β
Happiness is always there. You just have to choose to see it. There's no point dwelling in the dark and ignoring the light of the stars.
β
β
Carrie Hope Fletcher
β
Valkyrie patted Fletcherβs arm. βDonβt worry,β she said. βIf the bad man comes, Iβll protect you.β
βIf the bad man comes,β Fletcher responded, βIβll bravely give out a high-pitched scream to distract him. I may even bravely faint, to give him a false sense of security. That will be your signal to strike.β
βWe make a great team.β
βJust donβt forget to stand in front of me the whole time,β he said.
β
β
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
β
Don't ditch your childhood dreams just because you dreamt them up as a child.
β
β
Carrie Hope Fletcher
β
Love is blind, they say--but isn't it more that love makes us see too much? Isn't it more that love floods our brain with sights and sounds, so that everything looks bigger, brighter, more lovely than ever before?
β
β
Susan Fletcher (Eve Green)
β
You make a good point,' Fletcher conceded. 'See, there's a reason why you're the girl and I'm the boy. You think about things while I...'
'Don't?'
'Exactly,' he said happily.
β
β
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
β
Kisses open doors, I've noticed. That one gesture can unlock secrets, ease open feelings. It can't be prevented--these kisses just are. It's how they work. They break into basements you never knew you had.
β
β
Susan Fletcher (Eve Green)
β
Reading is reading - no matter what the material.
β
β
Giovanna Fletcher (Billy and Me)
β
I'm going to teach you to ride Princess."
"Princess?"
"My motorcycle."
I laugh. "You named your motorcycle Princess?"
"What can I say?" he teases. "I call all my favorite things princess.
β
β
Tera Lynn Childs (Forgive My Fins (Fins, #1))
β
Can I just point something out?" Fletcher asked. "That is an awful plan. On a scale of one to ten - the Trojan War being a ten and General Custer verus all those Indians being a one - your plan is a zero. I don't think it is a plan at all. I think it's just a series of happenings that are, to be honest, unlikely to follow on from each other in the way in which everyone's probably hoping."
"Do you have a better plan?" Valkyrie asked.
"Of course not. I'm a man of action, not thought."
Valkyrie nodded. "You're definitely not a man of thought."
"Why are you in charge anyway? What do you know about organising something like this?"
"I have faith," Tanith said.
"As do I," said Ghastly.
Valkyrie smiled at them gratefully. "So you think the plan will work?"
"God, no," said Ghastly.
"Sorry, Val," said Tanith
β
β
Derek Landy
β
Like everything else, Fletcher. Practice.
β
β
Richard Bach (Jonathan Livingston Seagull)
β
Fletcher was always going to be your ex-boyfriend, from the moment you met him. He's just finally caught up with where he's supposed to be.
β
β
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
β
Oh, I'm going to kill Mundungus Fletcher!
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
Love is as varied and unpredictable as the rain is: it comes in constant summer drizzles, or sudden, unforseen storms that make rivers burst their banks and Cornish fishing boats rock and spill and lose their crew in the Atlantic.
β
β
Susan Fletcher (Eve Green)
β
The ugliest thing in the world is a beautiful woman without the brains or courage to know that [beauty] is nothing more than an accident.
β
β
Charlie Fletcher (Silvertongue (Stoneheart Trilogy, #3))
β
Love makes life worth living, not money
β
β
Giovanna Fletcher (Billy and Me)
β
You should have called us. Desmond would have picked you up.'
'No I wouldn't,' Valkyrie's dad said, stepping into earshot. 'Sorry, Fletcher, but I had important fatherly duties to take care of, which included eating breakfast, showering, and finding my trousers. Of those three, I only managed two. Without looking down, can you guess which one I missed?'... Fletcher smiled back. 'I just want to borrow Stephanie for a moment.'
'Take our daughter,' Valkryie's dad said, waving a hand airily. 'We have another one now.
β
β
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
β
I love you.'
'Yeah, well...'
'You make my heart want to beat.'
'That's nice and creepy. But I'm with Fletcher.(...) Also, these proclamations of your undying love for me are getting kind of... it's a bit much to be honest. Just hold back a little.'
'But my love for you is eternal.'
'That's exactly the kind of thing I'm talking about.
β
β
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
β
I had become awkward and tried my best to avoid everyone. I hated attention, people asking me questions or putting me in the spotlight; I preferred to blend into the background unnoticed. I felt safer that way
β
β
Giovanna Fletcher (Billy and Me)
β
Sβup, Figgy?
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
Sometimes we have so much to say, we cannot say it. Sometimes it's best we do not say goodbyes.
β
β
Susan Fletcher (Corrag)
β
Iβve spent the last twelve years dwelling on all the things Wren Fletcher isnβt. I should have had the guts to come and find out all the things he is.
β
β
K.A. Tucker (The Simple Wild)
β
The penny dropped. I sat in my room and burst into tears. Our band had barely begun, and already our drummer and bass player were a couple of drug fiends!
β
β
Tom Fletcher (McFly: Unsaid Things... Our Story)
β
You were my single greatest adventure.
β
β
Carrie Hope Fletcher (On the Other Side)
β
No Fletcher. Wake up, boy. Those are the flames of Hell. Dermont dropped out of school, so that's where he's headed. See the little horns? -Ms. Quinn
β
β
Eoin Colfer
β
I believe the world is as we choose to view it. Simple as that. Our happiness is, in the end, up to us, and to no one else.
β
β
Susan Fletcher
β
Skulduggery."
"Fletcher."
Fletcher stuck out his hand. Skulduggery observed it for a moment.
"I'm sorry, what are we doing now?"
"Shaking hands," Fletcher said. "Like adults. I just want you to know that this past year has changed me. I've grown, as a person. I'm not the same Fletcher you used to know.
"You look a lot like him."
"Well, yeah, but-"
"And you have the same ridiculous hair."
"Can we just shake hands?"
"Of course we can," Skulduggery said, and they shook. "Now what?"
"I, uh...I don't really know. What do adults usually do after they shake hands?"
"Generally, the first thing they do is let go."
"Oh, right," Fletcher said, and Skulduggery took his hand back. "So, Skulduggery, how have you been? You're looking well. That's a really nice tie.
"It's blue."
"And such a nice shade."
Skulduggery looked at Valkyrie. "You promised me he wouldn't be annoying.
β
β
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
β
Fletcher appeared beside her. He peered at the baby.
"Can it do any tricks yet?"
"I'm still working on it. Want to hold her?"
"God, no," Fletcher said laughing. "I'd drop it."
"It's not an it, it's my baby sister. Go on, hold her. You won't make a mess of it, i swear. Only an idiot could drop a baby."
"You always say I am an idiot."
"But you're a special kind of idiot. Here."
She passed Alice into his arms, and he stood there, rigid, a look of intense concentration on his face.
β
β
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
β
I'm now unmistakeably attracted to the yeti.
β
β
K.A. Tucker (The Simple Wild (Wild, #1))
β
When I hear the buzz of a plane overhead, I like to think it's Wren Fletcher, doing what he loves most, flying high over the mountains, over the land he loved so deeply. He just doesn't need to land anymore.
β
β
K.A. Tucker (Forever Wild (Wild, #2.5))
β
I also think Valkyireβs ex-boyfriend will come in handy here.β
Ravel frowned, βThe dead vampire?β
Valkyrie glared at him, βI think he means Fletcher.β
βOh. Sorry.β
βCaelen was never my boyfriend.β
βI didnβt mean to-β
βWe never talk about Caelen,β Ghastly muttered.β
βIβm really sorry, Valkyrie, Ravel said. βFletcherβs great. Heβs wonderful. Iβm sure heβd be delighted to help, and having a teleporter here will certainly solve some problems. Weβll arrange that, weβll get him over to you, start the ball rolling, as it were. Once again, sorry about bringing up the vampire.β
Ghastly shot him a look whispered, βWhy do you keep talking about him?β
βI canβt help it,β Ravel whispered back. βNow heβs all I can think about.β
βYou realise,β Valkyrie said, βthat we can hear you both perfectly well.
β
β
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
β
Iβm not afraid of storms, for Iβm learning how to sail my ship
β
β
Giovanna Fletcher (Billy and Me)
β
A sane man is simply a man afraid to unleash his inner demons.
β
β
Michael R. Fletcher (Beyond Redemption (Manifest Delusions, #1))
β
He has a name."
"Oh yeah. Skulduggery isnβt it?" Fletcher responded. "Thatβs an unusual one. Tell me were you born a skeleton or were your folks just disturbingly hopeful?
β
β
Derek Landy (The Faceless Ones (Skulduggery Pleasant, #3))
β
There's nothing weak about beauty, child. The only weakness in it is if you think it means anything important.
β
β
Charlie Fletcher (Silvertongue (Stoneheart Trilogy, #3))
β
I was sane once. It was horrible.
β
β
Michael R. Fletcher (Beyond Redemption (Manifest Delusions, #1))
β
No one's the monster in their own story. Monsters are just a matter of perspective.
β
β
C.A. Fletcher (A Boy and His Dog at the End of the World)
β
How do you always know just what to say?" I ask.
His laugh rumbles through me. "Practice, I guess."
I pull back and give him a quizzical look.
"I spent three years imagining what I would say to you if you were mine," he says, tugging me close.
"I should hope I know what to say now that I've got you.
β
β
Tera Lynn Childs (Fins Are Forever (Fins, #2))
β
You'll do fine."
"What, you're psychic now?"
"Didn't you know?" he asks seriously. "Must be an aftereffect of the bond.
β
β
Tera Lynn Childs (Fins Are Forever (Fins, #2))
β
I hope you're enjoying it, though, duck, and not wasting all your time and energy in a thankless job. You've got to make the most of life and not let these little opportunities pass you by. Before you know it you'll be old and wrinkly like me and wishing you'd done more. Just make sure you're happy.
β
β
Giovanna Fletcher (Billy and Me)
β
No funny business. Iβll scream and dead or not it will hurt your ears
β
β
Penelope Fletcher (Demon Girl (Rae Wilder, #1))
β
Always take the most unexpected route
β
β
Jennifer Estep (Widow's Web (Elemental Assassin, #7))
β
That's how I knew, for example, that Private Seamus Fletcher, 45B-76423, was beating his wife and children every night.
β
β
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
β
I kissed Jonah Fletcher with all of my heart, and with every piece of my soul that would love him forever.
β
β
Emma Scott (Full Tilt (Full Tilt, #1))
β
What if...? A question we ask to hurt ourselves.
β
β
Susan Fletcher (Eve Green)
β
The fear of getting close to someone in case they leave me
β
β
Giovanna Fletcher (Billy and Me)
β
I know you wish to be normal, human, but soon you will see there is nothing better than what you are.
β
β
Penelope Fletcher (Demon Girl (Rae Wilder, #1))
β
There are moments.
You will know them.
β
β
Susan Fletcher
β
To the voices in our heads that tell us we aren't good enough: do be quiet.
β
β
Carrie Hope Fletcher (All That She Can See)
β
Solitude is its own kind of madness. Like hope itself.
β
β
C.A. Fletcher (A Boy and His Dog at the End of the World)
β
I've heard fate talked of. It's not a word I use. I think we make our own choices. I think how we live our lives is our own doing, and we cannot fully hope on dreams and stars. But dreams and stars can guide us, perhaps. And the heart's voice is a strong one. Always is.
Your heart's voice is your true voice. It is easy to ignore it, for sometimes it says what we'd rather it did not - and it is so hard to risk the things we have. But what life are we living, if we don't live by our hearts? Not a true one. And the person living it is not the true you.
β
β
Susan Fletcher (Corrag)
β
We oft know little of who we were, only something of who we are, and nothing of who we may be.
β
β
Charlie Fletcher (Silvertongue (Stoneheart Trilogy, #3))
β
Why should I shatter your wonderful fantasy with my boring reality? ~ Evie Snow
β
β
Carrie Hope Fletcher (On the Other Side)
β
Today's truth will be tomorrow's lie and you will be left questioning your own sanity.
β
β
Michael R. Fletcher (Beyond Redemption (Manifest Delusions, #1))
β
Your heart's voice is your true voice. It is easy to ignore it, for sometimes it says what we'd rather it did not - and it is so hard to risk the things we have. But what life are we living, if we don't live by our hearts? Not a true one. And the person living it is not the true you.
β
β
Susan Fletcher (The Highland Witch)
β
Dogs were with us from the very beginning. And of all the animals that walked the long centuries beside us, they always walked the closest. And then they paid the price. Fuck us.
β
β
C.A. Fletcher (A Boy and His Dog at the End of the World)
β
Strap a piece of toast -buttered side up- to the back of a cat. Throw the cat out of the window.
Will the cat land on its feet or will Murphy's law apply?
β
β
Alan Fletcher (The Art of Looking Sideways)
β
Back at home I spent so much time on my own, but never once felt lonely. Here, even though I see hundreds more people each day, I've never felt lonelier.
β
β
Giovanna Fletcher (Billy and Me)
β
If I have one piece of advice to give you all about what to search for in your quest for What Next, it's to find where the line blurs between hard work and happiness for you. To find that thing where working hard at it makes you happy, and where you're happy to work hard at it.
β
β
Tom Fletcher
β
It is the things that happen to you which no one else knows about that make you important in life.
β
β
Suzanne Kingsbury (The Summer Fletcher Greel Loved Me: A Novel)
β
Embrace the wrongness because it'll make the eventual rightness even sweeter
β
β
Carrie Hope Fletcher (All I Know Now: Wonderings and Reflections on Growing Up Gracefully)
β
There's only so long you can live in a fantasy world before the reality comes along to sharply put you back in your place.
β
β
Giovanna Fletcher (You're the One That I Want)
β
You know what you are, young 'un? You're the grand bloody panjandrum of the painfully bleeding obvious.
β
β
Charlie Fletcher (Silvertongue (Stoneheart Trilogy, #3))
β
Perfection is a moving target
β
β
Susan Fletcher
β
Any fool can write a book and most of them are doing it; but it takes brains to build a house.
β
β
Charles F. Lummis
β
No, I won't be hopeless. I am full of hope. I'm a HopeFUL. ~ Evie Snow
β
β
Carrie Hope Fletcher (On the Other Side)
β
Never trust someone who tells good stories, not until you know why they're doing it.
β
β
C.A. Fletcher (A Boy and His Dog at the End of the World)
β
I think itβs funny how life can lead you down certain paths which you wouldnβt have taken otherwise.
β
β
Giovanna Fletcher (Billy and Me)
β
It is evening. The moon is small, and new. There are stars, and a stream's sound, and I can hear the wings of insects, in the dark. I think what gifts we are given, such gifts--every day.
β
β
Susan Fletcher (Corrag)
β
The power of faith is the fear of the unknown. The power of love is the fear of dying alone. βEXCERPT FROM βTHE POWER OF FEARβ BY HALBER TOD
β
β
Michael R. Fletcher (Beyond Redemption (Manifest Delusions, #1))
β
But maybe the best thing I learnt was this: that we cannot know a person's soul and nature until we've sat beside them, and talked.
β
β
Susan Fletcher (The Highland Witch)
β
Ask me something that will make me think. Something I'll have to wonder whether I should tell you the answer to or not. ~ Evie Snow
β
β
Carrie Hope Fletcher (On the Other Side)
β
it only takes sparks to light a fire
β
β
Carrie Hope Fletcher (On the Other Side)
β
Belief is the most powerful magic there is. Believing is the only magic that makes the utterly impossible completely possible, and the undoubtedly undoable undeniable doable!
β
β
Tom Fletcher (The Christmasaurus)
β
We carry on. We have ourselves and we carry on- in spite of our losses and mistakes and women, I think, have more than most. We are good secret-keepers. We can tie weights to out guilt and passions, and hatred and deceitfulness, and let them sink down, so that you'd never know they existed at all. But we know. I can count all mine.
β
β
Susan Fletcher
β
Pleased to meet you," Tellin says, shaking me out of my reverie. "Lily told me much about you last weekend."
"Funny." Quince throws me a questioning glance. "She didn't mention you at all.
β
β
Tera Lynn Childs (Fins Are Forever (Fins, #2))
β
What's the difference between look and see?
When someone looks at you, they only see what's on the surface and often miss a lot of the details. When someone sees you, they see who you are, what you're actually about. They see more than what's there in front of them. They're willing to find out more, at the very least. ~ Evie Snow
β
β
Carrie Hope Fletcher (On the Other Side)
β
No war. Fight with your pen. Give your battle-cry in ink, and mark your dreams down on a page
β
β
Susan Fletcher (Corrag)
β
In the words of Madame Leota in the film The Haunted Mansion, 'You try, you fail, you try, you fail, but the only true failure is when you stop trying
β
β
Carrie Hope Fletcher
β
Gods, to fall for someone so hard surely you were bound to break apart. Unravel at the seams because you are undone by how they make you feel.
β
β
Penelope Fletcher (Compel (Rae Wilder, #2))
β
Ends happen fast, and often arrive before you've been warned they're coming.
β
β
C.A. Fletcher (A Boy and His Dog at the End of the World)
β
There is no happiness like that of being loved by your fellow creatures, and feeling that your presence is an addition to their comfort.
β
β
Giovanna Fletcher (Billy and Me)
β
You're watching me, princess." His soft lips spread into an appreciative smile.
"People might get the wrong idea."
"What, that I actually like you now?" I tease.
He shakes his head and leans toward me. "No, that you're trying to see past me to get an eyeful of Benson."
-------------------------------------------
I shift my gaze to the board and fix an innocent look on my face.
"What makes you think that's the WRONG idea?"
Quince leans even closer and says, "Because you came back for me.
β
β
Tera Lynn Childs (Fins Are Forever (Fins, #2))
β
...but hope seduces like a silver tongue, double-edged like a dagger that cuts both ways.
β
β
Charlie Fletcher (Silvertongue (Stoneheart Trilogy, #3))
β
... Because that's what privilege is-the license to treat other people like shit while still getting to believe that you're a good person.
β
β
Tom Perrotta (Mrs. Fletcher)
β
I wish I could bottle the feelings of love inside me and save them for a rainy day β to remind myself of their magnitude in those moments of doubt.
β
β
Giovanna Fletcher (Billy and Me)
β
Smoking is one of the leading causes of statistics.
β
β
Fletcher Knebel
β
Everything is funny from some angle, I assure you it is. It's just a matter of where you're standing.
β
β
Charlie Fletcher (Stoneheart (Stoneheart Trilogy, #1))
β
One of the things that strikes me most though is how some people don't realise they're self-harming. The phrase 'self-harm' brings up thoughts of 'cutting', but that's only a small portion of it. When you drink excessively to drown your sorrows to the point you throw up and can't see straight and/or, like a girl at my school, ended up being driven to hospital to have her stomach pumped, you've brought harm to yourself. If you take drugs to feel numb and it becomes an addiction that you can't break, you've self-harmed. When you starve yourself or binge eat to fit the latest fashions, you're pushing your body further than it can go.
We need to start treating ourselves how we deserve to be treated, even if you feel that no one else does. Prove to the world you ARE worth something by treating yourself with the utmost respect and hope that other people will follow your example. And even if they don't, at least one person in the world is treating you well: YOU.
β
β
Carrie Hope Fletcher (All I Know Now: Wonderings and Reflections on Growing Up Gracefully)
β
Are you going to distract me by playing footsie?"
"Absolutely, princess," he says with a wink.
"Then I won't remember a thing."
"It's a samurai training technique," he teases, spinning the test prep book toward him. "I distract you as much as possible right now." He slides the book into his lap. "And you'll learn how to test through anything.
β
β
Tera Lynn Childs (Fins Are Forever (Fins, #2))
β
We get a lot of calls where the person is murdered at home, but is not found for a period of time. And so the animals have already started to take the body apart because they haven't been fed in that period. So your evidence is being chewed up by the family pet.
I tell you - Dogs are more loyal than cats. Cats will wait only a certain period of time and they'll start chewing on you. Dogs will wait a day or two before they just can't take the starving anymore. So, keep that in mind when choosing a pet.
You know how a cat just stares at you, maybe at the top of the TV, from across the room? That's because they're watching to see if you're gonna stop breathing.
β
β
Connie Fletcher (Every Contact Leaves a Trace)
β
When someone you love dies, you get a big bowl of sadness put down in front of you, steaming hot. You can start eating now, or you can let it cool and eat it bit by bit later one. Either way, you end up eating the whole thing. There's really no way around it.
β
β
Ralph Fletcher (Fig Pudding)
β
I love the arrival of a new season β each one bringing with it its own emotion: spring is full of hope; summer is freedom; autumn is a colourful release, and winter brings an enchanting peace. It's hard to pick which one I enjoy the most β each time the new one arrives, I remember its beauty and forget the previous one whose qualities have started to dim.
β
β
Giovanna Fletcher (Christmas With Billy and Me (Billy and Me, #1.5))
β
Which people take the time to care for their souls, these days? I reckon not many. But...hear this: I think that maybe in our lives -- in our scrabbling for food, in the washing of our bodies and warming of them, in our small daily battles -- we can forget our souls. We do not tend to them, as if they matter less. But I don't think they matter less.
β
β
Susan Fletcher (Corrag)
β
only dare tread the waters of insanity at night as they lie dreaming. Cowards. Dive deep into your psychopathy. Let loose the demons of delusion and know, in the end, when they finally devour you, you swam with sharks. βVERSKLAVEN SCHWACHE, GEFAHRGEIST PHILOSOPHER
β
β
Michael R. Fletcher (Beyond Redemption (Manifest Delusions, #1))
β
Marjan. I have told him tales of good women and bad women, strong women and weak women, shy women and bold women, clever women and stupid women, honest women and women who betray. I'm hoping that, by living inside their skins while he hears their stories, he'll understand over time that women are not all this way or that way. I'm hoping he'll look at women as he does at men--that you must judge each of us on her own merits, and not condemn us or exalt us only because we belong to a particular sex.
β
β
Susan Fletcher (Shadow Spinner)
β
I wince. I have no idea what to say. "Do you want to hit me back? You can."
"No, I don't want to hit you back, you idiot. I've sent you like thiry texts. Are you okay?"
My eyebrows go up. "You are asking me if I'm okay?"
"Yes."
It's like the moment I realised Dad wasn't going to let me chase him out of my room. I want to crumple on the floor. "No," I say. "I'm not."
"Then come on."
I don't move. My head is spinning. "Where are we going?"
"Downstairs. Get your gloves. If you need to throw punches, let's find something better than my face.
β
β
Brigid Kemmerer (More Than We Can Tell (Letters to the Lost, #2))
β
Looking back at those early days in the band house, we can all see how important they were in helping us bond as a band. It could have gone so wrong. Danny and I had picked Harry and Dougie after, literally, two days of knowing them. We could have all hated each other. We could have found that we had nothing in common, or that we resented the time we spent with each other. In fact, we had such a lot of fun. We werenβt yet famous or successful, but already we were having the time of our lives. Even when we hit the big time, we didnβt want to go out to clubs or celebrity haunts. Not our scene. For us, the best thing about being in a band was being in a band, doing band stuff - not all the trappings that went with it. We liked working on our music, and we liked hanging out together. All this meant we gelled more than most bands ever have the opportunity or inclination to do. Within a couple of months of moving into the band house, I had three new best friends. Their names were Danny, Harry and Dougie. No matter what the future held for us, our friendship was something we now know we could always rely on.
β
β
Tom Fletcher (McFly: Unsaid Things... Our Story)
β
When you eat a chocolate bar, sure, the wrapper might be pretty, full of bold colours and fancy details ... but ultimately, what do you care about? The wrapper? Or what's inside the wrapper?
The chocolate. I care about the chocolate inside the wrapper.
Exactly! For me, it's the same with people. I don't care about what's on the outside. I care about what's on the inside. Someone's mind. Their heart and soul. For me, it doesn't matter whether they're a man or a woman. That's only the wrapper they come in. What I really care about is the chocolate. It's called being pan-sexual. ~ Isla
β
β
Carrie Hope Fletcher (On the Other Side)
β
But if you judge safety to be the paramount consideration in life you should never, under any circumstances, go on long hikes alone. Donβt take short hikes alone, either β or, for that matter, go anywhere alone. And avoid at all costs such foolhardy activities as driving, falling in love, or inhaling air that is almost certainly riddled with deadly germs. Wear wool next to the skin. Insure every good and chattel you possess against every conceivable contingency the future might bring, even if the premiums half-cripple the present. Never cross an intersection against a red light, even when you can see all roads are clear for miles. And never, of course, explore the guts of an idea that seems as if it might threaten one of your more cherished beliefs. In your wisdom you will probably live to be a ripe old age. But you may discover, just before you die, that you have been dead for a long, long time.
β
β
Colin Fletcher (Complete Walker III)
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Extremism stifles true progression in all fields of human advancement; it is a detriment to everything but war, tribalism and the personal power of Nietzschean entities, striving only for the narcissistic vindication of their ego and will. The enlightened mind knows that all is challengeable, ergo questions all and thus, learns and grows; progression. The weak and narrow mind makes its beliefs sacrosanct; fearful of challenge, their creed becomes unalterable, defended with violence. Political extremists, much like religious zealots, are the latter. They destroy what they cannot convert. They annihilate those they cannot control, or force to conform. They have found no peace in life, no love, and so promote war and division, as emotional cripples β inflicting their own pain and misery and malignant stupidity on the world. Their language binds people together, but only by stirring the darkest excesses of the soul; language of hate, and intolerance, fear and conspiracy, and the need for vengeance. In war-scarred Europe, these cripples direct mass-psychology, and would make the world in their own likeness; mutilated by violence and tribalism and hate.
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Daniel S. Fletcher (Jackboot Britain)