Flour Sack Quotes

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The sail was patched with flour sacks and, furled, it looked like the flag of permanent defeat.
Ernest Hemingway (The Old Man and the Sea)
A definition is a sack of flour compressed into a thimble
Remy de Gourmont
Do not second-guess the sack of flour. The sack of flour is wise beyond her years.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
A blanket would be a great surface to print my new book on, so you could read it in bed while you’re having boring, obligatory sex with your spouse, who’s as dry and exciting as a sack of flour. 

Jarod Kintz (A brick and a blanket walk into a bar)
At the 150-minute point of sitting in a standard theater chair, the human buttocks die; once dead, they cannot be revived. They cease to function, whatever that function may have been, and must be carried around like a sack, or two, of flour.
Michael J. Nelson (Mike Nelson's Mind over Matters)
I'm afraid it's not nonsense," Genghis said, shaking his turbaned head and continuing his story. "As I was saying before the little girl interrupted me, the baby didn't dash off with the other orphans. She just sat there like a sack of flour. So I walked over to her and gave her a kick to get her moving." "Excellent idea!" Nero said. "What a wonderful story this is! And then what happened?" "Well, at first it seemed like I'd kicked a big hole in the baby," Genghis said, his eyes shining, "which seemed lucky, because Sunny was a terrible athlete and it would have been a blessing to put her out of her misery." Nero clapped his hands. "I know just what you mean, Genghis," he said. "She's a terrible secretary as well." "But she did all that stapling," Mr. Remora protested. "Shut up and let the coach finish his story," Nero said. "But when I looked down," Genghis continued, "I saw that I hadn't kicked a hole in a baby. I'd kicked a hole in a bag of flour! I'd been tricked!" "That's terrible!" Nero cried.
Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
How many'd we do?" is the question frequently asked at the end of the shift, when the cooks collapse onto flour sacks and milk crates and piles of dirty linen, smoking their cigarettes, drinking their shift cocktails,
Anthony Bourdain (The Nasty Bits: Collected Varietal Cuts, Usable Trim, Scraps, and Bones)
Chicken’s been soaking in the buttermilk,” I say. “Now mix up the dry.” I pour flour, salt, more salt, pepper, paprika, and a pinch of cayenne into a doubled paper sack.
Kathryn Stockett (The Help)
I stuck both hands into the soup tureen and tried to convince him that what the world needed was a whole lot more Bob. As this coincided with what Bob himself had always believed, pretty soon I had commandeered a horse trough and had footmen dumping fifty pound sacks of flour into it.
T. Kingfisher (A Wizard’s Guide to Defensive Baking)
SQUATS, Clementine! And don't stop until class is over. You legs look like they'd snap under the weight of a sack of flour. How do you walk around on those things?" "I don't know, Professor. One foot in front of the other, I guess.
Christine Manzari (Deviation (The Sophisticates, #1))
Ready?" she asked. Nina clutched the rope. "to be lowered to the heart of witch hunter power?" "This was your idea. We can still turn around." "Do not second-guess the sack of flour. The sack of flour is wise beyond her years.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
If anyone can ever find a way to explain to me how carrying around a sack of flour with a diaper on it is supposed to prepare you for motherhood, I will personally bake that person a chocolate cake with my practice baby's insides.
Martin Leicht (Mothership (Ever-Expanding Universe, #1))
The phlegamtic female is a weepy, bug-eyed, fat, lumpy, fleshy German. She looks like a sack of flour. She is born in order to become a mother-in-law. That is her whole ambition.
Anton Chekhov (The Prank: The Best of Young Chekhov (New York Review Books Classics))
Ready?” she asked. Nina clutched the rope. “To be lowered like a sack of flour into the heart of witchhunter power?” “This was your idea. We can still turn around.” “Do not second-guess the sack of flour. The sack of flour is wise beyond her years.” Hanne rolled her eyes and braced her feet against the edge of the roof, and Nina stepped out into nothing. Hanne released a grunt, but the rope stayed steady. Slowly, she lowered Nina down. The first two windows she tried were locked tight, but the third gave way and she wiggled inside, landing on the carpeted floor with a thud. She was in a stairway. For a moment, she couldn’t orient herself, but she descended another story, and soon she was at the door to Brum’s office. This time, she didn’t have a key. It had been too risky to steal it again, so she would have to pick the lock. It took an embarrassingly long time. She could almost hear Kaz laughing at her. Shut up, Brekker. Talk to me when you’ve done something about that terrible haircut. Maybe he had by now. She hoped so for Inej’s sake.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
There are no tarts in there, Charles. They were much too expensive, and Mr. Jenkins would not be reasonable. I told him I would buy a whole dozen, but he would not reduce the price by so much as a penny, so I refused to buy even one-on principle. Do you know,” she confided with a chuckle, “last week when he saw me coming into his shop he hid behind the flour sacks?” “He’s a coward!” Charles said, grinning, for it was a known fact among tradesmen and shopkeepers that Elizabeth Cameron pinched a shilling until it squeaked, and that when it came to bargaining for price-which it always did with her-they rarely came out the winner. Her intellect, not her beauty, was her greatest asset in these transactions, for she could not only add and multiply in her head, but she was so sweetly reasonable, and so inventive when she listed her reasons for expecting a better price, that she either wore out her opponents or confused them into agreeing with her
Judith McNaught (Almost Heaven (Sequels, #3))
Ready?" she asked. Nina clutched the rope. "to be lowered to the heart of witch hunter power like a sack of flour?" "This was your idea. We can still turn around." "Do not second-guess the sack of flour. The sack of flour is wise beyond her years.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
everyone got a sealed paper sack of flour that puffed out flour dust whenever you moved it. You were forced to carry it around everywhere because I guess it was supposed to teach you that babies are fragile and also that they leave stains on all of your shirts.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
trigger, a gook bullet hit him square in the head an blowed it inside out. He lyin on the ground, han still holdin to the gun for dear life, which he does not have any more of now. Oh God, it were awful—an gettin worst. No tellin what them gooks would of done if they caught us. I call out to Doyle to come here, but they is no answer. I jerk the machine gun from po ole Bones’ fingers an squirm over to Doyle, but he an the two other guys layin there shot. They dead, but Doyle still breathin, so’s I grap him up an thow him over my shoulder like a flour sack an start runnin thru the brush towards Charlie Company, cause I scared outta my wits. I runnin for maybe twenty yards an bullets wizzin all aroun me from behin, an I figger I be shot in the ass for sure. But then I crash thru a canebreak an come upon a area with low grass an to my suprise it is filled with gooks, lyin down, lookin the other way, an shootin at Charlie Company—I guess. Now what do I do? I got gooks behin me, gooks in front of me an gooks right under my feet. I don’t
Winston Groom (Forrest Gump (Vintage Contemporaries))
The owner as he crosses the board floor, moving between shelves, past stacked crates and burlap sacks bulging with sugar and flour. “Jessup? It’s Brady! You in back?” The twelve burros crane their scrawny necks in his direction when Brady emerges from the merc. He reaches into his greatcoat, pulls out a tin of Star Navy tobacco, and shoves a chaw between lips and gums gone blackish purple in the last year. “What the hell?” he whispers. When he delivered supplies two weeks ago, this little mining town was bustling. Now Abandon looms listless before him in the gloom of late afternoon, streets empty, snow banked high against the unshoveled plank sidewalks, no tracks as far as he can see. The cabins scattered across the lower slopes lie buried to their chimneys, and with not a one of them smoking, the air smells too clean. Brady is a man at home in solitude, often spending days on the trail, alone in wild, quiet places, but this silence is all wrong—a lie. He feels menaced by it, and with each passing moment, more certain that something.
Blake Crouch (Abandon)
loved tagging along when she pushed open the storeroom door and went inside. It was a small room but filled with an overwhelming array of sacks bulging with different kinds of beans, nuts, flour, sugar, rice, and a multitude of spices, emitting a symphony of assorted smells I can still summon into memory at will. Large glass jars squatted on the shelves, stacked to the ceiling,
Jean Naggar (Sipping from the Nile)
All aboard," the Sicilian said. (This was before trains, but the expression comes originally from carpenters loading lumber, and this was well after carpenters.) With that the Turk began to climb. It was at least a thousand feet and he was carrying the three, but he was not worried. When it came to power, nothing worried him. When it came to reading, he got knots in the middle of his stomach, and when it came to writing, he broke out in a cold sweat, and when addition was mentioned or, worse, long division, he always changed the subject right away. But strength had never been his enemy. He could take the kick of a horse on his chest and not fall backward. He could take a hundred-pound flour sack between his legs and scissor it open without thinking. He had once held an elephant aloft using only the muscles in his back. But his real might lay in his arms. There had never, not in a thousand years, been arms to match Fezzik's. (For that was his name.) The arms were not only Gargantuan and totally obedient and surprisingly quick, but they were also, and this is why he never worried, tireless. If you gave him an ax and told him to chop down a forest, his legs might give out from having to support so much weight for so long, or the ax might shatter from the punishment of killing so many trees, but Fezzik's arms would be as fresh tomorrow as today. And so, even with the Sicilian on his neck and the Princess around his shoulders and the Spaniard at his waist, Fezzik did not feel in the least bit put upon. He was actually quite happy, because it was only when he was requested to use his might that he felt he wasn't a bother to everybody.
William Goldman (The Princess Bride)
No one ever warns you about the complicated and political decisions regarding lessons and classes and sports you’ll have to make when you become a parent. When I was in eighth grade everyone in Home Economics had to care for flour-sack babies for two weeks to teach us about parenting and no one ever mentioned enrolling your flour baby in sports. Basically, everyone got a sealed paper sack of flour that puffed out flour dust whenever you moved it. You were forced to carry it around everywhere because I guess it was supposed to teach you that babies are fragile and also that they leave stains on all of your shirts. At the end of the two weeks your baby was weighed and if it lost too much weight that meant you were too haphazard with it and were not ready to be a parent. It was a fairly unrealistic child-rearing lesson. Basically all we learned about babies in that class was that you could use superglue to seal your baby’s head after you dropped it. And that eighth-grade boys will play keep-away with your baby if they see it so it’s really safer in the trunk of your car. And that you should just wrap your baby up in plastic cling wrap so that its insides don’t explode when it’s rolling around in the trunk on your way home. And also that if you don’t properly store your baby in the freezer your baby will get weevils and then you have to throw your baby in the garbage instead of later making it into a cake that you’ll be graded on. (The next two weeks of class focused on cooking and I used my flour baby to make a pineapple upside-down cake. My baby was delicious. These are the things you never realize are weird until you start writing them down.)
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
She didn’t understand love, not the golden, shimmering, romance-novel stuff that existed between mates. She was skeptical of it, and had never been one to pretend that it existed just for the sake of excitement. She didn’t know what it looked like, what it felt like…at least, she hadn’t. But she realized, amid the dancing tendrils of ivy that climbed the gazebo, that love – that good, golden kind she’d always discounted – didn’t arrive with a blast of trumpets and an earth-shattering epiphany. It was earned, formed, created, day by day, a little at a time. And it looked like Mike eating toast over her kitchen sink, felt like his hand smoothing her hair back off her face, sounded like his sudden shout of laughter when she spilled a whole sack of flour out of the top cabinet down onto her head in his kitchen, tasted like the kiss he used to make up for it.
Lauren Gilley (Better Than You (Walker Family, #0.5))
It always struck me that Jesus wasn’t handsome. Why wouldn’t God make his outside match his inside?” “For the same reason He was born in a lowly manger, born to an oppressed people. If He had been beautiful or powerful, people would have followed him for that alone—they would have been drawn to him for all the wrong reasons.” “That makes sense,” Elliott said. Fern found herself nodding in agreement, sitting there on a sack of flour in the corner of the pantry. It made sense to her too. She wondered how she had missed this particular sermon. It must have come when she sneaked her romance novel in between the pages of the hymnal a few weeks ago. She felt a twinge of remorse. Her father was so wise. Maybe she should pay more attention. “There’s nothing wrong with your face, Elliott,” Joshua said gently. “There’s nothing wrong with you. You are a good man with a beautiful heart. And God looks on the heart, doesn’t he?” “Yeah.” Elliott Young sounded close to tears once more. “He does. Thanks, Pastor.
Amy Harmon (Making Faces)
I learned many things at Dixie County High School. There was a class called Life Management. One week we brought in a 5lb sacks of flour. For 2 weeks we were to carry this around as our baby. It needed to return intact to get a grade. But tape could be used for repairs. So the first night I wrapped my Piggy Wiggly-brand flour baby in 2 rolls of duct tape. Added a face. Glued on some orange faux fur hair. Five pounds became 8. They grow up so fast! Over the next week we tossed this tape baby against brick walls. No harm was done. Parenting came naturally it seemed. Until we decided to drop junior out a car window while heading down County Road 55A. It bounced off the road and out into a field. We searched... but never found that sack of flour. It might be out there still. The next morning I told my teacher what had happened. Baby went out a window. Was lost in a field. She just stared. Told me not to tell anyone else this story. I still got full credit though. No one expected much of parents back then.
Damon Thomas (Some Books Are Not For Sale (Rural Gloom))
At Angelita’s, my favorite food was a plain bean burrito in a flour tortilla. It was simple, but tasty! I loved bean burritos. They were my comfort food. They were my “little friends!” For my first day at school, my aunt made me three of them. She wrapped them up tightly in aluminum foil and then packed them in a brown paper sack. At lunchtime, in the cafeteria, I got ready to greet my little friends. I was nervous, as it was my first day of school, but I knew the burritos would soon warm my stomach and comfort me. I looked around the lunch room and saw other kids with their cafeteria trays and their perfect peanut butter and jelly sandwiches with the crust neatly trimmed off and their bottle of juices and bags of Fritos and then . . . I pulled out a burrito. “Hey! What’s that?” A gringa girl shouted at me, pointing at my burrito. “Uh . . . nothing! Nada!” I replied as I quickly shoved it back into the sack. I was hungry, but every time I got ready to pull one out, it seemed as if there was another kid ready to stare and point at me. I was embarrassed! I loved my burritos, but in that cafeteria, I was ashamed of them. They suddenly felt very heavy and cold. They suddenly felt very Mexican. I was ashamed of my little friends and so . . . I went hungry.
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
Noah smiled at her, then his smile froze. He looked her slowly up and down. And again. “What?” she demanded hotly, hands on her hips. “Nothing,” he said, turning away. “No. What? What’s the matter?” He turned back slowly, put his tools down on top of the ladder and approached her. “I don’t know how to say this. I think it would be in the best interests of both of us if you’d dress a little more…conservatively.” She looked down at herself. “More conservatively than overalls?” she asked. He felt a laugh escape in spite of himself. He shook his head. “Ellie, I’ve never seen anybody look that good in overalls before.” “And this is a bad thing?” she asked, crossing her arms over her chest. “It’s provocative,” he tried to explain. “Sexy. People who work around churches usually dress a little more… What’s the best way to put this…?” “Frumpy? Dumpy? Ugly?” “Without some of their bra showing, for one thing.” “Well now, Reverend, just where have you been? Because this happens to be in style. And I’ll do any work you give me, but you really shouldn’t be telling me what to wear. The last guy I was with tried to do me over. He liked me well enough when he was trying to get my attention, but the second I married him, he wanted to cover me up so no one would notice I had a body!” “The husband?” “The very same. It didn’t work for him and it’s not going to work for you. You didn’t say anything about a dress code. Maybe I’ll turn you in to the Better Business Bureau or something.” “I think you mean the Equal Employment Opportunity Commission. Or maybe you should go straight to the American Civil Liberties Union.” He stepped toward her. “Ellie,” he said, using his tender but firm minister voice. “I’m a single man. You’re a very beautiful young woman. I would like it if the good people of Virgin River assumed you were given this job solely because of your qualifications and not because you’re eye candy. Tomorrow, could you please wear something less distracting?” “I’ll do my best,” she said in a huff. “But this is what I have, and there’s not much I can do about that. Especially on what you’re paying me.” “Just think ‘baggy,’” he advised. “We’re going to have a problem there,” she said. “I don’t buy my clothes baggy. Or ugly. Or dumpy. And you can bet your sweet a…butt I left behind the clothes Arnie thought I should wear.” She just shook her head in disgust. “I don’t know what you’re complaining about. You know how many guys would rather have something nice to look at than a girl in a flour sack? Guess you didn’t get to Count Your Blessings 101.” She cocked her head and lifted her eyebrows. “I’m counting,” he said. But his eyes bore down on hers seriously. He was not giving an inch. “Just an ounce of discretion. Do what you can.” She took a deep breath. “Let’s just get to work. Tomorrow I’ll look as awful as possible. How’s that?” “Perfect.
Robyn Carr (Forbidden Falls)
The warm wool blanket dropped to the floor, and Lydia set her hand in the earl’s firm grip. She stuck her foot outside, but awareness wasn’t with her. That cavernous black doorway claimed her attention, and therein was her problem. Trouble came in mere seconds, as it usually did for her. The step was slick. She slipped. The sole of her leather shoe slid off the step’s edge. “Oww!” she yelped as her foot banged the graveled drive hard. Legs buckling, down she went, like a graceless sack of flour. What’s worse, she slammed into the earl, her shoulder punching his midsection. “Ooomph!” Lord Sanford grunted but moved quickly to save her from falling all the way to the ground. Her face mashed against leather and linen. Strong hands held her arms. At least she didn’t knock the earl down. Grabbing for purchase, her fingers touched warm wool…buttons…skin. Her face pressed into fabric, she murmured, “I’m so very sorry.” Lydia tried to right herself, but relief turned to horror: she was a mortified eye level with the pewter buttons of Lord Sanford’s breeches. Stalwart English mist snapped sense into her. That and seeing his placket bunched low in her fist. Her fingers grazed smooth flesh. Another, more interesting sliver of Lord Sanford’s skin was exposed: pale, intimate skin just below his navel. Lydia yanked back her hand, and a pewter button went flying. “Oh no!” she cried as humiliating heat flared across her face and neck. “Miss Montgomery? Are you injured?” Lord Sanford asked above the wind, slowly lifting her up. He sounded unperturbed at having a woman’s hand on the front of his breeches. hands on the front of his breeches.
Gina Conkle (Meet the Earl at Midnight (Midnight Meetings, #1))
If they are to be turned into bread, grains have to be ground. When I was a little girl, my father decided to make some flour from the wheat we had grown on the farm. He tried pounding it with a pestle and mortar but all he got was broken grains, not flour. He put it through the hand mincer screwed to the edge of the table with the same result. Finally, he attacked it with a hammer on the flagstone floor. After he gave up, defeated, my mother cleared up the mess. It was sobering to realize that if the commercial millers had vanished, we could have starved even with barns full of sacks of wheat. To turn wheat into flour, you have to shear, not pound, the hard grains, which requires a grindstone, as the people of Lake Kinneret had discovered. A friend in Mexico, where hand grinding still goes on, showed me how it works. She knelt at the upper end of a grindstone, called a metate—a saddle-shaped platform on three inverted pyramidal legs, hewn from a single piece of volcanic rock (fig. 1.7). She mounded a handful of barley, took the mano, a stone shaped like a squared-off rolling pin, in both hands with her thumbs facing back to nudge the grain into place, and, using the whole weight of her upper body, sheared the mano over the grain. After half a dozen motions, she had broken the grains, which now clustered at the bottom end of the metate. Carefully scraping them up with her fingertips, she moved them back to the top, and started shearing again, this time producing white streaks of flour. By the time she had sheared the grain from top to bottom five or six times, she had produced a handful of flour.
Rachel Laudan (Cuisine and Empire: Cooking in World History (California Studies in Food and Culture Book 43))
The preparations also meant buying lots of food: eggs by the hundred, goose fat that had to be rendered and the cracklings, called "greeven" reserved for the holiday, potatoes by the sackful, nuts, wine, and of course matza. Father ate a different matza called "shmoora". It was baked of less refined wheat flour, under special supervision, with him present at the baking. Even to-day orthodox rabbis eat "matza shmoora". On the day before the Seder, all the dishes and glasses were put away and the pessach stuff put in place. All this to commemorate the exodus of our Israelite ancestors from bondage in Egypt and the rejoicing in freedom. In their hurry, they baked unleavened bread-matza. It was a time of good food, great expectations; it was also the joyous expectation of spring and warmth after our long, cruel winters. We would always get new shoes, socks, a new spring coat or a dress. We would put on the new clothes for the seder.
Pearl Fichman (Before Memories Fade)
Back then, rice was in short supply, and the government was waging a campaign to encourage people to eat more flour and mixed grains. At school, our lunchboxes were inspected daily, and anyone caught bringing white rice had their palms strapped. Flour, donated as food aid by the United States and stamped on each sack with a picture of a handshake, was distributed by the neighbourhood office and eventually found its way into the marketplace. Lunch in every home consisted of sujebi, knife-cut noodles, or banquet noodles — the extra-thin soup noodles that were extruded by machine and so insubstantial that you’d barely even chewed them before they were slipping down your throat. They were called banquet noodles because we used to eat them only on special days, but they were ubiquitous in our neighbourhood since you could prepare them many different ways, including in soup or tossed in a spicy sauce.
Hwang Sok-yong (At Dusk)
The brute never had a chance. Clayborn’s fist flew with uncanny speed, straight into the larger man’s face, dropping him like a sack of flour, directly to the floor. “That will do!” Mary shouted, sounding half delighted and half relieved. “Oh, my!” Adelaide whispered, feeling wholly something else altogether.
Sarah MacLean (Heartbreaker (Hell's Belles, #2))
I find the white enamel pan she used for bread and biscuits. It is the same pan she used to bathe us when we were babies. I turn the faucet on and hold my hand under the water until it is warm, the temperature one uses to wash an infant. I find a clean washcloth in a stack of washcloths. She had nothing in her childhood. She made sure she had plenty of everything when she grew up and made her own life. Her closets were full of pretty dresses, so many she had not time to wear them all. They were bought by the young girl who wore the same flour sack dress to school every day, the one she had to wash out every night, and hang up to dry near the wood stove.
Joy Harjo (An American Sunrise)
The three-ringer gives her a quick look, just long enough to make sure she is really a person, not a sack of flour or an engine block or a tree stump.
Neal Stephenson (Snow Crash)
They had recently purchased a three-bedroom vacation condo there. In response to Doreen’s complaint about the plumbing, Sherrena reminded her tenant that she was breaking the terms of her lease by allowing Patrice and her children to live with her. To Patrice, it was déjà vu. Before moving upstairs, she had inspected the unit. It needed a lot of work—the lint-gray carpet was worn thin and filthy, the ceiling in the kids’ bedroom was drooping, the balcony door was unhinged, and the balcony itself looked like it would collapse if you tossed a sack of flour on it—but Sherrena promised to attend to these things. Landlords were allowed to rent units with property code violations, and even units that did not meet “basic habitability requirements,” as long as they were up front about the problems.6
Matthew Desmond (Evicted: Poverty and Profit in the American City)
examining everything. The place had clearly been just what Clem called it—a hidey-hole—a home away from home for Justice’s father. And for Justice himself? He didn’t know. One of the wooden crates held a bushel of potatoes in need of sprouting. The others held various dry goods, mostly food. A hundred air tights, maybe more, dried beans, flour, sugar, and coffee… a lot of coffee. A coffee pot sat on the table, along with mugs, plates, and silverware. A burlap sack slumped against one wall. Checking inside, he found oats for horses. The top drawer of the chest held a gun belt with two holsters, each holding a loaded revolver. As he examined these pistols, he was amazed by how good they felt. Their balance, their weight, the smoothness with which they slid from the well-worn holster… it was amazing… and at the same time familiar.
John Deacon (Justice Returns (Silent Justice #2))
The tent camp in the Jordan Valley on the approach to Jericho had perhaps 20,000 inhabitants. . . . I looked at their filthy habitations—brush for mattresses, a torn blanket or two, a larder empty except for a pinch of meal, a pat or two of lard. The camp was talking about an Arab businessman from Haifa. The day before, he had taken his two sons from the tent, shot them through the head, and turned the gun on himself. . . . The Jews had taken his home and business, and refused to allow his return, even to liquidate. He was penniless and couldn’t stand watching his children’s bellies bloat. The tent camp in Ramallah was even worse. Icy winds off the Judean hills whipped through the torn flaps. The widow from Ramle wore an old flour sack, and her legs were blue with cold. Her five children emitted a monotonous wail; she was on the move perpetually, swabbing their runny noses. Her husband, a Ramle carpenter, had been killed in the war. . . . Agonized, she asked me what happened to her home. I could have told her it was probably occupied by a [Jewish] family from Bulgaria or Poland, but stalled with a don’t know answer.23
Eric Gartman (Return to Zion: The History of Modern Israel)
The third crane arm slammed him against the floor so hard, he exploded into dust like a broken flour sack.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
In the blink of an eye everything was upside down: gentlemen, bakers, customers, bread loaves, counter, benches, bins, cupboards, sacks, threshers, wheat bran, flour, dough.” “What about the musketeers?” “They were busy guarding the Commissioner’s house. You can’t both sing in the choir and carry the cross.
Alessandro Manzoni (The Betrothed: A Novel)
I shake my head, and she considers me again, top to toe with her cheeks pulled in. I half suspect that, once she’s completed her inventory, she’s going to tell me to stand up straight in that authoritative tone that reminds me of my father, but then she says, “And in case I didn’t say it, I’m very happy to meet you. I’m not sure what circumstances have brought you here, but I’m glad you are.” I smile faintly. “Me too.” She laughs suddenly, a sound so unexpected I jump. “You’ve got the—” She presses her finger to her cheek, and it takes me a moment to realize she’s talking about my dimple. “Oh. Yes.” I brush my face self-consciously, but she smiles and I realize she has the same, but on the opposite cheek. My sister and I, our faces a closed set of parentheses. Then, suddenly, she’s hugging me. It’s a rubbish hug—she pins my arms to my sides and holds me like one might take hold of a sack of heavy flour before hoisting it. She stays there for too long, and when we part, some of the blood from her shirt has blotted onto mine. I wonder how long it’s been since she hugged someone. I wonder if she minds.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
As soon as Jeremiah saw me, he sprang up. “Ladies and Gentlemen-men-men,” he began dramatically, bowing like a circus ringmaster. “I do believe it is time… for our first belly flop of the summer.” I inched away from them uneasily. Too fast a movement, and it would be all over—they’d chase me then. “No way,” I said. Then Conrad and Steven stood up, circling me. “You can’t fight tradition,” Steven said. Conrad just grinned evilly. “I’m too old for this,” I said desperately. I walked backward, and that’s when they grabbed me. Steven and Jeremiah each took a wrist. “Come on, guys,” I said, trying to wriggle out of their grasp. I dragged my feet, but they pulled me along. I knew it was futile to resist, but I always tried, even though the bottoms of my feet got burned along the pavement in the process. “Ready?” Jeremiah said, lifting me up under my armpits. Conrad grabbed my feet, and then Steven took my right arm while Jeremiah hung on to my left. They swung me back and forth like I was a sack of flour. “I hate you guys,” I yelled over their laughter. “One,” Jeremiah began. “Two,” Steven said. “And three,” Conrad finished. Then they launched me into the pool, clothes and all. I hit the water with a loud smack. Underwater, I could hear them busting up. The Belly Flop was something they’d started about a million summers ago. Probably it had been Steven. I hated it. Even though it was one of the only times I was included in their fun, I hated being the brunt of it. It made me feel utterly powerless, and it was a reminder that I was an outsider, too weak to fight them, all because I was a girl. Somebody’s little sister.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
In Minnesota, they were seizing cars from every siding, from the Mesabi Range, from the ore mines of Paul Larkin where the cars had stood waiting for a dribble of iron. They were pouring wheat into ore cars, into coal cars, into boarded stock cars that went spilling thin gold trickles along the track as they clattered off. They were pouring wheat into passenger coaches, over seats, racks and fixtures, to send it off, to get it moving, even if it went moving into trackside ditches in the sudden crash of breaking springs, in the explosions set off by burning journal boxes. They fought for movement, for movement with no thought of destination, for movement as such, like a paralytic under a stroke, struggling in wild, stiff, incredulous jerks against the realization that movement was suddenly impossible. There were no other railroads: James Taggart had killed them; there were no boats on the Lakes: Paul Larkin had killed them. There was only the single line of rail and a net of neglected highways. The trucks and wagons of waiting farmers started trickling blindly down the roads, with no maps, no gas, no feed for horses—moving south, south toward the vision of flour mills awaiting them somewhere, with no knowledge of the distances ahead, but with the knowledge of death behind them—moving, to collapse on the roads, in the gullies, in the breaks of rotted bridges. One farmer was found, half a mile south of the wreck of his truck, lying dead in a ditch, face down, still clutching a sack of wheat on his shoulders. Then rain clouds burst over the prairies of Minnesota; the rain went eating the wheat into rot at the waiting railroad stations; it went hammering the piles spilled along the roads, washing gold kernels into the soil.
Ayn Rand (Atlas Shrugged)
Pariva was a small village, unimportant enough that it rarely appeared on any maps of Esperia. Bordered by mountains and sea, it seemed untouched by time. The school looked the same as she remembered; so did the market and Mangia Road---a block of eating establishments that included the locally famous Belmagio bakery---and cypress and laurel and pine trees still surrounded the local square, where the villagers came out to gossip or play chess or even sing together. Had it really been forty years since she had returned? It seemed like only yesterday that she'd strolled down Pariva's narrow streets, carrying a sack of pine nuts to her parents' bakery or stopping by the docks to watch the fishing boats sail across the glittering sea. Back then, she'd been a daughter, a sister, a friend. A mere slip of a young woman. Home had been a humble two-storied house on Constanza Street, with a door as yellow as daffodils and cobblestoned stairs that led into a small courtyard in the back. Her father had kept a garden of herbs; he was always frustrated by how the mint grew wild when what he truly wanted to grow was basil. The herbs went into the bread that her parents sold at their bakery. Papa crafted the savory loaves and Mamma the sweet ones, along with almond cakes drizzled with lemon glaze, chocolate biscuits with hazelnut pralines, and her famous cinnamon cookies. The magic the Blue Fairy had grown up with was sugar shimmering on her fingertips and flour dusting her hair like snow. It was her older brother, Niccolo, coaxing their finicky oven into working again, and Mamma listening for the crackle of a golden-brown crust just before her bread sang. It was her little sister Ilaria's tongue turning green after she ate too many pistachio cakes. Most of all, magic was the smile on Mamma's, Papa's, Niccolo's, and Ilaria's faces when they brought home the bakery's leftover chocolate cake and sank their forks into a sumptuous, moist slice. After dinner, the Blue Fairy and her siblings made music together in the Blue Room. Its walls were bluer than the midsummer sky, and the windows arched like rainbows. It'd been her favorite room in the house.
Elizabeth Lim (When You Wish Upon a Star)
But before he could go, Jeremy pointed to the third door, the one that the baker had not opened, and said, “What’s in there?” “Oh,” the baker said, his eyes falling on the door. “Nothing, nothing. Please do not open it.” Again the baker made to leave, and again Jeremy stopped his progress. “Mr. Blix?” “Yes?” “You can’t do that.” The baker seemed confused. “Can’t do what?” “You can’t leave and tell us not to open the door, because that happens all the time in fairy tales and movies, and everyone knows that sooner or later whoever isn’t supposed to open the door is going to open the door, and …” “Yes?” the baker said. “And that’s when things start happening.” A laugh rumbled up from the baker’s belly. Then he walked over to the third door and lifted the latch. He pushed the door gently open and stepped aside so that Jeremy and Ginger could peer in. Well! This room was just like the other two, except that the gleaming shelves were already stacked with sacks of flour and sugar, baking soda and salt. “Frank Bailey and I cleaned this one last week and loaded the shelves, which”—he winked—“you will know something about before your workday is over.” He smiled at Jeremy. “I didn’t mean to be mysterious. I just didn’t want anything disturbed or any dust to get in. You understand?” “Sure,” Jeremy said. “Sorry.” The baker seemed unperturbed. “Not at all,” he said, pulling the door closed again. “Perhaps it’s been too long since I read a story or went to a movie.
Tom McNeal (Far Far Away)
The entire picture was absurd. Henry walked behind me with the dead body of one Lord Philip Beauchamp slung over his shoulder with as much care as you might give a large sack of flour.
Elizabeth Muse (Devils Like Me: A Dark Regency Friends to Lovers Romance (Sweet Creatures))
Pyotr Petrovitch belonged to that class of persons, on the surface very polite in society, who make a great point of punctiliousness, but who, directly they are crossed in anything, are completely disconcerted, and become more like sacks of flour than elegant and lively men of society.
Fyodor Dostoevsky (Crime and Punishment)
The people were wrapped in rags given to them by the United Nations Relief and Works Agency, UNRWA. Rags originally "donated by the American people." The girls walked around wearing baseball hats. Out of the sacks our UNRWA flour rations came in mothers cut underpants for their sons. I often walked around with my behind covered with a handshake and the proclamation that the contents were a "gift from the American people.
Fawaz Turki (Soul in Exile)
The Bright Lights of Sarajevo After the hours that Sarajevans pass queuing with empty canisters of gas to get the refills they wheel home in prams, or queuing for the precious meagre grams of bread they’re rationed to each day, and often dodging snipers on the way, or struggling up sometimes eleven flights of stairs with water, then you’d think the nights of Sarajevo would be totally devoid of people walking streets Serb shells destroyed, but tonight in Sarajevo that’s just not the case The young go walking at stroller’s pace, black shapes impossible to mark as Muslim, Serb or Croat in such dark, in unlit streets you can’t distinguish who calls bread hjleb or hleb or calls it kruh. All take the evening air with stroller’s stride no torches guide them, but they don’t collide except as one of the flirtatious ploys when a girl’s dark shape is fancied by a boy’s. Then the tender radar of the tone of voice shows by its signals she approves his choice. Then match or lighter to a cigarette to check in her eyes if he’s made progress yet. And I see a pair who’ve certainly progressed beyond the tone of voice and match-flare test and he’s about, I think, to take her hand and lead her away from where they stand on two shell scars, where, in ‘92 Serb mortars massacred the breadshop queue and blood-dunked crusts of shredded bread lay on this pavement with the broken dead. And at their feet in holes made by the mortar that caused the massacre, now full of water from the rain that’s poured down half the day, though now even the smallest clouds have cleared away leaving the Sarajevo star-filled evening sky ideally bright and clear for bomber’s eye in those two rain-full shell-holes the boy sees fragments of the splintered Pleiades, sprinkled on those death-deep, death-dark wells splashed on the pavement by Serb mortar shells. The dark boy-shape leads dark girl-shape away to share one coffee in a candlelit café until the curfew, and he holds her hand behind AID flour-sacks refilled with sand
Tonny Harrison
The Bright Lights of Sarajevo After the hours that Sarajevans pass queuing with empty canisters of gas to get the refills they wheel home in prams or queuing for the precious meagre grams of bread they’re rationed to each day, and often dodging snipers on the way, or struggling up sometimes eleven flights of stairs with water, then you’d think the nights of Sarajevo would be totally devoid of people walking streets Serb shells destroyed, but tonight in Sarajevo that’s just not the case – The young go walking at stroller’s pace black shapes impossible to mark as Muslim, Serb or Croat in such dark in unlit streets you can’t distinguish who calls bread hjleb or hleb or calls it kruh. All take the evening air with stroller’s stride no torches guide them, but they don’t collide except as one of the flirtatious ploys when a girl’s dark shape is fancied by a boy’s. Then the tender radar of the tone of voice shows by its signals she approves his choice. Then match or lighter to a cigarette to check in her eyes if he’s made progress yet. And I see a pair who’ve certainly progressed beyond the tone of voice and match-flare test and he’s about, I think, to take her hand and lead her away from where they stand on two shell scars, where, in 1992 Serb mortars massacred the breadshop queue and blood-dunked crusts of shredded bread lay on this pavement with the broken dead. And at their feet in holes made by the mortar that caused the massacre, now full of water from the rain that’s poured down half the day, though now even the smallest clouds have cleared away leaving the Sarajevo star-filled evening sky ideally bright and clear for bomber’s eye in those two rain-full shell-holes the boy sees fragments of the splintered Pleiades, sprinkled on those death-deep, death-dark wells splashed on the pavement by Serb mortar shells. The dark boy-shape leads dark girl-shape away to share one coffee in a candlelit café until the curfew, and he holds her hand behind AID flour-sacks refilled with sand.
Tonny Harrison
girls wearing dresses beautifully sewn from patterned cotton flour sacks. All of this goes to show that people can be happy without lots of conveniences.
Patricia Wilson Clothier (Beneath the Window: Early Ranch Life in the Big Bend Country)
Bex, you're detached. That means you haven't bonded with Sookie. I think it's because of the problems with your own parents, especially your mom taking off and leaving you behind." My jaw dropped. "How dare you! Don't talk about my parents!" "Bex—" "Now I have to go. I have to get ready for the basketball game," I said, leaving Santiago's room. He followed me. "Aww, come on, Bex." I ran down the stairs. "What about Sookie?" he yelled over the banister. "You take care of her!" I shouted. "She needs her mother!" "She's a sack of flour,
Tiffany Nicole Smith (Bex Carter 4: The Great "BOY"cott of Lincoln Middle (The Bex Carter Series))
A dead baby feels like a sack of flour.
Bobbie Ann Mason (Shiloh)
She stared at him, appalled. “These are British citizens.” “They’re Italians.” He lifted his head higher as another man exited with a sack of what might have been flour. “Most likely spies.
Madeline Martin (The Last Bookshop in London)
The horse was a glossy brown, with a brown mane. What caught my eye about it was a white line of hair that curved down its chest to run between its forelegs. On looking a bit closer, I saw that it was an old scar. The horse shook its head as I got closer, and buried its nose in my hair and took a deep breath. The hairs on its muzzle tickled my neck. I tried to move away, but the horse followed, breathing out and in again, filling my hair with its warm sweet breath. "He likes you." Marcus had handed off the packhorse to another warrior, and now sat astride his horse, with a shield on his back and a sword at his side. He looked my animal over with a considering eye. "A good, steady animal. You shouldn't have a problem with him." Which I took to mean that the animal would be slow, and one a sick granny couldn't fall off of. But at least I wasn't being toted around like a sack of flour anymore. I pulled myself into the saddle, noticing that this horse had a number of scrapes and scars on its legs and hindquarters. He'd seen quite a bit of action in his day. "What is his name?" "Name?" Marcus gave me a funny look. "We call them 'horses'." The others moved in around me. I noticed that Marcus placed himself so that his blind side was covered by Isdra. "I know they are horses, Marcus. What is this one's name?" "I suppose you will now tell me that city dwellers name all their horses." Marcus rolled his eye, and the others chuckled. I closed my mouth. "Tens of thousands of horses," Marcus continued, "and we should name them all. Pah." Rafe laughed out loud. "Now tell all, Marcus. We name stallions and mares." "Lead stallions. Lead mares. Not entire herds." Marcus gave my horse a withering glance. Its ears were flicking back and forth, as if following the conversation. "But how do you tell them apart? Or get them to come to you?" I asked as I mounted. "What's to tell?" Marcus asked. "Rafe's black, Prest's brown with the notched ear, Isdra's roan with the scarred whither. And they come because that is the way of things. And while you might think so, they don't all look alike. Any more than people do.
Elizabeth Vaughan (Warsworn (Chronicles of the Warlands, #2))
The joke went that everyone gained 5 pounds in baking class. I could see what they meant. It was held in the morning, when everyone was starving, and after a few hours of hard labor, hefting heavy sacks of flour, balling and kneading dough, loading giant deck and windmill ovens with cinammon buns, croissants, breads and rolls for the various school-operated dining rooms, the room would fill with the smell. When the finished product started coming out of the ovens, the students would fall on it, slathering the still-hot bread and buns with gobs of butter, tearing it apart and shoveling it in their faces. Brownies, pecan diamonds, cookies, profiteroles — around 10 percent of the stuff disappeared into our faces and our knife rolls before it was loaded into proof racks and packed off to its final destinations. It was not a pretty sight, all these pale, gangly, pimpled youths, in a frenzy of hunger and sexual frustration, shredding bread. It was like Night of the Living Dead, everyone seemed always to be chewing.
Anthony Bourdain
While their mother told Mrs. Bettle and Bett about her trip to France when she was a girl- 'Oh, Champs-Elysées!'- Milly hauled out a bottle of milk from the refrigerator and a sack of dried kidney beans from the pantry. She opened her recipe book, looking for something to make out of the available ingredients: milk, flour, butter, and kidney beans. When she didn't find a recipe, she decided to do what every woman in the country did when she lacked materials: bake a pie. Not every woman would have made a kidney bean pie, though.
Rebecca Rasmussen (The Bird Sisters)
That night after supper, Loretta sat by the fire, using an overturned bucket as a stool, a mug of gritty coffee cupped in her palms, her gaze fixed sightlessly on the shifting flames. The other women around the fire spoke infrequently, some, Loretta guessed, because they were afraid of another Indian attack, others undoubtedly because they resented her presence and wanted to make sure she knew it. A Comanche’s woman. After the spectacle she had made of herself that morning, everyone knew. Loretta was beyond caring. There was an ache inside her chest the size of a boulder. She didn’t know if Hunter was alive or dead. She might never know. He was her husband. She loved him. Why couldn’t these women understand that? Instead they acted as if she were some kind of vermin in the flour sack. Maybe they were right. She didn’t belong here now.
Catherine Anderson (Comanche Moon (Comanche, #1))
We stop, together as if on signal, and stand and look at the bodies. It doesn't matter if we look. We're supposed to look: this is what they are there for, hanging on the Wall. Sometimes they'll be there for days, until there's a new batch, so as many people as possible will have the chance to see them. What they are hanging from is hooks. The hooks have been set into the brickwork of the Wall, for this purpose. Not all of them are occupied. The hooks look like appliances for the armless. Or steel question marks, upside-down and sideways. It's the bags over the heads that are the worst, worse than the faces themselves would be. It makes the men like dolls on which the faces have not yet been painted; like scarecrows, which in a way is what they are, since they are meant to scare. Or as if their heads are sacks, stuffed with some undifferentiated material, like flour or dough. It's the obvious heaviness of the heads, their vacancy, the way gravity pulls them down and there's no life anymore to hold them up. The heads are zeros. Though if you look and look, as we are doing, you can see the outlines of the features under the white cloth, like gray shadows. The heads are the heads of snowmen, with the coal eyes and the carrot noses fallen out. The heads are melting. But on one bag there's blood, which has seeped through the white cloth, where the mouth must have been. It makes another mouth, a small red one, like the mouths painted with thick brushes by kindergarten children. A child's idea of a smile. This smile of blood is what fixes the attention, finally. These are not snowmen after all.
Margaret Atwood (The Handmaid's Tale)
A businesswoman must always be cognizant of her appearance when dealing with customers. A tidy appearance gives the impression of capability and competence. Your muscles and height might be enough to recommend your abilities to tote and carry heavy crates and supplies, but for money to change hands, customers need to be assured that they are dealing with a professional.” Tori folded her hands in her lap, proud of her little speech until she realized she’d basically insulted her business partner, implying that all he was good for was hauling heavy objects, as if he were no better than the draft horses pulling their wagon. She knew for a fact the man had a keen mind. Why, this entire venture was his idea. Her posture sagged a bit as she turned in the seat to face him. “I didn’t mean that the way it sounded. I . . . ” He glanced her way, a cocky half grin making her belly tighten. “Like my muscles, do you?” He waggled his eyebrows. “Too bad we didn’t bring along a few sacks of flour on this run. I can carry two at a time. ’Course, if someone loads me up, I can do twice that many. Two on each shoulder.” Good heavens! That was nearly four-hundred pounds. Not that she doubted his word. All one had to do was look at him. His coat barely contained the width of his . . . He flexed just as her attention drifted to his biceps, stretching the already strained material even tighter around the impressive bulge of muscle. Tori jerked her gaze away, hating that he’d caught her looking. For pity’s sake. She didn’t even like big men. They were too powerful. Dangerous. Yet Mr. Porter looked far from dangerous when he wiggled his eyebrows in that ridiculously overblown fashion and puffed up like a tom turkey showing off his feathers. Well, this hen wasn’t impressed with a bunch of fluff and gobble.
Karen Witemeyer (Worth the Wait (Ladies of Harper’s Station, #1.5))
Let me be clear: Team Peeta. I cannot fathom how one could be on any other team. Gale? I can barely acknowledge him. Peeta, on the other hand, is everything. He frosts things and bakes bread and is unconditional and unwavering in his love, and also he is very, very strong. He can throw a sack of flour, is what I am saying. Peeta is a place of solace and hope, and he is a good kisser.
Roxane Gay (Bad Feminist: Essays)
The truth is that the poor are as ravening wolves, as cunning as foxes and as lecherous as he-goats. I do not say this of all the poor but of a great many of them, for poverty never made any man better. It is easy not to tell lies when you are not afraid, not to steal when you are not hungry, But the person who acquires the habit of lying and stealing soon becomes like a beast. I have seen mothers sell their daughters. I have seen mothers abandon their newborn babes in the fields. I have seen men mutilate their children to make them better beggars. I have seen sons leave their aged fathers to starve because they themselves were hungry, and ten lepers band together to abduct and rape a girl, and great oafs steal alms from the blind, and cripples torture children and bind them with chains to stop their running off with the takings. I have seen people seek shelter with peasants and then make off in the night, taking with them the last sack of flour. The rich who rob the poor do not know what they do, but the poor man who robs the poor is an eater of human flesh. -- pg 98
Zoé Oldenbourg (The Heirs of the Kingdom)
In the Netherlands of Charles V, for instance, it could be heard on the lips of Pieter Florisz., a tailor in Gouda, who said that Our Lady was like ‘a sack that had once held cinnamon, but now only retains the sweet savour’. In a rather less flavoursome version, Willem die Cuper said that she was like a flourbag from which the flour had been emptied.
Diarmaid MacCulloch (All Things Made New: The Reformation and Its Legacy)
The Liverpool & Manchester Railway hauled its first test load of freight and passengers between its two eponymous cities on Saturday, 1 December 1830.56 In eighteen wagons, it moved 135 bags and bales of American cotton, 200 barrels of flour, 63 sacks of oatmeal, 34 sacks of malt, and 15 passengers. Engine, train, and contents weighed 86 tons and maintained an average speed of twelve and a half miles per hour. The completed line opened to general traffic nine months later, on 15 September 1831.
Richard Rhodes (Energy: A Human History)
During the segment when people could come forward for prayer, anything at all could happen. Once when I was praying over a woman, she fell completely out in the Spirit. Now, we were interdenominational and we dearly loved and cherished our many Pentecostal attendees, but this was early on, and I already knew the fastest way to get shut down by the Baptists was for people to start falling out. I bent over, grabbed sister by the waist on her way down, slung her deadweight up like a sack of flour, hooked her chin onto my shoulder, and whispered with no small measure of authority, “With everything in me, I ask God to bless you and grant your petitions, but I’m gonna need you to wake up in Jesus’ name or I’m gonna get fired.” She came to a few seconds later. I never did figure out what happened to make her drop the way she did, but it was months before I got guts enough to lay hands on someone again. Another
Beth Moore (All My Knotted-Up Life: A Memoir)
And then Ove hit him. Just once. It was enough. Tom collapsed like a sack of wet flour. By the time the heavy body hit the floor, Ove had already turned and walked away.
Fredrik Backman (A Man Called Ove)