“
Gurgeh glanced at the man on stage. The lights were bright, sunlight spectraed. The slightly plump, pale-skinned male had several enormous, multicolored bruises—like huge prints—on his body. Those on his back and chest were largest, and showed Azadian faces. The mixture of blacks, blues, purples, greens, yellows and reds combined to form portraits of uncanny accuracy and subtlety, which the flexings of the man’s muscles seemed to make live, exactly as though those faces took on new expressions with each moment. Gurgeh looked, and felt his breath draw in.
”
”
Iain M. Banks (The Player of Games (Culture, #2))