Flowers In The Attic Quotes

We've searched our database for all the quotes and captions related to Flowers In The Attic. Here they are! All 100 of them:

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Love doesn't always come when you want it to. Sometimes it just happens, despite your will.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I wish the night would end, I wish the day'd begin, I wish it would rain or snow, or the wind would blow, or the grass would grow, I wish I had yesterday, I wish there were games to play...
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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We lived in the attic, Christopher, Cory, Carrie, and me, Now there are only three.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Children are very wise intuitively; they know who loves them most, and who only pretends.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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People make the rules of society, not God.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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There is no hate such as that born out of love betrayed- and my brain screamed out for revenge.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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It is so appropriate to color hope yellow, like the sun we seldom saw. And as I begin to copy from the old memorandum journals that I kept for so long, a title comes as if inspired. 'Open the Window and Stand in the Sunshine.' Yet, I hesitate to name our story that. For I think of us more as flowers in the attic.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Grief, no matter how you try to cater to its wail, has a way of fading away.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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At the end of the rainbow waited the pot of gold. But rainbows were made of faint and fragile gossamer-and gold weighed a ton-and since the world began, gold was the reason to do most anything.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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But the not-very-highbrow truth of the matter was that the reading was how I got my ya-yas out. For the sake of my bookish reputation I upgraded to Tolstoy and Steinbeck before I understood them, but my dark secret was that really, I preferred the junk. The Dragonriders of Pern, Flowers in the Attic, The Clan of the Cave Bear. This stuff was like my stash of Playboys under the mattress.
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Julie Powell (Julie and Julia: 365 Days, 524 Recipes, 1 Tiny Apartment Kitchen)
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Cath could hear the perv shouting curses behind them. β€œOh, fuck you, Flowers in the Attic!” Levi shouted back
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Rainbow Rowell (Fangirl)
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I saw myself dancing alone, always alone,
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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People have a way of believing nothing terrible will ever happen to them, only to others.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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People never really died. They only went on to a better place, to wait a while for their loved ones to join them. And then once more they went back to the world, in the same way they had arrived the first time around.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Love … I put so much faith in it. Truth … I kept believing it falls always from the lips of the one you love and trust the most. Faith … it’s all bound up to love and trust. Where does one end and the other start, and how do you tell when love is the blindest of all?
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Through books Cathy and I have lived a zillion lives . . . our vicarious way to feel alive.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I gave the Rayna back the phone and shook my head. "Ben and I are like brother and sister. That's gross." "Hey, I read Flowers in the Attic. It was kind of hot.
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Hilary Duff (Elixir (Elixir, #1))
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And when I fall in love,” I began, "I will build a mountain to touch the sky. Then, my lover and I will have the best of both worlds, reality firmly under our feet, while we have our heads in the clouds with all our illusions still intact. And the purple grass will grow all around, high enough to reach our eyes.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Patience. I colored patience gray, hung over with black clouds. I colored hope yellow, just like the sun we could see for a few short morning hours. Too soon the sun rose high in the sky & disappeared from view, leaving us bereft and staring at blue.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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And why is it all men think everything a woman writes is trivial or trashy-or just plain silly drivel? Don't men have romantic notions? Don't men dream of finding the perfect love?
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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It was the eyes. The secret of love was in the eyes, the way one person looked at another, the way eyes communicated and spoke when the lips never moved.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I don't think she's ever coming back.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I am a pretty, useless ornament who always believed she'd have a man to take care of her.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Where was that fragile, golden-fair Dresden doll I used to be? Gone. Gone like porcelain turned into steel-made into someone who would always get what she wanted, no matter who or what stood in her way.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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What's done is done. Say good-bye to the past, and hello to the future And we're wasting time, when already we've wasted enough. We've got everything ahead, waiting for us." Just the right words to make me feel real, alive, free! Free enough to forget thoughts of revenge.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Love doesn’t always come when you want it to. Sometimes it just happens, despite your will.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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To believe in God is a good thing, a right thing. But when you reinforce your belief with words you take from the Old Testament that you seek out, and interpret in the ways that suit your needs best, that is hypocrisy,
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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At least when you were silent, you didn’t make any new enemies.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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We don’t anticipate accidents, nor do we expect to die young.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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And thank you for saying all of that, and for loving me, for you haven't gone unloved, or unadmired, yourself.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I've read Flowers in the Attic and The Other Side of Midnight and Go Ask Alice and I don't want to read any more books where the girl dies in the end.
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Rebecca Godfrey (The Torn Skirt)
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I love you,” was his reply. β€œI make myself keep on loving you, despite what you do. I've got to love you. We all have to love you, and believe in you, and think you are looking out for our best interests. But look at us, Momma, and really see us.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Asleep you don't feel pain or hunger, or loneliness, or bitterness. In sleep you can drown in false euphoria, and when you awaken, you just don't care about anything.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Love, when it came and knocked on my door, was going to be enough. And that unknown author who'd written that if you had fame, it was not enough, and if you had wealth as well, it was still not enough, and if you had fame, wealth, and also love ... still it was not enough - boy, did I feel sorry for him.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Go on, glare your eyes at me, and cry and plead, and talk to me about money and what it can buy. But it can't buy back a child once he's dead!
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Why did the stars seem to be looking down at me with pity, making me feel ant-sized, overwhelmed, completely insignificant? It was too big, that close sky, too beautiful, and it filled me with a strange sense of foreboding.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Never would I become so dependent on a man I couldn’t make my way in the world, no matter what cruel blow life delivered!
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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The Bible said, as Chris quoted one memorable day, there was a time for everything. I figured my time for happiness was just ahead, waiting for me.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Look at you, standing there in your iron- gray dress, feeling pious and self- righteous while you starve small children!
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Perhaps lovers aren't supposed to look down at the ground. That kind of story is told in symbols--and earth represents reality, and reality represents frustrations, chance illnesses, death, murder, and all kinds of other tragedies. Lovers are meant to look up at the sky, for up there no beautiful illusions can be trampled upon.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Did she really believe that love, once gained, couldn't be torn asunder by doubts and fears, and could never, never be put back together again?
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I brushed it until it shone and looked somewhat like it used to look, only far thinner, and less glorious.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Why did I think back then, that happiness was always just ahead in the future, when I would be an adult, able to make my own decisions, go my own way, be my own person? Why had it seemed that being a child was never enough?
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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-just on the verge of becoming a woman, and in these three years and almost five months, I'd reached maturity. I was older than the mountains outside. The wisdom of the attic was in my bones, etched on my brain, part of my flesh.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I had a gift too; not the bright and shining coin that was Christopher's. It was my way to turn over all that glittered and look for the tarnish.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Let’s go forth tomorrow with no great expectations of finding perfection. Then, expecting only a small share of happiness, we won’t be disappointed.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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There is no hate such as that born out of love betrayed
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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We are perfect children. Mentally, physically, emotionally, we are wholesome, and godly in every way possible. We have as much right to live, love, and enjoy life as any other children on this earth.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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From all that I heard, and overheard, fate was a grim reaper, never kind, with little respect for who was loved and needed.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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And where was happiness? In the yesterdays? In the tomorrows? Not in this hour, this minute, this second. We had one thing, and one thing only, to give us a spark of joy. Hope.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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To love anything once extremely well made you vulnerable to another loving attack
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I don’t think anything about the human body and the way it functions is disgusting or revolting.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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At the end of the rainbow waited the pot of gold. But rainbows were made of faint and fragile gossamerβ€”and gold weighed a tonβ€”and since the world began, gold was the reason to do most anything.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Still must the poet as of old, In barren attic bleak and cold, Starve, freeze, and fashion verses to Such things as flowers and song and you; Still as of old his being give In Beauty's name, while she may live, Beauty that may not die as long As there are flowers and you and song.
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Edna St. Vincent Millay (A Few Figs from Thistles)
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I was the kind of child who’d always looked for fairies dancing on the grass. I wanted to believe in witches, wizards, ogres, giants, and enchanted spells. I didn’t want all of the magic taken out of the world by scientific explanation.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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We haven't remained idle, twiddling our thumbs while you were off having a good time. Through books Cathy and I have lived a zillion lives . . . our vicarious way to feel alive.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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If a little hill of happiness would satisfy Chris, good for him. But after all these years of striving, hoping, dreaming, longing-I wanted a mountain high! A hill wasn't enough.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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And somewhere in that crimson-colored never-never land where i pirouetted madly, in a wild and crazy effort to exhaust myself into insensibility, i saw that man, shadowy and distant, half-hidden behind towering white columns that rose clear up to a purple sky. In a passionate pas de deux he danced with me, forever apart, no matter how hard i sought to draw nearer and leap into his arms, where i could feel them protective about me, supporting me ... and with him i'd find, at last, a safe place to live and love.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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If you had wealth and health, and beauty and talent . . . you had nothing if you didn’t have love. Love changed all that was ordinary into something giddy, powerful, drunken, enchanted.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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a still water that ran deep." I still don't know what she meant by that, except quiet people did exude some illusion of mystery that kept you wondering just what they really were beneath the surface.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I felt sorry for her, and I felt betrayed by my own compassion.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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In the dark, the little live Christmas tree, two feet tall, sparkled with tiny coloured lights, like the tears I saw glistening in my brother's eyes.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I wanted to believe in witches, wizards, ogres, giants, and enchanted spells. I didn’t want all of the magic taken out of the world by scientific explanation.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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It was my way to turn over all that glittered and look for the tarnish.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Prettiness was more akin to coziness than grand, rich and beautiful.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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The male of the species is born knowing everything evil.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Then turn your eyes back on me, and tell me that Cathy and I are still children to be treated with condescension, and are incapable of understanding adult subjects.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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We haven't remained idle, twiddling our thumbs while you were off having a good time.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Be with me, darling, early and late. Smash glassesβ€” I will study wry music for your sake. For should your hands drop white and empty All the toys of the world would break.
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John Frederick Nims
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From this day forward, I vowed to myself, I was in control of my life. Not fate, not God, not even Chris was ever again going to tell me what to do, or dominate me in any way. From this day forward, I was my own person, to take what I would, when I would, and I would answer only to myself.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Or was Chris thinking, as I was, that if we went to the police and told our story, our faces would be splashed on the front pages of every newspaper in the country? Would the glare of publicity make up for what we'd lose? Our privacy-our need to stay together? Could we lose each other just to get even?
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Love...I put so much faith in it. Truth...I kept believing it falls always from the top lips of the one you love and trust the most. Faith...it's all bound up to love and trust. Where does one end and the other start, and how do you tell when love is the blindest of all?
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I was the kind of child who always looked for fairies dancing on the grass. I wanted to believe in witches, wizards, ogres, giants and enchanted spells. I didn’t want all of the magic taken out of the world by scientific explorations.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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God, He didn't write the scripts for the puny little players down here. We wrote them ourselves-with each day we lived, each word we spoke, each thought we etched on our brains. And Momma had written her script, too. And a sorry one it was.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Cathy, don't look so defeated. She was only trying to put us down again. Maybe nothing did work out right for her, but that doesn't mean we are doomed. Let's go forth tomorrow with no great expectations of finding perfection. Then, expecting only a small share of happiness, we won't be disappointed.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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What did you do with time when you had it in superabundance? Where did you put your eyes when you had already seen everything? What direction should your thoughts take, when daydreams could lead you into so much trouble?
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Chris was in the rocker, fully clothed, and was strumming idly on Cory's guitar. "Dance, ballerina, dance," he softly chanted, and his singing voice wasn't bad at all. Maybe we could work as musicians---a trio -if Carrie ever recovered enough to want a voice again.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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But how we managed to survive- that’s another story.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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You had to have love or you withered away and died.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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We were again, as we'd been before, small fledgling birds sitting on a clothesline waiting for a strong gust of wind to blow us asunder.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Love, it came unbidden. You couldn't help whom you fell in love withβ€”cupid's arrows were ill aimed.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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And there is something in the young that rebels when life is made too strict, making us want to do most of all the very things denied to us.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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And we were alone. Locked in. All the lights were turned off. Around us, below us, this huge house seemed a monster, holding us in its sharp-toothed mouth. If we moved, whispered, breathed heavily, we'd be swallowed and digested.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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It's not good to be alone when you feel bereft. It's better to be with people and share your grief, and not keep it locked up inside." She said this dry-eyed, with not a tear, but somewhere deep inside her she was crying, screaming.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Love . . . I put so much faith in it. Truth . . . I kept believing it falls always from the lips of the one you love and trust the most. Faith . . . it’s all bound up to love and trust. Where does one end and the other start, and how do you tell when love is the blindest of all?
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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We're going to change. We're going to throw out what's worse in us and keep what's best. But come hell or high water, we three will stick together, all for one, one for all. We're going to grow, Cathy, physically, mentally, and emotionally. Not only that, we're going to reach the goals we've set for ourselves. I'll be the best damned doctor the world's ever known and you will make Pavlova seem like an awkward country girl.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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No habiamos dicho ya un millon de oraciones, siempre en espera de una liberacion que no llegaba nunca? Y si las lagrimas no servian de nada y las oraciones no las oia nadie, como ibamos a llegar hasta Dios para obligarle a que hiciera algo?
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Creer en Dios es cosa buena, es lo que se debe hacer, pero cuando se refuerza esta creencia con palabras tomadas del Antiguo Testamento que uno mismo escoge e interpreta de manera que mΓ‘s le convenga, eso es hipocresΓ­a, y eso es exactamente lo que hacen mis padres.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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But daydreams were merely cobwebs, easily torn into shreds, and I’d quickly be dropped back into reality. And where was happiness? In the yesterdays? In the tomorrows? Not in this hour, this minute, this second. We had one thing, and one thing only, to give us a spark of joy. Hope
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
β€œ
Cathy, don't look so defeated. She was only trying to put us down again. Maybe nothing did work out right for her, but that doesn't mean we are doomed. Let's go forth tomorrow with no great expectations of finding perfection. Then, expecting only a small share of happiness, we won't be disappointed." If a little hill of happiness would satisfy Chris, good for him. But after all these years of striving, hoping, dreaming, longing-I wanted a mountain high! A hill wasn't enough. From this day forward, I vowed to myself, I was in control of my life. Not fate, not God, not even Chris was ever again going to tell me what to do, or dominate me in any way. From this day forward, I was my own person, to take what I would, when I would, and I would answer only to myself. I'd been kept prisoner, held captive by greed. I'd been betrayed, deceived, tied to, used, poisoned ... but all that was over now.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Chris, soap people are like us-they seldom go outdoors. And when they do, we only hear about it, never see it. They loll about in living rooms, bedrooms, sit in the kitchens and sip coffee or stand up and drink martinis-but never, never go outside before our eyes. And whenever something good happens, whenever they think they're finally going to be happy, some catastrophe comes along to dash their hopes.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I lay on my back and stared up at that unseeing, uncaring sky. I doubted God lived up there; I doubted heaven was up there, too. God and heaven were down there on the ground, in the gardens, in the forests, in the parks, on the seashores, on the lakes, and riding the highways, going somewhere!
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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I believe, though I’m not sure, once you are an adult, and come back to the home of your parents to live, for some odd reason, you’re reduced to being a child again, and dependent. Her parents tug her one wayβ€”and we pull her another wayβ€”
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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We learned love was just like a soap bubble, so shining and bright one day, and the next day it popped. Then came the tears, the woebegone expressions, the anguish over endless cups of coffee while seated at the kitchen table with a best friend who had her own troubles, or his own troubles. But, no sooner was one love over and done with, then along came another love to start that shining soap bubble soaring again.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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All right, Chris, you've given me a breather. I'm prepared for anything. And thank you for saying all of that, and for loving me, for you haven't gone unloved, or unadmired, yourself." I kissed him quickly on the lips, and told him to go on, to hit me with his knockout blow. "Really, Chris, I know you must have something perfectly awful to tell me-so out with it. Keep holding me as you tell me, and I can stand anything you have to say.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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According to the accounts, which we’ve recorded, there was a motorist driving a blue Ford weaving in and out of the lefthand lane, apparently drunk, and he crashed head-on into your husband’s car. But it seems your husband must have seen the accident coming, for he swerved to avoid a head-on collision, but a piece of machinery had fallen from another car, or truck, and this kept him from completing his correct defensive driving maneuver, which would have saved his life. But as it was, your husband’s much heavier car turned over several times, and still he might have survived, but an oncoming truck, unable to stop, crashed into his car, and again the Cadillac spun over . . . and then . . . it caught on fire.
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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You were right the first time, Cathy. It was a stupid, silly story. Ridiculous! Only insane people would die for the sake of love. I'll bet you a hundred to one a woman wrote that junky romantic trash!" Just a minute ago I'd despised that author for bringing about such a miserable ending, then there I went, rushing to the defense. "T. M. Ellis could very well have been a man! Though I doubt any woman writer in the nineteenth century had much chance of being published, unless she used her initials, or a man's name. And why is it all men think everything a woman writes is trivial or trashy-or just plain silly drivel? Don't men have romantic notions? Don't men dream of finding the perfect love? And it seems to me, that Raymond was far more mushy-minded than Lily!
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V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
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Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.
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V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
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I can understand the ignorant masses loving to soak themselves in drinkβ€”oh, yes, it's very shocking that they should, of courseβ€”very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!
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Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
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The things about you I appreciate May seem indelicate: I'd like to find you in the shower And chase the soap for half an hour. I'd like to have you in my power And see your eyes dilate. I'd like to have your back to scour And other parts to lubricate. Sometimes I feel it is my fate To chase you screaming up a tower Or make you cower By asking you to differentiate Nietzsche from Schopenhauer. I'd like successfully to guess your weight And win you at a fΓͺte. I'd like to offer you a flower. I like the hair upon your shoulders, Falling like water over boulders. I like the shoulders too: they are essential. Your collar-bones have great potential (I'd like your particulars in folders Marked Confidential). I like your cheeks, I like your nose, I like the way your lips disclose The neat arrangement of your teeth (Half above and half beneath) In rows. I like your eyes, I like their fringes. The way they focus on me gives me twinges. Your upper arms drive me berserk. I like the way your elbows work. On hinges … I like your wrists, I like your glands, I like the fingers on your hands. I'd like to teach them how to count, And certain things we might exchange, Something familiar for something strange. I'd like to give you just the right amount And get some change. I like it when you tilt your cheek up. I like the way you not and hold a teacup. I like your legs when you unwind them. Even in trousers I don't mind them. I like each softly-moulded kneecap. I like the little crease behind them. I'd always know, without a recap, Where to find them. I like the sculpture of your ears. I like the way your profile disappears Whenever you decide to turn and face me. I'd like to cross two hemispheres And have you chase me. I'd like to smuggle you across frontiers Or sail with you at night into Tangiers. I'd like you to embrace me. I'd like to see you ironing your skirt And cancelling other dates. I'd like to button up your shirt. I like the way your chest inflates. I'd like to soothe you when you're hurt Or frightened senseless by invertebrates. I'd like you even if you were malign And had a yen for sudden homicide. I'd let you put insecticide Into my wine. I'd even like you if you were Bride Of Frankenstein Or something ghoulish out of Mamoulian's Jekyll and Hyde. I'd even like you as my Julian Or Norwich or Cathleen ni Houlihan. How melodramatic If you were something muttering in attics Like Mrs Rochester or a student of Boolean Mathematics. You are the end of self-abuse. You are the eternal feminine. I'd like to find a good excuse To call on you and find you in. I'd like to put my hand beneath your chin, And see you grin. I'd like to taste your Charlotte Russe, I'd like to feel my lips upon your skin I'd like to make you reproduce. I'd like you in my confidence. I'd like to be your second look. I'd like to let you try the French Defence And mate you with my rook. I'd like to be your preference And hence I'd like to be around when you unhook. I'd like to be your only audience, The final name in your appointment book, Your future tense.
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John Fuller