Flight View Quotes

They all attended Hester's church, which Dellarobia viewed as a complicated pyramid scheme of moral debt and credit resting ultimately on the shoulders of the Lord, but rife with middle managers.

No matter how many heavy-metal album covers you’ve seen, how many Hieronymus Bosch prints of the tortures of Hell, or even the scene in Indiana Jones where the Nazi’s face melts off, you cannot be prepared to view a body being cremated. Seeing a flaming human skull is intense beyond your wildest flights of imagination.

The attempt to see through eyes that are not your own. To understand that your way of looking at the world is not the only one. To think what it might mean to love those that are not like you. To rejoice in the complexity of things.

Algebra applies to the clouds, the radiance of the star benefits the rose--no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small. All is balanced in necessity; frightening vision for the mind. There are marvelous relations between beings and things, in this inexhaustible whole, from sun to grub, there is no scorn, each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of the earthworm, and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has a greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars. The same promiscuity, and still more wonderful, between the things of the intellect and material things. Elements and principles are mingled, combined, espoused, multiplied one by another, to the point that the material world, and the moral world are brought into the same light. Phenomena are perpetually folded back on themselves. In the vast cosmic changes, universal life comes and goes in unknown quantities, rolling everything up in the invisible mystery of the emanations, using everything, losing no dream from any single sleep, sowing a microscopic animal here, crumbling a star there, oscillating and gyrating, making a force of light, and an element of thought, disseminated and indivisible dissolving all, that geometric point, the self; reducing everything to the soul-atom; making everything blossom into God; entangling from the highest to the lowest, all activities in the obscurity of a dizzying mechanism, linking the flight of an insect to the movement of the earth, subordinating--who knows, if only by the identity of the law--the evolutions of the comet in the firmament to the circling of the protozoa in the drop of water. A machine made of mind. Enormous gearing, whose first motor is the gnat, and whose last is the zodiac.

Design a flight of stairs for the day a nervous bride descends them. Shape a window to frame a view of a specific tree on a perfect day in autumn.

I acknowledged Gabe and his attempts at flight the way a legless child might view a hopeful but misguided parent buying a house full of stairs. After a while, when Gabe offered me a morning greeting, it didn't feel like he was greeting me but rather a giant pair of wings; no girl, just feathers.

This was my modest dream come true: unambitious flight. The kind that never even got high enough for a view.

People come into our lives and then they go out again. The entropy law, as applied to human relations. Sometimes in their passing, though, they register an unimagined and far-reaching influence, as I suspect Hughes Rudd did upon me. There is no scientific way to discern such effects, but memory believes before knowing remembers. And the past lives coiled within the present, beyond sight, beyond revocation, lifting us up or weighting us down, sealed away--almost completely--behind walls of pearl.

On a long flight, after periods of crisis and many hours of fatigue, mind and body may become disunited until at times they seem completely different elements, as though the body were only a home with which the mind has been associated but by no means bound. Consciousness grows independent of the ordinary senses. You see without assistance from the eyes, over distances beyond the visual horizon. There are moments when existence appears independent even of the mind. The importance of physical desire and immediate surroundings is submerged in the apprehension of universal values. For unmeasurable periods, I seem divorced from my body, as though I were an awareness spreading out through space, over the earth and into the heavens, unhampered by time or substance, free from the gravitation that binds to heavy human problems of the world. My body requires no attention. It's not hungry. It's neither warm or cold. It's resigned to being left undisturbed. Why have I troubled to bring it here? I might better have left it back at Long Island or St. Louis, while the weightless element that has lived within it flashes through the skies and views the planet. This essential consciousness needs no body for its travels. It needs no plane, no engine, no instruments, only the release from flesh which circumstances I've gone through make possible. Then what am I – the body substance which I can see with my eyes and feel with my hands? Or am I this realization, this greater understanding which dwells within it, yet expands through the universe outside; a part of all existence, powerless but without need for power; immersed in solitude, yet in contact with all creation? There are moments when the two appear inseparable, and others when they could be cut apart by the merest flash of light. While my hand is on the stick, my feet on the rudder, and my eyes on the compass, this consciousness, like a winged messenger, goes out to visit the waves below, testing the warmth of water, the speed of wind, the thickness of intervening clouds. It goes north to the glacial coasts of Greenland, over the horizon to the edge of dawn, ahead to Ireland, England, and the continent of Europe, away through space to the moon and stars, always returning, unwillingly, to the mortal duty of seeing that the limbs and muscles have attended their routine while it was gone.

A feather when viewed separately may seem like only a feather, But when seen through the eyes of truth it is a sacred instrument that lifts a bird in flight.

In a nutshell, mindfulness is the ability to recognize what is happening in your mind right now—anger, jealousy, sadness, the pain of a stubbed toe, whatever—without getting carried away by it. According to the Buddha, we have three habitual responses to everything we experience. We want it, reject it, or we zone out. Cookies: I want. Mosquitoes: I reject. The safety instructions the flight attendants read aloud on an airplane: I zone out. Mindfulness is a fourth option, a way to view the contents of our mind with nonjudgmental remove.

She lacks mystery; and the charm people have who withdraw, and don't care to coin their views. One figures her always in flight; so much determined to embrace everything that she fails.

most cherished desires of present-day Westerners are shaped by romantic, nationalist, capitalist and humanist myths that have been around for centuries. Friends giving advice often tell each other, ‘Follow your heart.’ But the heart is a double agent that usually takes its instructions from the dominant myths of the day, and the very recommendation to ‘follow your heart’ was implanted in our minds by a combination of nineteenth-century Romantic myths and twentieth-century consumerist myths. The Coca-Cola Company, for example, has marketed Diet Coke around the world under the slogan ‘Diet Coke. Do what feels good.’ Even what people take to be their most personal desires are usually programmed by the imagined order. Let’s consider, for example, the popular desire to take a holiday abroad. There is nothing natural or obvious about this. A chimpanzee alpha male would never think of using his power in order to go on holiday into the territory of a neighbouring chimpanzee band. The elite of ancient Egypt spent their fortunes building pyramids and having their corpses mummified, but none of them thought of going shopping in Babylon or taking a skiing holiday in Phoenicia. People today spend a great deal of money on holidays abroad because they are true believers in the myths of romantic consumerism. Romanticism tells us that in order to make the most of our human potential we must have as many different experiences as we can. We must open ourselves to a wide spectrum of emotions; we must sample various kinds of relationships; we must try different cuisines; we must learn to appreciate different styles of music. One of the best ways to do all that is to break free from our daily routine, leave behind our familiar setting, and go travelling in distant lands, where we can ‘experience’ the culture, the smells, the tastes and the norms of other people. We hear again and again the romantic myths about ‘how a new experience opened my eyes and changed my life’. Consumerism tells us that in order to be happy we must consume as many products and services as possible. If we feel that something is missing or not quite right, then we probably need to buy a product (a car, new clothes, organic food) or a service (housekeeping, relationship therapy, yoga classes). Every television commercial is another little legend about how consuming some product or service will make life better. 18. The Great Pyramid of Giza. The kind of thing rich people in ancient Egypt did with their money. Romanticism, which encourages variety, meshes perfectly with consumerism. Their marriage has given birth to the infinite ‘market of experiences’, on which the modern tourism industry is founded. The tourism industry does not sell flight tickets and hotel bedrooms. It sells experiences. Paris is not a city, nor India a country – they are both experiences, the consumption of which is supposed to widen our horizons, fulfil our human potential, and make us happier. Consequently, when the relationship between a millionaire and his wife is going through a rocky patch, he takes her on an expensive trip to Paris. The trip is not a reflection of some independent desire, but rather of an ardent belief in the myths of romantic consumerism. A wealthy man in ancient Egypt would never have dreamed of solving a relationship crisis by taking his wife on holiday to Babylon. Instead, he might have built for her the sumptuous tomb she had always wanted. Like the elite of ancient Egypt, most people in most cultures dedicate their lives to building pyramids. Only the names, shapes and sizes of these pyramids change from one culture to the other. They may take the form, for example, of a suburban cottage with a swimming pool and an evergreen lawn, or a gleaming penthouse with an enviable view. Few question the myths that cause us to desire the pyramid in the first place.

I have always believed reincarnation to be true. This will go on and on until one discovers oneself. But at times, my thinking deviates a bit from eastern philosophy. I don’t think our bad karmas would make us cockroaches, rats, pigs, etc., in our next lives. I am of the view that achieving Moksha isn’t possible unless we experience everything that could be experienced. I have to experience oppression, but I also have to oppress. I have to be a sparrow to experience the joy of flight. I have to be a bee to experience colours beyond the visible spectrum. And I have to be a dog to hear ultrasonic sounds. Do you get it? I have to experience everything to achieve moksha. Becoming a bee in the next life is not the result of my bad Karma. It is instead a stepping stone. The path to ascension has to be a spiral. Not round and round. Every decision of mine has to lead there. Every step has to lead me towards self-actualization.

He hoped these students would learn how to be at home in the desert, not how to conquer it; and he hoped that, in the process, they might discover the spiritual value of quietude.

The free spirit again draws near to life - slowly, to be sure, almost reluctantly, almost mistrustfully. It again grows warmer about him, yellower as it were; feeling and feeling for others acquire depth, warm breezes of all kind blow across him. It seems to him as if his eyes are only now open to what is close at hand. he is astonished and sits silent: where had he been? These close and closest things: how changed they seem! what bloom and magic they have acquired! He looks back gratefully - grateful to his wandering, to his hardness and self-alienation, to his viewing of far distances and bird-like flights in cold heights. What a good thing he had not always stayed "at home," stayed "under his own roof" like a delicate apathetic loafer! He had been -beside himself-: no doubt about that. Only now does he see himself - and what surprises he experiences as he does so! What unprecedented shudders! What happiness even in the weariness, the old sickness, the relapses of the convalescent! How he loves to sit sadly still, to spin out patience, to lie in the sun! Who understands as he does the joy that comes in winter, the spots of sunlight on the wall! They are the most grateful animals in the world, also the most modest, these convalescents and lizards again half-turned towards life: - there are some among them who allow no day to pass without hanging a little song of praise on the hem of its departing robe. And to speak seriously: to become sick in the manner of these free spirits, to remain sick for a long time and then, slowly, slowly, to become healthy, by which I mean "healthier," is a fundamental cure for all pessimism.

Don't get involved in partial problems, but always take flight to where there is a free view over the whole single great problem, even if this view is still not a clear one

You never speak about yourself without loss. Your self-condemnation is always accredited, your self-praise discredited. There may be some people of my temperament, I who learn better by contrast than by example, and by flight than by pursuit. This was the sort of teaching that Cato the Elder had in view when he said that the wise have more to learn from the fools than the fools from the wise; and also that ancient lyre player who, Pausanias tells us, was accustomed to force his pupils to go hear a bad musician who lived across the way, where they might learn to hate his discords and false measures.

Join the mob or go for what you want. Give yourself plenty of quiet time alone in order to get in touch with who you are...Focus power of thought. Remind yourself that the world is yours for the asking. The non-risker does not grow, you just get older. When you have decided which ideas, beliefs, relationships, and situations no longer work for you, it is time to release them. Let go of negative thoughts - view them as a flight of birds crossing your path. See them fly into view and continue on their way.' - from Joan Root's diary

No, on the outside view there was nothing for anyone to notice about me. I remained one pillar of a trinity, another pillar was lying only temporarily (temporarily! temporarily! temporarily!) in the hospital, I was the pilot of a three-engine aircraft, one of whose engines had stalled: there is no reason to panic, this is not a crash landing, the pilot has thousands of flight hours behind him, he will land the plane safely on the ground.

What was he doing during the trip? What was he thinking about? As he had during the morning, he watched the trees go by, the thatched roofs, the cultivated fields, and the dissolving views of the countryside that change at every turn of the road. Scenes like that are sometimes enough for the soul, and almost eliminate the need for thought. To see a thousand objects for the first and last time, what could be more profoundly melancholy? Traveling is a constant birth and death. It may be that in the murkiest part of his mind, he was drawing a comparison between these changing horizons and human existence. All aspects of life are in perpetual flight before us. Darkness and light alternate: after a flash, an eclipse; we look, we hurry, we stretch out our hands to seize what is passing; every event is a turn in the road; and suddenly we are old. We feel a slight shock, everything is black, we can make out a dark door, the gloomy horse of life that was carrying us stops, and we see a veiled and unknown form that turns him out into the darkness. (pg. 248)

We treat each other with exceeding courtesy; we says, it’s great to see you after all these years. Our tigers drink milk. Our hawks tread the ground. Our sharks have all drowned. Our wolves yawn beyond the open cage. Our snakes have shed their lightning, our apes their flights of fancy, our peacocks have renounced their plumes. The bats flew out of our hair long ago. We fall silent in mid-sentence, all smiles, past help. Our humans don’t know how to talk to one another.

A journalist's job is to collect information," Ovid said to Pete. "Nope," Pete said. "That's what we do. It's not what they do." Dellarobia was unready to be pushed out of the conversation just like that. "Then what do you think the news people drive their Jeeps all the way out here for?" "To shore up the prevailing view of their audience and sponsors." "Pete takes a dim view of his fellow humans," Ovid said. "He prefers insects. Dellarobia turned her chair halfway around to face Pete, scraping noisily against the cement floor. "You're saying people only tune in to news they know they're going to agree with?" "Bingo," said Pete.

I acknowledged Gabe and his attempts at flight the way a legless child might view a hopeful but misguided parent buying a house full of stairs.

There are two points of view in the world: the frog’s perspective and bird’s-eye view. Any point in between just leads to chaos.

A structure located in the left and right sides of the brain, called the amygdala—a key hot spot for triggering strong emotions such as anger and rage, and linked to the fight-or-flight response—showed well over a 60 percent amplification in emotional reactivity in the participants who were sleep-deprived. In contrast, the brain scans of those individuals who were given a full night’s sleep evinced a controlled, modest degree of reactivity in the amygdala, despite viewing the very same images. It was as though, without sleep, our brain reverts to a primitive pattern of uncontrolled reactivity. We produce unmetered, inappropriate emotional reactions, and are unable to place events into a broader or considered context.

Later (swifts) gather higher in the sky...And then, all at once, as if summoned by a call or a bell, they rise higher and higher until they disappear from view. These ascents are called vesper flights....Vespers are evening devotional prayers, the last and the most solemn of the day, and I have always thought 'vesper flights' the most beautiful phrase, an ever-falling blue.

Whereas we’d once believed that the symptoms and behavior exhibited by our clients primarily reflected their psychological defenses—a view that attributed a degree of intentionality, no matter how unconscious—now, we better understood the symptoms as manifestations of instinctive brain and bodily survival responses. We understood that sympathetic activation fuels anxiety and rage, parasympathetic dominance causes shutdown and passive-aggressive behavior, flight responses spur fleeing the therapist’s office, and fight responses lead to verbal or physical aggression or violence turned against the self. When clients self-harm, for example, these days, we understand their actions to be instinctive, rather than thought out—an effort to regulate or relieve, rather than punish.

I am doubtful myself about the undertaking. Part of the attraction of the L.R. is, I think, due to the glimpses of a large history in the background: an attraction like that of viewing far off an unvisited island, or seeing the towers of a distant city gleaming in a sunlit mist. To go there is to destroy the magic, unless new unattainable vistas are again revealed. Also many of the older legends are purely 'mythological', and nearly all are grim and tragic: a long account of the disasters that destroyed the beauty of the Ancient World, from the darkening of Valinor to the Downfall of Numenor and the flight of Elendil.

167 It’s one of those days when the monotony of everything oppresses me like being thrown into jail. The monotony of everything is merely the monotony of myself, however. Each face, even if seen just yesterday, is different today, because today isn’t yesterday. Each day is the day it is, and there was never another one like it in the world. Only our soul makes the identification – a genuinely felt but erroneous identification – by which everything becomes similar and simplified. The world is a set of distinct things with varied edges, but if we’re near-sighted, it’s a continual and indecipherable fog. I feel like fleeing. Like fleeing from what I know, fleeing from what’s mine, fleeing from what I love. I want to depart, not for impossible Indias or for the great islands south of everything, but for any place at all – village or wilderness – that isn’t this place. I want to stop seeing these unchanging faces, this routine, these days. I want to rest, far removed, from my inveterate feigning. I want to feel sleep come to me as life, not as rest. A cabin on the seashore or even a cave in a rocky mountainside could give me this, but my will, unfortunately, cannot. Slavery is the law of life, and it is the only law, for it must be observed: there is no revolt possible, no way to escape it. Some are born slaves, others become slaves, and still others are forced to accept slavery. Our faint-hearted love of freedom – which, if we had it, we would all reject, unable to get used to it – is proof of how ingrained our slavery is. I myself, having just said that I’d like a cabin or a cave where I could be free from the monotony of everything, which is the monotony of me – would I dare set out for this cabin or cave, knowing from experience that the monotony, since it stems from me, will always be with me? I myself, suffocating from where I am and because I am – where would I breathe easier, if the sickness is in my lungs rather than in the things that surround me? I myself, who long for pure sunlight and open country, for the ocean in plain view and the unbroken horizon – could I get used to my new bed, the food, not having to descend eight flights of stairs to the street, not entering the tobacco shop on the corner, not saying good-morning to the barber standing outside his shop? Everything that surrounds us becomes part of us, infiltrating our physical sensations and our feeling of life, and like spittle of the great Spider it subtly binds us to whatever is close, tucking us into a soft bed of slow death which is rocked by the wind. Everything is us, and we are everything, but what good is this, if everything is nothing? A ray of sunlight, a cloud whose shadow tells us it is passing, a breeze that rises, the silence that follows when it ceases, one or another face, a few voices, the incidental laughter of the girls who are talking, and then night with the meaningless, fractured hieroglyphs of the stars.

Some guns were fired to give notice that the departure of the balloon was near. ... Means were used, I am told, to prevent the great balloon's rising so high as might endanger its bursting. Several bags of sand were taken on board before the cord that held it down was cut, and the whole weight being then too much to be lifted, such a quantity was discharged as would permit its rising slowly. Thus it would sooner arrive at that region where it would be in equilibrio with the surrounding air, and by discharging more sand afterwards, it might go higher if desired. Between one and two o'clock, all eyes were gratified with seeing it rise majestically from above the trees, and ascend gradually above the buildings, a most beautiful spectacle. When it was about two hundred feet high, the brave adventurers held out and waved a little white pennant, on both sides of their car, to salute the spectators, who returned loud claps of applause. The wind was very little, so that the object though moving to the northward, continued long in view; and it was a great while before the admiring people began to disperse. The persons embarked were Mr. Charles, professor of experimental philosophy, and a zealous promoter of that science; and one of the Messrs Robert, the very ingenious constructors of the machine. {While U.S. ambassador to France, writing about witnessing, from his carriage outside the garden of Tuileries, Paris, the first manned balloon ascent using hydrogen gas by Jacques Charles on the afternoon of 1 Dec 1783. A few days earlier, he had watched the first manned ascent in Montgolfier's hot-air balloon, on 21 Nov 1783.}

I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come. St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks. "All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same. This is the moment we're supposed to hug. For some reason,I can't do it. "Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay." He smiles softly. "Thanks.I'll tell her." "Call me?" "Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair." "Ha! So you are English!" I poke him in the stomach. He grabs my hand and we wrestle, laughing. "I claim....no...nationality." I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs. "Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear. I rub my shins. "It's okay, we're in the way. I should go." Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens. We pull apart. "Have fun at the show tonight" he says. "I will.Have a good flight." "Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down. He's lost from view. I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.

The laws of nature are a description of how things actually work in the past, present and future. In tennis, the ball always goes exactly where they say it will. And there are many other laws at work here too. They govern everything that is going on, from how the energy of the shot is produced in the players’ muscles to the speed at which the grass grows beneath their feet. But what’s really important is that these physical laws, as well as being unchangeable, are universal. They apply not just to the flight of a ball, but to the motion of a planet, and everything else in the universe. Unlike laws made by humans, the laws of nature cannot be broken—that’s why they are so powerful and, when seen from a religious standpoint, controversial too. If you accept, as I do, that the laws of nature are fixed, then it doesn’t take long to ask: what role is there for God? This is a big part of the contradiction between science and religion, and although my views have made headlines, it is actually an ancient conflict. One could define God as the embodiment of the laws of nature. However, this is not what most people would think of as God. They mean a human-like being, with whom one can have a personal relationship. When you look at the vast size of the universe, and how insignificant and accidental human life is in it, that seems most implausible.

Of the poetical parts of the Bible, that are called prophecies, I have spoken in the former part of 'The Age of Reason,' and already in this, where I have said that the word for prophet is the Bible-word for Poet, and that the flights and metaphors of those poets, many of which have become obscure by the lapse of time and the change of circumstances, have been ridiculously erected into things called prophecies, and applied to purposes the writers never thought of. When a priest quotes any of those passages, he unriddles it agreeably to his own views, and imposes that explanation upon his congregation as the meaning of the writer. The whore of Babylon has been the common whore of all the priests, and each has accused the other of keeping the strumpet; so well do they agree in their explanations.

WOMEN Well, I'll relate a rival fable just to show to you A different point of view: There was a rough-hewn fellow, Timon, with a face That glowered as through a thorn-bush in a wild, bleak place. He too decided on flight, This very Furies' son, All the world's ways to shun And hide from everyone, Spitting out curses on all knavish men to left and right. But though he reared this hate for men, He loved the women even then, And never thought them enemies. WOMAN O your jaw I'd like to break. MAN

At thirty-three the Whammer still enjoyed exceptional eyesight. He saw the ball spin off Roy's fingertips and it reminded him of a white pigeon he had kept as a boy, that he would send into flight by flipping it into the air. The ball flew at him and he was conscious of its bird-form and white flapping wings, until it suddenly disappeared from view. He heard a noise like the bang of a firecracker at his feet and Sam had the ball in his mitt. Unable to believe his ears he heard Mercy intone a reluctant strike.

Communal narcissists may seem like they care very much about people facing challenges around the world—and be the first to jump on a flight to dig a well or help hurricane victims—but, in their own life, they can have all of the usual narcissistic relationship patterns, including detachment, lack of empathy, entitlement, and anger. This juxtaposition can be very confusing for partners, family, and friends, who see these people being viewed by the world as the great givers, yet, at home, they are anything but.

The ground is unrelenting. We can leave it — and that’s its own kind of shock, an elated rush of triumph. Flight is easy when it’s beautiful. It’s easy when it’s washed in the calm, golden glow of sunsets, and our view is vast, and we are in the company of clouds and vultures and our friends who can also fly. But we must come back down. When the impact is ugly, demeaning, when it slows down time and splits your senses, you don’t just have to come down, you have to come back together, and then you have to hike back up and take off again, now knowing more precisely what you risk.

Something is happening in Memphis; something is happening in our world. And you know, if I were standing at the beginning of time, with the possibility of taking a kind of general and panoramic view of the whole of human history up to now, and the Almighty said to me, "Martin Luther King, which age would you like to live in?" I would take my mental flight by Egypt and I would watch God's children in their magnificent trek from the dark dungeons of Egypt through, or rather across the Red Sea, through the wilderness on toward the promised land. And in spite of its magnificence, I wouldn't stop there. I would move on by Greece and take my mind to Mount Olympus. And I would see Plato, Aristotle, Socrates, Euripides and Aristophanes assembled around the Parthenon. And I would watch them around the Parthenon as they discussed the great and eternal issues of reality. But I wouldn't stop there. I would go on, even to the great heyday of the Roman Empire. And I would see developments around there, through various emperors and leaders. But I wouldn't stop there. I would even come up to the day of the Renaissance, and get a quick picture of all that the Renaissance did for the cultural and aesthetic life of man. But I wouldn't stop there. I would even go by the way that the man for whom I am named had his habitat. And I would watch Martin Luther as he tacked his ninety-five theses on the door at the church of Wittenberg. But I wouldn't stop there. I would come on up even to 1863, and watch a vacillating President by the name of Abraham Lincoln finally come to the conclusion that he had to sign the Emancipation Proclamation. But I wouldn't stop there. I would even come up to the early thirties, and see a man grappling with the problems of the bankruptcy of his nation. And come with an eloquent cry that we have nothing to fear but "fear itself." But I wouldn't stop there.

But you are a cad and I am a lady,” I breathed. “We are as unlikely as a fish and a dandelion finding truest love.” “Well this fish would grow legs and crawl from the water to sit with you, dandelion.” My throat bobbed and my fingers stilled in the dough.  “And what if the wind blows and my seeds take flight?” I murmured. “Then I would grow wings and follow you to the moon,” he replied. “Because nothing in this world means more to me than you do, Gerry. And there are no differences we can’t overcome to be together.” I turned my head, my eyes cracking open and swimming with tears that revealed a watery view of his handsome face.  “Then meet me on the moon,” I breathed,

A more serious consequence of the illusion of control is revealed in our preference for driving over flying. At least part of this irrational—from a survival point of view—habit is due to the fact that we “feel in control” when driving, but not when flying. The probability of dying in a cross-country flight is approximately equal to the probability of dying in a 12-mile drive— in many cases, the most dangerous part of the trip is over when you reach the airport (Sivak & Flannagan, 2003). Gerd Gigerenzer (2006) estimates that the post-9/11 shift from flying to driving in the United States resulted in an additional 1,500 deaths, beyond the original 3,000 immediate victims of the terrorist attacks.

As a displaced community, Tibetans often speak of learning to look to the future without forsaking tradition. And as Tibetans continue their flight from Tibet to India or Nepal and then scatter farther and farther away from the physical land of Tibet, the conversations on identity and culture become more crucial and complex. As the distance increases so does the desperation in keeping Tibet as the eventual home, our aspired home. Yet it is the loss of Tibet and its very distance that also awakens us to view patriotism and identity in new ways that are not guided solely by Buddhist philosophy. Self-assertion- an approach avoided in the past because of the Buddhist aspiration to prevent focus on the self- enters our identity as Tibetans.

For 3,000 years the most sought-after rooms were on the first floor—or the second floor if you’re an American. The piano nobile, the grand first floor, was for animals or the shop. One flight up was the master bedroom and reception rooms, and the further up you went, the lower your status. Scullery maids roosted like swallows in the eaves. But the lift brought us to the penthouse to live with the angels, the glass walls, the silent buffet of the wind, the hiss of climate control. And beneath the great, blinking panorama of the city, wall evaporated into air. No art or bookshelf could compete with the view of omnipotence, the sense of living on Parnassus, a double-glazed Valhalla. And a view suddenly had a value—real estate agents could sell something they didn’t own.

That done, we could finally relax about the baggage and start seriously to worry about the state of the plane, which was terrifying. The door to the cockpit remained open for the duration of the flight and might actually have been missing entirely. Mark told me that Air Merpati bought their planes second-hand from Air Uganda, but I think he was joking. I have a cheerfully reckless view of this kind of air travel. It rarely bothers me at all. I don’t think this is bravery, because I am frequently scared stiff in cars, particularly if I’m driving. But once you’re in an airplane, everything is completely out of your hands, so you may as well just sit back and grin manically about the grinding and rattling noises the old wreck of a plane makes as the turbulence throws it around the sky. There’s nothing you can do.

And then I see it. Azure Helicopter Tours. I drag Toraf to the landing pad. “What is that?” he asks suspiciously. “Um. It’s a helicopter.” “What does it do? Triton’s trident, it doesn’t fly does it? Emma? Emma wait!” He catches up to me and burps right in my ear. “Stop being a jerkface,” I tell him. “Whatever that is. You don’t care about me at all, do you?” “You came to me, remember? This is me helping you. Now be quiet while I buy tickets.” It’s a private ride, no other passengers to worry about. Plus, we’re not stealing anything. The helicopter can return to land with its pilot as soon as we’re done with our part of the mission. “Why do we need to fly? The water is right there.” He points to it longingly. I almost feel bad for him. Almost. But I don’t have time for pity. “Because I think these helicopters can still cover more distance faster than you can haul me. I’m trying to make up for all the time we spent at security in LAX.” “Humans are so weird,” he mutters again as I walk away. “You do everything backward.” Since this is a sightseeing flight, the pilot, Dan, a thick Hawaiian man with an even thicker accent, takes his time pointing out all the usual tourist stuff, like the fishing industry, the history of the coast, and other things I have no interest in at the moment. The view of the blue water and visible reefs, the chain of islands, and the rich culture would be breathtaking if I weren’t preoccupied with crashing a Syrena get-together. I can imagine spending time with Galen here. Exploring the reefs like no human could, playing with the tropical fish, and making Galen wear a lei. But I need to stay focused if I ever want a chance to do it.

Mathic architects were helpless when it came to walls. Pillars they could do. Arches they were fine with. Vaults, which were just three-dimensional arches, they knew everything about. But ask them to construct a simple wall and they would go to pieces. Where anyone else in the world would construct a wall, they’d fill in the space with a system of arches and tracery. When people complained about wind, vermin, and other things that would be kept out of a normal building by walls, they might be troubled to fill up a vacancy with a stained-glass window. But we hadn’t got round to putting all of those in yet. On a windy and rainy day it made buildings like this hellish. But on a day like this one it was fine because you could always see. As we scaled the flights of the southwestern tower we had views down into the Mynster, and out over the concent.

The road climbed higher into the mountains of Nikko National Park, the terraced farm fields giving way grudgingly to forests of tiny trees that seemed to be trimmed, the growth around them carefully cultivated. From a narrow defile the car was passed through a massive wooden gate that swung on a huge arch ornately carved with the figures of fierce dragons. From there a perfectly maintained road of crushed white gravel led up the valley to a broad forested ledge through which a narrow stream bubbled and plunged over the sheer edge. The view from the top was breathtaking. Perched on the far edge was a traditionally styled Japanese house, low to the ground and rambling in every direction. Tiled roofs, rice-paper screens and walls, carved beams, courtyards, broad verandas, gardens, ponds, and ancient statues and figures gave the spot an unreal air, as if it were a setting in a fairy tale

In a matter of sixty short minutes, that thing could whisk Neil away to civilization, I thought. Hmm. My goodness, that was a beautiful prospect. Somehow I had to get on that chopper with him. I packed in thirty seconds flat, everything from the past three months. I taped a white cross onto my sleeve, and raced out to where Neil was sat waiting. One chance. What the heck. Neil shook his head at me, smiling. “God, you push it, Bear, don’t you?” he shouted over the noise of the rotors. “You’re going to need a decent medic on the flight,” I replied, with a smile. “And I’m your man.” (There was at least some element of truth in this: I was a medic and I was his buddy--and yes, he did need help. But essentially I was trying to pull a bit of a fast one.) The pilot shouted that two people would be too heavy. “I have to accompany him at all times,” I shouted back over the engine noise. “His feet might fall off at any moment,” I added quietly. The pilot looked back at me, then at the white cross on my sleeve. He agreed to drop Neil somewhere down at a lower altitude, and then come back for me. “Perfect. Go. I’ll be here.” I shook his hand firmly. Let’s just get this done before anyone thinks too much about it, I mumbled to myself. And with that the pilot took off and disappeared from view. Mick and Henry were laughing. “If you pull this one off, Bear, I will eat my socks. You just love to push it, don’t you?” Mick said, smiling. “Yep, good try, but you aren’t going to see him again, I guarantee you,” Henry added. Thanks to the pilot’s big balls, he was wrong. The heli returned empty, I leapt aboard, and with the rotors whirring at full power to get some grip in the thin air, the bird slowly lifted into the air. The stall warning light kept buzzing away as we fought against gravity, but then the nose dipped and soon we were skimming over the rocks, away from base camp and down the glacier. I was out of there--and Mick was busy taking his socks off.

When we gaze sympathetically at the human condition of our 'enemies' we rather lovingly, gaze, oh so briefly, at our true moral reflection. We edge and creep ever closer to that final jump into the abyss of moral ambiguity. The tears will stream with fury as you release those bound demons from within. Then, and only then, you will SOAR. I most certainly do not guarantee that you'll find it ANY better than walking, or even yet, crawling (the view is terrifying at first -- and the wings will shame you with ANGELIC glory!) but haven't you always wanted to FLY? The prerequisites for flight are a growing of the mind's wings and the shedding of tremendous moral weight. Always inevitably, you will climb to view the entire landscape -- ascending with greater speed and pressure. And when the view of the abyss has squeezed every droplet of humanity from your heart-- when you bear and peer into the face of GOD -- I assure you, you will fall and tumble majestically through the mind's clouds, returning to homely feet, swaddled in terrible and gorgeous humanity, just as you always have, safe in bed, night-light beside, shining in the darkness.

As to the central fact in the case, it is my view that Simpson murdered his ex-wife and her friend on June 12. Any rational analysis of the events and evidence in question leads to that conclusion. This is true whether one considers evidence not presented to the jury—such as the results of Simpson’s polygraph examination and his flight with Al Cowlings on June 17—or just the evidence established in court. Notwithstanding the prosecution’s many errors, the evidence against Simpson at the trial was overwhelming. Simpson had a violent relationship with his ex-wife, and tensions between them were growing in the weeks leading up to the murders. Simpson had no alibi for the time of the murders, nor was his Bronco parked at his home during that time. Simpson had a cut on his left hand on the day after the murders, and DNA tests showed conclusively that it was Simpson’s blood to the left of the shoe prints leaving the scene. Nicole’s blood was found on a sock in his bedroom, and Goldman’s blood—as well as Simpson’s—was found in the Bronco. Hair consistent with Simpson’s was found on the killer’s cap and on Goldman’s shirt. The gloves that Nicole bought for Simpson in 1990 were almost certainly the ones used by her killer.

Jewish immigrants from Eastern Europe had settled on the Lower East Side of New York City after arriving at Ellis Island in the Upper New York Bay. Between 1881 and 1914, more than 2 million Jews—one third of the Jewish population of Eastern Europe—came to the United States in flight from poverty and persecution. At this point in America’s racial history, the Jewish immigrants were not considered white. To the contrary, as medical historian Sander Gilman notes, the “general consensus of the ethnological literature of the late nineteenth century was that the Jews were ‘black’ or, at least, ‘swarthy.’ ”27 One anthropologist of the period explained the “predominant mouth of some Jews being the result of the presence of black blood.” Most Americans viewed Jews as a biologically inferior race stricken by a host of hereditary diseases that resulted from “inbreeding” and “racial incest.”28 Tay-Sachs disease was highlighted as a racial illness demonstrating that Jews were innately degenerate. Jews were susceptible to developing Tay-Sachs, known as a “Hebraic debility,” because, according to Dr. Isador Coriat, “the Jew possesses certain racial characteristics of organic inferiority through which he differs from the non-Jew.”29 The inferior organ Coriat meant was the Jewish brain.

Being in flight is one of the most unnatural, extraordinary, ordinary experiences of modern life. When we climb to 30,000 feet, our perspective looking down at the world becomes that of a deity, and the rules of time and space are altered as we rush over the earth. In flight we are able to view the most remote corners of the natural world and the vast spread of the world we have constructed. It gives us the unique perspective to look at the interaction of the natural and constructed in a truly holistic way. In its totality, the unnatural or extraordinary experience produces great fear and excitement. We confront death a little every time the doors close – and this closeness to death intensifies the extraordinary experience of being in flight. On the other hand, our ‘in flight’ experience is filled with the most unremarkable daily activities: reading a comic book, finishing a crossword puzzle, eating, sleeping. The cabin becomes our shared world, temporally removed from the world that we’ve left back on land. What connects the ordinary and the extraordinary is a powerful trust in the human capacity to take us beyond the mundane. The plane becomes a temple of humanism, where we put faith in all that get us and keeps us up in the air – engineers, pilots, researchers, air traffic controllers – a web of people, underwritten by collective knowledge, keeping us alive, together.

Shouting didn't help. Kathy keyed her landing skids down and strangled the thruster grips onto full. A flagman on the ground dove sideways. The fighter whizzed past the man's prostrate body, her skids unfolding only feet above his head. She nearly beheaded three others as she scrambled to decrease power to her belly thrusters and fight spinning into a sideways slide. Suddenly a group of people came into view at the edge of the tarmac. “Oh shit!” She killed her belly thrusters completely. The skids hit the cement like a Boeing 747 with no tires. She slammed back into the seat. Metal screeched against cement. Everything shook like a jackhammer. The big Shimeron slued sideways then slammed her into her harness as it lurched to a halt. Every part of her including her hands shook. She took a deep breath and tried to calm her tremors enough to power down. “You did it, O’Donnell,” she said as the gyros whined down in a groan of sympathy. She removed her helmet and pushed back her flight suit hood only to have a pile of sopping wet sparkling hair flop out over her face. She swiped it away and released the canopy. A blast of cool ocean air filled the cockpit. Carefully, she peered over the side of the cockpit. Bodies lay strewn about on the ground. A few prostrate forms moved. Kathy sank down into the seat with a grimace. Great, you just killed your welcoming committee, you twit.

It is a painful irony that silent movies were driven out of existence just as they were reaching a kind of glorious summit of creativity and imagination, so that some of the best silent movies were also some of the last ones. Of no film was that more true than Wings, which opened on August 12 at the Criterion Theatre in New York, with a dedication to Charles Lindbergh. The film was the conception of John Monk Saunders, a bright young man from Minnesota who was also a Rhodes scholar, a gifted writer, a handsome philanderer, and a drinker, not necessarily in that order. In the early 1920s, Saunders met and became friends with the film producer Jesse Lasky and Lasky’s wife, Bessie. Saunders was an uncommonly charming fellow, and he persuaded Lasky to buy a half-finished novel he had written about aerial combat in the First World War. Fired with excitement, Lasky gave Saunders a record $39,000 for the idea and put him to work on a script. Had Lasky known that Saunders was sleeping with his wife, he might not have been quite so generous. Lasky’s choice for director was unexpected but inspired. William Wellman was thirty years old and had no experience of making big movies—and at $2 million Wings was the biggest movie Paramount had ever undertaken. At a time when top-rank directors like Ernst Lubitsch were paid $175,000 a picture, Wellman was given a salary of $250 a week. But he had one advantage over every other director in Hollywood: he was a World War I flying ace and intimately understood the beauty and enchantment of flight as well as the fearful mayhem of aerial combat. No other filmmaker has ever used technical proficiency to better advantage. Wellman had had a busy life already. Born into a well-to-do family in Brookline, Massachusetts, he had been a high school dropout, a professional ice hockey player, a volunteer in the French Foreign Legion, and a member of the celebrated Lafayette Escadrille flying squad. Both France and the United States had decorated him for gallantry. After the war he became friends with Douglas Fairbanks, who got him a job at the Goldwyn studios as an actor. Wellman hated acting and switched to directing. He became what was known as a contract director, churning out low-budget westerns and other B movies. Always temperamental, he was frequently fired from jobs, once for slapping an actress. He was a startling choice to be put in charge of such a challenging epic. To the astonishment of everyone, he now made one of the most intelligent, moving, and thrilling pictures ever made. Nothing was faked. Whatever the pilot saw in real life the audiences saw on the screen. When clouds or exploding dirigibles were seen outside airplane windows they were real objects filmed in real time. Wellman mounted cameras inside the cockpits looking out, so that the audiences had the sensation of sitting at the pilots’ shoulders, and outside the cockpit looking in, allowing close-up views of the pilots’ reactions. Richard Arlen and Buddy Rogers, the two male stars of the picture, had to be their own cameramen, activating cameras with a remote-control button.

For Aristotle the literary plot was analogous to the plot of the world in that both were eductions from the potency of matter. Sartre denies this for the world, and specifically denies, in the passage just referred to, that without potentiality there is no change. He reverts to the Megaric view of the matter, which Aristotle took such trouble to correct. But this is not our affair. The fact is that even if you believe in a Megaric world there is no such thing as a Megaric novel; not even Paterson. Change without potentiality in a novel is impossible, quite simply; though it is the hopeless aim of the cut-out writers, and the card-shuffle writers. A novel which really implemented this policy would properly be a chaos. No novel can avoid being in some sense what Aristotle calls 'a completed action.' This being so, all novels imitate a world of potentiality, even if this implies a philosophy disclaimed by their authors. They have a fixation on the eidetic imagery of beginning, middle, and end, potency and cause. Novels, then, have beginnings, ends, and potentiality, even if the world has not. In the same way it can be said that whereas there may be, in the world, no such thing as character, since a man is what he does and chooses freely what he does--and in so far as he claims that his acts are determined by psychological or other predisposition he is a fraud, lâche, or salaud--in the novel there can be no just representation of this, for if the man were entirely free he might simply walk out of the story, and if he had no character we should not recognize him. This is true in spite of the claims of the doctrinaire nouveau roman school to have abolished character. And Sartre himself has a powerful commitment to it, though he could not accept the Aristotelian position that it is through character that plot is actualized. In short, novels have characters, even if the world has not. What about time? It is, effectively, a human creation, according to Sartre, and he likes novels because they concern themselves only with human time, a faring forward irreversibly into a virgin future from ecstasy to ecstasy, in his word, from kairos to kairos in mine. The future is a fluid medium in which I try to actualize my potency, though the end is unattainable; the present is simply the pour-soi., 'human consciousness in its flight out of the past into the future.' The past is bundled into the en-soi, and has no relevance. 'What I was is not the foundation of what I am, any more than what I am is the foundation of what I shall be.' Now this is not novel-time. The faring forward is all right, and fits the old desire to know what happens next; but the denial of all causal relation between disparate kairoi, which is after all basic to Sartre's treatment of time, makes form impossible, and it would never occur to us that a book written to such a recipe, a set of discontinuous epiphanies, should be called a novel. Perhaps we could not even read it thus: the making of a novel is partly the achievement of readers as well as writers, and readers would constantly attempt to supply the very connections that the writer's programme suppresses. In all these ways, then, the novel falsifies the philosophy.

What are you doing here?” He wasn’t annoyed, exactly. He just seemed to find my presence unexpected, the way you might be surprised to discover your dog in the living room instead of in its crate. A different young staffer would have handled the situation gracefully. Perhaps they might have tried a high-minded approach: “I’m here to serve my country.” Or they might have kept things simple: “I’m hoping to catch typos.” Here is what I did instead. First, in a misguided effort to appear casual, I gave the leader of the free world a smile reminiscent of a serial killer who knows the jig is up. Then I said the following: “Oh, I’m just watching.” POTUS took a shallow breath through his nose. He raised his eyebrows, looked at our cameraman, and sighed. “It always makes me nervous when Litt’s around.” I’m 90 percent sure President Obama was half joking. Still, two months later, on my final POTUS trip, my stomach full of arugula and Brie, I was careful to avoid his eyes. Backstage in Detroit, POTUS went through his usual prespeech routine, shaking hands with the prompter operators and joking with personal aides. Then he stepped onstage to remind a roomful of autoworkers about the time he saved their industry seven years before. I had written plenty of auto speeches for President Obama. There was nothing especially new in this one. But as POTUS reached his closing paragraph, my eyes filled with tears. I had tried to prepare myself for each milestone: my last set of remarks for the president, my last ride in the motorcade, my last flight on Air Force One. Still, the nostalgia left me reeling. I fled the staff viewing area and found a men’s room. With my left hand, I steadied myself against the sink. With my right, I held all but the first page of my speech. You’re supposed to be an adult, I reminded myself. And adults don’t cry in front of their boss’s boss.

A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh. "Uh, too tight." He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy. The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner. After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust. He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them. Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked. "Archibald's going to love your costume," he initiated. She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever. She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.

Jones, along with the US military attaché in Indonesia, took Subandrio’s advice. He emphasized to Washington that the United States should support the Indonesian military as a more effective, long-term anticommunist strategy. The country of Indonesia couldn’t be simply broken into pieces to slow down the advance of global socialism, so this was a way that the US could work within existing conditions. This strategic shift would begin soon, and would prove very fruitful. But behind the scenes, the CIA boys dreamed up wild schemes. On the softer side, a CIA front called the Congress for Cultural Freedom, which funded literary magazines and fine arts around the world, published and distributed books in Indonesia, such as George Orwell’s Animal Farm and the famous anticommunist collection The God That Failed.33 And the CIA discussed simply murdering Sukarno. The Agency went so far as to identify the “asset” who would kill him, according to Richard M. Bissell, Wisner’s successor as deputy director for plans.34 Instead, the CIA hired pornographic actors, including a very rough Sukarno look-alike, and produced an adult film in a bizarre attempt to destroy his reputation. The Agency boys knew that Sukarno routinely engaged in extramarital affairs. But everyone in Indonesia also knew it. Indonesian elites didn’t shy away from Sukarno’s activities the way the Washington press corps protected philanderers like JFK. Some of Sukarno’s supporters viewed his promiscuity as a sign of his power and masculinity. Others, like Sumiyati and members of the Gerwani Women’s Movement, viewed it as an embarrassing defect. But the CIA thought this was their big chance to expose him. So they got a Hollywood film crew together.35 They wanted to spread the rumor that Sukarno had slept with a beautiful blond flight attendant who worked for the KGB, and was therefore both immoral and compromised. To play the president, the filmmakers (that is, Bing Crosby and his brother Larry) hired a “Hispanic-looking” actor, and put him in heavy makeup to make him look a little more Indonesian. They also wanted him bald, since exposing Sukarno—who always wore a hat—as such might further embarrass him. The idea was to destroy the genuine affection that young Sakono, and Francisca, and millions of other Indonesians, felt for the Founding Father of their country. The thing was never released—not because this was immoral or a bad idea, but because the team couldn’t put together a convincing enough film.36

In a matter of sixty short minutes, that thing could whisk Neil away to civilization, I thought. Hmm. My goodness, that was a beautiful prospect. Somehow I had to get on that chopper with him. I packed in thirty seconds flat, everything from the past three months. I taped a white cross onto my sleeve, and raced out to where Neil was sat waiting. One chance. What the heck. Neil shook his head at me, smiling. “God, you push it, Bear, don’t you?” he shouted over the noise of the rotors. “You’re going to need a decent medic on the flight,” I replied, with a smile. “And I’m your man.” (There was at least some element of truth in this: I was a medic and I was his buddy--and yes, he did need help. But essentially I was trying to pull a bit of a fast one.) The pilot shouted that two people would be too heavy. “I have to accompany him at all times,” I shouted back over the engine noise. “His feet might fall off at any moment,” I added quietly. The pilot looked back at me, then at the white cross on my sleeve. He agreed to drop Neil somewhere down at a lower altitude, and then come back for me. “Perfect. Go. I’ll be here.” I shook his hand firmly. Let’s just get this done before anyone thinks too much about it, I mumbled to myself. And with that the pilot took off and disappeared from view. Mick and Henry were laughing. “If you pull this one off, Bear, I will eat my socks. You just love to push it, don’t you?” Mick said, smiling. “Yep, good try, but you aren’t going to see him again, I guarantee you,” Henry added. Thanks to the pilot’s big balls, he was wrong. The heli returned empty, I leapt aboard, and with the rotors whirring at full power to get some grip in the thin air, the bird slowly lifted into the air. The stall warning light kept buzzing away as we fought against gravity, but then the nose dipped and soon we were skimming over the rocks, away from base camp and down the glacier. I was out of there--and Mick was busy taking his socks off. As we descended, I spotted, far beneath us, this lone figure sat on a rock in the middle of a giant boulder field. Neil’s two white “beacons” shining bright. I love it. I smiled. We picked Neil up, and in an instant we were flying together through the huge Himalayan valleys like an eagle freed. Neil and I sat back in the helicopter, faces pressed against the glass, and watched our life for the past three months become a shimmer in the distance. The great mountain faded into a haze, hidden from sight. I leaned against Neil’s shoulder and closed my eyes. Everest was gone.

Flynn lived in a shiny glass apartment tower on the water in Melbourne. The building looked like hundreds of mirrors reflecting the bright blue sky. He lived at the top of the high-rise. Kope and I stepped off the elevator and looked down the hall at Flynn’s door. We’d been silent. Nodding to each other, we sent our hearing into the apartment. With a quiet gasp, I yanked my auditory sense back to normal. Flynn was busy with company at the moment. Very busy. Kope made a low sound and closed his eyes, shaking his head as if to clear away the sounds he’d heard. My face heated and I shifted from foot to foot, fighting back the nervous smile that always wanted to surface at inappropriate times. I found a small sitting area around the corner with glass walls overlooking the city. We sat, taking in the view. When my stupid urge to smile finally settled, I braved another look at Kope and pointed to myself, using my new, limited sign-language skills to tell him I’d listen. Given the new information about his inclination for lust, it was only fair. I quickly looked away, embarrassed by the crassness of the situation. I wasn’t going to listen the whole time. I’d just pop in for a quick check. Ten minutes passed. Still busy. Half an hour passed. Busy. Forty-five minutes passed. I shook my head to let Kope know they were still at it. He fidgeted and paced, out of his normal, calm comfort zone. An hour and ten minutes passed, and I took a turn at stretching my legs. I was getting hungry. I thought we’d be through with our talk by this time. We could interrupt Flynn, but I didn’t want him to freak out in front of somebody. We needed his guest to leave so we could talk alone. At the hour and a half mark, Kope checked his watch and looked at me. I sent my hearing into the room. Oh, they weren’t in the bedroom anymore. Finally! I wiggled my hearing around until it hit the sound of running water. A shower. This was a good sign. But wait . . . nope. I shook my head, eyes wide. Was this normal? Kope did something uncharacteristic then. He grinned, giving a little huff through his nose. This elicited a small giggle from me and I pressed both hands over my mouth. It was too late, though. At this point, I wouldn’t be able to stop myself. I could feel the crazy, unfortunate amusement rising. I jumped up and ran as spritely as I could to the stairwell with Kope on my heels. We sprinted down several flights before I fell back against the wall, laughter bubbling out. It went on and on, only getting worse when Kope joined in with his deep chuckling, a joyful rumble.

You are familiar with The Decline of the West, in which Oswald Spengler takes note of the current decadence of painting, as well as literature and music, and concludes that the end of our cultural epoch has arrived. He is a philosopher, but one descended from the natural sciences. He arranges observations, he records insights and knowledge. He takes a graphic view of history. And if he sees that a line curves downward, he considers the trend a proven fact, so that zero must be reached at a particular time and place. And that moment represents the end, the decline of the West! "But his graphing has no bearing on any of my ideas and plans as architect and politician. I study the reasons why the line curves downward, and I try to remove the causes. But at the same time, I examine the reasons why at an earlier time the line curved upward! And then I set out to restore the conditions of that day, to awake anew the creative wall of that time, and to bring about a new crest in the constantly fluctuating curve of history. "No doubt about it! Our culture has entered on stagnation, it looks like old age. But the reasons for this state do not lie in the fact that it has genuinely passed its manhood, but rather that the upholders of this culture, the Germanic-European peoples, have neglected it and have turned their attention to material tasks, to technology, industry, to hunger for material possessions, to rapacity, and to an economic egocentrism that overwhelms everything else. All their thinking and striving reaches its only climax in account books and in the outward show of the worldly goods they possess. "I am overcome with disgust, a vexing scorn, when I see the way such people live and behave! [ . . . ] But thank God, it is only the top ten thousand who think along these lines. It is true that the whole of the bourgeoisie is already strongly infected and sickly. But bourgeois youth are still healthy and can be shown the way back to nature, to a higher development, to new cultural will, provided only that they do not become enmeshed in the treadmill of meaningless and wholly materialistic contemporary life, only to drown either in the cupidity of business or in the tedium of the middle-class workaday routine or in the corruption of the big city. “If we succeed in replacing the egocentric cupidity of business with a socialist communal wall and a work-affirming responsibility for the common-weal; in abolishing the tedium of middle-class workaday monotony by substituting for it the potential enjoyment of personal liberty, the beauty of nature, the splendor of our own Fatherland and the thousandfold diversity of the rest of the world; and if we put an end to the corruption of omnipresent degeneracy, bred in the warrens of buildings and on the asphalt streets of the cities of millions - then the road is clear to a new life, to a new creative will, to a new flight of the free, healthy spirit and mind. And then, my dear Herr Roselius, your bricks will form themselves into entirely new shapes all by themselves. Temples of life will be built, cathedrals of a higher cult will be raised, and even thousands of years later, the walls will bear witness to the exalted times out of which even more exalted ones were bom!” When Roselius had left Hitler’s room with me, he took my hand and said: “Wagener, I thank you for having made this hour possible. What a man! And how small we feel, concerned as we are with those things that preoccupy us! But now I know' what I have to do! In spite of my sixty years, I have only one goal: to join in the work of helping the young people and the German Volk to find internal and external freedom!

And indeed at the hotel where I was to meet Saint-Loup and his friends the beginning of the festive season was attracting a great many people from near and far; as I hastened across the courtyard with its glimpses of glowing kitchens in which chickens were turning on spits, pigs were roasting, and lobsters were being flung alive into what the landlord called the ‘everlasting fire’, I discovered an influx of new arrivals (worthy of some Census of the People at Bethlehem such as the Old Flemish Masters painted), gathering there in groups, asking the landlord or one of his staff (who, if they did not like the look of them; would recommend accommodation elsewhere in the town) for board and lodging, while a kitchen-boy passed by holding a struggling fowl by its neck. Similarly, in the big dining-room, which I had passed through on my first day here on my way to the small room where my friend awaited me, one was again reminded of some Biblical feast, portrayed with the naïvety of former times and with Flemish exaggeration, because of the quantity of fish, chickens, grouse, woodcock, pigeons, brought in garnished and piping hot by breathless waiters who slid along the floor in their haste to set them down on the huge sideboard where they were carved immediately, but where – for many of the diners were finishing their meal as I arrived – they piled up untouched; it was as if their profusion and the haste of those who carried them in were prompted far less by the demands of those eating than by respect for the sacred text, scrupulously followed to the letter but naïvely illustrated by real details taken from local custom, and by a concern, both aesthetic and devotional, to make visible the splendour of the feast through the profusion of its victuals and the bustling attentiveness of those who served it. One of them stood lost in thought by a sideboard at the end of the room; and in order to find out from him, who alone appeared calm enough to give me an answer, where our table had been laid, I made my way forward through the various chafing-dishes that had been lit to keep warm the plates of latecomers (which did not prevent the desserts, in the centre of the room, from being displayed in the hands of a huge mannikin, sometimes supported on the wings of a duck, apparently made of crystal but actually of ice, carved each day with a hot iron by a sculptor-cook, in a truly Flemish manner), and, at the risk of being knocked down by the other waiters, went straight towards the calm one in whom I seemed to recognize a character traditionally present in these sacred subjects, since he reproduced with scrupulous accuracy the snub-nosed features, simple and badly drawn, and the dreamy expression of such a figure, already dimly aware of the miracle of a divine presence which the others have not yet begun to suspect. In addition, and doubtless in view of the approaching festive season, the tableau was reinforced by a celestial element recruited entirely from a personnel of cherubim and seraphim. A young angel musician, his fair hair framing a fourteen-year-old face, was not playing any instrument, it is true, but stood dreaming in front of a gong or a stack of plates, while less infantile angels were dancing attendance through the boundless expanse of the room, beating the air with the ceaseless flutter of the napkins, which hung from their bodies like the wings in primitive paintings, with pointed ends. Taking flight from these ill-defined regions, screened by a curtain of palms, from which the angelic waiters looked, from a distance, as if they had descended from the empyrean, I squeezed my way through to the small dining-room and to Saint-Loup’s table.

One quiet, star-lit summer night, while on picket between Bolivar and Toone's, I had the good fortune to witness the flight of the largest and most brilliant meteor I ever have seen. It was a little after midnight, and I was standing alone at my post, looking, listening, and thinking. Suddenly there came a loud, rushing, roaring sound, like a passenger train close by, going at full speed, and there in the west was a meteor! Its flight was from the southwest to the northeast, parallel with the horizon, and low down. Its head, or body, looked like a huge ball of fire, and it left behind a long, immense tail of brilliant white, that lighted up all the western heavens. While yet in full view, it exploded with a crash like a near-by clap of thunder, there was a wide, glittering shower of sparks,—and then silence and darkness. The length of time it was visible could not have been more than a few seconds, but it was a most extraordinary spectacle.

The re-discovery of virgin nature does not mean a flight of individualistic and Promethean man toward nature. While in the state of rebellion against Heaven man carries with him his own limitations even when he turns to nature. These limitations veil the spiritual message of nature for him so that he derives no benefit from it. It is in this way that the modern urbanized citizen in search of virgin nature takes with him those very elements that destroy nature and thereby he destroys the very thing he is searching for. Nor is the re-discovery of virgin nature a return to paganism from a theological point of view.

a new Astronomer Royal arrived in England to take up his appointment. The Press asked him to give his views on space-flight, and after two decades Dr Richard van der Riet Woolley had seen no reason to change his mind. ‘Space travel,’ he snorted, ‘is utter bilge.’ The newspapers did not allow him to forget this when Sputnik I went up the very next year. Later – irony piled upon irony – Dr Woolley became, by virtue of his position as Astronomer Royal, a leading member of the committee advising the British government on space-research. The feelings of those who have been trying, for a generation, to get the United Kingdom interested in space can well be imagined.*

On another occasion, Alinsky was working in his home base of Chicago to force Chicago’s department stores to give jobs to black activists who were Alinsky’s cronies. On this issue of course Alinsky was competing—or working in tandem, however we choose to view it—with Chicago’s number one racial shakedown man, Jesse Jackson. Jackson mastered a simple strategy of converting race into a protection racket. He would offer to “protect” Chicago businesses from accusations of racism—accusations that the businesses knew were actually fomented by Jackson himself. The businesses would then pay Jackson to make the trouble go away, and also to chase away other potential troublemakers. In return for his efforts, Jackson would typically receive hundreds of thousands in annual donations from the company, plus jobs and minority contracts that would go through his network, and finally other goodies such as free flights on the corporate airplane, supposedly for his “charitable work.” Later Jackson would go national with this blackmail approach. In New York, for example, Jackson opened an office on Wall Street where he extracted millions of dollars in money and patronage from several leading investment houses including Goldman Sachs, Citigroup, Credit Suisse, First Boston, Morgan Stanley, Paine Webber, and Prudential Securities. On the national stage, another race hustler, Al Sharpton, joined Jackson. For two decades these shakedown men in clerical garb successfully prosecuted their hustles. Jackson was the leader at first, but eventually Sharpton proved more successful than Jackson. While Jackson’s star has faded, Sharpton became President Obama’s chief advisor on race issues.

When we got close to the airport, the reality of the public reaction to Steve’s death began to sink in. Members of the media were everywhere. We drove straight through the gates to pull up right next to the charter plane. The last thing I felt like doing at that moment was to talk to anyone about what had happened. I just wanted to get to Steve. As I walked toward the plane, I turned back to thank the police who had helped us. The tears in their eyes shocked me out of my own personal cocoon of grief. This wasn’t just a job for them. They genuinely felt for us, and suffered Steve’s loss. So many other people loved him too, I thought. All during the endless, three-hour plane ride to Maroochydore, I kept flashing back to our fourteen years of adventures together. My mind kept focusing on another plane ride, so similar to this one, when Bindi and I had to fly from the United States back to Australia after Steve’s mum had died. Part of me wished we could have flown forever, never landing, never facing what we were about to. I concentrated on Bindi and Robert, getting them fed and making sure they were comfortable. But the thought of that last sad flight stayed there in the back of my mind. The plane landed at Maroochydore in the dark. We taxied in between hangars, out of public view. I think it was raining, but perhaps it wasn’t, maybe I was just sad. As I came down the steps of the plane, Frank, Joy, and Wes stood there. We all hugged one another. Wes sobbed. We managed to help one another to the hangar, where we all piled into two vehicles for the half-hour drive back to the zoo. I turned on the DVD in the backseat for the kids. I desperately needed a moment without having to explain what was going on. I wanted to talk to Wes, Joy, and Frank. At some point during the ride, Wes reached back and closed the DVD player. The light from the player was giving the press the opportunity to film and photograph us in the car. This was a time to be private and on our own. How clever of Wes to consider that, I thought, right in the middle of everything. “Wes,” I said, “what are we going to do now?

I want to get some fresh air,” I say, and move around him, stepping off onto the stone slabs and promptly sinking with one heel into the narrow space between them. “Oops!” I say idiotically, ignoring the hand that Luca is stretching out to help me. The last thing I need right now is to touch him, for all sorts of reasons. I keep walking, pulling my heel out from between the paving stones; mercifully, it comes out without catching or ripping off. I honestly think that even if it did, I would keep going; I’d walk on a sandal without a heel all night, balance on my toes, pretend nothing had happened, and think it a fair price to pay for my flight into the comparative darkness of the chill-out area, where Luca can’t see the sweat on my face. He’s following me. I can hear his leather-soled shoes on the stone. And I have no idea where I’m going. I feel ridiculous. Luckily, ahead of me I see a terrace with tables, and I walk toward it as if I’d planned to head there all along. “You want a drink?” he asks. He gestures over to the right, and I see the white gleam of the long bar, the translucent milky-white pillars shining as if we’re underwater. I don’t need to drink any more alcohol tonight. Especially in the company of Luca. “Maybe some water. I’m really thirsty.” He nods, turns, and walks toward the bar. I watch him go. Tall, lean, with a nice firm bum in his black jeans. Exactly what I like in a boy. And then I feel my face flaming, because this isn’t just some boy at an airport, or viewed from a car. This is real. He’s real. He’ll be back in just a few minutes, and I won’t have the faintest idea what to say to him…

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It’s reassuring to view the world on your own. You can gaze at a landscape and see it peopled by things – trees, clouds, hills and valleys – which have no voice except the ones you give them in your imagination; none can challenge who you are. So often we see solitary contemplation as simply the correct way to engage with nature. But it is always a political act, bringing freedom from the pressures of other minds, other interpretations, other consciousnesses competing with your own.

The pleasure of the true dreamer does not lie in the substance of the dream, but in this: that there things happen without any interference from his side, and altogether outside his control. Great landscapes create themselves, long splendid views, rich and delicate colours, roads, houses, which he has never seen or heard of. Strangers appear and are friends or enemies, although the person who dreams has never done anything about them. The ideas of flight and pursuit are recurrent in dreams and are equally enrapturing. Excellent witty things are said by everybody. It is true that if remembered in the day-time they will fade and lose their sense, because they belong to a different plane, but as soon as the one who dreams lies down at night, the current is again closed and he remembers their excellency. All the time the feeling of immense freedom is surrounding him and running through him like air and light, an unearthly bliss. He is a privileged person, the one who has got nothing to do, but for whose enrichment and pleasure all things are brought together.

How will he get by in the desert without bowls and plates, without coal stoves, without carpets to lie down on with the little ones? Without his toilet, without the view from the window onto the square and the fountains with their crystal-clear water.

Inconvenience you?” Seiwell replied. “How about the last three years of my life? You took me out of a great career [in New York]. I don’t want to hear this,” and he hung up on her.72 The next day, both Vincent Romeo and Mike McGear phoned Seiwell to try to persuade him to take the next available flight to Lagos. “But I was done,” Seiwell said. Paul later offered an analytical view of McCullough’s and Seiwell’s departures, but his analysis showed that he had not quite internalized the lesson of the band’s disintegration; in fact, he remained in denial about the musical issues behind McCullough’s and Seiwell’s resignations.

He laid out the defining characteristics, workflow, and management as follows. A two-pizza team will: Be small. No more than ten people. Be autonomous. They should have no need to coordinate with other teams to get their work done. With the new service-based software architecture in place, any team could simply refer to the published application programming interfaces (APIs) for other teams. (More on this new software architecture to follow.) Be evaluated by a well-defined “fitness function.” This is the sum of a weighted series of metrics. Example: a team that is in charge of adding selection in a product category might be evaluated on: a)  how many new distinct items were added for the period (50 percent weighting) b)  how many units of those new distinct items were sold (30 percent weighting) c)  how many page views those distinct items received (20 percent weighting) Be monitored in real time. A team’s real-time score on its fitness function would be displayed on a dashboard next to all the other two-pizza teams’ scores. Be the business owner. The team will own and be responsible for all aspects of its area of focus, including design, technology, and business results. This paradigm shift eliminates the all-too-often heard excuses such as, “We built what the business folks asked us to, they just asked for the wrong product,” or “If the tech team had actually delivered what we asked for and did it on time, we would have hit our numbers.” Be led by a multidisciplined top-flight leader. The leader must have deep technical expertise, know how to hire world-class software engineers and product managers, and possess excellent business judgment. Be self-funding. The team’s work will pay for itself. Be approved in advance by the S-Team. The S-Team must approve the formation of every two-pizza team.

At the flight barracks, I got a clearer view of how the other half lived. On an air force base, pilots are royalty, and fighter pilots are kings.

It was only when the creature stepped into view on the path in front of her that her mind made the connection. Cat, she thought to herself. He was not immediately aware of her. His head was low, and he sniffed at the ground with his mouth open. Long yellow fangs extended past his lower jaw. His coat was an uneven black, darker dapples against blackness. His ears were tufted, and the muscles under his smooth fur bunched and slid as he moved. She was caught in disbelief, filled with wonder at the sight of an animal that no one had seen in ages. And then, almost immediately, her translation of an Elderling word popped into her mind. “Pard,” she breathed aloud. “A black pard.” At her whisper, he lifted his head and looked directly at her with yellow eyes. Fear flooded her. Her own scent trail. That was what he snuffed at. Her heart leaped, and then began hammering. The animal stared at her, perhaps as startled to see a human as she was to see a pard. Surely their kind had not met for generations. He opened his mouth, taking in her scent. She wanted to shriek but did not. She flung her panicky thought wide. Sintara! Sintara, a great cat stalks me, a pard! Help me! I cannot help you. Solve it yourself. The dragon’s thought was not uninterested, merely factual. Alise could feel, in that moment of connection, that the dragon had fed heavily and was sinking into a satiated stupor. Even if she had wished to rouse herself, by the time she took flight and crossed the river and located Alise… Useless thought. Focus now. The cat was watching her, and its wariness had become interest. The longer Alise stood there, frozen like a rabbit, the more his boldness would grow. Do something. “Not prey!” she shouted at the animal. She seized the lapels of her cloak and tore it open wide, holding it out to make herself twice her natural size. “Not prey!” she shouted at it again, deepening her voice. She flapped the sides of her cloak at the animal and forced her shaking body to jolt a step closer to it. If she ran, it would have her; if she stood still, it would have her. The thought galvanized her, and with a wordless roar of angry despair, she charged the beast, flapping the sides of her cloak as she ran. It crouched and she knew then it would kill her. Her deep roar became a shriek of fury, and the cat suddenly snarled back. Alise ran out of breath. For a moment, silence held between the crouched cat and the flapping woman. Then the animal wheeled and raced off into the forest. It had left the path clear, and Alise did not pause but continued her fear-charged dash. She ran in bounds, ran as she had never known that anyone could run. The forest became a blur around her. Low branches ripped at her hair and clothing, but she did not slow down. She gasped in the cold air that burned her throat and dried her mouth and still ran. She fled until darkness threatened the edges of her vision, and then she stumbled on, catching at tree trunks as she passed them to keep herself upright and moving. When finally her terror could no longer sustain her, she sank down, her back to a tree, and looked back the way she had come. Nothing moved in the forest, and when she forced her mouth to close and held her shuddering breath, she heard nothing save the pounding of her own heart. She felt as if hours passed before her breath moved easily in her dry mouth and her heart slowed to where she could hear the normal sounds of the forest. She listened, straining her ears, but heart only the wind in the bared branches. Clutching at the tree trunk, she dragged herself to her feet, wondering if her trembling legs could still hold her. Then, as she started down the path toward home, a ridiculous grin blossomed on her face. She had done it. She had faced down a pard, and saved herself, and was coming home triumphant, with wintergreen leaves for tea and berries, too. “Not prey,” she whispered hoarsely to herself, and her grin grew wider.

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According to the Buddha, we have three habitual responses to everything we experience. We want it, reject it, or we zone out. Cookies: I want. Mosquitoes: I reject. The safety instructions the flight attendants read aloud on an airplane: I zone out. Mindfulness is a fourth option, a way to view the contents of our mind with nonjudgmental remove. I found this theory elegant, but utterly unfeasible.

Global behavior assessment – A behavior assessment strategy that focuses on maximizing information collection and analyzing general behavior, rather than focusing on specific behaviors exhibited in response to a question. Grooming gesture – A nonverbal deceptive behavior in which anxiety is dissipated through physical activity in the form of grooming oneself or the immediate surroundings. Halo effect – A cognitive bias in which a person is viewed favorably on the basis of a single positive attribute or impression. Hand-to-face activity – A nonverbal deceptive behavior in which a person touches his face or head region in response to a question, which can be prompted by discomfort associated with circulatory changes triggered by the fight-or-flight response. Hiding mouth or eyes – A nonverbal deceptive behavior in which a person uses a hand to shield his mouth or eyes when responding to a question, or closes his eyes when responding to a question that does not require reflection. Ideational fluency – The ability to shift one’s thinking instantaneously as the situation warrants. Inappropriate level of concern – A verbal deceptive behavior in which a person attempts to equalize the exchange by trying to diminish the importance of the matter at hand. He may focus on either the issue or the process (Example: “Why is everybody making such a big deal about this?”); or he might even attempt to joke about

the famous remark of Hegel that ‘the owl of Minerva takes flight at dusk’”—Hegel’s view that wisdom comes only in hindsight.

At least once a month (perhaps on a plane flight where you have a wide choice of free magazines), purposely spend a half-hour reading a magazine with a viewpoint completely contrary to your own. Or listen to a television or radio discussion program of that kind. For example, if your orientation is liberal and progressive, then read respectfully and openly National Review or a similar conservative journal. If you are conservative yourself, choose The Nation or one of its liberal cousins. When you come across an opinion or argument that really rattles your cage, ask yourself these questions to test the validity of the belief of yours that it challenges: • Where and when did you adopt your position? • What evidence or logic would you use to support your belief, and is it really more compelling than what you are reading? • Are any facts or arguments being presented that you have not really taken into account before? • Can you appreciate why the argument being presented could be convincing to the person presenting it and to the many readers who find it convincing? • Can you develop any facts or insights that would make you or the author you are reading change position? • Are there any circumstances or situations that would make the position in the magazine more acceptable or understandable? • Are there any ways in which the view you are reading could be reconciled, even partially, with your own?

According to the Bible, when we choose to trust in the Lord — when we muster just enough faith to take that first, small step forward — our being breaks free of its worldly moorings and takes flight. From the resulting elevated view, we perceive ourselves and the universe in a radically new way. We

This attitude is by no means unusual, even in Bagan. Nearly a hundred years ago, British writer Somerset Maugham passed through the region, recounting the visit in his book The Gentleman in the Parlour. Maugham enjoyed Bagan, calling it a “strange and melancholy spot,” but had no interest in exhausting himself through obsessive temple-hopping: “My curiosity,” he wrote, “was satisfied with a visit to half a dozen of the pagodas.” One night, as Maugham relaxed on the veranda of his guesthouse, a fellow traveler joined the author and began explaining the particulars of several notable temples—when they were built, under what king, etc. His lecture fell on deaf ears: But I did not want to know the facts he gave me. What did it matter to me what kings had reigned there, what battles they had fought and what lands they had conquered? I was content to see them as a low relief on a temple wall in a long procession, with their hieratic attitudes, seated on a throne and receiving gifts from the envoys of subjugated nations, or else, with a confusion of spears, in the hurry and skelter of chariots, in the turmoil of battle. No, no, no, that won’t do, said his companion. Facts and context are what matter, he insisted: “I want to know things. Whenever I go anywhere I read everything about it that has been written…. I am a mine of information.” To which Maugham replied, “But what is the good of information that means nothing to you? Information for its own sake is like a flight of steps that leads to a blank wall.” It is better, Maugham would probably say, to simply sit back and enjoy the view.

Saying no to the inevitable is one of the few precious ways our own species redeems itself from oblivion- or at least tries to.

Don't build yourself an ivory tower" the moralists say. But I am an ivory tower by the mere fact that I am. On the crude physical level the body is a frame of (ivory) bones on which the muscles are stretched, crowned by an (ivory) bone pill-box turret housing the brain — shielding it from the blows of 'reality' so that it can get on with its absurd work undisturbed. On the non-physical level my I-ness is an ivory tower of orderly individual views and vistas shielding 'me' from being swallowed up in chaos. Dear moralists: don't they see that life is a constant flight up and down the endless steps of the dark ivory tower seeking to escape from the horrid chaos of real freedom?

Now we suspect a parallel development here. The transformation of a tiger into an obedient and quiescent beast is probably a caricature of the civilizing process which the little girl is undergoing. The rewards and deprivations, the absurd demands which are made upon Laughing Tiger make as little sense to us as we view this comedy as the whims and wishes of the grown-up world make to a little girl. So we suspect that the reformed tiger is also a caricature of a little girl, and the original attributes of a tiger, its uncontrolled, impulsive, and ferocious qualities represent those tendencies within the child which are undergoing a transformation. We notice, too, that Laughing Tiger’s mistress is more severe and demanding than the persons who have undertaken the civilizing of the little girl Jan, and we confirm the psychological truth that the most zealous crusaders against vice are the reformed criminals; the strength of the original impulse is given over to the opposing wish. But let’s get back to imagination and its solutions for childhood problems. Jan’s imaginary tiger gives her a kind of control over a danger which earlier had left her helpless and anxious. The little boy who stalks tigers and bears with his homemade tommy gun and his own sound effects is coming to terms with the Tiger problem in his own way. (I have the impression that little boys are inclined to take direct action on the tiger problem, while the work of reforming tigers is left to the other sex which has long demonstrated its taste and talent for this approach.) Another very satisfactory approach to the tiger problem is to become a tiger. A very large number of small children have worked their way out of the most devilish encounters, outnumbered by ferocious animals on all sides, by disguising themselves as tigers and by out-roaring and out-threatening the enemy, causing consternation, disintegration, and flight in his ranks. Under

Doom, meanwhile, had a long-term impact on the world of gaming far exceeding even that of Myst. The latest of a series of experiments with interactive 3D graphics by id programmer John Carmack, Doom shares with Myst only its immersive first-person point of view; in all other respects, this fast-paced, ultraviolent shooter is the polar opposite of the cerebral Myst. Whereas the world of Myst is presented as a collection of static nodes that the player can move among, each represented by a relatively static picture of its own, the world of Doom is contiguous. As the player roams about, Doom must continually recalculate in real time the view of the world that it presents to her on the screen, in effect drawing for her a completely new picture with every frame using a vastly simplified version of the 3D-rendering techniques that Eric Graham began experimenting with on the Amiga back in 1986. First-person viewpoints had certainly existed in games previously, but mostly in the context of flight simulators, of puzzle-oriented adventures such as Myst, or of space-combat games such as Elite. Doom has a special quality that those earlier efforts lack in that the player embodies her avatar as she moves through 3D space in a way that feels shockingly, almost physically real. She does not view the world through a windscreen, is not separated from it by an adventure game’s point-and-click mechanics and static artificiality. Doom marks a revolutionary change in action gaming, the most significant to come about between the videogame’s inception and the present. If the player directs the action in a game such as Menace, Doom makes her feel as if she is in the action, in the game’s world. Given the Amiga platform’s importance as a tool for noninteractive 3D rendering, it is ironic that the Amiga is uniquely unsuited to Doom and the many iterations and clones of it that would follow. Most of the Amiga attributes that we employed in the Menace reconstruction—its scrolling playfields, its copper, its sprites—are of no use to a 3D-engine programmer. Indeed, the Intel-based machines on which Carmack created Doom possess none of these features. Even the Amiga’s bitplane-based playfields, the source of so many useful graphical tricks and hacks when programming a 2D game such as Menace, are an impediment and annoyance in a game such as Doom. Much preferable are the Intel-based machines’ straightforward chunky playfields because these layouts are much easier to work with when every frame of video must be drawn afresh from scratch. What is required most of all for a game such as Doom is sufficient raw processing power to perform the necessary thousands of calculations needed to render each frame quickly enough to support the frenetic action for which the game is known. By 1993, the plebian Intel-based computer, so long derided by Amiga owners for its inefficiencies and lack of design imagination, at last possessed this raw power. The Amiga simply had no answer to the Intel 80486s and Pentiums that powered this new, revolutionary genre of first-person shooters. Throughout

The people in the terminal ebbed and flowed with the early morning flight schedule of the big cross-country flights to New York or Miami or Chicago, then grew steadily as the number of flights increased. At eight-thirty we separated and positioned ourselves with a view to all points of egress in case Clark showed. He didn’t. A family of Hare Krishnas came through snapping finger chimes and offering pamphlets for money, moving from person to person until they reached Pike, and then they hurried past. Strong survival instinct.

As a central distributor of goods, the welfare state necessitates high levels of taxation, and it must institute extensive programmes of economic regulation in order to ensure that sufficient tax revenue is generated. Excessive taxation, consequently, always occurs where the political system inadequately manages its ‘opening and restriction’ towards the economy, and where it assumes co-ordinating power in influencing the economic conditions in which citizens live. High-level taxation, however, inevitably leads to economic problems – to problems registered in the medium of money, but caused by the medium of power. These problems might, for instance, take the form of possible underproduction, flight of capital, loss of investment potential, or increasing prices, imbalances in the relation of supply and demand in the private economy, difficulties in the circulation of capital, worsening international competitiveness of firms, or excessive regulation of available capital by central banks. All such tendencies, in Luhmann’s view, characterize societies which are drifting away from the ideal condition of realized plural differentiation towards a more authoritarian (less differentiated) mode of political economy.

British flight attendants warn you not to tamper with the smoke detectors in the aircraft toilets, whereas American flight attendants warn you not to tamper with, disable or destroy them.

To minimize the sense of confinement, one of our video channels provided a breathtaking view of our journey, as seen from a helicopter flying low over the landscape, following our exact route on a lovely spring day. The photographic sequence had been speeded up so that each view corresponded in real-time to a point directly above our location deep underground in the floater tunnel. That was, I concluded, a rather easy trick technically, because all the photographic information obtained in the original helicopter flight was stored electronically for easy recall.

EGO-BASED MARRIAGE (Disappointment and pain) • Sees marriage as a place to get . . . • Looks for ways to get satisfaction from partner. • Tries to change partner. • Views passion as more important than love. • Discontent with disappointments over unmet expectations. • Sees partner as source of happiness or cause of unhappiness. • Sees self as one to whom things happen in the marriage (victim). • Creates conflict over wants and “needs.” • Operates out of fear. • Sees unloving behavior as an occasion to go into fight or flight. • Holds grudges and complaints; keeps fears and resentments alive. • Consciously or unconsciously creates negative, deprived, or other unhappy state of mind. • Judges differences and tries to change partner to be like oneself.

I get it, he's hot. He probably gives you the best sex of your life. But if it doesn't fill you with tinglies to be around him every second you're around him—if he doesn't make you happy—then what the hell are you doing? You only live once," I said, because if I'd learned anything about living in a time-travelling apartment, no matter how much time you get, it's still never enough. And I wanted to start living my life like I was enjoying every moment that I had it. "And if you do it right," I said, remembering the way my aunt laughed as we sprinted to catch our connecting flights across the airport, how she flung her arms wide at the top of Arthur's Seat and the Parthenon and Santorini and every hill with a beautiful view she came across, as if she wanted to embrace the sky; the way she took her time to decide what she wanted on a menu; the way she asked everyone she met for their stories, absorbed their fairy tales, and chased the moon. "If you do it right," I repeated, "once is all you need.

Well," remarked Mr. Sharp, when Tom and Mr. Damon had called on him, to state that Andy Foger's machine was now on the grounds, and demanding to be allowed to view it, to see if it was an infringement on the one entered by the young inventor, "I'll do the best I can for you. I'll lay the case before the committee. It will meet at once, and I'll let you know what they say.

There was no effect when non-political claims were challenged, but countering political positions triggered their amygdala. That’s the same part of the brain that’s activated when a tiger attacks you, inducing a ‘fight-or-flight’ response. People respond to opposing views as if they’re being chased by a wild animal. The amygdala overrides the prefrontal cortex, the rational part of the brain.

The Free Soul, also called the Wandering Soul, the Water Soul, or the Dreaming Soul, is the soul that pre-existed the body and the obtaining of the breath soul. It is often depicted as emerging from the "depths" of the world, from the Underworld or a Netherworld. That the Earth Indweller (the Earth and Underworld Mother) is believed to be the source of free souls automatically positions the free soul as taking some kind of "birth" inside the earth, and emerging from its depths. The "waters below" or the watery abyss that has been conceptualized mythically as the Underworld (and psychologically viewed as the deep, dark interior world of the subconscious and dreams) gives the free soul the name "water soul", making its character distinctive to the windy breath soul. Merkur writes: "The free soul, which can leave and return to the body in sleep, trances, and illnesses without causing loss of life, is a genuinely distinct type of soul. Either it is (conceived of) as miniature and located in the body, or it follows the body as though it were a shadow. It has and imparts the shape and personality of the person or creature, according to the respective species and, at least in humans, individuality. It is the seat of all illness, for its loss (or injury) causes illness (to manifest in the body.) It is also the site of spirit-intrusion. Through illness, the free soul can be an indirect cause of death. However, shamans may journey safely out of their bodies as free souls during their so-called spirit flights.

A window seat on a long flight can help you to see the broader order of life. People feel like they get a God’s eye view, like they’re very powerful. It offers that kind of perspective and scope. That’s why everyone wants the window seat. They want this view. At least for a little bit, even if they also want to read or watch stuff for the majority of the flight.

In their original historical context, these verses were astonishing. In the ancient world, virtually all the major “isms”—Platonism, neo-Platonism, Gnosticism, Manichaeism, Hindu pantheism—taught a low view of the material world. In these philosophies, salvation was conceived as a complete break between matter and spirit, a flight from the physical world. To make that break, adherents adopted a regimen of asceticism to suppress bodily urges and desires.

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One can define conservatism as the political form of melancholy. It remained decisive for the conservative syndrome which took shape in Europe after the 1789 French Revolution that it had resulted from looking back at the irretrievable goods, life forms and arts of the pre-bourgeois times. One of the preconditions was the certainty of never becoming the dominant view. It acquired its elegiac hues by emphasizing the habit of expecting the darker constants of human nature. To be conservative is to continue believing that good and noble things are tied to places and unique phenomena – for vulgar things, on the other hand, the majority principle and mechanical repetition are sufficient. Such reserve imposes itself on those with nothing more to win in a history addicted to novelty. This way of feeling will be cultivated by those who are keen to avoid being mistaken for profiteers of future conditions. When people in the optimistic mainstream speak of a constant improvement of living conditions, the conservative keeps a low profile. Assuming that better things lie ahead – does that not already mean searching in the wrong direction? Fluctuating between equanimity and disgust, the conservative watches the activities of those moved by progressive feelings and waits for entropy to do its work. Progress, the conservative is sure, is only ever an acceleration of the flight from good, which lies unattainable behind us… Any conservative who wanted to elevate themselves to the level of principles had to move on from here to anthropological generalizations. They had to learn to associate the idea of “mankind” with the epithet “incorrigible”… One could no longer even speak of the “return of the tragic” – for we are ineluctably embedded in it, as if in a fabric woven of first and second nature.