Floor And Decor Quotes

Why must it be so hard For us to come to understand, That there are things we cannot change Hidden amongst the things we can? For we can rearrange our hearts, Dust out the corners of our minds, We can teach our eyes to see Only the things we wish to find. Yet once we decorate our walls And sweep our sorrows off the floor, Why do we look to someone else, To show us how we can be more? For here is where the line Between our can and can't gets tough, Just the point at which we all must learn That we are already enough, That since we cannot choose the home, Our only soul was born into, We should rearrange its rooms But learn to love its window's view.

But the floor retained an unparalleled measure of excellence with a decorative array of ceramic tiles precisely laid by an anonymous Muslim artisan with limitless patience, pride, or skill.  He left behind an ornate work of art in a short, squat, non-descript building near the most dangerous piece of real estate on the planet.  Silva often wondered how an architect so careless came to work with a craftsman so precise.  Looking at that floor, she often thought that if everyone applied just a fraction of his dedication to their own work, it might cancel out the hatred driving the destruction.

The room was a compact, informal library. Books stood or were stacked on the shelves that ran along two walls from floor to ceiling, sat on the tables like knickknacks, trooped around the room like soldiers. They struck Malory as more than knowledge or entertainment, even more than stories or information. They were colour and texture, in a haphazard yet somehow intricate decorating scheme. The short leg of the L-shaped room boasted still more books, as well as a small table that held the remains of Dana's breakfast. With her hands on her hips, Dana watched Malory's perusal of her space. She'd seen the reaction before. 'No I haven't read them all, but I will.And no I don't know how many I have. Want coffee?' Let me just ask this. Do you ever actually use the services of the library?' Sure, but I need to own them. If I don't have twenty or thirty books right here, waiting to be read, I start jonesing. That's my compulsion.

When he concentrated, a miniature tornado swirled around its three points, getting faster and larger the more he focused. When he planted the spear on the ground, the floor of the pit began to shake and crak. "Best weapon,"he announced." Right here." Brontes tossed them a third item. Hades caught this one-a gleaming bronze war helmet decorated with scenes of death and destruction. "You get weapons" Hades grumbled. "i get a hat

We followed the bondage Bobbsey Twins across the crowded dance floor. Those leather shorts were an adventure from behind, let me tell you. And the pictures of Elvis decorating the walls were an education, too. It wasn’t often you ran into a bondage/Elvis/ whorehouse-themed vampire club.

If there was magic in this world, it happened within sight of the three bases and home plate. All the gems in my world that decorated the walls and floors of dragons' lairs, the sword hilts of privileged princes, and crowns worn by emperors and kings, were nothing compared to the beauty and splendor of the diamond in Wrigley Stadium. It wasn't just a yard with dirt, chalk lines, bases, and a small hill in its center. Wrigley was a field of dreams. Dreams of eternal glory for the men who ran to the outfield, who took their respective bases, and prepared for battle against those who would dare enter their hallowed realm. Dreams for the kids in the stands, all wanting to don a uniform, kiss their moms goodbye, and wield their bats as enchanted weapons destined to knock the cover off the ball. And for the adults who had already selected their lot in life, Wrigley made the dreams of past innocence, lost wonder, and the promise that there was something inherently good still left in the world, come true. Yeah, corny as hell. But all true.

At age ten, I set out to find a Qur’an teacher who could open a gateway into this unknown world. Every other day after school I would ride the bus for an hour to study with a young African scholar for two-hour sessions. He sat opposite me cross-legged on the floor, our knees touching. I was captivated by the huge bookcases behind him laden with decorated Arabic tomes. My teacher placed a large blue book between us and began guiding me to read the opening chapter of the Qur’an. In our first session, it took two hours just to limp through the first line as I struggled to precisely pronounce the letters.

Placidity and order and everything in its place, with a decorous and sanctioned violence going on underneath everything, like a heavy, brutal shoe tapping out the rhythm on a carpeted floor.

The scrubbed oak table and the pots of herbs and geraniums growing on the windowsill, the old willow-pattern china standing on the dresser, a jug filled with peonies spilling petals on the floor.

Paperback and buckram books decorated the floor, torn open to leave loose pages lying about like the useless guts of an eviscerated animal. Fury smoldered deep down inside my stomach, as if I were looking at heaps of dead children lying about the room instead. Books were my children. It was sacrilegious. Hundreds

Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.

Mary's reading list betrayed her passion for forensics and detective novels. There were so many scientific journals and books randomly strewn around her little one-room apartment that it looked like the Great White Hurracane had struck inside. It's all part of my decorating scheme Mary would quip. This may look like the work of a slob, but if you look closer, you'll realize it's my way of giving color to an awfully drab floor.

First, I see her catch the scent. It's a combination of many things; the Christmas tree in the corner; the musty aroma of old house; orange and clove; ground coffee; hot milk; patchouli; cinnamon- and chocolate, of course; intoxicating, rich as Croesus, dark as death. She looks around, sees wall hangings, pictures, bells, ornaments, a dollhouse in the window, rugs on the floor- all in chrome yellow and fuchsia-pink and scarlet and gold and green and white. It's like an opium den in here, she almost says, then wonders at herself for being so fanciful. In fact she has never seen an opium den- unless it was in the pages of the Arabian Nights- but there's something about the place, she thinks. Something almost- magical.

I remembered all the Christmases we’d celebrated, always with a huge tree, situated next to the staircase where I now sat. As a child, I’d sat upon that same step, huddled up against the balus- ters, studying the tree, its shape and decorations; enthralled by the magical light and shadows upon the walls around me. Dancing. Over Christmas the only light in the hallway had come from the silver candelabra burning on the hallway table. But on Christmas Eve and Christmas Day night small candles were attached to the branches of the tree, their soft light reflected in the vast chande- lier suspended high above and thrown back across the walls like stars across the universe. I remembered the smell, that mingling of pine and wax and burning logs: the smell of home, the smell of happiness. I’d sat there in my nightgown, listening to the chime of crystal; the laughter, music and voices emanating from another room, an adult world I could only imagine. And always hoping for a glimpse of Mama, as she whooshed across the marble floor, beautiful, resplendent . . . invincible.

The offices are decorated with neon-Louis XVI furniture and are dominated by grey, Mr. Dior’s favourite colour when he opened the famous house on avenue Montaigne back in 1947. The design is even more stunning than I remembered: both chic and understated, with lots of open space –the apex of luxury. The silk curtains dressing the window fall to the floor like ball gowns, delicate silver vases holding pink roses have been artfully placed throughout the room, and grey and white settees and oval-backed chairs provided artful seating areas.

Beauty had just squatted under one of the chairs lining the hallway. A small trickle was creeping across the marble floor. 'She's too intelligent to pay mind to me,' Lady Sylvia said blandly. 'All three dogs are French, and they behave just like Frenchmen. Decorative but peevish.

It's Also Tradition to Wear White,I Study Myself in The Mirror Now,as Annabelle Curls My Hair. My Dress is Strapless,Layers of ivory chiffon Floating to The Floor.a Necklace of Diamonds and Rubies Sparkles at My Throat Garnet Leans Against The Newel Post and Whistles As I Come Down The Stairs. My Cheeks Flush. Have You Been To The Royal Palace Yet? Garnet Asks Me.I Stare at Him for a Second Wondering if He's Joking. Yes, I Say Slowly. You Bumped Into Me at The Exetor's Ball. Did I? Garnet's Eyebrows Pinch Together. Huh Well,You Haven't Seen Anytging Until You've Seen The Winter Ball Decorations. We are Escorted to a Extension Made Entirely of Glass. It is Lit with Thousands of Candles. Giving The Room a Beautiful Golden Glow. The Floor is Made Out Of Blue Glass and Enormous Ice Sculptures Glitter in The Flickering Light. I See What Garnet Meant-The Whole Effect is Magnificent.

It's Also Tradition to Wear White,I Study Myself in The Mirror Now,as Annabelle Curls My Hair. My Dress is Strapless,Layers of ivory chiffon Floating to The Floor.a Necklace of Diamonds and Rubies Sparkles at My Throat Garnet Leans Against The Newel Post and Whistles As I Come Down The Stairs. My Cheeks Flush.  Have You Been To The Royal Palace Yet? Garnet Asks Me.I Stare at Him for a Second Wondering if He's Joking. Yes, I Say Slowly. You Bumped Into Me at The Exetor's Ball. Did I? Garnet's Eyebrows Pinch Together. Huh Well,You Haven't Seen Anything Until You've Seen The Winter Ball Decorations. We are Escorted to a Extension Made Entirely of Glass. It is Lit with Thousands of Candles. Giving The Room a Beautiful Golden Glow. The Floor is Made Out Of Blue Glass and Enormous Ice Sculptures Glitter in The Flickering Light. I See What Garnet Meant-The Whole Effect is Magnificent.” 

principal courtyard, which was very large, with walks encircling it under arcades in the old Florentine fashion, and gardens planted with magnificent trees. In the dining-room, a long and superb gallery which was situated on the ground-floor and opened on the gardens, M. Henri Puget had entertained in state, on July 29, 1714, My Lords Charles Brulart de Genlis, archbishop; Prince d'Embrun; Antoine de Mesgrigny, the capuchin, Bishop of Grasse; Philippe de Vendome, Grand Prior of France, Abbe of Saint Honore de Lerins; Francois de Berton de Crillon, bishop, Baron de Vence; Cesar de Sabran de Forcalquier, bishop, Seignor of Glandeve; and Jean Soanen, Priest of the Oratory, preacher in ordinary to the king, bishop, Seignor of Senez. The portraits of these seven reverend personages decorated this apartment; and this memorable date, the 29th of July, 1714, was there engraved in letters of gold on a table of white marble.

Naturally, Wendell's apartments are absurdly comfortable, and somehow there is the atmosphere of a forest about them, though I know this makes little sense. The ceilings are very high, rather like the canopy of an ancient grove--- I suspect he has enchanted them somehow--- and always there is the sound of rustling leaves, though this abruptly ceases if you listen too closely. I would have expected a lot of luxurious frippery from faerie royalty, but his furnishings are simple--- a scattering of sofas, impossible soft; a huge oak table; three magnificent inglenook fireplaces; and a great deal of empty floor through which an impossible little breeze is always stirring, smelling of moss. For decoration there is the mirror from Hrafnsvik with the forest reflected inside it and a few silver baubles, sculptures and vases and the like, which catch the light in unexpected ways, but that's it. And, of course, the place is so clean one feels one may sully it by breathing too hard.

The skeleton's lodgings had an ancient head and modern feet. The ceiling was the sky, the floor the earth. It was painted white and decorated with snowballs in which a heart beat. He looked like a transparent monument dreaming of an electric breast, and gazed without eyes, with a pleasant and invisible smile, into the inexhaustible supply of silence that surrounds our star.

The new High King of Faerie lounges on his throne, his crown resting at an insouciant angle, his long, villainously scarlet cloak pinned at his shoulders and sweeping the floor. An earring shines from the peak of one pointed ear. Heavy rings glitter along his knuckles. His most ostentatious decoration, however, is his soft, sullen mouth. It makes him look every bit the jerk that he is.

The incident made her remember the story she had heard about the girl who was raised in a room with no horizontal lines. She couldn't recall whether the story was true or simply a thought experiment, but the room, as she remembered it, was decorated with a series of black verticle stripes on the walls, and the floor and ceiling were curved to give the illusion that the verticle stripes were continuous. On the child's first birthday, the story went, she was taken out of the room. She had learned how to recognize verticle forms, but not horizontal ones, so that if she was situated on a table, say, or a platform, she would crawl right off the edge, but she would never run into the corner of a wall or the leg of a chair. Her condition lasted for about a month before her visual sense finally corrected itself.

There’s No Place Like Home,” an oil painting of a woman sprawled out on the floor, half of her painted brown, the other half white, with each half of her body in a differently decorated room. One half was a traditional British home, the other half a Persian one with ornate carpets and gold details glittering on the shelves. Catholic symbols mixed with the elements of nature. Mixed. A dichotomy of two colliding worlds, two pieces of a whole.

The interior looked like I expected. Two rooms--a main one and a tiny bedroom. Dusty stuffed fish and moth-eaten elk heads on bare walls. A wood plank floor that seemed as if it hadn’t been swept in years. Cobwebs decorating the ceiling. Furniture that would have been rejected by Goodwill. Mouse droppings everywhere. A few dark furry bat forms hung from the upper eaves. In the city, the place would have been condemned as a public health hazard. Here, it was just a typical hunting shack.

It was dim inside, the only light filtering in through small windows. For a moment I hesitated, and said a prayer, inaudible, inarticulate, yet real. Then I looked around. That scene will remain with me forever. Each casket was draped with a beautiful American flag. Never before had the flag seemed to have such sublime significance and beauty. About the walls were other flags, American and French; flower petals had been scattered over the floor, and outside I could hear the band playing a hymn.

He peeled out the banknotes from inside a billfold held on a chain and paid her. Andy Jackson’s eyes were X’d out. For an edgy instant she wondered if his money was counterfeit. She also noted his missing middle finger, and a skull tattoo decorated his sinewy wrist. She put down the card key. “You’re in Seven, straight down the courtyard.” He slid the card key off, but it fell to the floor. "Oops. I haven’t gotten used to this high gravity.” “I beg your pardon?” “Nothing. I’m just punchy from all the driving.

I’ll find you something else to read. Catch.” He let it fall without looking, and Tessa had to dart forward to seize it before it hit the floor. It was a large squarish volume bound in dark blue velvet. There was a pattern cut into the velvet, a swirling symbol reminiscent of the marks that decorated Will’s skin. The title was stamped on the front in silver: The Shadowhunter’s Codex. Tessa glanced up at Will. “What is this?” “I assumed you’d have questions about Shadowhunters, given that you’re currently inhabiting our sanctum sanctorum, so to speak. That book ought to tell you anything you want to know—about us, about our history, even about Downworlders like you.” Will’s face turned grave. “Be careful with it, though. It’s six hundred years old and the only copy of its kind. Losing or damaging it is punishable by death under the Law.” Tessa thrust the book away from her as if it were on fire. “You can’t be serious.” “You’re right. I’m not.” Will leaped down from the ladder and landed lightly in front of her. “You do believe everything I say, though, don’t you? Do I seem unusually trustworthy to you, or are you just a naïve sort?

He hadn’t even any satisfaction in the new water-cooler! And it was the very best of water-coolers, up-to-date, scientific, and right-thinking. It had cost a great deal of money (in itself a virtue). It possessed a nonconducting fiber ice-container, a porcelain water-jar (guaranteed hygienic), a drip-less non-clogging sanitary faucet, and machine-painted decorations in two tones of gold. He looked down the relentless stretch of tiled floor at the water-cooler, and assured himself that no tenant of the Reeves Building had a more expensive one, but he could not recapture the feeling of social superiority it had given him.

Dashiel’s jacket slid off his shoulders to land on the floor as he headed straight to the kitchen, fumbled in the cabinet for a glass and poured sake into it until the liquid spilt over the brim onto the counter. His hand shook as he picked up the glass, spilling more of the sake to trickle between his knuckles as he brought it to his lips. A single droplet sloshed onto his tongue. The sweet nectar of oblivion. The harbinger of a fog rolling in to sweep away the pain in favor of blissful stupor— —he hurled the glass across the room. It shattered on impact with the far sturdier window glass, and a hundred tiny shards joined the sake in decorating the floor.

Deacon met my glare with an impish grin. “Anyway, did you celebrate Valentine’s Day when you were slumming with the mortals?” I blinked. “Not really. Why?” Aiden snorted and then disappeared into one of the rooms. “Follow me,” Deacon said. “You’re going to love this. I just know it.” I followed him down the dimly-lit corridor that was sparsely decorated. We passed several closed doors and a spiral staircase. Deacon went through an archway and stopped, reaching along the wall. Light flooded the room. It was a typical sunroom, with floor-to-ceiling glass windows, wicker furniture, and colorful plants. Deacon stopped by a small potted plant sitting on a ceramic coffee table. It looked like a miniature pine tree that was missing several limbs. Half the needles were scattered in and around the pot. One red Christmas bulb hung from the very top branch, causing the tree to tilt to the right. “What do you think?” Deacon asked. “Um… well, that’s a really different Christmas tree, but I’m not sure what that has to do with Valentine’s Day.” “It’s sad,” Aiden said, strolling into the room. “It’s actually embarrassing to look at. What kind of tree is it, Deacon?” He beamed. “It’s called a Charlie Brown Christmas Tree.” Aiden rolled his eyes. “Deacon digs this thing out every year. The pine isn’t even real. And he leaves it up from Thanksgiving to Valentine’s Day. Which thank the gods is the day after tomorrow. That means he’ll be taking it down.” I ran my fingers over the plastic needles. “I’ve seen the cartoon.” Deacon sprayed something from an aerosol can. “It’s my MHT tree.” “MHT tree?” I questioned. “Mortal Holiday Tree,” Deacon explained, and smiled. “It covers the three major holidays. During Thanksgiving it gets a brown bulb, a green one for Christmas, and a red one for Valentine’s Day.” “What about New Year’s Eve?” He lowered his chin. “Now, is that really a holiday?” “The mortals think so.” I folded my arms. “But they’re wrong. The New Year is during the summer solstice,” Deacon said. “Their math is completely off, like most of their customs. For example, did you know that Valentine’s Day wasn’t actually about love until Geoffrey Chaucer did his whole courtly love thing in the High Middle Ages?” “You guys are so weird.” I grinned at the brothers. “That we are,” Aiden replied. “Come on, I’ll show you your room.” “Hey Alex,” Deacon called. “We’re making cookies tomorrow, since it’s Valentine’s Eve.” Making cookies on Valentine’s Eve? I didn’t even know if there was such a thing as Valentine’s Eve. I laughed as I followed Aiden out of the room. “You two really are opposites.” “I’m cooler!” Deacon yelled from his Mortal Holiday Tree room

As long as I’m earning money and I stay inside my limits, everyone’s happy. What’s more, it makes me top earner in the firm. Do you see this office? The boss of Barclays Thailand used to sit here. You might be wondering why a lousy broker like me is here. It’s because there’s only one thing that counts in a brokerage company: how much money you earn. Everything else is decoration. Bosses, too. They’re only administrators who are dependent on those of us in the market to keep their jobs and salaries. My boss has now moved to a comfortable office on the floor below because I threatened to go to a competitor with all my clients if I didn’t get a better bonus agreement. And this office.

The gnarled pine, I would have said, touch it. This is China. Horticulturalists around the world have come to study it. Yet no one has ever been able to explain why it grows like a corkscrew, just as no one can adequately explain China. But like that tree, there it is, old, resilient, and oddly magnificent. Within that tree are the elements in nature that have inspired Chinese artists for centuries: gesture over geometry, subtlety over symmetry, constant flow over static form. And the temples, walk and touch them. This is China. Don't merely stare at these murals and statues. Fly up to the crossbeams, get down on your hands and knees, and press your head to the floor tiles. Hide behind that pillar and come eye to eye with its flecks of paint. Imagine that you are the interior decorator who is a thousand years in age. Start with a bit of Tibetan Buddhism, plus a dash each of animism and Taoism. A hodgepodge, you say? No, what is in those temples is an amalgam that is pure Chinese, a lovely shabby elegance, a glorious new motley that makes China infinitely intriguing. Nothing is ever completely thrown away and replaced. If one period of influence falls out of favor, it is patched over. The old views still exist, one chipped layer beneath, ready to pop through with the slightest abrasion. That is the Chinese aesthetic and also its spirit. Those are the traces that have affected all who have traveled along China's roads.

What the hell is that?' Cassian was grinning that next evening as he waved a hand toward the pile of pine boughs dumped on the ornate red rug in the centre of the foyer. 'Solstice decorations. Straight from the market.' Snow clung to his broad shoulders and dark hair, and his tan cheeks were flushed with cold. 'You call that a decoration? He smirked. 'A heap of pine in the middle of the floor is Night Court tradition.' I crossed my arms. 'Funny.' 'I'm serious.' I glared, and he laughed. 'It's for the mantels, the banister, and whatever else, smartass. Want to help?' He shrugged off his heavy coat, revealing a black jacket and shirt beneath, and hung it in the hall closet. I remained where I was and tapped my foot. 'What?' he said, brows rising. It was rare to see Cassian in anything but his Illyrian leathers, but the clothes, while not as fine as anything Rhys or Mor usually favoured, suited him. 'Dumping a bunch of trees at my feet is really how you say hello these days? A little time in that Illyrian camp and you forget all your manners.' Cassian was on me in a second, hoisting me off the ground to twirl me until I was going to be sick. I beat at his chest, cursing at him. Cassian set me down at last. 'What did you get me for Solstice?' I smacked his arm. 'A heaping pile of shut the hell up.' He laughed again, and I winked at him. 'Hot cocoa or wine?' Cassian curved a wing around me, turning us toward the cellar door. 'How many good bottles does little Rhysie have left?

On Monday morning, she called me into her bedroom. Her dark hair was tousled, her light robe very feminine against the soft blue of her bed. Her eyes were full of mischief. “Oh, Mr. West,” she whispered in her beguiling child’s voice. “I’ve gotten myself into something. Can you help me get out of it?” “What can I do?” I asked, wondering who was next in line to be fired. “I’ve invited someone to stay here,” she said, “but now we’ve changed our minds.” She cast a glance in the direction of the President’s bedroom. “Could you help us cook up something so we can get out of having her as a houseguest?” Without waiting for a reply, she rushed on, her request becoming a command in mid-breath. “Would you fix up the Queen’s Room and the Lincoln Room so that it looks like we’re still decorating them, and I’ll show her that our guest rooms are not available.” Her eyes twinkled, imagining the elaborate deception. “The guest rooms will be redecorated immediately,” I said, and almost clicked my heels. I called Bonner Arrington in the carpenter’s shop. “Bring drop-cloths up to the Queen’s Room and Lincoln Bedroom. Roll up the rugs and cover the draperies and chandeliers, and all the furniture,” I instructed. “Oh yes, and bring a stepladder.” I called the paint shop. “I need six paint buckets each for the Queen’s Room and the Lincoln Room. Two of the buckets in each room should be empty—off-white—and I need four or five dirty brushes.” I met the crews on the second floor. “Now proceed to make these two rooms look as if they’re being redecorated,” I directed. “You mean you don’t want us to paint?” said the painters. “No,” I said. “Just make it look as if you are.” The crew had a good time, even though they didn’t know what it was all about. As I brought in the finishing touches, ashtrays filled with cigarette butts, Bonner shook his head. “Mr. West, all I can say is that this place has finally got to you,” he said. That evening the President and Mrs. Kennedy entertained a Princess for dinner upstairs in the President’s Dining Room. Before dinner, though, President Kennedy strolled down to the East Hall with his wife’s guest. He pointed out the bedraped Queen’s Room. “… And you see, this is where you would have spent the night if Jackie hadn’t been redecorating again,” he told the unsuspecting lady. The next morning, Mrs. Kennedy phoned me. “Mr. West, you outdid yourself,” she exclaimed. “The President almost broke up when he saw those ashtrays.

Come for a walk, dear. The air will do you good." Raoul thought that she would propose a stroll in the country, far from that building which he detested as a prison whose jailer he could feel walking within the walls... the jailer Erik... But she took him to the stage and made him sit on the wooden curb of a well, in the doubtful peace and coolness of a first scene set for the evening's performance. On another day, she wandered with him, hand in hand, along the deserted paths of a garden whose creepers had been cut out by a decorator's skillful hands. It was as though the real sky, the real flowers, the real earth were forbidden her for all time and she condemned to breathe no other air than that of the theatre. An occasional fireman passed, watching over their melancholy idyll from afar. And she would drag him up above the clouds, in the magnificent disorder of the grid, where she loved to make him giddy by running in front of him along the frail bridges, among the thousands of ropes fastened to the pulleys, the windlasses, the rollers, in the midst of a regular forest of yards and masts. If he hesitated, she said, with an adorable pout of her lips: "You, a sailor!" And then they returned to terra firma, that is to say, to some passage that led them to the little girls' dancing-school, where brats between six and ten were practicing their steps, in the hope of becoming great dancers one day, "covered with diamonds..." Meanwhile, Christine gave them sweets instead. She took him to the wardrobe and property-rooms, took him all over her empire, which was artificial, but immense, covering seventeen stories from the ground-floor to the roof and inhabited by an army of subjects. She moved among them like a popular queen, encouraging them in their labors, sitting down in the workshops, giving words of advice to the workmen whose hands hesitated to cut into the rich stuffs that were to clothe heroes. There were inhabitants of that country who practiced every trade. There were cobblers, there were goldsmiths. All had learned to know her and to love her, for she always interested herself in all their troubles and all their little hobbies. She knew unsuspected corners that were secretly occupied by little old couples. She knocked at their door and introduced Raoul to them as a Prince Charming who had asked for her hand; and the two of them, sitting on some worm-eaten "property," would listen to the legends of the Opera, even as, in their childhood, they had listened to the old Breton tales.

Were not the bars of darkness in the room, and the yellow pools which chequered the floor, made by the sun falling through the stained glass of a vast coat of arms in the window? Orlando stood now in the midst of the yellow body of an heraldic leopard. When he put his hand on the windowsill to push the window open, it was instantly coloured red, blue, and yellow like a butterfly’s wing. Thus, those who like symbols, and have a turn for the deciphering of them, might observe that though the shapely legs, the handsome body, and the well-set shoulders were all of them decorated with various tints of heraldic light, Orlando’s face, as he threw the window open, was lit solely by the sun itself. A more candid, sullen face it would be impossible to find. Happy the mother who bears, happier still the biographer who records the life of such a one!

I DIDN’T START OUT AS A BOOK LOVER,” admits Phillip Lim. “Initially, it was more about pragmatism: seeking knowledge having to do with research on work, on my interiors, building a home, even a word I wanted to understand more. But what I love about books is, once you start, you get to go deeper and deeper and deeper into a subject, and from there you go to another book, and another book, and soon after, you have a wall of books. And then you have two walls of books. And then—” The designer indicates the floor-to-ceiling bookcases that serve as the focal point of his loft apartment. “Books are how I learn,” Lim continues, “but I’m not nostalgic. I hate to look back; books inform you, but then they also become decoration. That may sound horrible to a true book lover, but I feel I honor them by making these objects part of my aesthetic world.” PHILLIP LIM

She took me through the parlors and the kitchen, and I marveled at the beautiful ceiling molding, the wooden banisters up to the second floor, the crystalline chandelier in the dining room. The furniture was tasteful and sparse, plastic over the fainting couches and coffee tables and wingback chairs, so that as they stood in stasis they wouldn't collect dust. The second floor was just as gorgeous, the rooms all themed in different flowers. The yellow daffodil room was my favorite. The wall with the headboard had an entire mural of huge daffodils blooming across it. Junie's handiwork, I was sure. Just like the mural on the side of Frank's Auto Shop, and the logo for the Grumpy Possum, and even Gail's bar scene. She showed me all the different rooms, each with a different flower theme and a different focal color--- lavender and coral and sage. The pink ones--- roses--- matched Junie's pastel hair.

She was getting ready to attach a figure of a longhorn steer wearing a Christmas hat, compliments of Shelley's mother's Texas collection -- and thinking of how fun it was to see decoration from the various newcomers to the pack -- when she heard Guthrie shouting. Deep, frustrated showing. And cursing. Claws scrambled on the stone floor, boots tromped at a run toward the great hall, and then disaster struck. Women shrieked and shouted, but Calla was on the other side of the tree where she couldn't see the commotion. But then she saw the twelve-foot tree toppling over -- right toward her. Before she could get out of the way, something hit her hard from the side and slammed her against the floor. Just before the tree landed on top of them. He was on top of her, smelling like the great outdoors, fir tree, and musky, sexy male wolf, Guthrie. "Sorry," he mumbled against her ear, branches framing his head and touching the floor on either side of hers. "I meant to rescue you." She smiled. "From... the tree?

I’m in mid-passage, darling,” he said, beginning to talk like a queen so as to demystify himself, so as to destroy the very qualities John Schaeffer had fallen in love with, “I’m menopausal, change of life, hot flashes, you know. Wondering how much longer I can go without hair transplants and whether Germaine Monteil really works on the crow’s feet. I’ve had it, I’ve been through the mill, I’m a jaded queen. But you, dear, you have that gift whose loss the rest of life is just a funeral for—why else do you suppose those gray-haired gentlemen,” he said, nodding at his friends on the floor, “make money, buy houses, take trips around the world? Why else do they dwindle into a little circle of close friends, a farm upstate, and become in the end mere businessmen, shop-owners, decorators who like their homes filled with flowers and their friends flying in on Air France and someone pretty like you at the dinner table? It is all, my dear, because they are no longer young. Because they no longer live in that magic world that is yours for ten more years. Adolescence in America ends at thirty.

FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.

how he would get to Tronjheim’s base—where the Urgals were breaking in. There was no time to climb down. He looked at the narrow trough to the right of the stairs, then grabbed one of the leather pads and threw himself down on it. The stone slide was smooth as lacquered wood. With the leather underneath him, he accelerated almost instantly to a frightening speed, the walls blurring and the curve of the slide pressing him high against the wall. Eragon lay completely flat so he would go faster. The air rushed past his helm, making it vibrate like a weather vane in a gale. The trough was too confined for him, and he was perilously close to flying out, but as long as he kept his arms and legs still, he was safe. It was a swift descent, but it still took him nearly ten minutes to reach the bottom. The slide leveled out at the end and sent him skidding halfway across the huge carnelian floor. When he finally came to a stop, he was too dizzy to walk. His first attempt to stand made him nauseated, so he curled up, head in his hands, and waited for things to stop spinning. When he felt better, he stood and warily looked around. The great chamber was completely deserted, the silence unsettling. Rosy light filtered down from Isidar Mithrim. He faltered—Where was he supposed to go?—and cast out his mind for the Twins. Nothing. He froze as loud knocking echoed through Tronjheim. An explosion split the air. A long slab of the chamber floor buckled and blew thirty feet up. Needles of rocks flew outward as it crashed down. Eragon stumbled back, stunned, groping for Zar’roc. The twisted shapes of Urgals clambered out of the hole in the floor. Eragon hesitated. Should he flee? Or should he stay and try to close the tunnel? Even if he managed to seal it before the Urgals attacked him, what if Tronjheim was already breached elsewhere? He could not find all the places in time to prevent the city-mountain from being captured. But if I run to one of Tronjheim’s gates and blast it open, the Varden could retake Tronjheim without having to siege it. Before he could decide, a tall man garbed entirely in black armor emerged from the tunnel and looked directly at him. It was Durza. The Shade carried his pale blade marked with the scratch from Ajihad. A black roundshield with a crimson ensign rested on his arm. His dark helmet was richly decorated, like a general’s, and a long snakeskin cloak billowed around him. Madness burned in his maroon eyes, the madness of one who enjoys power and finds himself in the position to use it.

The walls behind the counter had deep floor-to-ceiling shelves for vases and jam jars and scented candles, and there was an old wrought-iron revolving stand for cards. But most of the space in the long, narrow shop was taken up with flowers and plants. Today there were fifty-two kinds of cut blooms, from the tiny cobalt-blue violets that were smaller than Lara's little fingernail to a purple-and-green-frilled brassica that was bigger than her head. The flowers were set out in gleaming metal buckets and containers of every shape and size. They were lined up on the floor three deep and stacked on the tall three-tier stand in the middle of the shop. The plants, huge leafy ferns and tiny fleshy succulents, lemon trees and jasmine bushes and freckled orchids, were displayed on floating shelves that were built at various heights all the way up to the ceiling. Lara had spent weeks getting the lighting right. There were a few soft spotlights above the flower displays, and an antique crystal chandelier hung low above the counter. There were strings of fairy lights and dozens of jewel-colored tea lights and tall, slender lanterns dotted between the buckets. When they were lit, they cast star and crescent moon shapes along the walls and the shop resembled the courtyard of a Moroccan riad- a tiny walled garden right in the middle of the city.

In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening. Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives. My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light. In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide. And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality. What we find exotic abroad may be what we hunger for in vain at home.

At a time when moguls vied to impress people with their possessions, Rockefeller preferred comfort to refinement. His house was bare of hunting trophies, shelves of richly bound but unread books, or other signs of conspicuous consumption. Rockefeller molded his house for his own use, not to awe strangers. As he wrote of the Forest Hill fireplaces in 1877: “I have seen a good many fireplaces here [and] don’t think the character of our rooms will warrant going into the expenditures for fancy tiling and all that sort of thing that we find in some of the extravagant houses here. What we want is a sensible, plain arrangement in keeping with our rooms.”3 It took time for the family to adjust to Forest Hill. The house had been built as a hotel, and it showed: It had an office to the left of the front door, a dining room with small tables straight ahead, upstairs corridors lined with cubicle-sized rooms, and porches wrapped around each floor. The verandas, also decorated in resort style, were cluttered with bamboo furniture. It was perhaps this arrangement that tempted John and Cettie to run Forest Hill as a paying club for friends, and they got a dozen to come and stay during the summer of 1877. This venture proved no less of a debacle than the proposed sanatorium. As “club guests,” many visitors expected Cettie to function as their unlikely hostess. Some didn’t know they were in a commercial establishment and were shocked upon returning home to receive bills for their stay.

I stared through the front door at Barrons Books and Baubles, uncertain what surprised me more: that the front seating cozy was intact or that Barrons was sitting there, boots propped on a table, surrounded by piles of books, hand-drawn maps tacked to the walls. I couldn’t count how many nights I’d sat in exactly the same place and position, digging through books for answers, occasionally staring out the windows at the Dublin night, and waiting for him to appear. I liked to think he was waiting for me to show. I leaned closer, staring in through the glass. He’d refurnished the bookstore. How long had I been gone? There was my magazine rack, my cashier’s counter, a new old-fashioned cash register, a small flat-screen TV/DVD player that was actually from this decade, and a sound dock for my iPod. There was a new sleek black iPod Nano in the dock. He’d done more than refurnish the place. He might as well have put a mat out that said WELCOME HOME, MAC. A bell tinkled as I stepped inside. His head whipped around and he half-stood, books sliding to the floor. The last time I’d seen him, he was dead. I stood in the doorway, forgetting to breathe, watching him unfold from the couch in a ripple of animal grace. He crammed the four-story room full, dwarfed it with his presence. For a moment neither of us spoke. Leave it to Barrons—the world melts down and he’s still dressed like a wealthy business tycoon. His suit was exquisite, his shirt crisp, tie intricately patterned and tastefully muted. Silver glinted at his wrist, that familiar wide cuff decorated with ancient Celtic designs he and Ryodan both wore. Even with all my problems, my knees still went weak. I was suddenly back in that basement. My hands were tied to the bed. He was between my legs but wouldn’t give me what I wanted. He used his mouth, then rubbed himself against my clitoris and barely pushed inside me before pulling out, then his mouth, then him, over and over, watching my eyes the whole time, staring down at me. What am I, Mac? he’d say. My world, I’d purr, and mean it. And I was afraid that, even now that I wasn’t Pri-ya, I’d be just as out of control in bed with him as I was then. I’d melt, I’d purr, I’d hand him my heart. And I would have no excuse, nothing to blame it on. And if he got up and walked away from me and never came back to my bed, I would never recover. I’d keeping waiting for a man like him, and there were no other men like him. I’d have to die old and alone, with the greatest sex of my life a painful memory. So, you’re alive, his dark eyes said. Pisses me off, the wondering. Do something about that. Like what? Can’t all be like you, Barrons. His eyes suddenly rushed with shadows and I couldn’t make out a single word. Impatience, anger, something ancient and ruthless. Cold eyes regarded me with calculation, as if weighing things against each other, meditating—a word Daddy used to point out was the larger part of premeditation. He’d say, Baby, once you start thinking about it, you’re working your way toward it. Was there something Barrons was working his way toward doing? I shivered.

The committee looked into one of the most notorious COINTELPRO actions in L.A., the framing of Gerard “Geronimo” Pratt, a Black Panther and a decorated Vietnam vet. Pratt would be imprisoned for twenty-seven years for a murder the FBI knew he didn’t commit. He was in Oakland at the time of the crime, four hundred miles away, at a Black Panther house that the Bureau had wiretapped. It had transcripts of a call he’d made to the Panther headquarters in Los Angeles just hours before the murder. Still, Bureau agents enlisted a federal informant to lie on the stand about Pratt’s involvement. Even before the frame-up, FBI gunmen had attempted to kill Pratt by shooting at him through the window of his apartment; he survived only because a spine injury he’d sustained in the war made it more comfortable to sleep on the floor. Pratt was serving a life sentence when the Church Committee released its landmark findings, confirming what he’d long suspected: LASO and the LAPD were complicit in the COINTELPRO operation. The committee quoted a report that the FBI’s Los Angeles outpost had sent to Hoover himself, advising that “the Los Angeles [Field] Office [of the FBI] is furnishing on a daily basis information to the Los Angeles County Sheriff’s Office Intelligence Division and the Los Angeles Police Department Intelligence and Criminal Conspiracy Divisions concerning the activities of black nationalist groups in the anticipation that such information might lead to the arrest of the militants.” By the Church Committee’s estimation, this meant that Los Angeles law enforcement was guilty of obstructing justice and hindering prosecution.

Laura stands, in another photograph, wearing a two-piece gown, bodice and skirt, from centuries ago. The scarlet material is trimmed in gold brocade. From her waist the skirt billows outward, broad as a spinnaker, and grazes the floor in a huge circle. It fastens in front by a series of cobalt buttons, and she is about to start closing it, but for the moment it gapes open: a vertical window, eight or ten inches wide, runs from her waist to the floor. The gold brocade lines the opening like a ceremonial decoration, a veneration of what lies within. But nothing lies within. Inside the vast regal tent of the garment is darkness. Because of the lighting and pose, Laura’s body seems to end at the belly, to have no stumps at all. The opening exposes a pure emptiness. It is unclear how she is standing, what keeps her upright. The cavern beneath the skirt is illumined just enough to suggest that she isn’t wearing her prosthetics. She stands on no legs, suspended, magical. And that magic, along with her strong jawline turned in profile, endows her with omnipotence. The cavern is at once a universe and a womb. The vertical opening is a vaginal slit, and to slip through it, to slide the body inside the scarlet walls of the tent, to wait inside while she fastens the skirt and encloses you, swallows you, would be to live out the primal fantasy of entering the vagina not only with the penis but with everything from the skull to the toes: to be ensconced, to be consumed. The photograph’s viewer, not its subject, is at risk of disintegrating, coming apart, deliquescing in the lightless world he has longed for, turning to liquid in the womb. Laura, with her half-body, will remain more than intact, more than whole.

What if—” I stopped, swallowing hard. Nope. I couldn’t even say it aloud. We’d figure something else out because we had to. Time for a subject change before I lost it. “What did your mom say?” “Mostly that she thinks my hair is getting too long and I should cut it.” “That’s not helpful.” “That’s my mom for you.” He was trying for humor but his voice caught, and I wondered if he was thinking about how if she left and he didn’t, he’d never ever see her again. “So,” I said, sitting on the floor against the wall as close to the kitchen doorway as I could get without Lend dropping like a rock, “do you want your Christmas present?” “You got me something?” He sounded surprised. “I’ve been working on it for a while.” “I, uh, didn’t find you anything yet. I was actually setting up for your party, not Christmas shopping like I said.” “Being kidnapped by the Dark Queen and then cursed gets you off the hook for a lot. Besides, my birthday party totally counted.” “This isn’t how I wanted our first Christmas to go. We were going to go all out, pick out a Christmas tree on Christmas Eve, decorate it, watch cheesy holiday movies, drink hot chocolate, let my dad make his eggnog and then complain about how disgusting it was, then I was going to deck out my entire room in mistletoe . . .” “Wait, you mean you didn’t plan for us to be stuck in different rooms for the holidays?” “Well, that part’s kind of nice.” I heard his head bang against the wall where he was sitting right on the other side of it from me. “I mean, who wants to actually be able to touch their super hot girlfriend? Overrated.” “I know, right?” I tried to laugh, but it came out choked. I swallowed, forcing my one to come out light. “And I totally dig watching people sleep. It’s so sexy.

Helen wriggled in protest as his hand stole to the back of her skirts. She was wearing a ready-made traveling dress, which fit nicely after a few minor alterations made by one of Mrs. Allenby’s assistants. It was a simple design of light blue silk and cashmere, with a smart little waist-jacket. There was no bustle, and the skirts had been drawn back snugly to reveal the shape of her body. The skirts descended in a pretty fall of folds and pleats, with a large decorative bow placed high on her posterior. To her vexation, Rhys wouldn’t leave the bow alone. He was positively mesmerized by it. Every time she turned her back to him, she could feel him playing with it. “Rhys, don’t!” “I can’t help it. It calls to me.” “You’ve seen bows on dresses before.” “But not there. And not on you.” Reluctantly Rhys let go of her and pulled out his pocket watch. “The train should have departed by now. We’re five minutes late.” “What are you in a rush for?” she asked. “Bed,” came his succinct reply. Helen smiled. She stood on her toes and pressed a quick kiss to his cheek. “We have a lifetime of nights together.” “Aye, and we’ve already missed too many of them.” Helen turned and bent to pick up her small valise, which had been set on the floor. At the same time, she heard the sound of fabric ripping. Before Helen had straightened and twisted to look at the back of her skirts, she already knew what had happened. The bow hung limply, at least half of its stitches torn. Meeting her indignant glance, Rhys looked as sheepish as a schoolboy caught with a stolen apple. “I didn’t know you were going to bend over.” “What am I going to say to the lady’s maid when she sees this?” He considered that for a moment. “Alas?” he suggested. Helen’s lips quivered with unwilling amusement.

The Addams dwelling at 25 West Fifty-fourth Street was directly behind the Museum of Modern Art, at the top of the building. It was reached by an ancient elevator, which rumbled up to the twelfth floor. From there, one climbed through a red-painted stairwell where a real mounted crossbow hovered. The Addams door was marked by a "big black number 13," and a knocker in the shape of a vampire. ...Inside, one entered a little kingdom that fulfilled every fantasy one might have entertained about its inhabitant. On a pedestal in the corner of the bookcase stood a rare "Maximilian" suit of armor, which Addams had bought at a good price ("a bargain at $700")... It was joined by a half-suit, a North Italian Morion of "Spanish" form, circa 1570-80, and a collection of warrior helmets, perched on long stalks like decapitated heads... There were enough arms and armaments to defend the Addams fortress against the most persistent invader: wheel-lock guns; an Italian prod; two maces; three swords. Above a sofa bed, a spectacular array of medieval crossbows rose like birds in flight. "Don't worry, they've only fallen down once," Addams once told an overnight guest. ... Everywhere one looked in the apartment, something caught the eye. A rare papier-mache and polychrome anatomical study figure, nineteenth century, with removable organs and body parts captioned in French, protected by a glass bell. ("It's not exactly another human heart beating in the house, but it's close enough." said Addams.) A set of engraved aquatint plates from an antique book on armor. A lamp in the shape of a miniature suit of armor, topped by a black shade. There were various snakes; biopsy scissors ("It reaches inside, and nips a little piece of flesh," explained Addams); and a shiny human thighbone - a Christmas present from one wife. There was a sewing basket fashioned from an armadillo, a gift from another. In front of the couch stood a most unusual coffee table - "a drying out table," the man at the wonderfully named antiques shop, the Gettysburg Sutler, had called it. ("What was dried on it?" a reporter had asked. "Bodies," said Addams.)...

My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .

There I was, standing on a cold marble floor in a long room and staring at white walls lined with the names of the donors who had contributed to building the library. I was starting to get nervous. What’s going on? Did they forget about me? Suddenly, a huge line of serious-looking Secret Service men with radios in their ears and an attitude that showed they were all-business came into the room. A moment later, I realized why, as they were followed by all five living Presidents and their wives. Barack Obama. Bill Clinton. George Bush. Jimmy Carter. George W. Bush. I froze against the wall like a mannequin. I tried to will myself to be invisible and not get in anyone’s way. George W. Bush, in a black suit and blue-checkered tie, spotted me and caught my eye. I saw him glance down at my prosthetic leg decorated with the American flag as he waved at me and interrupted the conversations going on around him. “Let me introduce you to my friend, Melissa,” he said. All of the Presidents and their wives came over and circled around me. The Secret Service formed a half-circle ring behind them. I was introduced to everybody, one by one. President Bush told everyone about me and my story, and how we had met during the ride at his ranch. I was almost speechless as I managed to say, “Nice to meet you, Mister President,” over and over. I felt like I was in a dream. As the circle dispersed to get back to preparing for the event, President Obama paused to ask me how my life in Chicago was going and about the progress of Dare2Tri. I had no idea how he knew about these things, but we spoke, just the two of us, for a few minutes. “I’m proud of you,” he finally said, getting one of his presidential coins out of his pocket as a gift. President Bush was standing close by, and he put his arm around me as he cracked a joke to put everyone at ease. I noticed Condoleezza Rice had come in and was standing on the opposite end of the room practicing pronouncing the names of all the foreign dignitaries in attendance. It had to be the most surreal moment of my life. I felt like I was exuding pure patriotism, just being in that room with those people. On that day, political views didn’t matter—what was important was that several of our country’s leaders had come together to honor one of their peers, and, by extension, America itself. I had never been prouder to be American.

I have to hand it to you, little Annamuk, this is not what I would have expected." "Why is that?" "It's so, um, romantic." "And you don't think I'm romantic?" "I think you're refreshingly unsentimental. It's what makes you a great builder." "I don't think I follow." He pauses for a moment. "I think that your eye always goes to what will make a home function smoothly, what will make the people who live there comfortable. That is different than the romantic aspect. Romantic people get focused on things like brand names and labels that evoke a certain feel for them, or focused on elements that may or may not work well for their space. Old-world crown molding in a modern loft space, commercial kitchen appliances for a family that doesn't cook, the kinds of touches that actually make a space feel awkward or just off. Your places are always fully kitted out, with amazing attention to detail, and always designed with the actual usage and client in mind." "So why is this different?" "I don't know. Don't get me wrong, it's amazing, and still super-functional, but the chandelier? The painted floor? Very girly." "And I'm not a girl?" Liam looks me dead in my eyes. "No, my darling. You are not now and never have been a girl. You are a woman. Every inch.

I glanced at Darius as we were left alone together. Apparently my attempts to avoid this particular Heir were doomed to fail tonight. Darius looked over my shoulder and his face dipped into a scowl. I followed his gaze and spotted his fiancé Mildred barrelling through the crowd towards us with a frown on her face which melded her eyebrows into one bushy line. “Come on then,” Darius said hastily, leading the way to the door Xavier had taken out of the room. “Where to?” I asked in confusion. The party was in full swing and I was fairly sure we weren’t supposed to be leaving it. Not that I’d ever cared much for rules but it seemed odd that he’d gone to so much trouble to get me here just to sneak me away again. Plus it was probably a good idea for me to get the hell away from him before his toothy bride arrived and tried to snap me in half with her brawny arms. “Xavier said you want some real food,” Darius said suggestively, heading on out without bothering to make sure I was following. I hesitated. I didn’t really want to go anywhere with him but I couldn’t deny the draw I felt to him either. The champagne probably isn’t helping with that. My stomach growled impatiently and I sighed as I gave in to its demands. I snatched another glass of champagne on my way out, quickly drinking it in one gulp before hurrying after him. If alcohol was going to make this decision for me then the least I could do was make sure I consumed plenty of it. I glanced back at Darcy as I left but she was laughing at something Hamish had said and didn’t notice me. Mildred on the other hand looked like she was primed for murder and I hurried out of the room as she began to battle her way across the dance floor with me locked in her sights. Darius led me down corridors with gilded decorations at every turn. Dragons really liked their gold and it was obvious they had plenty of it to spare. “Thank you for cheering Xavier up,” Darius said as he opened the door onto a narrow corridor and led me inside. Thankfully there was no sign of Mildred catching up and I had to hope we’d lost her. A few serving staff squeezed past us carrying trays as we walked, bowing their heads as they spotted the infamous Acrux Heir. “Why did he need cheering up?” I asked curiously. “No reason.” I rolled my eyes at his back. (Tory)

The house is immaculate and boring as fuck. White walls, white floors, white decor. I mean, there’s a slight gray to some of it, but for the most part, it’s all white. It’s the kind of place I’d be too scared to sneeze in on the off chance I accidentally shit myself in the process.

The doll hit the pile of Christmas decorations that the staff had been hanging, knocking a few bells to the floor. I didn’t pick them up because I was in a shitty mood and all the festive decorations going up around the house only served as a reminder that my father never spent the holidays with me. Not even before my mom had died.

the new york headquarters of the international law firm Debevoise & Plimpton occupy ten floors of a sleek black office tower that stands in a grove of skyscrapers in midtown Manhattan. Founded in 1931 by a pair of blue-blooded attorneys who defected from a venerable Wall Street firm, Debevoise became venerable itself, expanding, over the decades, into a global juggernaut with eight hundred lawyers, a roster of blue-chip clients, and nearly $1 billion in annual revenue. The midtown offices bear no trace of the oak-and-leather origins of the firm. Instead, they are decorated in the banal tones of any contemporary corporate office, with carpeted hallways, fishbowl conference rooms, and standing desks. In the twentieth century, power announced itself. In the twenty-first, the surest way to spot real power is by its understatement.

vast expanse of modern gray driftwood flooring—the kind favored by Californians and the decorators of cancer centers.

The loft looked different in the daylight. The cushions against the window seat were a bright mango, the hand-embroidered pillows stitched with the same color in blossoming wildflowers. The artisan had painted floral designs on the dresser, on the wardrobe, and around the floor-length mirror. Outside, the rain had given way to verdant foliage and strong redbrick buildings, interspersed with colorful colonial row houses and Victorian homes.

While he disappeared into the kitchen, Petro’s gaze rose as he took in the moonlit ceiling that stretched up to the second and third floors. Crossed oars and old life buoys decorated the walls. Nets and spears and shelves with the occasional ship in a bottle. High above, an old helm hung from tasteful chains, repurposed into a chandelier.

step: In silence both raised their left arms in a kind of salute and passed straight through, as though the dark metal were smoke. The yew hedges muffled the sound of the men’s footsteps. There was a rustle somewhere to their right: Yaxley drew his wand again, pointing it over his companion’s head, but the source of the noise proved to be nothing more than a pure-white peacock, strutting majestically along the top of the hedge. “He always did himself well, Lucius. Peacocks . . .” Yaxley thrust his wand back under his cloak with a snort. A handsome manor house grew out of the darkness at the end of the straight drive, lights glinting in the diamond-paned downstairs windows. Somewhere in the dark garden beyond the hedge a fountain was playing. Gravel crackled beneath their feet as Snape and Yaxley sped toward the front door, which swung inward at their approach, though nobody had visibly opened it. The hallway was large, dimly lit, and sumptuously decorated, with a magnificent carpet covering most of the stone floor. The eyes of the pale-faced portraits on the walls followed Snape and Yaxley as they strode past. The two men halted at a heavy wooden door leading into the next room, hesitated for the space of a heartbeat, then Snape turned the bronze handle. The drawing room was full of silent people, sitting at a long and ornate table. The room’s usual furniture had been pushed carelessly up against the walls. Illumination came from a roaring fire beneath a handsome marble mantelpiece surmounted by a gilded mirror. Snape and Yaxley lingered for a moment on the threshold. As their eyes grew accustomed to the lack of light, they were drawn upward to the strangest feature of the scene: an apparently unconscious human figure hanging upside down over the table, revolving slowly as if suspended by an invisible rope, and reflected in the mirror and in the bare, polished surface of the table below. None of the people seated underneath this singular sight was looking at it except for a

The room was decorated in a blue-green motif that suggested the ocean setting. Huge windows ran from floor to ceiling on both the port and starboard sides. The moon was bright and glistened on the dark murky sea. The tables were now filled, and captains and waiters bustled as they took orders and carried silver-covered dishes.

since the accident. I don’t know what her problem was. After all, I was a “hero.” At least the newspaper said so. “Hey, Alex,” she said, twirling her ponytail with her pencil. “Oh, hi,” I stammered, looking down at my burger. “You guys sounded really great in the talent show. I didn’t know you could sing like that.” “Uhh, thanks. It must be all the practice I get with my karaoke machine.” Oh God, did I just tell her I sing karaoke? Definitely not playing it cool, I thought to myself. TJ butted in, “Yeah, Small Fry was ok, but I really carried the show with my awesome guitar solo.” He smiled proudly. “Shut up, TJ,” I said, tossing a fry at him, which hit him between the eyes. “Hey, watch it, Baker. Just because you’re a ‘hero’ doesn’t mean I won’t pummel you.” “Yeah, right,” I said, smiling. Emily laughed. “Maybe we could come over during Christmas break and check out your karaoke machine. Right, Danielle?” Danielle rolled her eyes and sighed. “Yeah, whatever.” I gulped. “Uhhh…yeah…that sounds great.” “Ok, give me your hand,” she said. “My hand,” I asked, surprised. “Yep,” she said, grabbing my wrist and opening my palm. “Here’s my number,” she said, writing the numbers 585-2281 in gold glitter pen on my palm.” I will never wash my hand again, I thought to myself. “Text me over break, ok?” she said, smiling brightly. “Yeah, sure,” I nodded, as she walked away giggling with Danielle. “Merry Christmas to me!” I whispered to TJ and Simon. “Yeah, there’s just one problem, Dufus,” TJ said. “Oh yeah, what’s that, TJ? That she didn’t give you her number?” I asked. “No, Dork. How are you going to text her if you don’t have a cell phone?” He smiled. “Oh, right,” I said, slumping down in my seat. “That could be a problem.” “You could just call her on your home phone,” Simon suggested, wiping his nose with a napkin. “Yeah, sure,” TJ chuckled. “Hi Emily, this is Alex Baker calling from the year 1984.” He held his pencil to his ear like a phone.  “Would you like to come over to play Atari? Then maybe we can solve my Rubik’s Cube while we break dance ….and listen to New Kids on the Block.” He was cracking himself up and turning bright red. “Maybe I’ll type you a love letter on my typewriter. It’s so much cooler than texting.” “Shut up, TJ,” I said, smiling. “I’m starting to remember why I didn’t like you much at the beginning of the year.” “Lighten up, Baker. I’m just bustin’ your chops. Christmas is coming. Maybe Santa will feel sorry for your dorky butt and bring you a cell phone.” Chapter 2 ePhone Denied When I got home from school that day, it was the perfect time to launch my cell phone campaign. Mom was in full Christmas mode. The house smelled like gingerbread. She had put up the tree and there were boxes of ornaments and decorations on the floor. I stepped over a wreath and walked into the kitchen. She was baking sugar cookies and dancing around the kitchen to Jingle Bell Rock with my little brother Dylan. My mom twirled Dylan around and smiled. She was wearing the Grinch apron that we had given her last Christmas. Dylan was wearing a Santa hat, a fake beard, and of course- his Batman cape. Batman Claus. “Hey Honey. How was school?” she asked, giving Dylan one more spin. “It was pretty good. We won second place in the talent show.” I held up the candy cane shaped award that Ms. Riley had given us. “Great job! You and TJ deserved it. You practiced hard and it payed off.” “Yeah, I guess so,” I said, grabbing a snicker-doodle off the counter. “And now it’s Christmas break! I bet your excited.” She took a tray of cookies out of the oven and placed

The moment she walked through the bathroom, she dumped her armful of stuff on the floor. She could already see him. The dark fringes of his fins were sticking out of the pipe that led into her private bath. And if she peered a little harder, squinted her eyes to see better, she could see there was a face looking at her through the water. It really was him. Not that Anya had a lot of experience with undines, but she assumed she would be able to recognize this one no matter where he was. Those scars decorating his shoulders, the dark glint in his eyes, all of it hinted at a man possessed by a plan and barely leashed rage. Maybe that was what called to her about him. He was angry, and she was angry, and maybe two monstrous people were supposed to find each other. They’d either end up like a bomb or they would fizzle out beating against each other’s rage.

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The largest apartment in the Dakota belongs to restaurateur Warner LeRoy, the son of movie director Mervyn LeRoy and the nephew of all the Warner brothers. Originally, the LeRoys’ apartment consisted of only ten large rooms on the sixth floor, but when another apartment of the same size became available on the floor immediately above, the LeRoys bought that one too. They persuaded the building to let them construct a staircase between the two apartments, giving them the Dakota’s only duplex, unless one counts Ward Bennett’s split-level pyramid on the roof, the Novaks’ basement studio, and the various sleeping-lofts and balconies that have been inserted between floors here and there. The LeRoy apartment, as might be expected, has been decorated in

The third-floor room was decorated like the American 1970s, complete with an open closet filled with bellbottoms and polyester, and random kitsch like Chia Pets, a waterbed, and bottles of Campari on a sideboard.

Interior Design and Decoration Kaspar von Morgenlatte did an admirable job with your apartment, but the look is somewhat outdated and more than a little disturbing. (If I recall, the design concept was commissioned by your husband in the early 2000s to evoke the Miami Beach bachelor pad of a Bolivian drug cartel kingpin. This was done extremely successfully. I particularly admired the “chalk body outline” mother-of-pearl inlay on the ebony wood floor and the trompe l’oeil “bullet marks” on your master bedroom headboard, but I think that it would be inadvisable to host a children’s birthday party here, especially while those Lisa Yuskavage paintings are still hanging.)

We walked around the other side of the whitewashed barn structure, where the massive antique doors had been opened and adorned with large wreaths made entirely of baby's breath. Inside, every wooden beam in the ceiling was wrapped in lush greenery and dripping in white wisteria blooms. The floor of the barn was covered in faux moss, and benches carved to look like bent tree branches served as seating for the guests. The benches flanked an aisle covered in white rose petals, and at the end of the aisle was an arch made entirely of white dogwood blooms. It was breathtaking and looked exactly like the wedding scene from the Twilight series.

journey he headed directly to it, leaving his tunnel behind him and stopping only when the thinnest film of bark separated the tunnel from the outdoors. Then the larva backs up. Having moved an appropriate distance from the exit, he proceeds to hollow out a chamber not his size but large enough to accommodate the beetle who does not yet exist. The larva’s brush with destiny, however, is not yet done. He seals the chamber at either end with a natural cement produced in his stomach. Now, with doors neatly closed, he rasps down the walls of his sealed chamber to cover the floor with a soft down. Using the same wood-wool, he completes the decor by felting all walls a millimeter thick. Now at last his preparations for the accouchement are finished and he lies down and sheds his skin, becoming a pupa which in turn will become a beetle. But the wonders of instinct have not yet been finally recorded. He lies down always with his head toward the exit. Were he to lie down the wrong way,

I imagine a decorated Christmas tree filling the large one on the main floor. Yes, it’s June, but a girl can dream.

that a person’s bedroom gives three kinds of clues to his or her personality. There are, first of all, identity claims, which are deliberate expressions about how we would like to be seen by the world: a framed copy of a magna cum laude degree from Harvard, for example. Then there is behavioral residue, which is defined as the inadvertent clues we leave behind: dirty laundry on the floor, for instance, or an alphabetized CD collection. Finally, there are thoughts and feelings regulators, which are changes we make to our most personal spaces to affect the way we feel when we inhabit them: a scented candle in the corner, for example, or a pile of artfully placed decorative pillows on the bed.

he withdrew his gun and blew Harry's head apart with one shot. Blood, brains, and gore spurted in clumps in all directions. Without pausing a beat, Raymond put the gun in his mouth and blew his brains out the back of his head. More blood, brains, and gore decorated the wall, the floor, and the ceiling. It also ran down the lens of Bennie’s camera and part of his face.

The woman bent decorously at the knees and laid her briefcase and her stack of papers on the floor. Ratcliffe took a step forward and said, “You three were brought here under false pretenses, obviously. But we didn’t want a lot of fanfare. A little misdirection was better. We want to avoid attention, if we can. At least at the beginning.” And

they had a large holiday tree, beautifully decorated, occupying nearly half of their living room. I’d been surprised last year when they’d asked me to help them get a tree, but I’d learned that this wasn’t a Christmas tree, but a New Year tree. It was the nicest one on our floor, whatever it was called. Irena

The rest of the house had a casual California boho-beach vibe, with its distressed wood floors, ivory furniture, and gauzy curtains, but the bedroom was very Zen. Decorated in a cool palette of sage greens and charcoal grays, with a floor-to-ceiling window along one wall that looked over a tiny tranquility garden of stones and succulents, it was my little oasis.

Sometimes it can feel awkward going into the neighbors his houses. I mean, we really take over their world, not just a room is being read decorated. Participants give up so much control when you're on Trading Spaces. They have to let go of expectations they have for their own room, they have to let go of doing things their way and if seen their house is a home. To some degree, their houses become TV sets. We leave runners on the floor, we keep up with the trash, and we're careful, but there is only so much you can do when every room is filled with TV equipment or catering or make up or supplies, not to mention 20 to 30 people running in and out. And let's not forget the tablesaws, hammers, compressors, and a construction madness going on outside.

It was the middle of the afternoon, on a sunny day in early August of 1952, when we pulled into the bus dock in Bangor, Maine, located next to the Bangor and Aroostook Railroad Station. As I got off, I heard people talking about a moose that had run down the main street that morning, but I had my own problems. The Men’s Room in most bus and railroad terminals leaves a lot to be desired and this one was no exception, but now was not the time to complain. It had the usual disgusting engravings, with information on who would do what to whom, and how they could be contacted. The floor was also decorated with toilet paper, and someone forgot to flush, but my needs were urgent, and so I quickly overcame my inhibitions…. Not long after and much relieved, I emerged from the lavatory and looked around trying to get my bearings. Down the street, parked in front of a “No Parking” sign, I could see a blue school bus with “MMA” painted in white lettering above the windshield. This was my first contact with Maine Maritime Academy, the school that would shape my being for a lifetime.

If there was a dress that could make a fashion-appreciative girl out of me, this was it. The colors shimmered from gunmetal to pewter, reminding me of frost on the hedgerows where the light caught. The V of the neck decoratively dipped towards what Martha told me was an empty line, where organza, the color of stormy skies, fell all the way to the floor.

As Tommy had said, Richard behind his desk was impressive in a way she would never have expected possible. The head offices of this empire occupied four floors of an ancient and ugly building in the City. These offices were of course not where the actual business was done; but rather a showcase for the personalities of Richard and his associates. The decor was tactful and international. One would not have been surprised to see it anywhere in the world. From the moment one entered the great front door, the lift, corridors, waiting rooms, were a long but discreet preparation for the moment one finally entered Richard’s office. The floor was six inches deep in thick dark pile. The walls were of dark glass between white panels. It was lit unemphatically; and apparently from behind the various wall plants that trailed well-tended greenery from level to level. Richard, his sullen and obstinate body cancelled by anonymous suiting, sat behind a desk that looked like a tomb in greenish marble.

They ate at a place called El Rey del Taco. At the entrance there was a neon sign: a kid wearing a big crown mounted on a burro that regularly kicked up its hind legs and tried to throw him. The boy never fell, although in one hand he was holding a taco and in the other a kind of scepter that could also serve as a riding crop. The inside was decorated like a McDonald’s, but in an unsettling way. The chairs were straw, not plastic. The tables were wooden. The floor was covered in big green tiles, some of them printed with desert landscapes and episodes from the life of El Rey del Taco. From the ceiling hung piñatas featuring more adventures of the boy king, always accompanied by the burro. Some of the scenes depicted were charmingly ordinary: the boy, the burro, and a one-eyed old woman, or the boy, the burro, and a well, or the boy, the burro, and a pot of beans. Other scenes were set firmly in the realm of the fantastic: in some the boy and the burro fell down a ravine, in others, the boy and the burro were tied to a funeral pyre, and there was even one in which the boy threatened to shoot his burro, holding a gun to its head. It was as if El Rey del Taco weren’t the name of a restaurant but a character in a comic book Fate happened never to have heard of. Still, the feeling of being in a McDonald’s persisted. Maybe the waitresses and waiters, very young and dressed in military uniforms (Chucho Flores told him they were dressed up as federales), helped create the impression. This was certainly no victorious army. The young waiters radiated exhaustion, although they smiled at the customers. Some of them seemed lost in the desert that was El Rey del Taco. Others, fifteen-year-olds or fourteen-year-olds, tried in vain to joke with some of the diners, men on their own or in pairs who looked like government workers or cops, men who eyed them grimly, in no mood for jokes. Some of the girls had tears in their eyes, and they seemed unreal, faces glimpsed in a dream. “This place is like hell,” he said to Rosa Amalfitano. “You’re right,” she said, looking at him sympathetically, “but the food isn’t bad.

the building. The fat man stopped in the doorway and looked up at the big water tower. “Have a nice day, ya’ll,” he said, and laughed. Or made a sound like laughter that had no mirth, no joy at all in it, a sound that was ugly, dark, and vulgar. Scott’s hands shook for half an hour after the two men left. He felt like he’d been in great danger, that he’d barely escaped with his life—though he’d never tell anybody that, because a simple description of what had happened sounded almost innocent. But Scott knew. He propped the door of the store open for the rest of the day to get the stink out of the building. CHAPTER 27 The banner stretched seventy-five feet across the floor of the Fellowship Hall, proclaiming “Dancing with the Stars” in bright red, sparkling letters. Well, they would sparkle as soon as Emily painted them with Elmer’s Glue and poured glitter on them. First she had to get the helium canister to work so she could finish filling the balloons. Every year, the church held a prom for handicapped teenagers. Emily was the chair of the committee that met on Saturdays to decorate. She loved the event,

The floor is a fifteenth-century revival of medieval Cosmatesque mosaic style. The Cosmati family developed their unmistakable technique in Rome in the twelfth and thirteenth centuries. This decorating style was a fantasy of geometric shapes and swirls in cut pieces of colored glass and marble (much of which was “recycled” from pagan Roman palaces and temples). Stunning examples of authentic Cosmati floors and decorations can be found in some of the oldest and most beautiful churches, basilicas, and cloisters in Rome and southern Italy.

The two- or three-story houses have ground-floor walls made out of whitewashed stone or mud, and upper levels of mud and wood. The narrow windows with their scalloped tops have sliding wooden slats to let in light and shut out the rain or the cold. The exterior walls are decorated with elaborate paintings, in faded blues and reds, of lotus flowers, deer, birds, and giant stylized phalluses (“to ward off evil spirits,” Rita says). Ladder steps lead to heavy wooden doors with irregular latches and locks. The roofs are covered with stone slates, or wooden shingles held down by large stones.

looked around, trying to imagine what it’d be like to work there. The furniture was trendy but functional, and plants gave the area a personal touch. The walls were painted a warm off-white, and they were decorated with framed ads that Elle recognized immediately. Geometric-patterned rugs covered much of the floor. Taken individually, none of it was really her

As she passed Nick’s Bar & Bistro, she felt a moment’s longing, wishing she could stop for a reassuring hug that she knew would be fast in coming. But even more than his comfort, a few hours sleep was in order. She parked outside the Inn, dragged her large suitcase out of the trunk and wheeled it into the lobby. When she stepped up to the check-in counter, a young woman smiled. “Ms. Braxton. Geoff let us know you were on your way. We’ve given you a room on the second floor. Room 204. Just need your signature and a credit card.” “Thanks so much. Everyone in this town is so welcoming.” She forced a smile. “Never seen anything like it.” “My name is Helen Watson,” the young girl replied. “I’m from Nebraska, and I’ve been here for two years. The friendliness is genuine, and it doesn’t get old.” As Jennie’s mother had said, the Inn was small, but charming—English Tudor in style both inside and out. The lobby had a tartan carpet, four plaid high back chairs next to a hearth and fireplace. The walls were decorated with hunting scenes and floral gardens. A small bar was tucked away in the far corner of the

The entrance archway opened onto the vast rotunda of Hyperboree Hall. Its floor was a circular map of the polar regions, where the Arctic seas were made of white marble and the islands were cut-out slabs of polished granite decorated with little figures in minute mosaics, drawn, if Brentford remembered correctly, from the Olaus Magnus and Nicolo Zeno depictions of the North. It mixed almost accurate cartography with phantom islands, mythological monsters, and imaginary people, among whom New Venetians were prone and proud to count themselves.

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That's about when it happens. Coming down the escalator from one Nord floor to the next we see Little Teena has commandeered the grand piano. He's busy busting out Bach to all the bewildered shoppers. Little Teena just doesn't look for Nordstromy sitting there, with his red hair slick up in a pompadour, his girth squeezing out between his black leather jacket and the lip of his jeans, gumball machine rings decorating every single one of his fingers. But it's hen he goes from Bach to Great Balls of Fire that we attract the attention of the Nordfuck's militia.

The grey wall to the right of me had my unfocused eyes attention. The blandness of all four walls and the concrete flooring created a backdrop for my imagination to run wild. Like a blink screen just waiting for a film to start, this bare and depressingly dreary decor did wonderful things for my illusions. I could lay for hours on the floor, staring at seemingly nothing while my mind whirled in a secret place where my reality could not encroach. I'd spend days on end imagining an eleven Kingdom with purple trees and sparkling sapphire oceans. Where I was a guardian of the kingdom, strong and fearless, fighting mythical creatures and villainous traitors. I received adoration from the civilians I was protecting and gratitude from royalty. In this place I was everything I wasn't in the reality. In this place I was wanted. In this place I was alive.

I’ve decided to make you my mistress.” A small thread of temper mixed in with the fear traveling through her veins. “Have you now?” “I bought this building just for you, and had the top floor decorated in a manner I was quite certain, given your dramatic attitude, you’d appreciate.” Lucetta drew in a breath—refusing to allow Silas the satisfaction of even glancing at some of the more gaudy pieces in the room he was pointing out—and waited until he’d run out of words before she lifted her chin another notch. “I’d like to know, if you please, how you came to the conclusion I’d be receptive to the idea of becoming your mistress.” Silas settled back in the chair, folding his hands across a stomach that strained against the buttons of the jacket he was wearing. “Come now, dear. There’s no need to continue playing coy. You’ve led me on a merry chase these past few years, never affording me an audience after your performances, and neglecting to answer the notes I sent asking you to join me for a late-night dinner here or there.” He wiggled a finger in her direction. “You and I know full well that you did so in order to increase your value.” “I wouldn’t be so certain about that.” He continued speaking as if she hadn’t voiced a reply. “I’m willing to allow you to live here, amongst this lavish setting, and will provide you with your very own personal maid, a carriage with matching bays, a driver for that carriage, and . . . give you the pleasure of my company until I tire of you.” She dug her fingernails into the tender skin of her palm so that she wouldn’t be tempted to rake them across the man’s face. “I have my own carriage, thank you very much, as well as a lovely place to stay, and while I’m flattered you want to spend time in my company, I do have a profession I need to get back to. That means I am—regretfully, of course—going to have to refuse your simply charming offer to become your mistress.” Her head snapped back from his slap before she’d even realized he’d gotten up from his chair. Blinking to hold back tears that longed to fall, she lifted her chin and ignored the pain in her cheek as Silas retook his seat and immediately took to staring at her. His eyes were filled with something hot, something she was certain verged on the edge of true insanity, and that insanity chilled her straight through her bones. “It wasn’t an offer, my dear,” he finally said quite pleasantly.

Mrs. Brown, I hurried over as soon as I heard..." Ollie Clark ducked through the low front door and removed his hat as he noticed Lily sitting in the old rocker she had brought with her from Mississippi. His gaze stopped at the child at her feet. "Come in, Mr. Clark, have a seat. You've had word of Jim?" Lily’s breath caught in her lungs as she waited for the words she didn't want to hear. Ollie took the overlarge wing chair that had once decorated a bedroom parlor and wrung his hat between his hands. "No, ma'am, I didn't mean to get your hopes up none. I was talkin' 'bout Cade. The boys were just funnin' about him the other day. He's a drunken half-breed, Mrs. Brown. You don't want the likes of him about the place. Let me explain things to him and send him on his way. It ain't right for a respectable lady like yourself to have to deal with a man like that." "I can't dismiss a man without giving him a chance, Mr. Clark. Even drunk, he's showed more sense than some sober men I could name. If Colonel Martin could use him, I don't see why I can't." He took a deep breath. "He ain't even white, Lily. You'll give me permission to call you Lily?" When she didn't reply, Ollie hurried on. "He's half-Indian, half-Mexican. You'd be better off hiring one of your father's slaves. At least they listen when you whip them. Cade's more likely to turn and kill you. He's done it before. You've got to get him out of here." Ollie was speaking sense from his own point of view. Beneath his placid exterior. Cade undoubtedly had a violent temper. Lily had seen evidence of that already. And Ralph had told her he'd been in prison for killing another man. So Ollie was speaking the truth, but only one side of the truth. Lily knew all about that kind of lie. "I'll give Cade his chance, Mr. Clark. Jim would want it that way." Lily watched gleefully as she used this two-edged sword to make Clark squirm. How many times had she resentfully heard those words when the men wouldn't listen to her? Clark scowled and rose. "Jim wouldn't have taken on a drunken Indian. I'll set about finding you a decent man to help out. You'll be needing him soon enough." He gave the child on the floor another glance, one of puzzlement, but he didn't ask the question that obviously was on his mind. And Lily didn't answer it. Sweetly, she held out her hand and offered her best Southern-belle smile. "I'm so grateful for your concern, Mr. Clark. Please do come and visit sometime. Perhaps you could bring Miss Bridgewater. I'd be happy for the company." The name of the young girl whom the town gossip had Clark courting only brought a milder frown to his handsome face. "That's mighty kind of you, Mrs. Brown. I hope you hear from Jim soon." Lily watched him go with a sigh of relief and a small sense of triumph. She didn't know why Ollie Clark was suddenly so all-fired concerned with her welfare, but surely she had set him properly in his place. Now,

The day before Christmas came. Mama made her clove apple and began baking pies. Papa brought in a fresh pine tree and they decorated it with the beautiful apples. But to Katrina it just didn’t feel like Christmas. Even when she went to bed on Christmas Eve, Papa was still sawing away at the apple tree. On Christmas morning their stocking were filled with oranges, wild hickory nuts, black walnuts, and peppermint sticks. Josie gave Papa and Mama their scarves, and Katrina gave Mama the pincushion. But it still didn’t feel like Christmas to Katrina. Then Papa said, “Now my little ones, turn around and close your eyes. No peeking.” First Katrina heard Papa ask Mama to help him. Then she heard him hammering something to the beam, then he dragged something across the floor. “All right, you can look now,” said Mama. They whirled around. There, hanging from the beam, was Josie’s swing, the very same vine swing from the apple tree. Sitting on the swing was a little rag doll that Mama had made. Near the swing was a drawing board made from the very same limb that had been Katrina’s studio. On the drawing board were real charcoal paper and three sticks of willow charcoal. Katrina softly touched the drawing board. She wanted to say, How wise and wonderful you are, Papa and Thank you, Papa and I’ll always love you, Papa. But all she could say was, “Oh, Papa.” Papa didn’t say anything either. He just handed her the three sticks of charcoal. Josie began to swing with her doll and Katrina started to draw. Now she could see how beautiful Mama’s clove apple looked on the white tablecloth and how shiny red the apples were on the Christmas tree. Now she could smell the fresh winter pine tree and the warm apple pies. Now it felt like Christmas. Katrina gave her first drawing to Papa. It was a picture of the day when Papa picked the apples and Mama made apple butter and Katrina and Josie sorted the apples. In the corner Papa wrote: This picture was drawn by Katrina Ansterburg on Christmas Day 1881. Then he hung it in his woodshop and there it stayed for many long years.

The interior of Toast was just as charming as the outside. White walls reflected the light streaming in through the huge picture windows, and the wooden floor was painted a pale jade green. A jumble of endearingly mismatched tables and chairs dotted the main room, each decorated with a vintage cut-glass vase of winter branches. The entire back wall of the restaurant had floor-to-ceiling shelves stocked with local edible goods. Jars of East Sussex honey. Bottles of cider. Bunches of lavender and sage. It was cozy and serene and tidy. For so many years I'd dreamed of this place, and to see it here in real life was overwhelming. I felt a swell of emotion as I took it all in, pride mixed with sorrow, bittersweet.

Our garage is filled floor to ceiling with stuff. Stacks of plastic bins are filled with old papers and receipts and baby clothes and toys and tangled jewelry and journals and Christmas decorations and old candy bar wrappers and expired makeup and empty shampoo bottles and broken mug pieces in Ziploc bags.

She can turn any ordinary moment into an adventure. When Hurricane Sandy destroyed the bottom floor of our house, she decorated the rubble in Christmas lights.

She looked at the decorations inside the pub, here an oil painting in an old gilt frame, there a huge ceramic vase on the floor with fresh ferns to sweeten the air.

Every surface is spotlessly clean as usual. They have just finished renovating, and Christian has put a lot of time and effort into the choice of colors and materials. It was his idea; Hanna could easily have lived with the previous decor for a while longer. However, she has to admit that it looks good. The gray granite countertops blend perfectly with the kitchen cupboards, and the eye-wateringly expensive wooden flooring provides that extra-special finish.