Flashlight Book Quotes

I’m not courageous. In fact, when I shadow box I wear boxing gloves that are outfitted with flashlights.

Without a human voice to read them aloud, or a pair of wide eyes following them by flashlight beneath a blanket, books had no real existence in our world. Like seeds in the beak of a bird waiting to fall to earth, or the notes of a song laid out on a sheet, yearning for an instrument to bring their music into being. they lie dormant hoping for the chance to emerge.They want us to give them life.

If you have never spent whole afternoons with burning ears and rumpled hair, forgetting the world around you over a book, forgetting cold and hunger-- If you have never read secretly under the bedclothes with a flashlight, because your father or mother or some other well-meaning person has switched off the lamp on the plausible ground that it was time to sleep because you had to get up so early-- If you have never wept bitter tears because a wonderful story has come to an end and you must take your leave of the characters with whom you have shared so many adventures, whom you have loved and admired, for whom you have hoped and feared, and without whose company life seems empty and meaningless-- If such things have not been part of your own experience, you probably won't understand what Bastian did next.

if you’re reading this book, then you’re also that child reading by flashlight and dreaming of other worlds. Don’t be scared of her, that inner Beauty, or her dreams. Let her out. She’s you, and she’s me, and she’s magic. There’s

Prophesies are dark and don’t need a flashlight to illuminate. I’m a bring my own lighthouse kind of lover.

Stories come alive in the telling. Without a human voice to read them aloud, or a pair of wide eyes following them by flashlight beneath a blanket, they had no existence in our world. They were like seeds in the beak of a bird, waiting to fall to earth. Or the notes of a song laid out on a sheet, yearning for an instrument to bring their music into being. They lay dormant, hoping for the chance to emerge. Once someone started to read them, they could begin to change. They could take root in the imagination and transform the reader. Stories wanted to be read. They needed it. It was the reason they forced themselves from their world into ours. They wanted us to give them life.

I am a reader, a flashlight-under-the-covers, carries-a-book-everywhere-I-go​, don't-look-at-my-Amazon-bill. I choose purses based on whether I can cram a paperback into them, and my books are the first items I pack into a suitcase. I am the person who family and friends call when they need a book recommendation or cannot remember who wrote Heidi. My identity as a person is so entwined with my love of reading and books that I cannot separate the two.

I, too, like the sound of the rain on the roof. I also like the lightning. It's like some great cosmic flashlight. It makes me think that someone is searching for me. And I don't mind the BAM of thunder because that makes me think that, perhaps, I have been found. That's the way a good book makes me feel, as if I have been found, understood, seen. --Maureen O'Toople in the short story "Your Question for Author Here

The thing that makes me happy is that I know that on Mars, two hundred years from now, my books are going to be read. They’ll be up on dead Mars with no atmosphere. And late at night, with a flashlight, some little boy is going to peek under the covers and read The Martian Chronicles on Mars.

School did give me one of the greatest gifts of my life, though. I learned how to read, and for that I remain thankful. I would have died otherwise. As soon as I was able, I read, alone. Under the covers with a flashlight or in my corner of the attic—I sought solace in books. It was from books that I started to get an inkling of the kinds of assholes I was dealing with. I found allies too, in books, characters my age who were going through or had triumphed against the same bullshit.

Look,” he says, “whenever I’m here, it feels like the walls are closing in on me. I love my family, I do. But I’ve spent fifteen years coming home as rarely as possible because it’s fucking lonely to feel like you don’t fit somewhere. I never wanted to run this store. I never wanted this town. And whenever I’m here it’s all I think about. I get so fucking claustrophobic from it all. “Not from them. But from feeling like I don’t know how to be myself here. From—getting in my head about who I’m supposed to be, or all the ways I haven’t turned out how they wanted me to. And then you showed up.” His eyes flare, flashlights racing over the dark, searching. “And I could finally breathe.

And then you showed up.” His eyes flare, flashlights racing over the dark, searching. “And I could finally breathe.

So here, patient listener: your soothing epilogue. Imagine him happy. Imagine him spinning in circles... Imagine his heaven, where he can float through characters and books at will. (Let's dream him up a king, a giant, a boy who can fly.) Imagine him already there, under his covers with the flashlight.

So while I dedicated this book to myself, it’s also dedicated to you. Male or female, young or old, if you’re reading this book, then you’re also that child reading by flashlight and dreaming of other worlds. Don’t be scared of her, that inner Beauty, or her dreams. Let her out. She’s you, and she’s me, and she’s magic. There’s no such thing as living happily ever after—there’s only living. We make the choice to do it happily. You are the Firebird. And above everything else, I’m most grateful for you.

I am a reader, a flashlight-under-the-covers, carries-a-book-everywhere-I-go, don't-look-at-my-Amazon-bill reader. I choose purswes based on whether I can cram a paperback into them, and my books are the first items I pack ingo a suitcase.

Okay. Take a peek, but I swear if you try anything funny, I’ll beat your head in with my flashlight.

For everyone who’s ever finished a book under the covers with a flashlight when they were supposed to be sleeping

I turned on the flashlight; it cut a small circle of light from the darkness around me.

Dishrags have faces Flashlights have hate Pine trees are sweetest To sit and meditate The Holy Virgin of Heaven Saw us in the rainy first morning

She was the child with the flashlight under the duvet late into every night. She would breeze through a book in a day and a half, then read it six more times.

For everyone who’s ever finished a book under the covers with a flashlight when they were supposed to be sleeping.

Patches don’t look it, but when attached to your soul they can get pretty heavy. They go over the holes in your soul, like when you patch a sock. When you have a hole in your soul, it’s because you’re hurting from something. I don’t know if you noticed, but that girl had a lot of holes.

There’s nothing wrong with you at all. Sometimes people say or do things that are mean because there's something the matter with them. With Lydia, it seems there’s always something wrong with her.

Stories were different, though: they came alive in the telling. Without a human voice to read them aloud, or a pair of wide eyes following them by flashlight beneath a blanket, they had no real existence in our world.

The year was 1987, but it might as well have been the Summer of Love: I was twenty, had hair down to my shoulders, and was dressed like an Indian rickshaw driver. For those charged with enforcing our nation’s drug laws, it would have been only prudent to subject my luggage to special scrutiny. Happily, I had nothing to hide. “Where are you coming from?” the officer asked, glancing skeptically at my backpack. “India, Nepal, Thailand…” I said. “Did you take any drugs while you were over there?” As it happens, I had. The temptation to lie was obvious—why speak to a customs officer about my recent drug use? But there was no real reason not to tell the truth, apart from the risk that it would lead to an even more thorough search of my luggage (and perhaps of my person) than had already commenced. “Yes,” I said. The officer stopped searching my bag and looked up. “Which drugs did you take? “I smoked pot a few times… And I tried opium in India.” “Opium?” “Yes.” “Opium or heroin? “It was opium.” “You don’t hear much about opium these days.” “I know. It was the first time I’d ever tried it.” “Are you carrying any drugs with you now?” “No.” The officer eyed me warily for a moment and then returned to searching my bag. Given the nature of our conversation, I reconciled myself to being there for a very long time. I was, therefore, as patient as a tree. Which was a good thing, because the officer was now examining my belongings as though any one item—a toothbrush, a book, a flashlight, a bit of nylon cord—might reveal the deepest secrets of the universe. “What is opium like?” he asked after a time. And I told him. In fact, over the next ten minutes, I told this lawman almost everything I knew about the use of mind-altering substances. Eventually he completed his search and closed my luggage. One thing was perfectly obvious at the end of our encounter: We both felt very good about it.

The shadow self is what lies beneath the makeup. It’s those ugly parts that you haven’t accepted about yourself. You hide those parts in the shadows until you’re ready.” Her face remained a haunting calm. “When you realize the scars are who you are, that there was nothing wrong with you and that you were beautiful all along - that’s when you decide to take the makeup off.

Finally I find it, the book, but as I’m pulling it out of the stack I hear a noise coming from my toy room. It sounds like scratching or scraping maybe and my mind instantly goes to the possibility that maybe it’s a monster or a dragon or something else with claws. My hand shakes a little as I stand up and turn back toward the room. When I step into it, I feel the wind hit my cheeks. I shine the light around and notice one of the windows is open. I don’t understand why. I didn’t open it and I don’t think it was open when I came down here. What if it was a monster? I sweep the flashlight around the room at all my toys as I start back toward the corner. Then the light lands on something tall… I hear voices. Ones that don’t sound like they belong to a monster, but just people. But that’s what they end up being. Terrible, horrible monsters.

It was nearly midnight, and he was lying on his stomach in bed, the blankets drawn right over his head like a tent, a flashlight in one hand and a large leather-bound book (A History of Magic by Bathilda Bagshot) propped open against the pillow. Harry moved the tip of his eagle-feather quill down the page, frowning as he looked for something that would help him write his essay, “Witch Burning in the Fourteenth Century Was Completely Pointless — discuss.

Before she became ill, David's mother would often tell him that stories were alive. They weren't alive in the way that people were alive, or even dogs or cats. People were alive whether you chose to notice them or not, while dogs tended to make you notice them if they decided that you weren't paying them enough attention. Cats, meanwhile, were very good at pretending people didn't exist at all when it suited them, but that was another matter entirely. Stories were different, though: they came alive in the telling. Without a human voice to read them aloud, or a pair of wide eyes following them by flashlight beneath a blanket, they had no real existence in our world.

The narrow slit in the fence is much like the way in which we look at life by conscious attention, for when we attend to something we ignore everything else. Attention is narrowed perception. It is a way of looking at life bit by bit, using memory to string the bits together—as when examining a dark room with a flashlight having a very narrow beam.

Because I am, just as you are you. We don’t always get to pick who we are, Shelly Wynn, but we can choose to celebrate it.

In society’s daylight, black people are invisible. Black people are also invisible at night. Hooray for flashlights!

our outside loo, known as the Betty, was a good loo; whitewashed and compact with a flashlight hanging behind the door. I smuggled books in there to read them in secret, claiming constipation.

I have five flashlights and each performs its own trick. I have a raincoat with zippers and net material so I never get too hot in a downpour. I have a shelf crammed with books and a shortwave that speaks Arabic, Japanese, Dutch and Russian. They have mud huts with maybe a few chairs and faded pages of old magazines fastened to the wall. I ride my twenty-one speed Peace Corps-issue bike to Ferke not to save a dollar on transport but for the luxury of exercise. They ride in from their settlements on cranky old mopeds or bikes with a single cog because it's the only option. And they give me charity. I just stare at it - near tears. To refuse their offer would be pure insult. So I do the rounds again shaking hands with all the men in boubous saying over and over "An y che " Thank you.

Before she became ill, David’s mother would often tell him that stories were alive. They weren’t alive in the way that people were alive, or even dogs or cats. People were alive whether you chose to notice them or not, while dogs tended to make you notice them if they decided that you weren’t paying them enough attention. Cats, meanwhile, were very good at pretending people didn’t exist at all when it suited them, but that was another matter entirely. Stories were different, though: they came alive in the telling. Without a human voice to read them aloud, or a pair of wide eyes following them by flashlight beneath a blanket, they had no real existence in our world. They were like seeds in the beak of a bird, waiting to fall to earth, or the notes of a song laid out on a sheet, yearning for an instrument to bring their music into being. They lay dormant, hoping for the chance to emerge. Once someone started to read them, they could begin to change. They could take root in the imagination, and transform the reader. Stories wanted to be read, David’s mother would whisper. They needed it. It was the reason they forced themselves from their world into ours. They wanted us to give them life.

Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.

Ruth felt beneath the seat for a flashlight. "What's this?" she asked, pulling out a paperback book in a Ziploc plastic bag. She held it up. "It's a dictionary, Helma. You carry a DICTIONARY in your car?" "It's my car dictionary," Helma told her.

Oh wow,” I said, turning the pack over in my hands. It was a collection of Louis L'Amour books. Westerns. My dad had an entire shelf of them. As a kid, I’d sneak one here and there and read the entire book in one night, hiding under the covers with a flashlight.

Approaching Em’s cottage, especially at night, always enchanted him. It was like walking into those fairy tales he’d read by flashlight under his bedcovers, full of rose-covered cottages and small stone bridges, glowing hearths and content couples hand in hand. His relieved father had thought he was reading Playboy but instead he was doing something infinitely more pleasurable and dangerous. He was dreaming of the day he’d create this fairy-tale world for himself, and he’d succeeded, at least in part. He had himself become a fairy. And as he looked at Em’s cottage, its buttery light beaconing, he knew he’d walked right into the book he’d used to comfort himself when the world seemed cold and hard and unfair. Now he smiled and walked toward the house, carrying his Christmas Eve offering.

Pippin marveled at the vastness of the collection. How many stories did the pages of all these books hold? But not only that, what stories did the books themselves tell? Who had held these volumes? Who had loved them, hidden under a sheet, flashlight in hand, to read them into the wee hours of the morning, or screeched from a shocking twist? Imaginary people came to life through the words on the page. Book boyfriends, best friends, worlds in which people wanted to live

I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.

opportunity. The bizarre codes on the pages she’d sorted for Randy suddenly made sense. They must have been the files that kept track of where the bank had stashed millions of dollars. Jim wanted the money out, and so did the Covellis. The Mob was somehow involved with the bank’s dealings, and Carmichael worked for them. Being a bartender was just a facade. Beatrice hadn’t known him at all. But Tony and Max had known him, she realized. Tony was a police detective; he was the one who told her about the Covellis in the first place. He must have known. Every word Carmichael might have overheard at the bar replayed in her mind—her conversations with Tony about snooping around the bank, the missing safe deposits, the missing master key. Maybe Tony had wanted Carmichael to hear. The old man pointed the gun at Teddy in her head. Maybe the Covellis would bring down the bank if law enforcement failed. No one, not even Tony, suspected that she and Max had the power to do anything but run. Max was right. They all underestimated women like them. Beatrice stepped out from behind the curtain with the keys in her hand and crept toward the vault. CHAPTER 72 Friday, August 28, 1998 A black-and-white photograph of two women looked up from Box 547 in the yellow glow of the detective’s flashlight. They were smiling. The glass in the silver picture frame was cracked. Iris picked it up and handed it to Detective McDonnell. Underneath it she found a brown leather book and a candle. That was it. “What the hell is this?” Iris

Books had always been a comfort to her. More than comfort. There were times when reading came close to an addiction. When things had been tough at home, Harriet’s solution had been to remove herself from life and disappear. She’d chosen to be invisible. Sometimes physically, by hiding under the table, but sometimes psychologically by diving into a literary world unlike her own. As a child she’d liked to sink into the pages and lose herself for hours at a time. When she was reading, she didn’t just leave her own life behind, she stepped into someone else’s. There were times when she’d read for hours without noticing the passage of time or the onset of darkness. When it grew too dark to read, she simply switched on her flashlight and read under the covers so that she didn’t disturb her sister, who was sleeping in the next bed. At school, she carried her book around. When things were difficult, the weight of her bag would comfort her. It helped just to know the book was there, waiting for her. At various points in the day she’d feel the edges bump against her thigh, reminding her of its existence. It was like having a friend close by, telling her I’m still here and we can spend time together later. Even now, more than a decade on from that difficult time of her life, she found herself instinctively reaching for a book when she was stressed. Comfort was different things to different people. To some it was a bar of chocolate or a glass of wine, a run in the park or coffee with a friend. To Harriet, it was a book.

..:The purpose of a flashlight is to brighten our path when finding ourselves walking in darkness. So is every book written. Specially the BIBLE. They were written and were left behind as a guide to a brighter and better future for us. But without activation, the flashlight will serve not its purpose. So is the case if we take not the time to dig into the manuals and transcripts. If we take not the time to dig in into the manual of our lives. It'll all be worthless and will leads us to a mediocre life full of darkness:..

All these processes are helped along by another friend of the earth, dematerialization. Progress in technology allows us to do more with less. An aluminum soda can used to weight three ounces; today it weighs less than half an ounce. Mobile phones don't need miles of telephone poles and wires. The digital revolution, by replacing atoms with bits, is dematerializing the world in front of our eyes. The cubic yards of vinyl that used to be my music collection gave way to cubic inches of compact disks and then to the nothingness of MP3s. The river of newsprint flowing through my apartment has been stanched by an iPad. With a terabyte of storage on my laptop I no longer buy paper by the ten-ream box. And just think of all the plastic, metal, and paper that no longer go into the forty-odd consumer products that can be replaced by a single smartphone, including a telephone, answering machine, phone book, camera, camcorder, tape recorder, radio, alarm clock, calculator, dictionary, Rolodex, calendar, street maps, flashlight, fax, and compass--even a metronome, outdoor thermometer, and spirit level.

I keep thinking about the fragmented quality of human awareness: You take your blindness for granted most of the time then suddenly it stuns you: how little you see as you plunge ahead from minute to minute, day to day, year to year - vision cut down to the arc of a flickering flashlight, never sure how your words and acts are affecting someone else because you never really see that someone as he is. I know we should find even the most serene life unendurable were we to possess to any real degree those extrasensory perceptions which our grandmothers believed in...

wind whirled the fallen leaves and discarded trash littering the entrance to the old water park. As a young man approached the looming gate, an eerie chill snaked down his spine. “This place is creepy as hell,” he muttered, shining his flashlight on the weathered sign. “You sure you want to do this?” The young woman who had coerced him into coming out here ripped the lid from the plastic bucket she was holding. “Dr. Cooper needs to take notice that the students of Ashmore College are not going to stand for this new research facility of his. You heard how smug he sounded at the protest tonight. He thinks he can get away with anything just because his mother is president of the college. Someone has

(Tania Unsworth) writes of a time when she was a “girl of eleven, with a flashlight under the covers, devouring The Chronicles of Narnia”—when there was a complete immersion in the world of the novel, when one connected with a book’s protagonist and experienced the world through the eyes of the “other” in a powerful, beautiful way. There was an intensity to reading then, a kind of total involvement in story that is hard to reproduce as an adult. I know too much now about tired plots and clichés. I am always comparing one thing to another, recognizing devices, identifying styles. No matter how good or bad I find something, I’m always aware of my response, slightly detached, consciously enjoying or not enjoying.

IN 1941, ITS BEST YEAR EVER, the partnership of Kavalier & Clay earned $59,832.27. Total revenues generated that year for Empire Comics, Inc.—from sales of all comic books featuring characters created either in whole or in part by Kavalier & Clay, sales of two hundred thousand copies apiece for each of two Whitman’s Big Little Books featuring the Escapist, sales of Keys of Freedom, of key rings, pocket flashlights, coin banks, board games, rubber figurines, windup toys, and diverse other items of Escapism, as well as the proceeds from the licensing of the Escapist’s dauntless puss to Chaffee Cereals for their Frosted Chaff-Os, and from the Escapist radio program that began broadcasting on NBC in April—though harder to calculate, came to something in the neighborhood of $12 to $15 million.

When I was a child, my father forbade me to read science fiction or fantasy. Trash of the highest order, he said. He didn't want me muddying up my young, impressionable mind with crap. If it wasn't worthy of being reviewed in the Times, it did not make it onto our bookshelves. So while my classmates gleefully dove into The Lion, the Witch and the Wardrobe, A Wrinkle in Time, and The Borrowers, I was stuck reading Old Yeller. My saving grace- I was the most popular girl in my class. That's not saying much; it was easy to be popular at that age. All you had to do was wear your hair in French braids, tell your friends your parents let you drink grape soda every night at dinner, and take any dare. I stood in a bucket of hot water for five minutes without having to pee. I ate four New York System wieners (with onions) in one sitting. I cut my own bangs and- bam!- I was queen of the class. As a result I was invited on sleepovers practically every weekend, and it was there that I cheated. I skipped the séances and the Ouija board. I crept into my sleeping bag with a flashlight, zipped it up tight, and pored through those contraband books. I fell into Narnia. I tessered with Meg and Charles Wallace; I lived under the floorboards with Arrietty and Pod. I think it was precisely because those books were forbidden that they lived on in me long past the time that they should have. For whatever reason, I didn't outgrow them. I was constantly on the lookout for the secret portal, the unmarked door that would lead me to another world. I never thought I would actually find it.

Why reinvent the light bulb Did you have a problem with the burning light? Thanks to Thomas Edison’s effort, we don’t need to invent a flashlight, we just go to the store or our closet and pull one out and fuck in. I’m sure you realize that Thomas Edison took many attempts before the lamp was mastered by someone who once asked him if he discouraged his failure and said, “Cut, I haven’t failed yet, I’ve discovered another way not to make a light lamp. You see, there’s nothing like failure, there’s just results. Someone once said that defining madness is doing something over and over and getting the same results. To do our lives right, we have to change the things we do. Just like light can burn, so we can. Life can become dark and depressed and we feel no light, no hope of sight. This picture is certainly not clear. Let me highlight this situation (intentional). When we feel down and deep in the hole, that’s when we need light to see our way through. Some of us are lucky enough to have some light on our hands, others have to come out and get it back. Many people try to invent light for themselves by thinking about positive ideas, but so far it takes them. It just gives a lot of light and there’s more light available, but people at a secondary level are about how to get it. We must not be like Thomas Edison, continue to look at the problem and think of ways to solve it. For every problem, there’s a solution. How do we find a solution? We can try, as we have said, to try to figure it out ourselves, or we can find someone who has already crossed this obstacle and do what they did. There are many books on the market today that can help us understand how to overcome obstacles in our lives. We have to read and learn from the failure of others, they’ve been through it before, and they can help teach us how to go through it. We all need more light in our lives and sometimes we can’t see light at the end of the tunnel, but there’s always hope and assistance. You know how others overcome their challenges and keep this education in you even when you feel weak and life seems bad. Don’t try to reinvent the light lamp. Learn how to carry light in yourself.

Raphael pulled out a paperback and handed it to me. The cover, done back in the time when computer-aided imagine manipulation had risen to the level of art, featured an impossibly handsome man, leaning forward, one foot in a huge black boot resting on the carcass of some monstrous sea creature. His hair flowed down to his shoulders in a mane of white gold, in stark contrast to his tanned skin and the rakish black patch hiding his left eye. His white, translucent shirt hung open, revealing abs of steel and a massive, perfectly carved chest graced by erect nipples. His muscled thighs strained the fabric of his pants, which were unbuttoned and sat loosely on his narrow hips, a touch of a strategically positioned shadow hinting at the world’s biggest boner. The cover proclaimed in loud golden letters: The Privateer’s Virgin Mistress, by Lorna Sterling. “Novel number four for Andrea’s collection?” I guessed. Raphael nodded and took the book from my hands. “I’ve got the other one Andrea wanted, too. Can you explain something to me?” Oh boy. “I can try.” He tapped the book on his leather-covered knee. “The pirate actually holds this chick’s brother for ransom, so she’ll sleep with him. These men, they aren’t real men. They’re pseudo-bad guys just waiting for the love of a ‘good’ woman.” “You actually read the books?” He gave me a chiding glance. “Of course I read the books. It’s all pirates and the women they steal, apparently so they can enjoy lots of sex and have somebody to run their lives.” Wow. He must’ve had to hide under his blanket with a flashlight so nobody would question his manliness. Either he really was in love with Andrea or he had a terminal case of lust. “These guys, they’re all bad and aggressive as shit, and everybody wets themselves when they walk by, and then they meet some girl and suddenly they’re not uber-alphas; they are just misunderstood little boys who want to talk about their feelings.” “Is there a point to this dissertation?” He faced me. “I can’t be that. If that’s what she wants, then I shouldn’t even bother.” I sighed. “Do you have a costume kink? French maid, nurse . . .” “Catholic school girl.” Bingo. “You wouldn’t mind Andrea wearing a Catholic school uniform, would you?” “No, I wouldn’t.” His eyes glazed over and he slipped off to some faraway place. I snapped my fingers. “Raphael! Focus.” He blinked at me. “I’m guessing—and this is just a wild stab in the dark—that Andrea might not mind if once in a while you dressed up as a pirate. But I wouldn’t advise holding her relatives for ransom nookie. She might shoot you in the head. Several times. With silver bullets.

I am a reader, a flashlight-under-the-covers, carries-a-book-everywhere-I-go, don’t-look-at-my-Amazon-bill reader.

Need them? For what? And then I remember the Ominous Eight in their chambers. Siphon must have used Airess’ energy manipulation powers to turn the flashlight back on me! And before that he used Think Tank’s psychic powers to shut the door! And the atoms circling his fists must be from the Atomic Rage! “Hang on,” I say, “You said you’re name is Siphon. Like, you siphon the powers of others?” “That’s right,” he says. “And I can’t believe my luck that you wandered through that door.

By the waning light of Stew’s fire, he had turned to the back of his book and illuminated the page with his flashlight beam—a circle of light within a circle of light within a sea of darkness.

I had another Eye of Ender, AND an Ender Pearl! There was also a good-sized pile of mismatched odds and ends. I knew what some of the stuff was, but a lot of it was still a complete mystery. I lugged everything outside anyway, and packed it all up. Only this time packing wasn’t the tiniest bit of an issue because I used... DUN-DA-DA-DUH... Llama power! (Yep, I just chucked it all into the chests the llamas were so kindly carrying for me!) Then I spent the whole rest of the day searching every square inch of every last room in the entire Tower. (With a red flashlight too!) I didn’t find any secret rooms. But I did find one more pile of Blaze powder. (Yay!) It was hiding in the potion stand! I didn’t need any potions, so I took it out, and packed it up! Whew! All that looting—ahem, I mean packing—has wiped me out. I’d love to get some sleep, but I need more Ender Pearls to go with all my new Blaze powder. And I know for a fact that they won’t collect themselves!

Next question,” Cherry lay across the sofa and folding the page of the magazine over she, read the question out loud. “You can choose one thing to take on a deserted island. Will you choose A) a book, B) a knife, C) matches, or D) a flashlight?” I watched quietly from the doorway. Hell sat on the ground with his back to the sofa, his arms folded behind his head with his eyes closed. “What the fuck?” His brows bunched. “How is this going to tell me what pizza flavor I am?

This story is dedicated to all of you who love reading as much as I do. To all of you who dive into a good book for pleasure, enlightenment, or escape. To all of you who started your reading journey with a flashlight under the covers and still love the crackle of the spine of a new book or the distinct aroma of an old one. To all of you who find meaning, value, and purpose in the written word. You are my kindred spirits.

A couple of large leaf rakes were on the porch. “I have an idea,” Nancy said. By pushing the rakes in front of them up and down the yard, the girls would spot the hidden trap before either of them fell into it. Unfortunately, the yard was pretty big. They hadn’t covered much ground when they heard a car. It was pulling into the twins’ driveway! Bree and Nancy dropped the rakes and scrammed. They ran through the lilac bushes in between the twins’ house and Mrs. DeVine’s. They dashed across Mrs. DeVine’s yard, wiggled through the hedge that separated her yard from Nancy’s, and hid inside Headquarters. Whew! That was a close call. But they were safe! They collapsed into the beanbag chairs. “You really think there’s a booby trap?” Bree asked. She sounded doubtful now. “More and more, I’m sure of it. We need to search that whole yard. But let’s sneak back under cover of darkness.” That meant at night but sounded way more dangerous. They’d have to use flashlights. There’d be spooky night noises. Nancy could picture it all! “We’re not allowed out after dark,” Bree pointed out. Nancy knew that. She just didn’t want to be reminded of it. Not right now. It was more fun picturing the two of them sneaking around in the dark. Nancy sighed. It was awfully difficult to be a glamorous detective when your bedtime was eight thirty.

I can’t believe I almost forgot about this one.” Gran pointed to a galvanized steel trash can in the corner. The lid was sealed with conductive tape. “Gramps made it. It’s a homemade Faraday cage. The lid is super tight. He lined it with cardboard and extra aluminum foil on the inside for extra protection.” The Faraday cage would have protected the electronics inside from the EMP. It took a few minutes for Quinn to get it open. She set the lid aside and pulled out a hand-crank radio, a pair of walkie talkies, a couple of LED flashlights, and a Kindle e-reader. “That e-reader is full of reference and survival books. Medicinal herbs, edible plants, wilderness first aid, how to survive nuclear fallout, how to build a spring house and a latrine. And the Bible, of course. The usual beach read fare.

UNKNOWN UNKNOWNS Associative binding of experiences in memory to create an internal chronology would also help explain why most precognitive dreams are only identified as such in hindsight. Even if premory is just an aspect of memory and obeys most of the same principles, the stand-out exception is that only with memory for things past can we engage in what psychologists call source monitoring. We can often tell more or less how we know things from past experience because we can situate them, at least roughly, in relation to other biographical details. We can’t do this with experiences refluxing from our future, because they lack any context. We don’t know yet where or how they fit into our lives, so it may be natural for the conscious mind to assume that they don’t fit at all.12 Again, it is natural and inviting to think of precognition as a kind of radar or sonar scanning for perils in the water ahead. A metaphor that Dunne used for precognitive dreaming is a flashlight we point ahead of us on a dark path. But it makes more sense that our brains are constantly receiving messages sent back in time from our future self and are continually sifting and scanning those messages for possible associations to present concerns and longstanding priorities without knowing where that information comes from, let alone how far away it is in time. Items that match our current concerns or preoccupations will be taken and elaborated as dreams or premonitions or other conscious “psi” experiences, but we are likely only to recognize their precognitive character after the future event transpires and we recognize its source. And even then, we will only notice it, by and large, if we are paying close attention. That matching or resonance with current concerns may be important in determining the timing of a dream in relation to its future referent. For instance, it is possible Freud dreamed about the oral symptoms in the mouth of his patient Anna Hammerschlag when he did because of a confluence of events in his life in 1895 that pre-minded him of his situation all those years later, in 1923—including his relapse to smoking his cigars after his friend Wilhelm Fliess had told him to quit. Again, his thoughts about his smoking may have been the short circuit or thematic resonance between these two distant points in his life, precipitating the dream. Incidentally, there is no reason to assume that that single dream of Freud’s was the only one in his life about his cancer and surgeries. Multiple dreams may point to the same experience via multiple symbolic or associative avenues, so it would be expected that some of Freud’s later dreams, especially closer to 1923, may have also related to the same experiences. We’ll never know, of course. But dreamers frequently report multiple precognitive dreams targeting the same later upheaval in their lives, especially major experiences like health crises and life milestones.

Awareness is like a flashlight which pierces the veil of illusion and illuminates what is hidden behind it.

Soon, all the children were chanting it. “No school! No school!

Somehow her hula hoop had cut into the driver’s side door like the vehicle was made of cheese.

She could spin it between her legs, skip with it, twirl it around her neck and transfer it from one arm to the other. Shelly hooped because she enjoyed it; it calmed her whenever she would have an argument or a bad day at school, and it also allowed her to think. Today, she needed to hoop more than ever.

Shelly shook her head and made sure she had plenty of space so that she wouldn’t hit anything. As many times before, she kept the hoop close to her waist and then twirled it with small, tight bursts of speed. As the hoop gathered in momentum it started to give off a hum that soon took on a light blue illumination far brighter than the streetlamps. It was so bright, that it lit up the entire backyard.

I’m afraid they’re not coming.” Abby said fearfully. “Our parents, our teachers – everyone! They’ve disappeared. That’s it. Lights out, Shelly. We’re on our own.

Lydia displays her right hand and instantly bathed the room with a blinding light. It lasted only a moment before it drew back into her palm. “I can fix you if you’re ever broken.

It’s no big deal. It’s kind of like a tattoo. It won’t hurt, not too much, just a few stitches and it’ll be all over. It’s really interesting how it’s done. You won’t believe where your soul hides. Go on, take a guess. Where do you think it is?

Aloha Oukou. It looked like your soul was escaping so I put you in a tree.

I used to make a nest in the closet of my bedroom with pillows and blankets and a flashlight and a book. My own tiny world, sacred and inviolate, where I could reign entirely at my own whim and discretion.

Reading is almost always subversive. From the time you read the next night's fairy tale under the covers by flashlight when you have already had your bedtime story from Daddy and are supposed to be asleep to the time you are an adult reading junk, hoping no one catches you at it, reading is private; that's the most seductive thing about it. It's you and the book.

Where do you make your homes?” he asked. “Rumson,” Matt called back. “Rumson, Nebraska.” “Nebraska? Where is this place, Nebraska?” The general and his men looked perplexed, but the state of their confusion was nowhere near that of Matt and his friends. “I never met anyone who didn’t know where Nebraska was,” Hooter mumbled through chattering teeth. “Where…where do you think they’re from?” Tony stammered. “I don’t know,” matt whispered, staring at the soldiers and their muskets. “But I have this strange feeling, like…like…” “Like we’ve seen them someplace before,” Q concluded. “Where?” Hooter wanted to know. “Where have we seen them?” “In our history book,” Q whispered. “We’ve gone back in time!” “You mean before TV and stuff?” Hooter asked, looking at the old-fashioned muskets that were pointed at them. “Before TV?” Q squeaked. His voice always turned into a series of squeaks when he was excited. “Try before electricity and flashlights. Try 1776--the Revolutionary War!

Where have we seen them?” “In our history book,” Q whispered. “We’ve gone back in time!” “You mean before TV and stuff?” Hooter asked, looking at the old-fashioned muskets that were pointed at them. “Before TV?” Q squeaked. His voice always turned into a series of squeaks when he was excited. “Try before electricity and flashlights. Try 1776--the Revolutionary War!” “That’s why they don’t know where Nebraska is,” Matt exclaimed. “In 1776 there was no such state as Nebraska! How did this happen? And if we really have gone back in time, how are we going to get home?” Everyone stood staring at the boat full of ragged soldiers before them. Tony turned to Matt. “You thought my backyard was so boring. I hope you’re happy now.” Matt was too stunned to reply. It was true, the Adventure Club had been his idea, but he never dreamed it would turn out like this. Matt closed his eyes tight, wishing they could go back, back to the safety of a few hours ago, when his life had been normal and safe, and his biggest problem had been to finish the peas on his dinner plate!

Create an “Inner Child” Map. Adults have a different way of viewing things compared to a child, and this activity is a kind of bridge between how you think now as an adult and your inner child. Adults usually prefer to create organizers or charts in order to plan or understand something. This time you will be creating an organizer, more specifically called a semantic map, that can help you discover your inner child. To create an “inner child” map, you can get a picture of yourself as a child, probably around the age of 7 or 8. If you do not have any pictures, then you can simply draw yourself when you were in that age. Place the picture or the drawing at the center of a piece of paper, with enough room for scribbles all around it. Then, begin recalling as much as you can all of the phrases or words that you can associate with this child version of you. Brainstorm on everything, such as your favorite color back then, the gifts that you wanted for Christmas, your nickname, your favorite movie, the book that you kept reading over and over again with a flashlight under your blanket, an imaginary friend, or the silly urban legends that you used to believe in. Once you have finished your “inner child map” you are so much closer to discovering him or her, if you haven’t already.

Eventually, in an attempt to avoid his nightmares, he began to read, late at night, which was when his motionless body felt most restless, his mind agile and clear. Yet he refused to read the Russians his grandfather had brought to his bedside, or any novels, for that matter. Those books, set in countries he had never seen, reminded him only of his confinement. Instead he read his engineering books, trying his best to keep up with his courses, solving equations by flashlight. In those silent hours, he thought often of Ghosh. “Pack a pillow and a blanket,” he heard Ghosh say. He remembered the address Ghosh had written on a page of his diary, somewhere behind the tram depot in Tollygunge. Now it was the home of a widow, a fatherless son. Each day, to bolster his spirits, his family reminded him of the future, the day he would stand unassisted, walk across the room. It was for this, each day, that his father and mother prayed. For this that his mother gave up meat on Wednesdays. But as the months passed, Ashoke began to envision another sort of future. He imagined not only walking, but walking away, as far as he could from the place in which he was born and in which he had nearly died. The following year, with the aid of a cane, he returned to college and graduated, and without telling his parents he applied to continue his engineering studies abroad.

Those who seek the Truth are logically in the dark. Therefore, if I aspire to be anything in the world, it's to be a lighthouse. And you, my midget sidekick, you can be my flashlight.

resumed my trek. Thanks to my magic, I could see. Some mirages are real enough to serve. But if things went to hell, or if it turned out I was a rotten sorcerer, well… I still had a flashlight.

Hope, like the dim glow from a flashlight with a dying battery, lingered.

The zombie fell over the generator, too, and laid on the ground next to me—its eyes seemed to glow in the dark. I was so scared, I almost lost it. Shaking, I sprayed it in the face and rolled away. It started smoking the same way the other zombies had, but then did something unexpected—it caught fire. Instantly, the entire area went up in flames. I stepped back, and still standing, jumped up and down, kicking my gas-soaked pants and shoes off. The flames sprouted up as if they had a life of their own.  I shot them with the Super Soaker, but it didn't do any good. The flames spread up the side of a rack of cheesy Hawaiian shirts. I knew I had to put the fire out fast. I ran to the aisle with the fire extinguishers and stopped. I'd dropped my flashlight back by the generator. A couple aisles over, something moved in the shadows. I started to lift my Super Soaker when I got hit in the face. "Oww, it burns," I cried, "Darn it. It burns." My eyes started watering like a busted drinking fountain. "Nathan, is that you? Were you bit? Did I kill you?" "No, no. I'm fine, it's just the lemonade; that stuff burns." "What's going on? You're burning the place down." I could hear panic in her voice. "Grab a fire extinguisher and follow me." My eyes dribbled lemonade-flavored tears as I grabbed two of the largest fire extinguishers and ran back. It took four extinguishers, but we managed to put the fire out. "Wow, the generator's still running," I said. Charred clothes were everywhere. Smoke filled the place—it smelled like fresh-roasted zombie. And I'd thought my day couldn't get any worse. "What the heck happened?" Misty held her nose and looked around at the blackened remains. "Security zombie in the bathroom; it was a close call." "I'll say. We're lucky the fire sprinklers didn't come on." "If this is lucky, I'd hate to see cursed." "Umm, Nate?" "Yeah?" I exhaled in relief. It would have been embarrassing if I'd burnt the place down. "Where's your pants?

P2P meth’s intense paranoia, combined with days without sleep, produces bizarre obsessions. One of them is coloring books. Some I spoke to spent hours coloring. Another obsession is with flashlights and headlamps. Paranoia plus endless nighttime hours awake prod users to light up areas where someone might be lurking. Meth users develop flashlight fetishes, collecting a dozen or more. The new meth has also promoted hoarding, which is why so many homeless encampments are filled with seemingly purposeless junk. Many addicts, up all night, ride bicycles through the streets, with flashlights and headlamps to dig through the trash for things to keep, sell, or trade for dope.

Dunne’s dreams seemed to him evidence for what Einstein and other physicists and mathematicians were just beginning to assert: that since the present moment depends entirely on where you stand in relation to events—what might be in the past for one observer may still be in the future for another observer, and vice versa—then the future must in some sense already exist. Einstein’s theory of relativity suggested that time was a dimension like space. To help visualize this, his teacher, Hermann Minkowski, pictured “spacetime” as a four-dimensional block. For the purposes of this book, let’s make it a glass block so we can see what is happening inside it. One’s life, and the “life” of any single object or atom in the universe, is really a line—a “world line”—snaking spaghetti-like through that glass block. The solid three-dimensional “you” that you experience at any moment is really just a slice or cross section of a four-dimensional clump of spaghetti-like atoms that started some decades ago as a zygote, gradually expanded in size by incorporating many more spaghetti-strand atoms, and then, after several decades of coherence (as a literal “flying spaghetti monster”) will dissipate into a multitude of little spaghetti atoms going their separate ways after your death. (They will recoalesce in different combinations with other spaghetti-strand atoms to make other objects and other spaghetti beings, again and again and again, until the end of the universe.) What we perceive at any given moment as the present state of affairs is just a narrow slice or cross-section of that block as our consciousness traverses our world-line from beginning to end. (If it helps envision this, the comic artist, occult magician, and novelist Alan Moore has recently revised the “block” to a football—one tip being the big bang, the other the “big crunch” proposed in some cosmological models.32 I will stick with the term “glass block” since I am not a football fan and “glass football” sounds odd.) Precognitive dreams, Dunne argued, show that at night, as well as other times when the brain is in a relaxed state, our consciousness can wriggle free of the present moment and scan ahead (as well as behind) on our personal world-line, like a flashlight at night illuminating a spot on the path ahead. This ability to be both rooted mentally in our body, with its rich sensory “now,” and the possibility of coming unstuck in time (as Vonnegut put it) suggested to Dunne that human consciousness was dual. We not only possess an “individual mind” that adheres to the brain at any given time point, but we also are part of a larger, “Universal Mind,” that transcends the now and that spaghetti-clump body. The Universal Mind, he argued, is ultimately shared—a consciousness-in-common—that is equivalent to what has always been called “God.

Tentatively, Peter Armstrong levered his fingers into the groove in the section of floorboards that had been fashioned into the secret door and lifted. He shone his flashlight down into the opening to see the ghoulish girls living in the floor, staring up at him. That mental snapshot would stay with the boy indefinitely. It was the strangest of strange notions, but the girls’ malformations and deformities had turned them into twin phantoms of nightmare

An insect hovers nearby. She can't remember what it's called: smaller than a dragonfly, with delicate mother-of-pearl wings. It skims the surface of the beck. She stays like that for a long time, listening to the birds, the water, the insects. She shuts her eyes, opening them again when she feels something brush her hand. The dragonfly-like creature with the iridescent wings. The word swims up from the depths of her brain: a damselfly. Tears well in her eyes, surprising her. She was fascinated by insects as a child. She remembers begging her mother to spare the moths that fluttered out from wardrobes, the gauzy spider's webs that clung to the ceiling. She'd collected vividly illustrated books about them. About birds, too. She would hide under the covers reading, in the small, silent hours of the morning while her parents slept in the next room. It hurts now, to think of that little girl, her innocent wonder: flashlight in hand, turning the glossy pages and marveling at the wild and wonderful creatures. Butterflies with eyes on their wings, parrots in candy-colored plumage.

Umm five, no six, flashlights. Four sleeping bags. Four mylar blankets. Forty N95 masks. Two hundred surgical gloves. Two binoculars. Four butane torch lighters. Six packs of waterproof matches. Two flints. Six road flares. Two hatchets. Five permanent markers. Two gas masks. Two multitools. Six fishhooks with line. Two rolls of duct tape. Two first-aid kits. Two envelopes of cash.” “Should be ten thousand dollars

PACKING CHECKLIST Light, khaki, or neutral-color clothes are universally worn on safari and were first used in Africa as camouflage by the South African Boers, and then by the British Army that fought them during the South African War. Light colors also help to deflect the harsh sun and are less likely than dark colors to attract mosquitoes. Don’t wear camouflage gear. Do wear layers of clothing that you can strip off as the sun gets hotter and put back on as the sun goes down. Smartphone or tablet to check emails, send texts, and store photos (also handy as an alarm clock and flashlight), plus an adapter. If electricity will be limited, you may wish to bring a portable charger. Three cotton T-shirts Two long-sleeve cotton shirts preferably with collars Two pairs of shorts or two skirts in summer Two pairs of long pants (three pairs in winter)—trousers that zip off at the knees are worth considering Optional: sweatshirt and sweatpants, which can double as sleepwear One smart-casual dinner outfit Underwear and socks Walking shoes or sneakers Sandals/flip-flops Bathing suit and sarong to use as a cover-up Warm padded jacket and sweater/fleece in winter Windbreaker or rain poncho Camera equipment, extra batteries or charger, and memory cards; a photographer’s vest and cargo pants are great for storage Eyeglasses and/or contact lenses, plus extras Binoculars Small flashlight Personal toiletries Malaria tablets and prescription medication Sunscreen and lip balm with SPF 30 or higher Basic medication like antihistamine cream, eye drops, headache tablets, indigestion remedies, etc. Insect repellent that is at least 20% DEET and is sweat-resistant Tissues and/or premoistened wipes/hand sanitizer Warm hat, scarf, and gloves in winter Sun hat and sunglasses (Polaroid and UV-protected ones) Documents and money (cash, credit cards, etc.). A notebook/journal and pens Travel and field guide books A couple of large white plastic garbage bags Ziplock bags to keep documents dry and protect electronics from dust

I picked up one of the books lying on top of a stack on the floor beside me. It had a navy blue cover with Grimm's Fairy Tales written across it in gold lettering. The books beneath it were Hans Christian Andersen's Fairy Tales, Panchatantra, Aesop's Fables, and Arabian Nights. All the books I used to read with Amma and devour with the aid of a flashlight long after she left me alone in the darkness. I got up and began to wander around, casually perusing the rest of the books in the cottage. They were all the same- fairy tales and magical stories. I wondered if these were the only books upon which she had built her conception of the real world, a world inhabited by witches and mermaids, a world where men beheaded their wives and animals spoke.

When you add the Alka-Seltzer, it reacts with the water to make tiny bubbles of carbon dioxide gas. These bubbles attach to the blobs of colored water (food colored water) and float to the top. When the bubbles pop at the top, the colored blobs drop to the bottom. When you apply heat to the mixture (flashlight), the heavier liquid (water) absorbs the heat and expands because it becomes less dense. Since the density of water and oil is similar the moment the water is heated, it becomes lighter than the oil and also causes the colored water blob to rise. It sometimes changes the shape of the bubbled-blobs from the Alka-Seltzer, making the shapes and colors prettier and different. When it cools, it drops back down. The Alka-Seltzer will ultimately finish, at which point you can put more Alka-Seltzer. You can also try a stronger light source for more heat to adjust the view. 16. Cloud in a Jar Question: How is a cloud formed? Hypothesis (Form Your Educated Guess Here): _________________________________________________________________________ _________________________________________________________________________ Materials: Jar Hot water Food coloring Matches Paper towel Plastic baggie with ice cubes Procedure:

Harry Potter was a highly unusual boy in many ways. For one thing, he hated the summer holidays more than any other time of year. For another, he really wanted to do his homework but was forced to do it in secret, in the dead of night. And he also happened to be a wizard. It was nearly midnight, and he was lying on his stomach in bed, the blankets drawn right over his head like a tent, a flashlight in one hand and a large leather-bound book (A History of Magic by Bathilda Bagshot) propped open against the pillow.

Ruth and a friend saw a boy carrying a banana and a flashlight, crying and wandering in a daze. He had gotten separated from his father, the boy told them. Using the flashlight to find their way in the darkness, they sought shelter in a ditch and waited until they believed it was safe, then started out across a prairie in the direction of Galveston. They were safely away from the port when the High Flyer blew, showering the night sky with a chemical rainbow and spitting its four-ton turbine four thousand feet across the bay.

While your victim is sleeping point a flashlight at their face then smack them awake while you yell “Train! A Train!” as loud as you can.

barbells, a weight bench, a heavy bag, a speed bag, my suitcase, a large green cooler with perishables in it, a big carton with other food, a pump-action Ithaca shotgun, ammunition, some fishing equipment, two sleeping bags, some boots, a five-cell flashlight, an ax, some books, a machete, a carton of records, two shovels, a mattock, and one hundred feet of rope. I unlocked the cabin and opened all the windows. We started to carry and stow. A lot of the things were too heavy for Paul and everything he carried he seemed to handle badly. He picked things up only with the tips of his fingers. When I told him to take the shotgun in, he carried it awkwardly by the butt rather than where it balanced. He carried one of the shovels by its blade. When we were through, there was sweat on his face and he seemed red and hot. He still wore his pea coat. It was after five when we finished. The bugs were out and it was getting cool. Last fall Susan and I had bought a cheap stereo and put it in the cabin. I put on the Benny Goodman 1938 jazz concert while I made a fire. I had a beer while I started supper. Paul came in from looking at the lake and got a Coke out of the refrigerator.

I read the letter for the forty-third time and it's like I'm twelve years old again sitting in the corner of a horse stall with a flashlight and a terrifying book, frantic to warn the heroine of terrible peril but secretly knowing I can protect her for a day, for months, for years, forever, simply by slamming the book shut. Ending her story in the middle.

Safe [10w] + [10w] The most safe place in the world for a child is under the sheet with his favorite book and flashlight.

do not know how much longer the batteries in my flashlight will

favorite comfort book since under-the-covers-with-flashlight reading at the age of eleven or twelve)

Sideways Cross” Celebrities are the first to get a clue!!!! No one in the public, and no one in the physics community knows about this new discovery of the “X” or “Cross” in all Stars and in all “Light” throughout the universe. Celebrities are the first to get a clue!!!! Side Cross Jewelry -is a symbol of Jesus finishing his work. Why Kelly Ripa, Justin Bieber, Kim Kardashian, Selena Gomez, Demi Lovato, Jessica Biel, Jennifer Lopez, Kourtney Kardashian, and so many others have all been witnessed sporting a “Side Cross” or “Horizontal Cross” necklace”. Randy Lee Holmes has discovered that there is an "X" or "Cross” in all Stars, and in all "Light" throughout the universe in 2017. All can be found in the book "Aether-Light" a Amazon. The "X" or "Cross" exist in all Stars, and it is the electromagnetic radiation finger print of all “Light” or "Photons" throughout the universe and beyond. Due to the fact that this electromagnetic radiation consist of “Aether” and “White Light”, and was discovered by Randy Lee Holmes, it has been given the name “Aether-Light "X" or "Cross”. The "X" or "Cross" symbol is not just in Stars, it is in all “Light” or “Photons”. "Photons" of “Light” are held together by “Magnetism”, you call it “Gravity”. The "X" or "Cross" symbol in all “Light” is the Electromagnetic Radiation Blueprint of all "Light Energy". The "X" or "Cross" is found in all Stars, in all "Photons" of "Light", in all Flames, in all "Light" of Flashlights, in all Candles, in the Sun, and in all and every form of "Light"of the Electromagnetic Radiation Spectrum. The "X" or "Cross" is the symbol of the Electromagnetic Radiation Wave of all "Light", in which oscillation is triggered by source, whether it be electrical or magnetic. The right side of the "X" representing the Positive and the left side of the "X" representing the Negative side of the "X" or Electromagnetic Radiation Wave of “Light”. On one side of the "X" has both a Positive and Negative line on each opposite sides of the "X".The center has Neutral or no charge at the point of oscillation where the two lines cross each other and connect. The Electromagnetic Wave does not propagate in an empty vacuum, as a wave needs a medium, so each "Photon" is created with an antenna and all “Light” propagates by way of antenna. “Light” is not a particle and a wave, but “Light” is a wave that can perform or act like a particle. The photoelectric effect is merely an Electromagnetic Wave of “Light” knocking electrons off metal. The "X" or "Cross" is defined as the Electromagnetic Radiation Blueprint of all "Light Energy". Christians know it as the symbol of "The Cross" (Genesis 1:3, And God said, "Let there be Light"). Scientist and physicist know it as "Light" or "Electromagnetic Wave". The visible “Light” colors are the “Aether” or Jesus, and the white “Light” is GOD. All of this information can be found in the book "Aether-Light" "The Fact of Everything". Amazon or Barns & Noble

When my parents called “lights out,” I was the kid under the covers, finishing my book quietly by flashlight. This is passion that can’t be taught. Encouraged. But not taught.

doors and tunnels throughout the city. Today, most had been bricked over or locked, but Don had once mentioned that their neighbor, who had lived next door longer than they had, had paid them to store a few extra things he couldn’t fit at his place. They kept the door accessible should he ever need to get in and out to retrieve something. Sean could see that the old rusted door handle was unlatched, and the door itself was pulled back on its disintegrating hinges. He made his way over to investigate. It was hard to see into the next room. He walked inside. The neighbor’s basement was just as dark as Don’s. Sean took out his phone and turned on the flashlight. The small space was full of storage boxes, old clothes, piles of books and newspapers, and a single green kayak propped diagonally across it all. He shined the light in a sweeping pattern but couldn’t see a place where she could be hiding. “Joyce, please. I need your help.” There was a noise from behind him, coming from the other room. Sean scurried back in time to see Joyce leaping from behind the washing machine. His flashlight caught her face, and he saw it was bloodied and swollen from when he’d punched her. She scurried up the stairs, her feet thumping on each wooden step until she reached the kitchen. “Joyce!” “Somebody help me!” “Joyce! Get back here!

She sat down at the end of the pier and dangled her legs over the edge. It was about a fifteen- or twenty-foot drop to the ocean. And everywhere she looked, it went on forever. There were millions of different kinds of fish, thousands of which nobody had even heard of. There were “Gardens of Eels” that covered acres of the ocean floor. There were caves and mountains and valleys, most of which were still a secret. It was a great, unexplored mystery. Octopuses, sharks, bat rays, sea horses, bumphead hogfish, long-snouted hawkfish, fat innkeepers—the ocean covered more than two-thirds of the Earth’s surface. Great pods of whales could swim around unnoticed, dolphins, angelfish, rainbow fish, clown fish, boots and sneakers. Her hands gripped the pier as she ducked her head under the wooden railing. Moonfish, goose-fish, flashlight fish, barracudas, she took several long deep breaths. Stonefish, lobsters, paddlefish, glass catfish, her muscles tightened. Tigerfish, scissors-tail fish, the water rocked beneath her.