Flower Stem Quotes

I stood still, vision blurring, and in that moment, I heard my heart break. It was a small, clean sound, like the snapping of a flower's stem.

Life is painful. It has thorns, like the stem of a rose. Culture and art are the roses that bloom on the stem. The flower is yourself, your humanity. Art is the liberation of the humanity inside yourself.

As little flowers, which the chill of night has bent and huddled, when the white sun strikes, grow straight and open fully on their stems, so did I, too, with my exhausted force.

Shall I tell you the secret of true love? her father once asked her. A friend of mine liked to tell me that women love flowers. He had many flirtations, but he never found a wife. Do you know why? Because women may love flowers, but only one woman loves the scent of gardenias in late summer that remind her of her grandmother's porch. Only one woman loves apple blossoms in a blue cup. Only one woman loves wild geraniums. That's Mama! Inej had cried. Yes. Mama loves wild geraniums because no other flower has quite the same color, and she claims that when she snaps the stem and puts a sprig behind her ear, the whole world smells like summer. Many boys will bring you flowers. But someday you'll meet a boy who will learn your favourite flower, your favourite song, your favourite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.

The stems stood tall and straight, one series arranged in a single line, the other in a crudely shaped heart, the final one in the shape of the letter U. I love you.

But first, on earth as vampire sent, Thy corse shall from its tomb be rent, Then ghastly haunt thy native place, And suck the blood of all thy race. There from thy daughter, sister, wife, At midnight drain the stream of life, Yet loathe the banquet which perforce Must feed thy livid living corse. Thy victims ere they yet expire Shall know the demon for their sire, As cursing thee, thou cursing them, Thy flowers are withered on the stem.

Umm. Wow. Did it grow? Because it looks bigger." "Kissin' your red-hot love flower made this stem grow big and hard just for you, baby doll." AJ managed to meet his eyes. "Love flower?" "Thought maybe you wanted some kinda sweet-talkin' love words first.

If a little flower could speak, it seems to me that it would tell us quite simply all that God has done for it, without hiding any of its gifts. It would not, under the pretext of humility, say that it was not pretty, or that it had not a sweet scent, that the sun had withered its petals,or the storm bruised its stem, if it knew that such were not the case.

The giant, once well buried, now stirs. When soon he rises, as surely he will, the friendly bonds between us will prove as knots young girls make with the stems of small flowers.

Flower will not grow, if the stem doesn't allow

Secrets are like plants. They can stay buried deep in the earth for a long time, but eventually they'll send up shoots and give themselves away. They have to. It's their nature. Just a tiny green stem at first. Which slowly, insidiously grows taller, stronger, unfolding itself, until there it is. A big fat secret, right in front of your face; a fully bloomed flower perfumed with the scent of deception.

[Anna] In February, I woke up from a nap. A bouquet of flowers gathered from the various bushes and shrubs scattered around the island lay on the blanket beside me, a small length of rope wound around their stems. I found T.J. down at the shore. “Someone’s been checking the calendar.” He grinned. “I didn’t want to miss Valentine’s Day.” I kissed him. “You’re sweet to me.” Pulling me closer, he said, “It’s not hard, Anna.” I stared into T.J.’s eyes, and he started to sway. My arms went around his neck and we danced, moving in a circle, the sand soft and warm under our feet. “You don’t need music, do you?” “No,” T.J. said. “But I do need you.

My family suffered. My hair turned up in every corner, every drawer, every meal. Even in the rice puddings Tessie made, covering each little bowl with wax paper before putting it away in the fridge--even into these prophylactically secure desserts my hair found its way! Jet black hairs wound themselves around bars of soap. They lay pressed like flower stems between the pages of books. They turned up in eyeglass cases, birthday cards, once--I swear--inside an egg Tessie had just cracked. The next-door neighbor's cat coughed up a hairball one day and the hair was not the cat's.

The artist is the confidant of nature, flowers carry on dialogues with him through the graceful bending of their stems and the harmoniously tinted nuances of their blossoms. Every flower has a cordial word which nature directs towards him.

Yes, Mama loves wild geraniums because no other flower has quite the same color, and she claims that when she snaps the stem and puts a sprig behind her ear, the whole world smells like summer. Many boys will bring you flowers. But someday you’ll meet a boy who will learn your favorite flower, your favorite song, your favorite sweet. And even if he is too poor to give you any of them, it won’t matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.

Absolutely no slouching, Ed. You're the frame. You're the stem to my flower. Quit giving me crooked pictures and wilted flowers.

Fabulous" Jack said, reaching down and plucking a crimson flower. A small scream sounded from it as he severed the stem. He smiled maliciously, then started stomping with abandon through the beds of blossoms, a chorus of tinny, shrill screams punctuating every step.

Carpe diem' doesn't mean seize the day--it means something gentler and more sensible. 'Carpe diem' means pluck the day. Carpe, pluck. Seize the day would be "cape diem," if my school Latin servies. No R. Very different piece of advice. What Horace had in mind was that you should gently pull on the day's stem, as if it were, say, a wildflower or an olive, holding it with all the practiced care of your thumb and the side of your finger, which knows how to not crush easily crushed things--so that the day's stalk or stem undergoes increasing tension and draws to a thinness, and a tightness, and then snaps softly away at its weakest point, perhaps leaking a little milky sap, and the flower, or the fruit, is released in your hand. Pluck the cranberry or blueberry of the day tenderly free without damaging it, is what Horace meant--pick the day, harvest the day, reap the day, mow the day, forage the day. Don't freaking grab the day in your fist like a burger at a fairground and take a big chomping bite out of it. That's not the kind of man that Horace was.

This rose is not so fragrant as a summer flower, but it has stood through hardships none of them could bear: the cold rain of winter has sufficed to nourish it, and its faint sun to warm it; the bleak winds have not blanched it, or broken its stem, and the keen frost has not blighted it... It is still fresh and blooming as a flower can be, with the cold snow even now on its petals.— Will you have it?

Autumn The autumn comes, a maiden fair In slenderness and grace, With nodding rice-stems in her hair And lilies in her face. In flowers of grasses she is clad; And as she moves along, Birds greet her with their cooing glad Like bracelets' tinkling song.

The trouble is, when you gift a girl with flowers your choice can be construed so many different ways. A man might give you a rose because he feels you are beautiful, or because he fancies their shade or shape or softness similar to your lips. Roses are expensive, and perhaps he wishes to show through a valuable gift that you are valuable to him. When a man gives you a rose what you see may not be what he intends. You may think he sees you as delicate or frail. Perhaps you dislike a suitor who considers you sweet and nothing else. Perhaps the stem is thorn, and you assume he thinks you likely to hurt a hand too quick to touch. But if he trims the thorns you might think he has no liking for a thing that can defend itself with sharpness. There's so many ways a thing can be interpreted.

The majesty of nature is not restricted to canyons and mountains. It can be found in the wilds of perception--the sensory spaces that lie outside our Umwelt and within those of other animals. To perceive the world through other senses is to find splendor in familiarity and the sacred in the mundane. Wonders exist in a backyard garden, where bees take the measure of a flower’s electric fields, leafhoppers send vibrational melodies through the stems of plants, and birds behold the hidden palates of rurples and grurples...Wilderness is not distant. We are continually immersed in it. It is there for us to imagine, to savor and to protect.

I need to hold on to the faded love ‘cause I love to secure the stems of dying flowers

The years have touched her only to enrich her; the flower of her youth had not faded; it only hung more quietly on its stem.

I want to do something, right here, right now, to shame them, to make them accountable, to show the Capitol that whatever they do or force us to do there is a part of every tribute they can't own. That Rue was more than a piece in their Games. And so am I. "A few steps into the woods grows a bank of wildflowers. Perhaps they are really weeds of some sort, but they have blossoms in beautiful shades of violet and yellow and white. I gather an armful and come back to Rues's side. Slowly, one stem at a time, I decorate her body in the flowers. Covering the ugly wound. Wreathing her face. Weaving her hair with bright colors. "They'll have to show it. Or, even if they choose to turn the cameras elsewhere at this moment, they'll have to bring them back when they collect the bodies and everyone will see her then and know I did it. I step back and take a last look at Rue. She really could be asleep in that meadow after all. ""Bye, Rue," I whisper. I press the three middle fingers of my left hand against my lips and hold them out in her direction. Then I walk away without looking back.

Claire,” he said quietly. “Tomorrow I will die. This child … is all that will be left of me—ever. I ask ye, Claire—I beg you—see it safe.” I stood still, vision blurring, and in that moment, I heard my heart break. It was a small, clean sound, like the snapping of a flower’s stem.

The love of flowers is a consequence of modesty and an accommodation with disappointment. Some things need to go permanently wrong before we can start to admire the stem of a rose or the petals of a bluebell.

Had she never been hungry enough to eat a flower? Did she not know that you could eat daisies, daylilies, pansies, and marigolds? That hungry enough, a person could consume the bright faces of violas, even the stems of dandelions and the bitter hips of roses?

Soon some of the plants were as big as fruit trees. There were fans of long emerald-green leaves, flowers resembling peacock tails with rainbow-colored eyes, pagodas consisting of sumperimposed unbrellas of violet silk. Thick stems were interwoven like braids. Since they were transparent, they looked like pink glass lit up from within. Some of the blooms looked like clusters of blue and yellow Japanese lanterns. And little by little, as the luminous night growths grew denser, they intertwined to form a tissue of soft light.

The head of all flower heads is one flower; the sunflower in the sky, that gives the others vivid color stemming from the inside.

Knowing before ever seeing it that her ass was like a stationary drop of water on a flower stem

In the general course of things, when beauty passes, the flower bows its head upon the stem and fails. Sometimes, though, when the petals droop, a framework of tempered steel is revealed within.

Eccolo!” he exclaimed. At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end. “Courage!” cried her companion, now standing some six feet above. “Courage and love.” She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems, collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth. Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone. George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her…

This morning the green fists of the peonies are getting ready to break my heart as the sun rises, as the sun strokes them with his old, buttery fingers and they open — pools of lace, white and pink — and all day the black ants climb over them, boring their deep and mysterious holes into the curls, craving the sweet sap, taking it away to their dark, underground cities — and all day under the shifty wind, as in a dance to the great wedding, the flowers bend their bright bodies, and tip their fragrance to the air, and rise, their red stems holding all that dampness and recklessness gladly and lightly, and there it is again — beauty the brave, the exemplary, blazing open. Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling, their eagerness to be wild and perfect for a moment, before they are nothing, forever?

When we reach out to pluck a flower the stem trembles, seeming both to shrink and to offer itself. The human body has something of this tremor at the moment when the mysterious hand of death reaches out to pluck a soul.

A rock sits on the ground while a flower sits on a thin stem a few inches above the ground. Both are stable in their positions. If the flower tries to mimic the stone’s stability and falls on the ground, it will die. You have to find your own stability in life. What is stablility for someone else may cause pain and fear in your life.

Once, she’d loved to receive flowers. Now it was like being handed a series of tasks: Find the vase. Cut the stems. Arrange them like so.

I presented my feminine side with flowers. She cut the stems and placed them gently down my throat. And these tu lips might soon eclipse your brightest hopes.

- bind your hair with lovely crowns, tying stems of anise together in your soft hands. For the blesses Graces prefer to look on one who wears flowers and turn away from those without a crown.

No one wants a dandelion. They crop up all over the place, ugly and unfortunate, an average blossom in a world desperatly seeking beauty. They're weeds, people say. They're uninteresting and offer no fragrance and there are too many of them, too much of them, we don't want them, destroy them. Dandelions are a nuisance, We desire the buttercups, the daffodils, the morning glories. We want the azalea, the poinsettia, the calla lily. We pluck them from our gradens and plant them in our homes and we don't seem to remember their toxic nature. We don't seem to care that if you get too close? if you take a small bite? The beauty is replaced wit pain and laced with a posion that laughs in your blood, destroys your organs, infevts your heart. But pick a dandelion. Pick a dandelion and make a salad, eat the leaves, the flower, the stem. Thread it in your hair, plant it in the ground and watch it thrive. Pick a dandelion and close your eyes make a wish blow it into the wind. Watch it change the world.

There seemed something rather devotional about her pose, the still­ness, so that I thought at last, She is praying!, and made to draw my eyes away in sudden shame. But then she stirred. Her hands opened, she raised them to her cheek, and I caught a flash of colour against the pink of her work-roughened palms. She had a flower there, between her fingers—a violet, with a drooping stem. As I watched, she put the flower to her lips, and breathed upon it, and the purple of the petals gave a quiver and seemed to glow . . .

I let his rose wither in a vase on my desk, a vase painfully empty of flowers since the long-ago time when, on my birthday, Mario would give me a cattleya, in imitation of Swann. In the evening the flower was already black and bent on its stem. I threw it in the trash.

Hope is not the result of medicine or anything that science has to offer. It is a flower that sprouts and grows when others pour water upon it. I think sometimes that I spent so much time worrying about how to protect and strengthen the flower - even going so far as to graft in a new stem and root system - that I forgot to simply water it.

Charlie brought her dandelion to her mouth. "I've heard that, too. But this happens to be something I've done a lot and it's easy. Just take a deep breath, put your lips together, and blow." She closed her eyes and blew. When she lifted her lids, she found him watching her. Or rather, watching her mouth. She let go of the flower stem and swallowed. "I'm thinking those lips of yours could make any man's wish come true.

She knelt beside him. “Now, do you see this?” She plucked a weed from the dirt. “It and everything like it are weeds. Weeds are bad. But those,” she said, pointing to the flower stems, “those are good. Right now, bad is murdering good, so we’ve got to go to war and help.” Horror dawned on his features. “A fancy way of saying I am to...garden?” He shuddered. “You’ll be doing more than that, thank you. You’ll be saving something beautiful.

It is a much wiser policy to plant acre after acre of orchids and lead one's life in solitude encompassed by their sheltering stems, than to surround oneself with the hoi polloi and so court the same pointless misanthropic disgust as befell Timon of Athens. Society is forever holding forth about fairness and justice. If it really believes these to be of such importance, it might do well to kill off a few dozen petty criminals per day, and use their carcasses to fertilize and give life to countless fields of flowers.

Elena had always felt like the center of her own world - who doesn't? The world arranged itself around her like petals around the stem of a flower. This way the meadows, that way the woodland. Over here, the baryn's estate, out there, the hills that hug the known world close and imply a world at beyond. She could never come up with the edge of a world, because it always kept going on beyond. She moved the center of the world as she walked. The world was balanced on her head.

The shrub that half concealed her was a malignant plant, a Madagascan tanghin tree with wide, box-like leaves with whitish stems, whose smallest veins distilled a venomous fluid. At a moment when Louise and Maxime laughed more loudly in the reflected yellow light of the sunset in the little boudoir, Renée, her mind wandering, her mouth dry and parched, took between her lips a sprig of the tanghin tree that was level with her mouth, and sank her teeth into one of its bitter leaves.

Yet there was something else, something different about her this time, like a room where someone has thrown out all the flowers while you were gone: a change in the interior you don’t even notice at first, not until you see the stems sticking out of the garbage.

I imagine I sow cuttings of Anna-Louise's hair, like the fine stems of dried flowers, and watch sunflowers grow from the cuttings. I imagine I bury a pocket calculator with liquid crystals spelling her name, then watch the earth shoot forth lightning bolts. 'We should open up a seafood house together,' Anna-Louise says when she wants to torture me. Now that's love.

NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!

The Root Dear one, It is totally conceivable to accept something Yet still feel unable to ever recover from it For acceptance, my love, is simply the flower, Like a ray of hope through the hazy rain, But the root that it sprouted from, And the stem it grows upon, still remain

I am a plant and I have a fragile green stem and my flower is still in the pod on the top of the stalk, unopened, when the dawn strolls in over the horizon. My blossom spreads out during the day and it goes into the pod at night and then it goes again the next day and all of the days.

What I like about the trees is how They do not talk about the failure of their parents And what I like about the grasses is that They are not grasses in recovery And what I like about the flowers is That they are not flowers in need of empowerment or validation. They sway Upon their thorny stems As if whatever was about to happen next tonight was sure to be completely interesting

Injurious Hermia! most ungrateful maid! Have you conspired, have you with the contrived To bait me with this foul derision? Is all the counsel that we two have shared, The sisters' vows, the hours that we have spent, When we have chid the hasty-footed time For parting us,-O, and is all forgot? All school=days' friendship, childhood innocence? We, Hermia, like two artificial gods, Have with our neelds created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key; As if our hands, our sides, voices, and minds, Had been incorporate. So we grew together, Like to a double cherry, seeming parted, But yet an union in partition; Two lovely berries moulded on one stem; So, with two seeming bodies, but one heart, Two of the first, like coats in heraldry, Due but to one, and crowned with one crest, And will you rent our ancient love asunder, To join with men in scorning your poor friend? It is not friendly, 'tis not maidenly: Our sex, as well as I, may chide you for it, Though I alone do feel the injury.

Blue pincushion Meaning: I mourn your absence Brunonia australis | All states and territories A perennial found in woodlands, open forests and sand plains. Medium to deep blue flowers usually in spring, in hemispherical clusters on a tall stem. Can be difficult to establish. May die after a few years.

I'll go see what it was," said Cinder, slipping into the hallway and darting down the stairs. Jacin was siting at the bottom, hunched over something and working intently. "That was Thorne," he said, without glancing up at her. "What did he do? Knock down a wall?" Cinder stepped past Jacin, but hesitated when she saw the vase of white flowers on the floor at his feet. He was meticulously pulling the flowers out of the water, one by one, and wiring their stems together. His brow was knotted in concentration. "Are you making a bouquet?" she asked incredulously. "Shut up." He held the cluster in one hand and turned it a few different directions, before plucking out a white hydrangea and adding it to the mix.

Crime and punishment grow out of one stem. Punishment is a fruit that unsuspected ripens within the flower of the pleasure which concealed it. Cause and effect, means and ends, seed and fruit, cannot be severed; for the effect already blooms in the cause, the end preexists in the means, the fruit in the seed.

For it was the one that I would have chosen above all others, convinced as I was, with a botanist’s satisfaction, that it was not possible to find gathered together rarer specimens than these young flowers that at this moment before my eyes were breaking the line of the sea with their slender heads, like a bower of Pennsylvania roses adorned a Cliffside garden, between whose blooms is contained the whole tract of ocean crossed by some steamer, so slow in gliding along the blue, horizontal line that stretches from one stem to the next that an idle butterfly, dawdling in the cup of a flower which the ship’s hull has long since passed, can wait, before flying off in time to arrive before it, until nothing by the tiniest chink of blue still separates the prow from the first petal of the flower towards which it is steering.

I followed him down into the now coolly shadowed court. The lilies were pale blue, held on stiff stems a few inches above the water, where their glossy leaves overlapped the still surface like tiles of jade. Gold fins winked here and there below them, and a gold bee sipped water at a leaf’s edge. A powder-blue petal shut, and another, till one by one the lilies were turbaned up, stiff and quiet for the night. Another late bee, almost caught by a folding flower, wrestled his way angrily out of the petals, and shot off like a bullet.

The Devil's Rose You would never take a rose from a beast. If his callous hand were to hold out a scarlet flower, his grip unaffected by pricking thorns, you would shrink from the gift and refuse it. I know that is what you would do. But the cunning beast will have his beauty. He hunts not in hopeless pursuit, for fear would have you sprint all the day long. Thus, he turns toward the shadows and clutches the rosebud, crunching and twisting until every delicate petal is detached. One falls not far from your feet, and you notice the red spot in the snow. The color sparkles in the sunlight, catching your curious eye. No beast stands in sight; there is nothing to fear, so you dare retrieve the lone petal. The touch of temptation is velvet against your thumb. It carries a scent you bring to your nose, and both eyes close to float on a cloud of perfume. As your lashes lift, another scarlet drop stains the snow at a near distance. A glance around perceives no danger, and so your footprints scar the snowflakes to retrieve another rosy leaflet as soft and sweet as the first. Your eyes shine with flecks of golden greed at the discovery of more discarded petals, and you blame the wind for scattering them mere footprints apart. All you want is a few, so you step and snatch, step and snatch, step and snatch. Soon, there is enough velvet to rub against your cheek like a silken kerchief. Your collection of one-plus-one-more reeks of floral essence. Distracted, you jump at the sight of the beast in your path. He stands before his lair, grinning without love. His callous hands grip at thorns on a single naked stem, and you look down at your own hands that now cup his rose. But how can it be? You would never take a rose from a beast. You would shrink from the gift and refuse it. He knows that is what you would do.

evening harmony behold the times when trembling on their stems the flowers evaporate like thuribles the sounds and scents turn in the evening cool; sad waltz, languid intoxication! the flowers evaporate like thuribles the viol quivers like a heart that's torn sad waltz, languid intoxication! the sky is sad like some memorial. the viol quivers like a heart that's torn a heart that hates the void perpetual! the sky is sad like some memorial the sun has drowned in it's vermillion a heart that hates the void perpetual recalls each glowing moment of times gone! the sun has drowned in it's vermillion; your memory shines my monstrance personal

I can’t believe he sent me flowers.” A rude noise escaped from somewhere deep in Aidan’s throat. “I just saved your life. What are roses compared to that?” He was glaring at the long-stemmed flowers, his golden gaze intent and menacing. Alexandria glanced up at him, saw the dark, determined set of his mouth, and burst out laughing. She spun around and went up on her toes to cover his eyes with her palm. “Don’t you dare. If my roses wither, I’ll know exactly who’s responsible. I mean it, Aidan. You leave my flowers alone. You can probably destroy the entire bouquet with one ferocious glance.” Her body was soft against his, her laughter warm against his throat. His arm circled her small waist, locking her to him. “I was only going to make them droop a little. Nothing too dramatic.

the crunch too much too little too fat too thin or nobody. laughter or tears haters lovers strangers with faces like the backs of thumb tacks armies running through streets of blood waving winebottles bayoneting and fucking virgins. or an old guy in a cheap room with a photograph of M. Monroe. there is a loneliness in this world so great that you can see it in the slow movement of the hands of a clock. people so tired mutilated either by love or no love. people just are not good to each other one on one. the rich are not good to the rich the poor are not good to the poor. we are afraid. our educational system tells us that we can all be big-ass winners. it hasn’t told us about the gutters or the suicides. or the terror of one person aching in one place alone untouched unspoken to watering a plant. people are not good to each other. people are not good to each other. people are not good to each other. I suppose they never will be. I don’t ask them to be. but sometimes I think about it. the beads will swing the clouds will cloud and the killer will behead the child like taking a bite out of an ice cream cone. too much too little too fat too thin or nobody more haters than lovers. people are not good to each other. perhaps if they were our deaths would not be so sad. meanwhile I look at young girls stems flowers of chance. there must be a way. surely there must be a way we have not yet thought of. who put this brain inside of me? it cries it demands it says that there is a chance. it will not say “no.

(I have to say that everything seems to be unraveling lately. Or maybe it seems as though I am a flower myself, opening up to the world for the first time. I don’t know why this is, and I’m not really in control of it either. Flowers do not think, Okay, it is now May, so I will reach up toward the sun and relax my fist of petals into an open hand. They do not think at all. Flowers just grow, and when it is time, they shoot colors out of their stems and become beautiful.

THE LILIES This morning it was, on the pavement, When that smell hit me again And set the houses reeling. People passed like rain: (The way rain moves and advances over the hills) And it was hot, hot and dank, The smell like animals, strong, but sweet too. What was it? Something I had forgotten. I tried to remember, standing there, Sniffing the air on the pavement. Somehow I thought of flowers. Flowers! That bad smell! I looked: down lanes, past houses-- There, behind a hoarding, A rubbish-heap, soft and wet and rotten. Then I remembered: After the rain, on the farm, The vlei that was dry and paler than a stone Suddenly turned wet and green and warm. The green was a clash of music. Dry Africa became a swamp And swamp-birds with long beaks Went humming and flashing over the reeds And cicadas shrilling like a train. I took off my clothes and waded into the water. Under my feet first grass, then mud, Then all squelch and water to my waist. A faint iridescence of decay, The heat swimming over the creeks Where the lilies grew that I wanted: Great lilies, white, with pink streaks That stood to their necks in the water. Armfuls I gathered, working there all day. With the green scum closing round my waist, The little frogs about my legs, And jelly-trails of frog-spawn round the stems. Once I saw a snake, drowsing on a stone, Letting his coils trail into the water. I expect he was glad of rain too After nine moinths of being dry as bark. I don't know why I picked those lilies, Piling them on the grass in heaps, For after an hour they blackened, stank. When I left at dark, Red and sore and stupid from the heat, Happy as if I'd built a town, All over the grass were rank Soft, decaying heaps of lilies And the flies over them like black flies on meat...

Why Roses Crave Thorns" Petals detach from a wilting bud—a single stem plucked before fully blossomed. They descend in hesitant swirls, too soft and limp to shatter like teardrops. One by one they light to blanket a single shadow below. She is a rose, young and innocent, with beauty incomparable to shame all others. She has flowered enough to stop the observer in his tracks, awestruck. He is compelled to reach out and touch. The petals delight at a silken caress, her bud everything desirable but defenseless—without a sharp edge to make an admirer pause, to warn the intrusive hand. ‘Stay back! Stay back!’ His fingers curl around the stem to tug, and suddenly the rose craves a thorn. It is madness not to want her and yet madness to cut her down. Let the flower thrive and blush to someday flaunt layers of silken favors! But the world will not have it. A single stem is severed in a selfish moment of desire—a yearning to hold and possess. Alone and forgotten her petals cry, raining in hesitant swirls where they accumulate to blanket her shadow below. Dry, withered, craving the thorns. Beautiful no more.

Breath (from the book Blue Bridge) Whispering to myself With every step I take, Trying out names, for I know There is something yet to be called ….. I know it, something up ahead Just around the bend Or over the rise – A bird taking to the sky From the edge of a jagged cliff – A bird floating outwards In silence ……. A silence Waiting for a footstep To crunch on stones, For a voice to fling upward Through sharp sunlight With a name…… calling Before the bird could call Before the bird called. Oh the bird was there alright And sure it took flight When it heard me approach But it broke my heart With a mighty croak! So I’m sitting here playing With a purple flower Slender stem, no leaves Purple fizz – And it’s quiet again. I am still I am nothing And the hill Is a long, long slope Down, down, down to the sea Far below. I could roll I could run I could scream But I am nothing. A cool wind blows And the light is naked and nameless And the rocks are faces of angels And the bird in the sky wheels And cries to forget the earth And its ancient bones – Oh, sensual pain – Wings…. Wings…. Wings, Singing wings. If only I could begin To describe the emptiness Which fills me to the brim With new breath I might almost lose my name And take instead a feather for my soul.

Outside the hospital, a young girl who was selling small bouquets of daffodils, their green stems tied with lavender ribbons. I watched as my mother bought out the girl's whole stock. Nurse Eliot, who remembered my mother from eight years ago volunteered to help her when she saw her comng down the hall, her arms full of flowers. She rounded up extra water pitchers from a supply closet and together, she and my mother filled them with water and placed the flowers around my father's room while he slept. Nurse Eliot thought that if loss could be used as a measure of beauty in a woman, my mother had grown even more beautiful. (The Lovely Bones by Alice Sebold)

If you are exuberant by your own nature, if life has become exuberant, activity is just a consequence. But if your life is not exuberant, and you are trying to crank it up with activity, then activity is the means. This is the big difference. Either you dance and arrive at a certain state of exuberance, or because you are exuberant and you cannot contain it, you dance. Is it because there are flowers that the plant and the root came up like a support to the flower? Because there is a beautiful flower, this plant and its root grew, so that it can have a nice pedestal? Is that the way a flower happened? Because the exuberance in the stem could not be contained, it flowered, isn’t it? This is the way life should happen. If you try to live the other way, it is going to be a very hard life.

At first, he talked about the flowers in the garden behind his country house in Surrey. His voice still had its Midlands accent but was soft now and barely audible. He knew the plants by name and took a few minutes with each of them: ageratum, coreopsis, echinacea, rudbeckia. The yarrow, he said, had rose-red flowers on two-foot stems. Achillea millefolium, the plant Achilles used to heal wounds.

The wind will not stop. Gusts of sand swirl before me, stinging my face. But there is still too much to see and marvel at, the world very much alive in the bright light and wind, exultant with the fever of spring, the delight of morning. Strolling on, it seems to me that the strangeness and wonder of existence are emphasized here, in the desert, by the comparative sparsity of the flora and fauna: life not crowded upon life as in other places but scattered abroad in spareness and simplicity, with a generous gift of space for each herb and bush and tree, each stem of grass, so that the living organism stands out bold and brave and vivid against the lifeless sand and barren rock. The extreme clarity of the desert light is equaled by the extreme individuation of desert life-forms. Love flowers best in openness and freedom.

German puppets burnt the Jews Jewish puppets did not choose Puppet vultures eat the dead Puppet corpses they are fed Puppet winds and puppet waves Puppet sailors in their graves Puppet flower Puppet stem Puppet Time dismantles them Puppet me and puppet you Puppet German Puppet Jew Puppet presidents command puppet troops to burn the land Puppet fire puppet flames feed on all the puppet names Puppet lovers in their bliss turn away from all of this Puppet reader shakes his head takes his puppet wife to bed Puppet night comes down to say the epilogue to puppet day

These tribal wars, like the practice of circumcision, are brought about by the ego, selfishness, and aggression of men. I hate to say that, but it’s true. Both acts stem from their obsession with their territory—their possessions—and women fall into that category both culturally and legally. Perhaps if we cut their balls off, my country would become paradise. The men would calm down and be more sensitive to the world. Without that constant surge of testosterone, there’d be no war, no killing, no thieving, no rape. And if we chopped off their private parts, and turned them loose to run around and either bleed to death or survive, maybe they could understand for the first time what they’re doing to their women.

Each spring for a period of weeks the imperial gardens were filled with prize tulips (Turkish, Dutch, Iranian), all of them shown to their best advantage. Tulips whose petals had flexed wide were held shut with fine threads hand-tied. Most of the bulbs had been grown in place, but these were supplemented by thousands of cut stems held in glass bottles; the scale of the display was further compounded by mirrors placed strategically around the garden. Each variety was marked with a label made from silver filigree. In place of every fourth flower a candle, its wick trimmed to tulip height, was set into the ground. Songbirds in gilded cages supplied the music, and hundreds of giant tortoises carrying candles on their backs lumbered through the gardens, further illuminating the display. All the guests were required to dress in colors that flattered those of the tulips. At the appointed moment a cannon sounded, the doors to the harem were flung open, and the sultan's mistresses stepped into the garden led by eunuchs bearing torches. The whole scene was repeated every night for as long as the tulips were in bloom, for as long as Sultan Ahmed managed to cling to his throne.

I twirled it around in front of my eyes, going momentarily cross-eyed as I looked for any sign of roots. Of course it was much too soon, and I knew that there wouldn't be any, but I checked anyway, because I'm a checker by nature: lights, stoves, occasionally underneath beds, and, apparently, now plant stems. Life was getting complicated.

She reminded me of something, and suddenly I knew. I was a tiny child again at Radford, my uncle’s home, and he was walking me through the glass-houses in the gardens. There was one flower, an orchid, that grew alone; it was the colour of pale ivory, with one little vein of crimson running through the petals. The scent filled the house, honeyed, and sickly sweet. It was the loveliest flower I had ever seen. I stretched out my hand to stroke the soft velvet sheen, and swiftly my uncle pulled me by the shoulder. ‘Don’t touch it, child. The stem is poisonous.

The path remained steady for a time before dwindling down to dusty silt. The sky opened above as trees fell away on either side. To their right, the land dipped down into a tiny, almost impossibly beautiful valley. A stream ran through its lowest point, its bank lined in pink lupine. Before that, tall, dark green grass sparkled with white flashes in the sunlight. Late season dandelions and breathy, tiny white flowers on slender stems were avoided by bees, while purple thistles and asters thronged with them. "I could do with a little bit of a break," she said, looking longingly at the soft, moss-covered braes above the tinkling water. The prince made a big show of cautiously surveying the scene. Aurora Rose hid a smile. Nothing seemed harmful. "All right," he finally said. "My face could definitely do with a wash. Feels all dusty." They stepped down into the quiet valley that smelled like all of summer crushed into a single flower.

Shall I tell you the secret of true love?" her father once asked her. "A friend of mine liked to tell me that women love flowers. He had many flirtations, but he never found a wife. Do you know why? Because women may love flowers, but only one woman loves the scent of gardenias in late summer that remind her of her grandmother's porch. Only one woman loves apple blossoms in a blue cup. Only one woman loves wild geraniums." "That's Mama!" Inej had cried. "Yes, Mama loves wild geraniums because no other flower has quite the same color, and she claims that when she snaps the stem and puts a sprig behind her ear, the whole world smells like summer. Many boys will bring you flowers. But someday you'll meet a boy who will learn your favorite flower, your favorite song, your favorite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.

There is a bench in the back of my garden shaded by Virginia creeper, climbing roses, and a white pine where I sit early in the morning and watch the action. Light blue bells of a dwarf campanula drift over the rock garden just before my eyes. Behind it, a three-foot stand of aconite is flowering now, each dark blue cowl-like corolla bowed for worship or intrigue: thus its common name, monkshood. Next to the aconite, black madonna lilies with their seductive Easter scent are just coming into bloom. At the back of the garden, a hollow log, used in its glory days for a base to split kindling, now spills white cascade petunias and lobelia. I can't get enough of watching the bees and trying to imagine how they experience the abundance of, say, a blue campanula blosssom, the dizzy light pulsing, every fiber of being immersed in the flower. ... Last night, after a day in the garden, I asked Robin to explain (again) photosynthesis to me. I can't take in this business of _eating light_ and turning it into stem and thorn and flower... I would not call this meditation, sitting in the back garden. Maybe I would call it eating light. Mystical traditions recognize two kinds of practice: _apophatic mysticism_, which is the dark surrender of Zen, the Via Negativa of John of the Cross, and _kataphatic mysticism_, less well defined: an openhearted surrender to the beauty of creation. Maybe Francis of Assissi was, on the whole, a kataphatic mystic, as was Thérèse of Lisieux in her exuberant momemnts: but the fact is, kataphatic mysticism has low status in religious circles. Francis and Thérèse were made, really made, any mother superior will let you know, in the dark nights of their lives: no more of this throwing off your clothes and singing songs and babbling about the shelter of God's arms. When I was twelve and had my first menstrual period, my grandmother took me aside and said, 'Now your childhood is over. You will never really be happy again.' That is pretty much how some spiritual directors treat the transition from kataphatic to apophatic mysticism. But, I'm sorry, I'm going to sit here every day the sun shines and eat this light. Hung in the bell of desire.

Both outer and inner phenomena arise as a result of causes and conditions. Outer phenomena, the things of the physical world, arise in a series of seven steps. The texts use the example of a seed giving rise to a plant that gives rise to a fruit. The seven steps are: seed, sprout, leaflets, stemmed plant, bud, flower, fruit. Each stage succeeds the previous one in time and in order, each giving rise to the next.

This rose is not so fragrant as a summer flower, but it has stood through hardships none of them could bear: the cold rain of winter has sufficed to nourish it, and its faint sun to warm it; the bleak winds have not blanched it, or broken its stem, and the keen frost has not blighted it. Look, Gilbert, it is still fresh and blooming as a flower can be, with the cold snow even now on its petals.- Will you have it?

It was Friday, so the farmers' market was in full autumnal swing, a sea of potted chrysanthemums and bushel after bushel of apples, pears, Fauvist gourds, and pumpkins with erotically fanciful stems. On one table stood galvanized buckets of the year's final roses; on another, skeins of yarn in muted, soulful purples and reds. Walter loved this part of the season- and not just because it was the time of year his restaurant flourished, when people felt the first yearnings to sit by a fire, to eat stew and bread pudding and meatloaf, drink cider and toddies and cocoa. He loved the season's transient intensity, its gaudy colors and tempestuous skies.

By Mendel’s time, plant breeding had progressed to a point where every region boasted dozens of local varieties of peas, not to mention beans, lettuce, strawberries, carrots, wheat, tomatoes, and scores of other crops. People may not have known about genetics, but everyone understood that plants (and animals) could be changed dramatically through selective breeding. A single species of weedy coastal mustard, for example, eventually gave rise to more than half a dozen familiar European vegetables. Farmers interested in tasty leaves turned it into cabbages, collard greens, and kale. Selecting plants with edible side buds and flower shoots produced Brussels sprouts, cauliflower, and broccoli, while nurturing a fattened stem produced kohlrabi. In some cases, improving a crop was as simple as saving the largest seeds, but other situations required real sophistication. Assyrians began meticulously hand-pollinating date palms more than 4,000 years ago, and as early as the Shang Dynasty (1766–1122 BC), Chinese winemakers had perfected a strain of millet that required protection from cross-pollination. Perhaps no culture better expresses the instinctive link between growing plants and studying them than the Mende people of Sierra Leone, whose verb for “experiment” comes from the phrase “trying out new rice.

When there is this simple, clear watching and listening, then there is an awareness - awareness of the colour of those flowers, red, yellow, white, of the spring leaves, the stems, so tender, so delicate, awareness of the heavens, the earth and those people who are passing by. They have been chattering along that long road, never looking at the trees, at the flowers, at the skies and the marvellous hills. They are not even aware of what is going on around them. They talk a great deal about the environment, how we must protect nature and so on, but it seems they are not aware of the beauty and the silence of the hills and the dignity of a marvellous old tree. They are not even aware of their own thoughts, their own reactions, nor are they aware of the way they walk, of their clothes. It does not mean that they are to be selfcentred in their watching, in their awareness, but just be aware.

Her mother was peaceful. She was calm. The sight filled Alice with the kind of green hope she found at the bottom of rock pools at low tide but never managed to cup in her hands. The more time she spent with her mother in the garden, the more deeply Alice understood- from the tilt of Agnes's wrist when she inspected a new bud, to the light that reached her eyes when she lifted her chin, and the thin rings of dirt that encircled her fingers as she coaxed new fern fronds from the soil- the truest parts of her mother bloomed among her plants. Especially when she talked to the flowers. Her eyes glazed over and she mumbled in a secret language, a word here, a phrase there as she snapped flowers off their stems and tucked into her pockets. Sorrowful remembrance, she'd say as she plucked a bindweed flower from its vine. Love, returned. The citrusy scent of lemon myrtle would fill the air as she tore it from a branch. Pleasures of memory. Her mother pocketed a scarlet palm of kangaroo paw.

Who" The month of flowering’s finished. The fruit’s in, Eaten or rotten. I am all mouth. October’s the month for storage. The shed’s fusty as a mummy’s stomach: Old tools, handles and rusty tusks. I am at home here among the dead heads. Let me sit in a flowerpot, The spiders won’t notice. My heart is a stopped geranium. If only the wind would leave my lungs alone. Dogsbody noses the petals. They bloom upside down. They rattle like hydrangea bushes. Mouldering heads console me, Nailed to the rafters yesterday: Inmates who don’t hibernate. Cabbageheads: wormy purple, silver-glaze, A dressing of mule ears, mothy pelts, but green-hearted, Their veins white as porkfat. O the beauty of usage! The orange pumpkins have no eyes. These halls are full of women who think they are birds. This is a dull school. I am a root, a stone, an owl pellet, Without dreams of any sort. Mother, you are the one mouth I would be a tongue to. Mother of otherness Eat me. Wastebasket gaper, shadow of doorways. I said: I must remember this, being small. There were such enormous flowers, Purple and red mouths, utterly lovely. The hoops of blackberry stems made me cry. Now they light me up like an electric bulb. For weeks I can remember nothing at all.

The Yamato spirit is not a tame, tender plant, but a wild--in the sense of natural--growth; it is indigenous to the soil; its accidental qualities it may share with the flowers of other lands, but in its essence it remains the original, spontaneous outgrowth of our clime. But its nativity is not its sole claim to our affection. The refinement and grace of its beauty appeal to our æsthetic sense as no other flower can. We cannot share the admiration of the Europeans for their roses, which lack the simplicity of our flower. Then, too, the thorns that are hidden beneath the sweetness of the rose, the tenacity with which she clings to life, as though loth or afraid to die rather than drop untimely, preferring to rot on her stem; her showy colours and heavy odours--all these are traits so unlike our flower, which carries no dagger or poison under its beauty, which is ever ready to depart life at the call of nature, whose colours are never gorgeous, and whose light fragrance never palls. Beauty of colour and of form is limited in its showing; it is a fixed quality of existence, whereas fragrance is volatile, ethereal as the breathing of life. So in all religious ceremonies frankincense and myrrh play a prominent part. There is something spirituelle in redolence. When the delicious perfume of the sakura quickens the morning air, as the sun in its course rises to illumine first the isles of the Far East, few sensations are more serenely exhilarating than to inhale, as it were, the very breath of beauteous day.

One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light

Final Disposition Others divided closets full of mother's things. From the earth, I took her poppies. I wanted those fandango folds of red and black chiffon she doted on, loving the wild and Moorish music of them, coating her tongue with the thin skin of their crimson petals. Snapping her fingers, flamenco dancer, she'd mock the clack of castanets in answer to their gypsy cadence. She would crouch toward the flounce of flowers, twirl, stamp her foot, then kick it out as if to lift the ruffles, scarlet along the hemline of her yard. And so, I dug up, soil and all, the thistle-toothed and gray-green clumps of leaves, the testicle seedpods and hairy stems both out of season, to transplant them in my less-exotic garden. There, they bloom her blood's abandon, year after year, roots holding, their poppy heads nodding a carefree, opium-ecstatic, possibly forever sleep.

Shall I tell you the secret of true love? her father once asked her. A friend of mine liked to tell me that women love flowers. He had many flirtations, but he never found a wife. Do you know why? Because women may love flowers, but only one woman loves the scent of gardenias in late summer that remind her of her grandmother’s porch. Only one woman loves apple blossoms in a blue cup. Only one woman loves wild geraniums. That’s Mama! Inej had cried. Yes, Mama loves wild geraniums because no other flower has quite the same color, and she claims that when she snaps the stem and puts a sprig behind her ear, the whole world smells like summer. Many boys will bring you flowers. But someday you’ll meet a boy who will learn your favorite flower, your favorite song, your favorite sweet. And even if he is too poor to give you any of them, it won’t matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.

In Vietnamese hoa means 'flower' and the first thing we noticed on the menu was lau hoa, flower hotpot. This was where we were meant to be. Stunning fresh blossoms of squash, daylilies, white so dua flowers, lotus stems and yellow velvetleaf buds made up the floral ingredients in our flower hotpot. All of these were cooked together in a light pineapple soup base that included chunks of salmon. The restaurant's brochure explained why the name had been chosen: 'Chi Hoa, which means "flowers", is a common name of many Vietnamese women who are sophisticated, caring and always bring great love into every meal they cook for their family.

Is it always this awkward?" Sara asked. Her voice was hushed. Derek turned to look at her, his gaze falling to the white rose in her hands. She had taken it from the arrangement of hothouse flowers. Nervously her fingers ruffled the fragile petals. Self-consciously Sara sniffed the pale blossom and began to insert it back into the huge vase. "It's nice to have roses in January," she murmured. "Nothing in the world has such a lovely scent." She was so innocently beautiful, with the disordered waves of her hair falling around her face. His muscles tightened in response. He would like to have her painted this way, standing by the table with her head turned toward him, the white flower caught in her fingers. "Bring it here," he said. She obeyed, coming to him and handing him the rose. He closed his fingers around the plump head of the flower and pulled gently, freeing the petals from their tenuous moorings. Tossing aside the desecrated stem, he opened his hand over the bed. The petals scattered in a fragrant shower. Sara drew in a quick breath, staring at him as if mesmerized.

«I’ve never been to a funeral until today. I see dazzling arrangements of red, yellow, and purple flowers with long, green stems. I see a stained-glass window with a white dove, a yellow sun, a blue sky. I see a gold cross, standing tall, shiny, brilliant. And I see black. Black dresses. Black pants. Black shoes. Black bibles. Black is my favorite color. Jackson asked me about it one time. “Ava, why don’t you like pink? Or yellow? Or blue?” ”I love black,” I said. ”It suits me.” ”I suit you,” he said. I’m not so sure I love black anymore. And then, beyond the flowers, beneath the stained-glass window, beside the cross, I see the white casket. I see red, burning love disappear forever. As we pull away, my eyes stay glued to the casket. It’s proof that sometimes life does not go on. I look around. If tears could bring him back, there’d be enough to bring him back a hundred times. That’s not what I’m thinking. I’m thinking, I hate good-byes. It’s like I was a garden salad with a light vinaigrette, and Jackson was a platter of seafood Cajun pasta. Alone, we were good. Together, we were fantastic. Memories might keep him alive. But they might kill me.»

Trees stand at the heart of ecology, and they must come to stand at the heart of human politics. Tagore said, Trees are the earth’s endless effort to speak to the listening heaven. But people—oh, my word—people! People could be the heaven that the Earth is trying to speak to. “If we could see green, we’d see a thing that keeps getting more interesting the closer we get. If we could see what green was doing, we’d never be lonely or bored. If we could understand green, we’d learn how to grow all the food we need in layers three deep, on a third of the ground we need right now, with plants that protected one another from pests and stress. If we knew what green wanted, we wouldn’t have to choose between the Earth’s interests and ours. They’d be the same!” One more click takes her to the next slide, a giant fluted trunk covered in red bark that ripples like muscle. “To see green is to grasp the Earth’s intentions. So consider this one. This tree grows from Colombia to Costa Rica. As a sapling, it looks like a piece of braided hemp. But if it finds a hole in the canopy, the sapling shoots up into a giant stem with flaring buttresses.” She turns to regard the image over her shoulder. It’s the bell of an enormous angel’s trumpet, plunged into the Earth. So many miracles, so much awful beauty. How can she leave so perfect a place? “Did you know that every broadleaf tree on Earth has flowers? Many mature species flower at least once a year. But this tree, Tachigali versicolor, this one flowers only once. Now, suppose you could have sex only once in your entire life. . . .” The room laughs now. She can’t hear, but she can smell their nerves. Her switchback trail through the woods is twisting again. They can’t tell where their guide is going. “How can a creature survive, by putting everything into a one-night stand? Tachigali versicolor’s act is so quick and decisive that it boggles me. You see, within a year of its only flowering, it dies.” She lifts her eyes. The room fills with wary smiles for the weirdness of this thing, nature. But her listeners can’t yet tie her rambling keynote to anything resembling home repair. “It turns out that a tree can give away more than its food and medicines. The rain forest canopy is thick, and wind-borne seeds never land very far from their parent. Tachigali’s once-in-a-lifetime offspring germinate right away, in the shadow of giants who have the sun locked up. They’re doomed, unless an old tree falls. The dying mother opens a hole in the canopy, and its rotting trunk enriches the soil for new seedlings. Call it the ultimate parental sacrifice. The common name for Tachigali versicolor is the suicide tree.

There is a monstrous garden in the sky Nightly they sow it fresh. Nightly it springs, Luridly splendid, towards the moon on high. Red-poppy flares, and fire-bombs rosy-bright Shell-bursts like hellborn sunflowers, gold and white Lilies, long-stemmed, that search the heavens' height... They tend it well, these gardeners on wings! How rich these blossoms, hideously fair Sprawling above the shuddering citadel As though ablaze with laughter! Lord, how long Must we behold them flower, ruthless, strong Soaring like weeds the stricken worlds among Triumphant, gay, these dreadful blooms of hell? O give us back the garden that we knew Silent and cool, where silver daisies lie, The lovely stars! O garden purple-blue Where Mary trailed her skirts amidst the dew Of ageless planets, hand-in-hand with You And Sleep and Peace walked with Eternity..... But here I sit, and watch the night roll by. There is a monstrous garden in the sky! (written during an air raid, London, midnight, October 1941)

My heart has been broken a million times by the same hand, yet I would let it happen a million times again if it meant it was by you. I was weaker than I thought / my heart sagging like the stems of uncut, unkempt flowers because of the sunlight you held in your faraway heart / Maybe you weren't mine to love / I think I'm falling The wallpaper above her bed frame was glued in my brain the way it was glued against her walls / I got so close to running my fingers against it / I wish I felt the confidence to tell you the truth, as strongly as I felt stubborn to hide it Do you hear that? That's my heart knocking against my chest at the sight of you / I've never heard anything more terrifying / how could you provide me air and suffocate me at the same time? Blue hydrangeas, pink tulips, red bleeding hearts / it's all you ever loved, but never yourself / I never understood why anyone spoke poorly of the color brown, it was a dream on you And that kiss... I think about it all the time / was it wrong of me to think of you when you were never mine? / I feel lucky to have had you, but dismayed to know what life is like without you Don't worry if the flowers pass, I'll be right there to plant you more / and when the soil grows old, I'll comfort it in the chaos of the storm Am I a ghost in your story? / because you look at me with conviction when I don't even know the crime I committed Burden me with your secrets / so I can carry the weight you're so fearful of letting go To be close to you was to be haunted by what I couldn't have and to be reminded of how much I truly wanted you / and I'd be lying if I said I never thought about where my hands would take me across your body Midnights and daydreaming hours of retracing steps to how we possibly got here / how did I ever let time pass this long without seeing you? / my heart was so full of our memories that painted my body like a scrapbook I tried to stop loving you, but along the way, you found your way into the sound of my laugh, the style of my writing, and the threads of my clothes / I would've gone down on my knees just to hear you say yes Neck stiff, legs weak, eyes set on what we could've looked like if you hadn't left / 'moving on' was a broken record that I never had the strength to lift the needle off of / If hearts were meant to love then why did mine feel so empty? / and suddenly, I fell Glances, gazes, eyes following places they shouldn't have seen / intimacy was to be seen by you; free falling was to be touched by you / there was no such thing as a crowded room where you stood She lives in between the pinks and yellows of the world / where a beautiful color is unknown to others / and when she speaks, I become a bee enthralled in a field of daisies

Becky fell unusually quiet as she smoothed Macy's overalls that had scrunched under her legs. A tender gesture probably nobody else had noticed. "I don't want to say this the wrong way, Shah-loh, but we're all gonna die." "Of course we are." A drop of water fell from the end of the snapdragon stem. "But I prefer not to kill my flowers before their time." "Well, cut er not cut, we're all goin'." Becky spoke so soberly that I turned my eyes to her. "Ain't no stoppin' it. You know that." "Sure I do, but isn't it a waste? All that beautiful bloom for what-an hour?" "Mebbe in some ways, but..." She gathered a handful of roses and freesia, delicately perfumed, and pressed them in my hands. "Ya gotta remember though-this was their purpose all along. And they did it to their fullest. It's their gift." I felt strangely moved, standing there with shoppers laughing in the background. And me looking down at those beautiful doomed flowers in my hands, their glowing colors trembling with drops. "But it's such a waste, Becky!" "Or a sacrifice. Depends on how ya look at it. They lived and bloomed, jest like they were made to do. And when it was time to go, they gracefully said yes." She ran her hands over the petals, which gleamed like bits of satin. "We're seein' their last magnificent moments and enjoyin' 'em. If you was a flower, wouldn't that make ya happy to know you'd done what you was born ta do? Even if ya didn't get to do it very long?

He finished his meeting a few minutes later and almost rudely ejected his business acquaintances from his library, then he went in search of Elizabeth. “She is out in the gardens, my lord,” his butler informed him. A short while later Ian strolled out the French doors and started down the balcony steps to join her. She was bending down and snapping a withered rosebud from its stem. “It only hurts for a moment,” she told the bush, “and it’s for your own good. You’ll see.” With an embarrassed little smile she looked up at him. “It’s a habit,” she explained. “It obviously works,” he said with a tender smile, looking at the way the flowers bloomed about her skirts. “How can you tell?” “Because,” he said quietly as she stood up, “until you walked into it, this was an ordinary garden.” Puzzled, Elizabeth tipped her head. “What is it now?” “Heaven.” Elizabeth’s breath caught in her chest at the husky timbre of his voice and the desire in his eyes. He held out his hand to her, and, without realizing what she was doing, she lifted her hand and gave it to him, then she walked straight into his arms. For one breathless moment his smoldering eyes studied her face feature by feature while the pressure of his arms slowly increased, and then he bent his head. His sensual mouth claimed hers in a kiss of violent tenderness and tormenting desire while his hands slid over the sides of her breasts, and Elizabeth felt all her resistance, all her will, begin to crumble and disintegrate, and she kissed him back with her whole heart.

Marcelina loved that miniscule, precise moment when the needle entered her face. It was silver; it was pure. It was the violence that healed, the violation that brought perfection. There was no pain, never any pain, only a sense of the most delicate of penetrations, like a mosquito exquisitely sipping blood, a precision piece of human technology slipping between the gross tissues and cells of her flesh. She could see the needle out of the corner of her eye; in the foreshortened reality of the ultra-close-up it was like the stem of a steel flower. The latex-gloved hand that held the syringe was as vast as the creating hand of God: Marcelina had watched it swim across her field of vision, seeking its spot, so close, so thrillingly, dangerously close to her naked eyeball. And then the gentle stab. Always she closed her eyes as the fingers applied pressure to the plunger. She wanted to feel the poison entering her flesh, imagine it whipping the bloated, slack, lazy cells into panic, the washes of immune response chemicals as they realized they were under toxic attack; the blessed inflammation, the swelling of the wrinkled, lined skin into smoothness, tightness, beauty, youth. Marcelina Hoffman was well on her way to becoming a Botox junkie. Such a simple treat; the beauty salon was on the same block as Canal Quatro. Marcelina had pioneered the lunch-hour face lift to such an extent that Lisandra had appropriated it as the premise for an entire series. Whore. But the joy began in the lobby with Luesa the receptionist in her high-collared white dress saying “Good afternoon, Senhora Hoffman,” and the smell of the beautiful chemicals and the scented candles, the lightness and smell of the beautiful chemicals and the scented candles, the lightness and brightness of the frosted glass panels and the bare wood floor and the cream-on-white cotton wall hangings, the New Age music that she scorned anywhere else (Tropicalismo hippy-shit) but here told her, “you’re wonderful, you’re special, you’re robed in light, the universe loves you, all you have to do is reach out your hand and take anything you desire.” Eyes closed, lying flat on the reclining chair, she felt her work-weary crow’s-feet smoothed away, the young, energizing tautness of her skin. Two years before she had been to New York on the Real Sex in the City production and had been struck by how the ianqui women styled themselves out of personal empowerment and not, as a carioca would have done, because it was her duty before a scrutinizing, judgmental city. An alien creed: thousand-dollar shoes but no pedicure. But she had brought back one mantra among her shopping bags, an enlightenment she had stolen from a Jennifer Aniston cosmetics ad. She whispered it to herself now, in the warm, jasmine-and vetiver-scented sanctuary as the botulin toxins diffused through her skin. Because I’m worth it.