through analogy-making, which endows human thinking with its remarkable fluidity.
Douglas R. Hofstadter (Surfaces and Essences: Analogy as the Fuel and Fire of Thinking)
What conditions have to be in effect for evolution by natural selection to occur? The words I put into Darwin's mouth were simple: Give me Order, and time, and I will give you Design. But what we have subsequently learned is that not every variety of Order is sufficient for evolvability. As we saw illustrated by Conway's Game of Life, you have to have just the right sort of Order, with just the right mix of freedom and constraint, growth and decay, rigidity and fluidity, for good things to happen at all.
Daniel C. Dennett (Darwin's Dangerous Idea: Evolution and the Meanings of Life)
Change is part of life. Civilizations rise and fall, the tides wax and wane, the planet undergoes periods of climatic revolution, the young grow up, and the old die. What will come is that what shall be. Survival as individuals and as a species demands fluidity of human thought and the demonstrated ability, temperament, and perseverance to change.
Kilroy J. Oldster (Dead Toad Scrolls)
They burned down the market on the day Vivek Oji died.
Akwaeke Emezi (The Death of Vivek Oji)
Always (it was in her nature, or in her sex, she did not know which) before she exchanged the fluidity of life for the concentration of painting she had a few moments of nakedness when she seemed like an unborn soul, a soul reft of body, hesitating on some windy pinnacle and exposed without protection to all the blasts of doubt. Why then did she do it? She looked at the canvas, lightly scored with running lines....What was the good of doing it then, and she heard some voice saying she couldn't paint, saying she couldn't create, as if she were caught up in one of those habitual currents in which after a certain time experience forms in the mind, so that one repeats words without being aware any longer who originally spoke them.
Virginia Woolf (To the Lighthouse)
Spectrums (...) One of the reasons Im so fond of spectrums is because I believe, with fearce tenacity, that *nothing* in this world is black and white. Spectrums embrace gray spaces, ambiguity, and fluidity. Since these are all concepts which are integral to the human experience, I find spectrums particularly helpfull in understanding and describing identity. (...) as we learn about various identities, it's important we recognize they are not "all or nothing" concepts. Many identities can exist in various degrees and come in a range of possibilities. Remembering this is incredibly crucial as we progress.
Ashley Mardell (The ABC's of LGBT+)
Trans liberation is not a threat to any lesbian woman or gay man or bisexual person. Yes, trans liberation is shaking up old patterns of thoughts or beliefs. Good! Because most of those thoughts and beliefs that we are challenging were imposed on us from above, were rotten to the core and were backed up by bigoted laws. But we're not taking away your identity. No one's sex reassignment or fluidity of gender threatens your right to self-identify and self-expression. On the contrary, our struggle bolsters your right to your identity. My right to be me is tied with a thousand threads to your right to be you.
Leslie Feinberg (Trans Liberation: Beyond Pink or Blue)
Some change at once went through them all, as if this had really happened, and they were all conscious of making a party together...; had their common cause against that fluidity out there... and now the same effect was got by the many candles in the sparely furnished room, and the uncurtained windows, and the bright mask-like look of faces seen by candlelight. Some weight was taken off them; anything might happen…
Virginia Woolf (To the Lighthouse)
Each time something contingent and impermanent is raised to the status of something necessary and permanent, a devil is created. Whether it be an ego, a nation-state, or a religious belief, the result is the same. The distortion severs such things from their embeddedness in the complexities, fluidities, and ambiguities of the world and make them appear as simple, fixed, and unambiguous entities with the power to condemn or save us.
Stephen Batchelor (Living with the Devil: A Meditation on Good and Evil)
All children in Madagascar were raised genderless and forbidden to choose a gender until reaching adulthood. Even then, many didn’t choose a single state of being. Some, like Jerico, found fluidity to be their nature. “I feel like a woman beneath the sun and the stars. I feel like a man under the cover of clouds,” Jerico had explained to the crew when assuming command. “A simple glance at the skies will let you know how to address me at any given time.
Neal Shusterman (The Toll (Arc of a Scythe, #3))
UNMERCIFUL My body was a useless entity. In your presence, it betrayed me. Like dangerous waters beckoning In their mystifying beauty. Their tantalizing fluidity caressed my body As I resisted taking the plunge. My body betrayed me, Ignored me like a preoccupied stranger With a will of its own. And, I cruelly learned, I could control what happened Only if you were merciful. But, watching you, Listening to you, Was not merciful. It was a torturous joy.
D.K. Sanz/Kyrian Lyndon (Awake with the Songbirds)
When you choose, you divide. Then you say, ”This is good, that is wrong.” And life is a unity. Existence remains undivided, existence remains in a deep unison. It is oneness. If you say, ”This is beautiful and that is ugly,” mind has entered, because life is both together. And the beautiful becomes ugly, and the ugly goes on becoming beautiful. There is no boundary; no watertight compartments are there. Life goes on flowing from this to that. Mind has fixed compartments. Fixedness is the nature of mind and fluidity is the nature of life. That’s why mind is obsession; it is always fixed, it has a solidness about it. And life is not solid; it is fluid, flexible, goes on moving to the opposite. Something is alive this moment, next moment is dead. Someone was young this moment, next moment he has become old. The eyes were so beautiful, now they are no more there – just ruins. The face was so rose-like, now nothing is there – not even a ghost of the past. Beautiful becomes ugly, life becomes death, and death goes on taking new birth. What to do with life? You cannot choose. If you want to be WITH life, with the whole, you have to be choiceless.
Osho (Hsin Hsin Ming: The Book of Nothing)
Hindu mythology makes constant references to queerness, the idea that questions notions of maleness and femaleness. There are stories of men who become women, and women who become men, of men who create children without women, and women who create children without men, and of creatures who are neither this, nor that, but a little bit of both, like the makara (a combination of fish and elephant) or the yali (a combination of lion and elephant). There are also many words in Sanskrit, Prakrit and Tamil such as kliba, napumsaka, mukhabhaga, sanda, panda, pandaka, pedi that suggest a long familiarity with queer thought and behaviour. It is common to either deny the existence of such fluidity in our stories, or simply locate them in the realm of the supernatural or point to law books that, besides endorsing patriarchy and casteism, also frown upon queer behaviour. Yet the stories are repeatedly told and shown. Gentle attempts, perhaps, of wise sages to open up stubborn finite minds and lead them towards infinity
Devdutt Pattanaik (Shikhandi and Other Stories They Don't Tell You)
For the majority of human history, it was taken for granted that a person’s status as “man” or “woman” was purely biological and determined by his or her sex at birth. Nobody had any notion of a “gender spectrum” or “gender fluidity.” There have always been effeminate men and masculine women, but there was never any thought given to the possibility that the effeminate man might really be a woman, and the masculine woman might really be a man. But as the irrational, anti-scientific, and superstitious belief in “transgenderism” was introduced into the cultural bloodstream by academia and Hollywood, individual Americans, feeling the increasing peer pressure, quickly forsook their knowledge of basic human biology and adopted progressive gender theory wholesale.
Matt Walsh (Church of Cowards: A Wake-Up Call to Complacent Christians)
My mother said the bizarre name Raccoona had surely been inspired, at least on a subliminal level, by the masks raccoons don't wear but simply have - the ones given them by nature..... [S]he pointed out that Le Guin had suspected all along that Raccoona and Tiptree were two authors that came from the same source, but in a letter to Alice she wrote that she preferred Tiptree to Raccoona: 'Raccoona, I think, has less control, thus less wit and power.' Le Guin, Mother said, had understood something deep. 'When you take on a male persona, something happens.' When I asked her what that was, she sat back in her chair, waved her arm, and smiled. 'You get to be the father.
Siri Hustvedt (The Blazing World)
I Cannot Remember I once was a poet too (you gave life to my words), but now I cannot remember Since I have forgotten you (my love!), my art too I cannot remember Yesterday consulting my heart, I learned that your hair, lips, mouth, I cannot remember In the city of the intellect insanity is silence But now your sweet, spontaneous voice, its fluidity, I cannot remember Once I was unfamiliar with wrecking balls and ruins But now the cultivation of gardens, I cannot remember Now everyone shops at the store selling arrows and quivers But neglects his own body, the client he cannot remember Since time has brought me to a desert of such arid forgetfulness Even your name may perish; I cannot remember In this narrow state of being, lacking a country, even the abandonment of my fellow countrymen, I cannot remember
Ahmad Faraz
We are among the first peoples in human history who do not broadly inherit religious identity as a given, a matter of kin and tribe, like hair color and hometown. But the very fluidity of this—the possibility of choice that arises, the ability to craft and discern one’s own spiritual bearings—is not leading to the decline of spiritual life but its revival. It is changing us, collectively. It is even renewing religion, and our cultural encounter with religion, in counterintuitive ways. I meet scientists who speak of a religiosity without spirituality—a reverence for the place of ritual in human life, and the value of human community, without a need for something supernaturally transcendent. There is something called the New Humanism, which is in dialogue about moral imagination and ethical passions across boundaries of belief and nonbelief. But I apprehend— with a knowledge that is as much visceral as cognitive— that God is love. That somehow the possibility of care that can transform us— love muscular and resilient— is an echo of a reality behind reality, embedded in the creative force that gives us life.
Krista Tippett (Becoming Wise: An Inquiry into the Mystery and Art of Living)
Art can model the more difficult dynamic of transfiguring one’s life, but at some point the dynamic reverses itself: life models, or forces, the existential crisis by which art—great art—is fully experienced. There is a fluidity between art and life, then, in the same way that there is, in the best lives, a fluidity between mind and matter, self and soul, life and death. Experience seems to stream clearly through some lives, rather than getting slowed and clogged up in the drift-waste of ego, or stagnating in little inlets of despair, envy, rage. It has to do with seizing and releasing as a single gesture. It has to do with standing in relation to life and death ... owning an emptiness that, because you have claimed it, has become a source of light, wearing your wound that, like a ramshackle house on some high exposed hill, sings with the hard wind that is steadily destroying it.
Christian Wiman
Look not too long in the face of the fire O man! Never dream with thy hand on the helm! Turn not thy back to the compass; accept the first hint of the hitching tiller; believe not the artificial fire, when its redness makes all things look ghastly. Tomorrow, in the natural sun, the skies will be bright; those who glared like devils in the forking flames, the morn will show in far other, at least gentler relief; the glorious, golden, glad sun, the only true lamp - all others but liars!
Herman Melville (Moby Dick)
Ebenezer Howard’s vision of the Garden City would seem almost feudal to us. He seems to have thought that members of the industrial working classes would stay neatly in their class, and even at the same job within their class; that agricultural workers would stay in agriculture; that businessmen (the enemy) would hardly exist as a significant force in his Utopia; and that planners could go about their good and lofty work, unhampered by rude nay-saying from the untrained. It was the very fluidity of the new nineteenth-century industrial and metropolitan society, with its profound shiftings of power, people and money, that agitated Howard so deeply
Jane Jacobs (The Death and Life of Great American Cities)
Hardy’s astonishing technical versatility has won the admiration of major poets from Ezra Pound and Cecil Day Lewis to Philip Larkin. Among other genres he employs the lyric, narrative, ballads, and the sonnet. He also moves easily between the amplitude of dramatic monologue and the compression of imagism. He experiments continually with an ingenious variety of stanza forms and rhyme schemes, rejecting the fluidity of contemporary poetry for his own idiosyncratic style, based on a real understanding of the variety of speech rhythms and registers. Each individual poem is designed to express in its language and form, and with utter honesty, Hardy’s impressions of life.
Geoffrey Harvey (Thomas Hardy (Routledge Guides to Literature))
The third dream was hard to put into words. It was a rambling, incoherent dream without any setting. All that was there was a feeling of being in motion. Aomame was ceaselessly moving through time and space It didn't matter when or where this was All that mattered was this movement. Everything was fluid, and a specific meaning was born of that fluidity. But as she gave herself up to it, she found her body growing transparent. She could see through her hands to the other side. Her bones, organs, and womb became visible. At this rate she might very well no longer exist. After she could no longer see herself, Aomame wondered what could possibly come then. She had no answer.
Haruki Murakami (1Q84 (1Q84, #1-3))
The two board games that best approximate the strategies of war are chess and the Asian game of go. In chess, the board is small. In comparison to go, the attack comes relatively quickly, forcing a decisive battle.... Go is much less formal. It is played on a large grid, with 361 intersections — nearly six times as many positions as in chess.... [A game of go] can last up to three hundred moves. The strategy is more subtle and fluid than chess, developing slowly; the more complex the pattern your stones initially create on the board, the harder it is for your opponent to understand your strategy. Fighting to control a particular area is not worth the trouble: You have to think in larger terms, to be prepared to sacrifice an area in order eventually to dominate the board. What you are after is not an entrenched position but mobility. With mobility you can isolate your opponent in small areas and then encircle them... Chess is linear, position oriented, and aggressive; go is nonlinear and fluid. Aggression is indirect until the end of the game, when the winner can surround the opponents' stones at an accelerated pace.
Robert Greene (The 48 Laws of Power)
(...) I think your definition changes based on your experiences." (age twenty-two, bisexual) Six years later, this same woman noted: "I date both men and women, but i don't like the word "bisexual", because I think it implies polarity. I guess I started thinking about this around 4 1/2 years ago, when I was involved in a long-term committed relationship with a man, but a queer man. And it made me redefine things, because I didn't believe that a queer man and a queer woman together in a relationship like ours was conventionally heterosexual." (age twenty-eight, bisexual)
L. B. Diamond (Sexual Fluidity: Understanding Women's Love and Desire)
I reminded the reporter that sonnet means “little sound.” “Oh,” she said, and I could tell by the way her pen jumped in her hand that she was charmed by the idea; people almost always are. Sonnets are taken so strenuously, so literally, when taught at school, or at least they used to be, and the definition—fourteen lines of rhymed iambic pentameter—hardens and ends up gesturing toward an artifact, an object one might construct from a kit. But if you picture the sonnet, instead, as a little sound, a ping in the great wide silent world, you make visible a sudden fluidity to the form, a splash of noise, but a carefully measured splash that’s saved from preciosity by the fact that it comes from within the body’s own borders; one voice, one small note extended, and then bent; the bending is everything, the volta, the turn, and also important is where it occurs within the sonnet’s “scanty plot of ground,” to quote old Wordsworth. From there the “little sound” sparks and then forms itself out of the dramatic contrasts of private light and darkness.
Carol Shields (Collected Stories)
Antigay activists have historically maintained that same-sex sexuality is a lifestyle choice that should be discouraged, deemed illegitimate, and even punished by the culture at large. In other words, if lesbian/gay/bisexual people to not have to be gay but are simply choosing a path of decadence and deviance, then the government should have no obligation to protect their civil rights or honor their relationships; to the contrary, the state should actively condemn same-sex sexuality and deny it legal and social recognition in order to discourage others from following that path. Not surprisingly, advocates for gay/lesbian/bisexual rights see things differently. They counter that sexual orientation is not a matter of choice but an inborn trait that is much beyond an individual's control as skin or eye color. Accordingly, since gay/lesbian/bisexual individuals cannot choose to be heterosexual, it is unethical to discriminate against them and to deny legal recognition to same-sex relationships. (...) Perhaps instead of arguing that gay/lesbian/bisexual individuals deserve civil rights because they are powerless to change their behavior, we should affirm the fundamental rights of all people to determine their own emotional and sexual lives.
L. B. Diamond (Sexual Fluidity: Understanding Women's Love and Desire)
I feign knowledge of writing: that I know something about it, that I should have learned something after all these years, that I might know something tomorrow. I read too much and write too little, or write too much and live too little. I have no classical education, no literary degree. I’m not specialized, Hugoed or geniusized; should I be writing at all? In this whole vast world, I’m a female peon sitting here at night wondering what it is I want to say. I aim for fluidity. But no, nix that line, that thought, this life. That’s the crux of it, isn’t it? This life: it’s out of reach. I’m not sure what I’m saying anymore.
Chila Woychik (On Being a Rat and Other Observations)
Now all the candles were lit up, and the faces on both sides of the table were brought nearer by the candle light, and composed, as they had not been in the twilight, into a party round a table, for the night was now shut off by panes of glass, which, far from giving any accurate view of the outside world, rippled it so strangely that here, inside the room, seemed to be order and dry land; there, outside, a reflection in which things waved and vanished, waterily. Some change at once went through them all, as if this had really happened, and they were all conscious of making a party together in a hollow, on an island; had their common cause against that fluidity out there. Mrs Ramsay, who had been uneasy, waiting for Paul and Minta to come in, and unable, she felt, to settle to things, now felt her uneasiness changed to expectation. For now they must come, and Lily Briscoe, trying to analyse the cause of the sudden exhilaration, compared it with that moment on the tennis lawn, when solidity suddenly vanished, and such vast spaces lay between them; and now the same effect was got by the many candles in the sparely furnished room, and the uncurtained windows, and the bright mask-like look of faces seen by candlelight. Some weight was taken off them; anything might happen, she felt.
Virginia Woolf (To the Lighthouse)
From Bourcet he learnt the principle of calculated dispersion to induce the enemy to disperse their own concentration preparatory to the swift reuniting of his own forces. Also, the value of a 'plan with several branches', and of operating in a line which threatened alternative objectives. Moreover, the very plan which Napoleon executed in his first campaign was based on one that Bourcet had designed half a century earlier. Form Guibert he acquired an idea of the supreme value of mobility and fluidity of force, and of the potentialities inherent in the new distribution of an army in self-contained divisions. Guibert had defined the Napoleonic method when he wrote, a generation earlier: 'The art is to extend forces without exposing them, to embrace the enemy without being disunited, to link up the moves or the attacks to take the enemy in flank without exposing one's own flank.' And Guibert's prescription for the rear attack, as the means of upsetting the enemy's balance, became Napoleon's practice. To the same source can be traced Napoleon's method of concentrating his mobile artillery to shatter, and make a breach at, a key point in the enemy's front. Moreover, it was the practical reforms achieved by Guibert in the French army shortly before the Revolution which fashioned the instrument that Napoleon applied. Above all, it was Guibert's vision of a coming revolution in warfare, carried out by a man who would arise from a revolutionary state, that kindled the youthful Napoleon's imagination and ambition. While Napoleon added little to the ideas he had imbibed, he gave them fulfilment. Without his dynamic application the new mobility might have remained merely a theory. Because his education coincided with his instincts, and because these in turn were given scope by his circumstances, he was able to exploit the full possibilities of the new 'divisional' system. In developing the wider range of strategic combinations thus possible Napoleon made his chief contribution to strategy.
B.H. Liddell Hart (Strategy)
Your good spirit moved over the waters. But he was not upheld by them as though he rested upon them, for when he is said to rest upon a man, it is he who gives that man rest in himself. It was your incorruptible and immutable will, which is sufficient in itself and to itself, that moved over the life which you had created. To that life living and living in happiness are not one and the same, because it lives even in its state of fluidity and darkness. To gain happiness it must still be turned from that state towards God, its Creator. It must live ever closer to the Fountain of life. In his light it must see the light; in him it must be given perfection, splendor, and bliss.
Augustine of Hippo
The happiest thing for me about this day’s race was that I was able, on a personal level, to truly enjoy the event. The overall time I posted wasn’t anything to brag about, and I made a lot of little mistakes along the way. But I did give it my best, and I felt a nice, tangible afterglow. I also think I’ve improved in a lot of areas since the previous race, which is an important point to consider. In a triathlon the transition from one event to the next is difficult, and experience counts for everything. Through experience you learn how to compensate for your physical shortcomings. To put it another way, learning from experience is what makes the triathlon so much fun. Of course it was painful, and there were times when, emotionally, I just wanted to chuck it all. But pain seems to be a precondition for this kind of sport. If pain weren’t involved, who in the world would ever go to the trouble of taking part in sports like the triathlon or the marathon, which demand such an investment of time and energy? It’s precisely because of the pain, precisely because we want to overcome that pain, that we can get the feeling, through this process, of really being alive — or at least a partial sense of it. Your quality of experience is based not on standards such as time or ranking, but on finally awakening to an awareness of the fluidity within action itself. If things go well, that is.
Haruki Murakami (What I Talk About When I Talk About Running)
Was it a moment of indecision or was it a moment of redemption. Redemption long overdue and long unacknowledged? They didn’t know. He suddenly went at her mouth and she claimed it as if it was never supposed to be elsewhere. It was stormy. It was fierce. His manhood shafted through his loose night pajamas challenging her even beyond the thickness of her bath robe, which was cast aside in one unsparing sweep of his hand, revealing the quavering ripeness of her fulsome breasts. After a moment of awe, he went at them with unquenched ferocity. First he devoured her there itself, against the wall, on the carpet. Within moments their frenzied hands tore away each other’s underpants with unapologetic fury and then in one smooth motion of a dancer’s lucidity, he lifted her and like a great performer of an opera, placed her on the bed. The inviting altar of desire and passion and longing. Now as they claimed each other, there was unhurried fluidity in their motion. Tears of pain and love in their eyes. Ecstasy of carnal compatibility in their fusion. Symphony of sensuality in their strokes and when he finally exploded inside her, she had gone aflame with matching uncontrollability. It was a heavenly union which in one go had robbed them of their beings, their earth, their universe, their past, their present, their future. In one instant, they had undone what was done and had done what was ‘not done’.
Vinod Pande