Flint Quotes

We've searched our database for all the quotes and captions related to Flint. Here they are! All 100 of them:

And it's Gryfindor in possession again, as Johnson takes the Quaffle— Flint alongside her —poke him in the eye, Angelina —it was a joke, professor, it was a joke...
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
He's flint, you're tinder.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I should like to sleep like a cat, with all the fur of time, with a tongue rough as flint, with the dry sex of fire; and after speaking to no one, stretch myself over the world, over roofs and landscapes, with a passionate desire to hunt the rats in my dreams.
Pablo Neruda
I am paving hell with energy... I am laying down good intentions which I believe durable as flint.
Charlotte Brontë (Jane Eyre)
The alchemist of the West has turned stone into glass But my alchemy has transmuted glass into flint Pharaohs of today have stalked me in vain
Muhammad Iqbal
Lee Jordan was finding it difficult not to take sides. 'So — after that obvious and disgusting bit of cheating —' 'Jordan!' growled Professor McGonagall. 'I mean after that open and revolting foul —' 'Jordan, I'm warning you —' 'All right, all right. Flint nearly kills the Gryffindor Seeker, which could happen to anyone, I'm sure, so a penalty to Gryffindor, taken by Spinnet, who puts it away, no trouble, and we continue play, Gryffindor still in possession.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Because children grow up, we think a child's purpose is to grow up. But a child's purpose is to be a child. Nature doesn't disdain what lives only for a day. It pours the whole of itself into the each moment. We don't value the lily less for not being made of flint and built to last. Life's bounty is in its flow, later is too late. Where is the song when it's been sung? The dance when it's been danced? It's only we humans who want to own the future, too. We persuade ourselves that the universe is modestly employed in unfolding our destination. We note the haphazard chaos of history by the day, by the hour, but there is something wrong with the picture. Where is the unity, the meaning, of nature's highest creation? Surely those millions of little streams of accident and wilfulness have their correction in the vast underground river which, without a doubt, is carrying us to the place where we're expected! But there is no such place, that's why it's called utopia. The death of a child has no more meaning than the death of armies, of nations. Was the child happy while he lived? That is a proper question, the only question. If we can't arrange our own happiness, it's a conceit beyond vulgarity to arrange the happiness of those who come after us.
Tom Stoppard (The Coast of Utopia (Box Set))
It takes two flints to make a fire.
Louisa May Alcott
I come down to the water to cool my eyes. But everywhere I look I see fire; that which isn't flint is tinder, and the whole world sparks and flames.
Annie Dillard
Our gazes struck like flint and steel. And I realized that gunsmoke smell wasn’t ozone. It was us. We burned.
Leah Raeder (Unteachable)
Harry was speeding toward the ground when the crowd saw him clap his hand to his mouth as though he was going to be sick-he hit the field on all fours-coughed-and something gold fell into his hand. 'I've got the snitch!' he shouted, waving it above his head, and the game ended in complete confusion. 'He didn't catch it, he nearly swalloed it,' Flint was still howling twenty minutes later, but it made no difference-Harry hadn't broken any rules and Lee Jordan was still happily shouting the results-Gryffindor had won by 170 points to 60.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
She was the flint lighting sparks in my darkness, illuminating a history that I can just barely see.
Marie Lu (Rebel (Legend, #4))
For my part, I travel not to go anywhere, but to go. I travel for travel’s sake. The great affair is to move; to feel the needs and hitches of our life more nearly; to come down off this feather-bed of civilization, and find the globe granite underfoot and strewn with cutting flints.
Robert Louis Stevenson
Sought we the Scrivani word-work of Surthur Long-lost in ledger all hope forgotten. Yet fast-found for friendship fair the book-bringer Hot comes the huntress Fela, flushed with finding Breathless her breast her high blood rising To ripen the red-cheek rouge-bloom of beauty. “That sort of thing,” Simmon said absently, his eyes still scanning the pages in front of him. I saw Fela turn her head to look at Simmon, almost as if she were surprised to see him sitting there. No, it was almost as if up until that point, he’d just been occupying space around her, like a piece of furniture. But this time when she looked at him, she took all of him in. His sandy hair, the line of his jaw, the span of his shoulders beneath his shirt. This time when she looked, she actually saw him. Let me say this. It was worth the whole awful, irritating time spent searching the Archives just to watch that moment happen. It was worth blood and the fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didn’t notice it herself. It wasn’t dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost too fast for you to see. But still, you know it’s there, down where you can’t see, kindling.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
But our wishes are like tinder: the flint and steel of circumstances are continually striking out sparks, which vanish immediately, unless they chance to fall upon the tinder of our wishes; then, they instantly ignite, and the flame of hope is kindled in a moment.
Anne Brontë (Agnes Grey)
After the one extravagant gesture of creation in the first place, the universe has continued to deal exclusively in extravagances, flinging intricacies and colossi down aeons of emptiness, heaping profusions on profligacies with ever-fresh vigor. The whole show has been on fire from the word go. I come down to the water to cool my eyes. But everywhere I look I see fire; that which isn't flint is tinder, and the whole world sparks and flames.
Annie Dillard (Pilgrim at Tinker Creek)
Nobody, who looks at a shard of flint lying beneath a rock ledge, or who finds a splintered log by the side of the road would ever find magic in their solitude. But in the right circumstances, if you bring them together, you can start a fire that consumes the world.
Jodi Picoult (The Storyteller)
Everyone is a monster to someone. Since you are so convinced that I am yours. I will be it.
captain flint
One of the greatest gifts we receive from dogs is the tenderness they evoke in us. The disappointments of life, the injustices, the battering events that are beyond our control, and the betrayals we endure, from those we befriended and loved, can make us cynical and turn our hearts into flint – on which only the matches of anger and bitterness can be struck into flame. By their delight in being with us, the reliable sunniness of their disposition, the joy they bring to playtime, the curiosity with which they embrace each new experience, dogs can melt cynicism,and sweeten the bitter heart.
Dean Koontz (A Big Little Life: A Memoir of a Joyful Dog)
Very well," said the Voice, in a tone of relief. "Then I'm going to throw flints at you till you think differently.
H.G. Wells (The Invisible Man)
She sensed an ending, and she thought that Flint did too. But she also sensed a beginning. The post-pandemic world would continue to unfold in many directions at once—many of them troubling and disheartening, she imagined. She had to counteract even just a fraction of that negative energy.
Amy L. Bernstein
Live or die, Flint … but don’t sit in the fucking middle just … existing.
Jewel E. Ann (Look the Part)
John: "Poor John. Who says poor John? Don't everybody sob at once! My God, if I went up in flames there's not a living soul who'd pee on me to put the fire out!" Richard: "Let's strike a flint and see.
James Goldman (The Lion in Winter)
That was Flint's treasure that we had come so far to seek, and that had cost already the lives of seventeen men from the Hispaniola. How many it had cost in the ammassing, what blood and sorrow, what good ships scuttled on the deep, what brave men walking the plank blindfold, what shot of cannon, what shame and lies and cruelty, perhaps no man alive could tell.
Robert Louis Stevenson (Treasure Island)
Oh! But he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster.
Charles Dickens (A Christmas Carol)
And then he leaves us to our own devices beside a store of gunpowder and flint and a cannon, thereby solidifying our captors’ reputation as the worst pirates in the history of the Mediterranean.
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
Strength grows from building other strength, not from trampling on weakness.
Eric Flint
Flint
 An emerald is as green as grass, A ruby red as blood; A sapphire shines as blue as heaven; A flint lies in the mud. A diamond is a brilliant stone, To catch the world’s desire; An opal holds a fiery spark; But a flint holds fire.
Christina Rossetti
Just a little. Just the first faint breath of love... It wasn’t dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost too fast for you to see. But still, you know it’s there, down where you can’t see, kindling.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
What I saw in Flint was a microcosm of the way the government treats the undocumented everywhere, making the conditions in this country as deadly and toxic and inhumane as possible so that we will self-deport. What I saw in Flint was what I had seen everywhere else, what I had felt in my own poisoned blood and bones. Being killed softly, silently, and with impunity.
Karla Cornejo Villavicencio (The Undocumented Americans)
I see them standing at the formal gates of their colleges, I see my father strolling out under the ochre sandstone arch, the red tiles glinting like bent plates of blood behind his head, I see my mother with a few light books at her hip standing at the pillar made of tiny bricks with the wrought-iron gate still open behind her, its sword-tips black in the May air, they are about to graduate, they are about to get married, they are kids, they are dumb, all they know is they are innocent, they would never hurt anybody. I want to go up to them and say Stop, don't do it--she's the wrong woman, he's the wrong man, you are going to do things you cannot imagine you would ever do, you are going to do bad things to children, you are going to suffer in ways you never heard of, you are going to want to die. I want to go up to them there in the late May sunlight and say it, her hungry pretty blank face turning to me, her pitiful beautiful untouched body, his arrogant handsome blind face turning to me, his pitiful beautiful untouched body, but I don't do it. I want to live. I take them up like the male and female paper dolls and bang them together at the hips like chips of flint as if to strike sparks from them, I say Do what you are going to do, and I will tell about it
Sharon Olds
From space, astronauts can see people making love as a tiny speck of light. Not light, exactly, but a glow that could be mistaken for light--a coital radiance that takes generations to pour like honey through the darkness to the astronaut's eyes. In about one and a half centuries--after the lovers who made the glow will have long been laid permanently on their backs--metropolises will be seen from space. They will glow all year. Smaller cities will also be seen, but with great difficulty. Shtetls will be virtually impossible to spot. Individual couples, invisible. The glow is born from the sum of thousands of loves: newlyweds and teenagers who spark like lighters out of butane, pairs of men who burn fast and bright, pairs of women who illuminate for hours with soft multiple glows, orgies like rock and flint toys sold at festivals, couples trying unsuccessfully to have children who burn their frustrated image on the continent like the bloom a bright light leaves on the eye after you turn away from it. Some nights, some places are a little brighter. It's difficult to stare at New York City on Valentine's Day, or Dublin on St. Patrick's. The old walled city of Jerusalem lights up like a candle on each of Chanukah's eight nights...We're here, the glow...will say in one and a half centuries. We're here, and we're alive.
Jonathan Safran Foer (Everything is Illuminated)
Flint, don’t get so caught up on the shadow that you forget the man who casts it. You might not be able to walk, but that’s the extent of your disability.
Aly Martinez (Fighting Shadows (On the Ropes, #2))
Here I want to see those men of hard voice. Those that break horses and dominate rivers; those men of sonorous skeleton who sing with a mouth full of sun and flint.
Federico García Lorca
The stars have not dealt me the worst they could do: My pleasures are plenty, my troubles are two. But oh, my two troubles they reave me of rest, The brains in my head and the heart in my breast. Oh, grant me the ease that is granted so free, The birthright of multitudes, give it to me, That relish their victuals and rest on their bed With flint in the bosom and guts in the head.
A.E. Housman (A Shropshire Lad)
I'm sorry, An," I said, hesitating before I spoke again. "Why did you think I turned Shay? I mean besides smelling the other wolf in the cave." Ansel raised his gray eyes to meet mine, his irises hard as flint. "Because I would have run away with Bryn if anyone told me I couldn't be with her. If she weren't a Guardian, I would've turned her, and I would've run for the rest of my life to keep her by my side." I looked at him for a long moment and then nodded slowly. He loves her. That's what love is. It must be.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
Sooner or later I too may passively take the print Of the golden age--why not? I have neither hope nor trust; May make my heart as a millstone, set my face as a flint, Cheat and be cheated, and die: who knows? we are ashes and dust.
Alfred Tennyson
Personality is born out of pain. It is the fire shut up in the flint.
Jack Butler Yeats
Since our first, furry ancestor scraped flint on stone and banished night with fire, we have climbed heavenward on a ladder made of our own arrogance. But
Justin Cronin (The City of Mirrors (The Passage, #3))
Well! I had the most fantastic dream! Trees crying blood. Horrible dead elves going around and killing people! Raistlin wearing black robes! It was the most incredible thing! And you were there, Sturm. Laurana and Flint. And everyone died! Well, almost everyone. Raistlin didn't. And there was a green dragon-' Tasslehoff stopped. What was wrong with his friends? Their faces were pale, their eyes wide.
Margaret Weis (Dragons of Autumn Twilight (Dragonlance: Chronicles, #1))
I want to live. I take them up like the male and female paper dolls and bang them together at the hips like chips of flint as if to strike sparks from them, I say Do what you are going to do, and I will tell about it.
Sharon Olds
Proud men might shout that they would sooner die free than live as slaves, but pride was cheap. When the steel struck the flint, such men were rare as dragon's teeth; elsewise the world would not have been so full of slaves. There has never been a slave who did not choose to be a slave, the dwarf reflected. Their choice may be between bondage and death, but the choice is always there.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
What if she wants to be hurt? What if, like a flint to tinder, I can coax her to flame? To burn for me, and only me? And I remember that girl running against the wind, and I know that there's no going back. I am her future — and she is simply that: mine.
Nenia Campbell (Fearscape (Horrorscape, #1))
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
What do I care, in the dreams and the languor of spring, That my songs do not show me at all? For they are a fragrance, and I am a flint and a fire, I am an answer, they are only a call
Sara Teasdale (Flame and Shadow)
May make my heart as a milestone, set my face as a flint, cheat and be cheated, and die: who knows? we are ashes and dust.
Alfred Tennyson (Maud)
For more than 2 million years, human neural networks kept growing and growing, but apart from some flint knives and pointed sticks, humans had precious little to show for it. What then drove forward the evolution of the massive human brain during those 2 million years? Frankly, we don’t know.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
You are dark, even as the flints are. You must come to violent conflicts and make a noise in order to produce your sparks. But their disconnected flashes merely assist your pride, and not your clear vision.
Rabindranath Tagore (The Home and the World)
There are certain queer times and occasions in this strange mixed affair we call life when a man takes this whole universe for avast practical joke, though the wit thereof he but dimly discerns, and more than suspects that the joke is at nobody's expense but his own. However, nothing dispirits, and nothing seems worth while disputing. He bolts down all events, all creeds, and beliefs, and persuasions, all hard things visible and invisible, never mind how knobby; as an ostrich of potent digestion gobbles down bullets and gun flints. And as for small difficulties and worryings, prospects of sudden disaster, peril of life and limb; all these, and death itself, seem to him only sly, good-natured hits, and jolly punches in the side bestowed by the unseen and unaccountable old joker. That odd sort of wayward mood I am am speaking of, comes over a man only in some time of extreme tribulation; it comes in the very midst of his earnestness, so that what just before might have seemed to him a thing most momentous, now seems but a part of the general joke.
Herman Melville (Moby Dick)
Whirrun ignored ‘em. ‘Then, when I’ve got two cut,’ and he dropped a pale slab of cheese on one slice then slapped the other on top like he was catching a fly, ‘I trap the cheese between then, and there you have it!’ ‘Bread and cheese.’ Yon weighed the half-loaf in one hand and the cheese in the other. ‘Just the same as I’ve got.’ And he bit off the cheese and tossed it to Scorry. Whirrun sighed. ‘Have none of you no vision?’ He held up his masterpiece to such light as there was, which was almost none. ‘This is no more bread and cheese than a fine axe is wood and iron, or a live person is meat and har.’ ‘What is it, then?’ asked Drfod, rocking back from his wet wood and tossing the flint aside in disgust. ‘A whole new thing. A forging of the humble part of bread and cheese into a greater whole. I call it … a cheese-trap.’ Whirrun took a dainty nibble from one corner. ‘Oh, yes, my friends. This tastes like … progress…
Joe Abercrombie (The Heroes)
We look at each other. The city boils around us. I want to strike flint and set it aflame. Burn everything from the sky down and start the world over.
Mackenzi Lee (The Lady's Guide to Petticoats and Piracy (Montague Siblings, #2))
Let me say this. It was worth the whole awful, irritating time spent searching the Archives just to watch that moment happen. It was worth blood and fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didn’t notice it herself. It wasn’t dramatic, like some bolt of lightning with crack of thunder following. It was more like when flint strikes steel and spark fades almost too fast for to you to see. But still, you know it’s there, downs where you can’t see, kindling.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
You are right," he cried with an immense sigh of relief. "It is quite superficial." His face set like flint as he glared at our prisoner, who was sitting up with a dazed face. "By the Lord, it is as well for you. If you had killed Watson, you would not have got out of this room alive.
Arthur Conan Doyle (The Case-Book of Sherlock Holmes (Sherlock Holmes, #9))
The Romanians really do lead the world when it comes to cursing. “What have you got for me?” I asked a woman from Transylvania who was now living in Vienna. “Shove your hand up my ass and jerk off my shit,” she offered. I was stunned. “Anyone else would say, ‘Shove your hand up my ass,’ and then run out of imagination,” I told her. “You people, though, you just keep going. And that’s what makes you the champions you are.” Maybe it’s not too late to learn how to drive, I thought, watching as she walked out the door and onto the unsuspecting streets of Vienna, this poet, this queen, this glittering jewel in a city of flint.
David Sedaris (Calypso)
The Pomegranate The only legend I have ever loved is the story of a daughter lost in hell. And found and rescued there. Love and blackmail are the gist of it. Ceres and Persephone the names. And the best thing about the legend is I can enter it anywhere. And have. As a child in exile in a city of fogs and strange consonants, I read it first and at first I was an exiled child in the crackling dusk of the underworld, the stars blighted. Later I walked out in a summer twilight searching for my daughter at bed-time. When she came running I was ready to make any bargain to keep her. I carried her back past whitebeams and wasps and honey-scented buddleias. But I was Ceres then and I knew winter was in store for every leaf on every tree on that road. Was inescapable for each one we passed. And for me. It is winter and the stars are hidden. I climb the stairs and stand where I can see my child asleep beside her teen magazines, her can of Coke, her plate of uncut fruit. The pomegranate! How did I forget it? She could have come home and been safe and ended the story and all our heart-broken searching but she reached out a hand and plucked a pomegranate. She put out her hand and pulled down the French sound for apple and the noise of stone and the proof that even in the place of death, at the heart of legend, in the midst of rocks full of unshed tears ready to be diamonds by the time the story was told, a child can be hungry. I could warn her. There is still a chance. The rain is cold. The road is flint-coloured. The suburb has cars and cable television. The veiled stars are above ground. It is another world. But what else can a mother give her daughter but such beautiful rifts in time? If I defer the grief I will diminish the gift. The legend will be hers as well as mine. She will enter it. As I have. She will wake up. She will hold the papery flushed skin in her hand. And to her lips. I will say nothing.
Eavan Boland
But neither milk-white rose nor red May bloom in prison air; The shard, the pebble, and the flint, Are what they give us there: For flowers have been known to heal A common man's despair.
Oscar Wilde
Many people are angry when they make a mistake, but very few people have the sense to be sorry.
Katherine Paterson (The Flint Heart)
She missed him the way someone might miss the sun in winter, though they still dread its heat. She missed the sound of his voice, the knowing in his touch, the flint-on-stone friction of their conversations, the way they fit together.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls. They sprawled over the sloping arch, each one half way over its neighbour until, held back by the castle ramparts, the innermost of these hovels laid hold on the great walls, clamping themselves thereto like limpets to a rock. These dwellings, by ancient law, were granted this chill intimacy with the stronghold that loomed above them. Over their irregular roofs would fall throughout the seasons, the shadows of time-eaten buttresses, of broken and lofty turrets, and, most enormous of all, the shadow of the Tower of Flints. This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.
Mervyn Peake (Titus Groan (Gormenghast, #1))
Well! what is there remarkable in all this? Why have I recorded it? Because, reader, it was important enough to give me a cheerful evening, a night of pleasing dreams, and a morning of felicitous hopes. Shallow-brained cheerfulness, foolish dreams, unfounded hopes, you would say; and I will not venture to deny it: suspicions to that effect arose too frequently in my own mind. But our wishes are like tinder: the flint and steel of circumstances are continually striking out sparks, which vanish immediately, unless they chance to fall upon the tinder of our wishes; then, they instantly ignite, and the flame of hope is kindled in a moment.
Anne Brontë (Agnes Grey)
When the king brands us pirates, he doesn't mean to make us adversaries. He doesn't mean to make us criminals. He means to make us monsters.
captain flint
Me: 2% for Flint is my entire salary! What the hell? Quarry: No hablo Inglés. Me: No seas un cabrón tacaño y dame el maldito aumento! Flint: Runs to Google Translate. Quarry: Waste of time. They don’t do all the cuss words. I tried.
Aly Martinez (Fighting Solitude (On the Ropes, #3))
Conspiracies existed, to be sure; many of them, and many were dark indeed. But fiendish? Fiendishness required brains. Nine times out of ten, conspirators behaved like buffoons and wound up exposing themselves out of sheer, bumbling incompetence.
Eric Flint (1636: The Saxon Uprising)
Humans nowadays completely dominate the planet not because the individual human is far smarter and more nimble-fingered than the individual chimp or wolf, but because Homo sapiens is the only species on earth capable of cooperating flexibly in large numbers. Intelligence and toolmaking were obviously very important as well. But if humans had not learned to cooperate flexibly in large numbers, our crafty brains and deft hands would still be splitting flint stones rather than uranium atoms.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Oh! but he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shriveled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days and didn't thaw it one degree at Christmas.
Charles Dickens (A Christmas Carol)
We would do well to remember that envy is clearly the flint that ignites evil in our hearts. It apparently signals "I'm available" to demons searching for a cheap date. Envy is as volatile as nitroglycerin, and we cannot carry it inside us without evil exploding.
Craig Groeschel (Soul Detox: Clean Living in a Contaminated World)
In fact, as time goes by, it becomes easier and easier to replace humans with computer algorithms, not merely because the algorithms are getting smarter, but also because humans are professionalising. Ancient hunter-gatherers mastered a very wide variety of skills in order to survive, which is why it would be immensely difficult to design a robotic hunter-gatherer. Such a robot would have to know how to prepare spear points from flint stones, how to find edible mushrooms in a forest, how to use medicinal herbs to bandage a wound, how to track down a mammoth and how to coordinate a charge with a dozen other hunters. However, over the last few thousand years we humans have been specialising. A taxi driver or a cardiologist specialises in a much narrower niche than a hunter-gatherer, which makes it easier to replace them with AI.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
As for life, I'm humbled, I'm without words sufficient to say how it has been hard as flint, and soft as a spring pond, both of these and over and over, and long pale afternoons besides, and so many mysteries beautiful as eggs in a nest, still unhatched though warm and watched over by something I have never seen – a tree angel, perhaps, or a ghost of holiness. Every day I walk out into the world to be dazzled, then to be reflective. It suffices, it is all comfort – along with human love, dog love, water love, little-serpent love, sunburst love, or love for that smallest of birds flying among the scarlet flowers. There is hardly time to think about stopping, and lying down at last to the long afterlife, to the tenderness yet to come, when time will brim over the singular pond, and become forever, and we will pretend to melt away into the leaves. As for death, I can't wait to be the hummingbird, can you?
Mary Oliver (Thirst)
You left the door open.“ “Fritz is bringing me some smokes.” “You’re not lighting up around my dog” (…) V looked over at the dog. George’s big boxy head was down on his paws, his kind brown eyes seeming to apologize for the shutdown on the whole light-up routine. Vishous stroked the bag of Turkish delicious like a pathetic loser. “Mind if I just rolled up a couple?” “One flick on the flint and I’ll pound you into the carpet.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
The prospect of an early death sits differently upon each person. In some it gifts maturity far outweighing their age and experience: calm acceptance blossoms into a beautiful nature and soft countenance. In others, however, it leads to the formation of a tiny ice flint in their heart. Ice that, though at times concealed, never properly melts. Rose, though she would have liked to be one of the former, knew herself deep down to be one of the latter.
Kate Morton (The Forgotten Garden)
Good writing just isn't that common.
Eric Flint
But death has taken root inside you and you know it will grow, like a cancer with a voice, from now until the day it consumes you whole.
Sharon J. Bolton (Dead Scared (Lacey Flint, #2))
difference between a child and an adult is not years, rather it’s a willingness to accept responsibility, to be responsible for one’s own actions.
Louis L'Amour (Flint)
When she had thus for a while struck the flint on her heart without getting a spark, incapable, moreover, of understanding what she did not experience as of believing anything that did not present itself in conventional forms she persuaded herself without difficulty that Charles's passion was nothing very exorbitant.
Gustave Flaubert (Madame Bovary)
This is how they survive. You must know this. You're too smart not to know this. They paint the world full of shadows... and then tell their children to stay close to the light. Their light. Their reasons, their judgments. Because in the darkness, there be dragons. But it isn't true. We can prove that it isn't true. In the dark, there is discovery, there is possibility, there is freedom in the dark once someone has illuminated it. All this will be for nothing. We will have been for nothing. Defined by their histories... distorted to fit into their narrative... until all that is left of us are the monsters in the stories they tell their children.
captain flint
And the sky was different. It had turned gray. Not the dull gray of high fall cloud cover, but rather a turbulent, molten gray that was really blue and purple and flint, all of it shifting and moving and swirling like the undulations of a snake. It had no eyes and no heartbeat and no body, but nonetheless one got the sense that the sky itself was sentient, even if it did not notice them below it.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
Dr. Flint was an epicure. The cook never sent a dinner to his table without fear and trembling; for if there happened to be a dish not to his liking, he would either order her to be whipped, or compel her to eat every mouthful of it in his presence. The poor, hungry creature might not have objected to eating it; but she did not object to having her master cram it down her throat till she choked. They
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl Written by Herself)
I should have known that at the root of any mystery that's all you find: people doing unspeakable harm to other people. What else on this earth is there to hide?
Nick Dybek (When Captain Flint Was Still a Good Man)
No matter how many lies we tell ourselves, no matter how many stories we convince ourselves we’re a part of, we’re all just thieves awaiting a noose.
captain flint
You are not yet out of reach of the gunshot of the Devil. You have not yet resisted unto death in your striving against sin. Let the Kingdom be always before you, and believe with certainty and consistency the things that are yet unseen. Let nothing that is on this side of eternal life get inside you. Above all, take care of your own hearts, and resist the lusts that tempt you, for your hearts `are deceitful above all things, and desperately wicked.'d Set your faces like a flint; you have all the power of Heaven and earth on your side." Christian
John Bunyan (The Pilgrim's Progress: From This World to That Which Is to Come)
At the time of Lewis and Clark, setting the prairies on fire was a well-known signal that meant, ‘Come down to the water.’ It was an extravagant gesture, but we can’t do less. If the landscape reveals one certainty, it is that the extravagant gesture is the very stuff of creation. After the extravagant gesture of creation in the first place, the universe has continued to deal exclusively in extravagances, flinging intricacies and colossi down aeons of emptiness, heaping profusions on profligacies with ever fresh vigor. The whole show has been on fire from the word go. I come down to the water to cool my eyes. But everywhere I look, I see fire: that which isn’t flint is tinder, and the whole world sparks and flames.
Annie Dillard (Pilgrim at Tinker Creek)
Do you think she has an oven?” Mekhi asks. “Should we be worried if she has an oven?” “I’m pretty sure she has an oven,” I tell him. “Most people do.” “Maybe she prefers the grill,” Hudson suggests dryly. “Is that a thing?” Flint queries, looking wildly among us. “Grilling?” “You’re awfully squeamish for a dragon,” I tell him. “What does that mean?” he demands, voice high with obvious insult. “It’s not like I fly around campus barbecuing local wildlife with my flames.” “I’m thinking pizza oven myself.” Jaxon picks up the previous conversation thread without so much as batting an eye. “I think I saw a big one in the back when we were circling.” “In that case, let’s go,” Eden says, starting toward the front door. “Those things get really hot, so at least we know it will be quick.
Tracy Wolff (Covet (Crave, #3))
Ruxandra pulled the blanket down just far enough to see the two girls shut the door behind them, stuff something under it to block any light, and throw a blanket over the shutters. A flint sparked one, twice, and a taper flared to life, lighting the faces of her friends. Adela was a short blonde whose breasts pushed against her nightdress and were the despair of the nuns’ attempts to instill modesty. Her parents had sent her to the convent in desperate hopes to keep her from scandal. And between her sweet, round face and her ability to lie shamelessly, she almost managed to make the nuns believe they were being successful. Valeria was slim and dark, a mischief-maker whose pranks had gotten her in trouble more than once. They were both her lovers. Adela called it practice for when they had husbands. Valeria called it wonderful. The nuns declared it a sin in no uncertain terms. And while Ruxandra did her best to obey the nuns in most matters, and to turn her thoughts to God and do his good work, she could not stop loving the girls. From the moment she’d first held Adela’s hand, she’d known that, whatever else their feelings were for each other, they were too sweet to be sinful.
John Patrick Kennedy (Princess Dracula (Princess Dracula #1))
There are times when just waking up can feel like the hardest thing anyone could ever ask you to do. The first morning after your child has died, perhaps. Or after the man you adore has walked out. You would give anything, certainly the rest of your life, to stay down in the darkness of not knowing.
Sharon J. Bolton (Dead Scared (Lacey Flint, #2))
Because I have loved life, I shall have no sorrow to die. I have sent up my gladness on wings, to be lost in the blue of the sky. I have run and leaped with the rain, I have taken the wind to my breast. My cheek like a drowsy child to the face of the earth I have pressed. Because I have loved life, I shall have no sorrow to die. I have kissed young love on the lips, I have heard his song to the end. I have struck my hand like a seal in the loyal hand of a friend. I have known the peace of heaven, the comfort of work done well. I have longed for death in the darkness and risen alive out of hell. Because I have loved life, I shall have no sorrow to die. I give a share of my soul to the world where my course is run. I know that another shall finish the task I must leave undone. I know that no flower, nor flint was in vain on the path I trod. As one looks on a face through a window, through life I have looked on God. Because I have loved life, I shall have no sorrow to die.
Amelia Josephine Burr
Have you ever wanted to learn Geometry, Calculus, Physics, German, and the mystical teachings of Orafoura? Well, now you can! Just not with this book. Well, except for the mystical bit. This book is guaranteed to cost you, or your money back. If there is ever a book that deserves to be burned, this is it. And while you are lighting a fire, why don't you also set your imagination ablaze? You can start by taking a gasoline shower and sprinting naked through Flint, Michigan. Or Phoenix. After all, the only way you'll ever be able to reach your true potential is with a stepladder and a stretch.
Jarod Kintz (A Story that Talks About Talking is Like Chatter to Chattering Teeth, and Every Set of Dentures can Attest to the Fact that No . . .)
Furthermore, by injecting moneymaking into the relationship between a citizen and the basic services of life—water, roads, electricity, and education—privatization distorts the social contract. People need to know that the decisions of governments are being made with the common good as a priority. Anything else is not government; it is commerce. One
Marc Lamont Hill (Nobody: Casualties of America's War on the Vulnerable, from Ferguson to Flint and Beyond)
But the Count hadn’t the temperament for revenge; he hadn’t the imagination for epics; and he certainly hadn’t the fanciful ego to dram of empires restored. No. His model for mastering his circumstances would be a different sort of captive altogether: an Anglican washed ashore. Like Robinson Crusoe stranded on the Isle of Despair, the count would maintain his resolve by committing to the business of practicalities. Having dispensed with dreams of quick discovery, the world’s Crusoes seek shelter and a source of fresh water; they teach themselves to make fire from flint; they study their island’s topography, it’s climate, its flora and fauna, all the while keeping their eyes trained for sails on the horizon and footprints in the sand.
Amor Towles (A Gentleman in Moscow)
It was an old hunter in camp and the hunter shared tobacco with him and told him of the buffalo and the stands he'd made against them, laid up in a sag on some rise with the dead animals scattered over the grounds and the herd beginning to mill and the riflebarrel so hot the wiping patches sizzled in the bore and the animals by the thousands and the tens of thousands and the hides pegged out over actual square miles of ground the teams of skinners spelling one another around the clock and the shooting and shooting weeks and months till the bore shot slick and the stock shot loose at the tang and their shoulders were yellow and blue to the elbow and the tandem wagons groaned away over the prairie twenty and twenty-two ox teams and the flint hides by the hundred ton and the meat rotting on the ground and the air whining with flies and the buzzards and ravens and the night a horror of snarling and feeding with the wolves half-crazed and wallowing in the carrion. I seen Studebaker wagons with six and eight ox teams headed out for the grounds not hauling a thing but lead. Just pure galena. Tons of it. On this ground alone between the Arkansas River and the Concho there were eight million carcasses for that's how many hides reached the railhead. Two years ago we pulled out from Griffin for a last hunt. We ransacked the country. Six weeks. Finally found a herd of eight animals and we killed them and come in. They're gone. Ever one of them that God ever made is gone as if they'd never been at all. The ragged sparks blew down the wind. The prairie about them lay silent. Beyond the fire it was cold and the night was clear and the stars were falling. The old hunter pulled his blanket about him. I wonder if there's other worlds like this, he said. Or if this is the only one.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The longer one stays here the more does the spirit of the moor sink into one’s soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but on the other hand you are conscious everywhere of the homes and the work of prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their grey stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door, fitting a flint-tipped arrow on to the string of his bow, you would feel that the presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy.
Arthur Conan Doyle (The Hound of the Baskervilles (Sherlock Holmes, #5))
Where's my life gone? Where's it going? Looking across the grassy marshland to Flint and up the coast to Point Of Air, I start to wonder what all those poor fuckers in Wales are doing with their lives. Screwing? Sleeping in? Debating whether to take breakfast in bed to their broken fathers? Unlikely. They're probably doing what the gilded folk of Hollywood are doing, or Kowloon or Port Elizabeth. Worrying. Worrying about getting old, or about work, or about money, or about their boyfriend, mistress, lover, house, health, future. Life is shit. There is no fucking point to any of it. Not now that we've evolved past the survival stage. Maybe we used to live to hunt to kill to eat to live another day. Now we just kill time in as many sophisticated ways as possible. Pointless jobs. Pointless lives. Work. Television. Football.
Kevin Sampson (Awaydays)
It’s like we've been flung back in time," he said. "Here we are in the Stone Age, knowing all these great things after centuries of progress but what can we do to make life easier for the Stone Agers? Can we make a refrigerator? Can we even explain how it works? What is electricity? What is light? We experience these things every day of our lives but what good does it do if we find ourselves hurled back in time and we can’t even tell people the basic principles much less actually make something that would improve conditions. Name one thing you could make. Could you make a simple wooden match that you could strike on a rock to make a flame? We think we’re so great and modern. Moon landings, artificial hearts. But what if you were hurled into a time warp and came face to face with the ancient Greeks. The Greeks invented trigonometry. They did autopsies and dissections. What could you tell an ancient Greek that he couldn’t say, ‘Big Deal.’ Could you tell him about the atom? Atom is a Greek word. The Greeks knew that the major events in the universe can’t be seen by the eye of man. It’s waves, it’s rays, it’s particles." “We’re doing all right.” “We’re sitting in this huge moldy room. It’s like we’re flung back.” “We have heat, we have light.” “These are Stone Age things. They had heat and light. They had fire. They rubbed flints together and made sparks. Could you rub flints together? Would you know a flint if you saw one? If a Stone Ager asked you what a nucleotide is, could you tell him? How do we make carbon paper? What is glass? If you came awake tomorrow in the Middle Ages and there was an epidemic raging, what could you do to stop it, knowing what you know about the progress of medicines and diseases? Here it is practically the twenty-first century and you’ve read hundreds of books and magazines and seen a hundred TV shows about science and medicine. Could you tell those people one little crucial thing that might save a million and a half lives?” “‘Boil your water,’ I’d tell them.” “Sure. What about ‘Wash behind your ears.’ That’s about as good.” “I still think we’re doing fairly well. There was no warning. We have food, we have radios.” “What is a radio? What is the principle of a radio? Go ahead, explain. You’re sitting in the middle of this circle of people. They use pebble tools. They eat grubs. Explain a radio.” “There’s no mystery. Powerful transmitters send signals. They travel through the air, to be picked up by receivers.” “They travel through the air. What, like birds? Why not tell them magic? They travel through the air in magic waves. What is a nucleotide? You don’t know, do you? Yet these are the building blocks of life. What good is knowledge if it just floats in the air? It goes from computer to computer. It changes and grows every second of every day. But nobody actually knows anything.
Don DeLillo (White Noise)
THE BARROW In this high field strewn with stones I walk by a green mound, Its edges sheared by the plough. Crumbs of animal bone Lie smashed and scattered round Under the clover leaves And slivers of flint seem to grow Like white leaves among green. In the wind, the chestnut heaves Where a man's grave has been. Whatever the barrow held Once, has been taken away: A hollow of nettles and dock Lies at the centre, filled With rain from a sky so grey It reflects nothing at all. I poke in the crumbled rock For something they left behind But after that funeral There is nothing at all to find. On the map in front of me The gothic letters pick out Dozens of tombs like this, Breached, plundered, left empty, No fragments littered about Of a dead and buried race In the margins of histories. No fragments: these splintered bones Construct no human face, These stones are simply stones. In museums their urns lie Behind glass, and their shaped flints Are labelled like butterflies. All that they did was die, And all that has happened since Means nothing to this place. Above long clouds, the skies Turn to a brilliant red And show in the water's face One living, and not these dead." — Anthony Thwaite, from The Owl In The Tree
Anthony Thwaite
Flint's pond! Such is the poverty of our nomenclature. What right had the unclean and stupid farmer, whose farm abutted on this sky water, whose shores he has ruthlessly laid bare, to give his name to it? Some skin-flint, who loved better the reflecting surface of a dollar, or a bright cent, in which he could see his own brazen face; who regarded even the wild ducks which settled in it as trespassers; his fingers grown into crooked and bony talons from the long habit of grasping harpy-like; — so it is not named for me. I go not there to see him nor to hear of him; who never saw it, who never bathed in it, who never loved it, who never protected it, who never spoke a good word for it, nor thanked God that He had made it. Rather let it be named from the fishes that swim in it, the wild fowl or quadrupeds which frequent it, the wild flowers which grow by its shores, or some wild man or child the thread of whose history is interwoven with its own; not from him who could show no title to it but the deed which a like-minded neighbor or legislature gave him who thought only of its money value; whose presence perchance cursed — him all the shores; who exhausted the land around it, and would fain have exhausted the waters within it; who regretted only that it was not English hay or cranberry meadow — there was nothing to redeem it, forsooth, in his eyes — and would have drained and sold it for the mud at its bottom. It did not turn his mill, and it was no privilege to him to behold it. I respect not his labors, his farm where everything has its price, who would carry the landscape, who would carry his God, to market, if he could get anything for him; who goes to market for his god as it is; on whose farm nothing grows free, whose fields bear no crops, whose meadows no flowers, whose trees no fruits, but dollars; who loves not the beauty of his fruits, whose fruits are not ripe for him till they are turned to dollars. Give me the poverty that enjoys true wealth.
Henry David Thoreau (Walden & Civil Disobedience)
When prisons are privatized, issues of crime and justice are taken out of the realm of ethics or morality and placed squarely within the culture and logic of the free market. In doing so, the mission of rehabilitating or even punishing people is trumped by the market-driven goal of maximizing shareholder wealth. Further, market-based notions of “efficiency” prompt prisons to divest from everything but the crudest institutional resources. Healthful foods, mental health resources, and educational programs all become fiscal fat that must be trimmed by the prison in order to maximize the bottom line. In simple terms, we have created a world where there is profit in incarcerating as many individuals as possible for as little money as necessary.
Marc Lamont Hill (Nobody: Casualties of America's War on the Vulnerable, from Ferguson to Flint and Beyond)
Kuala Lumpur had a certain something… There was a sense of freedom perhaps, of anarchy even, that Singapore so sorely lacked. Perhaps it was the lack of deference to authority, the physical space, the ability to take a step back and enjoy a moment of quite that lent Kuala Lumpur its atmosphere. Singaporeans were always adding to the list of reasons each one kept to hand, in case they met a Malaysian, of why it was so much better on the island than the peninsula. They ranged from law and order to cleanliness, from clean government to good schools, and always ended on the strength of the Singaporean economy. But in the end, the Malaysian would nod as if to agree to the points made – and then shrug to indicate that they probably wouldn’t trade passports, not really. And if pressed for a reason they would fall back on that old chestnut which somehow seemed to capture everything that was wrong about Singapore – but your government bans chewing gum. The nanny state and the police state all rolled into one.
Shamini Flint (A Most Peculiar Malaysian Murder (Inspector Singh Investigates #1))
Hamish Alexander-Harrington knew his wife as only two humans who had both been adopted by a pair of mated treecats ever could. He'd seen her deal with joy and with sorrow, with happiness and with fury, with fear, and even with despair. Yet in all the years since their very first meeting at Yeltsin's Star, he suddenly realized, he had never actually met the woman the newsies called "the Salamander." It wasn't his fault, a corner of his brain told him, because he'd never been in the right place to meet her. Never at the right time. He'd never had the chance to stand by her side as she took a wounded heavy cruiser on an unflinching deathride into the broadside of the battlecruiser waiting to kill it, sailing to her own death, and her crew's, to protect a planet full of strangers while the rich beauty of Hammerwell's "Salute to Spring" spilled from her ship's com system. He hadn't stood beside her on the dew-soaked grass of the Landing City duelling grounds, with a pistol in her hand and vengeance in her heart as she faced the man who'd bought the murder of her first great love. Just as he hadn't stood on the floor of Steadholders' Hall when she faced a man with thirty times her fencing experience across the razor-edged steel of their swords, with the ghosts of Reverend Julius Hanks, the butchered children of Mueller Steading, and her own murdered steaders at her back. But now, as he looked into the unyielding flint of his wife's beloved, almond eyes, he knew he'd met the Salamander at last. And he recognized her as only another warrior could. Yet he also knew in that moment that for all his own imposing record of victory in battle, he was not and never had been her equal. As a tactician and a strategist, yes. Even as a fleet commander. But not as the very embodiment of devastation. Not as the Salamander. Because for all the compassion and gentleness which were so much a part of her, there was something else inside Honor Alexander-Harrington, as well. Something he himself had never had. She'd told him, once, that her own temper frightened her. That she sometimes thought she could have been a monster under the wrong set of circumstances. And now, as he realized he'd finally met the monster, his heart twisted with sympathy and love, for at last he understood what she'd been trying to tell him. Understood why she'd bound it with the chains of duty, and love, of compassion and honor, of pity, because, in a way, she'd been right. Under the wrong circumstances, she could have been the most terrifying person he had ever met. In fact, at this moment, she was . It was a merciless something, her "monster"—something that went far beyond military talent, or skills, or even courage. Those things, he knew without conceit, he, too, possessed in plenty. But not that deeply personal something at the core of her, as unstoppable as Juggernaut, merciless and colder than space itself, that no sane human being would ever willingly rouse. In that instant her husband knew, with an icy shiver which somehow, perversely, only made him love her even more deeply, that as he gazed into those agate-hard eyes, he looked into the gates of Hell itself. And whatever anyone else might think, he knew now that there was no fire in Hell. There was only the handmaiden of death, and ice, and purpose, and a determination which would not— couldnot—relent or rest. "I'll miss them," she told him again, still with that dreadful softness, "but I won't forget. I'll never forget, and one day— oneday, Hamish—we're going to find the people who did this, you and I. And when we do, the only thing I'll ask of God is that He let them live long enough to know who's killing them.
David Weber (Mission of Honor (Honor Harrington, #12))
When a soul in sin, under the impetus of grace, turns to God, there is penance; but when a soul in sin refuses to change, God sends chastisement. This chastisement need not be external, and certainly it is never arbitrary; it comes as an inevitable result of breaking God’s moral law. But the entrenched forces of the modern world are irrational, men nowadays do not always interpret disasters as the moral events they are. When calamity strikes the flint of human hearts, sparks of sacred fire are kindled and men will normally begin to make an estimate of their true worth. In previous ages this was usual: a disordered individual could find his way back to peace because he lived in an objective world inspired by Christian order. But the frustrated man of today, having lost his faith in God, living as he does, in a disordered chaotic world, has no beacon to guide him. In times of trouble he sometimes turns in upon himself, like a serpent devouring its own tail. Given such a man, who worships the false trinity of (1) his own pride, which acknowledges no law; (2) his own sensuality, which makes earthly comfort it goal; (3) his license, which interprets liberty as the absences of all restraint and law—then a cancer is created which is impossible to cure except through an operation or calamity unmistakable as God’s action in history. It is always through sweat and blood and tears that the soul is purged of its animal egotism and laid open to the Spirit … Catastrophe can be to a world that has forgotten God what a sickness can be to a sinner; in the midst of it millions might be brought not to a voluntary, but to an enforced crisis. Such a calamity would put an end to Godlessness and make vast numbers of men, who might otherwise lose their souls, turn to God.
Fulton J. Sheen (Peace of Soul: Timeless Wisdom on Finding Serenity and Joy by the Century's Most Acclaimed Catholic Bishop)
I never cared for poetry," I said. "Your loss," Sim said absently as he turned a few pages. "Eld Vintic poetry's thunderous. It pounds at you." "What's the meter like?"I asked, curious despite myself. "I don't know anything about meter," Simmon said distractedly he ran his finger down the page in front of him. "It's like this: "Sought we the Scrivani word-work of Surthur Long-lost in ledger all hope forgotten Yet fast-found for friendship fair the book-bringer Hot comes the huntress Fela, flushed with finding Breathless her breast her high blood rising To ripen the red-cheek rouge-bloom of beauty. "That sort of thing," Simmon said absently, his eyes still scanning the pages in front of him. I saw Fela turn her head to look at Simmon, almost as if she were surprised to see him sitting there. No, it was almost s if up until that point, he'd just been occupying space around her, like a piece of furniture. But this time when she looked at him, she took all of him in. His sandy hair, the line of his jaw, the span of his shoulders beneath his shirt. This time when she looked, she actually *saw* him. Let me say this. It was worth the whole awful , irritating time spent searching the Archives just to watch that moment happen. It was worth blood and the fear of death to see her fall in love with him. Just a little. Just the first faint breath of love, so light she probably didn't notice it herself. It wasn't dramatic, like some bolt of lightning with a crack of thunder following. It was more like when flint strikes steel and the spark fades almost fast for you to see. But still, you know it's there, down where you can't see, kindling.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
Do not fear the ghosts in this house; they are the least of your worries. Personally I find the noises they make reassuring. The creaks and footsteps in the night, their little tricks of hiding things, or moving them, I find endearing, not upsettling. It makes the place feel so much more like a home. Inhabited. Apart from ghosts nothing lives here for long. No cats no mice, no flies, no dreams, no bats. Two days ago I saw a butterfly, a monarch I believe, which danced from room to room and perched on walls and waited near to me. There are no flowers in this empty place, and, scared the butterfly would starve, I forced a window wide, cupped my two hands around her fluttering self, feeling her wings kiss my palms so gentle, and put her out, and watched her fly away. I've little patience with the seasons here, but your arrival eased this winter's chill. Please, wander round. Explore it all you wish. I've broken with tradition on some points. If there is one locked room here, you'll never know. You'll not find in the cellar's fireplace old bones or hair. You'll find no blood. Regard: just tools, a washing-machine, a drier, a water-heater, and a chain of keys. Nothing that can alarm you. Nothing dark. I may be grim, perhaps, but only just as grim as any man who suffered such affairs. Misfortune, carelessness or pain, what matters is the loss. You'll see the heartbreak linger in my eyes, and dream of making me forget what came before you walked into the hallway of this house. Bringing a little summer in your glance, and with your smile. While you are here, of course, you will hear the ghosts, always a room away, and you may wake beside me in the night, knowing that there's a space without a door, knowing that there's a place that's locked but isn't there. Hearing them scuffle, echo, thump and pound. If you are wise you'll run into the night, fluttering away into the cold, wearing perhaps the laciest of shifts. The lane's hard flints will cut your feet all bloody as you run, so, if I wished, I could just follow you, tasting the blood and oceans of your tears. I'll wait instead, here in my private place, and soon I'll put a candle in the window, love, to light your way back home. The world flutters like insects. I think this is how I shall remember you, my head between the white swell of your breasts, listening to the chambers of your heart.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)