Flowering Ceremony Quotes

We ate, we slept, we formed our kaleidoscopic relationships and marched ever forward. We licked chocolate from our fingers. We arranged flowers in vases. We inspected our backsides when we tried on new clothes. We gave ourselves over to art. We elected officials and complained. We stood up for home runs. We marked life passages in ceremonies we attended with impatience and pride. We reached out for new love when what we had died, confessing our unworthiness, confessing our great need. We felt at times that perhaps we really were visitors from another planet. We occasionally wondered if it was true that each of us was making everything up. But this was a wobbly saucer; this was thinking we could not endure; we went back to our elegant denial of unbreachable isolation, to refusing the lesson of being born alone and dying that way, too. We went back to loving, to eating, to sleeping, to marching and marching and marching along.

Ronan and his friend Gansey stood on the back porch, leaning on the railing, watching the psychics giggling as they placed the flowers for the ceremony. Every so often, Ronan threw a cheese cube stolen from a snack tray at Chainsaw, whose claw marks scarred the railing. “You want one of these?” Gansey asked. He gestured with his chin to indicate it. The all of it. The wedding. “Yeah,” said Ronan. “I think so.” “Well that’s a relief,” Gansey said. “How do you figure?” “I asked Adam and he said the same thing.

ephemeral and useless, flowers exemplify the gratuitousness of occasions that mean expenses and luxury; blooming in vases, doomed to a rapid death, flowers are ceremonial bonfires, incense and myrrh, libation, sacrifice.

We should do that,” he whispered. “Wear flowers in our hair?” I was watching the ceremony and not really paying attention to Luka, despite the warmth of his arm. Tobin’s eldest brother, the head of the household since their father’s death some years ago, had come forward. Skarpin had surprised us by being as garrulous and emotional as Tobin and Ulfrid were silent and controlled. His red beard was a sharp contrast to his shaved head, and he had six earrings in each ear, a sign that he was a wealthy landowner. He took the loaf of bread from the priest and began the traditional praising of the bride’s skills. “No,” Luka said. “We should get married.” Now I gave him my full attention. “What?

As long as the hummingbird had not abandoned the land, somewhere there were still flowers, and they could all go on.

...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a ...more "...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a question of your country, my German or French friend, or yours, whether you're black or white or Papuan or a Borneo monkey. It's a question of your life. If you want to live, kill. Kill so that you can be free, or eat, or shit. The shameful thing is to kill in masses, at a predetermined hour on a predetermined day, in honour of certain principles, under cover of a flag, with old men nodding approval, to kill in a disinterested or passive way. Stand alone against them all, young man, kill, kill, you are unique, you're the only man alive, kill until the others cut you short with the guillotine or the cord or the rope, with or without ceremony, in the name of the Community or King. What a laugh.

For high school graduation in Finland, you wear a fluffy white hat with a black band. There's a ceremony in which they hand out diplomas, and when you come home all your relatives are there with lots of champagne, flowers, and cake. And there's also a party for the entire class at a local restaurant. We did all that, and I guess I had fun, but I don't remember anything special about it. But ask me about the specs on my 68008-chip machine and I can rattle them off with total recall.

In France her tutor had once taught her that to truly fix an image in the mind to fasten it down completely so that it remained forever captive and vivid she should carefully name each aspect of the thing to herself as though she were describing it to a blind person. "For ma petite such is the fickleness of the human mind that it soon lets go of whatever it sees if you would keep it you must tack it down with words." She had tried it and found that it worked on flowers rooms faces ceremonies.

I know you prefer the other wedding dress but didn’t wear it, because you want it to stay ours. I know you hate that we’re dancing in front of a crowd right now. I know you’re hoping a storm will interrupt the ceremony, so it can all be over.” He leaned in even farther. “I know you have nightmares every night, and it kills me—kills me—that I’m not there to hold you through them, the way I was before. So, instead I send whatever I can. Your favorite foods. Your favorite flowers. I know you’ve killed dozens of people who should have rotted in our prisons long ago, and I know why you do it. To keep the beast within at bay. To funnel your anger and skills into something that maybe looks sort of like good.” Her breath hiked. How could he know that? He must have felt her jolt of surprise, because he pressed his forehead to hers. “I know that, because you and me, we are the same shade, Hearteater. I knew it the day you stabbed me through the chest while our lips were still locked. I knew it when you looked at me with such hatred, such fury, but never fear . . . not even knowing who I was, and what I had done.” His lips brushed across her cheek. She wasn’t sure she was breathing. “I knew it when you gave up your life for mine, because for you . . . only for you . . . I would do the same.

The Yamato spirit is not a tame, tender plant, but a wild--in the sense of natural--growth; it is indigenous to the soil; its accidental qualities it may share with the flowers of other lands, but in its essence it remains the original, spontaneous outgrowth of our clime. But its nativity is not its sole claim to our affection. The refinement and grace of its beauty appeal to our æsthetic sense as no other flower can. We cannot share the admiration of the Europeans for their roses, which lack the simplicity of our flower. Then, too, the thorns that are hidden beneath the sweetness of the rose, the tenacity with which she clings to life, as though loth or afraid to die rather than drop untimely, preferring to rot on her stem; her showy colours and heavy odours--all these are traits so unlike our flower, which carries no dagger or poison under its beauty, which is ever ready to depart life at the call of nature, whose colours are never gorgeous, and whose light fragrance never palls. Beauty of colour and of form is limited in its showing; it is a fixed quality of existence, whereas fragrance is volatile, ethereal as the breathing of life. So in all religious ceremonies frankincense and myrrh play a prominent part. There is something spirituelle in redolence. When the delicious perfume of the sakura quickens the morning air, as the sun in its course rises to illumine first the isles of the Far East, few sensations are more serenely exhilarating than to inhale, as it were, the very breath of beauteous day.

Now it rests on a gold foil chest, next to a single iris in a fluted vase. Something about the flower beckons me to study it. The arrangement is perfectly framed against the silk tapestry behind it. The purple petals are simple but elegant. Its placement here seems deliberate, almost ceremonial.

THE GATE TO BLISS Meditation is the gate that opens that [infinite joy] to us. Prayers, ceremonials, and all the other forms of worship are simply kindergartens of meditation. You pray, you offer something. A certain theory existed that everything raised one’s spiritual power. The use of certain words, flowers, images, temples, ceremonials like the waving of lights brings the mind to that attitude, but that attitude is always in the human soul, nowhere else. People are all doing it; but what they do without knowing it, do knowingly. That is the power of meditation. Slowly and gradually we are

Patriotism,” said Lymond, “like honesty is a luxury with a very high face value which is quickly pricing itself out of the spiritual market altogether. [...] It is an emotion as well, and of course the emotion comes first. A child’s home and the ways of its life are sacrosanct, perfect, inviolate to the child. Add age; add security; add experience. In time we all admit our relatives and our neighbours, our fellow townsmen and even, perhaps, at last our fellow nationals to the threshold of tolerance. But the man living one inch beyond the boundary is an inveterate foe. [...] Patriotism is a fine hothouse for maggots. It breeds intolerance; it forces a spindle-legged, spurious riot of colour.… A man of only moderate powers enjoys the special sanction of purpose, the sense of ceremony; the echo of mysterious, lost and royal things; a trace of the broad, plain childish virtues of myth and legend and ballad. He wants advancement—what simpler way is there? He’s tired of the little seasons and looks for movement and change and an edge of peril and excitement; he enjoys the flowering of small talents lost in the dry courses of daily life. For all these reasons, men at least once in their lives move the finger which will take them to battle for their country.… “Patriotism,” said Lymond again. “It’s an opulent word, a mighty key to a royal Cloud-Cuckoo-Land. Patriotism; loyalty; a true conviction that of all the troubled and striving world, the soil of one’s fathers is noblest and best. A celestial competition for the best breed of man; a vehicle for shedding boredom and exercising surplus power or surplus talents or surplus money; an immature and bigoted intolerance which becomes the coin of barter in the markets of power— [...] These are not patriots but martyrs, dying in cheerful self-interest as the Christians died in the pleasant conviction of grace, leaving their example by chance to brood beneath the water and rise, miraculously, to refresh the centuries. The cry is raised: Our land is glorious under the sun. I have a need to believe it, they say. It is a virtue to believe it; and therefore I shall wring from this unassuming clod a passion and a power and a selflessness that otherwise would be laid unquickened in the grave. [...] “And who shall say they are wrong?” said Lymond. “There are those who will always cleave to the living country, and who with their uprooted imaginations might well make of it an instrument for good. Is it quite beyond us in this land? Is there no one will take up this priceless thing and say, Here is a nation, with such a soul; with such talents; with these failings and this native worth? In what fashion can this one people be brought to live in full vigour and serenity, and who, in their compassion and wisdom, will take it and lead it into the path?

AS IT HAPPENED, CATHY’S CONFIRMATION DAY was a great success. By the time the hairdresser was finished with her, Cathy was more than pleased with the outcome. On the day she wore a pink two-piece suit decorated with tiny flowers around the edge of the lapel, a white high-collared blouse and white shoes. Archbishop McQuaid gave her the Sacrament of Confirmation, and to her relief Cathy was not even asked a question. The one-and-a-half-hour ceremony was followed by lunch in Bewley’s Café which, as always, was sumptuous. Then began the obligatory visiting of friends and relations. Transport for the day was provided by Ned Brady, a local baker. Ned had an Austin Cambridge and supplied the car, himself as driver and the petrol for five pounds. By

The tea ceremonies of Japan are conceived in the spirit of the Taoist earthly paradise. The tearoom, called “the abode of fancy,” is an ephemeral structure built to enclose a moment of poetic intuition. Called too “the abode of vacancy,” it is devoid of ornamentation. Temporarily it contains a single picture or flower-arrangement. The teahouse is called “the abode of the unsymmetrical”: the unsymmetrical suggests movement; the purposely unfinished leaves a vacuum into which the imagination of the beholder can pour.

All Japanese art forms, such as chado (the tea-ceremony), ikebana (flower arranging), shodo (calligraphy) and even martial arts are greatly influenced by the unique Zen philosophy, while the art forms themselves were transformed by Zen into a spiritual discipline focused on calmness, simplicity, and self-growth. In Japan, there is a tradition of studying art not only for art’s sake but also for spiritual purposes and when this is practised with Zen principles in mind, art can be a peaceful journey and a way of self-cultivation – leading to calmness, serenity and concentration.

...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a question of your country, my German or French friend, or yours, whether you're black or white or Papuan or a Borneo monkey. It's a question of your life. If you want to live, kill. Kill so that you can be free, or eat, or shit. The shameful thing is to kill in masses, at a predetermined hour on a predetermined day, in honour of certain principles, under cover of a flag, with old men nodding approval, to kill in a disinterested or passive way. Stand alone against them all, young man, kill, kill, you are unique, you're the only man alive, kill until the others cut you short with the guillotine or the cord or the rope, with or without ceremony, in the name of the Community or King. What a laugh.

Poor Henriette Lund, there to grieve for her beloved uncle, was overwhelmed by a gang of gawkers who pushed their way into the church. The scene she relates was one of a ceremony on the verge of chaos, much like a restless mob waiting for something, anything, to happen. “The tightly packed mass of people surged like an angry sea,” she wrote, “while a ring of rather unpleasant-looking characters had placed themselves around the small flower-decked coffin.” This group was largely composed of self-declared supporters of Søren, upset that with this funeral the church was attempting to absorb into its own one of its most outspoken opponents.

Eating a meal in Japan is said to be a communion with nature. This particularly holds true for both tea and restaurant kaiseki, where foods at their peak of freshness reflect the seasonal spirit of that month. The seasonal spirit for November, for example, is "Beginning Anew," because according to the old Japanese lunar calendar, November marks the start of the new tea year. The spring tea leaves that had been placed in sealed jars to mature are ready to grind into tea. The foods used for a tea kaiseki should carry out this seasonal theme and be available locally, not flown in from some exotic locale. For December, the spirit is "Freshness and Cold." Thus, the colors of the guests' kimonos should be dark and subdued for winter, while the incense that permeates the tearoom after the meal should be rich and spicy. The scroll David chose to hang in the alcove during the tea kaiseki no doubt depicted winter, through either words or an ink drawing. As for the flowers that would replace the scroll for the tea ceremony, David likely would incorporate a branch of pine to create a subtle link with the pine needle-shaped piece of yuzu zest we had placed in the climactic dish. Both hinted at the winter season and coming of New Year's, one of David's underlying themes for the tea kaiseki. Some of the guests might never make the pine needle connection, but it was there to delight those who did.

(Man) fancied that by masquerading in leaves and flowers he helped the bare earth to clothe herself with verdure, and that by playing the death and burial of winter he drove that gloomy season away, and made smooth the path for the footsteps of returning spring. We may smile at his vain endeavours if we please, but it was only by making a long series of experiments, of which some were almost inevitably doomed to failure, that mane learned from experience the futility of some of his attempted methods and the fruitfulness of others. After all, magical ceremonies are nothing but experiments which have failed and which continue to be repeated merely because the operator is unaware of their failure.

Damn it, Jacob, I’m freezing my butt off.” “I came as fast as I could, considering I thought it would be wise to walk the last few yards.” Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection. “I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’” “Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?” “Well, I’m fifty percent sure.” “Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.” “As Legna tells it, that’s what you’re supposed to do.” “Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck. “Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.” “This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.” “Jacob!” she gasped, laughing. “Some traditions are not necessarily publicized,” he teased. “You people are outrageous.” “Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?” Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so. “Have I ever said no to you?” “No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled. “How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair. His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet. “If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.” “Okay,” she agreed, her tongue touching his pulse. “Bella . . .” “Jacob, I want to spend the entire night making love to you,” she murmured. Jacob stopped in his tracks, taking a moment to catch his breath. “Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?” “You started it,” she reminded him, laughing softly. “I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.” “I’m sorry, you’re right.” She turned her face away from his neck. Jacob resumed his ritual walk for all of thirty seconds before he stopped again. “Bella . . .” he warned dangerously. “I’m sorry! It just popped into my head!” “What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace. “Well, in about an hour, I hope it will be me.

I AM. I am the wind which rustles your hair. I am the sun which warms your body. I am the rain which dances on your face. I am the smell of flowers in the air, and I am the flowers which send their fragrance upward. I am the air which carries the fragrance. I am the beginning of your first thought. I am the end of your last I am the idea which sparked your most brilliant moment. I am the glory of its fulfillment I am the feeling which fueled the most loving thing you ever did. I am the part of you which yearns for that feeling again and again. Whatever works for you, whatever makes it happen —whatever ritual, ceremony, demonstration, meditation, thought, song, word, or action it takes for you to “reconnect”—do this. Do this in remembrance of Me.

Because this tea kaiseki would be served so soon after breakfast, it would be considerably smaller than a traditional one. As a result, Stephen had decided to serve each mini tea kaiseki in a round stacking bento box, which looked like two miso soup bowls whose rims had been glued together. After lifting off the top dome-shaped cover the women would behold a little round tray sporting a tangle of raw squid strips and blanched scallions bound in a tahini-miso sauce pepped up with mustard. Underneath this seafood "salad" they would find a slightly deeper "tray" packed with pearly white rice garnished with a pink salted cherry blossom. Finally, under the rice would be their soup bowl containing the wanmori, the apex of the tea kaiseki. Inside the dashi base we had placed a large ball of fu (wheat gluten) shaped and colored to resemble a peach. Spongy and soft, it had a savory center of ground duck and sweet lily bulb. A cluster of fresh spinach leaves, to symbolize the budding of spring, accented the "peach," along with a shiitake mushroom cap simmered in mirin, sake, and soy. When the women had finished their meals, we served them tiny pink azuki bean paste sweets. David whipped them a bowl of thick green tea. For the dry sweets eaten before his thin tea, we served them flower-shaped refined sugar candies tinted pink. After all the women had left, Stephen, his helper, Mark, and I sat down to enjoy our own "Girl's Day" meal. And even though I was sitting in the corner of Stephen's dish-strewn kitchen in my T-shirt and rumpled khakis, that soft peach dumpling really did taste feminine and delicate.

In those hours when the general silence, not filled by any ceremony, became oppressive in that almost tangible lack, the flowers alone were a substitute for the missing singing and the absent rite. They did not simply blossom and give off fragrance, but, as if in chorus, perhaps hastening the corruption by it, poured out their perfume and, endowing everyone with their sweet-scented power, seemed to perform something. The kingdom of plants so easily offers itself as the nearest neighbour to the kingdom of death. Here, in the Earth’s greenery, among the trees of the cemetery, amidst the sprouting flowers rising up from the beds, are perhaps concentrated the mysteries of transformation and the riddles of life that we puzzle over. Mary did not at first recognise Jesus coming from the tomb and took him for the gardener walking in the cemetery. (‘She, supposing him to be the gardener…’)

Love Minus Zero / No Limit" My love she speaks like silence Without ideals or violence She doesn't have to say she's faithful Yet she's true, like ice, like fire People carry roses And make promises by the hours My love she laughs like the flowers Valentines can't buy her In the dime stores and bus stations People talk of situations Read books, repeat quotations Draw conclusions on the wall Some speak of the future My love she speaks softly She knows there's no success like failure And that failure's no success at all The cloak and dagger dangles Madams light the candles In ceremonies of the horsemen Even a pawn must hold a grudge Statues made of match-sticks Crumble into one another My love winks, she does not bother She knows too much to argue or to judge The bridge at midnight trembles The country doctor rambles Bankers' nieces seek perfection Expecting all the gifts that wise men bring The wind howls like a hammer The night blows rainy My love she's like some raven At my window with a broken wing Bringing It All Back Home (1965)

Totally Biased List of Tookie’s Favorite Books Ghost-Managing Book List The Uninvited Guests, by Sadie Jones Ceremonies of the Damned, by Adrian C. Louis Moon of the Crusted Snow, by Waubgeshig Rice Father of Lies, by Brian Evenson The Underground Railroad, by Colson Whitehead Asleep, by Banana Yoshimoto The Hatak Witches, by Devon A. Mihesuah Beloved, by Toni Morrison The Through, by A. Rafael Johnson Lincoln in the Bardo, by George Saunders Savage Conversations, by LeAnne Howe The Regeneration Trilogy, by Pat Barker Exit Ghost, by Philip Roth Songs for Discharming, by Denise Sweet Hiroshima Bugi: Atomu 57, by Gerald Vizenor Short Perfect Novels Too Loud a Solitude, by Bohumil Hrabel Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haine Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai

The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)

He sat beside his brother and glanced at the notes. “The broken pew in the chapel has been repaired—you can cross that off the list. The keg of caviar arrived yesterday. It’s in the icehouse. I don’t know whether the extra camp chairs are here yet. I’ll ask Sims.” He paused to drink half his coffee in one swallow. “Where’s Kathleen? Still abed?” “Are you joking? She’s been awake for hours. At the moment she’s with the housekeeper, showing deliverymen where to set the flower arrangements.” A fond smile crossed Devon’s lips as he rolled the pencil against the tabletop with the flat of his hand. “You know my wife—every detail has to be perfect.” “It’s like staging a production at St. James’s Music Hall. Without, sadly, the chorus girls in pink tights.” West drained the rest of his coffee. “My God, will this day never end?” “It’s only six o’clock in the morning,” Devon pointed out. They both sighed. “I’ve never thanked you properly for marrying Kathleen at the registrar’s office,” West commented. “I want you to know how much I enjoyed it.” “You weren’t there.” “That’s why I enjoyed it.” Devon’s lips twitched. “I was glad not to have to wait,” he said. “But had there been more time, I wouldn’t have minded going through a more elaborate ceremony for Kathleen’s sake.” “Please. Shovel that manure in someone else’s direction.

As with most thoughtful natures, Odo's first disillusionment was to come from discovering not what his God condemned, but what He condoned. Between Cantapresto's coarse philosophy of pleasure and the refined complaisances of his new confessor he felt the distinction to be one rather of taste than of principle; and it seemed to him that the religion of the aristocracy might not unfairly be summed up in the ex-soprano's cynical aphorism: "As respectful children of our Heavenly Father it behoves us not to speak till we are spoken to." Even the religious ceremonies he witnessed did not console him for that chill hour of dawn, when, in the chapel at Donnaz, he had served the mass for Don Gervaso, with a heart trembling at its own unworthiness yet uplifted by the sense of the Divine Presence. In the churches adorned like aristocratic drawing-rooms, of which some Madonna, wreathed in artificial flowers, seemed the amiable and indulgent hostess, and where the florid passionate music of the mass was rendered by the King's opera singers before a throng of chattering cavaliers and ladies, Odo prayed in vain for a reawakening of the old emotion. The sense of sonship was gone. He felt himself an alien in the temple of this affable divinity, and his heart echoed no more than the cry which had once lifted him on wings of praise to the very threshold of the hidden glory — Domine, dilexi decorem domus tuae et

Domenico, my pen pal and the master of ceremonies, emerges from the kitchen in a cobalt suit bearing a plate of bite-sized snacks: ricotta caramel, smoked hake, baby artichoke with shaved bottarga. The first course lands on the table with a wink from Domenico: raw shrimp, raw sheep, and a shower of wild herbs and flowers- an edible landscape of the island. I raise my fork tentatively, expecting the intensity of a mountain flock, but the sheep is amazingly delicate- somehow lighter than the tiny shrimp beside it. The intensity arrives with the next dish, the calf's liver we bought at the market, transformed from a dense purple lobe into an orb of pâté, coated in crushed hazelnuts, surrounded by fruit from the market this morning. The boneless sea anemones come cloaked in crispy semolina and bobbing atop a sticky potato-parsley puree. Bread is fundamental to the island, and S'Apposentu's frequent carb deliveries prove the point: a hulking basket overflowing with half a dozen housemade varieties from thin, crispy breadsticks to a dense sourdough loaf encased in a dark, gently bitter crust. The last savory course, one of Roberto's signature dishes, is the most stunning of all: ravioli stuffed with suckling pig and bathed in a pecorino fondue. This is modernist cooking at its most magnificent: two fundamental flavors of the island (spit-roasted pig and sheep's-milk cheese) cooked down and refined into a few explosive bites. The kind of dish you build a career on.

But the crown jewel was the columned Greek Revival mansion, which dated from the mid-1800s, along with the manicured boxwood gardens that would serve as the backdrop for the couple's ceremony. Of course, everything was not only very traditional but also a standard to what one might imagine an over-the-top Southern wedding to be. As I said, "Steel Magnolias on steroids." The ceremony would take place outdoors in the garden, but large custom peach-and-white scalloped umbrellas were placed throughout the rows of bamboo folding chairs to shade the guests. Magnolia blossoms and vintage lace adorned the ends of the aisles. White, trellis-covered bars flanked the entrance to the gardens where guests could select from a cucumber cooler or spiked sweet tea to keep cool during the thirty-minute nuptials. It was still considered spring, but like Dallas, Nashville could heat up early in the year, and we were glad to be prepared. By the time we arrived the tent was well on its way to completion, and rental deliveries were rolling in. The reception structure was located past the gardens near the enormous whitewashed former stable, and inside the ceiling was draped in countless yards of peach fabric with crystal chandeliers hanging above every dining table. Custom napkins with embroidered magnolias on them complemented the centerpieces' peach garden roses, lush greenery, and dried cotton stems. Cedric's carpentry department created floor-to-ceiling lattice walls covered in faux greenery and white wisteria blooms, a dreamy backdrop for the band.

I walked through the cemetery holding a bouquet of yellow and red flowers with brown combat boots, feeling grateful and bitter the sun was shining so brightly. I felt an urge to run, as well as a magnet to reach the group of people surrounding you. I wanted to be wearing white. I wanted to be walking down an isle with flowers and for this to be a different ceremony. I wanted to curl up beside the earth that held you, the pink and yellow petals, strings of ground hanging loosely in the wind and be beside you. I was angry you were buried, I resented the earth falling upon you. Each scoop felt heavy and indefinite. I'm not ready to know this is definite. I watched your chest, in a white linen shirt last night wishing for your chest to rise. But when I kissed your forehead it was cold. And when I held your hands it wasn't you. It was a shell. It was a vessel. It was empty. The first time I heard your new music it was by accident and your voice drove me from your home into hysterics. But when I entered your home and it played with your casket it was welcome. I read your letter with your mom and dad out loud beside you, and halfway through "spelunking in your soul" started to play. That was a gift, thank you. Today walking back from the funeral a green and black beetle landed in my hair and crawled onto my finger. I just had a bad moment with a woman in your life and I felt you in the little beetle. I'm writing something to be read at your celebration of life. It's not going to be read by me. I have a wedding in Joshua tree. But I will celebrate you in the desert there. I wanted to read the poem "sex and wine for breakfast" I wrote about you but figured I would go less steamy. I love you.

Marks,” he replied, crawling about on hands and knees, eyes intent on the short turf. “How did they know where to start and stop?” “Good question. I don’t see anything.” Casting an eye over the ground, though, I did see an interesting plant growing near the base of one of the tall stones. Myosotis? No, probably not; this had orange centers to the deep blue flowers. Intrigued, I started toward it. Frank, with keener hearing than I, leaped to his feet and seized my arm, hurrying me out of the circle a moment before one of the morning’s dancers entered from the other side. It was Miss Grant, the tubby little woman who, suitably enough in view of her figure, ran the sweets and pastries shop in the town’s High Street. She peered nearsightedly around, then fumbled in her pocket for her spectacles. Jamming these on her nose, she strolled about the circle, at last pouncing on the lost hair-clip for which she had returned. Having restored it to its place in her thick, glossy locks, she seemed in no hurry to return to business. Instead, she seated herself on a boulder, leaned back against one of the stone giants in comradely fashion and lighted a leisurely cigarette. Frank gave a muted sigh of exasperation beside me. “Well,” he said, resigned, “we’d best go. She could sit there all morning, by the looks of her. And I didn’t see any obvious markings in any case.” “Perhaps we could come back later,” I suggested, still curious about the blue-flowered vine. “Yes, all right.” But he had plainly lost interest in the circle itself, being now absorbed in the details of the ceremony. He quizzed me relentlessly on the way down the path, urging me to remember as closely as I could the exact wording of the calls, and the timing of the dance.

[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.

I make this bond to you in blood, not flowers,” he said. “Come with me and you shall be an empress with the moon for your throne and constellations to wear in your hair. Come with me and I promise you that we will always be equals.” My mouth went dry. A blood oath was no trifling undertaking. Vassals swore it to lords, priests to the gods. But husbands to wives? Unthinkable. Still, Bharata’s court had taught me one thing: the greater the offer, the greater the compromise. And I had neither dowry nor influence from Bharata, nothing to give but the jewels I wore. “You’re offering me the world, and you ask for nothing in return.” “I ask only for your trust and patience.” “Trust?” I repeated. “Trust is won in years. Not words. And I don’t know anything about you--” “I will tell you everything,” he cut in, his voice fierce. “But we must wait until the new moon. The kingdom’s close ties to the Otherworld make it dangerous grounds for the curious.” In my stories to Gauri, the new moon weakened the other realms. Starlight thinned their borders and the inhabitants lay glutted and sleepy on moonbeams. The thing is, I had always made that part up. “Why that long?” “Because that is when my realm is at its weakest,” said Amar, confirming my imagination and sending shivers across my arms. “Until then, the hold of the other realms binds me into silence.” The night before the wedding ceremony, there was no moon in the sky. I would have to wait a whole cycle. “And in the meantime, you expect me to go away with you?” “Yes,” he said, matter-of-factly. “Do you accept me?” He held out his hand to me, the cut on his palm bright and swollen. Against the glow of the bazaar, Amar’s form cut a silhouette of night. I looked past him to the glittering secrets of the Otherworld. The Night Bazaar gleamed beneath its split sky--an invitation to be more than what Bharata expected, a challenge to rise beyond the ranks of the nameless, dreamless harem women. All I needed to do was slip my hand in his. I was reaching for him before I knew it and the warmth of his hands jolted me. “I accept.

What’ll it be?” Steve asked me, just days after our wedding. “Do we go on the honeymoon we’ve got planned, or do you want to go catch crocs?” My head was still spinning from the ceremony, the celebration, and the fact that I could now use the two words “my husband” and have them mean something real. The four months between February 2, 1992--the day Steve asked me to marry him--and our wedding day on June 4 had been a blur. Steve’s mother threw us an engagement party for Queensland friends and family, and I encountered a very common theme: “We never thought Steve would get married.” Everyone said it--relatives, old friends, and schoolmates. I’d smile and nod, but my inner response was, Well, we’ve got that in common. And something else: Wait until I get home and tell everybody I am moving to Australia. I knew what I’d have to explain. Being with Steve, running the zoo, and helping the crocs was exactly the right thing to do. I knew with all my heart and soul that this was the path I was meant to travel. My American friends--the best, closest ones--understood this perfectly. I trusted Steve with my life and loved him desperately. One of the first challenges was how to bring as many Australian friends and family as possible over to the United States for the wedding. None of us had a lot of money. Eleven people wound up making the trip from Australia, and we held the ceremony in the big Methodist church my grandmother attended. It was more than a wedding, it was saying good-bye to everyone I’d ever known. I invited everybody, even people who may not have been intimate friends. I even invited my dentist. The whole network of wildlife rehabilitators came too--four hundred people in all. The ceremony began at eight p.m., with coffee and cake afterward. I wore the same dress that my older sister Bonnie had worn at her wedding twenty-seven years earlier, and my sister Tricia wore at her wedding six years after that. The wedding cake had white frosting, but it was decorated with real flowers instead of icing ones. Steve had picked out a simple ring for me, a quarter carat, exactly what I wanted. He didn’t have a wedding ring. We were just going to borrow one for the service, but we couldn’t find anybody with fingers that were big enough. It turned out that my dad’s wedding ring fitted him, and that’s the one we used. Steve’s mother, Lyn, gave me a silk horseshoe to put around my wrist, a symbol of good luck. On our wedding day, June 4, 1992, it had been eight months since Steve and I first met. As the minister started reading the vows, I could see that Steve was nervous. His tuxedo looked like it was strangling him. For a man who was used to working in the tropics, he sure looked hot. The church was air-conditioned, but sweat drops formed on the ends of his fingers. Poor Steve, I thought. He’d never been up in front of such a big crowd before. “The scariest situation I’ve ever been in,” Steve would say later of the ceremony. This from a man who wrangled crocodiles! When the minister invited the groom to kiss the bride, I could feel all Steve’s energy, passion, and love. I realized without a doubt we were doing the right thing.

It may be cheap, but it should also be sturdy. What must be avoided at all costs is dishonest, distorted and ornate work. What must be sought is the natural, direct, simple, sturdy and safe. Confining beauty to visual appreciation and excluding the beauty of practical objects has proven to be a grave error on the part of modern man. A true appreciation of beauty cannot be fostered by ignoring practical handicrafts. After all, there is no greater opportunity for appreciating beauty than through its use in our daily lives, no greater opportunity for coming into direct contact with the beautiful. It was the tea masters who first recognized this fact. Their profound aesthetic insight came as a result of their experience with utilitarian objects. If life and beauty are treated as belonging to different realms, our aesthetic sensibilities will gradually wither and decline. It is said that someone living in proximity to a flowering garden grows insensitive to its fragrance. Likewise, when one becomes too familiar with a sight, one loses the ability to truly see it. Habit robs us of the power to perceive anew, much less the power to be moved. Thus it has taken us all these years, all these ages, to detect the beauty in common objects. The world of utility and the world of beauty are not separate realms. Users and the used have exchanged a vow: the more an object is used the more beautiful it will become and the more the user uses an object, the more the object will be used. When machines are in control, the beauty they produce is cold and shallow. It is the human hand that creates subtlety and warmth. Weakness cannot withstand the rigors of daily use. The true meaning of the tea ceremony is being forgotten. The beauty of the way of tea should be the beauty of the ordinary, the beauty of honest poverty. Equating the expensive with the beautiful cannot be a point of pride. Under the snow's reflected light creeping into the houses, beneath the dim lamplight, various types of manual work are taken up. This is how time is forgotten; this is how work absorbs the hours and days. yet there is work to do, work to be done with the hands. Once this work begins, the clock no longer measures the passage of time. The history of kogin is the history of utility being transformed into beauty. Through their own efforts, these people made their daily lives more beautiful. This is the true calling, the mission, of handicrafts. We are drawn by that beauty and we have much to learn from it. As rich as it is, America is perhaps unrivalled for its vulgar lack of propriety and decorum, which may account for its having the world's highest crime rate. The art of empty space seen in the Nanga school of monochrome painting and the abstract, free-flowing art of calligraphy have already begun to exert considerable influence on the West. Asian art represents a latent treasure trove of immense and wide-reaching value for the future and that is precisely because it presents a sharp contrast to Western art. No other country has pursued the art of imperfection as eagerly as Japan. Just as Western art and architecture owe much to the sponsorship of the House of Medici during the Reformation, tea and Noh owe much to the protection of the shogun Ashikaga Yoshimasa ( 1436-1490 ). The most brilliant era of Japanese culture, the Higashiyama period ( 1443-1490 ). Literally, sabi commonly means "loneliness" but as a Buddhist term it originally referred to the cessation of attachment. The beauty of tea is the beauty of sabi. It might also be called the beauty of poverty or in our day it might be simply be called the beauty of simplicity. The tea masters familiar with this beauty were called sukisha-ki meaning "lacking". The sukisha were masters of enjoying what was lacking.

Strangely enough, the Japanese base most of their traditional desserts on beans. Called an, this smooth chocolatey-looking paste is made from azuki beans boiled in sugar and water. I encountered it for the first time one afternoon when I helped myself to a traditional Kyoto sweet resembling a triangular ravioli stuffed with fudge. What a shock to find a center made from azuki beans, instead of cocoa beans! Sometimes sweet makers choose chestnuts or white kidney beans to make the an, which they craft into dainty flowers, leaves, and fruits that look just like marzipan. Using special tools and food coloring, they fashion such masterpieces as prickly green-jacketed chestnuts with dark brown centers, winter white camellias with red stamens, and pale pink cherry blossoms with mint-colored leaves to commemorate the flower's arrival in April. The bean fudge also fills and frosts other confections, including pounded glutinous rice taffy called mochi and bite-size cakes, made from flour, water, and eggs that are baked until golden. These moist confections go by the name of namagashi and are always served before the thick whipped green tea at the tea ceremony.

There are nineteen such wedding chapels in Las Vegas, intensely competitive, each offering better, faster, and, by implication, more sincere services than the next: Our Photos Best Anywhere, Your Wedding on A Phonograph Record, Candlelight with Your Ceremony, Honeymoon Accommodations, Free Transportation from Your Motel to Courthouse to Chapel and Return to Motel, Religious or Civil Ceremonies, Dressing Rooms, Flowers, Rings, Announcements, Witnesses Available, and Ample Parking. All of these services, like most others in Las Vegas (sauna baths, payroll-check cashing, chinchilla coats for sale or rent) are offered twenty-four hours a day, seven days a week, presumably on the premise that marriage, like craps, is a game to be played when the table seems hot.

Ghost-Managing Book List The Uninvited Guests, by Sadie Jones Ceremonies of the Damned, by Adrian C. Louis Moon of the Crusted Snow, by Waubgeshig Rice Father of Lies, by Brian Evenson The Underground Railroad, by Colson Whitehead Asleep, by Banana Yoshimoto The Hatak Witches, by Devon A. Mihesuah Beloved, by Toni Morrison The Through, by A. Rafael Johnson Lincoln in the Bardo, by George Saunders Savage Conversations, by LeAnne Howe The Regeneration Trilogy, by Pat Barker Exit Ghost, by Philip Roth Songs for Discharming, by Denise Sweet Hiroshima Bugi: Atomu 57, by Gerald Vizenor Short Perfect Novels Too Loud a Solitude, by Bohumil Hrabal Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haien Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai

In the classic Indian epic, the Mahabharata, there is a ceremony for when a new king is crowned. There is a warning to “Be like the garland-maker, O King, and not like a charcoal burner.” Here, the garland symbolized social harmony, where many flowers of many colors and forms are strung harmoniously, creating a stunning effect. The charcoal-burner represents raw force reduction of diversity into homogeneity, where all life is rendered to a similar ash quality

The trees act not as individuals but somehow as a collective. But what we see is the power of unity. All flourishing is mutual.” “Ceremony is a vehicle for belonging - to a family, to a people, and to the land.” “He told me that science was not about beauty, not about the embrace between plants and humans.” “My natural inclination was to see relationships, to seek the threads that connect the world to join instead of divide.” "But science is rigorous in separating the observer from the observed, and the observed from the observer. Why two flowers are beautiful together would violate the division necessary for objectivity.” “Yes, I have learned the names of all the bushes, but I have yet to learn their songs. I was teaching the names and ignoring the songs.” “When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another? We see the world more fully when we use both.” "The questions of goldenrod and asters was of course just emblematic of what I really wanted to know. it was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.” “It’s not just the words that will be lost. The language is the heart of our culture, it holds our thoughts, our way of seeing the world.

먹튀없는 놀이터 Swlook.com 가입코드 : win24 「〃Swlook.cℴm〃가입코드: win24〃」 단폴제제없는 메이저 사설놀이터 Swing 입니다. 신규가입 첫충 10% / 매일충전 5% Event 진행중 먹튀없는 놀이터 로하이 먹튀없는 놀이터 스타 롤 등등, 타 업체 대비 최고의 배당률 & 다양한 경기 지원! 다폴더보너스,스페셜보너스 등 다양한 이벤트를 통해 머니 지급! 까다로운 보안으로 여러분의 안전을 책임집니다. of the United States and the state of California, so help me God." Soon after the ceremony, Roaring Camp began to change. The first improvements were made in the cabin of Tommy or "The Luck" as he was usually called. The men painted it white, planted flowers around it and kept it clean.

Ashe is the energy that permeates the universe. It’s in everything—people, animals, plants, rocks. The orishas are mega-repositories. Spells, ceremonies, and invocations are all conducted to acquire ashe. Ashe gives the power to change things—to solve problems, subdue enemies, win love, acquire money. Ebbo is the concept of sacrifice. It’s what you do to get ashe. Ebbo can be an offering of fruit, flowers, candles, or food, or it can involve animal sacrifice. Priests and priestesses are known as santeros and

Enoch remembered the burial ceremony of the Sahandrians. They laid the body into a pit curled up in a sleeping posture. This expressed their belief that death was only a sleep from which they would one day awake. Around the body, they placed various mementos and souvenirs of the beloved’s life. They included fruits and vegetables because Adam had longed for the Garden to the very end. They had prepared the body by mixing red ochre powder with water to create a paste with which to cover the body. For them, it was a token of the red earth from which Adam himself had come. It was the red earth they all longed for in their souls. They had then covered the body with flowers of all kinds; yarrow, ragwort, hollyhock and others chosen for their medicinal purposes in life with hope for the afterlife.

eloped. Claire and Ramsey just did it in Acapulco, that was all. Anabel was the flower girl. Except that she ate all the flowers just before the ceremony. Then she broke the basket that was supposed to hold them. Then she knocked over the floral arrangements in the back of the church.

The Best for His Father The man went to the mortuary to make arrangements for the funeral of his father who had just died.  The man explained that he wanted the very best for this father and not to spare any expense. After the funeral he was sent a bill for $20,000.   He knew his father had received the best the mortuary had to offer, so he gladly paid the bill. The next month he received a bill for $125.  The following month he received another bill for $125.  The third month he received a bill for $125 again.  He thought he had better figure out what these monthly charges were for, so he called the mortuary. The person he had worked with at the mortuary reminded the man that he had asked for the very best for his departed father.  In addition to the best coffin, the best flowers, and the best ceremony, they also rented for his father a tux.

Apple may not do customer research to decide what products to make, but it absolutely pays attention to how customers use its products. So the marketing team working on the iMovie HD release scheduled for Macworld, on January 11, 2005, decided to shoot a wedding. The ceremony it filmed was gorgeous: a sophisticated, candlelit affair at the Officers’ Club of San Francisco’s Presidio. The bride was an Apple employee, and the wedding was real. There was one problem with the footage, however. Steve Jobs didn’t like it. He watched it the week before Christmas, recalled Alessandra Ghini, the marketing executive managing the launch of iLife. Jobs declared that the San Francisco wedding didn’t capture the right atmosphere to demonstrate what amateurs could do with iMovie. “He told us he wanted a wedding on the beach, in Hawaii, or some tropical location,” said Ghini. “We had a few weeks to find a wedding on a beach and to get it shot, edited, and approved by Steve. The tight time frame allowed for no margin for error.” With time short and money effectively no object, the team went into action. It contacted Los Angeles talent agencies as well as hotels in Hawaii to learn if they knew of any weddings planned—preferably featuring an attractive bride and groom—over the New Year’s holiday. They hit pay dirt in Hollywood: A gorgeous agency client and her attractive fiancé were in fact planning to wed on Maui during the holiday. Apple offered to pay for the bride’s flowers, to film the wedding, and to provide the couple with a video. In return, Apple wanted rights for up to a minute’s worth of footage of its choosing.

Pratik lit a candle and performed a little ceremony for the solemn occasion of the moment, placing a flower before Ruth’s ‘yoni.’ He bowed down and mumbled a serious sounding prayer in Bengali.

a young man once sought out a master to teach him the Japanese tea ceremony. The master tested him by asking him to clean up a garden. The young man removed the weeds and raked the leaves until the grounds were pristine. As he reviewed his flawless work, he decided something was missing. He walked over to a cherry tree and shook it so that some flower petals fell to the ground. By finding the beauty in imperfection, he showed he was ready to become a master.

...I also know that spring is caused by God's grace, in the form of the sun's rays, to touching this dark earth with new life: a sacred birth, a sacred return, which deserves all the singing, all the dancing, all the ceremony we can give to it. The world turns...a circular dance, from birth to death to resurrection, through arches of flowers, and arches of bread, and arches of skills. We dance the turning world, and it dances us.

Four years to the day after Fairchild's 1908 gift of the trees to Washington's schools, on March 27, 1912, Mrs. Taft broke dirt during the private ceremony in West Potomac Park near the banks of the Potomac River. The wife of the Japanese ambassador was invited to plant the second tree. Eliza Scidmore and David Fairchild took shovels not long after. The 3,020 trees were more than could fit around the tidal basin. Gardeners planted extras on the White House grounds, in Rock Creek Park, and near the corner of Seventeenth and B streets close to the new headquarters of the American Red Cross. It took only two springs for the trees to become universally adored, at least enough for the American government to feel the itch to reciprocate. No American tree could rival the delicate glamour of the sakura, but officials decided to offer Japan the next best thing, a shipment of flowering dogwoods, native to the United States, with bright white blooms. Meanwhile, the cherry blossoms in Washington would endure over one hundred years, each tree replaced by clones and cuttings every quarter century to keep them spry. As the trees grew, so did a cottage industry around them: an elite group of gardeners, a team to manage their public relations, and weather-monitoring officials to forecast "peak bloom"---an occasion around which tourists would be encouraged to plan their visits. Eventually, cuttings from the original Washington, D.C, trees would also make their way to other American cities with hospitable climates. Denver, Colorado; Birmingham, Alabama; Saint Paul, Minnesota.

The ceremony consisted of vibrant pink, purple, and coral details that complemented the rustic wood and lush green vines climbing up the chapel. Abigail's team constructed an arbor made entirely of drooping orchids and palm fronds that framed the wooden doors perfectly. The aisle was lined with thousands of coral-colored rose petals and more orchids spilling over the end of every row of seats. It was a tropical dream.

We walked around the other side of the whitewashed barn structure, where the massive antique doors had been opened and adorned with large wreaths made entirely of baby's breath. Inside, every wooden beam in the ceiling was wrapped in lush greenery and dripping in white wisteria blooms. The floor of the barn was covered in faux moss, and benches carved to look like bent tree branches served as seating for the guests. The benches flanked an aisle covered in white rose petals, and at the end of the aisle was an arch made entirely of white dogwood blooms. It was breathtaking and looked exactly like the wedding scene from the Twilight series.

They discriminate between a first marriage and a remarriage. If a boy’s virginity is intact, there are those who will offer a large bride-price, the ‘three teas’ are not neglected, the ‘six rites’ are properly observed, and thus the wedding takes place with a formal go-between and ceremony. However, if the parents have not been strict and the boy has lost his virginity he will be called a ‘wilted willow’ or ‘faded flower’, and, although he might not be consigned to the dust-heap and there will still be purchasers, he will be at the mercy of the wind, going for whatever price is offered.

The ceremony was beautiful, and as Hope and Mark stood beneath the towering floral arch, I couldn't help but think this scene truly looked like something out of a fairytale wedding. I even started feeling a little emotional--- until they started to recite their vows. Hope had told me earlier that she and Mark had written their own vows but failed to say more about them. At first, I thought my hearing had failed or I was having some kind of stroke. "What language is that?" I whispered to Dom from our perch in the back. "I... I actually think it's a pretend language," he replied. "What are you talking about?" I asked. "What do you mean pretend language?" "Do you have one of the programs with you?" he asked. "I bet there's a note in there about it." "No, but let me grab one." I didn't have to go far before I found the table at the back of the aisle and a basket full of programs. Each program was iridescent, in the shape of a flower with a beautiful lilac ribbon tied at the bottom. Under the order of service, a small line read: "The bride and groom have chosen to recite their own vows to one another in their favorite mythical tongue: Sindarin, one of the Elvish languages of Tolkein." My eyes were wide as saucers. Both the Elvish and English translations were printed below for everyone to follow along. Dom was going to lose it for sure. I quietly moved back to my seat next to Dom, who was still filming. "You're not going to believe what I'm about to tell you," I whispered as I casually fanned myself with the floral program. "What is it?" he asked. "It's Elvish," I said, holding back a laugh. "What?" he replied a little too loud. "Keep your voice down," I said, now pointing to the line in the program as proof. "Like, from The Lord of the Rings?" "I can't believe she didn't mention this to me earlier," I said. "But yes, I think so. This wedding is just full of surprises." "For once, I'm at a loss for words," Dom said. "They are clearly perfect for each other if this was something they both enjoyed. I bet they go to all those conferences for people who like fantasy stuff." "Maybe that's what they're doing for their honeymoon," I added. "I haven't asked them about it yet. If it is, I'm going to die." We were both holding back giggles at this point, but thankfully the couple finished reciting whatever it was they were saying to each other. I wondered whether we'd need to add subtitles to our video if we showed this part of the ceremony. As soon as the officiant pronounced them man and wife, the ceremony musicians played a set of chimes and the officiant asked for every guest to open the small box that was placed at the base of every bench. Inside each box was a butterfly that flew into the air and fluttered around the entire area above all the guests. I supposed that since real fairies weren't available, butterflies were the next best option. It was actually the perfect ending to this mythical ceremony, and everyone cheered in delight.

The pièce de résistance was the aisle and spot where the couple would say their vows. The aisle itself was made of white plexiglass, and above it were draped lush, dimensional bouquets of white flowers with silver and blue accents. At a glance, it looked like fluffy clouds in a blue sky. The planners had managed to rig up other mirrors at angles to reflect the afternoon sky outside of the hangar. It would be like Jacqueline was walking on clouds to meet her groom. My internal wedding planner gave a silent slow clap. Bravo.

I find it hard to believe that a sentimental ceremonial Christianity will thoroughly satisfy us. A little child is easily quieted and amused with bright toys, dolls, and rattles as long as he is not hungry; but once he feels the cravings of nature within, we know that nothing will satisfy him but food. This is the same way it is with man in the matter of his soul. Music, flowers, candles, incense, banners, processions, beautiful vestments, confessionals, and man-made ceremonies of a semi-Roman-Catholic character may do well enough for him under certain conditions; but once he awakes and arises from the dead (Ephesians 5:14), he will not rest content with these things. They will seem to him to be mere meaningless ceremonies and a waste of time. Once he sees his sin, he will know that he must see his Savior. He feels stricken with a deadly disease, and nothing will satisfy him but the great Physician. He hungers and thirsts, and he must have nothing less than the Bread of Life.

He wanted the teahouse to blend in with nature and become more of a backdrop for the tea ceremony, so he helped influence its redesign. Over time, the teahouse became a simple hut set in a garden with mud and plaster walls, a thatched roof, a bamboo lattice ceiling, tatami floors, and small paper-covered windows. It became a refuge in the city meant to echo a mountain retreat, where samurai from warring clans, lowly merchants, and even the emperor could come together on equal footing and focus on nothing more than the sensory pleasures of the tea ceremony, such as the gentle bubbling of the tea water on the brazier, the seasonal flower arrangement in the alcove, and the smell of the particular incense chosen to represent the time of year.

much followed from that hurried ceremony in the flower-speckled clearing beside the stream. So many died. There was so much heartache, so much blood and so many tears that they would have made a great river; yet, in time, the eddies smoothed, new rivers joined, and the tears went down to the great wide sea and some people forgot how it ever began. The time of glory did come, yet what might have been never did, and of all those who were hurt by that moment in the sun, Arthur was hurt the most.

A fanfare of plastic flags with cutout patterns of skeletons flapped noisily in the air and overhead a piñata swayed, waiting for the hard blows of the breaking ceremony. He searched through the crowd lined up for the puppet show, then glanced down Olvera Street. The street had been closed to traffic for a long time now and looked like a Mexican marketplace, with stands selling boldly colored ceramics and paper flowers. He didn't see Serena, but her brother, Collin, had said she had gone to the Día de los Muertos celebration with Jimena. He turned to see candy skulls with green sequin eyes and frosting lips staring back at him from a stall. When the vendor looked away, he grabbed three and tossed one into his mouth. The sugar dissolved with tangy sweetness. He spun around, sensing other eyes. An old woman shook her head at him as she placed a bowl of spicy-smelling sauce on her ofrenda. Orange flowers, white candles, and faded snapshots of her dead relatives covered the altar. Stanton liked the way some people waited for the spirits of their loved ones to come back and visit, while others were terrified at the thought. The old woman placed a sign on the table: SINCE DEATH IS INEVITABLE, IT SHOULD NOT BE FEARED, BUT HONORED. "Not for everyone," he said softly. She looked at him. "What's not for everyone?" "Death." He smiled.

T1 consisted of nineteen settlements distributed throughout the valley. It was an immense human-engineered environment, in which the ancient Mosquitia people transformed the rainforest into a lush, curated landscape. They leveled terraces, reshaped hills, and built roads, reservoirs, and irrigation canals. In its heyday T1 probably looked like an unkempt English garden, with plots of food crops and medicinal plants mingled with stands of valuable trees such as cacao and fruit, alongside large open areas for public ceremonies, games, and group activities, and shady patches for work and socializing. There were extensive flower beds, because flowers were an important crop used in religious ceremonies. All these growing areas were mixed in with residential houses, many on raised earthen platforms to avoid seasonal flooding, connected by paths. “Having these garden spaces embedded within urban areas,” said Fisher, “is one characteristic of New World cities that made them sustainable and livable.

The princess within yourself. The feminine aspect within the man. But there is also a woman waiting somewhere out there. If men and women only knew the possibilities they possess when they are together. The initiated ones in antiquity always worked in pairs. Just as Simon the Magus had his Helen and Yeshua his Mariam, Paul had his Thekla. Not many Christians are aware of this. When they established the Church in the year 325 it was first and foremost a political act, with the purpose of stopping the autonomous gnostic and mystical society which was flowering at the time of Yeshua and in the years after his ceremonial death. When they established the Church they also adopted the dogmas and some of the rites of the Mithras cult and the Ishtar/Isis tradition, which fitted the political agenda under new headings and names. The rest was silenced. In this way they literally threw out the wisdom aspect, Sophia, with the bath water. The symbolic Second Coming happens through Sophia, that is the higher Sophia aspect, which is secret. Find her and you have found the princess. It’s happening now. The Second Coming of the higher Sophia aspect is not just a collective matter but also a process, which each and every one of us must go through. That is why so many people, and especially those who work spiritually, experience that these are turbulent times. This implies a confrontation with the old. All that limits us. And that is hard for most people. Look around. Have you noticed how many men and women leave each other in this day and age? Not because something is wrong with any of them. They simply started their relationship on the wrong foundation. People now must enter into true relationships. This is how it is at all levels. Not just between man and woman but also ties within the family, friendships, and the old teacher/student relationships are also broken because of the new which is on the way.

Nevertheless, it also means that someone would be passing on. One day later, we were married at the small red brick church, which she went to as a young girl. It was the day at last; it was here; there she was walking down the aisle. With the flower pedals, everywhere. I remember seeing the angel oak trees with their leaves blowing in the breeze; it was the perfect heartwarming day. As I walked into the church. At that time, there were daisy and lily flowers all over the place on the floor, with the colors of white and pink in her bouquet, and some were even in her lovely hair, around the white lace veil, and of course next to the glittery silver princess tiara, which she wore. However, there was no one to give her away, but right before the ceremony, this older gentleman walked up to Kristen, he could barely stand or speak, yet he got up on his own two feet, he was very weak, he said that he was living with lung cancer. Yet he said- ‘I’ll do it for the little lady.’ That gentleman’s name was Greg; he said that he knew Nevaeh, and he knew Kristen’s mom, from way back when, so we both said okay, we all thought that was sweet of him to do. We said our vows, ‘I take you, to be my soul mate, to love what I know of you, and trusting what I do not yet know.’ ‘To love and hold and to grow old, as one soul. To get to be with you all the days of my life. While falling even more in love with you every day, as we pray. To keep you in my life.’ ‘I promise to love, and cherish you through whatever life may bring our way, as we become- us!’ We both quoted a remarkable saying by an astonishing person. ‘Love it is like the cupid's arrow, that hits at the most unlikely times. We chose to be as one forever and ever to never- ever forget that bond… now and forever!’ (We all said –Amen! in the house of the Lord.) You may kiss the bride! Brandon- and I did! Kristen- The kiss was magnificent and sweet. Then we walked out of the church together off into the sunset. Nevaeh- I am glad that I got to be there to see them be married!

You have to understand that all we see is beauty. Yes, human passions are animalistic and raw but that is nothing to be hidden. We believe that it is when we are closest to nature, a vestige of nature that can never be taken out of us. So when you are out there and your inner animal comes out, know that we are seeing a jaguar hunting prey, a flower blossoming, and a bird swooping through the air unhindered by the ground.

Basically each religion has certain practices that form the essence of vedic dharma. Yegyes, literally meaning ‘to offer’, forms the backbone of the vedic absolute knowledge. Traditionally, a ritualistic fire ceremony in which various herbs, clarified butter (ghee), specific wood, etc. are offered to the fire with predetermined mantras (charged with vibrations) chanted by predetermined people (priests, host, pandits etc.) with a resolve or sankalpa, a Yegyes has far-reaching effects that encompass physical, soul, social, spiritual and ecological spheres, causing purification at all these levels. A devout householder is supposed to perform five Yegyes on daily basis> 1. Brahma Egyes = Daily jap, daily meditation, daily yoga, offering into the interior fires of prana, mind, intellect and consciousness 2. Deva-Egyes = Worship offering to the Divinities, God, the Sun, Devi and Devtas through fire in the Vedic times, through watering and Pooja, flowers, fruits rituals. 3. Pitr-Egyes = Offerings to ancestors, manes, and daily worshipful service to one’s living parents and elders 4. Atithi-Egyes = Worship offering to guests the word Atithi means one who comes without making a date hospitality is not a social act but a worship. 5. Offering-Egyes = offering to God, Goddess, Devi, Devtas and Bhagawan, beings, spreading knowledge putting aside the first food for the wandering cows or other animals as well as putting aside daily before cooking similarly like some uncooked rice, daal, grain, flour, for giving away to the temple, church, gumba, gurudwar, priest, monk, beggar or orphanage nowadays. The philosophy of Egyes, which essentially is: make yourself into a worshipful offering and pour yourself into the divine fire of knowledge, the immortal soul of knowledge. The fire offering you witnessed is an embodiment of all this teaching and the participants are actually very conscious of it.

I flew home with Iran Air, which gave me six and a half hours to truly appreciate the impact of the international sanctions first hand. The scratchy seat fabric, cigarette-burned plastic washbasins and whiff of engine oil throughout the cabin reminded me of late seventies coach travel, which was probably the last time these planes had had a facelift. I tried to convince myself that Iran Air had prioritised the maintenance of engines and safety features over the interior decor but I wasn’t convinced, especially when the seatbelt refused to budge. The in-flight entertainment had certainly been spared an upgrade, consisting of one small television at the front of the plane showing repeat screenings of a gentle propaganda film featuring chador-clad women gazing at waterfalls and flowers with an appropriately tinkly soundtrack. The stewardesses’ outfits were suitably dreary too. Reflecting Iran Air’s status as the national carrier of the Islamic Republic, they were of course modest to the point of unflattering, with not a single glimpse of neck or hair visible beneath the military style cap and hijab. As we took off, I examined my fellow passengers. Nobody was praying and as soon as we were airborne, every female passenger removed her headscarf without ceremony.

Let's no' make this langsome, MacTaggart. Lady Merritt is weary, and as you know, I'm no' one to stand on ceremony." "'Tis a haisty affair, aye?" the sheriff observed, some of his good cheer fading as he looked around the room. "No flowers? No candles?" "No, and also no ring," Keir informed him. "Let us say our pledge, give us the certificate, and we'll have done with it in time for supper." MacTaggart clearly didn't appreciate the younger man's cavalier attitude. "You'll be having no signed paper until I make certain 'tis done legal," he said, squaring his shoulders. "First... do ye ken there's a fine if you've no' posted banns?" "'Tis no' a church wedding," Keir said. "The law says without the banns, 'tis a fine of fifty pounds." As Keir gave him an outraged glance, the sheriff added firmly, "No exceptions." "What if I give you a bottle of whisky?" Keir asked. "Fine is waived," MacTaggart said promptly. "Now, then... do the rest of you agree to stand as witnesses?" Ethan and the Slorachs all nodded. "I'll start, then," Keir said briskly, and took Merritt's hand. "I, Keir MacRae, do swear that I--" "No' yet," the sheriff interrupted, now scowling. "'Tis my obligation to ask a few questions first." "MacTaggart, so help me---" Keir began in annoyance, but Merritt squeezed his hand gently. He heaved a sigh and clamped his mouth shut. The sheriff resumed with great dignity. "Are the both of you agreeable to be wed?" "Aye," Keir said acidly. "Yes," Merritt replied.

It was in the Month of Mary that I remember beginning to be fond of hawthorns. Not only were they in the church, which was so holy but which we had the right to enter, they were put up on the altar itself, inseparable from the mysteries in whose celebration they took part, their branches running out among the candles and holy vessels, attached horizontally to one another in a festive preparation and made even lovelier by the festoons of their foliage, on which were scattered in profusion, as on a bridal train, little bunches of buds of a dazzling whiteness. But, though I dared not do more than steal a glance at them, I felt that the ceremonious preparations were alive and that it was nature herself who, by carving those indentations in the leaves, by adding the supreme ornament of those white buds, had made the decorations worthy of what was at once a popular festivity and a mystical celebration. Higher up, their corollas opened here and there with a careless grace, still holding so casually, like a last and vaporous adornment, the bouquets of stamens, delicate as gossamer, which clouded them entirely, that in following, in trying to mime deep inside myself the motion of their flowering, I imagined it as the quick and thoughtless movement of the head, with coquettish glance and contracted eyes, of a young girl in white, dreamy and alive.

YOUNG MARTIN: But surely, sir, there’s more to soldiering than that? PIZARRO: You mean honor, glory—traditions of the service? YOUNG MARTIN: Yes, sir. PIZARRO: Dungballs. Soldiers are for killing: that’s their reason. YOUNG MARTIN: But, sir— PIZARRO: What? YOUNG MARTIN: It’s not just killing. . . PIZARRO: Look, boy: know something. Men cannot just stand as men in this world. It’s too big for them and they grow scared. So they build themselves shelters against the bigness, do you see? They call the shelters Court, Army, Church. They’re useful against loneliness, Martin, but they’re not true. They’re not real, Martin. Do you see? YOUNG MARTIN: No, sir. Not truthfully, sir . . . PIZARRO [savagely]: No, sir. Not truthfully, sir! . . . Why must you be so young? Look at you. Only a quarter formed. A colt the world will break for its sightless track. Listen once. Army loyalty is blasphemy. The world of soldiers is a yard of ungrowable children. They play with ribbons and make up ceremonies just to keep out the rest of the world. They add up the number of their blue dead and their green dead and call that their History. But all this is just the flower the bandit carves on his knife before shoving it into a man’s side. . . . What’s Army tradition? Nothing but years of Us against Them. Christ-men against Pagan-men. Men against men. I’ve had a life of it, boy, and let me tell you it’s nothing but a nightmare game, played by brutes to give themselves a reason. YOUNG MARTIN: But, sir, a noble reason can make a fight glorious. PIZARRO: Give me a reason that stays noble once you start hacking off limbs in its name. There isn’t a cause in the world to set against this pain. Noble’s a word. Leave it for the books