Flip The Switch Quotes

This guy was flipping my bitch switch like nothing else.

I've always avoided confrontation in the past, but this guy was flipping my bitch switch like nothing else.

It is never too late to turn on the light. Your ability to break an unhealthy habit or turn off an old tape doesn't depend on how long it has been running; a shift in perspective doesn't depend on how long you've held on to the old view. When you flip the switch in that attic, it doesn't matter whether its been dark for ten minutes, ten years or ten decades. The light still illuminates the room and banishes the murkiness, letting you see the things you couldn't see before. Its never too late to take a moment to look.

Oh, that flipped my bitch switch from meh to pure “I’m going to cut a bitch” rage.

Most of us are imprisoned by something. We're living in darkness until something flips on the switch.

It's like all my life I've been this tower standing at the edge of the ocean for some obscure purpose, and only now, almost eighteen years in, has someone thought to flip the switch that reveals that I'm not a tower at all. I'm a lighthouse. It's like waking up. I am incandescent.

Inspiration is external and motivation is internal. It is up to me to provide the switch and you to flip it on!

In the event of some sort of gathering, if one of the bossy, over bearing, possessive, fur balls has not flipped his switch and attacked some poor young pup in some misguided attempt to protect his woman's virtue, then the night is not yet over.

Openness is a habit you form over time, and not a switch you flip whenever you want to.

I'd always avoided confrontation in the past, but tihs guy was flipping my bitch switch like nothing else. ~Obsidian

Worry is to joy what a Hoover vacuum cleaner is to dirt: might as well attach your heart to a happiness-sucker and flip the switch.

God said "Let there be light" and George morgan flipped the switch.

It was probably good you couldn't flip the love switch because sometimes it was what you needed even if you didn't want it.

Writing's funny, it's like walking down a hall in the dark looking for the light switch, and suddenly you find it, flip it on, and then you discover the hallway you passed through is papered with the novel you've written.

But then the wine came, one glass and then a second glass. And somewhere during that second drink, the switch was flipped. The wine gave me a melting feeling, a warm light sensation in my head, and I felt like safety itself had arrived in that glass, poured out from the bottle and allowed to spill out between us.

Though I'd wanted to wear sequinned flip-flops, I'd worn boots and switched the plain white ties for pink lace because, uh, the pink were sturdier.

He’d done it.  He’d gone and flipped the psycho switch in my brain again.

There was no easy switch that she could flip to stem the flow of feelings, no way to drain the memories that pooled like acid in her stomach because her heart no longer knew what to do with them.

What was wrong with me? Why could I not just flip the switch and see all the brightness ahead if only I chose the correct path? Or rather, why could I see the correct path but not choose to tread upon it?

I’d always avoided confrontation in the past, but this guy was flipping my bitch switch like nothing else.

Life without you was a series of pros and cons. Risks and rewards. Black and white with very few shades of gray. But then you came back and flipped a switch inside me, flooding my world with color after a ten-year blackout, and I don’t plan on giving that up. Not now. Not ever.

Oh, my God! Why are you in a towel?” Ayden sprang forward and ripped off his leather jacket. He led us both in an awkward sidestep to my closet. “Take your time. Get clothes on. Lots of them.” He shoved me inside and closed the door. In the pitch, dark I reached for the light switch, but the door opened again. “Sorry.” Ayden’s hand slid in, groping for the switch, found it, and flipped it on. “Don’t come out until… lots and lots of clothes.

My grandfather had died, and my mother was trying to explain it to me. . . .Grandpa isn't coming back? No, she said. Not ever again. . . . And I remember saying, hold everything right fucking there. You went to all the trouble of conceiving me, and giving birth to me, and raising me and clothing me and all . . . and you make me cry and things hurt so much and disappointments crush my heart every day and I can't do half the things I want to and sometimes I just want to scream -- and what I've got to look forward to is my body breaking and something flipping off the switch in my head -- I go through all this, and then there's death? What is the motherfucking deal here? I wasn't having this. This was not fair.

I think maybe I'll hide behind the couch and jump out when he gets here. Put the fear of George into him," my dad said with a nod of his head. "Not funny. And don't you mean "fear of God"?" He shrugged. "Same thing." God said "Let there be light" and George Morgan flipped the switch.

He could be so charming and irreverent and witty, and then-bam!-a switch flipped and he reverted right back to the cocky asshole everyone reported him to be.

She says it's like a switch - a big red PANIC switch - gets flipped in my head and I can't turn it off. She says we're going to figure out how to turn it off.

When fighting for your life, it may simply be too easy to flip the switch to “rock ’n’ roll,” no matter how wasteful and useless this might be.

You flipped the bitch switch, so buckle up and enjoy the ride, asshole!

And she remembered the way he had gone from total control to utter disaster with the flip of a switch, like watching an intricate glass sculpture shatter into a thousand pieces—only to pull together again until you could barely see the seams.

Forgiveness is a very abstract term. It doesn’t erase the past. It’s not a magical switch you can flip or a stained rug you can just turn over. It’s merely a scar that covers the deep, dark gash that hate carved in your soul.

But most people in America, those who are fed and clothed and housed, can choose what to care about. From your comfortable position you can decide if you want to know about people in Syria or Myanmar, with the flip of a television switch.

Next time you’re feeling like a task or project is particularly difficult, ask yourself, ‘What would it look like if I were really confident at this?’ Just by asking yourself the question, you’ll visualise yourself confidently approaching the task at hand. The switch has been flipped.

Who flipped your bitch switch?

And… it’s like all my life I’ve been this tower standing at the edge of the ocean for some obscure purpose, and only now, almost eighteen years in, has someone thought to flip the switch that reveals that I’m not a tower at all. I’m a lighthouse.

There is no greater torture than being forced to watch as your love, your reason for living, breathing, and existing, sinks into oblivion. Your heart stops no matter how you try to get to her, she just gets farther and farther away." ~Fane from 'Beyond the Vail' "Attention shoppers, just a brief announcement, crazy ass werewolf on isle three. Those with abundance of testosterone, don't touch their lady merchandise and you might walk out of here intact." ~Jen from 'Fate and Fury'. "In the event of some sort of gathering, if one of the bossy, overbearing, possessive fur balls has not flipped his switch and attacked some poor young pup in some misguided attempt to protect his woman's virtue, then the night is not over.

When you’ve spent your whole life not being good enough, it takes time to let yourself believe that you finally are. Self-worth isn’t a switch that flips inside you. It’s a daily struggle not to sabotage your own success. Not to cave into the voices inside your head that whisper you’re not good enough, or you’ll fuck things up, or that someone else could do things better than you.

I thought that when I spilled one secret, the rest would come tumbling after, but openness is a habit you form over time, and not a switch you flip whenever you want to, I'm finding.

He switched off the car and spun. The woman disappeared. He flipped forward and saw the reflection. The woman stuck out her tongue. “What the hell?” Cole said. “I want answers and I want them now.” “Answers about what?” “I’ve been watching you watching her, all day long,” he said. “Don’t deny it.” “What exactly are you saying?” Karlee jerked her head forward, and her mouth fell open. He felt like a crazy fool. “You know what I’m talking about. The... uh...thing that is sitting in the back seat of this car?

You walk into a room and flip a switch and the room fills with light. You leave your garbage in bags on the curbside, and a truck comes and transports it to some invisible place. When you're in danger, you call for the police. Hot water pours from faucets. Lift a receiver or press a button on a telephone, and you can speak to anyone. All the information in the world is on the Internet, and the Internet is all around you, drifting through the air like pollen on a summer breeze. There is money, slips of paper that can be traded for anything: houses, boats, perfect teeth. There are dentists. She tried to imagine this life playing out somewhere at the present moment. Some parallel Kristen in an air-conditioned room, waking from an unsettling dream of walking through an empty landscape.

She doesn't flip your switch. I get it." "Never say switch to a Dom, Leah. In either context. I don't do one and I'm liable to use the other.

I thought that when I spilled one secret, the rest would come tumbling after, but openness is a habit you form over time, and not a switch you flip whenever you want to, I'm finding,

In the end, if we could ever really pursue the question 'why' to its true headwaters, we might find it is often no more than this: a beginning so trifling that it hardly bears notice. The flip of a switch. The flash of a neurotransmission. Maybe there was always something amiss, like a bulb planted and forgotten that blooms when the season is right. ...A thousand girls could have gotten through my seventh grade and breezed on with a laugh; I didn't.

Things used to be easy. Flip a switch? On goes the light. Press a button? You’re calling your parents. Swipe a credit card? You just paid for lunch. Easy, simple, convenient. Nothing is like that anymore

I feel like I’m waiting here. Waiting for something that hasn’t happened yet. Something that isn’t yet. But that’s all I feel and nothing else. I don’t know if I even exist. And then someone flips a switch and the light is gone, the room is gone, the weightlessness is gone. I want to ask to wait, because I wasn’t finished yet, but I don’t have a chance. There is no gentle pulling. No coaxing. No choice. I’m wrenched out. Yanked, as if my head is being snapped back. I’m in the dark and everything is pain. There are too many sensations at once. Every nerve ending is on fire. Like the shock of being born. And then, there are flashes of everything. Color, voices, machines, harsh words. The pain doesn’t flash. The pain is constant, steady, never-ending. It’s the only thing I know. I don’t want to be awake anymore.

I flipped on the switch marked "Shuddering Sobs," but nothing came. Damnation! I used to be a dab hand at water on demand. What on earth was happening to me? Was I becoming hardened? Was this what being twelve was going to be like?

I shook my head. "I'm good, Nicky helped." Nicky looked at Edward. "She's having one of those what-if-killing-feels-really-good, doesn't-that-make-me-a-bad-person moments." Edward nodded as if that made perfect sense. "Then it feels good. We can't really control what flips our switch; don't judge it, Anita, and just accept it." I wanted to argue, but it would have been beyond stupid to argue with the two sociopaths in my life. "Why do I have moral quandary questions with the two of you?" "Because you don't really have moral quandaries about violence, Anita, but you're afraid of being judged for enjoying it, so you only bring it to the two people in your life who won't judge you." I wanted to argue with Edward, but I couldn't. "Well, fuck.

You're flipping my bitch switch

A flip had been switched.

Nobody flipped a switch from tolerable to asshole faster than Dante Russo. It took every ounce of willpower not to toss the nearest drink in his face.

She had spent days balancing on the edge of a choice. A choice, she had suddenly realized, that was never truly a matter of selection. It was what Damien had seemed to know from the start. The only choice she could make was to ignore the demands of her heart and her spirit, both of which she had tried to ignore no matter how loudly they had screamed at her. In truth, there was no choice. She was meant to be his, and he was meant to be hers. She had searched day after day for outside proof of this, only to realize that there was none, and never would be. The proof was stamped in the desires of her soul. It was the instinct that had been born in her, flipped on like a switch, the moment it had flipped on as brilliantly in him. Only he had seen the light, and she had been blinded by it.

I remember first learning about death quite vividly. I'm not sure how old I was, but I remember the conversation like it was yesterday. My grandfather had died, and my mother was trying to explain it to me. 'Sometimes, when someone gets ill, and they're very very old, they don't get better again. They just get iller and iller and then... then their body stops working.' 'I don't understand.' 'What's in them just goes away, and doesn't come back.' 'Grandpa isn't coming back?' 'No,' she said. 'Not ever again.' 'Grandpa said he was going away and not ever coming back after he held Grandma's head in that cotton-dump outside of town and kicked Skeeter seventy-three times.' 'Grandpa was very drunk. That's not the same as being dead. Grandpa's dead, son. He's not there anymore.' And I remember saying, 'Hold everything right fucking THERE. 'You went to all the trouble of conceiving me, and giving birth to me, and raising me and feeding me and clothing me and all-- and, YEAH, whipping me from time to time, and making me live in a house that's freezing fucking cold all the goddamn time-- and you make me cry and things hurt so much and disappointments crush my heart every day and I can't do half the things I want to do and sometimes I just want to scream-- and what I've got to look forward to is my body breaking and something flipping off the switch in my head-- I go through all this-- and then there's death? 'What is the motherfucking deal here?

Our eyes meet. And…it’s like all my life I’ve been this tower standing at the edge of the ocean for some obscure purpose, and only now, almost eighteen years in, has someone thought to flip the switch that reveals that I’m not a tower at all. I’m a lighthouse. It’s like waking up. I am incandescent.

A switch flipped in me. It was like one of those breaker switches...Like on a circuit box. You know how they take a lot of pressure to flip? But then once they catch, they switch over with force? I switched over. I knew, right then and there, that I needed to get away from this person. That I had to take care of myself. Because if I didn't... He wasn't gonna kill me but he would let me die (276).

I just have to be normal Starr at normal Williamson and have a normal day. That means flipping the switch in my brain so I’m Williamson Starr. Williamson Starr doesn’t use slang—if a rapper would say it, she doesn’t say it, even if her white friends do. Slang makes them cool. Slang makes her “hood.” Williamson Starr holds her tongue when people piss her off so nobody will think she’s the “angry black girl.” Williamson Starr is approachable. No stank-eyes, side-eyes, none of that. Williamson Starr is nonconfrontational. Basically, Williamson Starr doesn’t give anyone a reason to call her ghetto. I can’t stand myself for doing it, but I do it anyway.

I think my heart is defective," Jillian says. I have to force myself to smile Jan looks at me. I get the joke, but for some reason it just isn't funny right now. "I can fix that," Jeremy says, taking Jillian's headband from her. He pulls out the battery and looks at the wires that run from it. He twists one of them a little with his fingers and reinserts the battery. "You are so nerdy," Jillian says. I look over at her. It's not what she said, but how she said it. It almost sounded like a compliment. "Yay," Jillian says, when he flips the switch and both hearts stay lit. Jillian takes the headband from him and slips it on. She wobbles her head making them clack together. "Jeremy," she says, grinning at him. "You fixed my broken heart.

And pain is relative; My particulars may be "better" of "worse" than the patient next to me, but individually our biological framework limits our ability to tolerate suffering; that is what brings us to out knees, flips the switch of our depression, and forces us to retreat from the rest of the world. That is what we have in common.

So you try, and try, to move past it and forget about them, but it's like they're stuck in your head -- you can't just flip a switch and stop loving them! So you hate yourself for it because you know it's no use, but nothing you do seems to ever make a difference.

It was as if this baseball coach had reached inside me, found a rusty switch marked: 'turn on before attempting use' - and flipped it.

And the monkey flips the switch.

In the ten years I've been pastor at HFASS, I've known young married couples who did what the church told them and "waited," only to discover that they could not, on the day of their wedding, flip a switch in their brains and in their bodies and suddenly go from relating to sex as sinful and dirty and dangerous to relating to sex as joyful and natural and God-given.

Constantly seeking approval means you’re perpetually worried that others are forming negative judgments of you. This steals the fun, ingenuity, and spontaneity from your life. Flip the switch on this habit. If you’re lucky enough to have something that makes you different from everybody else, don’t be ashamed and don’t change. Uniqueness is priceless. In this crazy world that’s trying to make you like everyone else, find the courage to keep being your remarkable self. It takes a lot of courage to stand alone, but being unapologetically YOU is worth it!

My pet-sitting day ends around sunset, and it's very satisfying to know that I've made several living beings happy that day. That I left their food bowls sparkling clean and fresh water in their water bowls. That I brushed them so their coats shined, and played with them until all our hearts were beating faster. That I kissed them goodbye and left them with their tails wagging or flipping or at least raised in a happy kind of way. That's a heck of a lot more than any president, pope, prime minister, or potentate can say, and I wouldn't switch places with any of them.

...that the holocaust is so big, the scale of it is so gigantic, so enormous that it becomes easy to think of it as something mechanical. Anonymous. But everything that happened, happened because someone made a decision to pull a trigger, to flip a switch, to close a cattle door, to hide, to betray.

But I love you," Trixie said. There was no easy switch that she could flip to stem the flow of feelings, no way to drain the memories that pooled like acid in her stomach because her heart no longer knew what to do with them. She couldn't blame Jason; she didn't like herself like this, either. But she couldn't go back to being the girl she'd been before she met him; that girl was gone. So where did that leave her?

Sebastian knows that his parents wish that something awful had happened to him. Because then there’d be a reason for him to hurt. Then he could be understood, maybe even fixed. But Sebastian’s darkness is not just a light switch that someone forgot to flip, not just a pill he doesn’t want to take. His darkness is a heaviness and a tiredness that pulls the bones of his chest inwards and downwards until he can’t breathe.

One of the few things that August didn't know about her was that sometimes when she looked at her collection of pictures she tried to imagine and place herself in that other, shadow life. You walk into a room and flip a switch and the room fills with light. You leave your garbage in bags on the curb, and a truck comes and transports it to some invisible place. When you're in danger, you call for the police. Hot water pours from faucets. Lift a receiver or press a button on a telephone, and you can speak to anyone. All of the information in the world is on the Internet, and the Internet is all around you, drifting through the air like pollen on a summer breeze. There is money, slips of paper that can be traded for anything: houses, boats, perfect teeth. There are dentists. She tried to imagine this life playing out somewhere at the present moment. Some parallel Kirsten in an air-conditioned room, waking from an unsettling dream of walking through an empty landscape.

There was no lightbulb moment in the story of the lightbulb. By the time Edison flipped the switch at the Pearl Street station, a handful of other firms were already selling their own models of incandescent electric lamps.

Hot.” The last word, barely a whisper, lost itself in my hair as he pressed his lips to that spot just below my ear that can, apparently, flip the off switch in my brain. Before I realized it my hands were inside that jacket, stroking the hard planes of his chest and stomach. And then, as if moving without any prompting from me they reached down, undid his belt, pulled it loose, and…“Ahhh, that feels great,” I moaned.“I am completely grossed out over here!” Cassandra informed us.Vayl, who’d been peering down at me with an expression of utter disbelief, stared at Cassandra over the top of my head. “It is not what you think,” he assured her.“As if I’d do something that disgusting,” I said, pulling away from him, but keeping the belt, because the buckle relieved the itching so much better than fingernails. I continued using it to scratch the inflamed skin across my stomach as I sat down by Cassandra. “You are pathetic,” she told me. “I’d get all offended, but I’m pretty sure you’re right.

My husband believed I might die. And he didn't so much as even call the concierge. A switch flipped in me. I knew, right there and then, I needed to get away from this person. He wasn't gonna kill me but he would let me die.

As the months and then the years passed, they developed a friendship in which the first fifteen years of his life remained unsaid and unspoken, as if they had never happened at all, as if he had been removed from the manufacturer’s box when he reached college, and a switch at the base of his neck had been flipped, and he had shuddered to life.

Coming back, he took the tracker out of Morley’s hand, slid back into the car and flipped a switch. An internal Mannheim, a force shield, flared into life, dividing the front of the car from the rear. Once he was satisfied the Mannheim would prevent the sound of their voices being picked up by any undiscovered bugs he spoke. “I have a plan, a way to turn the tables on them.” “How?” Instead of explaining, Lieges waved his hand at the stray dog. Thinking it was going to be fed, the mutt came over. Lieges grabbed it, removed some of the gum he was chewing, fixed the bug to it and stuck the gum under the dog’s collar. Picking the dog up, he placed it in the front of the air-car. Morley hissed. “What the hell are you doing?” “Thinking laterally,” Lieges replied. “We’ll fly a few kilometres from here and push the dog out. The BlackClads will then lock onto the dog and not us. No doubt they’ll realise something is wrong after they’ve been tracking it for a while, but it will probably buy us some time.

Twenty thousand volunteers responded, agonizing over everything from whether they should get a tattoo, try online dating, or have a child, to the 2,186 people who were pondering a job change.* But could they really trust a momentous decision to chance? The answer for the potential job changers who flipped heads was: only if they wanted to be happier. Six months later, those who flipped heads and switched jobs were substantially happier than the stayers.* According to Levitt, the study suggested that “admonitions such as ‘winners never quit and quitters never win,’ while well-meaning, may actually be extremely poor advice.” Levitt identified one of his own most important skills as “the willingness to jettison” a project or an entire area of study for a better fit.

I wanted to be at my parents’ house when electricity came. It was in 1940. We’d all go around flipping the switch, to make sure it hadn’t come on yet. We didn’t want to miss it. When they finally came on, the lights just barely glowed. I remember my mother smiling. When they came on full, tears started to run down her cheeks. After a while, she said: “Oh, if we only had it when you children were growing up.” We had lots of illness. Anyone who’s never been in a family without electricity—with illness—can’ t imagine the difference.

I’ve never awaited a kiss more in my whole life. “It won’t hurt, I promise.” He husks throatily, lowering his head, blocking out the sun so all I see are twin blues and my own lust mirrored back in them. I’m right. It’s a kiss like no other I’ve had before. He doesn’t plunder, not at first. His lips edge across mine—first the top, then the bottom, coaxing me to open. He presses lightly, teasing me almost into whimpering. Of course I want more, I’m out of my flipping mind wanting the kiss, so I drag at his shirt, as if to tell him to get on with it already and that’s when his mouth opens, and my brain switches off. His mouth lays waste to mine in a not-so-surprising and yet all arousing eating kiss that feels as though he’s wolfing me down from the inside with each measured flick of his tongue. His taste floods through me, not a corner of my body is left out of the pleasure soaking out of Theo and into me. He kisses like I’ve always wanted to be kissed by a man.

He had flipped a switch in me. A switch that changed me from a woman who saw making love as a tool into a woman who knew that making love was a need. I needed him. I needed to be seen. I came alive under his gaze. Being married to Don had shown me another side of myself, a side I was just getting to know. A side I liked.

A switch flipped in him, in her, smoldering from his eyes to her body. “Do you want to find out what I taste like?

Let me tell you about spirit.” The teacher comes alive, making eye contact with each of us as he speaks. “No one can command you to have spirit—not principals, governors, presidents, or even kings. There’s no spirit switch in your brain that can be flipped on or off. Spirit isn’t a week you can put on your calendar. It doesn’t come from posters, or streamers, or rallies, or funny hat days. And it definitely doesn’t come from making an ungodly racket with a cheap plastic instrument of torture that was invented purely for disturbing the peace!

For kids like me, the part of the brain that deals with stress and conflict is always activated - the switch flipped indefinitely. We are constantly ready to fight or flee, because there is constant exposure to the bear, whether that bear is an alcoholic dad or an unhinged mom. We become hard-wired for conflict. And that wiring remains, even when there's no more conflict to be had.

I thought that it was possible at a time like that to cry. There was a switch inside somewhere, and a person could just decide to flip it and start crying. Maybe it looked and felt like the toggle switch on the engine. Silver and smooth. One direction was on; the other direction was off. Easy to flip. You do it without looking. Up -- you’re happy and strong. Down – you’re crying and weak.

All change is abrupt, even the change that happens slowly over time. There's always a singular moment that defines it: It's the flip of a switch, the wrong turn, the letter opened, the instant of knowing. Afterward, you search back to see who you were in the seconds before the change. You try to experience the feeling of life you have just left. But it's as impossible as trying to conjure the feeling of snow in summer.

after I hit puberty, it was like a switch inside me flipped, and instead of becoming a testosterone-driven sex monster like most of the guys in my school, I failed to find anyone I wanted in my life in that way.

He speaks in a different language with a voice that's already like sand shifting over metal, and my insides flip out. He's inadvertently flicked some weird switch inside me, and there's no turning back once it's there. Apparently I really like hearing someone speak in Hungarian or Polish or Russian or whatever it is he's speaking, while trapped in a closet. I'm a secret subscriber to Trapped in a Polish Closet magazine.

He flipped the switch on the side of the player and was delighted when the record began to spin, crackling quietly. “I think we’re in business,” he murmured. “It would appear so,” Arthur replied. He lowered the needle. The speakers crackled a little louder. And then— A man began to sing, saying darling, you send me, I know you send me. “Sam Cooke,” Linus whispered. He dropped his hand back to his side. “Oh. Oh. That’s wonderful.

Most of us accept that when we flip the light switch, the bulb will light up the darkness. When we turn on the tap, crystalline water will pour deliciously into our glass. When we are hungry, there will be something to eat. We also accept that others do not deserve the same. In the cities, we walk by the homeless each and every day. On the nightly news, we glorify hatred and rage. In entertainment, we celebrate the discomfort of others. We have learned to accept the unacceptable. It is a tragedy. Changing the world seems an impossible task. And not one among us can do it. Only when we each commit to small steps forward will we turn it all around.

If it makes you feel any better, he’s been all sad doll lately too.” “What are you talking about, Chels?” Chelsea stopped walking and stared at Violet. “Jay. I’m talking about Jay, Vi. I thought you might want to know that you’re not the only one who’s hurting. He’s been moping around school, making it hard to even look at him. He’s messed up . . . bad.” Just like the other night in Violet’s bedroom, something close to . . . sympathy crossed Chelsea’s face. Violet wasn’t sure how to respond. Fortunately sympathetic Chelsea didn’t stick around for long. She seemed to get a grip on herself, and like a switch had been flipped, the awkward moment was over and her friend was back, Chelsea-style: “I swear, every time I see him, I’m halfway afraid he’s gonna start crying like a girl or ask to borrow a tampon or something. Seriously, Violet, it’s disgusting. Really. Only you can make it stop. Please make it stop.

FLY A HELICOPTER? SURE, WHY NOT. Leo had done plenty of crazier things that week. The sun was going down as they flew north over the Richmond Bridge, and Leo couldn’t believe the day had gone so quickly. Once again, nothing like ADHD and a good fight to the death to make time fly. Piloting the chopper, he went back and forth between confidence and panic. If he didn’t think about it, he found himself automatically flipping the right switches, checking the altimeter, easing back on the stick, and flying straight. If he allowed himself to consider what he was doing, he started freaking out. He imagined his Aunt Rosa yelling at him in Spanish, telling him he was a delinquent lunatic who was going to crash and burn. Part of him suspected she was right. “Going okay?” Piper asked from the copilot’s seat. She sounded more nervous than he was, so Leo put on a brave face.

To combat the sin of self-sufficiency, we need a special kind of faith. It's what I call Starbucks Rest Room Faith. Almost every Starbucks store has a sensor that controls the light in the rest room. You can't just flip a switch, and you can't make it go on by just waving your arm inside the door. You have to put your whole body into that dark room and trust that the light will come on as you enter. Faith in God is a lot like that. He doesn't offer a safety net, He doesn't let us hedge our bets, and He doesn't give any guaranteed results ahead of time. We have to be all in before the light comes on.

One public defender of the techniques was a CIA official named John Kiriakou, who stated on national television that Abu Zubaydah was uncooperative until he was waterboarded for thirty-five seconds. Kiriakou said he witnessed this himself. “It was like flipping a switch,” Kiriakou said; after that, Abu Zubaydah spilled everything. Later Kiriakou admitted that he had given false information, and we learned that Abu Zubaydah had been waterboarded eighty-three times—and that no new valuable information was gained from him. (Today Kiriakou works as a staff member on the Senate Foreign Relations Committee.)

This poem is a witness to the rape of Shurpanaka. This poem smears Rama for his suspicious mind. This poem was once forced into suttee. This poem is now taking her revenge. This poem is addicted to eating beef. This poem knows the castes of all the thirty-three million Hindu Gods. This poem got court summons for switching the castes of Gods. This poem once dated Karna who was sure he was no test-tube baby. This poem is not curious about who-was-the-father. This poem is horizontally flipped. This poem is a plagiarised version. This poem is selectively chosen. This poem is running paternity tests on Hindutva.

I lifted a cupcake out of the box and took another step closer, holding it out to him. “It’s sweet and creamy, Henry. I promise. Don’t you want to lick my cupcake?” He made a strangled sound in the back of his throat, his eyes blinked heavily, and his chest caved with a gusty breath. For a fleeting few seconds, he seemed pained, almost tortured, then suddenly it was all gone. Like a switch had flipped. The look of agony vanished, replaced by something altogether more terrifying—resignation and a hard wickedness that made me quiver with desire. He shoved off the counter and straightened above me, forcing me to tilt my chin up. Holding my gaze, his own dark as pitch, he finally spoke. “Yeah, Clara. I wanna lick your cupcake.

You should probably go to the doctor for that.” He rolls his eyes, stealing a bottle of water from the refrigerator and uncapping it. “Doctors are overrated.” “Yeah, funeral directors too.” He pauses with the bottle halfway to his mouth, bewilderment filtering through his eyes. “I don't understand half of what you say.” “Well, at least you understand the other half of it. There's hope for you yet. I mean, at least a fifty-fifty chance, right?” His eyes brighten. “There she is. 'Bout time you woke up. Good morning, Kennedy.” I mutter something that may or may not come out sounding like, “Fuck off,” and stomp into the living room to await what is guaranteed to be an outstanding day. I can feel the awesomeness ahead. Graham follows me, flipping a light switch and burning my eyes. “Did you just tell Blake to fuck off?” “I can't remember. It was so long ago.” I close my eyes and flop onto my back on the couch, hoping when I open my eyes it will be tomorrow. He frowns. “You never say fuck.” “Fuck. Fuck fuck fuck fuck fuck. Fuckity fuck fuck.” “Maybe you should go back to bed.” “Maybe you should fu—” A hand claps over my mouth, and I look up, finding twinkling eyes on me. “You're cute when you're upset.” I lick his hand and he yelps as he yanks it back. “Really, Kennedy?” I smirk, finally feeling halfway decent. “Really. Carry me to the truck, servant.” The quiet grows, which makes me think he ignored me and left the room, but then I am being tossed over a shoulder. I begin to protest— loudly. “Graham! Put me down. This is no way to treat your roommate.” A hand smacks my rear and I jerk at the sting that comes. “Licking hands is no way to treat your roommate either. You wanted to be carried to the truck. I'm carrying you. Blake,” he calls. “Let's go.” Zart, Lindy (2014-11-20). Roomies (pp. 159-160). . Kindle Edition.

Whatever you want," he said. "Will you please come here now?" I slipped a piece of protective tissue over my drawing and flipped the book closed. A piece of blue scratch paper slid out, the line I'd copied from Edward;s poetry book. "Hey. Translate for me, Monsieur Bainbridge." I set the sketchbook on my stool and joined him on the chaise. He tugged me onto his lap and read over his head. "'Qu'ieu sui avinen, leu lo sai.' 'That I am handsome, I know." "Verry funny." "Very true." He grinned. "The translation. That's what it says. Old-fashionedly." I thought of Edward's notation on the page, the reminder to read the poem to Diana in bed, and rolled my eyes. You're so vain.I bet you think this song is about you..."Boy and their egos." Alex cupped my face in his hands. "Que tu est belle, tu le sais." "Oh,I am not-" "Shh," he shushed me, and leaned in. The first bell came way too soon. I reluctantly loosened my grip on his shirt and ran my hands over my hair. He prompty thrust both hands in and messed it up again. "Stop," I scolded, but without much force. "I have physics," he told me. "We're studying weak interaction." I sandwiched his open hand between mine. "You know absolutely nothing about that." "Don't be so quick to accept the obvious," he mock-scolded me. "Weak interaction can actually change the flavor of quarks." The flavor of quirks, I thought, and vaguely remembered something about being charmed. I'd sat through a term of introductory physics before switching to basic biology. I'd forgotten most of that as soon as I'd been tested on it,too. "I gotta go." Alex pushed me to my feet and followed. "Last person to get to class always gets the first question, and I didn't do the reading." "Go," I told him. "I have history. By definition, we get to history late." "Ha-ha. I'll talk to you later." He kissed me again, then walked out, closing the door quietly behind him.

I’m so fucking jealous of her right now … all that Raptor engine power sitting under her ass, just waiting for the flip of a fucking switch.” “T-minus 20 seconds.” Thomas raised his beer toward the screen. “Safe travels, my friend,” he said. Adam, with tears in his eyes, raised his beer, too. “Mars is a lucky guy,” he mumbled. -- from the upcoming book, NIKKI RED: MARS COLONY AGATHA

Maybe you’ve woken up in the middle of the night and needed to go to the bathroom or wanted to go to the kitchen, and then while you were walking across a dark room, you stubbed your toe. I know I’ve done this—and it hurts! I bet you’ve done this too. What will help in a situation like that? The answer is simple. Turn on a lamp. When we flip on a light switch, there is no argument between light and dark. When the light is on, the darkness is gone. There’s no fight. There’s no struggle. Similarly, if we feel confused about which direction to turn, then the first thing we ought to do is turn to God and read the Bible. Go to God through the pages of His Word. King David, in Psalm 119:105, states it plainly: “Your word is a lamp to my feet and a light to my path.” Light dispels darkness. First John 1:5 declares this truth: “God is light and in Him is no darkness at all.

Operating from the idea that a relationship (or anything else) will somehow complete you, save you, or make your life magically take off is a surefire way to keep yourself unhappy and unhitched. Ironically, quite the opposite is true. What you really need to understand is that nothing outside of you can ever produce a lasting sense of completeness, security, or success. There’s no man, relationship, job, amount of money, house, car, or anything else that can produce an ongoing sense of happiness, satisfaction, security, and fulfillment in you. Some women get confused by the word save. In this context, what it refers to is the mistaken idea that a relationship will rid you of feelings of emptiness, loneliness, insecurity, or fear that are inherent to every human being. That finding someone to be with will somehow “save” you from yourself. We all need to wake up and recognize that those feelings are a natural part of the human experience. They’re not meaningful. They only confirm the fact that we are alive and have a pulse. The real question is, what will you invest in: your insecurity or your irresistibility? The choice is yours. Once you get that you are complete and whole right now, it’s like flipping a switch that will make you more attractive, authentic, and relaxed in any dating situation—instantly. All of the desperate, needy, and clingy vibes that drive men insane will vanish because you’ve stopped trying to use a relationship to fix yourself. The fact is, you are totally capable of experiencing happiness, satisfaction, and fulfillment right now. All you have to do is start living your life like you count. Like you matter. Like what you do in each moment makes a difference in the world. Because it really does. That means stop putting off your dreams, waiting for someday, or delaying taking action on those things you know you want for yourself because somewhere deep inside you’re hoping that Prince Charming will come along to make it all better. You know what I’m talking about. The tendency to hold back from investing in your career, your health, your home, your finances, or your family because you’re single and you figure those things will all get handled once you land “the one.” Psst. Here’s a secret: holding back in your life is what’s keeping him away. Don’t wait until you find someone. You are someone.

Then it happens. His image appears again, skipping and scraping through the guy testifying. Web. Torn and broken. A face I'd previously only seen in the mirror. No projected back to me, because of me. And still he's smiling. Glommeting like a starfolk. Of course I've thought about every possible way to go back. To sneak away, hide, and wait. To apologize, or have him spit on my face. But I can't. I can't wonder what he's doing right now. And right now. And right now. I can't taste his cherry-candy lips, feel his heart pounding in my mouth. I can't. And I can't turn off the light switch he's flipped on inside me, no matter how hard I try. And I have tried. Tried so hard. But I can't. I know I'm not supposed to feel this way and I hate myself for it, but...I can't stop thinking about him- A jolt zings my thighs. I wince, but try not to flinch. I have to learn to live with this, because... Secret: I know now I can never be fixed.

Otter did this! I didn’t do anything wrong. He tricked me! He tricked me and left! Just like I knew he would! I think I hear him call my name, but my ears are pounding too hard to be sure. It sounds like the ocean. Im about to start running when I feel strong arms wrap around me from behind, clasping on my chest. I turn around to swing at him but can only get partway before I get caught in a vise grip. “Let go of me!” I snarl, wanting to kick and bite and punch and hurt. “Bear,” he says, his voice grumbling in my ear. “Bear.” “Im not like you!” I say, still struggling to get away. “Im not like that!” “I know, Bear. I know.” His breath is hot against my cold skin. “Dont you think I know that? I shouldnt have let it happen. Im sorry. Im so sorry.” I stop fighting him, feeling all the anger fall out of me like someone flipped a switch. “Why are you here?” I moan. “Why did you come back?” He grabs me by the chin, forcing me to stare into his eyes. “It has nothing to do with what happened between us. As far as I am concerned, that was a mistake. We never should have kissed.

On the other hand, it is God the Son who performs the commands of the Father.When God the Father said, “Let there be light,” God the Son came and performed it.Then, God the Holy Spirit brought the light. Let me illustrate it this way. If I asked you, “Please turn on the light,” three forces would be involved. First, I would be the one who gave the command. Second, you would be the one who walks to the switch and flips it. In other words, you are the performer of the command. But finally, who brings on the light? It is not me, and it is not you. It is the power—the electricity—that produces light. The Holy Spirit is the power of God. He is the power of the Father and of the Son. He is the one who brings into action the performance of the Son. Yet He is a person. He has emotions which are expressed in a way unique among the Trinity. I’ve been asked,“Benny, aren’t you forgetting the importance of Christ in all of this?” Never! How could I forget the One who loved and died for me? But some people are so focused on the Son that they forget the Father—the one who loved them and sent His Son. I cannot forget the Father nor the Son. But I cannot be in touch with the Father and the Son without the Holy Spirit (see Eph. 2:18).

If it makes you feel any better, he’s been all sad doll lately too.” “What are you talking about, Chels?” Chelsea stopped walking and stared at Violet. “Jay. I’m talking about Jay, Vi. I thought you might want to know that you’re not the only one who’s hurting. He’s been moping around school, making it hard to even look at him. He’s messed up . . . bad.” Just like the other night in Violet’s bedroom, something close to . . . sympathy crossed Chelsea’s face. Violet wasn’t sure how to respond. Fortunately sympathetic Chelsea didn’t stick around for long. She seemed to get a grip on herself, and like a switch had been flipped, the awkward moment was over and her friend was back, Chelsea-style: “I swear, every time I see him, I’m halfway afraid he’s gonna start crying like a girl or ask to borrow a tampon or something. Seriously, Violet, it’s disgusting. Really. Only you can make it stop. Please make it stop.” Violet didn’t want to, but she couldn’t help smiling at the absurd picture that Chelsea painted of Jay. And even though she knew it wasn’t very mature to feel smug at a time like this, especially over the delusional image concocted by her mentally unhinged friend, she couldn’t help herself; she laughed anyway. Still, she didn’t want to talk about it with Chelsea. Not even the kinder, more sensitive Chelsea. “I’m sure he’s fine, Chels. And if he’s not, he’ll get over it.

When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!