Flora Quotes

I would request that my body in death be buried not cremated, so that the energy content contained within it gets returned to the earth, so that flora and fauna can dine upon it, just as I have dined upon flora and fauna during my lifetime

To those who abuse: the sin is yours, the crime is yours, and the shame is yours. To those who protect the perpetrators: blaming the victims only masks the evil within, making you as guilty as those who abuse. Stand up for the innocent or go down with the rest.

You're never ready for what you have to do. You just do it. That makes you ready.

Emotional illiterates, who don’t recognize the sound of a broken heart, will never be able to hear the subtle vibrations of love reverberating through the rustling flora of life. ("Love as dizzy as a cathedral”)

Nothing would be easier without you, because you are everything, all of it- sprinkles, quarks, giant donuts, eggs sunny-side up- you are the ever-expanding universe to me.

That would be delightful,' agreed Flora, thinking how nasty and boring it would be.

Sadly, I hate foreigners. And Americans. And animals. And flora, and some fauna. Also the magma that is the very core of this our mother earth. I'm full o' hate!

Isolated, she managed somehow to feel free—albeit with a freedom that made her want to smash a hole in the very center of the universe.

I promise to always turn back toward you.

There is no past. Past is present when you carry it with you.

Flora sighed. It was curious that persons who lived what the novelists called a rich emotional life always seemed to be a bit slow on the uptake.

Grace said,"Dr. Wexler was called away on an emergency operation." "An emergency Packers game in Green Bay," Turtle confided to Flora Baumbach.

I’m not fit to occupy space. Excuse me for living.

Don't we all live in our heads? Where else could we possibly exist? Our brains are the universe.

Theirs was the eternal youth of an alternating self, a youth with the constant although unfulfilled promise of growing up

I have to force myself even to move my eyeballs. It's so easy just to stare.

i have no point in procrastinating any longer..

So many miracles have not yet happened.

The neurologist had dismissed her case after a single visit, handing out an easy nostrum by telling her father that if she continued to write poetry, she would be all right.

I realized how trapped I was by all the talk of the end of the world.

She'd abandoned the animal she loved as she herself had been abandoned repeatedly in the past by people who had claimed to love her.

Most courage comes from being too tired and hungry to be afraid anymore.

On the whole, Flora liked it better when they were silent, though it did rather give her the feeling that she was acting in one of the less cheerful German highbrow films.

I want somebody to love, and I want somebody to love me. And nobody ever will. And that's why it hurts. Because it makes a difference. And when nobody cares, it makes you all mad inside and it makes you want to say things, tear up things, break things, get through the glass.

All words at all times, true or false, whispered or shouted, are clues to the workings of the human heart.

After another minute Reuben brought forth the following sentence: "I ha' scranleted two hundred furrows come five o'clock down i' the bute." It was a difficult remark, Flora felt, to which to reply.

Will there never be an end that also has a beginning? Will there never be continuity bridging the awful void between now and some other time, a time in the future, a time in the past?

The education bestowed on Flora Poste by her parents had been expensive, athletic and prolonged; and when they died within a few weeks of one another during the annual epidemic of the influenza or Spanish Plague which occurred in her twentieth year, she was discovered to possess every art and grace save that of earning her own living.

You are the ever-expanding universe to me

Vicky became more serious and her tone more reflective as she remarked, "Life has so much pain that one needs a catharsis. I don't mean escape. You don't escape in books. On the contrary, they help you to realize yourself more fully. Mon Dieu, I'm glad I have them. When I find myself in a situation in which I'd rather not be - because of the perculiar circumstances of my life - I have this outlet. You may think me tres superieure but I'm not really, I am just what I am and live the way I like.

God fearing and man hating. Sugar sugar. There was so much sugar in the way they pretended to treat each other that I suffered from diabetes of the soul.

That was the thing about tragedy. It was just sitting there, keeping you company, waiting. And you had absolutely no idea.

Do you know what it means to have a whole day ahead of you, a day you can call your own?

It is so much more threatening to have something out of hand than to believe that at any moment I can stop (I started to say "This foolishness") any time I need to.

Willard married his father in female form.

Este equilibrio entre humanos, flora y fauna empezó a tambalearse cuando los primeros se convirtieron ellos mismos en presa; o, mejor dicho, en mercancía.

He stood at the table facing Flora and blowing heavily on his tea and staring at her. Flora did not mind. It was quite interesting: like having tea with a rhinoceros.

Viktor had been very sad about their grandfather's death, but Flora had intuited that it was less the person he grieved for than the fact of death itself. Death meant that people actually disappeared. That everyone was going to disappear

Bah, cynics," said Dr. Meescham. "Cynics are people who are afraid to believe.

Flora would have liked to ask her parents why the words ‘to father’ have such a different meaning from the words ‘to mother’.

Flora inherited, however, from her father a strong will and from her mother a slender ankle.

You knock yourself down. You don't think much of yourself. That's an uncomfortable feeling. So you project it on others and say, 'They don't like me.

Self against self in a woman divided.

Human beings make a strange fauna and flora. From a distance they appear negligible; close up they are apt to appear ugly and malicious. More than anything they need to be surrounded with sufficient space―space even more than time.

Holy unanticipated occurrences!

Instead I said, “Flora Bora Slam, mothercrackers.

Flora’s heart, the lonely, many-armed squid of it, flipped and flailed inside her.

There Laura spent many happy hours, supposed to be picking fruit for jam, but for the better part of the time reading or dreaming. One corner, overhung by a Samson tree and walled in with bushes and flowers, she called her 'green study'.

Who can say what astonishments are hidden inside the most mundane being?

Do not hope; instead, observe” were words that Flora, as a cynic, had found useful in the extreme. She repeated them to herself a lot.

The anger. The terror. The feeling of entrapment. the profound distrust of people.The wistful, plaintive conviction that a window, a thing, was more important than she. These feelings and attitudes, expressed in the course of this hour, were symptoms of some profound disturbance.

I love your round head, the brilliant green, the watching blue, these letters, this world, you. I am very, very hungry.

Afterwards, they always had tea in the kitchen, much the nicest room in the house.

It all made sense — terrible sense. The panic she had experienced in the warehouse district because of not knowing what had happened had been superseded at the newsstand by the even greater panic of partial knowledge. And now the torment of partly knowing had yielded to the infinitely greater terror of knowing precisely

But she couldn't help it. She did hope. She was hoping. She had been hoping all along.

One day she bit James in the arm and made it bleed, and so Miss Flora and Miss Jessie, who are very fond of me, were afraid to come into the stable.

forgiveness is a choice. It doesn’t arrive on fairy wings; it doesn’t descend from the sky for you to take or leave. Forgiveness is an action.” Flora

That squid is a villain," said Flora out loud. "He needs to be vanquished. He's eating a boat. And he's going to eat all of the people on the boat." "Yes, well, loneliness makes us do terrible things," said Dr. Meescham. "And that is why the picture is there, to remind me of this. Also, because the other Dr. Meescham painted it when he was young and joyful." Good grief, thought Flora. What did he paint when he was old and depressed?

After all, history is a type of fantasy. For all the primary source research, in the end, the past world the historian builds is as weird and remote from our own as Middle Earth or Narnia, yet oddly familiar.

Well, it would have been easier if it were put on. But the only ruse of which I'm guilty is to have pretended for so long before coming to you that nothing was wrong. Pretending that the personalities did not exist has now caused me to lose about two days.

I am really here. Yet I know I am not. I am inside something that must be buried in my head. I am layers deep in my own brain.

The most oppressed man finds a being to oppress, his wife: she is the proletarian of the proletarian.

Richard had realized, not that Elfine was beautiful, but that he loved Elfine. (Young men frequently need this fact pointing out to them, as Flora knew by observing the antics of her friends.)

I love you, Flora,” I say, and even though there’s a crowd around us, and bodyguards and other royals, it feels like it’s just us. Like we’re back in our room at Gregorstoun, or out on the moors under the stars. “And yes, sometimes you make me crazy, and we’re definitely going to have to talk about the whole high-handed thing, but . . . it’s worth it. You’re worth it.

Mr. Kadam asked me many questions about Oregon. He seemed to have an unquenchable thirst for learning new facts and asked me about everything from sports, which I know almost nothing about, to politics, which I know absolutely nothing about, to the flora and fauna of the state, which I know a lot about.

I want to see how I can exist by myself. I want to be allowed to live inside my memory.

Don't panic, because everything is probably all right, and it it's not, panicking will make it worse.

Awestruck, Flora stared at the dishevelled sisters with their blazing faces and radiant ragged wings, who smelled of no kin but the wild high air.

Do not speak unflatteringly of Jane," Flora said, walking beside Chad. "She is the greatest writer to have ever lived." "I thought that was Shakespeare." "William was, or course, quite good," Flora said. "But no one can compare to Jane Austen.

I had no lock that could be picked. If anything, I was the landscape behind the door, and even on that day in the ruin, I was still only beginning to comprehend my own flora and fauna.

What I’m trying to say is that a certain sentence of the book—a written sentence, a very powerful sentence—killed Flora.’ Louise was silent. After a few moments she spoke. ‘I wish I could write a sentence like that.

When I wrote the previous letter, I had made up my mind I would show you how I could be very composed and cool and not need to ask you to listen to me nor to explain anything to me nor need any help. By telling you that all this about the multiple personalities was not really true but just put on, I could show, or so I thought, that I did not need you. Well, it would have been easier if it were put on.

She said the words, and then she had a strange moment of seeing them, hanging there over her head. "You're going to vacuum up that squirrel!" There is just no predicting what kind of sentences you might say, thought Flora. For instance, who would ever think you would shout, "You're going to vacuum up that squirrel!"?

A squirrel flies in," said Dr. Meescham. "This I did not expect at all. It is what I love about life, that things happen which I do not expect. When I was a girl in Blundermeecen, we left the window open for this very reason, even in the winter. We did it because we believed something wonderful might make its way to us through the open window. Did wonderful things find us? Sometimes yes, sometimes no. But tonight it has happened! Something wonderful!" Dr. Meescham clapped her hands. "A window has been left open. A squirrel flies in the window. The heart of an old woman rejoices!

The words were good words, Ulysses felt, maybe even great words, but the list was very incomplete. He was just getting started. The words needed to be arranged, fussed with, put in the order of his heart.

The inside of my head is out of control. It is on fire. It is snowing. It is a wild jungle. It is an Arctic wilderness. It is everything that has ever happened and everything that ever will happen, all at once.

Both men had made her feel as if she were the one who was at fault, a typically masculine reaction to a woman who was able to act independently of them.

Flora had also learned the degraded art of 'tasting' unread books, and now, whenever her skimming eye lit on a phrase about heavy shapes, or sweat, or howls or bedposts, she just put the book back on the shelf, unread.

That voice… My voice, it was my voice. How did Flora have my voice? How could I have thrown it away? The only time I was ever happy under the sea was when I was singing, and I sewed my mouth shut in the hopes that a boy I barely knew could kiss it open again.

Pascal," said Dr. Meescham, "had it that since it could not be proven whether God existed, one might as well believe that he did, because there was everything to gain by believing and nothing to lose. This is how it is for me. What do I lose if I choose to believe? Nothing!" "Take this squirrel, for instance. Ulysses. Do I believe he can type poetry? Sure, I do believe it. There is much more beauty in the world if I believe such a thing is possible.

I ha' scranleted two hundred furrows come five o'clock down i' the bute.' It was a difficult remark, Flora felt, to which to reply. Was it a complaint? If so, one might say, 'My dear, how too sickening for you!' But then, it might be a boast, in which case the correct reply would be, 'Attaboy!' or more simply, 'Come, that's capital.' Weakly she fell back on the comparatively safe remark: 'Did you?' in a bright, interested voice.

It's not even that I bump into things. It's more that things leap out of nowhere and bump into me

There is at the back of every artist’s mind something like a pattern and a type of architecture. The original quality in any man of imagination is imagery. It is a thing like the landscape of his dreams; the sort of world he would like to make or in which he would like to wander, the strange flora and fauna, his own secret planet, the sort of thing he likes to think about. This general atmosphere, and pattern or a structure of growth, governs all his creations, however varied.

It kills me that I’m never going to hear you call me little dreamer again,’ I admitted. ‘I’d have decked anyone else, but it made me feel like I could be smaller with you. Not in worth or importance, but … like I didn’t have to stretch myself so far, to be so much. I didn’t have to be the Pale Dreamer or Black Moth or the Underqueen or Flora Blake. Every time you held me, you gathered all those people into one. With you, I could just be Paige.

Someday. Just as it wasn't only something to be afraid of, it also was not something that existed only in the future. She and Henry had their someday moments. To see them all again, to hear them, to feel them without the blunting filter of fear: It was like nothing Flora could have imagined. To die was not the worst thing that could have happened. The worst thing was that she'd almost missed the wonder of love.

Five minutes later, the girls stood at the open kitchen door, blinking in the brilliant overcast light. The smell of lilacs, roses, sweet peas, and honeysuckle mixed with the scent of crisp late summer leaves. None of them had been in the gradens for nine months, and the bright saturated greens, reds, and violets overwhelmed them. It reminded Azalea of Mother, beautiful and bright, thick with scents and excitement. And the King-he was like the palace behind them, all straights and grays, stiff and symmetrical and orderly. "It's really allowed?" said Flora, her eyes alight at the colors. "Allowed allowed?" said Goldenrod. "For the last time," said the King, pushing them gently out the kitchen door and onto the path. "It is Royal Business! Go On. Get some color in your cheeks.

Flora took pleasure in the delicacy of her approach and studied the ways of the smallest, sweetest blooms she could find, tiny pimpernels and forget-me-nots hiding in the pockets of the fields. The energy of the sun on her body and the joy of foraging filled her soul. She flew the fields and gathered until the light began to fade and she heard the sound of her forager sisters' wings turning for home. Then she joined them.

The best stories are soul making. But stories we tell about ourselves, and even the harrowing ones told by others about us, can also be soul destroying. We have to choose what is good and true. Not what will destroy.

Twas a still, calm night and the moon's pale light Shone over hill and dale When friends mute with grief stood around the deathbed Of their loved, lost Lily Lyle. Heart as pure as forest lily Never knowing guile, Had its home within the bosom Of sweet Lily Lyle.

Telling stories is one of the greatest powers that we possess. It's like a dream you can fill with what you want. And the knight doesn't always have to save the princess; sometimes she saves herself.

Dreams were the worst. Of course I dreamed of food and love, but they were pleasant rather than otherwise. But then I'd dream of things like slitting a baby's throat, mistaking it for a baby goat. I'd have nightmares of other islands stretching away from mine, infinities of islands, islands spawning islands, like frogs' eggs turning into polliwogs of islands, knowing that I had to live on each and every one, eventually, for ages, registering their flora, their fauna, their geography.

I am alone in the world, Dolores, and I am homesick for my own kind.

Sometimes there are no reasons. Often, most of the time, there are no reasons. The world cannot be explained.

And I have some poetry that I would like to recite to you in honor of the recent, um, transformations in your life.” Tootie put a hand on her chest. “This is Rilke,” she said. “‘You, sent out beyond your recall, / go to the limits of your longing. / Embody me. / Flare up like flame / and make big shadows I can move in.

Apakah aku sudah keterlaluan menjauhkan diri dari bangsaku? Apakah alasanku benar alasan jujur ataukah dalih menjauhkan diri dari bangsa yang masih hidup di dalam alam masa agrarian kuno ini? Yang masih primitif mendekati flora dan fauna rimba belantara? Itulah penderitaan jiwaku.

So quietly flows the Seine that one hardly notices its presence. It is always there, quiet and unobtrusive, like a great artery running through the human body. In the wonderful peace that fell over me itseemed as if I had climbed to the top of a high mountain; for a little while I would be able to look around me, to take in the meaning of the landscape. Human beings make a strange fauna and flora. From a distance they appear negligible; close up they are apt to appear ugly and malicious. More than anything they need to be surrounded with sufficient space – space even more than time. The sun is setting. I feel this river flowing through meits past, its ancient soil, the changing climate. The hills gently girdle it about: its course is fixed.

Taking Flora to his room, rather than any other, amounted to a public declaration of his intentions. She was his, and he was saying as much. Lachlan didn’t give a damn what anyone thought, he wanted her with him. It was as simple as that.

Flora reached out and grabbed hold of William Spiver's hand, and he held on to her. It was as if he were drowning and she were standing on solid ground. According to TERRIBLE THINGS! drowning people were desperate, out of their minds with fear. In their panic they could pull you, the rescuer, under, if you weren't careful. So Flora held on tightly to William Spiver. And he held on tightly back.

And as Flora twirled, other girls and women came through the field in all directions. Our heartache poured into one another like water from cup to cup. Each time I told my story, I lost a bit, the smallest drop of pain. It was that day that I knew I wanted to tell the story of my family. Because horror on earth is real and it is every day. It is like a flower or like the sun; it cannot be contained.

William Spiver said that the universe was expanding…that means there will be more of everything! More cheese puffs, more jelly sandwiches, more words, more poems, more love. And more giant donuts…maybe even gianter donuts. Is gianter a word? It should be.

The heart can hold much joy and great sorrow at the same time. It's a mystery. And it's also true.

He would write and write. He would make wonderful things happen. Some of it would be true. All of it would be true. Most of it would be true.

When I was a girl in Blundermeecen we wondered always if we would see each other again. Each day was uncertain. So, to say good-bye to someone was uncertain, too. Would you see them again? Who could say? Blundermeecen was a place of dark secrets, unmarked graves, terrible curses. Trolls were everywhere! So we said good-bye to each other the best way we could. We said: I promise to always turn back toward you.

What in water did Bloom, waterlover, drawer of water, watercarrier, returning to the range, admire? Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora (anacoustic, photophobe), numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.

I suppose he'll try to court and marry Az. He likes her best." "He arrives at the palace doors, on a fine black horse," Delphinium prompted, picking up Bramble's lost thread, and Eve spun her again, "silver flowers in his hand-" "And the King opens the door-" squeaked Flora, who caught Azalea. And then,everyone stopped.Azalea's skirts twisted, then settled. It occurred to all of them what would happen next. "And boxes Keeper straight in the face," Azalea finished. Everyone managed to giggle, though it as true. Azalea shook her head, smiling. "Well," said Eve as they gathered the sleeping girls up from their cushions. "It would be odd if you married him anyway." "Aye," said Bramble. "Your children would be dsappearing all over the place.

That’s what I was trying to find out when we were rushed off on this damned safari. They have unusual intestinal flora and it may have something to do with that. But I think it has to do with the fact that they never stop growing.

Not much goes on in the mind of a squirrel. Huge portions of what is loosely termed "the squirrel brain" are given over to one thought: food. The average squirrel cogitation goes something like this: I wonder what there is to eat.

When I am dead and in my head And all my bones are are rotten, Take this book and think of me And mind I'm not forgotten.

So I said Malakasham and Flora Bora Slam and Abra Wham, because everyone knew that you had to say magic words until magic happened.

All things are possible. When I was a girl in Blundermeecen, the miraculous happened every day. Or every other day. Or every third day. Actually, sometimes it did not happen at all, even on the third day. But still, we expected it. You see what I'm saying? Even when it didn't happen, we were expecting it. We knew the miraculous would come.

The stag is nowhere to be seen, and Flora reaches up to flick her wet hair out of her eyes, her chest heaving as she scans the landscape. Then she says, “You know what? It’s actually unicorns who are our national animal, not stags. Just remembered.” Teeth chattering, I glare at her. “Well, maybe one will turn up.

Candleford Green was but a small village and there were fields and meadows and woods all around it. As soon as Laura crossed the doorstep, she could see some of these. But mere seeing from a distance did not satisfy her; she longed to go alone far into the fields and hear the birds singing, the brooks tinkling, and the wind rustling through the corn, as she had when a child. To smell things and touch things, warm earth and flowers and grasses, and to stand and gaze where no one could see her, drinking it all in.

After another minute Reuben brought forth the following sentence: ‘I ha’ scranleted two hundred furrows come five o’clock down i’ the bute.’ It was a difficult remark, Flora felt, to which to reply.

Khoruts gave me a memorable example of how behavior can be covertly manipulated by microorganisms. The parasite Toxoplasma infects rats but needs to make its way into a cat’s gut to reproduce. The parasite’s strategy for achieving this goal is to alter the rat brain such that the rodent is now attracted to cat urine. Rat walks right up to cat, gets killed, eaten. If you saw the events unfold, Khoruts continued, you’d scratch your head and go, What is wrong with that rat? Then he smiled. “Do you think Republicans have different flora?

But I awoke at three, feeling terribly sad, and feeling rebelliously that I didn't want to study sadness, madness, melancholy, and despair. I wanted to study triumphs, the rediscoveries of love, all that I know in the world to be decent, radiant, and clear. Then the word "love", the impulse to love, welled up in me somewhere above my middle. Love seemed to flow from me in all directions, abundant as water--love for Cora, love for Flora, love for all my friends and neighbors, love for Penumbra. This tremendous flow of vitality could not be contained within its spelling, and I seemed to seize a laundry marker and write "luve" on the wall. I wrote "luve" on the staircase, "luve" on the pantry, "luve" on the oven, the washing machine, and the coffeepot, and when Cora came down in the morning (I would be nowhere around) everywhere she looked she would read "luve", "luve", "luve." Then I saw a green meadow and a sparkling stream. On the ridge there were thatched-roof cottages and a square church tower, so I knew it must be England. I climbed up from the meadow to the streets of the village, looking for the cottage where Cora and Flora would be waiting for me. There seemed to have been some mistake. No one knew their names. I asked at the post office, but the answer here was the same. Then it occurred to me that they would be at the manor house. How stupid I had been! I left the village and walked up a sloping lawn to a Georgian house, where a butler let me in. The squire was entertaining. There were twenty-five or thirty people in the hall, drinking sherry. I took a glass from a tray and looked through the gathering for Flora and my wife, but they were not there. Then I thanked my host and walked down the broad lawn, back to the meadow and the sparkling brook, where I lay on the grass and fell into a sweet sleep.

It is so much more threatening to have something out of hand than to believe that at any moment I can stop (I started to say "This foolishness") any time I need to. When I wrote the previous letter, I had made up my mind I would show you how I could be very composed and cool and not need to ask you to listen to me nor to explain anything to me nor need any help. By telling you that all this about the multiple personalities was not really true but just put on, I could show, or so I thought, that I did not need you. Well, it would have been easier if it were put on. But the only ruse of which I'm guilty is to have pretended for so long before coming to you that nothing was wrong. Pretending that the personalities did not exist has now caused me to lose about two days. Three weeks later Sybil reaffirmed her belief in the existence of her other selves in a letter to Miss Updyke, the school nurse of undergraduate days.

Flora hadn't signed my yearbook. When I got it back from the cheerleaders, I skimmed over the last few pages and saw that every one of them signed except for her. I was disappointed but I wasn't surprised. We were too much of everything to be summed up in a few sentences. -Sean Foster

One boy's a boy; two boys be half a boy, and three boys be no boy at all', ran the old country saying.

When I make love to you, Lanie, I want you to feel every inch of me buried deep inside of you, loving you, worshiping your body...

I have woken up inside one of my own memories. I am really here, yet I know I am not.

For myself I would desire a combination of old romance and modern machinery.

An abnormal reaction to an abnormal situation is normal behavior.

Character is the line in the sand between the worst of the good people and the best of the bad ones

If necessity is the Mother of Invention, than adversity must surely be the Father of Re-invention.

Mechanized man, oblivious of floras, is proud of his progress in cleaning up the landscape on which, willy-nilly, he must live out his days. It might be wise to prohibit at once all teaching of real botany and real history, lest some future citizen suffer qualms about the floristic price of his good life.

After writing the letter Sybil lost almost two days. "Coming to," she stumbled across what she had written just before she had dissociated and wrote to Dr. Wilbur as follows: It's just so hard to have to feel, believe, and admit that I do not have conscious control over my selves. It is so much more threatening to have something out of hand than to believe that at any moment I can stop (I started to say "This foolishness") any time I need to. When I wrote the previous letter, I had made up my mind I would show you how I could be very composed and cool and not need to ask you to listen to me nor to explain anything to me nor need any help. By telling you that all this about the multiple personalities was not really true I could show, or so I thought, that I did not need you. Well, it would be easier if it were put on. But the only ruse of which I'm guilty is to have pretended for so long before coming to you that nothing was wrong. Pretending that the personalities did not exist has now caused me to lose about two days.

Embora não nos apercebamos disso, a Terra é um ser vivo constituído por biliões de seres vivos, as células, a Terra é um ser vivo constituído por biliões de seres vivos, a fauna e a flora. Por exemplo, se a temperatura mudar muito na Lua ou em Vénus, isso é indiferente para esses planetas, uma vez que estão ambos mortos, não passam de pedra e poeira. Tanto lhes faz que faça muito frio como muito calor, os planetas mortos são como esculturas de mármore. Mas as alterações térmicas não são indiferentes para a Terra, que se encontra viva e que, por isso, está constantemente a regular a sua temperatura e composição

I think it's degrading of you, Flora,' cried Mrs Smiling at breakfast. 'Do you truly mean that you don't ever want to work at anything?' Her friend replied after some thought: 'Well, when I am fifty-three or so I would like to write a novel as good as "Persuasion", but with a modern setting, of course. For the next thirty years or so I shall be collecting material for it. If anyone asks me what I work at, I shall say "Collecting material." No one can object to that. Besides, I shall be.' Mrs Smiling drank some coffee in silent disapproval. 'If you ask me,' continued Flora, 'I think I have much in common with Miss Austen. She liked everything to be tidy and pleasant and comfortable around her, and so do I. You see Mary,' - and here Flora began to grow earnest and to wave one finger about - 'unless everything is tidy and pleasant and comfortable all about one, people cannot even begin to enjoy life. I cannot endure messes.

When the other Dr. Meescham was alive and I could not sleep, do you know what he would do for me? This man would put on his slippers and he would go out into the kitchen and he would fix for me sardines and crackers. You know sardines? Little fishes in a can. He would put these little fishes onto crackers for me, and then I would hear him coming back down the hallway, carrying the sardines and humming, returning to me. Such tenderness. To have someone get out of bed and bring you little fishes and sit with you as you eat them in the dark of the night. To hum to you. This is love.

After several trips across the Andes, the pattern of the flora was gradually coming into focus. This to me was the great revelation of botany. When I knew nothing of plants, I experienced a forest only as a tangle of forms, shapes, and colors without meaning or depth, beautiful when taken as a whole but ultimately incomprehensible and exotic. Now the components of the mosaic had names, the names implied relationships, and the relationships resonated with significance.

The trouble about Mr Mybug was that ordinary subjects, which are not usually associated with sex even by our best minds, did suggest sex to Mr Mybug, and he pointed them out and made comparisons and asked Flora what she thought about it all.

Nothing is more occult than the way letters, under the auspices of unimaginable carriers, circulate through the weird mess of civil wars; but whenever, owing to that mess, there was some break in our correspondence, Tamara would act as if she ranked deliveries with ordinary natural phenomena such as the weather or tides, which human affairs could not affect, and she would accuse me of not answering her, when in fact I did nothing but write to her and think of her during those months--despite my many betrayals....and the sense of leaving Russia was totally eclipsed by the agonizing thought that Reds or no Reds, letters from Tamara would be still coming, miraculously and needlessly, to southern Crimea, and would search there for a fugitive addressee, and weakly flap about like bewildered butterflies set loose in an alien zone, at the wrong altitude, among an unfamiliar flora.

All through dinner, Flora combined her present appetite for eating and drinking with her past appetite for romantic love, in a way that made Clennam afraid to lift his eyes from his plate; since he could not look towards her without receiving some glance of mysterious meaning or warning, as if they were engaged in a plot.

Mr F.'s Aunt, who had eaten her pie with great solemnity, and who had been elaborating some grievous scheme of injury in her mind since her first assumption of that public position on the Marshal's steps, took the present opportunity of addressing the following Sibyllic apostrophe to the relict of her late nephew. 'Bring him for'ard, and I'll chuck him out o' winder!' Flora tried in vain to soothe the excellent woman by explaining that they were going home to dinner. Mr F.'s Aunt persisted in replying, 'Bring him for'ard and I'll chuck him out o' winder!' Having reiterated this demand an immense number of times, with a sustained glare of defiance at Little Dorrit, Mr F.'s Aunt folded her arms, and sat down in the corner of the pie-shop parlour; steadfastly refusing to budge until such time as 'he' should have been 'brought for'ard,' and the chucking portion of his destiny accomplished.

literature, in fact, had been concerned with virtues and vices of a perfectly healthy sort, the regular functioning of brains of a normal conformation, the practical reality of current ideas, with never a thought for morbid depravities and other-worldly aspirations; in short, the discoveries of these anaylists of human nature stopped short at the speculations good or bad, classified by the church; their efforts amounted to no more than the humdrum researches of a botanist who watches closely the expected development of ordinary flora planted in common or garden soil.

Not very long ago and not very far away, there once was and still is an invisible place right here with us. And if you are born knowing, you will find your way through the woodlands to the shimmering doors that lead to the land made just and exactly for you.

Traditions and customs which had lasted for centuries did not die out in a moment.

That's how easy it was to confess. You just say it. You just drop it onto the table and tell the truth and what comes, comes, she thought.

I ask you, why is it so hard to stay away from the euphemisms? They creep in, always, and attempt to make the difficult things more pleasing.

Learning another language is not only learning different words for the same things, but learning another way to think about things.

No one would ever call Katherine Walters a pretty woman: her face was strangely flat and one eye was a tiny bit higher than the other. After Flora left, she took off her hat, cut her bangs, and was suddenly striking and stylish, which is actually much better than pretty.

Therefore, he sat before his dying fire, sorrowful to think upon the way by which he had come to that night, yet not strewing poison on the way by which other men had come to it. That he should have missed so much, and at his time of life should look so far about him for any staff to bear him company upon his downward journey and cheer it, was a just regret. He looked at the fire from which the blaze departed, from which the afterglow subsided, in which the ashes turned grey, from which they dropped to dust, and thought, 'How soon I too shall pass through such changes, and be gone!' To review his life was like descending a green tree in fruit and flower, and seeing all the branches wither and drop off, one by one, as he came down towards them. 'From the unhappy suppression of my youngest days, through the rigid and unloving home that followed them, through my departure, my long exile, my return, my mother's welcome, my intercourse with her since, down to the afternoon of this day with poor Flora,' said Arthur Clennam, 'what have I found!' His door was softly opened, and these spoken words startled him, and came as if they were an answer: 'Little Dorrit.

But the Count hadn’t the temperament for revenge; he hadn’t the imagination for epics; and he certainly hadn’t the fanciful ego to dram of empires restored. No. His model for mastering his circumstances would be a different sort of captive altogether: an Anglican washed ashore. Like Robinson Crusoe stranded on the Isle of Despair, the count would maintain his resolve by committing to the business of practicalities. Having dispensed with dreams of quick discovery, the world’s Crusoes seek shelter and a source of fresh water; they teach themselves to make fire from flint; they study their island’s topography, it’s climate, its flora and fauna, all the while keeping their eyes trained for sails on the horizon and footprints in the sand.

What a fairy tale is meant to do," she said, "if it's meant to do anything at all, Tolkien says, is give us new perspective on our world, the consolation of a happy ending. A recovery of sorts. Like we leave that world to see ours anew.

Her lips are full and red and tend to wetness and do not ask but rather demand, in a pout of liquid silk, to be kissed. I kiss them often, I admit it, it is what I do, I am a kisser, and a kiss with Lenore is, if I may indulge a bit for a moment here, not so much a kiss as it is a dislocation, a removal and rude transportation of essence from self to lip, so that it is not so much two human bodies coming together and doing the usual things with their lips as it is two sets of lips spawned together and joined in kind from the beginning of post-Scarsdale time, achieving full ontological status only in subsequent union and trailing behind and below them, as they join and become whole, two now utterly superfluous fleshly bodies, drooping outward and downward from the kiss like the tired stems of overblossomed flora, trailing shoes on the ground, husks.

If you were born knowing, and to be honest we all are, you will know how to find your way through the woodlands to the shimmering doors that are meant for you. They lead to the land made for you.

The earth is not our home. We came from nothing, and to that condition our nostalgia should turn. Why would anyone care about this dim bulb in the blackness of space? The earth produced us, or at least subsidized our evolution. Is it really entitled to receive a pardon, let alone the sacrifice of human lives, for this original sin—a capital crime in reverse (very much in the same way that reproduction makes one an accessory before the fact to an individual’s death)? Someone once said that nature abhors a vacuum. This is precisely why nature should be abhorred. Instead, the nonhuman environment is simultaneously extolled and ravaged by a company of poor players who can no longer act naturally. It is one thing for the flora and fauna to feed and fight and breed in an unthinking continuance of their existence. It is quite another for us to do so in defiance of our own minds, which over and again pose the same question: “What are we still doing in this horrible place?

Howard’s eating habits, incidentally, leave quite a bit to be desired – he eats all these terrible vegetarian things, fruit and nuts. That shit’s not healthy! Human beings are carnivores – just look at our teeth! Our digestive systems are not made to handle vegetarian food. It makes you fart all the time, and you get intestinal flora. Vegetarianism is unrealistic – that’s why cows have four stomachs and we have one. Think about it. (Hi, Howard!) And don’t forget – Hitler was a vegetarian!

Speaking of novels,’ I said, ‘you remember we decided once, you, your husband and I, that Proust’s rough masterpiece was a huge, ghoulish fairy tale, an asparagus dream, totally unconnected with any possible people in any historical France, a sexual travestissement and a colossal farce, the vocabulary of genius and its poetry, but no more, impossibly rude hostesses, please let me speak, and even ruder guests, mechanical Dostoevskian rows and Tolstoian nuances of snobbishness repeated and expanded to an unsufferable length, adorable seascapes, melting avenues, no, do not interrupt me, light and shade effects rivaling those of the greatest English poets, a flora of metaphors, described—by Cocteau, I think—as “a mirage of suspended gardens,” and, I have not yet finished, an absurd, rubber-and-wire romance between a blond young blackguard (the fictitious Marcel), and an improbable jeune fille who has a pasted-on bosom, Vronski’s (and Lyovin’s) thick neck, and a cupid’s buttocks for cheeks; but—and now let me finish sweetly—we were wrong, Sybil, we were wrong in denying our little beau ténébreux the capacity of evoking “human interest”: it is there, it is there—maybe a rather eighteenth-centuryish, or even seventeenth-centuryish, brand, but it is there. Please, dip or redip, spider, into this book [offering it], you will find a pretty marker in it bought in France, I want John to keep it. Au revoir, Sybil, I must go now. I think my telephone is ringing.

Although I don't know much about anything, I know that I have a story. I know that it is not over. There are shades and shadows of adventures and people and wild new places. Whatever Paris might turn out to be, and whatever Dr. Epstein is able to do, I want to be there to find out.

Cruelty is absolutely foreign to their natures.Some people once talked of setting up a branch of the " Prevention of Cruelty to Animals" in Serbia, and were asked in astonishment what work they supposed they would find to do ; who ever heard of a Serbian being cruel to child or animal?

There can be no doubt that the existing Fauna and Flora is but the last term of a long series of equally numerous contemporary species, which have succeeded one another, by the slow and gradual substitution of species for species, in the vast interval of time which has elapsed between the deposition of the earliest fossiliferous strata and the present day.

darkness and in light, in trouble and in joy, help us, Heavenly Father, to trust your love, to serve your purpose, and to praise your name, through Jesus Christ our Lord.

Brains were no good to a working man; they only made him discontented and saucy and lose his jobs. She'd seen it happen again and again.

No, I be-ant expectin' nothin', but I be so yarnin

Nini Mo said a good swear is like a good purge—it don’t taste so good, but it sure does clear out your system.

We are well,' Efuru replied. 'It is only hunger.' 'It is good that it is only hunger. Good health is what we pray for.

She loved knowing why things happened, because if she did, it was quite possible she could keep them from happening again.

For as I pass through death's door let me sing my favorite melody and finish it on the other side.

Is there no easy way to taking this dress off you? Am I going to have to rip it off?

The Laird of Coll was undoubtedly a hard man. He didn’t smile often, but when he did, it was as if the sun broke through the clouds. And he was smiling right now as she considered his question, knowing very well that she was enjoying herself.

David had been photographing endangered species in the Hawaiian rainforest and elsewhere for years, and his collections of photographs and Suzie's tarot cards seemed somehow related. Because species disappear when their habitat does, he photographed them against the nowhere of a black backdrop (which sometimes meant propping up a black velvet cloth in the most unlikely places and discouraging climates), and so each creature, each plant, stood as though for a formal portrait alone against the darkness. The photographs looked like cards too, card from the deck of the world in which each creature describes a history, a way of being in the world, a set of possibilities, a deck from which cards are being thrown away, one after another. Plants and animals are a language, even in our reduced, domesticated English, where children grow like weeds or come out smelling like roses, the market is made up of bulls and bears, politics of hawks and doves. Like cards, flora and fauna could be read again and again, not only alone but in combination, in the endlessly shifting combinations of a nature that tells its own stories and colors ours, a nature we are losing without even knowing the extent of that loss.

I’m not sure I know what ‘simple-hearted’ means,” I said haughtily. “When there’s no deceit or malice in your heart. Most of us have some; it protects us. People without it are rare.

Linnaeus's last lesson, of which he himself was unaware, was that professorships kill philosophers. Oh, I'm vain enough to want my burgeoning Flora Japonica to be published one day--as a votive offering to human knowledge--but a seat at Uppsala, or Leiden, or Cambridge, holds no allure. My heart is the East's in this lifetime. This is my third year in Nagasaki, and I have work enough for another three, or six. During the court embassy I can see landscapes no European botanist ever saw. My seminarians are keen young men--with one young woman--and visiting scholars bring me specimens from all over the empire.

The air was clean here, fresh and alive with scents of the sea and various flora mingling faintly with something earthier; probably buffalo and horses. The earthier smells were indistinct enough to only suggest a wilder time in all this beauty. A reminder to the people frolicking in the water, lying on the beaches reading and relaxing, riding horseback on trails, fishing or availing themselves of the wonderful downtown area of Avalon, that in a once upon a time not so distant, this would not have been possible.

Normally I'd have given up by now, but he was so cute I decided that he was entitled to be difficult. I mean, I may get distracted sometimes, but I always saved a special space at the back of my mind for Sean, like the Presidential Suit at Ritz Carlton. Throughout the first two years of high school, I let him stay there in peace, undisturbed by my meaningless flings which came and went in the hotel lobby.

A person always has control over how she meets her adversities, and the good news is that the facing of them, one after another, year after year, builds an inner strength that nobody can take away from you.

The wind will not stop. Gusts of sand swirl before me, stinging my face. But there is still too much to see and marvel at, the world very much alive in the bright light and wind, exultant with the fever of spring, the delight of morning. Strolling on, it seems to me that the strangeness and wonder of existence are emphasized here, in the desert, by the comparative sparsity of the flora and fauna: life not crowded upon life as in other places but scattered abroad in spareness and simplicity, with a generous gift of space for each herb and bush and tree, each stem of grass, so that the living organism stands out bold and brave and vivid against the lifeless sand and barren rock. The extreme clarity of the desert light is equaled by the extreme individuation of desert life-forms. Love flowers best in openness and freedom.

Time is a random thing. It is the thing that makes us older. Humans use it to organize the world. They have invented a system to try to make order from randomness. The other humans, all of them but me, live their lives by hours and minutes and days and seconds, but those things are nothing. The universe would laugh at our attempts to organize it, if it could be bothered to notice them. Time is the thing that makes our bodies shrivel and decay. That is why people are scared of it.

The Criminal Element spoke often, and passionately, about the nefarious activities that every human being is capable of. Not only did it insist that the human heart was dark beyond all reckoning; it also likened the heart to a river. And further, it said, "If we are not careful, that river can carry us along in its hidden currents of want and anger and need, and transform each of us into the very criminal we fear.

Manusia dibebani harapan, cita-cita dan tanggungjawab dalam kehidupan. Sejak jejaka hingga tua, mereka berperanan mencipta, mengatur dan membina benda, yang dinamakan peradaban lahiriah. Mereka diasuh dan mengasuh, dalam proses pertumbuhan tamadun fikir. Tetapi mereka itu juga - semua lahir dari ibu - sudah, sedang dan masih akan jadi pemusnah benda dan berbunuhan sesama manusia, membunuh fauna dan menghancurkan flora.

The public never appears to tire of endless courses of strawberries and cream, and the theory that you run the risk of boring people with endless photo montages of the Chelsea Pensioners in their dress reds, or close-ups of a Pimm's Cup sprouting all kinda of flora, has yet to be proven. People like Wimbledon in the same way they like blue jeans or even their own spouses: for the pleasure yielded by their reliable sameness.

I kiss them often, I admit it, it is what I do, I am a kisser, and a kiss with Lenore is, if I may indulge a bit for a moment here, not so much a kiss as it is a dislocation, a removal and rude transportation of essence from self to lip, so that it is not so much two human bodies coming together and doing the usual things with their lips as it is two sets of lips spawned together and joined in kind from the beginning of post-Scarsdale time, achieving full ontological status only in subsequent union and trailing behind and below them, as they join and become whole, two now utterly superfluous fleshly bodies, drooping outward and downward from the kiss like the tired stems of overblossomed flora, trailing shoes on the ground, husks.

You are too kind.” Her voice dripped with sarcasm. “But what has marriage to offer me that I don’t already have?” There were many ways to answer that question, but having care for her innocence, Lachlan refrained from the blunt one. One glance at that beautiful face and lush body, and he need look no further for a reason why the lass should be wed: swiving. And lots of it.

You should really be more careful who you let put their hands on you.” A silky male voice hummed as hot, minty breath wafted around her ear and danced slowly across her nose. Sera inhaled deeply, her skin prickled with goose bumps.

To Nature nothing can be added; from Nature nothing can be taken away; the sum of her energies is constant, and the utmost man can do in the pursuit of physical truth, or in the applications of physical knowledge, is to shift the constituents of the never-varying total. The law of conservation rigidly excludes both creation and annihilation. Waves may change to ripples, and ripples to waves; magnitude may be substituted for number, and number for magnitude; asteroids may aggregate to suns, suns may resolve themselves into florae and faunae, and floras and faunas melt in air: the flux of power is eternally the same. It rolls in music through the ages, and all terrestrial energy—the manifestations of life as well as the display of phenomena—are but the modulations of its rhythm.

Do some magic,” Ryan whispered to me, right in my ear. “Slowly. So I can watch.” “When we get out of here, I’m going to do so much magic all over you,” I told him. “You’re going to be covered in it.” At that moment, I really wished I’d been born mute and had never set eyes on Ryan Foxheart. “Make it stop!” Gary wailed. “Yeah. Cover me in your magic.” Ryan was blushing so hard, I thought his face was about to explode. “I want to stop talking. You have no idea how much I want to stop talking.” He leaned closer and I could feel his breath on my face. It smelled of corn and eroticism. “Um,” Eloise said. “Maybe you guys could—” We ignored her completely. “I’m going to do so many spells,” I said, because it seemed impossible for me to stop. “You won’t even believe how many spells I can do. Flora Bora Slam, motherfucker.” Our lips were inches apart. “I want you to Flora Bora Slam me,” Ryan said and I just choked. “Therapy,” Gary said. “I’m going to need so much therapy. It’s like watching cows mating and it’s wet and sticky and uncomfortable but I can’t look away because I’m worried some of it is going to get on me.

You know that if ever the Fyrdraaca family is in true trouble, Barbizon is supposed to come to life and to our rescue, just as she did for Azucar.' 'Ayah, Poppy, I've heard the story.' 'Well, I often consider that I've sat here many times, and often felt in true trouble, and yet Barbizon has never leaped to my aid. So you know what that makes me think?' 'That it's just a story?' 'No, no. That my trouble is never true trouble. And things, though I think them bad, are not really so.

It was getting harder, however. American magazines still looked shiny and lively, but by the early 1960s, writers like Flora were sensing trouble. With television's exploding popularity, more and more people were staring at screens instead of turning pages. Big corporations like car manufacturers were pulling their advertising dollars out of print and spending them on the airwaves. Magazines were bleeding ad pages and readers, and editors scrambled to balance budgets by retooling audiences.

He had told Flora all about his slim, expensive mistress, Lily, who made boring scenes and took up the time and energy which he would much sooner have spent with his wife, but he had to have Lily, because in Beverly Hills, if you did not have a mistress, people thought you were rather queer, and if, on the other hand, you spent all your time with your wife, and were quite firm about it, and said that you liked your wife, and, anyway, why the hell shouldn’t you, the papers came out with repulsive articles headed ‘Hollywood Czar’s Domestic Bliss’, and you had to supply them with pictures of your wife pouring your morning chocolate and watering the ferns. So there was no way out of it, Mr Neck said. Anyway, his wife quite understood, and they played a game called ‘Dodging Lily’, which gave them yet another interest in common.

The house had always been full of books, far too many for one person to get through in a lifetime. Her father didn't collect them to read, to own first editions or to keep those signed by the author; Gil collected them for the handwritten marginalia and doodles that marked the pages, for the forgotten ephemera used as bookmarks. Every time Flora came home he would show her his new discoveries: left-behind photographs, postcards and letters, bail slips, receipts, handwritten recipes and drawings, valentines and tickets, sympathy cards, excuse notes to teachers; bits of paper with which he could piece together other people's lives, other people who had read the same books he held and who had marked their place.

THE FAIR HAD A POWERFUL and lasting impact on the nation’s psyche, in ways both large and small. Walt Disney’s father, Elias, helped build the White City; Walt’s Magic Kingdom may well be a descendant. Certainly the fair made a powerful impression on the Disney family. It proved such a financial boon that when the family’s third son was born that year, Elias in gratitude wanted to name him Columbus. His wife, Flora, intervened; the baby became Roy. Walt came next, on December 5, 1901. The writer L. Frank Baum and his artist-partner William Wallace Denslow visited the fair; its grandeur informed their creation of Oz. The Japanese temple on the Wooded Island charmed Frank Lloyd Wright, and may have influenced the evolution of his “Prairie” residential designs. The fair prompted President Harrison to designate October 12 a national holiday, Columbus Day, which today serves to anchor a few thousand parades and a three-day weekend. Every carnival since 1893 has included a Midway and a Ferris Wheel, and every grocery store contains products born at the exposition. Shredded Wheat did survive. Every house has scores of incandescent bulbs powered by alternating current, both of which first proved themselves worthy of large-scale use at the fair; and nearly every town of any size has its little bit of ancient Rome, some beloved and be-columned bank, library or post office. Covered with graffiti, perhaps, or even an ill-conceived coat of paint, but underneath it all the glow of the White City persists. Even the Lincoln Memorial in Washington can trace its heritage to the fair.

When I got to Crude Sciences at the end of the day, Dante was waiting for me at our table. This time, with no Latin book, no journal. “Hello,” he said, pulling my chair out for me. Surprised, I sat down next to him, trying not to stare at his perfectly formed arms. “Hi,” I said, with an attempt at nonchalance. “How are you?” I could feel his eyes on me. “Fine,” I said carefully, as Professor Starking handed out our lab assignments. Dante frowned. “Not very talkative today, I see.” I thrust a thermometer into the muddy water of the fish tank in front of us, which was supposed to represent an enclosed ecosystem. “So now you want to talk? Now that you’ve finished your Latin homework?” After a prolonged period of silence, he spoke. “It was research.” “Research on what?” “It doesn’t matter anymore.” I threw him a suspicious look. “Why’s that?” “Because I realized I wasn’t paying attention to the right thing.” “Which is?” I asked, looking back at the board as I smoothed out the hem of my skirt. “You.” My lips trembled as the word left his mouth. “I’m not a specimen.” “I just want to know you.” I turned to him, wanting to ask him a million questions. I settled for one. “But I can’t know anything about you?” Dante leaned back in his chair. “My favorite author is Dante, obviously,” he said, his tone mocking me. “Though I’m partial to the Russians. I’m very fond of music. All kinds, really, though I especially enjoy Mussorgsky and Stravinsky or anything involving a violin. They’re a bit dark, no? I used to like opera, but I’ve mostly grown out of it. I have a low tolerance for hot climates. I’ve never enjoyed dessert, though I once loved cherries. My favorite color is red. I often take long walks in the woods to clear my head. As a result, I have a unique knowledge of the flora and fauna of North American. And,” he said, his eyes burning through me as I pretended to focus on our lab, “I remember everything everyone has ever told me. I consider it a special talent.” Overwhelmed by the sudden influx of information, I sat there gaping, unsure of how to respond. Dante frowned. “Did I leave something out?

But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you. It stays on through October and, in rare years, on into November. Day after day the skies are a clear, hard blue, and the clouds that float across them, always west to east, are calm white ships with gray keels. The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die – migrate or die. Even in your house, behind square walls, the wind beats against the wood and the glass and sends its fleshless pucker against the eaves and sooner or later you have to put down what you were doing and go out and see. And you can stand on your stoop or in your dooryard at mid-afternoon and watch the cloud shadows rush across Griffen’s pasture and up Schoolyard Hill, light and dark, light and dark, like the shutters of the gods being opened and closed. You can see the goldenrod, that most tenacious and pernicious and beauteous of all New England flora, bowing away from the wind like a great and silent congregation. And if there are no cars or planes, and if no one’s Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.

I tried to turn my heart to the living, to the place I was, but putting seed in land not owned by me or my family seemed alien. The sandy, gray-white soil looked like dirty beach sand, not fit for growing anything. It smelled like dust. Yet weeds and trees and wildflowers grew along the roads. When we drove into town, we passed dense, impenetrable woods and fields of corn, peas, and peppers. Such new combinations of seemingly poor soil and happy flora puzzled me. Everywhere I went, I picked up the dirt, examining it for clues. Bringing anything out of such soil would require a whole new language on my part. I imagined there must be something richer and darker under the gray sand, or some trick the farmers all knew. Trick or no trick, what I had always been able to do well now seemed inaccessible. Still, I searched the yard around our house for the best spot to plant my fall garden.

L'opinione corrente a proposito di queste malattie della terra si riflette nel fatto che le nostre cure sono ancora prevalentemente locali. Perciò quando il terreno perde fertilità usiamo un fertilizzante o, nel migliore dei casi, ne alteriamo la flora e la fauna, senza considerare che le sue specie selvatiche, poiché hanno formato quel particolare terreno, possono essere molto importanti per la sua salvaguardia. Si è scoperto di recente per esempio che un buon raccolto di tabacco dipende per qualche motivo sconosciuto dalla preparazione del terreno fatta dalle piante di senecio selvatico. Non ci rendiamo conto che simili legami di dipendenza possono essere estremamente comuni in natura.

Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.

Of all books printed, probably not more than half are ever read. Many are embalmed in public libraries; many go into private quarters to fill spaces; many are glanced at and put away...scarcely opened until the fire needs kindling. The most ardent book-lovers are not always the greatest readers; indeed, the rabid bibliomaniac seldom reads at all. To him books are as ducats to the miser, something to be hoarded and not employed... So pleasant it is to buy book; so tiresome to utilize them.

The danger wasn’t over. Rolling her around so that she floated on her back, he swam her to shore. A much easier proposition than on the way out. Reaching the safety of the beach, he lifted her in his arms, wrenching her from the steel jaws of the sea that had tried to claim her. He carried her a few feet up the beach and set her down carefully, kneeling beside her. “Flora.” He shook her shoulders gently. “Wake up.” She looked so still. So horribly still. “Flora.” He shook her gently, his chest squeezing painfully. “Please wake up. I need you to wake up.” I need you. Her eyes fluttered again and then—blissfully—opened. And he found himself looking into the achingly familiar fathomless depths. He felt a rush of relief so strong, he could have wept. Instead he kissed her. He knew there wasn’t time, that he had to get her back, but he couldn’t help it. He needed to know that she was alive. His mouth covered hers in a searing kiss, as if he could warm the cold from her lips with the heat of his passion. He kissed her with a raw desperation born of fear. With all the intensity of the emotions she’d exposed inside him. He told her with his lips what he couldn’t admit to himself. In that one brief instant, he told her so much.

The word is dissociate. There is no 'a' before the 'ss'. People invariably say dis-a-ssociate, which, if you're suffering Disso-ciative Identity Disorder/Multiple Personality Disorder, can be irritating. People then want to know how many personalities I have and the answer is: I don't know. The first book about Multiple Personality Disorder to make an impact was Flora Rheta Schreiber's Sybil, published in 1973, which carries the subtitle: The True and Extraordinary Story of a Woman Possessed by Sixteen Separate Personalities. Corbett H. Thigpen and Hervey M. Cleckley published the controversial The Three Faces of Eve much earlier in 1957, and Pete Townshend from The Who wrote the song 'Four Faces'. People seem to feel safe with numbers. The truth is more complicated. The kids emerged over time. Billy, the boisterous five-year-old, was at first the most dominant. But he slowly stood aside for JJ, the self-confident ten-year-old who appears when Alice is under stress and handles complicated situations like travelling on the Underground and meeting new people. The first entity to visit was the external voice of the Professor. But he had a choir of accomplices without names. So, how many actual alter personalities are there? I would say more than fifteen and less than thirty, a combination of protectors, persecutors and friends - my own family tree.

Now Morn, her rosy steps in the eastern clime Advancing, sowed the earth with orient pearl, When Adam waked, so customed; for his sleep Was aerie-light, from pure digestion bred, And temperate vapors bland, which the only sound Of leaves and fuming rills, Aurora's fan, Lightly dispersed, and the shrill matin song Of birds on every bough; so much the more His wonder was to find unwakened Eve With tresses discomposed, and glowing cheek, As through unquiet rest: He, on his side Leaning half raised, with looks of cordial love Hung over her enamored, and beheld Beauty, which, whether waking or asleep, Shot forth peculiar graces; then with voice Mild, as when Zephyrus on Flora breathes, Her hand soft touching, whispered thus. Awake, My fairest, my espoused, my latest found, Heaven's last best gift, my ever new delight! Awake: The morning shines, and the fresh field Calls us; we lose the prime, to mark how spring Our tender plants, how blows the citron grove, What drops the myrrh, and what the balmy reed, How nature paints her colors, how the bee Sits on the bloom extracting liquid sweet.

Who is he?" "Rupert St. John." "Isn't he-oh,my,that handsome boy of Julie's? Well, that explains a bit, I suppose. He always did dazzle you whenever you saw him,didn't he?" "Yes,until I got to know him," Rebecca replied, then wished she'd kept that grumble to herself. Up went Lilly's brow. "Something else is wrong aside from the fact that you had to get married?" "I suppose that the bride and groom hate each other could be considered a little something else," Flora said. This time Lilly sat down.She started to say something, but changed her mind. She opened her mouth to start again, but again snapped it shut. Finally she burst out, "This sort of thing was never supposed to happen to you!" Then after giving herself a brief shake, she said, "Very well, as briefly as you can, please,so I can get beyond this sudden urge to go find a pistol.

Las mujeres tienen suerte, aunque el noventa y nueve por ciento no lo sabe. ¿A qué edad se lanzó Santa Teresa a reformar monasterios? A los cincuenta. Y podría citar muchos casos más. De los veinte a los cuarenta las mujeres se hallan absortas biológicamente... y con toda razón. Se preocupan de los niños, los maridos, los amantes... Las relaciones personales. O subliman todas estas cosas y se lanzan a una carrera, de forma típicamente femenina y emocional. Pero la segunda flora­ción natural es de la mente y el espíritu y su edad cuando una alcanza la madurez. Según van envejeciendo, las mujeres se interesan más en cosas impersonales. Los in­tereses masculinos se reducen, los de las mujeres se am­plían. A los sesenta un hombre se repite, por lo general, como un gramófono. A la misma edad, una mujer, si tiene cierto individualismo, es un ser interesante.

... neither the metaphor of ‘melting pot’ nor of ‘salad bowl’ can accurately explain Indian culture. My preferred metaphor is that of the Rain Forest. The ‘tropical rain forest’ characteristically has a number of layers, each with a variety of flora and fauna adapted for life in that particular layer. The layers include the uppermost ‘emergent’ layer that rises above to form the canopy of the forest, the ‘under-story’ and finally the ‘forest floor’, the foundational core. This emergent layer has its roots in the forest floor that is full of shrubs, vines and fungi... A ‘bird’s-eye view’ cannot reveal this rootedness, the underlying substratum, the under-stories and the forest floor. If the metaphor of ‘tropical rain forest’ is applied to the Indus Valley Civilization, the citadels, the rulers, and the rich merchants with their maritime wealth, the urban structure and its finesse are comparable with the ‘emergent canopy’. Yet the bulk of the demography was at the root – the substratum, from which the mature urban cities emerged... The nature of its religion, the cultural practices, cockfights and bull-vaulting visually represent the ‘under-story’ of the IVC.

I think you're talking shit. You think we don't all feel like that? Like we're crazy, like we're not a real person, like we don't exist? Everyone feels that way sometimes. I can remember talking to you when you lost your bag. So what? You can't remember and that's not a bad thing. It doesn't make me better than you. I'm a stranger to you, but here's what I see: I see a girl who has suffered a terrible damage to her brain. Someone who, it seems, is shut away by her parents to keep her safe. But inside there is a vibrant person, a traveler, and her memory of this boy Drake has propelled her into action. I think, Flora, that you came here not to find Drake but to find yourself. It wasn't Drake--he's an unlikely romantic hero, really--it was you. Didn't you come here, perhaps, because you heard him talking about the place he was going to, and it called to you?" I don't know what to say. I don't say anything. " Our come from Oslo, and Svalbard called me, even though I'm not really the rugged adventurous type. Like you, I had to come. Some of us are meant to be here. We need this place...We need to be small specks in wild nature, by the pole. The midnight sun. The midday darkness. The northern lights. It called to you, Flora, and you answered. You overcame everything, and you came here, alone. You are the bravest person I've ever met.

Whether Whether anger quickens a lagging stride, and periodic burn-offs in the forest revitalize exhausted soil and flora—. Whether we should take pleasure in the wildcat jubilation of a lightning bolt that whips its silver vein of genesis through the night sky, flash-photo of a white birch upended, the root-system buckled to swollen thunderheads—. And whether naming an offense amounts to sour grapes and common bitterness, or even the conceited nonsense of unwashed yahoo multitudes, a yawping insult to civilized behavior—. Whether a July rainstorm, even when it drenches the unprepared pedestrian and befuddles traffic, might be extravagant, a joy, like the whoops and escalating bop glissandos of Gillespie’s upraised horn, cascading pitches a countersong to meteoric chalk marks Perseids burn across the House of Leo—. And whether peaceful ecstasy might float up from a fifteen-second avalanche reflected in the skier’s goggles, his jacket a spark of scarlet on the topmost slope, waiting for the homeward track to clear.

Thanks to suffering and madness, I have had a finer, richer life than any of you, and I wish to go to my death with dignity, as befits the great moment after which all dignity and majesty cease. Let my body be my ark and my death a long floating on the waves of eternity. A nothing amid nothingness. What defense have I against nothingness but this ark in which I have tried to gather everything that was dear to me, people, birds, animals, and plants, everything that I carry in my eye and in my heart, in the triple-decked ark of my body and soul. Like the pharaohs in the majestic peace of their tombs, I wanted to have all those things with me in death, I wanted everything to be as it was before; I wanted the birds to sing for me forever, I wanted to exchange Charon's bark for another, less desolate and less empty; I wanted to ennoble eternity's unconscionable void with the bitter herbs that spring from the heart of man, to ennoble the soundless emptiness of eternity with the cry of the cuckoo and the song of the lark. All I have done is to develop that bitter poetic metaphor, carry it with passionate logic to its ultimate consequence, which transforms sleep into waking (and the converse); lucidity into madness (and the converse); life into death, as though there were no borderline, and the converse; death into eternity, as if they were not one and the same thing. Thus my egoism is only the egoism of human existence, the egoism of life, counterweight to the egoism of death, and, appearances to the contrary, my consciousness resists nothingness with an egoism that has no equal, resists the outrage of death with the passionate metaphor of the wish to reunite the few people and the bit of love that made up my life. I have wanted and still want to depart this life with specimens of people, flora and fauna, to lodge them all in my heart as in an ark, to shut them up behind my eyelids when they close for the last time. I wanted to smuggle this pure abstraction into nothingness, to sneak it across the threshold of that other abstraction, so crushing in its immensity: the threshold of nothingness. I have therefore tried to condense this abstraction, to condense it by force of will, faith, intelligence, madness, and love (self-love), to condense it so drastically that its specific weight will be such as to life it like a balloon and carry it beyond the reach of darkness and oblivion. If nothing else survives, perhaps my material herbarium or my notes or my letters will live on, and what are they but condensed, materialized idea; materialized life: a paltry, pathetic human victory over immense, eternal, divine nothingness. Or perhaps--if all else is drowned in the great flood--my madness and my dream will remain like a northern light and a distant echo. Perhaps someone will see that light or hear that distant echo, the shadow of a sound that was once, and will grasp the meaning of that light, that echo. Perhaps it will be my son who will someday publish my notes and my herbarium of Pannonian plants (unfinished and incomplete, like all things human). But anything that survives death is a paltry, pathetic victory over the eternity of nothingness--a proof of man's greatness and Yahweh's mercy. Non omnis moriar.

Friendship is often the special catalyst required for us to reach our aims. Whether you’re trying to finish college or run a marathon, having a friend beside you, pursuing the same objective, eases and quickens the journey. One study provides a particularly touching metaphor for the concept while proving its strength: Researchers had subjects wear backpacks while standing at the bottom of a hill. They then estimated the hill’s steepness. Some were next to friends, and others stood alone. Being with friends made subjects perceive the hill as less steep; being with long-term friends decreased their estimate of the hill’s steepness even more.

How could she have reacted like that? She didn’t understand what had come over her. She’d felt his passion and her own. It made her anxious. On edge. For something. Something that made her skin prickle whenever he was in the room with her. Indeed, she found it difficult to concentrate when he was around. He was big and strong and smelled incredible. She wanted to curl up against his chest and never leave. She’d never had such strong urges. But then again, she’d never met a man who made her feel so protected simply by his solid presence and his confident command of everything around him. His strength was strangely soothing. She couldn’t remember a time in her life when she’d felt so…content.

Runach took the book in hand and went to look for that Bruadarian lass, who was likely having a conversation with the flora and fauna of his grandfather's garden... He just hadn't expected her to be singing. It wasn't loud singing, though he could hear it once he'd wandered the garden long enough to catch sight of her, standing beneath a flowering linden tree, holding a blossom in her hand. Runach came to a skidding halt and gaped at her. Very well, so he had ceased to think of her as plain directly after Gobhann, and he had been struggling to come up with a worthy adjective ever since. He supposed he might spend the rest of his life trying, and never manage it. It was difficult to describe a dream. He had to sit down on the first bench he found, because he couldn't stand any longer. He wondered if the day would come where she ceased to surprise him with the things she did. Her song was nothing he had ever heard before, but for some reason it seemed familiar in a way he couldn't divine. It was enough for the moment to simply sit there and watch as she and the tree--and several of the flowers, it had to be said--engaged in an ethereal bit of music making. It was truthfully the most beautiful thing he had ever heard, and that was saying something, because the musicians who graced his grandfather's hall were unequalled in any Elvish hall he'd ever visited. And then Runach realized why what she was doing sounded so familiar. She was singing in Fadaire. He grasped for the rapidly disappearing shreds of anything resembling coherent thought, but it was useless. All he could do was sit on that very cold bench and listen to a woman who had hardly set foot past her place of incarceration, sing a song in his mother's native tongue, that would have brought any elf in the vicinity to tears if they had heard it. He knew because it was nigh onto bringing him to that place in spite of his sorry, jaded self.