Floral Quotes

We've searched our database for all the quotes and captions related to Floral. Here they are! All 100 of them:

Real men wear floral when trespassing
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
The woman wears a floral print blouse with lots of leaves and pink flowers. Risa would like to attack her with a weed whacker.
Neal Shusterman (Unwind (Unwind, #1))
My parents probably wanted a girl who would sit in the pews wearing pretty florals and a soft smile. They got combat boots and a mouth silent until it’s sharp as an island machete.
Elizabeth Acevedo (The Poet X)
I wake with a jolt that sends a shock of pain through my ankle. Crying out, I look around me. Floral wallpaper. Am I at home? Who's that man in the chair by the door, reading .... "Twilight?" Leon blinks at me, putting the book down in his lap. 'You went from unconscious to judgemental very quickly there.
Beth O'Leary (The Flatshare)
Real men wear floral when trespassing.
Holly Jackson (As Good as Dead (A Good Girl's Guide to Murder #3))
She loved to spend rainy afternoons lost in thought, her hand daydreaming beneath the fabric of her floral panties.
Michael Faudet (Dirty Pretty Things)
Do not worry about your contradictions - Persephone is both floral maiden and queen of death. You, too, can be both.
Nichole McElhaney (A Sisterhood of Thorns and Vengeance)
I swear by my pretty floral bonnet, I will end you.
Malcolm Reynolds
Congratulations, everyone," I announce as I open the door to Noam's study. "You've finally broken Meira, the crazy, orphaned soldier-girl. She's snapped, all thanks to the mention of floral arrangements.
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
I love going out of my way, beyond what I know, and finding my way back a few extra miles, by another trail, with a compass that argues with the map…nights alone in motels in remote western towns where I know no one and no one I know knows where I am, nights with strange paintings and floral spreads and cable television that furnish a reprieve from my own biography, when in Benjamin’s terms, I have lost myself though I know where I am. Moments when I say to myself as feet or car clear a crest or round a bend, I have never seen this place before. Times when some architectural detail on vista that has escaped me these many years says to me that I never did know where I was, even when I was home.
Rebecca Solnit (A Field Guide to Getting Lost)
That's how two vampires, a medium, and a dog came to sit around a Ouija board in the back room of a floral shop.
Jeaniene Frost (Up from the Grave (Night Huntress, #7))
Quaint and picturesque, though I didn't voice my opinion out loud. Keirran and Annwyl were faeries, and Kenzie was a girl, so it was okay for them to notice such things. as a card-carrying guy club, I wasn't going to comment on the floral arrangements.
Julie Kagawa (The Lost Prince (The Iron Fey: Call of the Forgotten, #1))
She hated the way roses smelled, their sweetness too fragile. She wanted a garden of evergreens. A garden of stones. A garden of swords.
Keirsten White
I almost cried. But I didn't, because if you're in seventh grade and you cry while wearing a blue floral cape and yellow tights with white feathers on the butt, you just have to curl up and die somewhere in a dark alley.
Gary D. Schmidt (The Wednesday Wars)
His eyes were warm as he gazed at me. “I would do anything for you, don’t ever forget that.” Emil moved closer, gently tucking the rose behind my ear. The floral scent perfumed every breath I took as Emil brushed his thumb lightly over my lips. “Evie, I lost you once, I won’t lose you again. Even if it takes a thousand years to earn your trust and win you back, I’ll do it. You’re the only person in my life who matters. You’re the only person who ever has. I love you. Emil
Angela Corbett (Eternal Starling (Emblem of Eternity, #1))
My pockets had always puzzled Weena, but at the last she had concluded that they were an eccentric kind of vase for floral decoration.
H.G. Wells
I love your wit and cleverness. I love that you are kind but almost never nice. I love your eyes and your hair and your freckles, and the fact that you smell like some monstrous floral perfume all of the time.” He paused, now looking somewhat offended at himself. “And I love to dance with you. That is the worst of it by far.
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
And that reminds me, Mama! I have just intercepted another of that puppy’s floral offerings to my sister. This billet was attached to it.” (Charles)
Georgette Heyer (The Grand Sophy)
As he satin the tree he looked down at the girl in the floral dress and felt his heart miss a beat.
Isabella Kruger (Afterlife (A Discovery of Vampires, #1))
Real men wear floral while trespassing- Ravi Singh
Holly Jackson
She had a rosebud on her ass, and wasn't happy about it. Standing naked in the bathroom, Eve adjusted the trifold mirror until she could get a good look. "I think I could bust her for this," she muttered. "Decorating a cop's posterior without a license?" Roarke suggested as he strolled in. "Felonious reproduction of floral imagery?'' "You're getting a big charge out of this, aren't you?" Miffed, Eve snagged a robe off the hook. "Darling Eve, I thought I made it perfectly clear last night I was on your side of the issue. Didn't I do my best to chew it off?
J.D. Robb
For these dances the boys send corsages, which I keep afterward and keep in my bureau drawer; squashed carnations and brown-edged rosebuds, wads of dead vegetation, like a collection of floral shrunken heads.
Margaret Atwood (Cat’s Eye)
Despite all that she did for me, Melanie had a distant smell. She smelled like a floral guest soap in a strange house I was visiting.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
I miss the floral scent of her hair, the perfume that barely masked the underlying truth of what she was. She was lost time. She smelled of dusty libraries and unwound clocks, salted sand and rain riding on the first rays of dawn. And lilac. When she held me to her, lilac was what I smelled first.
Courtney M. Privett (Rain Falls on Malora)
Grief is a weird thing. It can be a monster on your shoulder. It can be a friend sitting with you at the table. It can be a memory in a smell—the soft, delicate notes of floral perfume. Grief can find you in the middle of the night as you roll over to go back to sleep. It can even find you in your dreams. And grief—what it looks like, how it whispers, how you respond—is different for everyone.
Ashley Poston (The Seven Year Slip)
real men wear floral while trespassing
Holly Jackson
No matter what I did, something always drew me back—the gentle lilt of her voice, the scent of fresh florals and greenery.
Ana Huang (Twisted Lies (Twisted, #4))
This is a floral abortion,' Ignatius commented irritably and tapped the vase with his cutlas. 'Dyed flowers are unnatural and perverse and, I suspect, obscene also. I can see that I am going to have my hands full with you people.
John Kennedy Toole (A Confederacy of Dunces)
Our highest assurance of the goodness of Providence seems to me to rest in the flowers. All other things, our powers, our desires, our food, are all really necessary for our existence in the first instance. But this rose is an extra. It's smell and it's color are an embellishment of life, not a condition of it. It is only goodness which gives extras, and so I say again that we have much to hope from the flowers.
Arthur Conan Doyle (The Naval Treaty - a Sherlock Holmes Short Story)
The wind languished. The floral curtain ceased flapping. The moonlight streamed through, lighting up her face. It was a young, animated face. At that moment, it touched a string, a peg, deep inside him.
Qiu Xiaolong
I exhaled in delight as they floated toward me, as they landed on my hair. “How are you . . . ?” “You said it yourself.” Their glow reflected in his eyes. “Magic isn’t good or evil. It heeds those who summon it. When life is a choice between fighting or fleeing—every moment life or death—everything becomes a weapon. It doesn’t matter who holds them. Weapons harm. I’ve seen it. I’ve experienced it firsthand.” He touched the dingy, floral paper on the walls, and the blooms exploded upward, outward, until he reached up to pluck one, tucking it behind my ear. The scent of winter jasmine filled the room. “But life is more than those moments, Lou. We’re more than those moments.
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
Listen here, Miss Ettings! I am in love with you. You deserve to hear that. I love your wit and cleverness. I love that you are kind but almost never nice. I love your eyes and your hair and your freckles, and the fact that you smell like some monstrous floral perfume all of the time.” He paused, now looking somewhat offended at himself. “And I love to dance with you. That is the worst of it by far.
Olivia Atwater (Half a Soul (Regency Faerie Tales, #1))
It is meant to be survival of the fittest, not survival of the most floral.
Stephen Herfst (Zed (Zed, #1))
She hated perfume. It was a cover for poor hygiene or for body shame. Clean people never aspired to the floral.
Lauren Groff (Fates and Furies)
Doesn't this place give you the creeps? You could perhaps do something with some floral wallpaper and a fire-bomb.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
Key to women’s ascent was the typewriter. Invented in 1867 in Milwaukee, Wisconsin, the original model was decorated with floral decals and mounted on a treadle table, like a sewing machine; promoters proclaimed it perfect for a woman’s “nimble fingers.
Kate Bolick (Spinster: Making a Life of One's Own)
The white marble surface was inlaid with semiprecious stones in seamless floral designs and in chaste calligraphy, shaped stones, jeweled stones, delicate and free-figured. The surface ran cool and smooth. Traceries of black Koranic figures covered the longer sides of the tomb with a smaller group on top. My hand moved slowly over the words, feeling for breaks between the inlay and marble, not to fault the craftsmen, of course, but only to find the human labor, the individual, in the wholeness and beauty of the tomb.
Don DeLillo (The Names)
The sight of the freshly swept floors and neatly furled curtains unsettled Wilder. He pulled the drawers on to the floor, heaved the mattresses off the beds, and urinated into the bath. His burly figure, trousers open to expose his heavy genitalia, glared at him from the mirrors in the bedroom. He was about to break the glass, but the sight of his penis calmed him, a white club hanging in the darkness. He would have liked to dress it in some way, perhaps with a hair-ribbon tied in a floral bow.
J.G. Ballard (High-Rise)
Moss is selected to be the emblem of maternal love, because, like that love, it glads the heart when the winter of adversity overtakes us, and when summer friends have deserted us. —HENRIETTA DUMONT, The Floral Offering
Vanessa Diffenbaugh (The Language of Flowers)
He gets back to the Casino just as big globular raindrops, thick as honey, begin to splat into giant asterisks on the pavement, inviting him to look down at the bottom of the text of the day, where footnotes will explain all. He isn't about to look. Nobody ever said a day has to be juggled into any kind of sense at day's end. He just runs. Rain grows in wet crescendo. His footfalls send up fine flowers of water, hanging a second behind his flight.
Thomas Pynchon (Gravity’s Rainbow)
Flowers she hadn’t appreciated before, but which now mesmerised her with the most exquisite purple she had ever seen. As though the flowers weren’t just colours but part of a language, notes in a glorious floral melody, as powerful as Chopin, silently communicating the breathtaking majesty of life itself.
Matt Haig (The Midnight Library)
That’s the secret of creativity. You have to steal around. If you keep going back to that same 7-Eleven, they’re going to catch you. So you go over to the floral shop, the gas station that nobody ever goes to, and you steal all this shit, and you put it together and people say, “Wow.” They think it’s yours.
Paul Schrader
Queen of Night is as close to black as a flower gets, though in fact it is a dark and glossy maroonish purple. Its hue is so dark, however, that it appears to draw more light into itself than it reflects, a kind of floral black hole. In the garden, depending on the the angle of the sun, the blossoms of a Queen of Night may read as positive or negative space, as flowers or shadows of a flower.
Michael Pollan (The Botany of Desire: A Plant's-Eye View of the World)
Commander Lebedev wrote—‘After a communication session we invited Flight Engineer Savitskaya to the heavily laden table. We gave Sveta a blue floral print apron and told her, “ ‘Look, Sveta, even though you are a pilot and cosmonaut, you are still a woman first. Would you please do us the honor of being our hostess tonight?’ “ “Ouch,” says Roth
Dan Simmons (Worlds Enough & Time: Five Tales of Speculative Fiction)
The big bad monster wasn't green and hiding under the bed, it wore tasteless floral prints, bright scarlet lipstick and sat in the kitchen smoking and saying 'bollocks' alot.
Jo Brand
One of the floral arrangements swayed like a drunken sailor, then toppled, clattering to the floor.
Diana Dempsey (Falling Star)
The sun-dried tomatoes were robust and sweet and played well with the salty Parmesan. The oregano added a floral note, and the fennel made it energizing and playful.
Rajani LaRocca (Midsummer's Mayhem)
I see the ratty dressing gown had gone; she's also wearing a pretty floral dress and her hair is shining pale as opals.
Kirsty Logan (The Djinn Falls in Love & Other Stories)
Spring is not yet here, but the song of a solitary, pioneering blackbird when I wake, the smell of something warm and floral on the air in fleeting moments, these signs give me hope.
Tracy Rees (Amy Snow)
I once asked Randy how he knew that he had fallen in love with his girlfriend, Amy, and he just looked at me like it was the hardest question in the world. I expected some floral, florid explanation, about the air lightening and flute music filling his ears. This relationship that had him so transfixed—I expected a masterpiece of sentiment, one that would make me so happy for him and so empty inside. Instead he just turned to me and said, “The minute I knew I was in love was the minute when there was no question about it. One night I was lying in the dark, looking at her looking at me, and it just was there, undeniable.” There is no question about it.
David Levithan (How They Met, and Other Stories)
Jack “you changed my life Sadie. You brought family and friends and laughter and happiness and a whole damn floral shop into my home. Our home. And with all of that you brought me back to life
Falon Ballard (Lease on Love)
Amma … I’m sorry to have to tell you this, but I’m a feminist too.” Amma stared at her, her eyes wide in horror. She didn’t notice when the red floral dupatta of her salwar kameez slipped off one shoulder. “Sweetie! Feminists don’t get married. Stop that nonsense.” Sweetie did laugh then, openly. “Amma, what the heck are you talking about? Feminists can do whatever they want. They just want equal rights for women.
Sandhya Menon (There's Something About Sweetie (Dimple and Rishi, #2))
The Devil's Rose You would never take a rose from a beast. If his callous hand were to hold out a scarlet flower, his grip unaffected by pricking thorns, you would shrink from the gift and refuse it. I know that is what you would do. But the cunning beast will have his beauty. He hunts not in hopeless pursuit, for fear would have you sprint all the day long. Thus, he turns toward the shadows and clutches the rosebud, crunching and twisting until every delicate petal is detached. One falls not far from your feet, and you notice the red spot in the snow. The color sparkles in the sunlight, catching your curious eye. No beast stands in sight; there is nothing to fear, so you dare retrieve the lone petal. The touch of temptation is velvet against your thumb. It carries a scent you bring to your nose, and both eyes close to float on a cloud of perfume. As your lashes lift, another scarlet drop stains the snow at a near distance. A glance around perceives no danger, and so your footprints scar the snowflakes to retrieve another rosy leaflet as soft and sweet as the first. Your eyes shine with flecks of golden greed at the discovery of more discarded petals, and you blame the wind for scattering them mere footprints apart. All you want is a few, so you step and snatch, step and snatch, step and snatch. Soon, there is enough velvet to rub against your cheek like a silken kerchief. Your collection of one-plus-one-more reeks of floral essence. Distracted, you jump at the sight of the beast in your path. He stands before his lair, grinning without love. His callous hands grip at thorns on a single naked stem, and you look down at your own hands that now cup his rose. But how can it be? You would never take a rose from a beast. You would shrink from the gift and refuse it. He knows that is what you would do.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
Patrunsera prin labirintul plin de flori, pe sub boltile incarcate princiar.Trandafirii se scuturau delicat intr-o ninsoare de petale cu iz afrodisiac. Cateva albine dadeau tarcoale cupelor florale. Mergeau agale, aproape amandoi in acelasi ritm. Se oprira cufundati intr-o stare de reverie, la umbra trandafirilor in floare. Simtira cum patrund prin trup, iradiant, unde telurice, vegetale. Isi puse degetele ca o bratara la incheietura mainii ei. Ii mangaie suav, cu dosul palmei, arcuirea discreta a gatului spre umeri. O saruta prelung pe buze. Primira binecuvantarea petalelor din matase fina ce le cadeau pe crestet. Atinse fructul impietrit al sanilor ei. Se retrase. Statu pe o banca cu privirile pierdute printre flori. Ea se aseza langa el tacuta.
Sorina Popescu (Mireasma trandafirilor salbatici)
When sometimes I stroll in silence, with you Through great floral meadows of open country I listen to your chatter, and give thanks to the gods For the honest friendship, which made you my companion But in the heavy fragrance of intoxicating night I search on your lip for a madder caress I tear secrets from your yielding flesh Giving thanks to the fate which made you my mistress
Vita Sackville-West
Mercy was an exception. She favored wild florals paired with a seemingly endless parade of eyeglasses that she wore on glittery strings around her neck and that Alex had yet to see her use. Today she’d opted for a brocade coat embroidered with poinsettias that made her look like the world’s youngest eccentric grandma. When Alex had raised her brows, Mercy had just said, “I like loud.
Leigh Bardugo (Ninth House (Alex Stern, #1))
Wondering When the Strings Will Snap” poem: “The marigolds herald autumn’s colors already In their sun-shrine faces, iconographic Floral worship of their distant deity -- yet they Die at the first touch of frost, unlike chrysanthemums, The true flowers of fall.
Elizabeth Barrette (From Nature's Patient Hands)
In Floral Heights and the other prosperous sections of Zenith, especially in the “young married set,” there were many women who had nothing to do. Though they had few servants, yet with gas stoves, electric ranges and dish-washers and vacuum cleaners, and tiled kitchen walls, their houses were so convenient that they had little housework, and much of their food came from bakeries and delicatessens. They had but two, one, or no children; and despite the myth that the Great War had made work respectable, their husbands objected to their “wasting time and getting a lot of crank ideas” in unpaid social work, and still more to their causing a rumor, by earning money, that they were not adequately supported. They worked perhaps two hours a day, and the rest of the time they ate chocolates, went to the motion-pictures, went window-shopping, went in gossiping twos and threes to card-parties, read magazines, thought timorously of the lovers who never appeared, and accumulated a splendid restlessness which they got rid of by nagging their husbands. The husbands nagged back.
Sinclair Lewis (Babbitt)
The roses bloomed, thousands of them in a floral amphitheater, blossoms shading from gold and coral at the top of the garden to scarlet and deep pink on tiers below. At the bottom, in the center of the rosy congregation, the palest apricots and ivories perfumed the air.
Allegra Goodman (The Cookbook Collector)
It wasn’t beautiful. A Winter wedding is a union of elation and depression, red velvet blankets in a cheap motel room stained with semen from sex devoid of meaning, and black mold clinging to the fringe of floral shower curtains like a heap of dead forevers. You sat down at the foot of the bed, looking at me like I had already
driven away. I was thinking about watching CNN. How fucked up is that? I wanted to know that your second hand, off-white dress, and my black polyester bow tie wasn’t as tragic as a hurricane devouring a suburb, or a train derailment in no where, Virginia, ending the lives of two young college hopefuls. I was naïve. I thought that there were as many right ways to feel love as the amount of
 pubic hair, 
 belly lint, and 
scratch marks abandoned by lovers in our honeymoon suite. When you looked at me in bed that night, I put my hand on your chest to feel a little more human. I don’t know what to call you; a name does not describe the aches, or lack of. This love is unusual and comfortable. If you were to leave, I know I’d search for days, in newspapers and broadcasts, in car accidents and exposés on genocide in Kosovo. (How do I address this? How is one to feel about a love without a name?) My heart would be ambivalent, too scared to look for you behind the curtains of the motel window, outside in the abyss of powder and pay phones because I don’t know how to love you. -Kosovo
Lucas Regazzi
It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
Molly Harper (And One Last Thing ...)
Fine!" she shouted at it. "Okay!" shouted a man in a nearby booth at a stain on his tie. In the kitchen, another man, in a floral apron and a hairnet, nodded at a tub of soaking dishes "Yep," he said. People often found themselves assenting to inanimate objects in the Moonlight All-Nite.
joseph fink, jeffrey cranor
Sunlight’s warmth on my face awoke me in the morning. I didn’t remember falling asleep or how I came to be in my own bed. But I did recall nightmares. Awful nightmares featuring Gwen. I turned my head to stare out an open window where the sun shone in full splendor, bleaching a clear sky enough to tell it was going to be a beautiful spring day. The air smelled of rain from overnight showers, mixed with a strong floral scent. A large lilac bush outside was responsible for the perfume. I breathed in the clean and fragrant air. My eyelids fluttered, blinking at a stunning reflection of daylight off the glass. The blue beyond gave an exquisite glow to my room. All of it was an invitation to bask in a new day—an invitation I declined because none of that mattered to me. The world might as well come to a dark and ugly end. I saw no reason for beauty or life to go on so long as Gwen was lost. Rolling over in bed, I felt the vice grips wrench at my heart again as I cried myself back to sleep. from Phantom's Veil
Richelle E. Goodrich
The pleasure of holding her washed through him in repeated waves. She was petite and fine-boned, the delicious fragrance of roses rising to his nostrils. He'd noticed it when he'd held her earlier... not a cloying perfume, but a light floral essence swept with the sharp freshness of winter air.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
I walked back to the front of the bakery to see a knot of people stalking our display for June. Apricot and lavender might seem like an unusual pairing, but it made perfect sense to me. Luscious, sweet apricots taste best when they're baked and the flavor is concentrated. On the other hand, lavender likes it cool; the buds have a floral, almost astringent flavor. Lavender was a line drawing that I filled in with brushstrokes of lush apricot.
Judith M. Fertig (The Memory of Lemon)
Sune stands there with the floral wreath in his hands and loss on his cheeks and doesn’t know what to say. But if anyone can understand the unbridled, unreasonable love you can feel for an animal, it’s probably men who have been told all their lives that they love something more than they should: “But it’s only hockey.
Fredrik Backman (The Winners (Beartown, #3))
Real soy sauce is as complex as a fine wine- fruity, earthy, floral also can, lah." Uncle Robert pointed out the lively acidity of the light soy sauce in comparison to the rich, mellow sweetness of the dark one. Light soy, he explained, was used for seasoning and dipping; dark soy was used for cooking because its flavors developed under heat.
Kirstin Chen (Soy Sauce for Beginners)
All I want is pretty hair, books to read and a house by the sea.
Kristina Taylor (Floral Moans)
The faithful clamoured to be buried alongside the martyrs, as close as possible to the venerable remains, a custom which, in anthropological terms, recalls Neolithic beliefs that certain human remains possessed supernatural properties. It was believed that canonized saints did not rot, like lesser mortals, but that their corpses were miraculously preserved and emanated an odour of sanctity, a sweet, floral smell, for years after death. In forensic terms, such preservation is likely to be a result of natural mummification in hot, dry conditions.
Catharine Arnold (Necropolis: London and Its Dead)
She looked like a wreck. She also looked like herself. “This is me,” she said, with a sheepish smile, pushing some flyaway strands of her brown hair back into the knot. “Well, I did wonder when your sister was going to cut you off from her supply of florals and pink.” “Do you miss anything, Miss Potts?” “Very little, dear. I’ve been alive for a hundred years or so.
Katy Regnery (The Vixen and the Vet (A Modern Fairytale, #1))
But what did it matter what momins of the community said when they picked apart the behavior of her son? What was a believer meant to be like when all their rituals and practices were stripped away? Amar was kind. If one of his sisters came home carrying heavy textbooks, he rose to help them before they even asked. He was generous. He had very little of his own money but still he would bring home the coffee drinks Huda or Hadia liked, or a bag of cherries for Layla come cherry season, or a candle with a floral scent. Layla gossiped sometimes, everyone did, but she had never heard her son speak ill of anyone. Once when she spoke of someone from their community, he said to her, “You don’t know that, Mumma, don’t say that if you don’t fully know it.” Her heart had swelled. How her son was good in a way that she wasn’t, in a way that could instruct her. Layla had begun to think lately that there was no real way to quantify the goodness of a person—that religion gave templates and guidelines but there were ways it missed the mark entirely. And everything a momin should be in his heart, Amar was.
Fatima Farheen Mirza (A Place for Us)
What to call it - the spark of God? Survival instinct? The souped-up computer of an apex brain evolved from eons in the R&D of natural selection? You could practically see the neurons firing in the kid’s skull. His body was all spring and torque, a bundle of fast-twitch muscles that exuded faint floral whiffs of ripe pear. So much perfection in such a compact little person - Billy had to tackle him from time to time, wrestle him squealing to the ground just to get that little rascal in his hands, just your basic adorable thirty-month-old with big blue eyes clear as chlorine pools and Huggies poking out of his stretchy-waist jeans. So is this what they mean by the sanctity of life? A soft groan escaped Billy when he thought about that, the war revealed in this fresh and gruesome light. Oh. Ugh. Divine spark, image of God, suffer the little children and all that - there’s real power when words attach to actual things. Made him want to sit right down and weep, as powerful as that. He got it, yes he did, and when he came home for good he’d have to meditate on this, but for now it was best to compartmentalize, as they said, or even better not to mentalize at all.
Ben Fountain (Billy Lynn's Long Halftime Walk)
Well, I got to get out of this uniform. But Kyle, just a word, you’ve been snapping and harping at everyone trying to help you with this wedding, and you need to knock that off. Everyone knows when they’re being a bitch.” He looked pointedly at his daughter. Livia patted her sister’s shoulder. “It’s true. You’re being a bitch.” Kyle threw the floral catalog at her as she headed downstairs.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Her hair was totally Indian Woolworth perfume clerk. You know - sweet but dumb - she'll marry her way out of the trailer park some day soon. But the dress was early '60s Aeroflot stewardess - you know - that really sad blue the Russians used before they all started wanting to buy Sonys and having Guy Laroche design their Politburo caps. And such make-up! Perfect '70s Mary Quant, with these little PVC floral appliqué earrings that looked like antiskid bathtub stickers from a gay Hollywood tub circa 1956. She really caught the sadness - she was the hippest person there. Totally.' TRACEY, 27
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
The orchestra had ceased and were now climbing onto their chairs, with their instruments. The floral offerings flew; the coffin teetered. "Catch it!" a voice shouted. They sprang forward, but the coffin crashed heavily to the floor, coming open. The corpse tumbled slowly and sedately out and came to rest with its face in the center of a wreath. "Play something!" the proprietor bawled, waving his arms; "play! Play!
William Faulkner (Sanctuary)
It was there, in the parlors of the funeral home---my daily stations with the local lately dead---that the darkness would often give way to light. A fellow citizen outstretched in his casket, surrounded by floral tributes, waiting for the homages and obsequies, would speak to me in the silent code of the dead: "So, you think you're having a bad day?" The gloom would lift inexplicably. Here was one to whom the worst had happened, often in a variety of ways, and yet no word of complaint was heard from out the corpse. Nor did the world end, nor the sky fall, nor his or her people become blighted entirely. Life, it turns out, goes on with or without us. There is at least as much to be thankful for as wary of.
Thomas Lynch (Bodies in Motion and at Rest: On Metaphor and Mortality)
I shudder to imagine an equal and opposite incursion—may causality forbid Commandant ever dispatch me to one of your viny-hivey elfworlds, profusely floral, all arcing elder trees, neural pollen, bees gathering memories from eyes and tongue, honey libraries dripping knowledge from the comb. I harbor no illusions I’d succeed. You would find me in an instant, crush me faster—I’d walk a swath of rot through your verdancy, no matter how light I tried to step. I have a Cherenkov-green thumb.
Amal El-Mohtar (This Is How You Lose the Time War)
You could practically see the neurons firing in the kid’s skull. His body was all spring and torque, a bundle of fast-twitch muscles that exuded faint floral whiffs of ripe pear. So much perfection in such a compact little person — Billy had to tackle him from time to time, wrestle him squealing to the ground just to get that little rascal in his hands, just your basic adorable thirty-month old with big blue eyes clear as chlorine pools and Huggies poking out of his stretchy-waist jeans. So is this what they meant by the sanctity of life?
Ben Fountain (Billy Lynn's Long Halftime Walk)
The Place Faidherbe had the characteristic atmosphere, the overdone décor, the floral and verbal excess, of a subprefecture in southern France gone mad. The ten cars left the Place Faidherbe only to come back five minutes later, having once more completed the same circuit with their cargo of anemic Europeans, dressed in unbleached linen, fragile creatures as wobbly as melting sherbet. For weeks and years these colonials passed the same forms and faces until they were so sick of hating them that they didn’t even look at one another. The officers now and then would take their families out for a walk, paying close attention to military salutes and civilian greetings, the wives swaddled in their special sanitary napkins, the children, unbearably plump European maggots, wilted by the heat and constant diarrhea. To command, you need more than a kepi; you also need troops. In the climate of Fort-Gono the European cadres melted faster than butter. A battalion was like a lump of sugar in your coffee; the longer you looked the less you saw. Most of the white conscripts were permanently in the hospital, sleeping off their malaria, riddled with parasites made to order fo every nook and cranny of the body, whole squads stretched out flat between cigarettes and flies, masturbating under moldy sheets, spinning endless yarns between fits of painstakingly provoked and coddled fever.
Louis-Ferdinand Céline (Journey to the End of the Night)
Off Spruce, there was a little known trail. A savage gulley wound through acreage of older residential homes that met up with Green Rock Drive. A natural bouquet gust of wind assaulted me. The domestic and native encroached on each other in a battle for dominance at the edges of the cramped path's undergrowth. The tangy scent of wild onion and sagebrush intermingled with the verdant odor of wild geranium, blue flax, columbine and creeping pussytoes. The wild weeds spiced up the encroaching grass turf and the tamed floral honeysuckle vines and lilac bushes.
Jazz Feylynn (Colorado State of Mind (Colorado Springs Fiction Writers Group Anthology, #3))
She saw for the first time the way we fill our homes with macabre altars to the live things we've murdered__ the floral print of the twin mattress in her childhood bedroom, stripped of its sheets when she soiled them; ferns on throw pillows coated in formaldehyde; poppies on petrochemical dinner plates; boxes and bags of bulk pulpstuffs emblazoned with plant imagery the way milk cartons are emblazoned with children. A rock on a window ledge, cut flowers stabbed in vases, a wreath of sprigs nailed to the front door-- every house a mausoleum, every house a wax museum.
Claire Vaye Watkins
Chilled Honeydew and Toasted Almond Milk Soup • MAKES 4 SERVINGS • THIS REFRESHING SUMMER SOUP HAS a delightful sweetness and stunning pale green hue from the melon, enhanced with a little honey and balanced with lime juice. It gets a lightly nutty taste and creamy body from almond milk, which can be made easily as written here, with toasted almonds, a step I think is well worth it, but for a shortcut, you can also use store-bought. Coconut or cashew milk would work nicely too. The garnish of sweet-tart green grapes and floral, fresh basil ribbons adds a beautiful crown of flavor and texture.
Ellie Krieger (You Have It Made: Delicious, Healthy, Do-Ahead Meals)
You inhaled to the rhythm of her thick sighs as she scrutinized her form in the full-length bedroom mirror, her newly sewn skirt showing, she said, too much hip, too much leg. She yanked it off, snipping open the seams, laying it out across the dining table like a freshly gutted fish, where it eventually disappeared from view beneath sheaths of brown paper patterns, paisley skirts whose hems needed letting out, floral dresses whose cleavages needed closing in, and an assortment of garments whose long and short zippers would go neither up nor down, jammed from the humidity and the salt of August days.
Martin Munro (The Haunted Tropics: Caribbean Ghost Stories)
In Vietnamese hoa means 'flower' and the first thing we noticed on the menu was lau hoa, flower hotpot. This was where we were meant to be. Stunning fresh blossoms of squash, daylilies, white so dua flowers, lotus stems and yellow velvetleaf buds made up the floral ingredients in our flower hotpot. All of these were cooked together in a light pineapple soup base that included chunks of salmon. The restaurant's brochure explained why the name had been chosen: 'Chi Hoa, which means "flowers", is a common name of many Vietnamese women who are sophisticated, caring and always bring great love into every meal they cook for their family.
Constance Kirker (Edible Flowers: A Global History)
At the door to the shop, a bell tinkled, and moments later they seemed to enter the very flowering of lavender. The scent was all around them; it curled and diffused in the air with a sweet warmth and subtlety, then burst with a peppery, musky intensity. The blind girls moved into another room. There they arranged themselves expectantly around a long wooden table, Mme Musset welcomed them, and a cork was pulled with a squeaky pop. "This is pure essence of lavender, grown on the Valensole plateau," said Madame. "It is in a glass bottle I am sending around to the right for you all to smell. Be patient, and you will get your turn." Other scents followed: rose and mimosa and oil of almond. Now that they felt more relaxed, some of the other girls started being silly, pretending to sniff too hard and claiming the liquid leapt up at them. Marthe remained silent and composed, concentrating hard. Then came the various blends: the lavender and rosemary antiseptic, the orange and clove scent for the house in winter, the liqueur with the tang of juniper that made Marthe unexpectedly homesick for her family's farming hamlet over the hills to the west, where as a child she had been able to see brightness and colors and precise shapes of faces and hills and fruits and flowers.
Deborah Lawrenson (The Sea Garden)
And against whom is this censorship directed? By way of answer, think back to the big subcultural debates of 2011 – debates about how gritty fantasy isn’t really fantasy; how epic fantasy written from the female gaze isn’t really fantasy; how women should stop complaining about sexism in comics because clearly, they just hate comics; how trying to incorporate non-Eurocentric settings into fantasy is just political correctness gone wrong and a betrayal of the genre’s origins; how anyone who finds the portrayal of women and relationships in YA novels problematic really just wants to hate on the choices of female authors and readers; how aspiring authors and bloggers shouldn’t post negative reviews online, because it could hurt their careers; how there’s no homophobia in publishing houses, so the lack of gay YA protagonists can only be because the manuscripts that feature them are bad; how there’s nothing problematic about lots of pretty dead girls on YA covers; how there’s nothing wrong with SF getting called ‘dystopia’ when it’s marketed to teenage girls, because girls don’t read SF. Most these issues relate to fear of change in the genre, and to deeper social problems like sexism and racism; but they are also about criticism, and the freedom of readers, bloggers and authors alike to critique SFF and YA novels without a backlash that declares them heretical for doing so. It’s not enough any more to tiptoe around the issues that matter, refusing to name the works we think are problematic for fear of being ostracized. We need to get over this crushing obsession with niceness – that all fans must act nicely, that all authors must be nice to each other, that everyone must be nice about everything even when it goes against our principles – because it’s not helping us grow, or be taken seriously, or do anything other than throw a series of floral bedspreads over each new room-hogging elephant. We, all of us, need to get critical. Blog post: Criticism in SFF and YA
Foz Meadows
Per? You can come out now." A figure slowly emerged from the shadows. "Are they gone?" "No one is here," he reassured her, his voice dropping to a new calm at the sight of her. She was exquisite. He loved everything about her, from the crown of silver flowers she wore in her black hair to the dark eyes that offset her tan skin. For the first time ever, he even noticed clothing. He couldn't help admiring how she favored cobalt blue for her gown over drab browns. Today's dress was clipped at her waist with a floral silver belt. "What did the Fates say?" she asked, sounding timid for the first time since he'd met her. She was anything but a wallflower. She was fiery. He loved that about her most of all. He glided over and put his arms around her. "I'm on my way to see them right now. I don't want you to worry. I thought you were going to go do that thing to take your mind off all that." "I am," she said with a smile. "You're going to love it." He doubted that, but he wanted her to be happy. "In any case, we'll make sure the future is in our favor. Even if we have to burn the whole world to the ground.
Jen Calonita (Go the Distance)
Let’s talk about ‘Coexist’ bumper stickers for a second. You’ve definitely seen them around. They’re those blue strips with white lettering that assemble a collection of religious icons and mystical symbols (e.g., an Islamic crescent, a Star of David, a Christian cross, a peace sign, a yin-yang) to spell out a simple message of inclusion and tolerance. Perhaps you instinctively roll your eyes at these advertisements of moral correctness. Perhaps you find the sentiment worthwhile, but you’re not a wear-your-politics-on-your-fender type of person. Or perhaps you actually have ‘Coexist’ bumper stickers affixed to both your Prius and your Beamer. Whatever floats your boat, man; far be it from us to cast stones. But we bring up these particular morality minibillboards to illustrate a bothersome dichotomy. If we were to draw a Venn diagram of (a) the people who flaunt their socially responsible “coexist” values for fellow motorists, and (b) the people who believe that, say, an evangelical Christian who owns a local flower shop ought to be sued and shamed for politely declining to provide floral arrangements for a same-sex wedding, the resulting circles would more or less overlap. The coexist message: You people (i.e., conservatives) need to get on board and start coexisting with groups that might make you uncomfortable. It says so right here on my highly enlightened bumper sticker. But don’t you dare ask me to tolerate the ‘intolerance’ of people with whom I disagree. Because that’s different.
Mary Katharine Ham
He slipped his arms into the scarlet woollen cassock and fastened the thirty-three buttons that ran from his neck to his ankles—one button for each year of Christ’s life. Around his waist he tied the red watered-silk sash of the cincture, or fascia, designed to remind him of his vow of chastity, and checked to make sure its tasselled end hung to a point midway up his left calf. Then he pulled over his head the thin white linen rochet—the symbol, along with the mozzetta, of his judicial authority. The bottom two-thirds and the cuffs were of white lace with a floral pattern. He tied the tapes in a bow at his neck and tugged the rochet down so that it extended to just below his knees. Finally he put on his mozzetta, an elbow-length nine-buttoned scarlet cape.
Robert Harris (Conclave)
Therefore, since I could count on no continuity of sapient will to carry me through, indeed since all that was certain was that I must suffer repeated loss of same in order to maintain my body's vitality, my only course was to accomplish with what I hoped was the greater puissance of conscious craft what I had already once barely managed to achieve by accident of fate. Which was to use these periods of conscious lucidity to engrave a mantric tropism upon the presentient levels of my mind with perpetual chanting repetition and diligent meditation, so that even when reason and conscious will had once more fled, my Bloomenkind self would, during periods of enforced floral nirvana, be programmed to follow the yellow, to follow the sun that sooner or later must rise during a cycle of such meditations into its percept sphere. "Follow the sun, follow the yellow, follow the Yellow Brick Road ...
Norman Spinrad (Child of Fortune)
But there was one girl who had a big influence over me. Barbie. I worshipped Barbie. In fact, I would say Barbie was my twelve-inch plastic life coach. She had it all, a camper, a dune buggy, even a dream house. Part of why it was a dream house to me was that she was the only one who lived there. Her boyfriend, Ken, came to visit when she--er, I decided. She had a sports car and would bounce from job to job as she--er, I saw fit.Barbie owned zero floral baby-making dresses. I craved that indepence. And her weird-ass boobs? So what? She still reached the steering wheel of her royal blue sports car. Some people thought that the fact that her feet were fucked and she couldn't stand was a problem. But to me, it meant she was free. Free from standing at a stove, or a washing machine, or with a baby hanging off her hip. She has no hip. She has no hips. Plus, she didn't have to walk; she drove her convertible everywhere. God, I loved Barbie. She was free in every way I knew how to define freedom.
Lizz Winstead (Lizz Free Or Die)
Memories fill my mind, as though they are my own, of not just events from Gideon's life, but of various flavors and textures: breast milk running easily down into my stomach, chicken cooked with butter and parsley, split peas and runner beans and butter beans, and oranges and peaches, strawberries freshly picked from the plant; hot, strong coffees each morning; pasta and walnuts and bread and brie; then something sweet: a pan cotta, with rose and saffron, and a white wine: tannin, soil, stone fruits, white blossom; and---oh my god---ramen, soba, udon, topped with nori and sesame seeds; miso with tofu and spring onions, fugu and tuna sashimi dipped in soy sauce, onigiri with a soured plum stuffed in the middle; and then something I don't know, something unfamiliar but at the same time deeply familiar, something I didn't realize I craved: crispy ground lamb, thick, broken noodles, chili oil, fragrant rice cooked in coconut milk, tamarind... and then a bright green dessert---the sweet, floral flavor of pandan fills my mouth.
Claire Kohda (Woman, Eating)
I’m trying to think…are you the florist?” Malcolm’s voice was slightly off, as if it were coming from someplace other than his own throat. ... She took a sip from her own drink. “Nope. I like flowers as much as the next woman, but I can’t tell a dahlia from a daisy.” “Or a lupine from a lobelia?” Hugh Parteger said. “Or a carnation from a chrysanthemum.” “You’re obviously not into floral sects,” he said. She almost spit out a mouthful of kir royale laughing. ... “Mr. Parteger, I don’t discuss what I do in my garden bed with anyone.” “It’s nothing to be ashamed of,” he said. “For most women, it’s just a matter of finding the right tool.” She took another drink, enjoying herself immensely. ... “Yes, but it’s such a tedious process, finding one that fits and works really well. Better just stick to hand weeding. Fewer complications that way.” “Ah, so you’re a master gardener.” She actually giggled. How mortifying. She took a long swallow from her drink. “As Voltaire said, we must cultivate our garden.” “I believe he also said, ‘Once, a philosopher, twice, a pervert.
Julia Spencer-Fleming (A Fountain Filled with Blood (Rev. Clare Fergusson & Russ Van Alstyne Mysteries, #2))
Look! when I am in a drawing room, a church, a station; on the terrasse of a cafe, at the theatre or wherever crowds pass or loiter, I enjoy considering faces from a strictly homicidal point of view. For you may see by the glance, by the back of the neck, the shape of the skull, the jaw bone and zygoma of the cheeks, or by some part of their persons that they bear the stigmata of that psychological calamity known as murder. It is scarcely an aberration of my mind, but I can go nowhere without seeing it flickering beneath eyelids, or without feeling its mysterious contact in the touch of every hand held out to me. Last Sunday I went to a town on the festival day of its patron saint. In the public square, which was decorated with foliage, floral arches, and poles draped with flags, was grouped every kind of amusement common to that sort of public celebration—And beneath the paternal eye of the authorities, a swarm of good people were enjoying themselves. The wooden horses, the roller-coaster and the swings drew a very meagre crowd. The organs wheezed their gayest tunes and most bewitching overtures in vain. Other pleasures absorbed this festive throng. Some shot with rifles, pistols, or the good old crossbow at targets painted like human faces; others hurled balls, knocking over marionettes ranged pathetically on wooden bars. Still others, mallet in hand, pounded upon a spring which animated a French sailor who patriotically transfixed with his bayonet a poor hova or a mocking Dahomean. Everywhere, under tents or in the little lighted booths, I saw counterfeits of death, parodies of massacre, portrayals of hecatombs. And how happy these good people were!
Octave Mirbeau (Le Jardin des supplices)
People like Mrs. Lee were used to only one kind of Chinese wedding banquet—the kind that took place in the grand ballroom of a five-star hotel. There would be the gorging on salted peanuts during the interminable wait for the fourteen-course dinner to begin, the melting ice sculptures, the outlandish floral centerpieces, the society matron invariably offended by the faraway table she had been placed at, the entrance of the bride, the malfunctioning smoke machine, the entrance of the bride again and again in five different gowns throughout the night, the crying child choking on a fish ball, the three dozen speeches by politicians, token ang mor executives and assorted high-ranking officials of no relation to the wedding couple, the cutting of the twelve-tier cake, someone’s mistress making a scene, the not so subtle counting of wedding cash envelopes by some cousin,* the ghastly Canto pop star flown in from Hong Kong to scream some pop song (a chance for the older crowd to take an extended toilet break), the distribution of tiny wedding fruitcakes with white icing in paper boxes to all the departing guests, and then Yum seng!†—the whole affair would be over and everyone would make the mad dash to the hotel lobby to wait half an hour for their car and driver to make it through the traffic jam.
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
lived within a mile of the place." My grandmother, who held that, when one went to the seaside, one ought to be on the beach from morning to night, to taste the salt breezes, and that one should not know anyone in the place, because calls and parties and excursions were so much time stolen from what belonged, by rights, to the sea-air, begged him on no account to speak to Legrandin of our plans; for already, in her mind's eye, she could see his sister, Mme. de Cambremer, alighting from her carriage at the door of our hotel just as we were on the point of going out fishing, and obliging us to remain indoors all afternoon to entertain her. But Mamma laughed her fears to scorn, for she herself felt that the danger was not so threatening, and that Legrandin would shew no undue anxiety to make us acquainted with his sister. And, as it happened, there was no need for any of us to introduce the subject of Balbec, for it was Legrandin himself who, without the least suspicion that we had ever had any intention of visiting those parts, walked into the trap uninvited one evening, when we met him strolling on the banks of the Vivonne. "There are tints in the clouds this evening, violets and blues, which are very beautiful, are they not, my friend?" he said to my father. "Especially a blue which is far more floral than atmospheric, a cineraria blue, which it is surprising to see in the sky.
Marcel Proust (Remembrance of Things Past: Complete 7 volumes)
Inside, on a bed of black velvet, lay an exquisite perfume bottle designed from rose-colored glass caged in a silver overlay that twined about the glass like living vines. In the very center of the oval shaped bottle, the silver was formed into the image of a lily in full bloom. It was likely the most precious and expensive gift Lily had ever been given. She ran her fingertips over the delicate silver work before lifting the bottle from its velvet bed to allow the candlelight to shine through the rose-colored glass. She noticed then a folded slip of paper still in the box. Setting the perfume bottle in the valley of her lap, she lifted the paper and broke the tiny wax seal. In his precise, slanted script, Lord Harte had written: I was unforgivably remiss in not having a gift for you the other night. I chose the elements for this blend myself. It made me think of you. Lily brushed her thumb over the ink before setting the note back into the box. Then she shifted the bottle and removed the glass stopper. The scent wafting from the bottle was light, but heady. She noticed first the rich notes of clove and honey before her senses were claimed by the smooth, velvety scent of jasmine. Lily closed her eyes, allowing the aromatic infusion to settle into her awareness. There was another element hidden deep within the perfume. A layer of earthiness that warmed her blood. Sandalwood. Lily was enthralled. It was a complex and lovely scent. Floral and exotic, light and dark. Impossibly sensual. And it made him think of her. Something deep and fundamental spread through her core, and she understood why young ladies were warned so often not to accept gifts from gentlemen. It was a personal and intimate thing to acknowledge how he had wanted her to have something he chose himself.
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
Darwin’s Bestiary PROLOGUE Animals tame and animals feral prowled the Dark Ages in search of a moral: the canine was Loyal, the lion was Virile, rabbits were Potent and gryphons were Sterile. Sloth, Envy, Gluttony, Pride—every peril was fleshed into something phantasmic and rural, while Courage, Devotion, Thrift—every bright laurel crowned a creature in some mythological mural. Scientists think there is something immoral in singular brutes having meat that is plural: beasts are mere beasts, just as flowers are floral. Yet between the lines there’s an implicit demurral; the habit stays with us, albeit it’s puerile: when Darwin saw squirrels, he saw more than Squirrel. 1. THE ANT The ant, Darwin reminded us, defies all simple-mindedness: Take nothing (says the ant) on faith, and never trust a simple truth. The PR men of bestiaries eulogized for centuries this busy little paragon, nature’s proletarian— but look here, Darwin said: some ants make slaves of smaller ants, and end exploiting in their peonages the sweating brows of their tiny drudges. Thus the ant speaks out of both sides of its mealy little mouth: its example is extolled to the workers of the world, but its habits also preach the virtues of the idle rich. 2. THE WORM Eyeless in Gaza, earless in Britain, lower than a rattlesnake’s belly-button, deaf as a judge and dumb as an audit: nobody gave the worm much credit till Darwin looked a little closer at this spaghetti-torsoed loser. Look, he said, a worm can feel and taste and touch and learn and smell; and ounce for ounce, they’re tough as wrestlers, and love can turn them into hustlers, and as to work, their labors are mythic, small devotees of the Protestant Ethic: they’ll go anywhere, to mountains or grassland, south to the rain forests, north to Iceland, fifty thousand to every acre guzzling earth like a drunk on liquor, churning the soil and making it fertile, earning the thanks of every mortal: proud Homo sapiens, with legs and arms— his whole existence depends on worms. So, History, no longer let the worm’s be an ignoble lot unwept, unhonored, and unsung. Moral: even a worm can turn. 3. THE RABBIT a. Except in distress, the rabbit is silent, but social as teacups: no hare is an island. (Moral: silence is golden—or anyway harmless; rabbits may run, but never for Congress.) b. When a rabbit gets miffed, he bounds in an orbit, kicking and scratching like—well, like a rabbit. (Moral: to thine own self be true—or as true as you can; a wolf in sheep’s clothing fleeces his skin.) c. He populates prairies and mountains and moors, but in Sweden the rabbit can’t live out of doors. (Moral: to know your own strength, take a tug at your shackles; to understand purity, ponder your freckles.) d. Survival developed these small furry tutors; the morals of rabbits outnumber their litters. (Conclusion: you needn’t be brainy, benign, or bizarre to be thought a great prophet. Endure. Just endure.) 4. THE GOSSAMER Sixty miles from land the gentle trades that silk the Yankee clippers to Cathay sift a million gossamers, like tides of fluff above the menace of the sea. These tiny spiders spin their bits of webbing and ride the air as schooners ride the ocean; the Beagle trapped a thousand in its rigging, small aeronauts on some elusive mission. The Megatherium, done to extinction by its own bigness, makes a counterpoint to gossamers, who breathe us this small lesson: for survival, it’s the little things that count.
Philip Appleman
I threw my binder of materials down on our apartment’s floral couch. “Seriously, pink is a neutral color! And what’s elegant about navy blue? No one ever says, ‘Hey, you know what’s elegant? The Navy!’” Arianna rolled her dead guys. “There is nothing neutral about pink. They need a color that looks good as a background to any shade of dress.” “What color clashes with pink?” “Orange?” “Well, if anyone shows up in an orange dress, she deserves to clash. Yuck.” “Chill out. You can do a lot with navy.” I sank down into the couch next to her. “I guess. I could do navy with silver accents. Stars?” “Yawn.” “Snowflakes?” “Gee, now you’re getting creative for a winter formal.” I ignored her tone, as usual. I was just glad she was here. She’d been gone a lot lately. “Hmm . . . maybe something softer. Like a water and mist theme?” I asked. “I . . . actually kind of like that.” “Wanna help me with the sketches?” She leaned forward and turned on Easton Heights. “Decorating a stupid dance is all yours. You’re the one who decided to be more involved in your ‘normal life.’ I’d prefer to be sleeping six feet under.” “This is probably a bad time to mention I also might have signed up to help with costumes for the spring play. And since I know nothing about sewing, I kind of maybe signed you up as a volunteer aide.” She sighed, running one glamoured corpse hand through her spiky red and black hair. “I am going to kill you in your sleep.” “As long as it doesn’t hurt.” We hummed along to the opening theme, which ended when the door banged open and my boyfriend walked through, shrugging out of his coat and beaming as he dropped a duffel bag. “Free! What did I miss?” Lend asked, his cheeks rosy from the cold and his smile lighting up his watery eyes beneath his dark glamour ones. “I lost the vote on color schemes for the dance, the last episode of Easton Heights before they go into reruns is back on in three minutes, and Arianna is going to murder me in my sleep.” “As long as it doesn’t hurt.” “That’s what I said!
Kiersten White (Endlessly (Paranormalcy, #3))
So I was just sitting in the dining room feeling sorry for myself. “What am I going to do?” Almost as soon as I asked that question, the answer came. “End it all.” Oh, I don’t know what possessed me. I really don’t have any idea at all. But I got up and walked over to a window. Well, that window was painted shut, so I went to another window. That one led out to a gangway, a stairwell, where I figured no one would find me until my body started to smell. No, that wouldn’t do. I looked at the front windows. One was a picture window that didn’t open, but then I couldn’t jump from those windows on the sides, either. Children played out front and that would be so traumatic for them. Besides, after I thought about it a little more, I realized something else that was very important: I wasn’t wearing pants. I didn’t wear pants back then. I was wearing a dress that Mama had made for me. Oh, I remember that dress. It was sleeveless, real tight in the waist with a long flared skirt. It was a white dress, white with a floral pattern, some kind of design in it, and that design was pink. That was one of my favorite dresses. I couldn’t stand the thought of jumping in that dress. More important, I couldn’t stand the thought that my skirt might fly up. Just then, as I was thinking about all that, the phone rang. It was a reporter. He was thinking about doing a follow-up story on me and he wanted to know what I was planning to do. Well, I couldn’t tell him I was planning to jump out the window. So I said I wanted to go back to school and become a teacher. I turned around as if to ask, “Who said that?” Now, I don’t know to this day where it came from, but he said he would take me to register for classes. I mean, he was just going to carry me down to the college and walk me through it. That was fine with me, because I didn’t even know where to go. I hadn’t exactly given this a whole lot of thought. As it turns out, the place to go was Chicago Teachers College. He took me there and, unfortunately, we were told that registration for classes had just closed. Before I even got a chance to start thinking about those windows back home again, he somehow convinced them to admit just one more student, and that’s how it all started. That’s how I was able to start over. I was going to go to college. I was going to become a teacher. I would be able to work with children, to teach them, to help shape them, to introduce them to a whole world of possibilities. In the process, a whole world of possibilities was opening up to me. Throughout my life I have heard a great many stories about how people received the call to their life’s mission. I have to smile when I recall how I received mine. For me, the call came by phone, from a reporter.
Mamie Till-Mobley (Death of Innocence: The Story of the Hate Crime that Changed America)