Flights Of Fancy Quotes

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Some might think that the creativity, imagination, and flights of fancy that give my life meaning are insanity.
Vladimir Nabokov
Wasn't writing a kind of soaring, an achievable form of flight, of fancy, of the imagination?
Ian McEwan (Atonement)
Holding this book in your hand, sinking back in your soft armchair, you will say to yourself: perhaps it will amuse me. And after you have read this story of great misfortunes, you will no doubt dine well, blaming the author for your own insensitivity, accusing him of wild exaggeration and flights of fancy. But rest assured: this tragedy is not a fiction. All is true.
Honoré de Balzac (Le Père Goriot)
Children have always tumbled down rabbit holes, fallen through mirrors, been swept away by unseasonal floods or carried off by tornadoes. Children have always traveled, and because they are young and bright and full of contradictions, they haven’t always restricted their travel to the possible. Adulthood brings limitations like gravity and linear space and the idea that bedtime is a real thing, and not an artificially imposed curfew. Adults can still tumble down rabbit holes and into enchanted wardrobes, but it happens less and less with every year they live. Maybe this is a natural consequence of living in a world where being careful is a necessary survival trait, where logic wears away the potential for something bigger and better than the obvious. Childhood melts, and flights of fancy are replaced by rules. Tornados kill people: they don’t carry them off to magical worlds. Talking foxes are a sign of fever, not guides sent to start some grand adventure. But children, ah, children. Children follow the foxes, and open the wardrobes, and peek beneath the bridge. Children climb the walls and fall down the wells and run the razor’s edge of possibility until sometimes, just sometimes, the possible surrenders and shows them the way to go home.
Seanan McGuire (Beneath the Sugar Sky (Wayward Children, #3))
Then you realize: night gives the world back its natural, original appearance, without suger-coating it; day is a flight of fancy, light a slight exception, an oversight, a disruption of the order. The world in fact is dark, almost black. Motionless and cold.
Olga Tokarczuk (Flights)
Sebastian, who had begun to laugh, seemed struck by that last comment. “Ahhh,” he said softly. “That explains it.” He was silent for a moment, lost in some distant, pleasurable memory. “Dangerous creatures, wallflowers. Approach them with the utmost caution. They sit quietly in corners, appearing abandoned and forlorn, when in truth they’re sirens who lure men to their downfall. You won’t even notice the moment she steals the heart right out of your body—and then it’s hers for good. A wallflower never gives your heart back.” “Are you finished amusing yourself?” Gabriel asked, impatient with his father’s flight of fancy.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
...and how positively full and brimming-to-burst with words I am. This is what Mrs. Bullwhyte would call one of my "extended flights of fancy." She said that I am terribly prone to them and often told me that I should rein myself in or the world was bound to disappoint me.
Kate DiCamillo (The Chronicles of Harris Burdick: Fourteen Amazing Authors Tell the Tales)
In the National Geographic movie of my twisted mind, the lion had just leaped on the gazelle, pinned it to the ground and mounted it from behind. Apparently, the devouring could wait. I should point out that these little flights of fancy on my part often involved extremely improbable animal pairings. I blamed cartoons.
Delphine Dryden (The Theory of Attraction (Science of Temptation, #1))
Holding this book in your hand, sinking back in your soft armchair, you will say to yourself: perhaps it will amuse me. And after you have read this story of great misfortunes, you will no doubt dine well, blaming the author for your own insensitivity, accusing him of wild exaggeration and flights of fancy. But rest assured: this tragedy is not a fiction. All is true.
Rohinton Mistry (A Fine Balance)
No, fancy face. Those”—he points at my face, finger flicking from side to side—“are wild eyes. The eyes of a woman who just chose fight over flight. Don’t smother that. Keep ‘em and you’ll come out on top. Trust me.
Elsie Silver (Wild Eyes (Rose Hill, #2))
There are... otherwise quite decent people who are so dull of nature that they believe that they must attribute the swift flight of fancy to some illness of the psyche, and thus it happens that this or that writer is said to create not other than while imbibing intoxicating drink or that his fantasies are the result of overexcited nerves and resulting fever. But who can fail to know that, while a state of psychical excitement caused by the one or other stimulant may indeed generate some lucky and brilliant ideas, it can never produce a well-founded, substantial work of art that requires the utmost presence of mind.
E.T.A. Hoffmann (Die Serapions Brüder)
For we are so constituted by nature, that we are ever prone to compare ourselves with others; and our happiness or misery depends very much on the objects and persons around us. On this account, nothing is more dangerous than solitude: there our imagination, always disposed to rise, taking a new flight on the wings of fancy, pictures to us a chain of beings of whom we seem the most inferior.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
Adept as he was in the Hegelian dialectic — a system easy of abuse by those who seek to dominate thought by arbitrary flights of fancy and metaphysical verbosity — he was not slow in finding a way out of the dilemma in which socialists found themselves.
Ludwig von Mises (Socialism: An Economic and Sociological Analysis)
Then you realize: night gives the world back its natural, original appearance, without sugar-coating it; day is a flight of fancy, light a slight exception, an oversight, a disruption of the order. The world in fact is dark, almost black. Motionless and cold.
Olga Tokarczuk (Flights)
For all the tenure of humans on Earth, the night sky had been a companion and an inspiration. The stars were comforting. They seemed to demonstrate that the heavens were created for the benefit and instruction of humans. This pathetic conceit became the conventional wisdom worldwide. No culture was free of it. Some people found in the skies an aperture to the religious sensibility. Many were awestruck and humbled by the glory and scale of the cosmos. Others were stimulated to the most extravagant flights of fancy.
Carl Sagan
Everything that was not so must go. All the beautiful literary lies and flights of fancy must be shot in mid-air! So they lined them up against a library wall one Sunday morning thirty years ago, in 2006; they lined them up, St. Nicholas and the Headless Horseman and Snow White and Rumpelstiltskin and Mother Goose--oh, what a wailing!--and shot them down, and burned the paper castles and the fairy frogs and old kings and the people who lived happily ever after (for of course it was a fact that nobody lived happily ever after!), and Once Upon A Time became No More! And they spread the ashes of the Phantom Rickshaw with the rubble of the Land of Oz; they filleted the bones of Glinda the Good and Ozma and the shattered Polychrome in a spectroscope and served Jack Pumpkinhead with meringue at the Biologists' Ball! The Beanstalk died in a bramble of red tape! Sleeping Beauty awoke at the kiss of a scientist and expired at a fatal puncture of his syringe. And they made Alice drink something from a bottle which reduced her to a size where she could no longer cry 'Curiouser and curioser,' and they gave the Looking Glass one hammer blow to smash it and every Red King and Oyster away!
Ray Bradbury (The Martian Chronicles)
Thought must always contain an element of desire, but there is none in dreaming. The dream, which is wholly spontaneous, adopts and preserves, even in our utmost flights of fancy, the pattern of our spirit; nothing comes more truly from the very depths of the soul than those unconsidered and uncontrolled aspirations to the splendours of destiny. It is in these, much more than in our reasoned thoughts, that a man's true nature is to be found. Our imaginings are what most resemble us. Each of us dreams of the unknown and the impossible in his own way.
Victor Hugo
For centuries poets, some poets, have tried to give a voice to the animals, and readers, some readers, have felt empathy and sorrow. If animals did have voices, and they could speak with the tongues of angels--at the very least with the tongues of angels--they would be unable to save themselves from us. What good would language do? Their mysterious otherness has not saved them, nor have their beautiful songs and coats and skins and shells and eyes. We discover the remarkable intelligence of the whale, the wolf, the elephant--it does not save them, nor does our awareness of the complexity of their lives. Their strength, their skills, their swiftness, the beauty of their flights. It matters not, it seems, whether they are large or small, proud or shy, docile or fierce, wild or domesticated, whether they nurse their young or brood patiently on eggs. If they eat meat, we decry their viciousness; if they eat grasses and seeds, we dismiss them as weak. There is not one of them, not even the songbird who cannot, who does not, conflict with man and his perceived needs and desires. St. Francis converted the wolf of Gubbio to reason, but he performed this miracle only once and as miracles go, it didn’t seem to capture the public’s fancy. Humans don’t want animals to reason with them. It would be a disturbing, unnerving, diminishing experience; it would bring about all manner of awkwardness and guilt.
Joy Williams (Ill Nature)
Offensive, no. Mortifying, yes.
Laurie Alice Eakes (A Flight of Fancy (The Daughters of Bainbridge House, #2))
I'm not a detective from Baker Street or an old lady who solves crimes while she's knitting in an easy chair. I'm just a book girl. So I can't make a deduction, only take a flight of fancy--er, forget I said that. I meant, I can only take a guess.
Mizuki Nomura (Book Girl and the Suicidal Mime)
Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.
Mike McGee
We treat each other with exceeding courtesy; we says, it’s great to see you after all these years. Our tigers drink milk. Our hawks tread the ground. Our sharks have all drowned. Our wolves yawn beyond the open cage. Our snakes have shed their lightning, our apes their flights of fancy, our peacocks have renounced their plumes. The bats flew out of our hair long ago. We fall silent in mid-sentence, all smiles, past help. Our humans don’t know how to talk to one another.
Wisława Szymborska (View with a Grain of Sand: Selected Poems)
There is a flight of fancy but work your faith.
Anyaele Sam Chiyson
I think the perfect pen name is Quill McSeagull. Especially for writing flights of fancy—and nothing has more feathers than a love poem.
Jarod Kintz (This Book is Not for Sale)
I promised myself I would keep my feet firmly rooted in the soil, that I wouldn’t give in to superstition and flights of fancy, so why am I trembling?
Kim Liggett (The Grace Year)
In his experience, the best ideas originated from flights of fancy, half-baked guesswork and erroneous snap judgments.
Jo Nesbø (The Snowman (Harry Hole, #7))
I consider the name. It wasn’t on the list, but as I study the baby’s flawless features, I can’t deny it fits. My muse led me into this world in the first place, then gave me the power to rule it; Jeb’s muse repainted Wonderland so many years ago, then stayed here to bring peace between two realms. Even though Morpheus would never admit it aloud, this is his way of honoring Jeb’s contribution, my other side, and human flights of fancy. The sentiment affects me deeply, warms me all the way from my wing tips to my toes, and I’m grateful beyond words. But
A.G. Howard (Untamed (Splintered, #3.5))
Percy was struck by a flight of fancy, imagining Arsenic in his lap, with Footnote on top of both of them. A tangle of limbs and books and cat and comfort. He was startled by the depth of his own yearning.
Gail Carriger (Reticence (The Custard Protocol, #4))
You cannot escape pain through the gate of rational thought, for the gatekeeper of reason is not a gullible fellow. But the gatekeeper of the imagination is a trusting fool, and easily distracted by flights of fancy.
Joseph Duncan (The Oldest Living Vampire Betrayed (The Oldest Living Vampire Saga Book 4))
Linus shook his head. “I can’t be curious.” Mr. Parnassus looked surprised. “Why is that?” “It does me no good. Facts, Mr. Parnassus. I deal in facts. Curiosities lead to flights of fancy, and I can’t afford to be distracted.
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
Without anything being said, there were no women at our lunches. Not that we were talking pussy. Or not much. But it was a chaps thing. Seasoned observers all, we set the world, such as it was, to rights, offsetting our intellectual know-how with truly wondrous flights of fancy. It was at the time of the ruinous yet avoidable civil war in Angola, in which far too many people died, or, in our immortal parlance, became 'deadified.' It might have been anyone—actually, I [Christopher Hitchens] am sure it was our poet friend Craig Raine—who came up with the appalling yet unforgettable idea that there is a design flaw in the female form, and that the breasts and the buttocks really ought to be on the same side. For myself, I have oft been perplexed as to why our heads are where, in a truly just world, our penises really ought to be, and my arse is not located between my chin and my nose, allowing me mellifluously to talk out of it.
Craig Brown
Is she pleasing to the eye?" Gabriel went to an inset sideboard to pour himself a brandy. "She's bloody ravishing," he muttered. Looking more and more interested, his father asked, "What is the problem with her, then?" "She's a perfect little savage. Constitutionally incapable of guarding her tongue. Not to mention peculiar: She goes to balls but never dances, only sits in the corner. Two of the fellows I went drinking with last night said they'd asked her to waltz on previous occasions. She told one of them that a carriage horse had recently stepped on her foot, and she told the other that the butler had accidentally slammed her leg in the door." Gabriel took a swallow of brandy before finishing grimly, "No wonder she's a wallflower." Sebastian, who had begun to laugh, seemed struck by that last comment. "Ahhh," he said softly. "That explains it." He was silent for a moment, lost in some distant, pleasurable memory. "Dangerous creatures, wallflowers. Approach them with the utmost caution. They sit quietly in corners, appearing abandoned and forlorn, when in truth they're sirens who lure men to their downfall. You won't even notice the moment she steals the heart right out of your body- and then it's hers for good. A wallflower never gives your heart back." "Are you finished amusing yourself?" Gabriel asked, impatient with his father's flight of fancy. "Because I have actual problems to deal with." Still smiling, Sebastian reached for some chalk and applied it to the tip of his cue stick. "Forgive me. The word makes me a bit sentimental.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
...the ultimately possible attitudes toward life are irreconcilable, and hence their struggle can never be brought to a final conclusion. Thus it is necessary to make a decisive choice. Whether, under such conditions, science is a worth while 'vocation' for somebody, and whether science itself has an objectively valuable 'vocation' are again value judgments about which nothing can be said in the lecture-room. To affirm the value of science is a presupposition for teaching there. I personally by my very work answer in the affirmative, and I also do so from precisely the standpoint that hates intellectualism as the worst devil, as youth does today, or usually only fancies it does. In that case the word holds for these youths: 'Mind you, the devil is old; grow old to understand him.' This does not mean age in the sense of the birth certificate. It means that if one wishes to settle with this devil, one must not take flight before him as so many like to do nowadays. First of all, one has to see the devil's ways to the end in order to realize his power and his limitations.
Max Weber (From Max Weber: Essays in Sociology)
he had been afraid of finding things quite different, and now it pained him to find them so unchanged. the prospect of meeting people, of looking up old friends left him vaguely bored. from a distance fancy is free to roam. the tender friendships one gives up, on parting, leave their bite on the heart, but also a curious feeling of a treasure somewhere buried. what selfish love such flights occasionally attest !
Antoine de Saint-Exupéry (Southern Mail)
He flushes slightly. “I was mad about him when I was fifteen.” “How didn’t I know this?” I say indignantly. “We tell each other everything.” “Not anymore,” Dylan adds hastily, looking at Gabe, but he shrugs unconcerned. “Don’t try and cover it up, Dylan. Jude’s our very own Camilla - the third person in our relationship.” “Why am I the old woman in this scenario?” I say indignantly. “I want to be the younger, much fitter princess, who captured people’s hearts and minds.” “You would have been, babe,” Dylan says hastily. “And you’d look way better with a tiara than she does.” “I would,” I nod firmly. “I would be a very desirable addition to the royal family, and a very stabilizing influence, if I do say so myself. I also have a full head of my own hair.” Gabe shakes his head. “I’m worried that I not only follow these odd flights of fancy, but I find myself actually wanting to weigh in with my own opinions.” “What did you want to say?” Dylan asks immediately, but he shakes his head. “I said I wanted to, not that I was going to. I’m looking through the windows of the mental asylum, not going through the door.
Lily Morton (Deal Maker (Mixed Messages, #2))
As they talked, Merritt entertained him with stories of her childhood in Hampshire as the oldest of six siblings. Her father, the earl, loomed large in those stories, as a loving parent and a man of great authority and responsibility. His marriage to Lillian Bowman, an American heiress, had been an improbable match, but the union had turned out to be a remarkably happy one. Merritt's mother was a lively and lighthearted woman, the kind of mother who had romped outside with her children and splashed in puddles with them, and encouraged their flights of fancy.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Some, perhaps, would fall by the way. Some, old or sick, would drop out of the caravan and creep away into a solitary place to die; others would be picked off by gunners, defying the law for the fancied pleasure of stopping in full flight a brave and fiercely burning life; still others, perhaps, would fall in exhaustion into the sea. But no awareness of possible failure or disaster dwelt in the moving host, flying with sweet pipings through the northern sky. In them burned once more the fever of migration, consuming with its fire all other desires and passions.
Rachel Carson (Under the Sea-Wind)
When out of the ordinary reports and studies come from individuals who seem to have their feet on the ground, more thoughtful people pay closer attention. To be open-minded means just that; to compare worldviews and philosophies without pre-judgment, to entertain singular and paradox phenomena, to efficaciously sift the gems of wisdom from common opinions in sacred texts and inspired writings, or even in newspapers or social media. What is true, and how do we know? - things to ponder. This all takes time and thought. The scales of discretion must weigh, over time, between hopeful thinking and prophecy, flights of fancy and common sense, a lucky guess and inspired revelation, and chance and destiny. This could keep one busy for a lifetime. As far as I'm concerned, this is the most important path for those who want to understand What This Is All About.
Stephen Poplin (Inner Journeys, Cosmic Sojourns: Life transforming stories, adventures and messages from a spiritual hypnotherapist's casebook (VOLUME1))
At every single moment during those focused periods—those flights of fancy—the writer is faced with at least seven choices of word and expression and detail. Talented ones make the right choices with almost no conscious consideration; they are pro basketball players of the mind, hitting from all over the court.” Where?
Stephen King (If It Bleeds)
The Lord is nigh unto them that are of a broken hear; and saveth such as be of a contrite spirit. Pslam 34.18
Laurie Alice Eakes (A Flight of Fancy (The Daughters of Bainbridge House, #2))
Travel agents and restaurant chefs do not sell us flight tickets, hotels or fancy dinners – they sell us novel experiences.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
...nothing is more dangerous than solitude: there our imagination, always disposed to rise, taking a new flight on the wings of fancy, pictures to us a chain of beings of whom we seem the most inferior. All things appear greater than they really are, and all seem superior to us. This operation of the mind is quite natural: we so continually feel our own imperfections, and fancy we perceive in others the qualities we do not possess, attributing to them also all that we enjoy ourselves, that by this process we form the idea of a perfect, happy man,—a man, however, who only exists in our own imagination.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
FAT CHARLIE LIKED CARIBBEAIR. THEY MIGHT HAVE BEEN AN INTERNATIONAL airline, but they felt like a local bus company. The flight attendant called him “darlin’ ” and told him jus’ to sit anywhere that struck his fancy.
Neil Gaiman (Anansi Boys (American Gods, #2))
Some, perhaps, would fall by the way. Some, old or sick, would drop out of the caravan and creep away into a solitary place to die; others would be picked off by gunners, defying the law for the fancied pleasure of stopping in full flight a brave and fiercely burning life; still others, perhaps, would fall in exhaustion into the sea...In them burned one more the fever of migration, consuming with its fires all other desires and passions.
Rachel Carson (Under the Sea-Wind)
You supposed me more than really existed. But now suppose as much as you choose; give a loose rein to your fancy, indulge your imagination in every possible flight which the subject will afford... and you will not greatly err.
Jane Austen (Pride and Prejudice)
I call it “pedal magic” and only those who ride know the utter ecstasy of bicycling. Pressing a pedal toward Earth gives flight to my fancy. Every rotation powers my traveling machine toward yet another date with destiny. The breeze clears my senses. The wind blows away my troubles. The sun shines upon my future. Spinning spokes create flashing metal upon an endless path—cycling feels like an infinite spiritual rush. It cleanses my mind. All my troubles fade into joy.
Frosty Wooldridge
My favorite oils are calendula oil, marula oil, and squalene oil, but your oil doesn’t need to be fancy. If you’re taking a long plane flight, fly with a clean face, swipe on a thin oil and lip balm, then spritz your face with a hydrator to stay hydrated and land fresh.
Kelly LeVeque (Body Love)
I am saving him from fear. I was not attacking him but, across him, that stubborn inertia which paralyzes men who force the unknown. If I listen and sympathize, if I take his adventure seriously, he will fancy he is returning from a land of mystery, and mystery alone is at the root of fear.
Antoine de Saint-Exupéry (Night Flight)
Lollipops and raindrops Sunflowers and sun-kissed daisies Rolling surf and raging sea Sailing ships and submarines Old Glory and “purple mountain’s majesty” Screaming guitar and lilting rhyme Flight of fancy and high-steppin’ dances Set free my mind to wander… Imagine the ant’s marching journeys. Fly, in my mind’s eye, on butterfly wings. Roam the distant depths of space. Unfurl tall sails and cross the ocean. Pictures made just to enthrall Creating images from my truth Painting hopes and dreams on my canvas Capturing, through my lens, the ephemeral Let me ruminate ‘pon sensual darkness… Tremble o’er Hollywood’s fluttering Gothics… Ride the edge of my seat with the hero… Weep with the heroine’s desperation. Yet… more than all these things… Give me words spun out masterfully… Terms set out in meter and rhyme… Phrases bent to rattle the soul… Prose that always miraculously inspires me! The trill runs up my spine, as I recall… A touch… a caress…a whispered kiss… Ebony eyes embracing my soul… Two souls united in beat of hearts. A butterfly flutter in my womb My lover’s wonder o’er my swelling The testament of our love given life Newly laid in my lover’s arms Luminous, sweet ebony eyes Just so much like his father’s A gaze of wonder and contentment From my babe at mother’s breast Words of the Divine set down for me Faith, Hope, Love, and Charity Grace, Mercy, and undeserved Salvation “My Shepherd will supply my need” These are the things that inspire me.
D. Denise Dianaty (My Life In Poetry)
Today there’s a sort of contentment to invisibility, even if I suspect it won’t last. I suspect I’ll recover, return, and sometimes the wanting will, too: to be beautiful, to be seen, to be loved and never left. Desire like that isn’t a failure, or a girlhood flight of fancy. It’s a fact of every life.
Allie Rowbottom (Aesthetica)
We, none of us, said anything to this flight of fancy. It was so far from our prognostications. Besides, we were shocked at his tone. (Of course, now I recognise it as frustrated idealism—now I write the word in connection with Paul it surprises me. It’s the first time I’ve believed he was capable of it.) He
Doris Lessing (The Golden Notebook)
My dear, it has been my experience that God occasionally throws obstacles our way so that we’re forced to grow into the people He wants us to be. You are far stronger than you think. I imagine, even with what must seem like insurmountable mountains placed in your path, you’ll soon discover strengths you never knew you had.
Jen Turano (Flights of Fancy (American Heiresses #1))
People can talk about their personal experience and it can be true for them and for their life whatever they learned from that; because what they tell to themselves will always be true for themselves. But they can always change the way they think and talk to themselves and realize that the experience they have been having is not a universal law.
E. Christian Trejo (Flight Of Fancy Life Formula: A powerful guide to create an unimaginable life by improving your Inner Self, following your passion and building your own business.)
Both individuals who are manic and those who are writers, when evaluated with neuropsychological tests, tend to combine ideas or images in a way that "blurs, broadens, or shifts conceptual boundaries," a type of thinking known as conceptual overinclusiveness. They vary in this from normal subjects and from patients with schizophrenia. Researchers at the University of Iowa, for example, have shown that "both writers and manics tend to sort in large groups, change dimensions while in the process of sorting, arbitrarily change starting points, or use vague distantly related concepts as categorizing principles." The writers are better able than the manics to maintain control over their patterns of thinking, however, and to use "controlled flights of fancy" rather than the more bizarre sorting systems used by the patients.
Kay Redfield Jamison (Exuberance: The Passion for Life)
Music is carried by the vibrations of molecules of air, like waves upon an ocean. It perhaps uniquely captures and conveys the interior landscape of one human mind to another, holding our tears and sweat, pain and pleasure, packaged as paeans and preludes and etudes and nocturnes. It is the texturization of the deliquescence of time, the ebb and flow of mood and meaning. It ruminates, vacillates, contemplates, and stimulates. In music we organize and fantasize, arranging the elements of music-melody, rhythm, and harmony-into meaningful shapes and patterns. Its rhythms move our hands, feet and bodies to the pulses of the universe. Its harmonies breathe with the exploratory intricacies and curiosities of relationship and proportion, consonance, dissonance, assonance, and resonance. Its melodies flitter into flights of fancy, weaving woe and wonder.
John Martineau (Quadrivium: The Four Classical Liberal Arts of Number, Geometry, Music, & Cosmology)
As was foreshadowed in Paragraphs 1 and 4, Cantor, and Dedekind's near-simultaneous appearance in math is more or less the Newton + Leibniz thing all over again, a sure sign that the Time Was Right for (Infinity)-type sets. Just as striking is the Escherian way the two men's work dovetails. Cantor is able to define and ground the concepts of 'infinite set' and 'transfinite number,' and to establish rigorous techniques for combining and comparing different types of (Infinity)s, which is just where Dedekind's def. of irrationals needs shoring up. Pro quo, the schnitt technique demonstrates that actually-infinite sets can have real utility in analysis. That, in other words, as sensuously and cognitively abstract as they must remain, (Infinity)s can nevertheless function in math as practical abstractions rather than as just weird paradoxical flights of fancy.
David Foster Wallace (Everything and More: A Compact History of Infinity)
For we are so constituted by nature, that we are ever prone to compare ourselves with others; and our happiness or misery depends very much on the objects and persons around us. On this account, nothing is more dangerous than solitude: there our imagination, always disposed to rise, taking a new flight on the wings of fancy, pictures to us a chain of beings of whom we seem the most inferior. All things appear greater than they really are, and all seem superior to us.
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
It was that reader that she'd found in Mama's trunk. At the schoolhouse they had McGuffey, good lessons about good boys and girls. But Meggie had found the worn, faded book of fairy tales. They had been much more interesting than the stern admonitions of McGuffey. And her imagination had taken flight. Fanciful, that's what her father had called it. And when she'd read about Rapunzel, she'd decided that none of the local boys would ever do. A real prince was coming up the mountain for Meggie Best someday. She was sure of it. Unfortunately, this morning she'd thought that he'd arrived.
Pamela Morsi (Marrying Stone (Tales from Marrying Stone, #1))
What, then, distinguishes science from other exercises of reason? It certainly isn’t “the scientific method,” a term that is taught to schoolchildren but that never passes the lips of a scientist. Scientists use whichever methods help them understand the world: drudgelike tabulation of data, experimental derring-do, flights of theoretical fancy, elegant mathematical modeling, kludgy computer simulation, sweeping verbal narrative.18 All the methods are pressed into the service of two ideals, and it is these ideals that advocates of science want to export to the rest of intellectual life.
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
While I wandered the dreamy quiet of St. Marx Friedhof, it was the Requiem that swirled through my head. But when I set my chestnut on the gray concrete that had to stand in for Star's tiny, forgotten grave, it was the wild, swirling cadenzas from A Musical Joke that filled my mind and heart. Even more than his poem, this flight of musical fancy was Mozart's truest elegy for his small friend, the commonest of birds who could never have known that he was joining with a musical genius in the highest purpose of creative life: to disturb us out of complacency; to show us the wild, imperfect, murmuring harmony of the world we inhabit; to draw our own lives into the song.
Lyanda Lynn Haupt (Mozart's Starling)
The trees soon revealed startling secrets. I discovered that they are in a web of interdependence, linked by a system of underground channels, where they perceive and connect and relate with an ancient intricacy and wisdom that can no longer be denied. I conducted hundreds of experiments, with one discovery leading to the next, and through this quest I uncovered the lessons of tree-to-tree communication, of the relationships that create a forest society. The evidence was at first highly controversial, but the science is now known to be rigorous, peer-reviewed, and widely published. It is no fairy tale, no flight of fancy, no magical unicorn, and no fiction in a Hollywood movie.
Suzanne Simard (Finding the Mother Tree: Discovering the Wisdom of the Forest)
Chapter 28 Genghis Cat Gracing Whatever Shithole This Is, Washington, USA You can all relax now, because I am here. What did you think? I’d run for safety at the whim of a fucking parrot with under-eye bags like pinched scrotums? Did you suspect I—a ninja with feather-wand fastness and laser-pointer focus—had the spine of a banana slug? Then you are a shit-toned oink with the senses of a sniveling salamander. Then you don’t know Genghis Cat. I look around and can see that we are surrounded by The Bird Beasts, those crepe-faced, hair ball–brained fuck goblins. I intensely dislike these lumpy whatthefuckareyous who straddle between the Mediocre Servant and animal worlds, trying to be one thing and really not being, like imitation crabmeat in a sushi log that is really just fucking whitefish and WE ALL KNOW IT. “Would you like a little of the crabmeat, Genghis?” my Mediocre Servants seemed to ask with their blobfish lips and stupid faces. “THAT’S FUCKING WHITEFISH, YOU REGURGITATED MOLES!” I’d yowl, and then I’d steal the sushi log and run off and growl very much so they couldn’t have it back, and later I would pee on their night pillows for good measure. I cannot imagine their lives before me. We mustn’t think of those bleak dark ages. But the Beasts are dangerous. I have watched them morph and chew into a house. I have seen them with spider legs and second stomachs and camouflage skins. I have seen them tear the legs off a horse and steal flight from those with feathers. Orange and I have lost family to their fuckish appetites. But they are still fakish faking beasts and I’m fucking Genghis Cat. They are imitation crab and Genghis is filet mignon Fancy Feast, bitch. Probably I should come clean here and tell you that I’m immortal. I always suspected it but can confirm it now that I have surpassed the allocated nine lives. I’m somewhere around life 884, give or take seventy-eight. Some mousers have called me a god, but I insist on modesty. I also don’t deny it. I might be a god. It seems to fit. It feels right. A stealthy, striped god with an exotically spotted tummy—it seems certain, doesn’t it to you? I’m 186 percent sure at this point. Orange insists we stay away from the Beasts all the time, but I only let Orange think he’s in charge. Orange is incredibly sensitive, despite being the size of a Winnebago. He hand-raised each of my kittens and has terrible nightmares, and I have to knead my paws on him to calm him down. Orange and I have a deal. I will kill anything that comes to harm Orange and Orange will continue to be the reason I purr.
Kira Jane Buxton (Feral Creatures (Hollow Kingdom #2))
Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
Yet each time, after consulting her watch, she sat down again at my request, so that in the end she had spent several hours with me without my having demanded anything of her; the things I said to her were related to those I had said during the preceding hours, were totally unconnected with what I was thinking about, what I desired, and remained doggedly parallel to all this. There is nothing like desire for obstructing any resemblance between what one says and what one has on one’s mind. Time presses, and yet it seems as though we were trying to gain time by speaking about things that are utterly alien to the one thing that preoccupies us. We chatter away, whereas the words we should like to utter would have by now been accompanied by a gesture, if indeed we have not – to give ourselves the pleasure of immediate action and to slake the curiosity we feel about the ensuing reactions to it – without a word, without so much as a by-your-leave, already made this gesture. It is true that I was not in the least in love with Albertine: born from the mist outside, she could do no more than satisfy the fanciful desire awakened in me by the change in the weather, poised midway between the desires that are satisfied by culinary arts and by monumental sculpture respectively, because it made me dream both of mingling my flesh with a substance that was different and warm, and of attaching to some point of my recumbent body a divergent body, as Eve’s body is barely attached by the feet to the side of Adam, to whose body hers is almost perpendicular in the Romanesque bas-reliefs in the Balbec cathedral, representing in so noble and so placid a fashion, still almost like a classical frieze, the creation of woman; in them God is followed everywhere, as by two ministers, by two little angels recalling – like the winged, swirling creatures of the summer that winter has caught by surprise and spared – cupids from Herculaneum still surviving well into the thirteenth century, flagging now in their last flight, weary, but never relinquishing the grace we might expect of them, over the whole front of the porch.
Marcel Proust
Put in terms of autonomy, Islam bore similarities to medieval Christianity, seeing life on this earth as important primarily as a preparation for eternal life, and harboring deep suspicions about the piety of inquiring too closely into the nature of God’s creation. But Islam, more than Christianity at any point in its history, also saw God as sustaining the universe on a continuing basis, and as a deity who is not bound by immutable laws. To proclaim scientific truths that applied throughout the universe and throughout time could easily become blasphemy, implying limits to what God could and could not do.20 Islamic piety consisted in obedience to God’s rules and submission to his will, not presuming to analyze his works or glorify him with flights of one’s personal fancies and curiosities. Indeed, expressing one’s fancies through representational art or most fictional literature ran directly against Islamic teaching. Islam was (and is) not a religion that encourages autonomy. Seen in the framework I have been using, it is no surprise that the burst of accomplishment in the golden age was aberrational, not characteristic, of Islamic culture.
Charles Murray (Human Accomplishment: The Pursuit of Excellence in the Arts and Sciences, 800 B.C. to 1950)
The voices I give, however decorated with observations and interpretations of the other, are, nevertheless and certainly, very much my own. But they do not speak for the other--and therefore speak falsely. They speak rather to the other: the other in me, the other in you, the other in my other friend--assuming he would not finally and for the first time turn at this particular outrage to the real we call "his story" and laugh with undisguised derision at my preposterous fancy with no relation at all to his life, his madness, his city--instead of giving out with his usual applause. They speak against the other. They speak always in dialogue with, in contrast to, in protest of the real. They are always calling out to the other across the bridge on whose wild span madness and desire endlessly trade places, creating a wilderness at their center as palpably dangerous as that observed at any ill-mapped border. The monologue of art must be reinterpreted as the many-voiced argument of the artist with life, with life's images--indeed, as the wrangle between the articulate and everything else, with desire never fully possessed by any party, but endlessly at play between.
Samuel R. Delany (Flight from Nevèrÿon (Return to Nevèrÿon, #3))
In 1950, a thirty-year-old scientist named Rosalind Franklin arrived at King’s College London to study the shape of DNA. She and a graduate student named Raymond Gosling created crystals of DNA, which they bombarded with X-rays. The beams bounced off the crystals and struck photographic film, creating telltale lines, spots, and curves. Other scientists had tried to take pictures of DNA, but no one had created pictures as good as Franklin had. Looking at the pictures, she suspected that DNA was a spiral-shaped molecule—a helix. But Franklin was relentlessly methodical, refusing to indulge in flights of fancy before the hard work of collecting data was done. She kept taking pictures. Two other scientists, Francis Crick and James Watson, did not want to wait. Up in Cambridge, they were toying with metal rods and clamps, searching for plausible arrangements of DNA. Based on hasty notes Watson had written during a talk by Franklin, he and Crick put together a new model. Franklin and her colleagues from King’s paid a visit to Cambridge to inspect it, and she bluntly told Crick and Watson they had gotten the chemistry all wrong. Franklin went on working on her X-ray photographs and growing increasingly unhappy with King’s. The assistant lab chief, Maurice Wilkins, was under the impression that Franklin was hired to work directly for him. She would have none of it, bruising Wilkins’s ego and leaving him to grumble to Crick about “our dark lady.” Eventually a truce was struck, with Wilkins and Franklin working separately on DNA. But Wilkins was still Franklin’s boss, which meant that he got copies of her photographs. In January 1953, he showed one particularly telling image to Watson. Now Watson could immediately see in those images how DNA was shaped. He and Crick also got hold of a summary of Franklin’s unpublished research she wrote up for the Medical Research Council, which guided them further to their solution. Neither bothered to consult Franklin about using her hard-earned pictures. The Cambridge and King’s teams then negotiated a plan to publish a set of papers in Nature on April 25, 1953. Crick and Watson unveiled their model in a paper that grabbed most of the attention. Franklin and Gosling published their X-ray data in another paper, which seemed to readers to be a “me-too” effort. Franklin died of cancer five years later, while Crick, Watson, and Wilkins went on to share the Nobel prize in 1962. In his 1968 book, The Double Helix, Watson would cruelly caricature Franklin as a belligerent, badly dressed woman who couldn’t appreciate what was in her pictures. That bitter fallout is a shame, because these scientists had together discovered something of exceptional beauty. They had found a molecular structure that could make heredity possible.
Carl Zimmer (She Has Her Mother's Laugh: What Heredity Is, Is Not, and May Become)
Will’s fleshy face contorted and a memory swept over him like a chilling wind. He did not move slowly over the past, it was all there in one flash, all of the years, a picture, a feeling and a despair, all stopped the way a fast camera stops the world. There was the flashing Samuel, beautiful as dawn with a fancy like a swallow’s flight, and the brilliant, brooding Tom who was dark fire, Una who rode the storms, and the lovely Mollie, Dessie of laughter, George handsome and with a sweetness that filled a room like the perfume of flowers, and there was Joe, the youngest, the beloved. Each one without effort brought some gift into the family. Nearly everyone has his box of secret pain, shared with no one. Will had concealed his well, laughed loud, exploited perverse virtues, and never let his jealousy go wandering. He thought of himself as slow, doltish, conservative, uninspired. No great dream lifted him high and no despair forced self-destruction. He was always on the edge, trying to hold on to the rim of the family with what gifts he had—care, and reason, application. He kept the books, hired the attorneys, called the undertaker, and eventually paid the bills. The others didn’t even know they needed him. He had the ability to get money and to keep it. He thought the Hamiltons despised him for his one ability. He had loved them doggedly, had always been at hand with his money to pull them out of their errors. He thought they were ashamed of him, and he fought bitterly for their recognition. All of this was in the frozen wind that blew through him. His slightly bulging eyes were damp as he stared past Cal, and the boy asked, “What’s the matter, Mr. Hamilton? Don’t you feel well?” Will had sensed his family but he had not understood them. And they had accepted him without knowing there was anything to understand. And now this boy came along. Will understood him, felt him, sensed him, recognized him. This was the son he should have had, or the brother, or the father. And the cold wind of memory changed to a warmth toward Cal which gripped him in the stomach and pushed up against his lungs.
John Steinbeck (East of Eden)
If you pass on through the meadows with their thousand flowers of every color imaginable, from bright red to yellow and purple, and their bright green grass washed clean by last night’s rain, rich and verdant—again without a single movement of the machinery of thought—then you will know what love is. To look at the blue sky, the high full-blown clouds, the green hills with their clear lines against the sky, the rich grass and the fading flower—to look without a word of yesterday; then, when the mind is completely quiet, silent, undisturbed by any thought, when the observer is completely absent—then there is unity. Not that you are united with the flower, or with the cloud, or with those sweeping hills; rather there is a feeling of complete non-being in which the division between you and another ceases. The woman carrying those provisions which she bought in the market, the big black Alsatian dog, the two children playing with the ball—if you can look at all these without a word, without a measure, without any association, then the quarrel between you and another ceases. This state, without the word, without thought, is the expanse of mind that has no boundaries, no frontiers within which the I and the not-I can exist. Don’t think this is imagination, or some flight of fancy, or some desired mystical experience; it is not. It is as actual as the bee on that flower or the little girl on her bicycle or the man going up a ladder to paint the house—the whole conflict of the mind in its separation has come to an end. You look without the look of the observer, you look without the value of the word and the measurement of yesterday. The look of love is different from the look of thought. The one leads in a direction where thought cannot follow, and the other leads to separation, conflict, and sorrow. From this sorrow, you cannot go to the other. The distance between the two is made by thought, and thought cannot by any stride reach the other. As you walk back by the little farmhouses, the meadows, and the railway line, you will see that yesterday has come to an end: life begins where thought ends.
J. Krishnamurti (The Only Revolution (meditations on interior change))
Belbroughton Road, Linton Road, Bardwell Road. The houses there are quite normal. They are ordinary sizes and have ordinary chimneys and roofs and gardens with laburnum and flowering cherry. Park Town. As you go south they are growing. Getting higher and odder. By the time you get to Norham Gardens they have tottered over the edge into madness: these are not houses but flights of fancy. They are three storeys high and disguise themselves as churches. They have ecclesiastical porches instead of front doors and round norman windows or pointed gothic ones, neatly grouped in threes with flaring brick to set them off. They reek of hymns and the Empire, Mafeking and the Khyber Pass, Mr Gladstone and Our Dear Queen. They have nineteen rooms and half a dozen chimneys and iron fire-escapes. A bomb couldn't blow them up and the privet in their gardens has survived two World Wars.
Penelope Lively (The House in Norham Gardens)
I gave my pledge to you, Cassandra, Whittaker began. "Love is not love which alters when it alteration finds." (Shakespeare)
Laurie Alice Eakes (A Flight of Fancy (The Daughters of Bainbridge House, #2))
One of the first things to catch your eye on arriving in Rugeley is the obtrusively large red shopfront advertising private detectives. Is your partner cheating? Ask about our tracking service, reads the huge white lettering in the window. The shop also advertises lie-detector tests for hire. This is the paranoid world of The Jeremy Kyle Show writ large. Fidelity and faithfulness have been slowly chipped away by more ephemeral, market-driven principles promising instant gratification. You ditch one lover and take another, just as you might throw away an iPhone and buy a newer model in an emotional flight of fancy. For working-class communities this adds yet another layer of impermanence to an already insecure existence, especially for those men whose sense of masculine inadequacy is reinforced by the lack of any purposeful employment.
James Bloodworth (Hired: Six Months Undercover in Low-Wage Britain)
There was something in this girl he could never grasp, an inner life inscrutable to him. He was in awe of the child's flights of fancy, her insatiable passion always to be running off somewhere, her active inner life.
Susan Vreeland (Girl in Hyacinth Blue)
Mind, nor intellect, nor ego, feeling; Sky nor earth nor metals am I. I am He, I am He, Blessed Spirit, I am He! No birth, no death, no caste have I; Father, mother, have I none. I am He, I am He, Blessed Spirit, I am He! Beyond the flights of fancy, formless am I, Permeating the limbs of all life; Bondage I do not fear; I am free, ever free, I am He, I am He, Blessed Spirit, I am He!
Paramahansa Yogananda (The Autobiography of a Yogi ("Popular Life Stories"))
flight of conservative students from the Ivy League and fancy northeastern liberal arts colleges is not entirely new. The right has persistently leveled charges of elitism against the left for decades. Highly educated cosmopolitans seem to more tradition-minded conservatives to be America’s biggest critics—and least trustworthy leaders. In 1963 conservative activist William F. Buckley famously said, “I would rather be governed by the first two thousand people in the Boston telephone directory than by the two thousand people on the faculty of Harvard University.
Marc Hetherington (Prius Or Pickup?: How the Answers to Four Simple Questions Explain America's Great Divide)
For a moment he can take a flight of fancy—scandalous, unbearable to hold it for more than a second—that he is Sunny himself, that Neda is his, that he has a normal life, a life where he is in control.
Deepti Kapoor (Age of Vice)
I have my flights of fancy. You and I are like those ships. We are caught in the shivering sands of the past. We shall never escape because we are held fast, held by our memories and other people’s opinions of us.
Victoria Holt (The Shivering Sands)
I'm sure a lot of people have these little daydreams and flights of fancy to fill the passing of time, but I don't know if they realize how important they can be to inject a bit of balance and optimism into your life.
Bob Mortimer (The Satsuma Complex)
On the negative side, the Knight is prone to flights of fancy and illusion. His melodramatic moods are legendary, and his emotions often get the better of him. He’s too temperamental and takes offense easily. He can’t stand unpleasantness and will always let others deal with it.
Joan Bunning (The Big Book of Tarot: How to Interpret the Cards and Work with Tarot Spreads for Personal Growth (Weiser Big Book Series))
What was that, stitched all round his cap?” I asked distractedly. “Feathers. And locks of hair from horse tails.” She was still breathless. I looked askance at her. “It was Patience’s fancy this year. All the boys she hired from Withy to act as pages for the holiday are dressed so. Feathers to bid all our troubles take flight, and horse tail hairs, which is what we will show to our problems as we flee them.” “I…see.” My second lie of the evening. “Well, it’s good that you do, as I certainly don’t. But every Winterfest, it’s something, isn’t it? Do you remember the year that Patience handed out greenwood staffs to every unmarried man who came to the festival? With the length based on her assessment of his masculinity?” I bit down on the laugh that threatened to escape. “I do. Apparently she thought the young ladies needed a clear indication of which men would make the best mates.” Molly lifted her brows. “Perhaps they did. There were six weddings at Springfest that year.
Robin Hobb (Fool's Assassin (The Fitz and the Fool, #1))
A Martian Midsummer Night's Dream by Stewart Stafford On Mars's pristine ruddy hue, we tread, Above, stars as adamantine algae spread. Phobos and Deimos, twin moons fair, Primeval river beds form a spidery lair. Dust storms tower above dried-up seas, A vast red alien desert, shorn of trees. Oberon and Titania's gamesmanship spite, Quarrel deep in the Martian summer night. Puckish antics stir starry lovers' hearts true, As spells and dreams on tangled paths pursue. On Olympus Mons, Vulcan gods watch and scheme, Echoes of old wars fuelling plans extreme; A Wellsian tome of the tripod Martian foe, Of invasive seeds, spread to Earth to sow. In Valles Marineris, where canyons stretch away, Dead of night gives birth to coppery day. A frontier vision, both opaque and diamond clear, Magical flights of fancy on an untamed sphere. © 2024, Stewart Stafford. All rights reserved.
Stewart Stafford
The contrast between the restrictions placed on him by his shrunken frame and his croaking speech on the one hand, and the power of his mind which allowed him to roam the outer reaches of the universe on the other, provided a fertile source for many imaginative flights of fanciful prose. Moreover
Jane Hawking (Travelling to Infinity: My Life with Stephen)
As she wrote her pulse quickened to the pleasure of forming the phrases,--her blood warmed to the joy of the working. She was experiencing a return of the familiar sensation of happiness in constructing. Quite suddenly, in fancy she caught in the far distance a glimpse of silver wings. It gave her a warm thrill of gratification too deep for words. Immediately she knew through some inner consciousness, that no matter what the future would hold--joy or sorrow, happiness or grief--that no matter where life's paths would lead her--through sharp and stony ways or beside still waters--buried deep within her was an indestructible capacity to visualize a white bird flying. She might never get close to the way of its winging, but always there would be joy in lifting her eyes to the glory of its distant flight.
Bess Streeter Aldrich (A White Bird Flying)
It’s an often repeated lie that familial bonds are the strongest. Some swear by them. Some claim an other-worldly connection with their siblings or nonsense of that order. These can be dismissed as flights of fancy. Artifices of civilization. In the wild, animals often exhibit what we would perceive as familial love. Some wild cats will grow up nurtured by their mothers, surrounded by their siblings, but should one stray from the pack for too long and attempt to rejoin, it will be summarily eaten or maimed by its ‘family.’ It’s no longer a part of them. The blood connection is irrelevant, what matters is the perception of the group. Conversely, there have been recorded instances of unfaithful wives giving birth to children from a man other than her husband. The father, oblivious to the indiscretion, loves the child as if it were his own. Would that love fade if he found out the truth? Who do you love more, your brother or your best friend? What if your brother tried to kill you, who then? Here, then, is my twentieth truth: “Do not trust in blood, trust only in yourself." In the end, that is all you have.
Cameron M. Hayden (The Stars That Form Us (The Arclight Saga #2))
No fickleness in flight like that of wind or women’s fancy,
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
I’m glad you’re back from your whirlwind flight of fancy with His Highness. Come to my chamber tomorrow evening at 10.00 P.M..” With that summons, he dismissed us.
Young (Unbridled (A Harem Boy's Saga, #2))
She now discovered amidst them, the poet's flights of fancy, and the historian's seldom pleasing—ever instructive page. The first may transmit to posterity the records of a sublime genius, which once flashed in strong, but transient rays, through the tenement of clay it was given a moment to inhabit: and though the tenement decayed and the spirit fled, the essence of a mind which darted through the universe to cull each created and creative image to enrich an ever-varying fancy, is thus snatched from oblivion, and retained, spite of nature, amidst the mortality from which it has struggled, and is freed. The page of the historian can monarchs behold, and not offer up the sceptre to be disencumbered of the ponderous load that clogs their elevation! Can they read of armies stretch upon the plain, provinces laid waste, and countries desolated, and wish to be the mortal whose vengeance, or whose less fierce, but fatal decision sent those armies forth!
Mary Charlton (The Pirate of Naples)
You should really restrict these flights of fancy to your fiction, where I can redline them on grounds of verbosity and excessive allusion.
M. Pierce (Night Owl (Night Owl, #1))
Ruth: Grounding Bondi's flights of fancy By Daniel Ruth, Times Columnist | 722 words Could this be the final call for Pam Bondi's reign as the attorney general of feedbags? For the past four years, Bondi has used her office as if it were a subsidiary of Expedia, jetting off hither and yon to attend fancy-pants soirees at resorts and hotels that were organized by the Republican Attorneys General Association. She was so good at navigating the buffet line, the group named her its president (or is it Dom Perignon-in-chief?) for 2015.
Anonymous
One lesson is that to understand what is happening we should attend not only to critical events of the real world, often dismissed from history, but also to what leaders and elite opinion believe, however tinged with fantasy. Another lesson is that alongside the flights of fancy concocted to terrify and mobilize the public (and perhaps believed by some who are trapped in their own rhetoric), there
Noam Chomsky (Who Rules the World? (American Empire Project))
I have become far better satisfied with myself. For we are so constituted by nature, that we are ever prone to compare ourselves with others; and our happiness or misery depends very much on the objects and persons around us. On this account nothing is more dangerous than solitude; there our imagination, always disposed to rise, taking a new flight on the wings of fancy, pictures to us a chain of beings of whom we seem the most inferior. All things appear greater than they really are, and all seem superior to us. This operation of the mind is quite natural; we so continually feel our own imperfections, and fancy we perceive in others the qualities we do not possess, attributing to them also all that we enjoy ourselves, that by this process we form the idea of a perfect, happy man,--a man, however, who only exists in our own imagination. But
William Allan Neilson (The Harvard Classics Shelf of Fiction - German German Fiction Selected by Charles W. Eliot, LL.D.)
Men often talked about a woman's intuition. Ostensibly it sounded complimentary and yet its intention was usually patronising and dismissive: a term for irrational flights of fancy that these silly creatures would occasionally dream up from nowhere. Sarah understood the true nature of what they were describing. It was not irrational, and nor was it a mystical sixth sense resultant of a unique feminine sensitivity. It was a simple, practical consequence of observation. When you put them in a room, women paid attention to the subtle signs people were sending, while the men concerned themselves only with the impression they were making.
Ambrose Parry (The Art of Dying (Raven, Fisher, and Simpson, #2))
Well, here’s a tip,” she said. “In the human plane, we don’t insult people we like.” She paused, recalling how she twitted Mariel for her flights of fancy and how Themmie sometimes called Calladia “Rocky Balboa.” “Or at least, we say it like a joke.” She replayed her words, then hurried to clarify. “Not that you like me, of course. But there are better ways to express respect for your enemies. Or whatever.” “Noted.” Astaroth fell in beside her. A few awkward moments passed before he spoke again. “So, my warrior queen, where are we going?
Sarah Hawley (A Demon's Guide to Wooing a Witch (Glimmer Falls Book 2))
All boundaries are challenged by those that neighbour them. Even divides as certain as truth or fiction become fraught on close inspection. The library contains novels written in the style of a historian, leading the unwary down rabbit holes into imaginary pasts wherein sabbers built great cities and dwelt within them, aping the habits of man. Obviously, such flights of fancy are unlikely to mislead any but the most foolish reader, but other variations on the truth may be sufficiently plausible to trick even the most erudite. Know Your Library, by Axon Bloom
Mark Lawrence
I know you and Lloyd enjoy the idea of a ghost and that sort of silliness, but a sick old lady isn’t going to understand your flights of fancy—or appreciate them!” Enjoy! Sarah thought indignantly. Flights of fancy! What would her mother say if she saw the porcelain shepherd moving across the dresser top!
Betty Ren Wright (A Ghost in the House)
Neither Judaism nor Eastern Christianity has ever held to the doctrine of original sin; they simply do not believe that the choice of Adam and Eve permanently altered the nature of all human beings. And ministers and scholars across the theological spectrum have long questioned the notion that Genesis 3 describes a single, historic moment in which humankind somehow lost its connection to God. Such a reading relies on flights of theological fancy far beyond the text itself and diminishes what is established in the first chapter of Genesis- that God created the world out of love, blessed it and called it good, and impressed upon each person the very image and likeness of the divine.
Rachel Held Evans (Wholehearted Faith)
man is sometimes a strange creature, very strange. And saints above! He sometimes really gets carried away by the things he talks about! And what comes of that, what follows from it? Absolutely nothing follows from it, and what comes of it is such rubbish that the Lord preserve us from it! I am not angry, little mother;it is simply that it is very annoying to remember it all, annoying to think that I wrote such fanciful, stupid things to you. And I went to the office today such a strutting dandy, too; there was such a radiance in my heart. For no good reason I felt in a holiday mood; I felt cheerful! I set to work on my papers with zeal – but what came of that? When I looked around me a bit later, everything was just the same as before –grey and dingy. The same blotches of ink, the same desks and papers,and I, too, the same; as I had been, so exactly had I remained – so what had been the point of my flight on Pegasus? And what had been the cause of it all? The glimmer of sunshine and the bit of blue sky there had been? Was that it? And what kind of scents could there have been, when goodness only knows what may be lurking beneath our windows! All that was evidently the product of my foolish imaginings. After all, it does sometimes happen that a person goes astray in his feelings and writes down nonsense. It is caused by nothing other than excessive, stupid warmth of heart.
Fyodor Dostoyevsky (Poor Folk and Other Stories (Penguin Classics))
That is why we love chess! We like the game for its boundless possibilities, for its bold flights of fancy, for the wide scope it offers for the seeking and inventive mind. That is why we call chess an art.
Alexander Kotov (Think Like a Grandmaster)
The Bright Lights of Sarajevo After the hours that Sarajevans pass queuing with empty canisters of gas to get the refills they wheel home in prams, or queuing for the precious meagre grams of bread they’re rationed to each day, and often dodging snipers on the way, or struggling up sometimes eleven flights of stairs with water, then you’d think the nights of Sarajevo would be totally devoid of people walking streets Serb shells destroyed, but tonight in Sarajevo that’s just not the case The young go walking at stroller’s pace, black shapes impossible to mark as Muslim, Serb or Croat in such dark, in unlit streets you can’t distinguish who calls bread hjleb or hleb or calls it kruh. All take the evening air with stroller’s stride no torches guide them, but they don’t collide except as one of the flirtatious ploys when a girl’s dark shape is fancied by a boy’s. Then the tender radar of the tone of voice shows by its signals she approves his choice. Then match or lighter to a cigarette to check in her eyes if he’s made progress yet. And I see a pair who’ve certainly progressed beyond the tone of voice and match-flare test and he’s about, I think, to take her hand and lead her away from where they stand on two shell scars, where, in ‘92 Serb mortars massacred the breadshop queue and blood-dunked crusts of shredded bread lay on this pavement with the broken dead. And at their feet in holes made by the mortar that caused the massacre, now full of water from the rain that’s poured down half the day, though now even the smallest clouds have cleared away leaving the Sarajevo star-filled evening sky ideally bright and clear for bomber’s eye in those two rain-full shell-holes the boy sees fragments of the splintered Pleiades, sprinkled on those death-deep, death-dark wells splashed on the pavement by Serb mortar shells. The dark boy-shape leads dark girl-shape away to share one coffee in a candlelit café until the curfew, and he holds her hand behind AID flour-sacks refilled with sand
Tonny Harrison
The Bright Lights of Sarajevo After the hours that Sarajevans pass queuing with empty canisters of gas to get the refills they wheel home in prams or queuing for the precious meagre grams of bread they’re rationed to each day, and often dodging snipers on the way, or struggling up sometimes eleven flights of stairs with water, then you’d think the nights of Sarajevo would be totally devoid of people walking streets Serb shells destroyed, but tonight in Sarajevo that’s just not the case – The young go walking at stroller’s pace black shapes impossible to mark as Muslim, Serb or Croat in such dark in unlit streets you can’t distinguish who calls bread hjleb or hleb or calls it kruh. All take the evening air with stroller’s stride no torches guide them, but they don’t collide except as one of the flirtatious ploys when a girl’s dark shape is fancied by a boy’s. Then the tender radar of the tone of voice shows by its signals she approves his choice. Then match or lighter to a cigarette to check in her eyes if he’s made progress yet. And I see a pair who’ve certainly progressed beyond the tone of voice and match-flare test and he’s about, I think, to take her hand and lead her away from where they stand on two shell scars, where, in 1992 Serb mortars massacred the breadshop queue and blood-dunked crusts of shredded bread lay on this pavement with the broken dead. And at their feet in holes made by the mortar that caused the massacre, now full of water from the rain that’s poured down half the day, though now even the smallest clouds have cleared away leaving the Sarajevo star-filled evening sky ideally bright and clear for bomber’s eye in those two rain-full shell-holes the boy sees fragments of the splintered Pleiades, sprinkled on those death-deep, death-dark wells splashed on the pavement by Serb mortar shells. The dark boy-shape leads dark girl-shape away to share one coffee in a candlelit café until the curfew, and he holds her hand behind AID flour-sacks refilled with sand.
Tonny Harrison