Float Tank Quotes

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They are so caught up in their happiness that they don't realize I'm not really a part of it. I am wandering along the periphery. I am like the people in the Winslow Homer paintings, sharing the same room with them but not really there. I am like the fish in the aquarium, thinking in a different language, adapting to a life that's not my natural habitat. I am the people in the other cars, each with his or her own story, but passing too quickly to be noticed or understood. . . . There are moments I just sit in my frame, float in my tank, ride in my car and say nothing, think nothing that connects me to anything at all.
David Levithan (Every Day (Every Day, #1))
As they roared past the streetlamps, people emerged from their houses to see what was happening. Nina tried to imagine what their wild crew must look like to these Fjerdans. What did they see as they poked their heads out of windows and doorways? A group of hooting kids clinging to a tank painted with the Fjerdan flag and charging along like some deranged float gone astray from its parade: a girl in purple silk and a boy with red-gold curls poking out from behind the guns; four soaked people holding tight to the sides for dear life—a Shu boy in prison clothes, two bedraggled drüskelle, and Nina, a half-naked girl in shreds of teal chiffon shouting, "We have a moat!
Leigh Bardugo (Six of Crows (Six of Crows, #1))
When you're six, most of your Bingo balls are still floating around in the draw-tank.
Stephen King (On Writing: A Memoir of the Craft)
Nina tried to imagine what their wild crew must look like to these Fjerdans. What did they see as they poked their heads out of windows and doorways? A group of hooting kids clinging to a tank painted with the Fjerdan flag and charging along like some deranged float gone astray from its parade; a girl in purple silk and a boy with red-gold curls poking out from behind the guns; four soaked people holding tight to the sides for dear life – a Shu boy in prison clothes, two bedraggled drüskelle, and Nina, a half-naked girl in shreds of teal chiffon shouting, “We have a moat!
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The irony of sensory deprivation tanks is that in order to think outside the box, you must first go inside one.
Ryan Lilly
The house was an empty tank full of grief. Their empty ghosts floated everywhere they were not.
Austin Wright (Tony and Susan)
Despair Who is he? A railroad track toward hell? Breaking like a stick of furniture? The hope that suddenly overflows the cesspool? The love that goes down the drain like spit? The love that said forever, forever and then runs you over like a truck? Are you a prayer that floats into a radio advertisement? Despair, I don't like you very well. You don't suit my clothes or my cigarettes. Why do you locate here as large as a tank, aiming at one half of a lifetime? Couldn't you just go float into a tree instead of locating here at my roots, forcing me out of the life I've led when it's been my belly so long? All right! I'll take you along on the trip where for so many years my arms have been speechless
Anne Sexton
I laugh as I float into the lab where Rocky is waiting. “On Earth, we have a scary, deadly creature called a spider. You look like one of those. Just so you know.” “Good. Proud. I am scary space monster. You are leaky space blob.” He points to the breeder tanks. “Check tanks!
Andy Weir (Project Hail Mary)
The high salt content in the water allowed tank users to float silently and without effort, achieving ultimate relaxation. If the makers of the tanks were to be believed, floating in the saltwater would improve mental alertness, decrease pain, facilitate healing, improve sports performance, wash your car, do your taxes, and clean the clutter out of your attic.
Angela Pepper (Death of a Batty Genius (Stormy Day Mystery #3))
...it was another year or two before I discovered that drat and draft were different words. During that same period I remember believing that details were dentals and that a bitch was an extremely tall woman. A son of a bitch was apt to be a basketball player. When you're six, most of your Bingo balls are still floating around in the draw-tank" (27-8).
Stephen King (On Writing: A Memoir of the Craft)
Fish get depressed when they have a lack of stimulation. A lack of everything. When they are just there, floating in a tank that resembles nothing at all.
Matt Haig (The Midnight Library)
Indeed, the line between perceiving and hallucinating is not as crisp as we like to think. In a sense, when we look at the world, we are hallucinating all the time. One could almost regard perception as the act of choosing the one hallucination that best fits the incoming data, which is often fragmentary and fleeting. Both hallucinations and real perceptions emerge from the same set of processes. The crucial difference is that when we are perceiving, the stability of external objects and events helps anchor them. When we hallucinate, as when we dream or float in a sensory deprivation tank, objects and events wander off in any direction.
V.S. Ramachandran (The Tell: Tale Brain-Unlocking the Mystry of Human Nature)
A group of hooting kids clinging to a tank painted with the Fjerdan flag and charging along like some deranged float gone astray from its parade: a girl in purple silk and a boy with red-gold curls poking out from behind the guns; four soaked people holding tight to the sides for dear life—a Shu boy in prison clothes, two bedraggled drüskelle, and Nina, a half-naked girl in shreds of teal chiffon shouting, “We have a moat!
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Mr. Lisbon knew his parental and neighborly duty entailed putting the retainer in a Ziploc bag, calling the Kriegers, and telling them their expensive orthodontal device was in safe keeping. Acts like theses -- simple, humane, conscientious, forgiving -- held life together. Only a few days earlier he would have been able to perform them. But now he took the retainer and dropped it in the toiler. He pressed the handle. The retainer, jostled int he surge, disappeared down the porcelain throat, and, when waters abated, floated triumphantly, mockingly, out, Mr. Lisbon waited for the tank to refill and flushed again, but the same thing happened. The replica of the boy's mouth clung to the white slope.
Jeffrey Eugenides (The Virgin Suicides)
I need not remind you that this was David Lynch's version of Dune, in which all of the characters were sexy and deformed at the same time. There was a character called the 3rd Stage Guild Navigator, which was a kind of giant floating fetus creature, that lived in a giant tank, with his orange mist of psychedelic spice swirling around him allowing him to bend space and time. He could never leave the tank or interact with the outside world. He had become, in his isolation, so deformed and so sexy that he had to talk through a kind of old-timey radio to the outside world and could never touch them.
John Hodgman
find it essential to be able to relax completely irrespective of anything that is going on in the environment at certain times. Sometimes I wake up in the middle of the night with an idea that I want to work out, so rather than disturb my wife, I float in the tank and work out the idea at great length and in fine detail. I am then able to put it down on paper or to dictate it in the morning. For a businessperson, a scientist, a professional of any sort, this is a boon: to be able to think, free of physical fatigue of the body. The method allows one to become free within a few minutes.
John C. Lilly (The Deep Self: Consciousness Exploration in the Isolation Tank (Consciousness Classics))
Imagine a brain floating in a tank with millions and millions of electrodes attached to specific nerve centers. Now imagine these electrodes being selectively stimulated by a computer to cause the brain to believe that it was walking down Hollywood Boulevard chomping on a hamburger and checking out the chicks.

Now, if there was a technological foul-up, or if the tapes got jumbled, the brain would suddenly see Jesus Christ pass by down Hollywood Boulevard on his way to Golgotha, pursued by a crowd of angry people, being whipped along by seven Roman Centurions.

The brain would say, "Now hold on there!" And suddenly the entire image would go "pop" and disappear.

I've always had this funny feeling about reality. It just seems very feeble to me sometimes. It doesn't seem to have the substantiality that it's suppose to have.
Philip K. Dick
Endless love and voluptuous appetite pervaded this stifling nave in which settled the ardent sap of the tropics. Renée was wrapped in the powerful bridals of the earth that gave birth to these dark growths, these colossal stamina; and the acrid birth-throes of this hotbed, of this forest growth, of this mass of vegetation aglow with the entrails that nourished it, surrounded her with disturbing odours. At her feet was the steaming tank, its tepid water thickened by the sap from the floating roots, enveloping her shoulders with a mantle of heavy vapours, forming a mist that warmed her skin like the touch of a hand moist with desire. Overhead she could smell the palm trees, whose tall leaves shook down their aroma. And more than the stifling heat, more than the brilliant light, more than the great dazzling flowers, like faces laughing or grimacing between the leaves, it was the odours that overwhelmed her. An indescribable perfume, potent, exciting, composed of a thousand different perfumes, hung about her; human exudation, the breath of women, the scent of hair; and breezes sweet and swooningly faint were blended with breezes coarse and pestilential, laden with poison. But amid this strange music of odours, the dominant melody that constantly returned, stifling the sweetness of the vanilla and the orchids' pungency, was the penetrating, sensual smell of flesh, the smell of lovemaking escaping in the early morning from the bedroom of newlyweds.
Émile Zola (La Curée)
Floating in the tank after a busy day’s work brings a great relief. Suddenly all of the stimulation of holding one upright against gravity disappears. One realizes that a good deal of the fatigue accumulated during the day is caused by keeping one’s body upright in a gravitational field. From a neurophysiological standpoint, one has immediately freed up very large masses of neurons from the necessity of constant computations (as to the direction of gravity, the programming by visual and acoustic inputs, by temperature changes, etcetera). For example, one’s cerebellum is now freed for uses other than balancing the body. In summary, then,
John C. Lilly (The Deep Self: Consciousness Exploration in the Isolation Tank (Consciousness Classics))
Rather than be searched by hand, I chose to walk through the metal detector without my cart or my tank or even the plastic nubbins in my nose. Walking through the X-ray machine marked the first time I’d taken a step without oxygen in some months, and it felt pretty amazing to walk unencumbered like that, stepping across the Rubicon, the machine’s silence acknowledging that I was, however briefly, a nonmetallicized creature. I felt a bodily sovereignty that I can’t really describe except to say that when I was a kid I used to have a really heavy backpack that I carried everywhere with all my books in it, and if I walked around with the backpack for long enough, when I took it off I felt like I was floating.
John Green (The Fault in Our Stars)
I want to scream again, and I remember that last time I felt this way, riding with Baba in the tank of the fuel truck, buried in the dark with other refugees. I want to tear myself from this place, from this reality, rise up like a cloud and float away, melt into this this humid summer night and dissolve somewhere far, over the hills. But I am here, my leg blocks of concrete, my lungs empty of air, my throat burning. There will be no floating away. There will be no other reality tonight.
Khaled Hosseini (The Kite Runner)
They began using gamma rays to extend the shelf life of chicken and strawberries, they built mobile nuclear reactors mounted on tank treads or designed to float around the Arctic, and, like their US counterparts, they designed atomic-powered aircraft. But
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
She bought me betta fish when I was six, after I kept telling her the same story, every day, about the tanks we had in my class at school, the betta fish, red and purple and blue and green, swimming lazily in the tanks, flashing brilliant and then dull. She came home with one on a Sunday, after she'd been out all weekend. I hadn't seen her since Friday, since she told Mam she was going to the store to buy some milk and some sugar and didn't come back. When she came back, her skin was dry and flaking at the corners of her mouth, her hair stuck out in a bushy halo, and she smelled like wet hay. The fish was green, the color of pine needles, and he had stripes down his tail the color of red mud. I called him Bubby Bubbles, since he blew bubbles all day, and when I leaned over his tank, I could hear him crunching on the fish food Leonie had brought home in a sample-size bag. I imagined even then that one day I could lean over his bowl, and instead of crunching, little words would pop out the bubbles that fizzed up to the surface. Big face. Light. And love. But when the sample size of fish food ran out, and I asked Leonie to buy me more, she said she would, and then forgot, again and again, until old day she said: Give him sold old bread. I figured he couldn't crunch like needed on some old bread, so I kept bugging her about it, and Bubby got skinnier and skinnier, his bubbles smaller and smaller, until I walked into the kitchen one day and he was floating on top of the water, his eyes white, a slimy scrim like fat, no voice in his bubbles. Leonie kill things.
Jesmyn Ward (Sing, Unburied, Sing)
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
Gonzalo Guma (Equinoccio. Susurros del destino)
I can give no adequate description of the Horror Camp in which my men and myself were to spend the next month of our lives. It was just a barren wilderness, as bare as a chicken run. Corpses lay everywhere, some in huge piles, sometimes they lay singly or in pairs where they had fallen. It took a little time to get used to seeing men women and children collapse as you walked by them and to restrain oneself from going to their assistance. One had to get used early to the idea that the individual just did not count. One knew that five hundred a day were dying and that five hundred a day were going on dying for weeks before anything we could do would have the slightest effect. It was, however, not easy to watch a child choking to death from diphtheria when you knew a tracheotomy and nursing would save it, one saw women drowning in their own vomit because they were too weak to turn over, and men eating worms as they clutched a half loaf of bread purely because they had to eat worms to live and now could scarcely tell the difference. Piles of corpses, naked and obscene, with a woman too weak to stand propping herself against them as she cooked the food we had given her over an open fire; men and women crouching down just anywhere in the open relieving themselves of the dysentery which was scouring their bowels, a woman standing stark naked washing herself with some issue soap in water from a tank in which the remains of a child floated. It was shortly after the British Red Cross arrived, though it may have no connection, that a very large quantity of lipstick arrived. This was not at all what we men wanted, we were screaming for hundreds and thousands of other things and I don't know who asked for lipstick. I wish so much that I could discover who did it, it was the action of genius, sheer unadulterated brilliance. I believe nothing did more for these internees than the lipstick. Women lay in bed with no sheets and no nightie but with scarlet red lips, you saw them wandering about with nothing but a blanket over their shoulders, but with scarlet red lips. I saw a woman dead on the postmortem table and clutched in her hand was a piece of lipstick. At last someone had done something to make them individuals again, they were someone, no longer merely the number tattooed on the arm. At last they could take an interest in their appearance. That lipstick started to give them back their humanity.
Imperial War Museum
That was where I went wrong,” the madman yelled, “I actually said that I preferred scallops and he said it was because I hadn’t had real lobster like they did where his ancestors came from, which was here, and he’d prove it. He said it was no problem, he said the lobster here was worth a whole journey, let alone the small diversion it would take to get here, and he swore he could handle the ship in the atmosphere, but it was madness, madness!” he screamed, and paused with his eyes rolling, as if the word had rung some kind of bell in his mind. “The ship went right out of control! I couldn’t believe what we were doing and just to prove a point about lobster which is really so overrated as a food, I’m sorry to go on about lobsters so much, I’ll try and stop in a minute, but they’ve been on my mind so much for the months I’ve been in this tank, can you imagine what it’s like to be stuck in a ship with the same guys for months eating junk food when all one guy will talk about is lobster and then spend six months floating by yourself in a tank thinking about it. I promise I will try and shut up about the lobsters, I really will. Lobsters, lobsters, lobsters—enough! I think I’m the only survivor. I’m the only one who managed to get to an emergency tank before we went down. I sent out the Mayday and then we hit. It’s a disaster, isn’t it? A total disaster, and all because the guy liked lobsters.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
She's amazing." Galen turns to Dr. Milligan, who's standing beside him and staring at Emma as if she were floating in midair. "Yes, she is," Galen says. Dr. Milligan looks at Galen, a knowing smile plastered on his face. "Looks like she's enchanted more than just the little fish. In fact, looks like you're worse off than any of them, my boy." Galen shrugs. He's got nothing to hide from Dr. Milligan. Dr. Milligan lets out his breath in a whistle. "What does Rayna say?" "She likes her." The good doctor raises a thin gray brow. Galen sighs. "She likes her enough.." "Well, can't ask for more than that, I suppose. Shall we, then?" Galen nods. "Emma. Dr. Milligan is here." Emma turns. And freezes. "You!" she chokes out. "You're Dr. Milligan?" The older man bows his head. "Yes, young lady, I am. You remember me, then." She nods, walking slowly toward them as if she smells a trap. "You tried to give me free season passes. You talked to me at the petting tank." "Yes," he says. "Of course I offered you season passes. How else could I study your fascinating interaction with the specimens?" She crosses her arms. "I didn't know I could talk to fish at the time. How did you?" "At first I didn't," he says, closing the distance between them and gently taking her hand. "But when I saw your eye color, I knew you had to be Syrena. I remembered Galen telling me about that gift, but I never really believed it. Which is silly, I suppose. I mean, if I believe in mermaids-ahem, excuse me Galen, Syrena-then why not a gift like that?" "And what do you think now, Dr. Milligan?" Galen says, a little perturbed at the revelation that his friend thought he lied. Also, "mermaids" was uncalled for.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Good good. Enough talk. Check breeder tanks, please.' 'Yeah, yeah. Let me get some water first.' He bounces and skitters down his tube to the lab. 'Why humans need water so much, question? Inefficient life-forms!' ... 'Eiridians need water too, you know.' 'We keep inside. Closed system. Some inefficiencies inside, but we get all water we need from food. Humans leak! Gross!' I laugh as I float in to the lab where Rocky is waiting. 'On Earth, we have a scary, deadly creature called a spider. You look like one of those, just so you know.' 'Good. Proud. I am scary space monster. You are leaky space blob.
Andy Weir (Project Hail Mary)
We rested, people and octopus regarding one another for several more minutes. And then, to my surprise, she floated up again to us. As she rose, we scanned the bottom of the barrel and saw that she had dropped the squid Wilson had fed her. We wished she had eaten, but we learned something new: Hunger was not the reason she had surfaced earlier, and it wasn't what brought her now. The reason she surfaced was abundantly clear. She had not interacted with us, or tasted our skin, or seen us above her tank for ten full months. She was sick and weak. In less than four weeks, on a Saturday morning in May, Bill would find her, plane, thin, and still, dead at the bottom of her barrel. Yet, despite everything, we knew in that moment that Octavia had not only remembered us and recognized us; she had wanted to touch us again.
Sy Montgomery (The Soul of an Octopus)
THE JELLIES EXHIBIT, BELOW THE TOUCH TANK, where the rest of my seventh-grade class flicked water at one another, was nearly empty. It was quiet down there, which was a relief. The room was filled with tanks of jellyfish. I saw jellies whose tentacles were finer than hair; the aquarium must have projected lights into the tank, because the animals kept changing color. Nearby, in a different tank, I looked at jellies whose tentacles swirled the way wisps of a girl’s hair might if she floated underwater. In a third tank, the jellies’ tentacles were so thick and straight it seemed like the animals had created their own prison. There was even a tank filled with brand-new baby jellies; they looked like tiny, delicate white flowers. Such strange creatures, all of them—they looked like aliens, almost. Graceful aliens. Silent ones. Like alien ballerinas who danced without needing any music. Near
Ali Benjamin (The Thing About Jellyfish)
Many ancient teachings tell us that we have the capacity to gain extraordinary powers through grit or grace. Techniques used to achieve these supernormal abilities, known as siddhis in the yoga tradition (from the Sanskrit, meaning “perfection”2, 5), include meditation, ecstatic dancing, drumming, praying, chanting, sexual practices, fasting, or ingesting psychedelic plants and mushrooms. In modern times, techniques also include participation in extreme sports, floating in isolation tanks, use of transcranial magnetic or electrical stimulation, listening to binaural-beat audio tones, and neurofeedback. Most of these techniques are ways of transcending the mundane. Those who yearn to escape from suffering or boredom may dive into a cornucopia of sedatives and narcotics. Others, drawn to the promise of a more meaningful reality, or a healthier mind and body, are attracted to yoga, meditation, or other mind-expanding or mind-body integrating techniques.
Dean Radin (Supernormal: Science, Yoga and the Evidence for Extraordinary Psychic Abilities)
Throughout the autumn and the winter activity increased in the Beaulieu area, and with it came mysteries. Lepe House, the mansion at the entrance to the river, was taken over by the Navy and became full of secretive Naval officers; it became known that this was part of a mysterious Navel entity called 'Force J'. Near Lepe House and at the very mouth of the river a construction gang began work in full strength to make a hard, sloping concrete platform running down into the river where the flat-bottomed landing craft could beach to refuel and let their ramps down to embark the vehicles and tanks. This place was about two miles from 'Mastodon'. A mile or so along the coast a country house was occupied by a secret Naval party who did strange things with tugs and wires and winches, and with what looked like a gigantic reel of cotton floating in the sea; this was 'Pluto', Pipe Line Under The Ocean, which was to lay pipes from England to France to carry petrol to supply the armies which were due to land in Normandy. On a bare beach nearby a thousand navvies were camped making huge concrete structures known as 'Phoenix', one of many such sites all along the coast. It was not till after the invasion that it became known that these were a part of the artificial harbour 'Mulberry' on the north coast of France.
Nevil Shute (Requiem for a Wren)
Top Dog" If I could, I would take your grief, dig it up out of the horseradish field and grate it into something red and hot to sauce the shellfish. I would take the lock of hair you put in the locket and carry it in my hand, I would make the light strike everything the way it hit the Bay Bridge, turning the ironwork at sunset into waffles. If I could, I would blow your socks off, they would travel far, always in unison, past the dead men running, past the cranes standing in snow, beyond the roads we rode, so small in our little car, it was like riding in a miner's helmet. If I could I would make everyone vote and call their public servants to say, “No one was meant for this.” I would go back to the afternoon we made love in the tall grass under the full sun not far from the ravine where the old owner had flung hundreds of mink cages. I would memorize gateways to the afterworld, the electric third rail, the blond braid our girl has hanging down her back, the black guppy we killed at our friends’ when we unplugged the bubbler and the fish floated to the top, one eye up at the ceiling, the other at the blue gravel on the bottom of the tank. I would beg an audience with Sister Lucia, the last living of the children visited by Our Lady of Fatima, I would ask her about the weight of secrets, if they let her sleep or if she woke at night with a body on her body, if the body said, “Let's play top dog, first I'll lie on you, then you lie on me.” I would ask how she lived with revelation, the normal state of affairs amplified beyond God, bumped up to the Virgin Mother, who no doubt knew a few things, passed them on, quietly, and I would ask Lucia how she lived with knowing, how she could keep it under her hat, under wraps, button up, zip her lip, play it close to the vest, never telling, never using truth as a weapon.
Barbara Ras (Bite Every Sorrow: Poems (Walt Whitman Award of the Academy of American Poets))
Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?" He was answered with a growl. The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him. His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . . "God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself." "Blasphemer!" A rock caught him just over his left eye and blood welled forth. Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other." More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together." A rock caught the glass and shattered it. Another struck him in the mouth. Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God." Jubal whispered it back to him. . . . "Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation. "Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened." "God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!" The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.
Robert A. Heinlein
Nobel laureate Richard Feynman, always curious about new phenomena, once placed himself in a sensory deprivation tank and tried to leave his physical body. He was successful. He would later write that he felt that he had left his body, drifted into space, and saw his motionless body when he looked back. However, Feynman later concluded that this was probably just his imagination, caused by sensory deprivation. Neurologists who have studied this phenomenon have a more prosaic explanation. Dr. Olaf Blanke and his colleagues in Switzerland may have located the precise place in the brain that generates out-of-body experiences. One of his patients was a forty-three-year-old woman who suffered from debilitating seizures that came from her right temporal lobe. A grid of about one hundred electrodes was placed over her brain in order to locate the region responsible for her seizures. When the electrodes stimulated the area between the parietal and temporal lobes, she immediately had the sensation of leaving her body. “I see myself lying in bed, from above, but I only see my legs and lower trunk!” she exclaimed. She felt she was floating six feet above her body. When the electrodes were turned off, however, the out-of-body sensation disappeared immediately. In fact, Dr. Blanke found that he could turn the out-of-body sensation on and off, like a light switch, by repeatedly stimulating this area of the brain. As we saw in Chapter 9, temporal lobe epileptic lesions can induce the feeling that there are evil spirits behind every misfortune, so the concept of spirits leaving the body is perhaps part of our neural makeup. (This may also explain the presence of supernatural beings. When Dr. Blanke analyzed a twenty-two-year-old woman who was suffering from intractable seizures, he found that, by stimulating the temporoparietal area of the brain, he could induce the sensation that there was a shadowy presence behind her. She could describe this person, who even grabbed her arms, in detail. His position would change with each appearance, but he would always appear behind her.)
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
This book is dedicated to adversity. Thanks for the great story.
Shane Stott (The Float Tank Cure: Free Yourself From Stress, Anxiety, and Pain the Natural Way)
If there is one indelible image from the Battle of Tarawa, it is a photo of dozens of dead Marines bobbing in the shallows just off what was called Red Beach II. I often launched my windsurfer from Red Beach II. Just twenty yards from the beach lies a rusting amtrac. At reef’s edge are the brown ribs of a ship long ago grounded, where Japanese snipers once picked off Marines wading and swimming and floating toward a beach that offered nothing better. A little farther I directed my board over the wings and fuselage of a B- 29 Liberator. Clearing the harbor entrance, I confronted the rusting carcasses of several landing vehicles. Near the beach was a Sherman tank, with children playing on the turret. The Battle of Tarawa is an inescapable part of daily life on the island.
J. Maarten Troost (The Sex Lives of Cannibals: Adrift in the Equatorial Pacific)
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation
Gonzalo Guma (Equinoccio. Susurros del destino)
I needed to grab another box of screws, but, when I got to the truck, I realized I’d left my wallet in my tool bucket. When I went back ground the house to get it, she had my plans open and was double-checking all my measurements.” Emma’s cheeks burned when Gram laughed at Sean’s story, but, since she couldn’t deny it, she stuck her last bite of the fabulous steak he’d grilled into her mouth. “That’s my Emma,” Gram said. “I think her first words were ‘If you want something done right, do it yourself.’” “In my defense,” she said when she’d swallowed, pointing her fork at Sean for emphasis, “my name is on the truck, and being able to pound nails doesn’t make you a builder. I have a responsibility to my clients to make sure they get quality work.” “I do quality work.” “I know you build a quality deck, but stairs are tricky.” She smiled sweetly at him. “I had to double-check.” “It’s all done but the seating now and it’s good work, even though I practically had to duct tape you to a tree in order to work in peace.” She might have taken offense at his words if not for the fact he was playing footsie with her under the table. And when he nudged her foot to get her to look at him, he winked in that way that—along with the grin—made it almost impossible for her to be mad at him. “It’s Sean’s turn to wash tonight. Emma, you dry and I’ll put away.” “I’ll wash, Gram. Sean can dry.” “I can wash,” Sean told her. “The world won’t come to an end if I wash the silverware before the cups.” “It makes me twitch.” “I know it does. That’s why I do it.” He leaned over and kissed her before she could protest. “That new undercover-cop show I like is on tonight,” Gram said as they cleared the table. “Maybe Sean won’t snort his way through this episode.” He laughed and started filling the sink with hot, soapy water. “I’m sorry, but if he keeps shoving his gun in his waistband like that, he’s going to shoot his…he’s going to shoot himself in a place men don’t want to be shot.” Emma watched him dump the plates and silverware into the water—while three coffee mugs sat on the counter waiting to be washed—but forced herself to ignore it. “Can’t be worse than the movie the other night.” “That was just stupid,” Sean said while Gram laughed. They’d tried to watch a military-action movie and by the time they were fifteen minutes in, she thought they were going to have to medicate Sean if they wanted to see the end. After a particularly heated lecture about what helicopters could and couldn’t do, Emma had hushed him, but he’d still snorted so often in derision she was surprised he hadn’t done permanent damage to his sinuses. “I don’t want you to think that’s real life,” he told them. “I promise,” Gram said, “if I ever want to use a tank to break somebody out of a federal prison, I’ll ask you how to do it correctly first.” Sean kissed the top of her head. “Thanks, Cat. At least you appreciate me, unlike Emma, who just tells me to shut up.” “I’d appreciate you more if there wasn’t salad dressing floating in the dishwater you’re about to wash my coffee cup in.” “According to the official guy’s handbook, if I keep doing it wrong, you’re supposed to let me watch SportsCenter while you do it yourself.” “Did the official guy’s handbook also tell you that if that happens, you’ll also be free to watch the late-night sports show while I do other things myself?
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
But if you inflated the balloons quickly, possibly by connecting many canisters to it at once, you’d be able to slow your fall. Just don’t use too much helium, or you’ll end up floating at 16,000 feet like Larry Walters. While researching this answer, I managed to lock up my copy of Mathematica several times on balloon-related differential equations, and subsequently got my IP address banned from Wolfram|Alpha for making too many requests. The ban-appeal form asked me to explain what task I was performing that necessitated so many queries. I wrote, “Calculating how many rental helium tanks you’d have to carry with you in order to inflate a balloon large enough to act as a parachute and slow your fall from a jet aircraft.” Sorry, Wolfram. 1 While researching impact speeds for this answer, I came across a discussion on the Straight Dope Message Board about survivable fall heights. One poster
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
Several years since, I purchased a living white whale, captured near Labrador, and succeeded in placing it, “in good condition,” in a large tank, fifty feet long, and supplied with salt water, in the basement of the American Museum. I was obliged to light the basement with gas, and that frightened the sea-monster to such an extent that he kept at the bottom of the tank, except when he was compelled to stick his nose above the surface in order to breathe or “blow,” and then down he would go again as quick as possible. Visitors would sometimes stand for half an hour, watching in vain to get a look at the whale; for, although he could remain under water only about two minutes at a time, he would happen to appear in some unlooked for quarter of the huge tank, and before they could all get a chance to see him, he would be out of sight again. Some impatient and incredulous persons after waiting ten minutes, which seemed to them an hour, would sometimes exclaim: “Oh, humbug! I don’t believe there is a whale here at all!” This incredulity often put me out of patience, and I would say: “Ladies and gentlemen, there is a living whale in the tank. He is frightened by the gaslight and by visitors; but he is obliged to come to the surface every two minutes, and if you will watch sharply, you will see him. I am sorry we can’t make him dance a hornpipe and do all sorts of wonderful things at the word of command; but if you will exercise your patience a few minutes longer, I assure you the whale will be seen at considerably less trouble than it would be to go to Labrador expressly for that purpose.” This would usually put my patrons in good humor; but I was myself often vexed at the persistent stubbornness of the whale in not calmly floating on the surface for the gratification of my visitors. One day, a sharp Yankee lady and her daughter, from Connecticut, called at the Museum. I knew them well; and in answer to their inquiry for the locality of the whale, I directed them to the basement. Half an hour afterward, they called at my office, and the acute mother, in a half-confidential, serio-comic whisper, said: “Mr. B., it’s astonishing to what a number of purposes the ingenuity of us Yankees has applied india-rubber.
P.T. Barnum (The Humbugs of the World: An Account of Humbugs, Delusions, Impositions, Quackeries, Deceits and Deceivers Generally, in All Ages)
Over the coming days, one of the things that shocked the British most was the nonchalant way that the surviving prisoners lived their lives amongst the corpses, as if such sights were perfectly normal. One horrified medical officer described several such vignettes: a woman too weak to stand propping herself against a pile of corpses, as she cooked the food we had given her over an open fire; men and women crouching just anywhere in the open relieving themselves of the dysentery which was scouring their bowels; a woman standing stark naked washing herself with some issue soap in water from a tank in which the remains of a child floated.36
Keith Lowe (Savage Continent: Europe in the Aftermath of World War II)
[Floating in an isolation tank] is the first time that we’ve been without sensory experience, sensory environmental stimuli, since we were conceived. There is no sound, no sight, no temperature gradient, and no gravity. So all of the brain’s searching and gating information from the environment is relaxed. Everything that was in the background—kind of ‘behind the curtain’—can now be exposed. When done consistently over time, it’s essentially like meditation on steroids. It starts to recalibrate the entire neuroendocrine system. People who are running in stress mode or sympathetic overdrive start to relax that over time, and you get this bleed-over effect into everyday life. It’s not just what happens in the tank. It continues outside of the tank. You see heart rate normalize, hypertension normalize, cortisol normalize. Pain starts to resolve. Metabolic issues start to resolve. “Anxiety, insomnia, and mental chattering can be significantly improved in [2 to 3 times per week for a total of] anywhere between 3 and 7 sessions. For pain, it’s normally 7 to 10 sessions. I recommend doing a 2-hour float if people are able.” TF: According to Dan, most people get exponentially more benefit from a single 2-hour session than 2 separate 1-hour sessions. Nonetheless, 2-hour floats still make me fidgety, so I routinely do 1-hour sessions.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Heroin is a sensory deprivation tank for the soul. Floating on the Dead Sea of the drug stone, there's no sense of pain, no regret or shame, no feelings of guilt or grief, no depression, and no desire. The sleeping universe enters and envelops every atom of existence. Insensible stillness and peace disperse fear and suffering. Thoughts drift like ocean weeds and vanish in the distant, grey somnolency, unperceived and indeterminable. The body succumbs to cryogenic slumber: the listless heart beats faintly, and breathing slowly fades to random whispers. Thick nirvanic numbness clogs the limbs, and downward, deeper, the sleeper slides and glides toward oblivion, the perfect and eternal stone.
Gregory David Roberts (Shantaram)
It was about here,” said Ron, recovering himself to walk a few paces past Filch’s chair and pointing. “Level with this door.” He reached for the brass doorknob but suddenly withdrew his hand as though he’d been burned. “What’s the matter?” said Harry. “Can’t go in there,” said Ron gruffly. “That’s a girls’ toilet.” “Oh, Ron, there won’t be anyone in there,” said Hermione, standing up and coming over. “That’s Moaning Myrtle’s place. Come on, let’s have a look.” And ignoring the large OUT OF ORDER sign, she opened the door. It was the gloomiest, most depressing bathroom Harry had ever set foot in. Under a large, cracked, and spotted mirror were a row of chipped sinks. The floor was damp and reflected the dull light given off by the stubs of a few candles, burning low in their holders; the wooden doors to the stalls were flaking and scratched and one of them was dangling off its hinges. Hermione put her fingers to her lips and set off toward the end stall. When she reached it she said, “Hello, Myrtle, how are you?” Harry and Ron went to look. Moaning Myrtle was floating above the tank of the toilet, picking a spot on her chin. “This is a girls’ bathroom,” she said, eyeing Ron and Harry suspiciously. “They’re not girls.” “No,” Hermione agreed. “I just wanted to show them how — er — nice it is in here.” She waved vaguely at the dirty old mirror and the damp floor. “Ask her if she saw anything,” Harry mouthed at Hermione. “What are you whispering?” said
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
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LOTO Lift Boat Lifts
After she diluted MDMA into the creature’s tank, a tightly wound octopus visibly loosened up and began to perform what might be described as water ballet. It gracefully floated across the tank, ran its arms through streams of air bubbles and even undertook aquatic somersaults. Basically, it looked “like he was really just having a good time,”3 Dölen said.
Rachel Love Nuwer (I Feel Love: MDMA and the Quest for Connection in a Fractured World)
Buffalo Bill is important to me as the symbol of the growth of our nation, for his life spanned the settlement of the Great Plains, the Indian Wars, the Gold Rush, the Pony Express, the building of the transcontinental railroad, and the enduring romance of the American frontier-especially the Great Plains. Consider what he witnessed in his lifetime: the invention of the telephone, the transatlantic cable, the automobile, the airplane, and the introduction of modem warfare, with great armies massed against each other, with tanks, armored cars, flame-throwers, and poison gas-a far cry from the days when Cody and the troopers of the Fifth Cavalry rode hell-for-leather across the prairie in pursuit of hostile Indians. Nor, though it is not usually considered a milestone in American history, should we forget Joseph F. Glidden's 1874 invention of barbed wire, which, more than the rifle or the plow, transformed Buffalo Bill's Great Plains by insuring the survival of thousands of family farms, and making possible the growth of enormous-and enormously profitable-cattle ranches. In addition, I feel a personal connection. In April 1855 my great-granduncle Alexander Carter Jr. and his younger brother, Thomas Marion Carter, left their home in Scioto County, Ohio, and headed west. Starting by steamboat, the two brothers floated down the Ohio River until it joined the Mississippi and then traveled upstream to St. Louis. In St. Louis they found little transportation west, so they walked, hitched rides, and rode horseback to reach St. Joseph, Missouri. There they caught a stagecoach to Council Bluffs, Iowa, riding on top of the stage, with seventeen men and women-a three-day ordeal. On May 14, nineteen days after leaving St. Louis, the brothers crossed the Missouri River and landed on the town site of Omaha, then a community of cotton tents and shanties, where lots were being offered to anyone willing to build on them. They refused this offer and pressed on to their final destination, DeSoto, Washington County, Nebraska Territory, where
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
Then, Japanese pilots found the range, and five bombs struck the ship. Three hit forward of Turret No. 1 and left the bow a mangled mess. One of these ignited a gasoline storage tank and started a blaze that might have proven as catastrophic as that on the Arizona but for the fact that as part of a regular ammunition rotation, the Nevada’s crew had yet to reload twenty-eight hundred bags of powder into its main magazines. The other two bombs exploded at the base of the main mast and smokestack, damaging the director stations on the foremast. Rather than risk the ship sinking and blocking the entrance channel, the senior officer afloat ordered the Nevada to beach near floating Dry Dock No. 2, adjacent to Hospital Point.
Walter R. Borneman (Brothers Down: Pearl Harbor and the Fate of the Many Brothers Aboard the USS Arizona)
Commander Fuqua’s Deck Department had one major task to complete, however, before it could relax. Having been at sea, Arizona needed to replenish its fuel tanks. In expectation of the upcoming voyage to Long Beach—some 2,500 miles—a full load of 1.5 million gallons of fuel oil was pumped aboard. Despite the trade winds blowing across Pearl Harbor that December morning, an oily smell lingered and lay heavy in the air. Elsewhere aboard the Arizona, storage tanks contained 180,000 gallons of aviation fuel for the three Vought Kingfisher scouting planes, and ammunition lockers brimmed with more than a million pounds of gunpowder. Crew members had long learned to take such explosive cargo as a matter of course, but each of the seven battleships moored along Battleship Row—and Pennsylvania momentarily on blocks in Dry Dock No. 1—carried the ingredients to readily become floating bombs.8
Walter R. Borneman (Brothers Down: Pearl Harbor and the Fate of the Many Brothers Aboard the USS Arizona)
At first, the tanks were all that the visions showed me. Then, floating within the tanks, I saw the bodies, suspended in a viscous liquid that seemed to slow everything until even the waving of their hair was lethargic. From each drooping mouth, a tube. But the eyes were the worst. Most had their eyes closed, but even those few with open eyes wore entirely blank expressions, their eyes utterly empty. These were the ruins of people. I thought of Zach’s words, when I’d complained about the cell: There are worse things we could do to you than this cell, you know.
Francesca Haig (The Fire Sermon (The Fire Sermon, #1))
Come on, you two,” she called to them weakly, struggling to her feet. “Let’s head home. It’s getting late. Stop your horsing around. Anthony, please. What did I tell you? Be careful, I said!” Can’t you see what your father looks like? Suddenly her two men, one little, one big, both with the straight posture, the unwavering gazes, came and stood in front of her, their legs in the sand, each in an A, their hands on their hips like kettles. “Ready to go then?” she said, lowering her gaze. “Mommy,” said her son firmly, “come and play.” “Yes, Mommy,” said her husband firmly, “come and play.” “No, it’s time to go home.” She blinked. A mirage in the setting sun made him disappear for a second. “That’s it,” said Alexander, lifting her into his arms. “I’ve had just about enough of this.” He carried her and flung her into the water. Tatiana was without breath and when she came up for air, he threw himself on her, shaking her, disturbing her, implacably laying his hands on her. Perhaps he wasn’t a mirage after all, his body immersed in water that was so salty he floated and she floated, too, feeling real herself, remembering cartwheeling at the Palace of the Tsars for him, sitting on the tram with him, walking barefoot through the Field of Mars with him while Hitler’s tanks and Dimitri’s malice beat down the doors of their hearts. Alexander picked her up and threw her in the air, only pretending to catch her. She fell and splashed and shrieked, and scrambling to her feet, ran from him as he chased her onto the sand. She tripped to let him catch her and he kissed her wet and she held on to his neck and Anthony jumped and scrambled onto his back, break it up, break it up, and Alexander dragged them all deeper in and tossed them into the ocean, where they bobbed and swayed like houseboats.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Her thoughts, however, resembled those of a fish – something seen floating in a tank, brooding, self-absorbed, frigid, moving solemnly forward to its object or veering slowly sideways without fully conscious motivation. She had been born, apparently, without any natural predilection towards thought or action, and the circumstances of her early life had seemed to render both unnecessary.
Patrick Hamilton (Hangover Square)
Her thoughts, however, resembled those of a fish – something seen floating in a tank, brooding, self-absorbed, frigid, moving solemnly forward to its object or veering slowly sideways without fully conscious motivation. She had been born, apparently, without any natural predilection towards thought or action, and the circumstances of her early life had seemed to render both unnecessary.... When Netta awoke this morning she was aware that she was feeling decidedly sick and giddy, that she had a ‘head’: but she did not relate her ‘head’ to the night before – to the fact that she had got drunk. Nor was she capable of connecting her present feeling of illness with the future: she had no idea of preventing a recurrence of such a feeling by making an attempt not to get so drunk again. She simply suffered it in a vacuum – as a habitual crook, who spends his entire life in and out of jail, suffers prison bars.... The same dull, fish-like style of thought which she brought to bear on the local exigencies of-life characterized her attitude to her existence generally. She was not without ambitions; she was steering a course of a sort; but dimly, without any fervour or coherence. She had at one time hoped to make good at films: she still vaguely hoped to do so: but she was unable to relate this ambition with the labour requisite for its maturing. She expected it to come to her as all things had come to her hitherto, by virtue of the stationary magnetism of her physical beauty. That was how she had got whatever jobs she had in the past, and that was how her frigid, inelastic mind conceived of getting them in the future.
Patrick Hamilton (Hangover Square)
Until finally the tank rolled into a day that History has not remembered. That Memory has made no effort to retain. A sudden stone submerged. False teeth floating silently to the bottom of a glass. May 6, 1945.
Zadie Smith (White Teeth)
Floating is a maintenance therapy.
Shane Stott (The Float Tank Cure: Free Yourself From Stress, Anxiety, and Pain the Natural Way)
TENSION IS WHO YOU THINK YOU SHOULD BE. RELAXATION IS WHO YOU ARE.
Shane Stott (The Float Tank Cure: Free Yourself From Stress, Anxiety, and Pain the Natural Way)
Healing takes work. A problem can only be solved at its source.
Shane Stott (The Float Tank Cure: Free Yourself From Stress, Anxiety, and Pain the Natural Way)
More than anything, she wanted to have a bath and wait for that moment when the water temperature was the same as her body’s. She’d turn off all the lights and pretend that it was one of those isolation tanks, where posh people floated around in the dark and stopped thinking about their hundred-year mortgages.
Jes Battis (The Winter Knight)
Three months after the flames were extinguished, Kenyon workers, still combing through the charred remains, found a fish tank in the blackened tower. Somehow, despite the lack of food, electricity to oxygenate their water, and the twenty-three dead fish floating belly up above them, seven fish still lived. The family from the flat were contacted but were unable to house them in their current situation, so with their blessing, one of the Kenyon staff adopted the fish. They even managed to breed, resulting in the most unlikely thing to rise from the ashes of a burned building: a baby fish. They called it Phoenix.
Hayley Campbell (All the Living and the Dead: A Personal Investigation Into the Death Trade)
The oppressive heat and humidity of this place hadn’t changed since that first visit. As Lidia stepped inside after Rigelus, it once again pushed with damp fingers on her face, her neck. The hall stretched ahead, the one thousand sunken tubs in the stone floor shining with pale light that illuminated the bodies floating within. Masks and tubes and machines hummed and hissed; salt crusted the stones between the tanks, some sections piled thick with it. And before the machines, already bowing at the waist to Rigelus … A withered humanoid form, veiled and dressed in gray robes, the material gauzy enough to reveal the bony body beneath, stood at the massive desk at the entrance of the room. The Mistress of the Mystics. If she had a name, Lidia had never heard it uttered. Above her veiled head, a hologram of images spun, stars and planets whizzing by. Every constellation and galaxy the mystics now searched for Bryce Quinlan. How many corners of the universe remained? That wasn’t Lidia’s concern—not today. Not as Rigelus said, “I have need of Irithys.” The mistress lifted her head, but her body remained stooped with age, so thin the knobs of her spine jutted from beneath her gauzy robe. “The queen has been sullen, Your Brilliance. I fear she will not be amenable to your requests.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Just make sure she’s comfortable and gets to eat whatever she wants to eat. That’s it. That was the oncologist’s parting advice, the home care instructions for the love of Jack’s life. His wife was now like a goldfish brought home from a mall pet store. The goldfish that was confined to a small fishbowl that sat on a bedroom dresser. The little goldfish you imbue with so much love. You feed it first thing every morning. You talk to it. Develop a relationship. And then one morning, after less than a week of having the fish home, you find it floating belly up in its little tank. And you realize some part of you knew this would happen. You realize that every morning you fed the fish you were saying goodbye. You just didn’t know it at the time.
Robert Kluver (Send Me Your Nightmares)