“
A moment later Jonathan’s body wavered in the air, shimmering, and began to go transparent. “Don’t let them spread silly rumors about me, or make me a god. O.K., Fletch? I’m a seagull. I like to fly, maybe…
”
”
Richard Bach (Jonathan Livingston Seagull)
“
Fletch then kisses me on the forehead before opening the cabinet under the coffeemaker to grab placemats and napkins. Retrieving these items is his job because I kind of don't like to bend. I also refuse to carry anything heavier than my purse.
”
”
Jen Lancaster
“
There is no final enough of wisdom, experience - any fucking thing. No Holy Grail, No Final Satori, no solution. Just conflict. Only thing that can resolve conflict is love, like I felt for Fletch and Ruski, Spooner, and Calico. Pure love. What I feel for my cats past and present.
”
”
William S. Burroughs
“
I want to change my life...except I sort of like it. I mean, I couldn't be more delighted every Monday night after Fletch goes to bed when I come downstairs, pull up the Bachelor on TiVo, drink Riesling, and eat cheddar/port wine Kaukauna cheese without freakign out over fat grams. I'm perpetually in a good mood because I do everything I want. I love having the freedom to skip the gym to watch a Don Knots movie on the Disney Channel without a twinge of guilt. I've figured out how to not be beholden to what other people believe I should be doing, and when the world tells me I ought to be a size eight, I can thumb my nose at them in complete empowerment.
”
”
Jen Lancaster (Such a Pretty Fat: One Narcissist's Quest to Discover If Her Life Makes Her Ass Look Big, or Why Pie Is Not the Answer)
“
Drew, your enemies can mess your life up,' he said. 'Or they can make it easy for you to do it to yourself.'
—Fletch
”
”
Walter Dean Myers (Game)
“
Oh, Fletch, you don't love that! You don't love hatred and evil,of course. You have to practice and see the real gull, the good in every one of them, and help them to see it in themselves. That's what I mean by love. It's fun, when you get the knack of it.
”
”
Richard Bach (Jonathan Livingston Seagull)
“
Fletch is back from Austin, and turns out what sounded great on paper didn't match up to reality. He says its so hot down there, I'd spontaneously combust the second I stepped off the plane. Plus with humidity turning the air as thick as oatmeal, my hair would always be a disaster. So, Austin's out.
”
”
Jen Lancaster
“
Jon hung a quiver from his belt and pulled an arrow. The shaft was black, the fletching grey. As he notched it to his string, he remembered something that Theon Greyjoy had once said after a hunt. "The boar can keep his tusks and the bear his claws," he had declared, smiling that way he did. "There's nothing half so mortal as a grey goose feather.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
I don’t understand how you manage to love a mob of birds that has just tried to kill you.” “Oh, Fletch, you don’t love that! You don’t love hatred and evil, of course. You have to practice and see the real gull, the good in every one of them, and to help them see it in themselves. That’s what I mean by love. It’s fun, when you get the knack of it.
”
”
Richard Bach (Jonathan Livingston Seagull)
“
Even paranoids have enemies.
”
”
Gregory McDonald (Confess, Fletch (Fletch, #2))
“
Yeah? How's this?" Claire, in one smooth, fast motion, pulled an arrow from the bag on her shoulder, slotted it home on the string, and pulled the compound bow back to full extension. She was aiming the arrow straight at Morley's crossed hands, over his heart. He laughed. "You aren't serious--" She fired. The arrow went through both of Morley's hands, pinning them to his chest with the fletching at the end. He stared down in shock at the wood piercing his chest, stumbled, and went down to his knees. Then just down, face forward. The arrow stuck up out of his back, like an exclamation point. "I will," Claire said softly, and let the bow rock forward as she reached one-handed for another arrow and notched it home. "I'm not a really good shot, but this is a really small room, so let me make this very clear: the first vampire who tries to lay a hand on either of my friends gets a new piercing, just like Morley. Now, if you need food, I will figure it out. But you don't get to use my friends like vending machines. Are we clear?" Around the room, vampires nodded, casting disbelieving looks at Morley. Even Oliver was staring at her as if he'd never really seen her before. She didn't know why; he'd known she could do it--hadn't he? Or was she different, somehow?
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
Only thing that can resolve conflict is love, like I felt for Fletch and Ruski, Spooner, and Calico. Pure love. What I feel for my cats past and present.
Love? What is it?
Most natural painkiller what there is.
LOVE.
”
”
William S. Burroughs
“
The second prong in my revised Trinity is IKEA, the Swedish home store monolith. If you're unfamiliar, they carry every single thing you could possibly ever need to fill your home and garden at low, low prices, but in obscure Swedish sizes so those items won't coordinate with anything else you own, like, say, if you want to put a regular Target lamp shade on your IKEA lamp. Fletch thinks it's Sweden's master plan to make Americans so busy trying to construct furniture with Allen wrenches that we don't notice they've invaded us. (Personally, I think it's payback; the Swedes are pissed that we aren't buying ABBA albums anymore.)
”
”
Jen Lancaster (Bright Lights, Big Ass)
“
Pardon my pants. I'm fresh from an axe murder.
”
”
Gregory McDonald (Confess, Fletch (Fletch, #2))
“
Oooh, and I should check if Fletch is around.”
“Fletch?”
“Kyle Fletcher, but I call him Fletch,” she says absently. “Ex-boyfriend.”
My head swivels toward her. “You’re making plans with your ex-boyfriend?”
“Retract those claws, missy. Fletch is still a good friend of mine.”
I can’t fight my curiosity. “How long were you together?”
“Three years.”
I whistle softly. “And then three and a half more with Sean…You’re a nester, huh?”
“No, I’m not,” she protests.
“Babe, that’s almost seven years of your life spent in a serious relationship. And you’re only twenty-two.”
“Twenty-one. I’m a Christmas baby.”
“For real? Your birthday’s the twenty-fifth?”
“The twenty-fourth. I guess that makes me a Christmas Eve baby. Sorry.”
“You better be sorry. How dare you mislead me like that?
”
”
Elle Kennedy (The Score (Off-Campus, #3))
“
What’s up with Mary and Truck?” Emily asked Fletch once everyone had left. He shrugged. “They like each other, but neither will admit it.” “They’re acting like grade-school kids.” “Yup.” Fletch was smiling. “But it’s amusing as hell. I can’t wait until they both let go of whatever it is that’s holding them back and go for it.
”
”
Susan Stoker (Rescuing Emily (Delta Force Heroes, #2))
“
Then tell me,” I said, “O, Wise Arrow, most dear to all manner of trees, how do we get to the Cave of Trophonius? And how do Meg and I survive?” The arrow’s fletching rippled. THOU SHALT TAKE A CAR. “That’s it?” LEAVEST THOU WELL BEFORE DAWN. ’TIS A COUNTER-COMMUTE, AYE, BUT THERE SHALL BE CONSTRUCTION ON HIGHWAY THIRTY-SEVEN. EXPECTEST THOU TO TRAVEL ONE HOUR AND FORTY-TWO MINUTES. I narrowed my eyes. “Are you somehow…checking Google Maps?” A long pause. OF COURSE NOT. FIE UPON YOU. AS FOR HOW THOU SHALT SURVIVE, ASK ME THIS ANON, WHEN THOU REACHEST THY DESTINATION. “Meaning you need time to research the Cave of Trophonius on Wikipedia?” I SHALL SAY NO MORE TO YOU, BASE VILLAIN! THOU ART NOT WORTHY OF MY SAGE ADVICE! “I’m not worthy?” I picked up the arrow and shook it. “You’re no help at all, you useless piece of—!” “Apollo?” Calypso stood in the doorway.
”
”
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
“
You don’t. You don’t accept it. You don’t think about it. You just leave it out there somewhere, like a part of town you never visit. You put the anger, the rage, the fury in another part of town, and you never visit it.
”
”
Gregory McDonald (Fletch And The Man Who (Fletch, #6))
“
Each arrow was fletched in feathers that once belonged to immortal birds so wise that if you asked them to tell you the meaning of life, they would have an answer, and it would be short, and easy to understand, and as true as tea.
”
”
Catherynne M. Valente
“
But when Skade reached the tree line on the far side of the clearing, she paused, her voice loud and clear as she said, “Only a cowardly bitch betrays her child.” A glowing bow of gold appeared in her hand as she turned, along with an arrow, green from fletching to tip. Before I could move, before I could call to Hlin to protect me, so I could protect my mother, the arrow was loosed. It flew through the air, punching through my mother’s heart. Bjorn clamped a hand over my mouth to silence my scream as she dropped slowly to the ground, the arrow disappearing from her chest.
”
”
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
“
In East Sussex, let us say, an old farm sleeps in sun-dapple, its oast-house with its cowls echoing the distant steeple of SS Andrew and Mary, Fletching, where de Montfort had prayed and Gibbon now sleeps out a sceptic’s eternity. The Sussex Weald is quiet now, its bows and bowmen that did affright the air at Agincourt long dust. A Chalk Hill Blue spreads peaceable wings upon the hedge. Easter is long sped, yet yellow and lavender yet ornament the land, in betony and dyer’s greenweed and mallows. An inquisitive whitethroat, rejoicing in man’s long opening of the Wealden country, trills jauntily from atop a wall.
”
”
G.M.W. Wemyss
“
The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
I owe you nothing.” “You’ve given me less than that, all my life, but you’ll give me this. What did you do with Tysha?” “Tysha?” He does not even remember her name. “The girl I married.” “Oh, yes. Your first whore.” Tyrion took aim at his father’s chest. “The next time you say that word, I’ll kill you.” “You do not have the courage.” “Shall we find out? It’s a short word, and it seems to come so easily to your lips.” Tyrion gestured impatiently with the bow. “Tysha. What did you do with her, after my little lesson?” “I don’t recall.” “Try harder. Did you have her killed?” His father pursed his lips. “There was no reason for that, she’d learned her place… and had been well paid for her day’s work, I seem to recall. I suppose the steward sent her on her way. I never thought to inquire.” “On her way where?” “Wherever whores go.” Tyrion’s finger clenched. The crossbow whanged just as Lord Tywin started to rise. The bolt slammed into him above the groin and he sat back down with a grunt. The quarrel had sunk deep, right to the fletching. Blood seeped out around the shaft, dripping down into his pubic hair and over his bare thighs. “You shot me,” he said incredulously, his eyes glassy with shock. “You always were quick to grasp a situation, my lord,” Tyrion said. “That must be why you’re the Hand of the King.” “You… you are no… no son of mine.” “Now that’s where you’re wrong, Father. Why, I believe I’m you writ small. Do me a kindness now, and die quickly. I have a ship to catch.” For once, his father did what Tyrion asked him. The proof was the sudden stench, as his bowels loosened in the moment of death. Well, he was in the right place for it, Tyrion thought. But the stink that filled the privy gave ample evidence that the oft-repeated jape about his father was just another lie. Lord Tywin Lannister did not, in the end, shit gold.
”
”
Anonymous
“
Fletch took his wife’s arm. 'We aren’t going to turn anyone out into the cold and dark, are we, Poppy?'
She looked up at him and said, 'Absolutely, we are. If you pay them double, Fletch, they’ll probably be quite grateful.'
He always knew that women were the crueler sex. But there was something slightly unnerved in her voice that he found interesting. “Unkind wench. I don’t turn people out into the dark. It’s coming on to snow.
”
”
Eloisa James (An Affair Before Christmas (Desperate Duchesses, #2))
“
Where have you been, Milo?” I asked quietly. “It’s been three days.”
“Working for Jason,” Milo replied, his voice low.
I frowned, setting the arrow to the bow. Anyone watching us would think I was the world’s most cautious shot. “Doing what?” My muscles strained as I pulled the bowstring back.
“Protecting you.”
The bowstring released with a loud twang, and the arrow arced through the air, barely grazing the top of the target before falling to the earth beyond it. A few of the men practicing with javelins saw my miss and called out that I’d find a spindle easier to manage than a bow. I snatched up a second arrow and buried it fletch-deep in the core of the target. The jeering stopped. Only then did I return my attention to Milo.
“That makes no sense,” I muttered. “In the first place, what protection do I need? And since when does Jason care about anyone’s skin but his own?”
“There may be more to Jason than you think,” Milo said softly.
”
”
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
“
I must follow the journalistic instinct of being skeptical of everything until I personally have proved it true.
”
”
Gregory McDonald (Fletch (Fletch #1))
“
Leave my copy alone. You don’t know what you’re doing.
”
”
Gregory McDonald (Fletch (Fletch #1))
“
ARROW Riddle Type: Worded to make you think of animals. Birds are naturally feathered, but arrows are feathered by fletching. A quiver is metaphorically the "mobile nest" in which arrows are carried and an arrow remains stationary upon landing.
”
”
Sef Daystrom (The Riddle Chest: 50 Original Riddles to Stump Your Brain)
“
tape already marked the area around the body. A first responding officer jumped to his feet, holding the scene log on a clipboard. “Good morning, sir.” The young man spoke in the nasal voice of someone whose nose is blocked. Lei spotted white cotton sprouting from his nostrils. “Hey. Nice up here if it weren’t for the smell.” She took the clipboard, and each of them signed in. Passing the tape, Lei spotted the hand first, extended toward them from beneath the ferns, palm up. The tissue was swollen and discolored, masked in a filmy gray gauze of mold that seemed to be drawing the body down into the forest floor. Lei could imagine that in just a few weeks, the body would have been all but gone in the biology of the cloud forest. The victim lay on his stomach, his head turned away and facing into a fern clump, black hair already looking like just another lichen growing on the forest floor. The body was at the expansion phase, distending camouflage-patterned clothing as if inflated. A black fiberglass arrow fletched in plastic protruded from the man’s back. Lei and Pono stayed well back from the body. Lei unpacked the police department’s camera from her backpack, and Pono took out his crime kit. The modest quarter-karat engagement
”
”
Toby Neal (Shattered Palms (Lei Crime, #6))
“
She’s going to show up at the Mexican border once she finishes the marathon to her car,” Fletch says. I nod. “Sounds like it, yes.” “And she’s confident the border guards will simply stand there with open arms, all, ‘Oh, apocalypse in the USA? So sorry. Come on in, friendly Northern Neighbor! You’re totally welcome to all our resources! Here, have a chimichanga, señorita! You must be tired after your long trek.
”
”
Jen Lancaster (The Tao of Martha: My Year of LIVING; Or, Why I'm Never Getting All That Glitter Off of the Dog)
“
Meanwhile there was great activity among the camp followers, those weathered and sinewy women who had seen battle before, even if their position at the rear driving the heavy wagons had usually spared them actual involvement. They fletched arrows, tested bows, put their knives to the whetstone.
”
”
Madeline Howard (A Dark Sacrifice (Rune of Unmaking #2))
“
that I wasn’t going to make it into the club that day by not getting all my spelling words right. At the time I couldn’t see the humor in it, but now I think about it, I guess it was sort of funny. “Right grade fivey wivies, the last lesson before lunch is a super spelling bee. Everyone gets one word and they need to get it right,” he said. Yuk! I hate spelling. Mom always makes me do these sight words before I’m allowed to go outside and wrestle Fletch, my next door
”
”
Kate Cullen (Game On Boys! The Play Station Play-offs: A Hilarious adventure for children 9-12 with illustrations)
“
I’ve got a sleeping bag in the car.” “You’re getting me to spend the night on the beach with you.” “I told you. I’m very romantic.” Standing, Fletch brushed the sand off his skin. “And I told you romance is dead.” “That’s just wishful thinking,” Fletch said. “I’ll get the sleeping bag.
”
”
Anonymous
“
Love Hurts. I daresay there’s two or three poems, six novels and at least twelve songs on the subject. That’s how the Janus-faced beast of poetry gets written in the first place, in all its myriad of magical forms. So; why cover this hitherto uncharted and highly original territory? Why leap fearlessly into the unknown, nostrils flared, eyes flashing fire? Well, in the name of love, lust and limerence, why on earth not? Suffering is gratuitous and pointless, yet also vital, valuable and necessary. My last tête à tête gave me plenty, incorporating elements of the forbidden, of rebellion, pornography, pregnancy, parental approval – followed by fury – of infidelity, friend estrangement, life on one island that was heavenly and a second that veered between purgatorial and infernal, of violence, miscarriage, masturbating Indians, pepper spray, antipathy, disloyalty, evictions, a planned future, failed globetrotting and habitual lies, whilst being indicative of a wider, all-encompassing social corrosion, and while the story itself may remain merely hinted at or alluded to in the course of this generalised polemic, it’s as worthy or valid as any other such tale told round the campfire and whispered across the beaches of the world.
All life’s a roll of the dice, tiger; ride into the bastard storm and if your wounds hurt, be grateful you survived to lick them, even in the darkest nights of the soul when the sun is a mattress fire the god of your love died in. Love Hurts, and in a stupendous and savage cosmos, it’s my right to sit at the keyboard and bleed. Besides, love, poverty and war are the necessary accoutrements to a fulfilled life; this is the all-encompassing theme of our human condition and the crooning, persuasive symphony of that philosophically unfathomable miracle of life itself… especially as love leads to poverty and war. Man is born unto trouble as the sparks fly upward, after all. I certainly am… we choose our own chains...
~excerpt, "Love Hurts
”
”
Daniel S. William Fletcher
“
Only fools are certain.
”
”
Daniel S. William Fletcher (The Acid Diary)
“
Silverbell, and his human companion Doughty called back to her with a responding, “Heigh-ho!” and lifted their bows in salute. Aleina noted the bandages wrapping the fingers of the duo, digits rubbed skinless by a thousand bowshots a day. She grimly nodded as she rode on, taking heart that most of those arrows had probably found a mark. On her last trip to the city’s outer wall, she had seen a frost giant lying dead in a heap, its body so thick with arrows that it more resembled a giant porcupine than any humanoid creature. Aleina had noted the fletching on some of those arrows, and had recognized several at least that had come from Plenerond Silverbell’s quiver. King Firehelm awaited her in the city’s grand central citadel, a fortress within the fortress. As she rode up to the main door of that massive and impregnable keep, she spotted the king on a balcony, hands gripping an iron rail as he stared out over the city courtyard, the walls, and the bloody fields. He took note of her and looked down with an approving nod, but his eyes went right back to the fields, to the carnage. His shoulders had slumped under the weight of it all, Aleina thought. She handed the reins to an attendant at the door and bounded up the stairs to the king’s chamber, entering
”
”
R.A. Salvatore (Rise of the King (Companions Codex, #2; The Legend of Drizzt, #29))
“
Only fools are certain
”
”
Daniel S. William Fletcher (The Acid Diary)
“
Anderson Media is the brainchild of Wade Anderson.” He gestures to Fletch. “Fletcher’s father, who along with his wife, our beloved Claire Anderson, started this company from a one-room office.
”
”
T.L. Swan (Miles Ever After (Miles High Club, #5))
“
in the nuts and he went home squealing like a girl. It was just an accident. In case Dad is telling the truth about Pugsley and the green ants I always wear shoes now when I wrestle Fletch on the grass. That’s probably why it hurt him so much. Better than being bitten by a green ant though.
”
”
Kate Cullen (Game On Boys! The Play Station Play-offs: A Hilarious adventure for children 9-12 with illustrations)
“
was a short hunting bow – the kind a lady uses, but made of ivory, not wood, and amazingly carved and decorated with gold and jewels. The Queen loves hunting and this was a beautiful bow. It came with a red leather quiver and in the quiver were the arrows. One of them was larger than the others and glittered in the sun. The Queen drew it out and we saw that the arrow was made of silver, with a gold barb and diamonds all along the fletching.
”
”
Grace Cavendish (Conspiracy (Lady Grace Mysteries, #3))
“
Rayne heard Ghost open the door to the house and when he didn’t immediately appear, went looking for him. She found him standing in the laundry room, staring at what she saw was simply a load of dirty clothes she hadn’t yet put into the washer. Ever since she’d asked to borrow the car while he was at work for the last week or so, Ghost had been picked up by Fletch and dropped off after work by one of the other guys on the team. This was the first time she could remember him coming into the house through the garage, and thus through the small laundry room.
“Ghost? What are you doing? Are you all right?”
He looked up at her.
“You’re doing our laundry.”
“Yeah? So? It was dirty. You didn’t want to walk around in nasty, smelly clothes did you?”
Rayne had no idea what his deal was. Ghost dropped his duffle back on the floor and came toward her.
“You’re doing our laundry.”
“Yeah, Ghost. I am,” she repeated.
“Ours. Our laundry.”
“Did you hit your head today? I’m seriously worried about you.”
Ghost picked her up by her waist and set her down on top of the washing machine.
“I fucking love coming home and walking into my house and seeing your panties mixed up with my boxers. To come home and know you’re here. Waiting for me. You have no idea. None.”
Chills broke out on Rayne’s arms and legs at Ghost’s words, but he didn’t stop.
“This is what we fight for. This is what we’re willing to die for.”
“For me to wash your dirty clothes?” Rayne had no idea what he was getting at. She wasn’t trying to be snarky, her question was genuine. Ghost leaned his head against hers and closed his eyes. She could feel his hands squeeze her waist and move up under her T-shirt to her lower back, where he stroked. She knew he understood exactly what he was doing. He wasn’t absently caressing her; he was running his hands over her tattoo, over their tattoo.
”
”
Susan Stoker (Rescuing Rayne (Delta Force Heroes, #1))
“
Then tell me,” I said, “O, Wise Arrow, most dear to all manner of trees, how do we get to the Cave of Trophonius? And how do Meg and I survive?” The arrow’s fletching rippled. THOU SHALT TAKE A CAR. “That’s it?
”
”
Rick Riordan (The Dark Prophecy (The Trials of Apollo, #2))
“
I make eye contact with Fletch. My best friend. My apparent housemate for life, and I go back down and tongue my best friend’s testicles until he starts coming.
”
”
Brill Harper (All Together (It's Complicated, #1))
“
He heard the hiss of an arrow followed by the thud of a body hitting the ground. They’d hit one of the riders behind him. More arrows cut through the air, one so close to his ear he felt the fletching tickle his lobe.
”
”
Victor Gischler (Ink Mage)
“
But there was no sign of life in the small fortified outpost as they drew nearer. “Gate’s open,” Halt muttered as they came closer and could make out more detail. “How many men usually garrison a place like this?” Horace asked. The Ranger shrugged. “Half a dozen. A dozen maybe.” “There don’t seem to be any of them around,” Horace observed, and Halt glanced sideways at him. “I’d noticed that part myself,” he replied, then added, “What’s that?” There was an indistinct shape apparent now in the shadows just inside the open gate. Acting on the same instinct, they both urged their horses into a canter and closed the distance between them and the fort. Halt already felt certain what the shape was. It was a dead Skandian, lying in a pool of blood that had soaked into the snow. Inside there were ten others, all of them killed the same way, with multiple wounds to their torsos and limbs. The two travelers dismounted carefully and moved among the bodies, studying the awful scene. “Who could have done this?” said Horace in a horrified voice. “They’ve been stabbed over and over again.” “Not stabbed,” Halt told him. “Shot. These are arrow wounds. And then the killers collected their arrows from the bodies. Except for this one.” He held up the broken half of an arrow that had been lying concealed under one of the bodies. The Skandian had probably broken it off in an attempt to remove it from the wound. The other half was still buried deeply in his thigh. Halt studied the fletching style and the identification marks painted at the
”
”
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
“
but some of the best dialogue put down on paper. Eddie Coyle is a low-level Boston gangster caught up in a gunrunning scheme. Read the book, then see the movie starring Robert Mitchum. Confess, Fletch by Gregory Mcdonald The second of the brilliant Fletch series, this one takes place entirely in Boston. It involves a murder mystery, an art heist, and the introduction of Mcdonald’s second greatest character, Inspector Flynn of the Boston Police Department. Coma by Robin Cook Maybe I think this book is so terrifying because I read it when I was too young, but I still get chills just
”
”
Peter Swanson (The Kind Worth Killing)
“
Try to imagine what cinema would look like without them. Collaborating with behind-the-camera talents including John Landis, Ivan Reitman, Carl Reiner, and John Hughes-and fellow stars such as Tom Hanks, Robin Williams, and Golden Hawn-this new wave would produce a litany of big, brash blockbusters and evergreen oddities: National Lampoon's Animal House, The Jerk, The Blues Brothers, Caddyshack, 48 Hrs., Trading Places, The Man with Two Brains, Beverly Hills Cop, Ghostbusters, Fletch, Coming to America, and Scrooged, to name but some. That list alone makes a compelling case that this period is as good as things have ever gotten for big-screen comedy.
Quentin Tarantino certainly thinks so. "I think the '80s is the worst decade, with the '50s being the second worst, in the history of Hollywood," the director said in 2015. "The only movies from the '80s that I find myself really, really hanging on to, oddly enough, are the silly comedies. They're the ones that you have the most affection for.
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Nick de Semlyen (Wild and Crazy Guys: How the Comedy Mavericks of the '80s Changed Hollywood Forever)