Flirt With Death Quotes

We've searched our database for all the quotes and captions related to Flirt With Death. Here they are! All 76 of them:

I was sentimental about many things: a woman’s shoes under the bed; one hairpin left behind on the dresser; the way they said, 'I’m going to pee.' hair ribbons; walking down the boulevard with them at 1:30 in the afternoon, just two people walking together; the long nights of drinking and smoking; talking; the arguments; thinking of suicide; eating together and feeling good; the jokes; the laughter out of nowhere; feeling miracles in the air; being in a parked car together; comparing past loves at 3am; being told you snore; hearing her snore; mothers, daughters, sons, cats, dogs; sometimes death and sometimes divorce; but always carring on, always seeing it through; reading a newspaper alone in a sandwich joint and feeling nausea because she’s now married to a dentist with an I.Q. of 95; racetracks, parks, park picnics; even jails; her dull friends; your dull friends; your drinking, her dancing; your flirting, her flirting; her pills, your fucking on the side and her doing the same; sleeping together
Charles Bukowski (Women)
Wesley had called it self-destructive. Evan understood. It wasn't about flirting with death, like Mom. It was about wanting to live all the way to the seams of life.
Leah Raeder (Unteachable)
So, apart from casting runes, what other hobbies do you have? Forbidden rituals, human sacrifices, torturing? –
Simona Panova (Nightmarish Sacrifice (Cardew))
When I was seventeen you said you wanted to perform an autopsy on me, to crack open my ribcage and squeeze my heart until it burst between your fingers.” What is that—if not flirting? She lifts her head off a pillow to near me, propping her elbows on the mattress. “That was me hating you, Richard. I dreamed of your death.” “You dreamed of clutching my heart,” I rebut. “Of killing you,” she emphasizes. I lean closer to her, our eyes locking. “Vous m’aimiez.” You loved me.
Becca Ritchie (Fuel the Fire (Calloway Sisters, #3))
You simply mean that you flirted outrageously with him, poor old chap, and then repented, and to make reparation, married him, though you tortured yourself to death by doing it.
Thomas Hardy (Jude the Obscure)
I enjoy flirting with death.
Sasha Alsberg (Zenith Part 1)
A flirtatious soul misses the point of intimate trust relations.
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
Oh, yes? Then explain the melancholy.’ ‘Perhaps I’m bored.’ ‘With what?’ asked Agatha. ‘Oh, you know. Flirting, pretty dress, espionage… death.
Gail Carriger (Manners & Mutiny (Finishing School, #4))
I hereby vow to take any and all death threats at face value, unless you are, in fact, trying to flirt with me, in which case please threaten to bash my brains in while winking, like so
Kiersten White (Mind Games (Mind Games, #1))
I am waltzing with death, flirting with him, but he stands there smiling and saying nothing because he does not need to woo or be wooed: he knows he gets us all in the end.
Nenia Campbell (Tantalized)
Not that she wasn't hot - she was super, mega, hot - but not.. approachable. Like, not even the Rock would dare to whistle at her, if you know what I mean.
Stephenie Meyer (Twilight / Life and Death (Twilight, #1, #1.75))
Suffering is part of life,' she said. 'All the parts of life are jumbled up together; you can't separate out just the one thing.' She parred his hand again, kindly. 'I could let you kill me now, lovely man, and have peace and good dreams forever. But who knows what I get instead, if I stay? Maybe time to see a new grandchild. Maybe a good joke that sets me laughing for days. Maybe another handsome young fellow flirting with me.' She grinned toothlessly, then let loose another horrible, racking cough. Ehiru steadies her with shaking hands. 'I want every moment of my life, pretty man, the painful and the sweet alike. Until the very end. If these are all the memories I get for eternity, I want to take as many of them with me as I can.
N.K. Jemisin (The Killing Moon (Dreamblood, #1))
You look different." His words, normally crisp,are now sluggish. "So do you," I say.And he does-he looks more relaxed,younger. "What are you doing?" "Flirting with death," he replies with a laugh. "Drinking near the chasm. Probably not a good idea." "No,it isn't" I'm not sure I like Four this way.There's something unsettling about it. "Didn't know you had a tattoo," he says, looking at my collarbone. He sips the bottle. His breath smells thick and sharp.Like the factionless man's breath. "Right.The crows," he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds, "I'd ask you hang out with us, but you're not supposed to see me this way." I am tempted to ask him why he wants to hang out with him,but I suspect the answer has something to do with the bottle in his hand. "What way?" I ask. "Drunk? "Yeah...well,no." His voice softens. "Real,I guess." "I'll pretend I didn't." "Nice of you." He puts his lips next to my ear and says, "You look good, Tris." His words surprise me,and my heart leaps. I wish it didn't,because judging by the way his eyes slide over mine, he has no idea what he's saying. I laugh. "Do me a favor and stay away from the chasm,okay?" "Of course." He winks at me. I can't help it.I smile.Will clears his throat,but I don't want to turn away from Four,even when he walks back to his friends. Then Al rushes at me like a rolling boulder and throws me over his shoulder. I shriek,my face hot. "Come on,little girl," he says, "I'm taking you to dinner." I rest my elbows on Al's back and wave at Four as he carries me away.
Veronica Roth (Divergent (Divergent, #1))
Who are the hot boys? Dish it, sista! Let's rollerblade over to their houses, so you can flirt!
Bratniss Everclean (The Hunger But Mainly Death Games: A Parody)
Tris!” Four calls out. Will and I exchange a look, half surprise and half apprehension. Four pulls away from the railing and walks up to me. Ahead of us, Al and Christina stop running, and Christina slides to the ground. I don’t blame them for staring. There are four of us, and Four is only talking to me. “You look different.” His words, normally crisp, are now sluggish. “So do you,” I say. And he does—he looks more relaxed, younger. “What are you doing?” “Flirting with death,” he replies with a laugh. “Drinking near the chasm. Probably not a good idea.” “No, it isn’t.” I’m not sure I like Four this way. There’s something unsettling about it. “Didn’t know you had a tattoo,” he says, looking at my collarbone. He sips the bottle. His breath smells thick and sharp. Like the factionless man’s breath. “Right. The crows,” he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds, “I’d ask you to hang out with us, but you’re not supposed to see me this way.” I am tempted to ask him why he wants me to hang out with him, but I suspect the answer has something to do with the bottle in his hand. “What way?” I ask. “Drunk?” “Yeah...well, no.” His voice softens. “Real, I guess.” “I’ll pretend I didn’t.” “Nice of you.” He puts his lips next to my ear and says, “You look good, Tris.” His words surprise me, and my heart leaps. I wish it didn’t, because judging by the way his eyes slide over mine, he has no idea what he’s saying. I laugh. “Do me a favor and stay away from the chasm, okay?” “Of course.” He winks at me.
Veronica Roth (Divergent (Divergent, #1))
It’s not that we have to leave this life one day, it's how many things we have to leave all at once: holding hands, hotel rooms, wine, summertime, drunkenness, and the physics of falling leaves, clothing, myrrh, perfumed hair, flirting friends, two strangers' glance; the reflection of the moon, with words like, 'Soon' ... 'do you want me?' ... '...to lie enlaced' ... 'and sleep entwined' thinking ahead, with thoughts behind...?' Ô, Why! Why can’t we leave this life slowly?
Roman Payne
She jammed both hands to her hips, grinding her boots to the linoleum. “You are so rigid, it’s infuriating!” Noah’s ear-to-ear smile froze the breath right to her lungs. “I know, but you’re really cute when you’re irritated, and it’s kind of worth pissing you off.” Violet nearly lost her death grip on the peas. “You think I’m cute?
Kimberly Kincaid (Love on the Line (The Line, #1))
And they beat. The women for having known them and no more, no more; the children for having been them but never again. They killed a boss so often and so completely they had to bring him back to life to pulp him one more time. Tasting hot mealcake among pine trees, they beat it away. Singing love songs to Mr. Death, they smashed his head. More than the rest, they killed the flirt whom folks called Life for leading them on. Making them think the next sunrise would be worth it; that another stroke of time would do it at last. Only when she was dead would they be safe. The successful ones--the ones who had been there enough years to have maimed, mutilated, maybe even buried her--kept watch over the others who were still in her cock-teasing hug, caring and looking forward; remembering and looking back.
Toni Morrison (Beloved (Beloved Trilogy, #1))
It wasn't about flirting with death, like Mom. It was about wanting to live all the way to the seams of life.
Leah Raeder (Unteachable)
As children get older, this incidental outdoor activity--say, while waiting to be called to eat--becomes less bumptious, physically and entails more loitering with others, sizing people up, flirting, talking, pushing, shoving and horseplay. Adolescents are always being criticized for this kind of loitering, but they can hardly grow up without it. The trouble comes when it is done not within society, but as a form of outlaw life. The requisite for any of these varieties of incidental play is not pretentious equipment of any sort, but rather space at an immediately convenient and interesting place. The play gets crowded out if sidewalks are too narrow relative to the total demands put on them. It is especially crowded out if the sidewalks also lack minor irregularities in building line. An immense amount of both loitering and play goes on in shallow sidewalk niches out of the line of moving pedestrian feet.
Jane Jacobs (The Death and Life of Great American Cities)
I feel like there’s a genuine hole in me. The little death, almost. I need stimulation. I used to need physical stimulation constantly, whether that be from listening to the sound of my own voice, or flirting with guys or girls. I’m not bisexual, but that moment when you realise someone likes you – it’s the best feeling in the world. If you could bottle it..
Matt Healy
I’ve been flirting with death since I was a kid, and dying for the people you love seems like a good way to go.
K.A. Knight (Den of Vipers)
Go figure, that happened to be his same style of flirtation as well—annoy her half to death until, before she could stop herself, she confessed her deep darks and bonded with him to a degree she never had before.
Katherine McIntyre (Forged Alliances (Tribal Spirits #1))
I like walking the streets free,” said Jesper. “I like not worrying about being snatched up by a slaver or put to death by some skiv like our friend Helvar here. Besides, I have other skills that bring me more pleasure and profit than this. Lots of other skills.” Wylan coughed. Flirting with him might actually be more fun than annoying him, but it was a close call.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
You never did master a leer." - Katharine Murray, Death on the Family Tree
Patricia Sprinkle
I don’t want to kill myself, but there’s a selfishness in death that I flirt with. I’m faded in my car. It’s okay if I die. Fine. I’ve done it all; crossed everything off my list.
John Stamos (If You Would Have Told Me)
It was way too soon to feel my virginity was flirting with a sudden death.
Vera Jane Cook (Pleasant Day)
These men are finding time and energy to flirt and have queer parties and get jealous and fall in love despite bombs and injuries and death. That feels like the truest thing he's ever read.
Cat Sebastian (We Could Be So Good)
He skidded to a dead halt and stared hard at Austin. The boy’s chin carried so many nicks from his first shave that it was a wonder he hadn’t bled to death. He was a year older than Houston had been when he’d last stood on a battlefield. Sweet Lord, Houston had never had the opportunity to shave his whole face; he’d never flirted with girls, wooed women, or danced through the night. He’d never loved. Not until Amelia. And he’d given her up because he’d thought it was best for her. Because he had nothing to offer her but a one-roomed log cabin, a few horses, a dream so small that it wouldn’t cover the palm of her hand. And his heart. His wounded heart.
Lorraine Heath (Texas Destiny (Texas Trilogy, #1))
Try not to breathe,” I tell Lira. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.” I laugh.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
Knock it off,Finn!" I tried to pull my arm from him, but physically he was still stronger than me. "Loki is right. You are my tracker. You need to stop dragging me around and telling me what to do." "Loki?" Finn stopped so he could glare suspiciously at me. "You're on a first-name basis with the Vittra prisoner who kidnapped you? And you're lecturing me on propriety?" "I'm not lecturing you on anything!" I shouted, and I finally got my arm free from him. "But if I were to lecture you, it would be about how you're being such a jerk." "Hey,maybe you should just calm-" Duncan tried to interject. He'd been standing a few feet away from us, looking sheepish and worried. "Duncan,don't you dare tell me how to do my job!" Finn stabbed a finger at him. "You are the most useless, incompetent tracker I have ever met, and first chance I get,I'm going to recommend that the Queen dismiss you. And trust me, I'm doing you a favor. She should have you banished!" Duncan's entire face crumpled, and for a horrible moment I was certain he would cry. Instead,he just gaped at us, then lowered his eyes and nodded. "Finn!" I yelled, wanting to slap him. "Duncan did nothing wrong!" Duncan turned to walk away, and I tried to stop him. "Duncan,no. You don't need to go anywhere." He kept walking, and I didn't go after him. Maybe I should have,but I wanted to yell at Finn some more. "He repeatedly left you alone with the Vittra!" Finn shouted. "I know you have a death wish, but it's Duncan's job to prevent you from acting on it." "I am finding out more about the Vittra so I can stop this ridiculous fighting!" I shot back. "So I've been interviewing a prisoner. It's not that unusual,and I've been perfectly safe." "Oh,yeah, 'interviewing,'" Finn scoffed. "You were flirting with him." "Flirting?" I repeated and rolled my eyes. "You're being a dick because you think I was flirting? I wasn't, but even if I was,that doesn't give you the right to treat me or Duncan or anybody this way." "I'm not being a dick," Finn insisted. "I am doing my job, and fraternizing with the enemy is looked down on, Princess. If he doesn't hurt you, the Vittra or Trylle will." "We were only talking,Finn!" "I saw you,Wendy," Finn snapped. "You were flirting. You even wore your hair down when you snuck off to see him." "My hair?" I touched it. "I wore it down because I had a headache from training, and I wasn't sneaking. I was...No,you know what? I don't have to explain anything to you. I didn't do anything wrong, and I don't have to answer to you." "Princess-" "No,I don't want to hear it!" I shook my head. "I really don't want to do this right now.Just go away,Finn!
Amanda Hocking (Torn (Trylle, #2))
Oh God. They were seriously flirting with death.
Cameo Renae (Broken Wings (Hidden Wings, #2))
Even death can’t resist if you keep flirting with it this much. - p. 370
Tigest Girma (Immortal Dark (Immortal Dark Trilogy, #1))
He was quite a Casanova, no doubt about it. He was in a very good mood today and stopped longer than usual. The girls could see he was gloriously drunk. ’Well, Ragna, why do you think I come here so often?’ asked Rolandsen. ’I’ve no idea,’ Ragna answered. ’You must think I’m sent by old Laban.’ The girls giggled. ’When he says Laban he really means Adam.’ ’I’ve come to save you,’ said Rolandsen. ’You have to beware of the fishermen around here, they’re out-and-out seducers!’ ’There’s no greater seducer than you,’ said another girl. ’You’ve got two kids already. You ought to be ashamed of yourself.’ ’How can you talk like that, Nicoline? You’ve always been a thorn in my flesh and you’ll be the death of me, you know damned well. But as for you, Ragna, I’m going to save your soul wether you like it or not!
Knut Hamsun (Dreamers)
Queen Elizabeth was rather a flirt all her life. She finally developed a bad habit of boxing her partners' ears and shouting "god's death, I'll have thy head!" This discouraged some of her more sensitive partners,
Will Cuppy (The Decline and Fall of Practically Everybody: Great Figures of History Hilariously Humbled)
When you are surrounded by death and disease, aggressive and drunk patients, and nurses (male and female) trying constantly to flirt with you, it can make working in A&E an interesting and often stressful environment
Nick Edwards (In Stitches: The Highs and Lows of Life as an A&E Doctor)
They are what we once dreamed of as gods, mythical agents of destiny, as inescapable as Death, that poor old peasant laborer, bent over his scythe, no longer is. Poor Death, no match for the mighty altered-carbon technologies of data storage and retrieval arrayed against him. Once we lived in terror of his arrival. Now we flirt outrageously with his somber dignity, and beings like these won’t even let him in the tradesman’s entrance.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
What do you talk about?”... “Nothing. Just . . . stuff.” “Oh my god, Jules. You are blushing!” This is appalling. She’s right. I can feel it. “I am not!” She leans in and teases me. “Do you need a mirror? You’re bright red.” “Stop it. It’s not like that. We talk about . . . heavy things.” I don’t want to say “death.” Even that much feels like breaking a confidence. “We’re not flirting.” “So he hasn’t sent you a picture of his manhood yet?” I burst out laughing. “Has Brandon sent you a picture of his?” “No!” Now she’s blushing. “Knowing him, it would be artfully framed, with perfect lighting and specifically placed shadows—” “Shut up!” But she’s giggling.
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
And they beat. The women for having known them and no more, no more; the children for having been them but never again. They killed a boss so often and so completely they had to bring him back to life to pulp him one more time. Tasting hot mealcake among pine trees, they beat it away. Singing love songs to Mr. Death, they smashed his head. More than the rest, they killed the flirt whom folks called Life for leading them on. Making them think the next sunrise would be worth it; that another stroke of time would do it at last. Only when she was dead would they be safe. The successful ones—the ones who had been there enough years to have maimed, mutilated, maybe even buried her—kept watch over the others who were still in her cock-teasing hug, caring and looking forward, remembering and looking back.
Toni Morrison (Beloved (Beloved Trilogy, #1))
have always been fascinated by relationships. I grew up in Britain, where my dad ran a pub, and I spent a lot of time watching people meeting, talking, drinking, brawling, dancing, flirting. But the focal point of my young life was my parents’ marriage. I watched helplessly as they destroyed their marriage and themselves. Still, I knew they loved each other deeply. In my father’s last days, he wept raw tears for my mother although they had been separated for more than twenty years. My response to my parents’ pain was to vow never to get married. Romantic love was, I decided, an illusion and a trap. I was better off on my own, free and unfettered. But then, of course, I fell in love and married. Love pulled me in even as I pushed it away. What was this mysterious and powerful emotion that defeated my parents, complicated my own life, and seemed to be the central source of joy and suffering for so many of us? Was there a way through the maze to enduring love? I followed my fascination with love and connection into counseling and psychology. As part of my training, I studied this drama as described by poets and scientists. I taught disturbed children who had been denied love. I counseled adults who struggled with the loss of love. I worked with families where family members loved each other, but could not come together and could not live apart. Love remained a mystery. Then, in the final phase of getting my doctorate in counseling psychology at the University of British Columbia in Vancouver, I started to work with couples. I was instantly mesmerized by the intensity of their struggles and the way they often spoke of their relationships in terms of life and death.
Sue Johnson (Hold Me Tight: Seven Conversations for a Lifetime of Love (The Dr. Sue Johnson Collection Book 1))
Faith Poem I don't know how to do anytthing I am trying to move mountains with words But I am an ant I scribble I drool I move like a worm whose world (words) encompassed a mile How do I rise above? Where will this worm find wings? I look in the mirror and I see filth Who is that? Where did The Angel go? Why is there dirt staring back at me? Why is the soil of incompetence beneath my nails Why does doubt paint blue rings beneath my eyes and stain my skin Why does my spine assume failure Why do my lips flirt with they sky; why do I try to lasso Beauty with such a pitiful rope? Where is the hair of Rapunzel or Samson? Where is my sling Where is my stone, My gun? Where is the weapon with which I may fight this apathy that feels like sleep in my limbs that loosens my brother's smile That kills my neighbor's daughter This pen is scrawny and hardly seems able to ink out or erase this plague that infests my Generation This Giant, This Ogre This Beast, This Death that assumes a million faces, that borrows my own.
Jewel
I didn’t even care about being cautious. It would serve him right that I be killed while he pretended to flirt with coeds. I started to mutter. Something I did often when irritated. “I should frame him for my death. I could scroll his name on the sidewalk in my blood just to give the local authorities a direction to focus their investigation.” Spending
L.A. Fiore (Devil You Know (Lost Boys #1))
If, during any one of a million previous nights, a giant asteroid had smashed the Earth into gravel while we all slept, would it have mattered? With no one left to mourn the wreckage, one could even argue that it wouldn’t be a bad way to end things at all: egalitarian if nothing else. I even thought of a scene in Star Wars where Princess Leia receives news that her home world has been destroyed by Darth Vader’s Death Star. She throws a hairy fit, but two scenes later, she’s back to flirting with Han Solo.
Adrian Barnes (Nod)
Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.
Diana Palmer (Paper Rose (Hutton & Co. #2))
The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could. When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
If they want you, a youngish Quell had once written of the Harlan’s World ruling elite, sooner or later they’ll scoop you up off the globe, like specks of interesting dust off a Martian artifact. Cross the gulf between the stars, and they can come after you. Go into centuries of storage, and they’ll be there waiting for you, clone new, when you resleeve. They are what we once dreamed of as gods, mythical agents of destiny, as inescapable as Death, that poor old peasant laborer, bent over his scythe, no longer is. Poor Death, no match for the mighty altered-carbon technologies of data storage and retrieval arrayed against him. Once we lived in terror of his arrival. Now we flirt outrageously with his somber dignity, and beings like these won’t even let him in the tradesman’s entrance.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
You told me that one of the reasons you couldn't be with me was that you were afraid of my relationship with death, of the responsibility of keeping me alive. I found that incredibly insulting. No one asked you to keep me alive. No one asked you to be a ventilator, a pair of hands desperate against my sternum, a series of gasping breaths into a slack mouth. You're not qualified. No one is qualified. I am not a person who thinks that anyone is coming to save me except myself. I have been dying my whole life, don't you understand, flirting with death, bargaining, stalling, shifting strategies to stay alive. I am the person who is best at keeping myself alive, there is no singular love responsible for me, there is no one who knows me deeper, you would make a useless life jacket. You will never be better at it than I am. All I wanted was someone for the loneliness, someone to hold my hand and sit in the dark with me.
Akwaeke Emezi (Dear Senthuran: A Black Spirit Memoir)
He looks at Erik. “The last thing you’re going to do is wallow. You’re going to get back on your feet and figure out how to adjust. Trust me, you’ll thank me for it later.” Erik grimaces but nods. “I’m sure I will,” he says, forcing himself to sit up, and groaning as he does. “But right now, I’d like to say some far less savory things to you.” “Keep a list,” Heron says with a small smile. “You can tell them to me over dinner.” For an instant, Erik is shocked and flustered—a look I’ve never seen on him before. He recovers his wits quickly enough. “It’s a deal,” he says. Artemisia looks between the two of them, eyebrows raised so high they almost disappear entirely into her hair. “We are at war,” she says with a sigh. “Surely there is a better time to flirt than when death is around every corner?” “Truth be told, I’m hard-pressed to think of a better time to flirt,” Erik says, pushing himself to his feet. “You very well may never get another chance.” Artemisia rolls her eyes. “Just because I can’t see you doesn’t mean I don’t know you’re rolling your eyes, Art,” he says, holding an arm out to her, which she takes. She guides him a couple of hesitant steps. “Just because you don’t know how to flirt—” “I know how,” she snaps indignantly as she leads him out of the tent, the two of them continuing to bicker as they go.
Laura Sebastian (Ember Queen (Ash Princess Trilogy, #3))
I can only imagine the sort of havoc Oliver must have wreaked as a boy.” Oliver handed Minerva in, then climbed in to sit beside her. “We weren’t that bad.” “Don’t listen to him,” Minerva exclaimed, her eyes twinkling. “One dull evening, he and his friends went to a ball dressed in the livery of the hired footmen. Then they proceeded to drink up the liquor, flirt and wink at the elderly ladies until they were all blushing, and make loud criticisms of the entertainment. After the lady of the house caught on to their scheme and rounded up some stout young men to throw them out, they stole a small stone cupid she had in her garden and sent her a ransom note for it.” “How the devil do you know that?” Oliver asked. “You were, what, eleven?” “Twelve,” Minerva said. “And it was all Gran’s servants could talk about. Made quite a stir in society, as I recall. What was the ransom? A kiss for each of you from the lady’s daughter?” A faint smile touched Oliver’s lips. “And she never did pay it. Apparently her suitors took issue with it. Not to mention her parents.” “Good heavens,” Maria said. “Come to think of it,” Oliver mused aloud, “I believe Kirkwood still has that cupid somewhere. I should ask him.” “You’re as bad as Freddy and my cousins,” Maria chided. “They put soap on all the windows of the mayor’s carriage on the very day he was supposed to lead a procession through Dartmouth. You should have seen him blustering when he discovered it.” “Was he a pompous idiot?” Oliver asked. “A lecher, actually. He tried to force a kiss on my aunt. And him a married man, too!” “Then I hope they did more than soap his windows,” Oliver drawled. The comment caught Maria by surprise. “And you, of course, have never kissed a married woman?” “Not if they didn’t ask to be kissed,” he said, a strange tension in his voice. “But we weren’t speaking of me, we were speaking of Dartmouth’s dastardly mayor. Did soaping his windows teach him a lesson?” “No, but the gift they left for him in the coach did the trick. They got it from the town’s largest cow.” Oliver and Minerva both laughed. Mrs. Plumtree did not. She was as silent as death beside Maria, clearly scandalized by the entire conversation. “Why do boys always feel an urgent need to create a mess others are forced to clean up?” Minerva asked. “Because they know how it irritates us,” Maria said.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
I think: it's the holidays. There are parties. I'm young. I've spent the past two years going to oncologists. I'm going to put on my party shoes. And I do go to one party, and I leave when people start to dance around a pole. Later I start dating the man whose party it was, and he remembers being glad I came, and casually tells me how he flirted his head off that night. I'm not in your country, I think. I haven't lived in your country for a while.
Meghan O'Rourke (The Long Goodbye)
You look…different,” I say. I mean to say “older,” but I don’t want to suggest that she looked young before. She may not bend in all the places that older women do, but no one could look at her face and see a child. No child has that ferocity. “So do you,” she says. “What are you doing?” Drinking, I think, but she’s probably noticed that. “Flirting with death,” I say, laughing. “Drinking near the chasm. Probably not a good idea.” “No, it isn’t.” She’s not laughing. She looks wary. Wary of what, of me? “Didn’t know you had a tattoo,” I say, scanning her collarbone. There are three black birds there--simple, but they almost look like they’re flying across her skin. “Right. The crows.” I want to ask her why she would get one of her worst fears tattooed on her body, why she would want to wear the mark of her fear forever instead of burying it, ashamed. Maybe she’s not ashamed of her fears the way I’m ashamed of mine. I look back at Zeke and Shauna, who are standing with shoulders touching at the railing. “I’d ask you to hang out with us,” I say, “but you’re not supposed to see me this way.” “What way?” she says. “Drunk?” “Yeah…well, no.” Suddenly it doesn’t seem that funny to me. “Real, I guess.” “I’ll pretend I didn’t.” “Nice of you.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
What are you doing?” Drinking, I think, but she’s probably noticed that. “Flirting with death,” I say, laughing. “Drinking near the chasm. Probably not a good idea.” “No, it isn’t.
Veronica Roth (Four: A Divergent Story Collection (Divergent, #0.1-0.4))
Over and over, early Christian writings tell us of how Christians were branded atheists by the imperial courts and executed for this capital crime. They had lost all faith in the empire and had become faithful to God alone as the one who could preserve peace and prosperity. They claimed Jesus as their only emperor (Acts 17:7), they preached the kingdom of their God, and they pledged allegiance to the slaughtered Lamb. Today, there are many things I love about “America the Beautiful,” and yet the book of Revelation sounds a clear warning that any glory we give to Babylon is glory that belongs only to God. As my friend Tony Campolo says, “We may live in the best Babylon in the world, but it is still Babylon, and we are called to ‘come out of her.’” John warns the church in Asia Minor to be “faithful unto death” (Rev. 2:10). He describes a marriage between God and God’s people. They are to be loyal to their lover, Yahweh, their faith remaining in God alone, adorned as a bride, the New Jerusalem. Describing Rome as the whoring seductress Babylon the Great, John warns the Christians that the empire will entice them with a counterfeit splendor, and he warns against flirting with her pleasures and treasures, which will soon come to ruin. They are not to be shocked and awed by Babylon’s power nor dazzled by her jewels. Rather than drinking humanity’s blood from her golden cup of suffering (17:6), they are to choose the eucharistic cup filled with the blood of the new covenant. We are faithful not to the triumphant golden eagle (ironically, also an imperial symbol of power in Rome) but to the slaughtered Lamb.
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
Experimenting later, in a coffee shop toilet, I discover that I have acquired a couple of raking-tools-cum-hairgrips. Also a tube of mascara: something called Glam'Eyes Lash Flirt, a product which would attract me more had it been less reckless with its apostrophe.
Harry Bingham (The Strange Death of Fiona Griffiths (Fiona Griffiths, #3))
people fighting, cooking, flirting, bathing, tending goats, playing cricket, waiting for water at a public tap, lining up outside a little brothel, or sleeping off the effects of the grave-digging liquor dispensed from a hut two doors down from Abdul’s own. The pressures that built up in crowded huts on narrow slumlanes had only this place, the maidan, to escape. But after the fight, and the burning of the woman called the One Leg, people had retreated to their huts.
Katherine Boo (Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity)
I keep my expression benign as I lean against one of the shops on Port's main street, but internally? Internally I'm plotting Gia's death. Every flirty smile the woman tosses Kazex's way, I mentally picture punching her face. She's got gorgeous, thick curling hair and a winsome smile that she flashes like a weapon. And she's flirting with Kazex. And he's mine, goddamn it. My anger and frustration turn to worry as the minutes tick past and Gia and Kazex continue to talk at her sled. The packages are in the trunk, and yet he's not returning to my side. Gia keeps talking, reaching out and touching his arm and tossing her hair, and Kazex is smiling back at her. He's enjoying this. A sinking feeling enters my gut. A realization. I've made a mistake. This is my future, all because I didn't act. I'm in the process of losing him even as I stand here, and I'm helpless to do anything about it.
Ruby Dixon (Only the Clonely (Sunrise Cantina, #1))
So if I die here, alone in a goddamn nasty room, then so be it. I’ve been flirting with death since I was a kid, and dying for the people you love seems like a good way to go.
K.A. Knight (Den of Vipers)
Don't die," he ordered. "Fight to live, like you said." Kidan's heart contracted in her chest. She offered him a real smile this time. "Haven't you heard? Death doesn't seem to want me." His attention drifted to her wrist, then settled on her chest as if he could hear its slow, hesitant pounding. "Even death can't resist if you keep flirting with it this much.
Tigest Girma (Immortal Dark (Immortal Dark Trilogy, #1))
Another Girl, Another Planet" I always flirt with death I could kill, but I don't care about it I can face your threats Stand up tall and scream and shout about it I think I'm on another world with you I'm on another planet with you You always get under my skin I don't find it irritating You always play to win I don't need rehabilitating Another girl, another planet Another girl, another planet Space travels in my blood And there ain't nothing I can do about it Long journeys wear me out Oh God we won't live without it Another girl is loving you now Another planet, forever holding you down Another planet
The Replacements
Have we waltzed before, my lady?” “You have not had that pleasure since I put my hair up. The last time was at a Christmas gathering at Morelands. You were on leave with Bart and Devlin.” The music began, and as they moved off, Deene cast his memory back. He’d danced with several of the Windham sisters, even Maggie, who had been accounted the family recluse until she’d married Hazelton. He had danced with Eve on the last leave Lord Bart had taken before his death. When Deene glanced down at his partner, he saw a shadow of that recollection in her eyes, which would not do. He pulled her a trifle closer on the next turn. “Deene.” She made his title, just five letters, sound like an entire sermon on impropriety. “If you’re going to rescue me, you have to do a proper job of it.” He aimed a smile at her, pleased to see the shadows had fled from her eyes. “If I’m not seen to flirt with you, the Lady Staineses of the world will think I am still quite at large, maritally speaking.” “You are at large, maritally speaking. Just because I appropriated your company for one dance doesn’t mean I’ll be your decoy indefinitely.” “Decoy.” He considered the notion. “The idea has a great deal of merit. And you’re bound to me for supper as well, you know.” He saw by her slight grimace that she hadn’t intended this result. Her generosity had been spontaneous, then, which meant she hadn’t watched him being hounded and chased and harried the livelong evening. “A waltz and supper.” She paused while they twirled through another turn, and this time Deene pulled her a shade closer still then let her ease away. “Lucas Denning, behave, or I shall put it about you have a fondness for leeks.” He
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
Tinkie's on the list." "That's ridiculous. She and Enzo were only flirting." "And Oscar showed his ass and then was seen floundering in the bayou where a blow-up sex doll, complete with a death threat, later showed up in front of an entire town."... "Even though they don't have a body, Pret is thinking Enzo's disappearance may prove to be a homicide.
Carolyn Haines (Bones on the Bayou (Sarah Booth Delaney #14.5))
Because I like to flirt with death. Let's do this, give me your best shot, human. Let's see who gives in first. This isn't my first time.
Shakuita Johnson (A Prequel (Dark Indiscretions, #0.5))
Flirting with death is a fucking thrill.
H.D. Carlton (Does It Hurt?)
At least Asher is mine—the DNA test confirmed it. Sometimes I’m tempted to pick up the phone and call Charlotte to vent before I remember she doesn’t give a shit. That’s a whole different level of betrayal. I don’t even know where the fuck she went. Dakota and her mother Waverly won’t tell me anything, and Charlotte changed her number, so it’s not like I can ask her. And even though she took pics for her sister’s social media, Charlie never posted any of her own online. After being on that reality show as a kid, she hated being in the spotlight. Charlotte was my best friend from high school, the girl who never asked for tickets to games or wanted my help getting into hot parties or grilled me about my college prospects. I had a little thing for her when we first met. With her light blonde hair, big blue eyes, petite frame, and quiet ways, she drew out all of my protective instincts. She was in my English class freshman year, and one day our teacher randomly picked her to be Juliet. Charlie had to lie there while I, Romeo, reacted to her death. Even though we’d never spoken at that point, I could tell she was terrified. I hooked her pinky finger with mine to help steady her, and from that point on, we became the best of friends. So when guys were dicks to her, I made it clear they’d have to go through me if they ever thought to mess with her. When I saw her sitting alone in the cafeteria, I pulled up the seat next to her. When she seemed sad, I invited her to hang out. But she never looked at me all googly-eyed like the other girls. She never flirted or found reasons to touch me. She actually made me do my homework when we studied together. I figured she wasn’t into me like that and moved on. But she was still my best friend. Even when things got awkward between us after I started dating Dakota.
Lex Martin (Second Down Darling (Varsity Dads #4))
He’s quite taken with you. Mirryn hadn’t been talking about the masked man from the gallows parading as a prince, the rogue who had flirted with Kiva in the infirmary. She’d been talking about her brother—her real brother—who had been wearing a dirty tunic and standing in the crowd. The same brother who had kept Kiva from falling to her death and then infused fire magic into his family’s crest, making Mirryn, his sister, deliver it.
Lynette Noni (The Prison Healer (The Prison Healer, #1))
One way and another, I have been flirting pretty heavily with Death, the old clown.
David Roberts (Finding Everett Ruess: The Life and Unsolved Disappearance of a Legendary Wilderness Explorer)
Students who proceed according to the master-slave paradigm will only work themselves to death. Students who flirt and dally with Japanese in a lover-like relationship shall live happily ever after
Giles Murray (13 Secrets for Speaking Fluent Japanese)
I stand on the roof of the Hancock building, near the zip line where the Dauntless flirt with death. The clouds are black with rain, and the wind fills my mouth when I open it to breathe. To my right, the zip line snaps, the wire cord whipping back and shattering the windows below me. My vision tightens around the roof edge, trapping it in the center of a pinhole. I can hear my own exhales despite the whistling wind. I force myself to walk to the edge. The rain pounds against my shoulders and head, dragging me toward the ground. I tip my weight forward just a little and fall, my jaw clamped around my screams, muffled and suffocated by my own fear. After I land, I don’t have a second to rest before the walls close in around me, the wood slamming into my spine, and then my head, and then my legs. Claustrophobia. I pull my arms in to my chest, close my eyes, and try not to panic. I think of Eric in his fear landscape, willing his terror into submission with deep breathing and logic. And Tris, conjuring weapons out of thin air to attack her worst nightmares. But I am not Eric, and I am not Tris. What am I? What do I need, to overcome my fears? I know the answer, of course I do: I need to deny them the power to control me. I need to know that I am stronger than they are. I breathe in and slam my palms against the walls to my left and right. The box creaks, and then breaks, the boards crashing to the concrete floor. I stand above them in the dark.
Veronica Roth (The Divergent Library: Divergent; Insurgent; Allegiant; Four)
Isn’t it so strange how you can’t get away from the moon, try as you might, and yet you can’t touch it? It remains perpetually in front of you as though you could stretch your arm out and grab it with your fingers, but it is just out of reach. Happiness can feel like that. Like it is something other people experience but it only flirts with you and haunts you every time you glance out the window.
Levi Lusko (The Last Supper on the Moon: NASA's 1969 Lunar Voyage, Jesus Christ’s Bloody Death, and the Fantastic Quest to Conquer Inner Space)
Steep steps, and the sway of her skirt couldn't be contained. Instead of side to side, it flounced front to back, flashing Jake from behind. She cringed. He chuckled, deep and admiring. "Sexy thigh-highs. Those blue bows along the seams do it for me." His compliment sent heat up and between her legs. Her composure slipped. The hoop skirt would be the death of her. She would never wear one again. Sheer will pushed her up the remainder of the stairs. Once on the landing, she struggled to turn and face him. The light overhead flickered and dimmed, needing a bulb replaced. Jake's face was shadowy, but she could make out his expression, equally intense and indulgent. She would have immediately taken to her room, but his gaze detained her. All dark heat and sinful appreciation. His face was hard cut. His mouth curved, wicked by design. Tension stretched between them. Nerves overcame her. She felt inept with this man.
Kate Angell (The Café Between Pumpkin and Pie (Moonbright, Maine #3))
The Lord is my constant companion. There is no need that He cannot fulfill. Whether His course for me points to the mountaintops of glorious joy or to the valleys of human suffering, He is by my side. He is ever present with me. He is close beside me when I tread the dark streets of danger, and even when I flirt with death itself, He will not leave me. When the pain is severe, He is near to comfort. When the burden is heavy He is there to lean upon. When depression darkens my soul, He touches me with eternal joy. When I feel empty and alone, He fills the aching vacuum with His power. My security is in His promise to be near me always and in the knowledge that He will never let me go. From Psalms/Now by Leslie F. Brandt.
Lee Strobel (Spiritual Mismatch: Hope for Christians Married to Someone Who Doesn’t Know God)
In a ring but deep you go, In a spot the wind can’t blow, Buried deep but not in dirt, Hold your breath, with death you flirt. -Tales of the Faewald
Sarah K.L. Wilson (Fae Hunter (Tangled Fae Book 1))
Cleaver came across a picture of the white woman that Till had flirted with in a magazine and found her attractive. He saw himself in Till’s shoes, and it distressed him. “It intensified my frustrations,” Cleaver later explained, “to know that I was indoctrinated to see the white woman as more beautiful and desirable than my own black woman.” Cleaver’s emotional turmoil about his attraction to white women was not unusual. While white men often took liberties with black women, a black man who flirted even mildly with a white woman was considered to be making the gravest violation of white supremacy, one that was all too often punished by death. In this context, it is not surprising that many black men associated a sexual desire for white women with a desire to be recognized as human and free.
Joshua Bloom (Black against Empire: The History and Politics of the Black Panther Party (The George Gund Foundation Imprint in African American Studies))
The defenses that form a person’s character support a grand illusion, and when we grasp this we can understand the full drivenness of man. He is driven away from himself, from self-knowledge, self-reflection. He is driven toward things that support the lie of his character, his automatic equanimity. But he is also drawn precisely toward those things that make him anxious, as a way of skirting them masterfully, testing himself against them, controlling them by defying them. As Kierkegaard taught us, anxiety lures us on, becomes the spur to much of our energetic activity: we flirt with our own growth, but also dishonestly. This explains much of the friction in our lives. We enter symbiotic relationships in order to get the security we need, in order to get relief from our anxieties, our aloneness and helplessness; but these relationships also bind us, they enslave us even further because they support the lie we have fashioned. So we strain against them in order to be more free. The irony is that we do this straining uncritically, in a struggle within our own armor, as it were; and so we increase our drivenness, the second-hand quality of our struggle for freedom. Even in our flirtations with anxiety we are unconscious of our motives. We seek stress, we push our own limits, but we do it with our screen against despair and not with despair itself. We do it with the stock market, with sports cars, with atomic missiles, with the success ladder in the corporation or the competition in the university. We do it in the prison of a dialogue with our own little family, by marrying against their wishes or choosing a way of life because they frown on it, and so on. Hence the complicated and second-hand quality of our entire drivenness. Even in our passions we are nursery children playing with toys that represent the real world. Even when these toys crash and cost us our lives or our sanity, we are cheated of the consolation that we were in the real world instead of the playpen of our fantasies. We still did not meet our doom on our own manly terms, in contest with objective reality. It is fateful and ironic how the lie we need in order to live dooms us to a life that is never really ours.
Ernest Becker (The Denial of Death)
wishing I’d thought twice before flirting with a harbinger of death.
Maxym M. Martineau (Kingdom of Exiles (The Beast Charmer, #1))
Dauntless flirt with death
Anonymous