Flashing Money Quotes

We've searched our database for all the quotes and captions related to Flashing Money. Here they are! All 100 of them:

Miss Ellis?" Mrs. Perterson says. "It's your turn. Introduce Alex to the class" "This is Alejandro Fuentes. When he wasn't hanging out on street corners and harrassing innocent people this summer, he toured the inside of jails around the city, if you know what i mean. His secret desire is to go to college and become a chemistry teacher, like you Mrs. Peterson." Brittney flashed me a triumpnet smile, thinking she won this round. Guess again, gringa. "This is Brittney Ellis," I say, all eyes focused on me. "This summer she went to the mall, bought new clothes to extend her wardrobe, and spent her daddy's money on plastic surgery to enhance her, ahem, assets. Her secret desire is to date a Mexicano before she graduates." Game on...
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
And because I had been a hustler, I knew better than all whites knew, and better than nearly all of the black 'leaders' knew, that actually the most dangerous black man in America was the ghetto hustler. Why do I say this? The hustler, out there in the ghetto jungles, has less respect for the white power structure than any other Negro in North America. The ghetto hustler is internally restrained by nothing. He has no religion, no concept of morality, no civic responsibility, no fear--nothing. To survive, he is out there constantly preying upon others, probing for any human weakness like a ferret. The ghetto hustler is forever frustrated, restless, and anxious for some 'action'. Whatever he undertakes, he commits himself to it fully, absolutely. What makes the ghetto hustler yet more dangerous is his 'glamour' image to the school-dropout youth in the ghetto.These ghetto teen-agers see the hell caught by their parents struggling to get somewhere, or see that they have given up struggling in the prejudiced, intolerant white man’s world. The ghetto teen-agers make up their own minds they would rather be like the hustlers whom they see dressed ‘sharp’ and flashing money and displaying no respect for anybody or anything. So the ghetto youth become attracted to the hustler worlds of dope, thievery, prostitution, and general crime and immorality.
Malcolm X (The Autobiography of Malcolm X)
Your father is Dr. Lucas--one of the foremost minds in modern economics--and you're studying art? What the hell are you going to do with a degree in art?" She drew herself up to all five foot two, eyes flashing, and said, "I'm going to make the world more beautiful. What are you going to do? Make money?
Tammara Webber (Easy (Contours of the Heart, #1))
Runaways are romantic. The girls are waiflike with dyed ratty hair and baggy pants. They usually own a stray dog of the mutt variety and drag it along by a rope, plopping down in front of storefronts to beg for money from passersby. They're a mess. It is likely they'll charm you, make you think you're their best friend and savior only to end up using you and then they'll disappear. That's why they're romantic. They're there and then they're gone. Romance is always about people appearing in a flash out of nothing or people who are there and then suddenly are not. A magic trick.
Bett Williams (Girl Walking Backwards)
[Jenks]"I think you're all screwy in the head," he said when Bis nodded his encouragement. "But go ahead. I've got Quen's number in my phone. I'll call him if you both explode in a flash of black underwear and money so I won't have to fly all the way home.
Kim Harrison (Ever After (The Hollows, #11))
They say when you're about to die, your entire life flashes before your eyes. Well, now I know that when you're about to kill someone, the same thing happens. Except that instead of your entire life, it's just the moments you had spent with that person, and as every moment flashes by, it now contains a chainsaw.
Cherry Cheva (She's So Money)
Money! Would that make it better for them? Yes, it would make it easy. But no, the money wouldn't be enough… That means there must be something bigger than money… An answer came to Katie. It was so simple that a flash of astonishment that felt like a pain shot through her head. Education!
Betty Smith (A Tree Grows in Brooklyn)
Athletes rejected, governors corrected Gangsters, thugs and smugglers are thoroughly respected The money gets divided The women get excited Now I'm broke and it's no joke It's hard as hell to fight it, don't buy it!
Grandmaster Flash (The Adventures of Grandmaster Flash: My Life, My Beats)
So why’d you flake out on the party?” “I wasn’t in the mood. I kept picturing you crying here alone and pity won out.” “I’m not crying, jackass.” I point to the boring-ass milk documentary that’s flashing on the TV screen. “I’m learning about pasteurization.” She stares at me. “You guys pay money to subscribe to a gazillion channels and this is what you choose to watch?” “Well, I flipped by it and saw a bunch of cow udders, and, well, you know, it turned me on, so—” “EW!” I burst out laughing. “Kidding, babe. If you must know, the batteries in the remote died and I was too lazy to get up and change the channel. I was watching this wicked-awesome miniseries about the Civil War before cow udders came on.
Elle Kennedy (The Deal (Off-Campus, #1))
In LA, you can’t do anything unless you drive. Now I can’t do anything unless I drink. And the drink-drive combination, it really isn’t possible out there. If you so much as loosen your seatbelt or drop your ash or pick your nose, then it’s an Alcatraz autopsy with the questions asked later. Any indiscipline, you feel, any variation, and there’s a bullhorn, a set of scope sights, and a coptered pig drawing a bead on your rug. So what can a poor boy do? You come out of the hotel, the Vraimont. Over boiling Watts the downtown skyline carries a smear of God’s green snot. You walk left, you walk right, you are a bank rat on a busy river. This restaurant serves no drink, this one serves no meat, this one serves no heterosexuals. You can get your chimp shampooed, you can get your dick tattooed, twenty-four hour, but can you get lunch? And should you see a sign on the far side of the street flashing BEEF-BOOZE – NO STRINGS, then you can forget it. The only way to get across the road is to be born there. All the ped-xing signs say DON’T WALK, all of them, all the time. That is the message, the content of Los Angeles: don’t walk. Stay inside. Don’t walk. Drive. Don’t walk. Run!
Martin Amis (Money)
I won't pretend that you're forgiven. Your kind are excused so much, so often, so easily - a flash of money and all's well. I won't play that game. (p 267)
Katherine Rundell (Impossible Creatures)
Once very smart people are paid huge sums of money to exploit the flaws in the financial system, they have the spectacularly destructive incentive to screw the system up further, or to remain silent as they watch it being screwed up by others. The cost, in the end, is a tangled-up financial system. Untangling it requires acts of commercial heroism—and even then the fix might not work. There was simply too much more easy money to be made by elites if the system worked badly than if it worked well. The whole culture had to want to change. “We know how to cure this,” as Brad had put it. “It’s just a matter of whether the patient wants to be treated.
Michael Lewis (Flash Boys: A Wall Street Revolt)
A long hug when you really need it Sometimes we all get rattled. When bad news surprises you, painful memories flash back, or heavy moments turn your stomach to mush, it’s great to fall into a warm and comforting pair of big, wide open arms. Shaking with sobs, dripping with tears, you snort up your runny nose and smear snot across their shoulder as that hug relaxes you and comforts you and helps you get through everything, even for a minute, even for a moment. Maybe there are “It’s going to be okay” whispers, some gentle back rubbing, or just the quiet silence of knowing that they’re not going to let go until you let go first. As their steady arms support you, and the pain washes over you, the hug gives you a warm glow in a shivery moment. So when you eventually pull back, smile that classic “I’m sorry and thank you” smile, and swipe wet bangs off your forehead, you still might not feel great, but if you’re lucky you’ll feel a little more AWESOME!
Neil Pasricha (The Book of Awesome: Snow Days, Bakery Air, Finding Money in Your Pocket, and Other Simple, Brilliant Things)
Anyway, it's easy to be what people want: give them something to stare at. nod and smile, tell them they're gorgeous." You flashed me your best charming grin before you added, "The three steps to money.
Lucy Christopher (Stolen (Stolen, #1))
I’m the only honest man in the republic. The government knows it; the people know it; the boodlers know it; the foreign investors know it. I make the government keep its faith. If a man is promised a job he gets it. If outside capital buys a concession it gets the goods. I run a monopoly of square dealing here. There’s no competition. If Colonel Diogenes were to flash his lantern in this precinct he’d have my address inside of two minutes. There isn’t big money in it, but it’s a sure thing, and lets a man sleep of nights.
O. Henry (Delphi Complete Works of O. Henry (Illustrated))
So many guys try to show off to a girl by boasting of their financial assets and flashing their cash around etc, but a girl who makes her own money and is building her own empire is not impressed by such things. -Show me the integrity not the money.
Miya Yamanouchi (Embrace Your Sexual Self: A Practical Guide for Women)
I'll put you wise. You remember the old top-liner in the copy book—"Honesty is the Best Policy"? That's it. I'm working honesty for a graft. I'm the only honest man in the republic. The government knows it; the people know it; the boodlers know it; the foreign investors know it. I make the government keep its faith. If a man is promised a job he gets it. If outside capital buys a concession it gets the goods. I run a monopoly of square dealing here. There's no competition. If Colonel Diogenes were to flash his lantern in this precinct he'd have my address inside of two minutes. There isn't big money in it, but it's a sure thing, and lets a man sleep of nights.
O. Henry (Cabbages and Kings)
By all that’s wonderful, it is the sea, I believe, the sea itself — or is it youth alone? Who can tell? But you here — you all had something out of life: money, love — whatever one gets on shore — and, tell me, wasn’t that the best time, that time when we were young at sea; young and had nothing, on the sea that gives nothing, except hard knocks — and sometimes a chance to feel your strength — that only — what you all regret?” And we all nodded at him: the man of finance, the man of accounts, the man of law, we all nodded at him over the polished table that like a still sheet of brown water reflected our faces, lined, wrinkled; our faces marked by toil, by deceptions, by success, by love; our weary eyes looking still, looking always, looking anxiously for something out of life, that while it is expected is already gone — has passed unseen, in a sigh, in a flash — together with the youth, with the strength, with the romance of illusions.
Joseph Conrad (Heart of Darkness)
Do you even feel anything, Chad? Will you for once stop walking around, all in control and f'ing calm? Do you have any idea what you all have done. I lost everything, Chad. Everything, when Kyle died. I lost myself. I had finally begun to build a new life with new friends. With people I thought cared about me. I have started to be just a little bit happy again. Was it too much to ask? Did I ask for too much by just wanting to have a little bit of a life again? Now, it’s all screwed up again and you walk around here like you don’t feel anything about what’s happened.” Chad spun around, and for only the second time since she’d known him, she saw the flash of anger so fierce her breath caught in her throat and she took an involuntary step back, away from him. Jennie knew Chad would never hurt her on purpose, but the anger rolling off of him was palpable. It seemed to force her backwards as if it had a life of its own, a power of its own. “Not feel anything, Jennie? Are you f'ing kidding me? I walk around here every day and I ache every f'ing minute I’m with you. I’m so twisted up with loving you and hating you, I can’t breathe. I can’t keep my hands off you, but I can’t let myself kiss you because I might lose myself in you. I can’t make love to you because I’m afraid you’ll pretend I’m him. I know you want his arms around you, not mine. I know you want it to be his baby inside you, not mine. And I know you can’t love me back, no matter what I do, because you’re still so in love with your husband, you can’t even begin to see me.” Chad didn’t stop and Jennie didn’t try to stop him. “And every day, I have to sit here and wonder how I’ll be a part of my baby’s life. I wonder if you’ll let me be in the delivery room, if you’ll let me help you name the baby. I wonder how much money I’d have to offer the people who live across the street from you to get them to sell me their house, just so I can see my child grow up. If you’ll let me...” Chad stopped as if he’d run out of steam. They stood in uneasy silence for a long time before Chad spoke again. He sounded worn out and bitter and angry, mirroring Jennie’s chaos of emotions. “Am I feeling anything? Yeah. I’m feeling some f'ing sh**, Jen.
Lori Ryan (Negotiation Tactics (Sutton Capital #3))
I'm going to need some kind of incentive program if I'm going to fork out this kind of money." I held back a laugh. "Incentive program, huh? So what's a stove worth these days?" "Depends. Do you have a nurse's uniform?" I raised a mischievous brow. "No, but I have a Princess Leia slave costume." A deep hunger flashed in his irises. It caused a warmth to flood my abdomen, and only partly because he knew what a Princess Leia slave costume consisted of.
Darynda Jones
It's hard to argue over money when a girl flashes you her pussy.
Oliver Markus Malloy (Bad Choices Make Good Stories - Going to New York (How The Great American Opioid Epidemic of The 21st Century Began, #1))
The fact that it is such an opaque industry should be alarming,” Brad said. “The fact that the people who make the most money want the least clarity possible—that should be alarming, too.
Michael Lewis (Flash Boys: A Wall Street Revolt)
Gender is the remaining caste system that still cuts deep enough, and spreads wide enough, to be confused with the laws of nature. To uncover the difference between what is and what could be, we may need the “Aha!” that comes from exchanging subject for object, the flash of recognition that starts with a smile, the moment of changed viewpoint that turns the world upside down.
Gloria Steinem (Moving Beyond Words: Essays on Age, Rage, Sex, Power, Money, Muscles: Breaking the Boundaries of Gender)
A child is born with no state of mind Blind to the ways of mankind God is smilin' on you but he's frownin' too Because only God knows what you'll go through You'll grow in the ghetto livin' second-rate And your eyes will sing a song called deep hate The places you play and where you stay Looks like one great big alleyway You'll admire all the number-book takers Thugs, pimps and pushers and the big money-makers Drivin' big cars, spendin' twenties and tens And you'll wanna grow up to be just like them, huh Smugglers, scramblers, burglars, gamblers Pickpocket peddlers, even panhandlers You say I'm cool, huh, I'm no fool But then you wind up droppin' outta high school Now you're unemployed, all non-void Walkin' round like you're Pretty Boy Floyd Turned stick-up kid, but look what you done did Got sent up for a eight-year bid Now your manhood is took and you're a Maytag Spend the next two years as a undercover fag Bein' used and abused to serve like hell 'til one day, you was found hung dead in the cell It was plain to see that your life was lost You was cold and your body swung back and forth But now your eyes sing the sad, sad song Of how you lived so fast and died so young
Grandmaster Flash
So you weren’t in college.” “I wasn’t, no.” She takes another sip. “Your father was though. He was visiting for spring break. I mugged him.” “You what?” “You have to understand I didn’t make very much money, even with two jobs. It hardly even paid for my food. I couldn’t fish, because-“ “You didn’t want anyone to sense you in the water.” Otherwise, she could have been pretty self-sufficient. She nods. “So one day I see this group of cocky college students, spending money left and right. Pulling wads of cash out of their pockets to pay for small purchases, like ice cream.” She rolls her eyes. “They were flashing it. They wanted people to know they were rich.” “Doesn’t mean they wanted people to mug them,” I mutter.
Anna Banks (Of Triton (The Syrena Legacy, #2))
There is one hour in his life when we see a flash of utter physical action on Christ's part, an hour when this most curious of men must have experienced the sheer joyous exuberance of a young mammal in full flight: when he lets himself go and flings over the first money changer's table in the Temple at Jerusalem, coins flying, doves thrashing into the air, oxen bellowing, sheep yowling, the money changer going head-over-teakettle, all heads turning, what the...? You don't think Christ got a shot of utter childlike physical glee at that moment? Too late to stop now, his rage rushing to his head, his veiny carpenter's-son wiry arms and hard feet milling as he whizzes through the Temple overturning tables, smashing birdcages, probably popping a furious money-changer here and there with a quick left jab or a well-placed Divine Right Elbow to the money-lending teeth, whipping his scourge of cords against the billboard-size flank of an ox, men scrambling to get out of the way, to grab some of the flying coins, to get a punch in on this nutty rube causing all the ruckus... In all this holy rage and chaos, don't you think there was a little absolute boyish mindless physical jittery joy in the guy?
Brian Doyle (Credo: Essays on Grace, Altar Boys, Bees, Kneeling, Saints, the Mass, Priests, Strong Women, Epiphanies, a Wake, and the Haun)
everybody who knows me or even knows I exist will die, and then everybody who knows those people and might even conceivably have even heard of me will die, and so on, and the gravestones and monuments we spend money to have put in to make sure we’re remembered, these’ll last what—a hundred years? two hundred?—and they’ll crumble, and the grass and insects my decomposition will go to feed will die, and their offspring, or if I’m cremated the trees that are nourished by my windblown ash will die or get cut down and decay, and my urn will decay, and before maybe three or four generations it will be like I never existed, not only will I have passed away but it will be like I was never here, and people in 2104 or whatever will no more think of Stuart A. Nichols Jr. than you or I think of John T. Smith, 1790 to 1864, of Livingston, Virginia, or some such. That everything is on fire, slow fire, and we’re all less than a million breaths away from an oblivion more total than we can even bring ourselves to even try to imagine, in fact, probably that’s why the manic US obsession with production, produce, produce, impact the world, contribute, shape things, to help distract us from how little and totally insignificant and temporary we are.’ ‘This is supposed to be news to us. News flash: We’re going to die.
David Foster Wallace (The Pale King: An Unfinished Novel)
In this total information age, what is wealth? Ultimately, it’s no more than strands of pulses and magnetic marks inside computer storage... What is money? Money isn’t worth shit. Money is just a strand of electromagnetic marks even smaller than bacteria and pulses that disappear in a flash.
Liu Cixin (To Hold Up the Sky)
When you carry conflict states around with you they can occupy and compete for your mental workspace and attentional resources. You’re so busy carrying that load that very few attentional resources remain to overcome automatic tendencies. Any salient thing will grab you—and keep you longer. So, if you’ve had a long and demanding day—say, you’re stressed, anxious, or preoccupied—you’re more likely to go for the bright shiny thing. You’ll grab the cookies instead of the carrots. You’ll click the flashing ad. You’ll spend the money you meant to save. You’ll spend something even more precious—your attention—in places you never intended to.
Amishi P. Jha (Peak Mind: Find Your Focus, Own Your Attention in Just 12 Minutes a Day)
– As long as you're at fight club, you're not how much money you've got in the bank. You're not your job. You're not your family, and you're not who you tell yourself. You're not your name. You're not your problems. You're not your age. You're not your hopes. You will not be saved. We are all going to die, someday. This time, the oncoming car swerves, but the mechanic swerves hack into its path. The car swerves, and the mechanic matches it, headon, again. You melt and swell at that moment. For that moment, nothing matters. Look up at the stars and you're gone. Not your luggage. Nothing matters. Not your bad breath. The windows are dark outside and the horns are blaring around you. The headlights are flashing high and low and high in your face, and you will never have to go to work again. You will never have to get another haircut. – Quick, – the mechanic says. – What, – he says, – what will you wish you'd done before you died? Ten seconds to impact...
Chuck Palahniuk (Fight Club)
When it comes to money, where we feel our clear interest, we have an entire art where the tester uses many means to discover the worth . . . just as we give great attention to judging things that might steer us badly. But when it comes to our own ruling principle, we yawn and doze off, accepting any appearance that flashes by without counting the cost.” —EPICTETUS, DISCOURSES, 1.20.8; 11
Ryan Holiday (The Daily Stoic: 366 Meditations on Wisdom, Perseverance, and the Art of Living)
But for me all the East is contained in that vision of my youth. It is all in that moment when I opened my young eyes on it. I came upon it from a tussle with the sea—and I was young—and I saw it looking at me. And this is all that is left of it! Only a moment; a moment of strength, of romance, of glamour—of youth!... A flick of sunshine upon a strange shore, the time to remember, the time for a sigh, and—good-bye!—Night—Good-bye...!” He drank. “Ah! The good old time—the good old time. Youth and the sea. Glamour and the sea! The good, strong sea, the salt, bitter sea, that could whisper to you and roar at you and knock your breath out of you.” He drank again. “By all that’s wonderful, it is the sea, I believe, the sea itself—or is it youth alone? Who can tell? But you here—you all had something out of life: money, love—whatever one gets on shore—and, tell me, wasn’t that the best time, that time when we were young at sea; young and had nothing, on the sea that gives nothing, except hard knocks—and sometimes a chance to feel your strength—that only—what you all regret?” And we all nodded at him: the man of finance, the man of accounts, the man of law, we all nodded at him over the polished table that like a still sheet of brown water reflected our faces, lined, wrinkled; our faces marked by toil, by deceptions, by success, by love; our weary eyes looking still, looking always, looking anxiously for something out of life, that while it is expected is already gone—has passed unseen, in a sigh, in a flash—together with the youth, with the strength, with the romance of illusions.
Joseph Conrad (Youth, a Narrative)
So why aren’t more marketing companies targeting our age group? Why are there so many youth-oriented programs and advertisements on television today? Why are we being ignored? Don’t companies realize they are missing a huge market? Now granted, a visit to the local mall will show you there are a lot of teenagers hanging out there these days. But are they shopping? Are they spending money? No. They’re “hanging.” Contrary to what our skin might be doing, we members of the over-forty crowd don’t “hang.” We shop, and not just window shop either. We’re serious buyers. When we pick up an item and turn it over to see the price, we often carry it right on over to the checkout counter and pay for it. Why? Because we know the energy involved with picking up items. We don’t do it unless we’re committed.
Martha Bolton (Cooking With Hot Flashes: And Other Ways to Make Middle Age Profitable)
Herman stood before her. She drew back at sight of him, trembling violently. "Where have you been?" she asked in a frightened whisper. "In the bedchamber of the Countess. She is dead," was the calm reply. "My God! What are you saying?" cried the girl. "Furthermore, I believe that I was the cause of her death." The words of Tomsky flashed through Lisa's mind. Herman sat down and told her all. She listened with a feeling of terror and disgust. So those passionate letters, that audacious pursuit were not the result of tenderness and love. It was money that he desired. The poor girl felt that she had in a sense been an accomplice in the death of her benefactress. She began to weep bitterly. Herman regarded her in silence. "You are a monster!" exclaimed Lisa, drying her eyes. "I didn't intend to kill her; the pistol was not even loaded.
Alexander Pushkin (The Queen of Spades)
What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in a corner. Hang-gliding," I said, "accident." Hang-gliding over a wheatfield," said Bobby, "place called Kiev. Our Jack's just hanging there in the dark, under a Nightwing parafoil, with fifty kilos of radar jammed between his legs, and some Russian asshole accidentally burns his arm off with a laser." I don't remember how I changed the subject, but I did. I was still telling myself that it wasn't Rikki who getting to me, but what Bobby was doing with her. I'd known him for a long time, since the end of the war, and I knew he used women as counters in a game, Bobby Quine versus fortune, versus time and the night of cities. And Rikki had turned up just when he needed something to get him going, something to aim for. So he'd set her up as a symbol for everything he wanted and couldn't have, everything he'd had and couldn't keep. I didn't like having to listen to him tell me how much he loved her, and knowing he believed it only made it worse. He was a past master at the hard fall and the rapid recovery, and I'd seen it happen a dozen times before. He might as well have had next printed across his sunglasses in green Day-Glo capitals, ready to flash out at the first interesting face that flowed past the tables in the Gentleman Loser. I knew what he did to them. He turned them into emblems, sigils on the map of his hustler' s life, navigation beacons he could follow through a sea of bars and neon. What else did he have to steer by? He didn't love money, in and of itself , not enough to follow its lights. He wouldn't work for power over other people; he hated the responsibility it brings. He had some basic pride in his skill, but that was never enough to keep him pushing. So he made do with women. When Rikki showed up, he needed one in the worst way. He was fading fast, and smart money was already whispering that the edge was off his game. He needed that one big score, and soon, because he didn't know any other kind of life, and all his clocks were set for hustler's time, calibrated in risk and adrenaline and that supernal dawn calm that comes when every move's proved right and a sweet lump of someone else's credit clicks into your own account.
William Gibson (Burning Chrome (Sprawl, #0))
So, I was thinkin’ of pickin’ up a job as a male stripper . It would be a way to meet women and earn money. Thoughts?” That should refocus his brother if no other way but him pausing to consider it. Quinn had undiagnosed ADHD, Chance was sure of it, and on occasion you had to refocus him. The same worked when Quinn went off on a tangent, you had to flash something bright to get him off the tangent, and in this case, the shiny was Chance becoming a stripper.
Alex Morgan
Within five minutes – from 14:42 to 14:47 – the Dow Jones dropped by 1,000 points, wiping out $1 trillion. It then bounced back, returning to its pre-crash level in a little more than three minutes. That’s what happens when super-fast computer programs are in charge of our money. Experts have been trying ever since to understand what happened in this so-called ‘Flash Crash’. They know algorithms were to blame, but are still not sure exactly what went wrong.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
In a sudden flash of self-knowledge that made her mouth pop open with astonishment, she realized that she did not share with these women their fierce pride, their desire to sacrifice themselves and everything they had for the Cause. Before horror made her think: “No—no! I mustn’t think such things! They’re wrong—sinful,” she knew the Cause meant nothing at all to her and that she was bored with hearing other people talk about it with that fanatic look in their eyes. The Cause didn’t seem sacred to her. The war didn’t seem to be a holy affair, but a nuisance that killed men senselessly and cost money and made luxuries hard to get.
Margaret Mitchell (Gone with the Wind)
He glanced down at her, keeping his expression carefully impassive. “I hate to leave you.” There was a gently mocking edge to his tone. “You need someone to follow you around and keep you safe from mishaps. On the other hand, you also need someone to find a beekeeper.” Realizing he was not going to talk about Leo, Amelia followed his lead. “Will you do that for us? I would consider it a great favor.” “Of course. Although…” His eyes held a wicked glitter. “As I mentioned before, I can’t keep doing favors for you with no reward. A man needs incentive.” “If … if you want money, I’ll be glad to—” “God, no.” Rohan was laughing now. “I don’t want money.” Reaching out, he smoothed back her hair, letting the heel of his hand graze the edge of her cheekbone. The brush of his skin was light and erotic, causing her to swallow hard. “Goodbye, Miss Hathaway. I’ll see myself out.” He flashed a smile at her and advised, “Stay away from the windows.” On the way down the stairs, Rohan passed Merripen, who was ascending at a measured pace. Merripen’s face darkened at the sight of the visitor. “What are you doing here?” “It seems I’m helping with pest eradication.” “Then you can begin by leaving,” Merripen growled. Rohan only grinned nonchalantly, and continued on his way.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
You treated me like a doll. Literally, you even bought me outfits. Hot feeling in his hands, in his scalp. As soon as we started seeing each other, you were asking me for money, to buy you things, he says. That didn’t come from me. Almost laughing, cheerful now, she says: Yeah, I’m not saying I’m the innocent. I was partner in crime number one. Maybe we both thought we could get away with it. Just messing with each other’s heads without getting our feelings involved. What do you want me to say, I’m sorry? We were both playing games. And yeah, I wanted to win, and so did you. He looks at her. Intelligence in her eyes flashing. Okay, he says.
Sally Rooney (Intermezzo)
The windblast sent people to the ground. A thunderhead of smoke and ash came moving toward them. The light drained dead away, bright day gone. They ran and fell and tried to get up, men with toweled heads, a woman blinded by debris, a woman calling someone’s name. The only light was vestigial now, the light of what comes after, carried in the residue of smashed matter, in the ash ruins of what was various and human, hovering in the air above. He took one step and then the next, smoke blowing over him. He felt rubble underfoot and there was motion everywhere, people running, things flying past. He walked by the Easy Park sign, the Breakfast Special and Three Suits Cheap, and they went running past, losing shoes and money. He saw a woman with her hand in the air, like running to catch a bus. He went past a line of fire trucks and they stood empty now, headlights flashing. He could not find himself in the things he saw and heard. Two men ran by with a stretcher, someone facedown, smoke seeping out of his hair and clothes. He watched them move into the stunned distance. That’s where everything was, all around him, falling away, street signs, people, things he could not name. Then he saw a shirt come down out of the sky. He walked and saw it fall, arms waving like nothing in this life.
Don DeLillo (Falling Man)
The older theories, which started from an erroneous conception of the social demand for money, could never arrive at a solution of this problem. Their sole contribution is limited to paraphrases of the proposition that an increase in the stock of money at the disposal of the community while the demand for it rClnains the same decreases the objective exchange-value of money, and that an increase of the demand with a constant available stock has the contrary effect, and so on. By a flash of genius, the formulators of the Quantity Theory had already recognized this. We cannot by any means call it an advance when the formula giving the amount of the demand for money (Volume of Transactions + Velocity of Circulation) was reduced to its elements.
Ludwig von Mises (The Theory of Money and Credit (Liberty Fund Library of the Works of Ludwig von Mises))
Nobody is ever made happy by winning the lottery, buying a house, getting a promotion or even finding true love. People are made happy by one thing and one thing only – pleasant sensations in their bodies. A person who just won the lottery or found new love and jumps from joy is not really reacting to the money or the lover. She is reacting to various hormones coursing through her bloodstream and to the storm of electric signals flashing between different parts of her brain. Unfortunately for all hopes of creating heaven on earth, our internal biochemical system seems to be programmed to keep happiness levels relatively constant. There's no natural selection for happiness as such - a happy hermit's genetic line will go extinct as the genes of a pair of anxious parents get carried on to the next generation. Happiness and misery play a role in evolution only to the extent that they encourage or discourage survival and reproduction. Perhaps it's not surprising, then, that evolution has moulded us to be neither too miserable nor too happy. It enables us to enjoy a momentary rush of pleasant sensations, but these never last for ever. Sooner of later they subside and give place to unpleasant sensations. (...) Some scholars compare human biochemistry to an air-conditioning system that keeps the temperature constant, come heatwave or snowstorm. Events might momentarily change the temperature, but the air-conditioning system always returns the temperature to the same set point. Some air-conditioning systems are set at twenty-five degrees Celsius. Others are set at twenty degrees. Human happiness conditioning systems also differ from person to person. On a scale from one to ten, some people are born with a cheerful biochemical system that allows their mood to swing between levels six and ten, stabilising with time at eight. Such a person is quite happy even if she lives in an alienating big city, loses all her money in a stock-exchange crash and is diagnosed with diabetes. Other people are cursed with a gloomy biochemistry that swings between three and seven and stabilises at five. Such an unhappy person remains depressed even if she enjoys the support of a tight-knit community, wins millions in the lottery and is as healthy as an Olympic athlete (...) incapable of experiencing anything beyond level seven happiness. Her brain is simply not built for exhilaration, come what may. (...) Buying cars and writing novels do not change our biochemistry. They can startle it for a fleeting moment, but it is soon back to the set point.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
I’m in mid-passage, darling,” he said, beginning to talk like a queen so as to demystify himself, so as to destroy the very qualities John Schaeffer had fallen in love with, “I’m menopausal, change of life, hot flashes, you know. Wondering how much longer I can go without hair transplants and whether Germaine Monteil really works on the crow’s feet. I’ve had it, I’ve been through the mill, I’m a jaded queen. But you, dear, you have that gift whose loss the rest of life is just a funeral for—why else do you suppose those gray-haired gentlemen,” he said, nodding at his friends on the floor, “make money, buy houses, take trips around the world? Why else do they dwindle into a little circle of close friends, a farm upstate, and become in the end mere businessmen, shop-owners, decorators who like their homes filled with flowers and their friends flying in on Air France and someone pretty like you at the dinner table? It is all, my dear, because they are no longer young. Because they no longer live in that magic world that is yours for ten more years. Adolescence in America ends at thirty.
Andrew Holleran (Dancer from the Dance)
Okay, so I shouldn't have fucked with her on the introduction thing. Writing nothing except, Saturday night. You and me. Driving lessons and hot sex ... in her notebook probably wasn't the smartest move. But I was itching to make Little Miss Perfecta stumble in her introduction of me. And stumbling she is. "Miss Ellis?" I watch in amusement as Perfection herself looks up at Peterson. Oh, she's good. This partner of mine knows how to hide her true emotions, something I recognize because I do it all the time. "Yes?" Brittany says, tilting her head and smiling like a beauty queen. I wonder if that smile has ever gotten her out of a speeding ticket. "It's your turn. Introduce Alex to the class." I lean an elbow on the lab table, waiting for an introduction she has to either make up or fess up she knows less than crap about me. She glances at my comfortable position and I can tell from her deer-in-the-headlights look I've stumped her. "This is Alejandro Fuentes," she starts, her voice hitching the slightest bit. My temper flares at the mention of my given name, but I keep a cool facade as she continues with a made-up introduction. "When he wasn't hanging out on street corners and harassing innocent people this summer, he toured the inside of jails around the city, if you know what I mean. And he has a secret desire nobody would ever guess." The room suddenly becomes quiet. Even Peterson straightens to attention. Hell, even I'm listening like the words coming out of Brittany's lying, pink-frosted lips are gospel. "His secret desire," she continues, "is to go to college and become a chemistry teacher, like you, Mrs. Peterson." Yeah, right. I look over at my friend Isa, who seems amused that a white girl isn't afraid of giving me smack in front of the entire class. Brittany flashes me a triumphant smile, thinking she's won this round. Guess again, gringa. I sit up in my chair while the class remains silent. "This is Brittany Ellis," I say, all eyes now focused on me. "This summer she went to the mall, bought new clothes so she could expand her wardrobe, and spent her daddy's money on plastic surgery to enhance her, ahem, assets." It might not be what she wrote, but it's probably close enough to the truth. Unlike her introduction of me. Chuckles come from mis cuates in the back of the class, and Brittany is as stiff as a board beside me, as if my words hurt her precious ego. Brittany Ellis is used to people fawning all over her and she could use a little wake-up call. I'm actually doing her a favor. Little does she know I'm not finished with her intro. "Her secret desire," I add, getting the same reaction as she did during her introduction, "is to date a Mexicano before she graduates." As expected, my words are met by comments and low whistles from the back of the room. "Way to go, Fuentes," my friend Lucky barks out. "I'll date you, mamacita, " another says. I give a high five to another Latino Blood named Marcus sitting behind me just as I catch Isa shaking her head as if I did something wrong. What? I'm just having a little fun with a rich girl from the north side. Brittany's gaze shifts from Colin to me. I take one look at Colin and with my eyes tell him game on. Colin's face instantly turns bright red, resembling a chile pepper. I have definitely invaded his territory.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Anne Sexton, who died forty-two years ago today, did her best to respond to the legions of fans who wrote to her. The letter below, from August 1965, finds her dispensing unvarnished advice to an aspiring poet from Amherst. Read more of her correspondence in Anne Sexton: A Self-Portrait in Letters. Your letter was very interesting, hard to define, making it hard on me somehow to set limits for you, advise or help in any real way. First of all let me tell you that I find your poems fascinating, terribly uneven … precious perhaps, flashes of brilliance … but the terrible lack of control, a bad use of rhyme and faults that I feel sure you will learn not to make in time. I am not a prophet but I think you will make it if you learn to revise, if you take your time, if you work your guts out on one poem for four months instead of just letting the miracle (as you must feel it) flow from the pen and then just leave it with the excuse that you are undisciplined. Hell! I’m undisciplined too, in everything but my work … Everyone in the world seems to be writing poems … but only a few climb into the sky. What you sent shows you COULD climb there if you pounded it into your head that you must work and rework these uncut diamonds of yours. If this is impossible for you my guess is that you will never really make it … As for madness … hell! Most poets are mad. It doesn’t qualify us for anything. Madness is a waste of time. It creates nothing. Even though I’m often crazy, and I am and I know it, still I fight it because I know how sterile, how futile, how bleak … nothing grows from it and you, meanwhile, only grow into it like a snail. Advice … Stop writing letters to the top poets in America. It is a terrible presumption on your part. I never in my life would have the gall (sp?) to write Randall Jarrell out of the blue that way and all my life I have wanted to do so. It’s out of line … it isn’t done. I mean they get dozens of fan letters a day that they have no time to respond to and I’m sure dozens of poems. Meanwhile, these poets (fans of whatever) should be contacting other young poets on their way—not those who have made it, who sit on a star and then have plenty of problems, usually no money, usually the fear their own writing is going down the sink hole … make contact with others such as you. They are just as lonely, just as ready, and will help you far more than the distant Big Name Poet … I’m not being rejecting, Jon, I’m being realistic.
Anne Sexton
Immediately after leaving the gate we encountered a bunch of raggedly dressed street kids. They blinked sad brown eyes and held out their hands begging for money, but we ignored them. Dan flashed us an accusing look, as if we were heartless bastards. He fished some coins out of his pocket, and tossed them to the children. A frantic mob of kids immediately overwhelmed Dan, hopping up and down, clamoring for money. Dan finally broke free from the grasping children, and we set off down the street. Suddenly, Dan stopped dead in his tracks, belatedly realizing his expensive scuba diving watch was missing. While we laughed and said, “I told you so!” Dan rubbed his naked wrist and stomped around the street in disbelief, bemoaning the loss of his watch. Then an innocent looking little boy timidly approached Dan. Obviously feeling sorry for the kind-hearted American, the cute little ragamuffin timidly spoke, “Mister, I know who stole your watch. Give me a hundred pesos and I’ll get it back for you.” Dan breathed a sigh of relief, thanked the little angel profusely, and gave him a hundred pesos worth eight American dollars. The little boy quickly scuttled into the crowd never to be seen again. We laughed so hard we were choking. Dan had just set a new chump record, losing an expensive watch and a hundred pesos all within minutes of leaving the base. We dragged him into the nearest bar to console him with cold San Miguel beer.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Images of people in the Middle East dressing like Westerners, spending like Westerners, that is what the voters watching TV here at home want to see. That is a visible sign that we really are winning the war of ideas—the struggle between consumption and economic growth, and religious tradition and economic stagnation. I thought, why are those children coming onto the streets more and more often? It’s not anything we have done, is it? It’s not any speeches we have made, or countries we have invaded, or new constitutions we have written, or sweets we have handed out to children, or football matches between soldiers and the locals. It’s because they, too, watch TV. They watch TV and see how we live here in the West. They see children their own age driving sports cars. They see teenagers like them, instead of living in monastic frustration until someone arranges their marriages, going out with lots of different girls, or boys. They see them in bed with lots of different girls and boys. They watch them in noisy bars, bottles of lager upended over their mouths, getting happy, enjoying the privilege of getting drunk. They watch them roaring out support or abuse at football matches. They see them getting on and off planes, flying from here to there without restriction and without fear, going on endless holidays, shopping, lying in the sun. Especially, they see them shopping: buying clothes and PlayStations, buying iPods, video phones, laptops, watches, digital cameras, shoes, trainers, baseball caps. Spending money, of which there is always an unlimited supply, in bars and restaurants, hotels and cinemas. These children of the West are always spending. They are always restless, happy and with unlimited access to cash. I realised, with a flash of insight, that this was what was bringing these Middle Eastern children out on the streets. I realised that they just wanted to be like us. Those children don’t want to have to go to the mosque five times a day when they could be hanging out with their friends by a bus shelter, by a phone booth or in a bar. They don’t want their families to tell them who they can and can’t marry. They might very well not want to marry at all and just have a series of partners. I mean, that’s what a lot of people do. It is no secret, after that serial in the Daily Mail, that that is what I do. I don’t necessarily need the commitment. Why should they not have the same choices as me? They want the freedom to fly off for their holidays on easy Jet. I know some will say that what a lot of them want is just one square meal a day or the chance of a drink of clean water, but on the whole the poor aren’t the ones on the street and would not be my target audience. They aren’t going to change anything, otherwise why are they so poor? The ones who come out on the streets are the ones who have TVs. They’ve seen how we live, and they want to spend.
Paul Torday (Salmon Fishing in the Yemen)
I used to have a daydream about myself—still have it, come to that. A ridiculous-enough daydream, though it’s often through such images that we shape our destinies. (You’ll notice how easily I slip into inflated language likeshape our destinies, once I wander off in this direction. But never mind.) In this daydream, Winifred and her friends, wreaths of money on their heads, are gathered around Sabrina’s frilly white bed while she sleeps, discussing what they will bestow upon her. She’s already been given the engraved silver cup from Birks, the nursery wallpaper with the frieze of domesticated bears, the starter pearls for her single-strand pearl necklace, and all the other golden gifts, perfectlycomme il faut, that will turn to coal when the sun rises. Now they’re planning the orthodontist and the tennis lessons and the piano lessons and the dancing lessons and the exclusive summer camp. What hope has she got? At this moment, I appear in a flash of sulphurous light and a puff of smoke and a flapping of sooty leather wings, the uninvited black-sheep godmother.I too wish to bestow a gift, I cry.I have the right! Winifred and her crew laugh and point.You? You were banished long ago! Have you looked in a mirror lately? You’ve let yourself go, you look a hundred and two. Go back to your dingy old cave! What can you possibly have to offer? I offer the truth,I say.I’m the last one who can. It’s the only thing in this room that will still be here in the morning.
Margaret Atwood (The Blind Assassin)
You’re called to come out of the crowd. You’re called to be counter-culture. You’re not called to live in this world, be of this world-you’re called to come out. News flash-the crowd is stupid. The crowd has no identity at all. We just do what everyone else is doing. “ “When you decide, you divide the enemy and his tactics, and his distractions towards your life. The moment you actually conqueror the urge, you get stronger and the urges get weaker. But it will never happen, until you determine “I am not like the crowd, I’m coming out of the crowd. I’m apart of the minority. Ruth is determined to choose right over easy. You want to know what the right thing is? The right thing is God’s word, and it’s not just about knowing it, it’s about applying it to your life!” “Choose right over easy.” “See, when you come out of the crowd, and when you say, and when you say with the crowd, it’s all crowded here, and when you say I’m going to be apart of the minority, but let my commitments stand. Hey Naomi, you don’t know me, I made a commitment, and my commitment matters. You can tell me I’m relieved of my responsibility, but my vow is my vow. And I’m not going to be swayed, just because the circumstances have changed.” “Stay on the path, because you don’t know what lies ahead of you. Because you’re not God. All He asks you and I is to put one foot in front of another. To keep on moving. Keep on going. Commit to God’s way, and watch God make a way, when there seems to be no way. “ “Being single is awesome! When you’re single, everything in your house, you own all of it. All the money in your bank account, belongs to you.” :) “I think one of the hardest things, that people don’t talk about is that you get to decorate your house exactly how you want to do it.” “The older I get, the more I realize that people are borderline obsessed with what’s next…but if you’re not careful you’ll get so obsessed with what’s next, you won’t care about what is now. It doesn’t take a lot of use to realize, that if you’re graduating from high school, everyone’s going-“where you going to college?” If you’re in college, everyone’s like “where are you going to work?” You work for a little while as a single person, and it’s like “when are you going to get married.” You get married, and everyone’s like, “when are you going to have kids?” You have a kid, and everyone’s like, “when are you going to have more kids.” “Singleness is not a stop sign. It’s not a period, it’s not a comma. Your life doesn’t begin when you get married. A boy-friend or a girl-friend doesn’t make your life start happening. Life is happening. The question is, “are you happening?” You don’t have to live boring or be bored to be single. A life filled with Jesus is full of adventure. It’s filled with spontaneity, it’s full of ups and downs. And it’s time for you to get on mission. Let me just be loud and clear and frank with it-Jesus is a better partner than any spouse could ever dream of being.” “The truth is, sometimes sitting on the path can be just as detrimental as getting off the path. You’re called to move forward, you’re called to grow, you’re called to become.” “Be the minority, because the majority is overrated.” -Rich Wilkerson Jr., Single and Secure
Rich Wilkerson Jr.
I have known its fascination since: I have seen the mysterious shores, the still water, the lands of brown nations, where a stealthy Nemesis lies in wait, pursues, overtakes so many of the conquering race, who are proud of their wisdom, of their knowledge, of their strength. But for me all the East is contained in that vision of my youth. It is all in that moment when I opened my young eyes on it. I came upon it from a tussle with the sea—and I was young—and I saw it looking at me. And this is all that is left of it! Only a moment; a moment of strength, of romance, of glamour—of youth!... A flick of sunshine upon a strange shore, the time to remember, the time for a sigh, and—good-bye!—Night—Good-bye...!” He drank. “Ah! The good old time—the good old time. Youth and the sea. Glamour and the sea! The good, strong sea, the salt, bitter sea, that could whisper to you and roar at you and knock your breath out of you.” He drank again. “By all that’s wonderful, it is the sea, I believe, the sea itself—or is it youth alone? Who can tell? But you here—you all had something out of life: money, love—whatever one gets on shore—and, tell me, wasn’t that the best time, that time when we were young at sea; young and had nothing, on the sea that gives nothing, except hard knocks—and sometimes a chance to feel your strength—that only—what you all regret?” And we all nodded at him: the man of finance, the man of accounts, the man of law, we all nodded at him over the polished table that like a still sheet of brown water reflected our faces, lined, wrinkled; our faces marked by toil, by deceptions, by success, by love; our weary eyes looking still, looking always, looking anxiously for something out of life, that while it is expected is already gone—has passed unseen, in a sigh, in a flash—together with the youth, with the strength, with the romance of illusions.
Joseph Conrad (Youth, a Narrative)
Live to start. Start to live. Don’t Wait. Start Stuff. People are innately passionate about certain unique aspects of life. You are innately passionate about certain unique aspects of life. And people are blessed with bouts of clear and concise intuition that drive them toward distinct goals and aspirations within their jobs and their lives as a whole.(You are not excluded from this group.) But people disregard these inspired thoughts, these high-potential opportunities, as “just another stupid idea.” Why? Perhaps they are concerned about a lack of support (perceived or otherwise) from others, or maybe they are afraid of what others will think of them if they fail. Whatever the reason, they convince themselves: “This would be a great idea for someone who has more free time.” “This would be a great idea for someone with a higher level of education.” “This would be a great idea for someone who has more money.” “Everybody thinks this idea is crazy. They must be right.” No matter the justification, the response is the same. These inspired thoughts, these high-potential ideas, are stuffed deep into the drawer labeled “stupid,” and they’re never heard from again . . . or the waiting game begins. People wait. They wait for that elusive day when they’ll finally have enough time (guess what? — you never will), enough education (there is always more to know), enough money (no matter how much you make, someone will always have more). They wait until the children are grown (news flash: just because they’re grown, it doesn’t mean you’re rid of them) or until things settle down at work (they never will). People wait until . . . until . . . until . . . They wait, and they wait, and they wait, until that fateful day when they wake up and realize that while they were sitting around, paying dues, earning their keep, waiting for that elusive “perfect time,” their entire life has passed them by.
Richie Norton (The Power of Starting Something Stupid: How to Crush Fear, Make Dreams Happen, and Live without Regret)
I'll bet My. Pinter knows his way around a rifle. She scowled. He probably thought he was a grand shot, anyway. For a man whose lineage was reputedly unsavory, Mr. Pinter was so high in the instep that she privately called him Proud Pinter or Proper Pinter. He'd told Gabe last week that most lords were good for only two things-redistributing funds from their estates into the gaming hells and brothels in London, and ignoring their duty to God and country. She knew he was working for Oliver only because he wanted the money and prestige. Secretly, he held them all in contempt. Which was probably why he was being so snide about her marrying. "Be that as it may," she said, "I'm interested in marriage now." She strode over to the fireplace to warm her hands. "That's why I want you to investigate my potential suitors." "Why me?" She shot him a sideways glance. "Have you forgotten that Oliver hired you initially for that very purpose?" His stiffening posture told her that he had. With a frown, he drew out the notebook and pencil he always seemed to keep in his pocket. "Very well. Exactly what do you want me to find out?" Breathing easier, she left the fire. "The same thing you found out for my siblings-the truth about my potential suitors' finances, their eligibility for marriage, and...well..." He paused in scratching his notes to arch an eyebrow at her. "Yes?" She fiddled nervously with the gold bracelet she wore. This part, he might balk at. "And their secrets. Things I can use in my...er...campaign. Their likes, their weaknesses, whatever isn't obvious to the world." His expression chilled her even with the fire at her back. "I'm not sure I understand." "Suppose you learn that one of them prefers women in red. That could be useful to me. I would wear red as much as possible." Amusement flashed in his eyes. "And what will you do if they all prefer different colors?" "It's just an example," she said irritably.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
California, land of my dreams and my longing. You've seen me in New York and you know what I'm like there but in L.A., man, I tell you, I'm even more of a high-achiever - all fizz and push, a fixer, a bustler, a real new-dealer. Last December for a whole week my thirty-minute short Dean Street was being shown daily at the Pantheon of Celestial Arts. In squeaky-clean restaurants, round smoggy poolsides, in jungly jacuzzis I made my deals. Business went well and it all looked possible. It was in the pleasure area, as usual, that I found I had a problem. In L.A., you can't do anything unless you drive. Now I can't do anything unless I drink. And the drink-drive combination, it really isn't possible out there. If you so much as loosen your seatbelt or drop your ash or pick your nose, then it's an Alcatraz autopsy with the questions asked later. Any indiscipline, you feel, any variation, and there's a bullhorn, a set of scope sights, and a coptered pig drawing a bead on your rug. So what can a poor boy do? You come out of the hotel, the Vraimont. Over boiling Watts the downtown skyline carries a smear of God's green snot. You walk left, you walk right, you are a bank rat on a busy river. This restaurant serves no drink, this one serves no meat, this one serves no heterosexuals. You can get your chimp shampooed, you can get your dick tattooed, twenty-four hour, but can you get lunch? And should you see a sign on the far side of the street flashing BEEF-BOOZE-NO STRINGS, then you can forget it. The only way to get across the road is to be born there. All the ped-xing signs say DON'T WALK, all of them, all the time. That is the message, the content of Los Angeles: don't walk. Stay inside. Don't walk. Drive. Don't walk. Run! I tried the cabs. No use. The cabbies are all Saturnians who aren't even sure whether this is a right planet or a left planet. The first thing you have to do, every trip, is teach them how to drive.
Martin Amis (Money)
Blood pressure check!” The doorknob rattled, as if the nurse were intending just to walk in, but the lock held, thank God. The nurse knocked again. “Oh, shit,” Gina breathed, laughing as she scrambled off of him. She reached to remove the condom they’d just used, encountered . . . him, and met his eyes. But then she scooped her clothes off the floor and ran into the bathroom. “Mr. Bhagat?” The nurse knocked on the door again. Even louder this time. “Are you all right?” Oh, shit, indeed. “Come in,” Max called as he pulled up the blanket and leaned on the button that put his bed back up into a sitting position. The same control device had a “call nurse” button as well as the clearly marked one that would unlock the door. “It’s locked,” the nurse called back, as well he knew. “Oh, I’m sorry,” he said, as he wiped off his face with the edge of the sheet. Sweat much in bed, all alone, Mr. Bhagat? “I must’ve . . . Here, let me figure out how to . . .” He took an extra second to smooth his hair, his pajama top, and then, praying that the nurse had a cold and couldn’t smell the scent of sex that lingered in the air, he hit the release. “Please don’t lock your door during the day,” the woman scolded him as she came into the room, around to the side of his bed. It was Debra Forsythe, a woman around his age, whom Max had met briefly at his check-in. She had been on her way home to deal with some crisis with her kids, and hadn’t been happy then, either. “And not at night either,” she added, “until you’ve been here a few days.” “Sorry.” He gave her an apologetic smile, hanging on to it as the woman gazed at him through narrowed eyes. She didn’t say anything, she just wrapped the blood pressure cuff around his arm, and pumped it a little too full of air—ow—as Gina opened the bathroom door. “Did I hear someone at the door?” she asked brightly. “Oh, hi. Debbie, right?” “Debra.” She glanced at Gina, and then back, her disgust for Max apparent in the tightness of her lips. But then she focused on the gauge, stethoscope to his arm. Gina came out into the room, crossing around behind the nurse, making a face at him that meant . . .? Max sent her a questioning look, and she flashed him. She just lifted her skirt and gave him a quick but total eyeful. Which meant . . . Ah, Christ. The nurse turned to glare at Gina, who quickly straightened up from searching the floor. What was it with him and missing underwear? Gina smiled sweetly. “His blood pressure should be nice and low. He’s very relaxed—he just had a massage.” “You know, I didn’t peg you for a troublemaker when you checked in yesterday,” Debra said to Max, as she wrote his numbers on the chart. Gina was back to scanning the floor, but again, she straightened up innocently when the nurse turned toward her. “I think you’re probably looking for this.” Debra leaned over and . . . Gina’s panties dangled off the edge of her pen. They’d been on the floor, right at the woman’s sensibly clad feet. “Oops,” Gina said. Max could tell that she was mortified, but only because he knew her so well. She forced an even sunnier smile, and attempted to explain. “It was just . . . he was in the hospital for so long and . . .” “And men have needs,” Debra droned, clearly unmoved. “Believe me, I’ve heard it all before.” “No, actually,” Gina said, still trying to turn this into something they could all laugh about, “I have needs.” But it was obvious that this nurse hadn’t laughed since 1985. “Then maybe you should find someone your own age to play with. A professional hockey player just arrived. He’s in the east wing. Second floor.” She lowered her voice conspiratorially. “Lots of money. Just your type, I’m sure.” “Excuse me?” Gina wasn’t going to let one go past. She may not have been wearing any panties, but her Long Island attitude now waved around her like a superhero’s cape. She even assumed the battle position, hands on her hips.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
Will’s fleshy face contorted and a memory swept over him like a chilling wind. He did not move slowly over the past, it was all there in one flash, all of the years, a picture, a feeling and a despair, all stopped the way a fast camera stops the world. There was the flashing Samuel, beautiful as dawn with a fancy like a swallow’s flight, and the brilliant, brooding Tom who was dark fire, Una who rode the storms, and the lovely Mollie, Dessie of laughter, George handsome and with a sweetness that filled a room like the perfume of flowers, and there was Joe, the youngest, the beloved. Each one without effort brought some gift into the family. Nearly everyone has his box of secret pain, shared with no one. Will had concealed his well, laughed loud, exploited perverse virtues, and never let his jealousy go wandering. He thought of himself as slow, doltish, conservative, uninspired. No great dream lifted him high and no despair forced self-destruction. He was always on the edge, trying to hold on to the rim of the family with what gifts he had—care, and reason, application. He kept the books, hired the attorneys, called the undertaker, and eventually paid the bills. The others didn’t even know they needed him. He had the ability to get money and to keep it. He thought the Hamiltons despised him for his one ability. He had loved them doggedly, had always been at hand with his money to pull them out of their errors. He thought they were ashamed of him, and he fought bitterly for their recognition. All of this was in the frozen wind that blew through him. His slightly bulging eyes were damp as he stared past Cal, and the boy asked, “What’s the matter, Mr. Hamilton? Don’t you feel well?” Will had sensed his family but he had not understood them. And they had accepted him without knowing there was anything to understand. And now this boy came along. Will understood him, felt him, sensed him, recognized him. This was the son he should have had, or the brother, or the father. And the cold wind of memory changed to a warmth toward Cal which gripped him in the stomach and pushed up against his lungs.
John Steinbeck (East of Eden)
Nothing happens while you live. The scenery changes, people come in and go out, that’s all. There are no beginnings. Days are tacked on to days without rhyme or reason, an interminable, monotonous addition. From time to time you make a semi-total: you say: I’ve been travelling for three years, I’ve been in Bouville for three years. Neither is there any end: you never leave a woman, a friend, a city in one go. And then everything looks alike: Shanghai, Moscow, Algiers, everything is the same after two weeks. There are moments—rarely—when you make a landmark, you realize that you’re going with a woman, in some messy business. The time of a flash. After that, the procession starts again, you begin to add up hours and days: Monday, Tuesday, Wednesday. April, May, June. 1924, 1925, 1926. That’s living. But everything changes when you tell about life; it’s a change no one notices: the proof is that people talk about true stories. As if there could possibly be true stories; things happen one way and we tell about them in the opposite sense. [...] “I was out walking, I had left the town without realizing it, I was thinking about my money troubles.” This sentence, taken simply for what it is, means that the man was absorbed, morose, a hundred leagues from an adventure, exactly in the mood to let things happen without noticing them. But the end is there, transforming everything. For us, the man is already the hero of the story. His moroseness, his money troubles are much more precious than ours, they are all gilded by the light of future passions. And the story goes on in the reverse: instants have stopped piling themselves in a lighthearted way one on top of the other, they are snapped up by the end of the story which draws them and each one of them in turn, draws out the preceding instant: “It was night, the street was deserted.” The phrase is cast out negligently, it seems superfluous; but we do not let ourselves be caught and we put it aside: this is a piece of information whose value we shall subsequently appreciate. And we feel that the hero has lived all the details of this night like annunciations, promises, or even that he lived only those that were promises, blind and deaf to all that did not herald adventure. We forget that the future was not yet there; the man was walking in a night without forethought, a night which offered him a choice of dull rich prizes, and he did not make his choice. I wanted the moments of my life to follow and order themselves like those of a life remembered. You might as well try and catch time by the tail.
Jean-Paul Sartre (Nausea)
That's a fine line," he said at last, indicating with his thumb what pleased him. "You're beginning to learn to draw." Clutton did not answer, but looked at the master with his usual air of sardonic indifference to the world's opinion. "I'm beginning to think you have at least a trace of talent." Mrs. Otter, who did not like Clutton, pursed her lips. She did not see anything out of the way in his work. Foinet sat down and went into technical details. Mrs. Otter grew rather tired of standing. Clutton did not say anything, but nodded now and then, and Foinet felt with satisfaction that he grasped what he said and the reasons of it; most of them listened to him, but it was clear they never understood. Then Foinet got up and came to Philip. "He only arrived two days ago," Mrs. Otter hurried to explain. "He's a beginner. He's never studied before." "Ca se voit," the master said. "One sees that." He passed on, and Mrs. Otter murmured to him: "This is the young lady I told you about." He looked at her as though she were some repulsive animal, and his voice grew more rasping. "It appears that you do not think I pay enough attention to you. You have been complaining to the massiere. Well, show me this work to which you wish me to give attention." Fanny Price coloured. The blood under her unhealthy skin seemed to be of a strange purple. Without answering she pointed to the drawing on which she had been at work since the beginning of the week. Foinet sat down. "Well, what do you wish me to say to you? Do you wish me to tell you it is good? It isn't. Do you wish me to tell you it is well drawn? It isn't. Do you wish me to say it has merit? It hasn't. Do you wish me to show you what is wrong with it? It is all wrong. Do you wish me to tell you what to do with it? Tear it up. Are you satisfied now?" Miss Price became very white. She was furious because he had said all this before Mrs. Otter. Though she had been in France so long and could understand French well enough, she could hardly speak two words. "He's got no right to treat me like that. My money's as good as anyone else's. I pay him to teach me. That's not teaching me." "What does she say? What does she say?" asked Foinet. Mrs. Otter hesitated to translate, and Miss Price repeated in execrable French. "Je vous paye pour m'apprendre." His eyes flashed with rage, he raised his voice and shook his fist. "Mais, nom de Dieu, I can't teach you. I could more easily teach a camel." He turned to Mrs. Otter. "Ask her, does she do this for amusement, or does she expect to earn money by it?" 304
W. Somerset Maugham
The opponent seemed to shift slightly in the seat. His index finger tapped a card, just a couple strokes. There it was the card that ruined his hand. Her hazel eyes release the player across from her to steal a glance registering the emotion of observers around the table then to her best friend. Sophie looks like a Nervous Nelly-she, always worries. She knows the girl will put too much emphasis on a lost hand. The striking man with his lusty brown eyes tries to draw Sophie closer. Now that he has folded and left the game, he is unnecessary, and the seasoned flirt easily escapes his reach. He leaves with a scowl; Sophie turns and issues knowing wink. Ell’s focus is now unfettered, freeing her again to bring down the last player. When she wins this hand, she will smile sweetly, thank the boys for their indulgence, and walk away $700 ahead. The men never suspected her; she’s no high roller. She realizes she and Sophie will have to stay just a bit. Mill around and pay homage to the boy’s egos. The real trick will be leaving this joint alone without one of them trying to tag along. Her opponent is taking his time; he is still undecided as to what card to keep—tap, tap. He may not know, but she has an idea which one he will choose. He attempts to appear nonchalant, but she knows she has him cornered. She makes a quick glance for Mr. Lusty Brown-eyes; he has found a new dame who is much more receptive than Sophie had been. Good, that small problem resolved itself for them. She returns her focuses on the cards once more and notes, her opponent’s eyes have dilated a bit. She has him, but she cannot let the gathering of onlookers know. She wants them to believe this was just a lucky night for a pretty girl. Her mirth finds her eyes as she accepts his bid. From a back table, there is a ruckus indicating the crowd’s appreciation of a well-played game as it ends. Reggie knew a table was freeing up, and just in time, he did not want to waste this evening on the painted and perfumed blonde dish vying for his attention. He glances the way of the table that slowly broke up. He recognizes most of the players and searches out the winner amongst them. He likes to take on the victor, and through the crowd, he catches a glimpse of his goal, surprised that he had not noticed her before. The women who frequent the back poker rooms in speakeasies all dress to compete – loud colors, low bodices, jewelry which flashes in the low light. This dame faded into the backdrop nicely, wearing a deep gray understated yet flirty gown. The minx deliberately blended into the room filled with dark men’s suits. He chuckles, thinking she is just as unassuming as can be playing the room as she just played those patsies at the table. He bet she had sat down all wide-eyed with some story about how she always wanted to play cards. He imagined she offered up a stake that wouldn’t be large but at the same time, substantial enough. Gauging her demeanor, she would have been bold enough to have the money tucked in her bodice. Those boys would be eager after she teased them by retrieving her stake. He smiled a slow smile; he would not mind watching that himself. He knew gamblers; this one was careful not to call in the hard players, just a couple of marks, which would keep the pit bosses off her. He wants to play her; however, before he can reach his goal, the skirt slips away again, using her gray camouflage to aid her. Hell, it is just as well, Reggie considered she would only serve as a distraction and what he really needs is the mental challenge of the game not the hot release of some dame–good or not. Off in a corner, the pit boss takes out a worn notepad, his meaty hands deftly use a stub of a pencil to enter the notation. The date and short description of the two broads quickly jotted down for his boss Mr. Deluca. He has seen the pair before, and they are winning too often for it to be accidental or to be healthy.
Caroline Walken (Ell's Double Down (The Willows #1))
So, I was thinkin’ of pickin’ up a job as a male stripper . It would be a way to meet women and earn money. Thoughts?” That should refocus his brother if no other way but him pausing to consider it. Quinn had undiagnosed ADHD, Chance was sure of it, and on occasion you had to refocus him. The same worked when Quinn went off on a tangent, you had to flash something bright to get him off the tangent, and in this case, the shiny was Chance becoming a stripper
Shyloh Morgan (Chasing Midnight (The Darkest Desires of Dixie, #1))
Here is a most significant fact-the subconscious mind takes any orders given it in a spirit of absolute FAITH, and acts upon those orders, although the orders often have to be presented over and over again, through repetition, before they are interpreted by the subconscious mind. Following the preceding statement, consider the possibility of playing a perfectly legitimate "trick" on your subconscious mind, by making it believe, because you believe it, that you must have the amount of money you are visualizing, that this money is already awaiting your claim, that the subconscious mind MUST hand over to you practical plans for acquiring the money which is yours. Hand over the thought suggested in the preceding paragraph to your IMAGINATION, and see what your imagination can, or will do, to create practical plans for the accumulation of money through transmutation of your desire. DO NOT WAIT for a definite plan, through which you intend to exchange services or merchandise in return for the money you are visualizing, but begin at once to see yourself in possession of the money, DEMANDING and EXPECTING meanwhile, that your subconscious mind will hand over the plan, or plans you need. Be on the alert for these plans, and when they appear, put them into ACTION IMMEDIATELY. When the plans appear, they will probably "flash" into your mind through the sixth sense, in the form of an "inspiration." This inspiration may be considered a direct "telegram," or message from Infinite Intelligence. Treat it with respect, and act upon it as soon as you receive it. Failure to do this will be FATAL to your success. In the fourth of the six steps, you were instructed to "Create a definite plan for carrying out your desire, and begin at once to put this plan into action." You should follow this instruction in the manner described in the preceding paragraph. Do not trust to your "reason when creating your plan for accumulating money through the transmutation of desire. Your reason is faulty. Moreover, your reasoning faculty maybe lazy, and, if you depend entirely upon it to serve you, it may disappoint you.
Napoleon Hill (Think and Grow Rich [Illustrated & Annotated])
Nobody is ever made happy by winning the lottery, buying a house, getting a promotion or even finding true love. People are made happy by one thing and one thing only – pleasant sensations in their bodies. A person who just won the lottery or found new love and jumps from joy is not really reacting to the money or the lover. She is reacting to various hormones coursing through her bloodstream, and to the storm of electric signals flashing between different parts of her brain.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
And you’re spending the whole summer in Rome?” I ask. “Digging things up?” He absentmindedly plays with a loose string at the hem of his shirt. “We’ll be here a few more weeks. Then we’ll move on to a dig in Tuscany. And we get weekends off, sometimes even three-day weekends, so I plan on traveling when I can. Blowing all my graduation money,” he adds with a laugh. “Where to?” “Pompeii, for obvious reasons, but I also want to see Venice before it sinks. And everyone says the place to see at least once in your life is the Cinque Terre.” I do my best to repeat the words he just said. “Cinque Terre?” “It means ‘the five lands.’ It’s a section of the northern coast, the Italian Riviera. Five little fishing villages all connected by a path along the cliffs of the sea. The trail’s pretty famous. It’s called la Via dell’Amore.” The words flow like he’s a local. I look away quickly when I realize I’m staring at his lips, silently begging for him to keep speaking in Italian. “Sounds beautiful.” “I’ve heard it’s one of the best places to photograph in the country,” he says, pointing to my camera. “You should go and check it out. I mean, since your summer’s free now.” He flashes a sneaky smile. My partner in crime. I return the smile. “Maybe I will.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Last week,’ she says, ‘I was in the city, on my way to visit a wretched family I’d visited before, to plead with them once more to listen to the words of their Saviour. I was tired, I felt disinclined to walk far. Before I knew what I was doing, I was in the Underground Railway, pulled by an engine, mesmerised by the alternation of darkness and light, speeding through the earth at the cost of a sixpence. I spoke to no one; I might as well have been a ghost. I enjoyed it so much, I missed my stop, and never saw the family.’ ‘I… I confess I don’t quite divine the point you are making.’ ‘This is how our world will end, Henry! We’re foolish to imagine the Last Days will be ushered in by a giant Antichrist brandishing a bloody battle-axe. The Antichrist is our own desires, Henry. With my sixpence, I absolved myself utterly of responsibility – for the welfare of the poor filthy wretches who slaved to dig out that railway, for the grotesque sum of money spent on it, for the violation of the earth that ought to be solid beneath my feet. I sat in my carriage, admiring the dark tunnels flashing by me, not having the foggiest notion where I was, mindless of everything except my pleasure. I ceased to be, in any meaningful sense, God’s creature.’ ‘You are being hard on yourself. A single ride in the Underground isn’t going to hasten Armageddon.
Michel Faber (The Crimson Petal and the White)
Always Positive Is Not the Most Productive Salespeople have tried numerous ways to address the fact that prospects are motivated differently. One of the most prevalent sales tricks is to try to motivate prospects with “happy gas.” For decades, sellers have been told that attitude is everything, and the more enthusiastic you are, the more excited your prospects will become. You know the drill—flash a big smile and bubble over with energy in an attempt to get prospects excited about your product. Gag me! Especially in this new era of customer skepticism, this fluffy cloud approach to selling is just a facade that causes many salespeople to miss out on some otherwise lucrative opportunities. Even salespeople who are not filled with happy gas still tend to emphasize the positive, pointing out all the wonderful benefits of their product or service, in an attempt to get prospects and customers excited. But as you are about to find out, always positive is not always the most productive approach in Question Based Selling. True professionals are not “always positive.” Instead, they radiate intangible qualities like competence, capability, and expertise by being serious and self-assured. This is very different from the eager salesperson who attempts to communicate value by having a permanent smile plastered on his or her face. Secret #22 Competence, credibility, expertise, and value will outsell over-eagerness every time. I’m not saying that you shouldn’t be proud of your product or excited about a new opportunity. I’m merely suggesting that being super-positive and highly enthusiastic is not the best way to motivate all prospects. And as you’ll see throughout Question Based Selling, being super-positive is not even the best way to motivate most prospects.
Thomas Freese (Secrets of Question-Based Selling: How the Most Powerful Tool in Business Can Double Your Sales Results (Top Selling Books to Increase Profit, Money Books for Growth))
That highly complex piece of mechanism under the dry beach, I finally decided, had a great many units, undoubtedly, working away in separate little departments of their own, doing a great variety of things, keeping a clock synchronized with my alarm clock, remembering appointments, writing a novel, keeping lists of things to buy like groceries and bathing suits; and probably these separate departments had their own system of communicating with each other. The idea appealed to me. I could see Department T (in charge of keeping time) flashing a picture of the time on its chart at the appointed minute to Department N (in charge of getting the dry beach out of bed and other navigation). A queer clock, I had to admit, although the chart had a so-so resemblance to a stop watch. Then there was Department L (in charge of keeping Lists of Things to Get) sending up a picture of bathing suits— this picture not seen by the dry beach— to N. “We’re in the shopping section, N. How about that bathing suit? I want to get it off my list.” N, flashing same picture to Department W (in charge of waves) : “W, please send in one wave regarding bathing suit. We’re in shopping section.” W sends in wave and then flashes picture of green oblong with white dollar sign and zero. Translation: “I did. Has no money.
Barbara O'Brien (Operators and things: The inner life of a schizophrenic)
Dedicating one’s life to lofty spiritual ideals is every bit as life-defining and purpose-giving as the quest for heaven or power or money or love. Just because there’s a flashing neon sign above the door that says “Free Enlightenment! The Shortest & Easiest Way! The One True Path!” doesn’t mean that what goes on inside is really about enlightenment, or that the people who go in really want it.
Jed McKenna (Spiritual Enlightenment: The Damnedest Thing (The Enlightenment Trilogy Book 1))
Power is when you can take the elevator into a department store’s special floor, flash your Black Card, and get free premium quality cappuccino that people without the Black Card can’t even buy because they don’t accept money there. They don’t accept money. All they accept is power. Power is currency. Power is exclusivity.
Richard Heart (sciVive)
When a young employee gasped at his blue language, Simons flashed a grin. “I know—that is an impressive rate!” A few times a week, Marilyn came by to visit, usually with their baby, Nicholas. Other times, Barbara checked in on her ex-husband. Other employees’ spouses and children also wandered around the office. Each afternoon, the team met for tea in the library, where Simons, Baum, and others discussed the latest news and debated the direction of the economy. Simons also hosted staffers on his yacht, The Lord Jim, docked in nearby Port Jefferson. Most days, Simons sat in his office, wearing jeans and a golf shirt, staring at his computer screen, developing new trades—reading the news and predicting where markets were going, like most everyone else. When he was especially engrossed in thought, Simons would hold a cigarette in one hand and chew on his cheek. Baum, in a smaller, nearby office, trading his own account, favored raggedy sweaters, wrinkled trousers, and worn Hush Puppies shoes. To compensate for his worsening eyesight, he hunched close to his computer, trying to ignore the smoke wafting through the office from Simons’s cigarettes. Their traditional trading approach was going so well that, when the boutique next door closed, Simons rented the space and punched through the adjoining wall. The new space was filled with offices for new hires, including an economist and others who provided expert intelligence and made their own trades, helping to boost returns. At the same time, Simons was developing a new passion: backing promising technology companies, including an electronic dictionary company called Franklin Electronic Publishers, which developed the first hand-held computer. In 1982, Simons changed Monemetrics’ name to Renaissance Technologies Corporation, reflecting his developing interest in these upstart companies. Simons came to see himself as a venture capitalist as much as a trader. He spent much of the week working in an office in New York City, where he interacted with his hedge fund’s investors while also dealing with his tech companies. Simons also took time to care for his children, one of whom needed extra attention. Paul, Simons’s second child with Barbara, had been born with a rare hereditary condition called ectodermal dysplasia. Paul’s skin, hair, and sweat glands didn’t develop properly, he was short for his age, and his teeth were few and misshapen. To cope with the resulting insecurities, Paul asked his parents to buy him stylish and popular clothing in the hopes of fitting in with his grade-school peers. Paul’s challenges weighed on Simons, who sometimes drove Paul to Trenton, New Jersey, where a pediatric dentist made cosmetic improvements to Paul’s teeth. Later, a New York dentist fitted Paul with a complete set of implants, improving his self-esteem. Baum was fine with Simons working from the New York office, dealing with his outside investments, and tending to family matters. Baum didn’t need much help. He was making so much money trading various currencies using intuition and instinct that pursuing a systematic, “quantitative” style of trading seemed a waste of
Gregory Zuckerman (The Man Who Solved the Market: How Jim Simons Launched the Quant Revolution)
Think of it this way. I’m like the end of the movie.” “The end of what movie?” “You know how in the movies there’s always this person who wishes they were super successful, and then they get everything they thought they ever wanted. The fame, the money. All of it. Time passes, and they realize it’s not enough and long for the simple life when they did art for art’s sake. When there were no pressures or fake people. They give it all up and go back to being ordinary.” I flash him my coyest smile. “I just skipped all the fame, fortune, and chaos part and went straight to the ending where I dance for the fun of it.” Tyler runs his hands over my hair and then cradles the back of my head. “The end of the movie, huh? There’s one thing missing from your plotline, you know that?” “What?” “A romantic interest.
D.G. Driver (Anything But Graceful: A Second Chance Romance Novel)
DECEMBER 22 Parallel Universes Doubt, for me, tends to come in an overwhelming package, all at once. I don’t worry much about nuances of particular doctrines, but every so often I catch myself wondering about the whole grand scheme of faith. I stand in the futuristic airport in Denver, for example, watching important-looking people in business suits, briefcases clutched to their sides like weapons, pause at an espresso bar before scurrying off to another concourse. Do any of them ever think about God? I wonder. Christians share an odd belief in parallel universes. One universe consists of glass and steel and wool clothes and leather briefcases and the smell of freshly ground coffee. The other consists of angels and sinister spiritual forces and somewhere out there places called Heaven and Hell. We palpably inhabit the material world; it takes faith to consider oneself a citizen of the other, invisible world. Occasionally the two worlds merge for me, and these rare moments are anchors for my faith. The time I snorkeled on a coral reef and suddenly the flashes of color and abstract design flitting around me became a window to a Creator who exults in life and beauty. The time my wife forgave me for something that did not merit forgiveness—that too became a window, allowing a startling glimpse of divine grace. I have these moments, but soon toxic fumes from the material world seep in. Sex appeal! Power! Money! Military might! These are what matter most in life, I’m told, not the simpering platitudes of Jesus’ teachings in the Sermon on the Mount. For me, living in a fallen world, doubt seems more like forgetfulness than disbelief. I, a citizen of the visible world, know well the struggle involved in clinging to belief in another, invisible world. Christmas turns the tables and hints at the struggle involved when the Lord of both worlds descends to live by the rules of the one. In Bethlehem, the two worlds came together, realigned; what Jesus went on to accomplish on planet Earth made it possible for God someday to resolve all disharmonies in both worlds. No wonder a choir of angels broke out in spontaneous song, disturbing not only a few shepherds but the entire universe. Finding God in Unexpected Places (34 – 35)
Philip Yancey (Grace Notes: Daily Readings with Philip Yancey)
A server arrives to top up our glasses. I wait till he’s poured, returned the bottle to its bucket, and laid the white napkin over the top. ‘A group of us had the idea three or four years ago. You met Gen—I was at uni with her, Callum, and Zach, our other co-founders. I went to school with Cal and Zach too. There were so many flash members’ clubs opening up around Mayfair. We joined a few, and they were fun. Predictable. Total meat markets, obviously. They got formulaic pretty quickly. Just posh people looking to get fucked and fuck. We felt that, for the amount of money they were charging, we should get more bang for our buck. Stupid pun intended.’ She rewards my lame joke with a little smile. ‘Anyway, there were some pop-up sex clubs around that were killing it. We thought it would be fun to try something more permanent. Somewhere with rules and vetting that meant you were far safer than in any of those other places, but where you could also try out things that maybe you’d just fantasised about.’ She nods. ‘Makes sense. Maddy never goes home alone from Annabel’s. I worry sometimes, because a lot of these guys are super-entitled, and God knows what they might think they’re entitled to. It freaks me out.’ ‘Exactly. The safety and the freedom go hand in hand. You can’t let go if you don’t feel safe. That’s at the heart of everything we do.’ ‘So why the name Alchemy?
Elodie Hart (Unfurl (Alchemy, #1))
The use of the ACT-R theory in clinical research has helped confirm the findings of cognitive psychologists, including the crucial role of practice and work in human learning. Although we like to think of learning as arriving in flashes of insight that may be divinely inspired, this just reflects how imperfectly aware we are of our own minds. In fact, human learning tends to proceed along a logarithmic scale, with the first rounds of practice producing meager results that eventually accelerate and result in gains that are orders of magnitude more powerful. This, too, is crucial for education, because it means that people who successfully get to the end of a process of learning have far more knowledge and skill than those who quit halfway. It’s like compound interest on an investment, where you make most of your money in the last few years.
Kevin Carey (The End of College: Creating the Future of Learning and the University of Everywhere)
To me, the apotheosis of what’s good and bad about contemporary exercise is the treadmill. Treadmills are incredibly useful, but they are also loud, expensive, and occasionally treacherous, and I find them boring. I sometimes use treadmills to exercise but struggle as I trudge monotonously under fluorescent lights in fetid air with no change of scene, staring at those little flashing lights informing me how far I’ve gone, at what speed, and how many calories I’ve supposedly burned. The only way I endure the tedium and discomfort of a treadmill workout is by listening to music or a podcast. What would my distant hunter-gatherer ancestors have thought of paying lots of money to suffer through needless physical activity on an annoying machine that gets us nowhere and accomplishes nothing?
Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)
The financial markets are almost—though not quite—as random as those flashing lights, and they vary in incredibly complex ways. Although no one has yet identified exactly where in the brain the interpreter is located, its existence helps explain why the “experts” keep trying to predict the unpredictable. Facing a constant, chaotic storm of data, these pundits refuse to admit that they can’t understand it. Instead, their interpreters drive them to believe they’ve identified patterns from which they can project the future.
Jason Zweig (Your Money and Your Brain)
The amygdala helps focus your attention, in a flash, on anything that’s new, out of place, changing fast, or just plain scary. That helps explain why we overreact to rare but vivid risks. After all, in the presence of danger, he who hesitates is lost; a fraction of a second can make the difference between life and death.
Jason Zweig (Your Money and Your Brain)
face; and the reaper was Martin Luther; and Luther’s friend saw the truth in a flash. ‘I must leave my prayers’, he said, ‘and get to work.’ And so he left his pious solitude and went down to the world to labour in the harvest. It is the dream of Christ that we should all be missionaries and reapers. There are those who cannot do other than pray, because of physical limitations, and their prayers are indeed the strength of the labourers. But that is not the way for most of us, for those of us who have strength of body and health of mind. Not even the giving of our money is enough. If the harvest of men and women is ever to be reaped, then every one of us must be a reaper, for there is someone whom each one of us could – and must – bring to God.
William Barclay (New Daily Study Bible: The Gospel of Matthew 1)
Gone the glitter and glamour; gone the pompous wealth beside naked starvation; gone the strange excitement of a polyglot and many-sided city; gone the island of Western civilization flourishing in the vast slum that was Shanghai. Good-by to all that: the well-dressed Chinese in their chauffeured cars behind bullet-proof glass; the gangsters, the shakedowns, the kid­napers; the exclusive foreign clubs, the men in white dinner jackets, their women beautifully gowned; the white-coated Chinese “boys” ob­sequiously waiting to be tipped; Jimmy’s Kitchen with its good Amer­ican coffee, hamburgers, chili and sirloin steaks. Good-by to all the night life: the gilded singing girl in her enameled hair-do, her stage make-up, her tight-fitting gown with its slit skirt breaking at the silk­ clad hip, and her polished ebony and silver-trimmed rickshaw with its crown of lights; the hundred dance halls and the thousands of taxi dolls; the opium dens and gambling halls; the flashing lights of the great restaurants, the clatter of mah-jongg pieces, the yells of Chinese feasting and playing the finger game for bottoms-up drinking; the sailors in their smelly bars and friendly brothels on Szechuan Road; the myriad short-time whores and pimps busily darting in and out of the alleyways; the display signs of foreign business, the innumerable shops spilling with silks, jades, embroideries, porcelains and all the wares of the East; the generations of foreign families who called Shanghai home and lived quiet conservative lives in their tiny vacuum untouched by China; the beggars on every downtown block and the scabby infants urinating or defecating on the curb while mendicant mothers absently scratched for lice; the “honey carts” hauling the night soil through the streets; the blocks-long funerals, the white-clad professional mourners weeping false tears, the tiers of paper palaces and paper money burned on the rich man’s tomb; the jungle free-for- all struggle for gold or survival and the day’s toll of unwanted infants and suicides floating in the canals; the knotted rickshaws with their owners fighting each other for customers and arguing fares; the peddlers and their plaintive cries; the armored white ships on the Whangpoo, “protecting foreign lives and property”; the Japanese conquerors and their American and Kuomintang successors; gone the wickedest and most colorful city of the old Orient: good-by to all that.
Edgar Snow (Red China Today: The Other Side of the River)
However, I’ve seen too much of life to fret over if’s and but’s. There’s nothing you can do about them, and if you find yourself at the end of the day an octogenarian with money in the bank and drink in the house- well, you’d be a fool to wish that things had fallen out differently.
George MacDonald Fraser (Royal Flash (The Flashman Papers, #2))
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Funny, how the American team appealed to so many people because it was unsullied by money, and selfishness and corporate fingerprints, and yet when Chastain removed her shirt the old cynicism returned immediately. Surely, many thought and wrote, she had a deal with Nike to flash her bra and to make her body a living, breathing mannequin.
Jere Longman (The Girls of Summer: The U.S. Women's Soccer Team and How It Changed the World)
Be genuine: Why is it said that the truth will set you free? People are punished and ostracized all the time for telling the truth. Lies often succeed. A polite agreement to go along and make no waves has brought money and power to many people. But “The truth shall set you free” wasn’t meant as practical advice. There’s a spiritual intent behind the words, saying in essence, “You cannot set yourself free, but truth can.” In other words, truth has the power to set aside what is false, and doing so can set us free. The ego’s agenda is to keep itself going. At crucial moments, however, the truth speaks to us; it tells us how things really are, not forever or for all people but right at this moment for us alone. This impulse must be honored if you wish to break free. When I think of what a flash of truth is like, some examples come to mind: Knowing that you can’t be what someone else wants you to be, no matter how much you love the other person. Knowing that you love, even when it’s scary to say so. Knowing that someone else’s fight isn’t yours. Knowing that you are better than what you appear to be. Knowing that you will survive. Knowing that you have to go your own way, no matter what the cost. Each sentence begins with the word knowing because the silent witness is that level where you know yourself, without regard for what others think they know. To speak your truth isn’t the same as bursting out with all the unpleasant things you’ve been too afraid or too polite to say. Such outbursts always have a feeling of pressure and tension behind them; they are grounded in frustration; they carry anger and hurt. The kind of truth that comes from the knower is calm; it doesn’t refer to how anyone else is behaving; it brings clarity to who you are. Value these flashes. You can’t make them appear, but you can encourage them by being genuine and not letting yourself fall into a persona created just to make you feel safe and accepted.
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
A person who just won the lottery or found new love and jumps from joy is not really reacting to the money or the lover. She is reacting to various hormones coursing through her bloodstream, and to the storm of electric signals flashing between different parts of her brain.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
CUBBY ORDERED an express food delivery in the morning.  It cost extra, but he wasn’t worried about money.  His parents had left him well-off.  How well-off he didn’t know, never having inquired into the matter.  Month by month, year by year, a firm of accountants took his money to clubs on Wall Street where investments of easy virtue lounged.  At least that was how Cubby understood it.  It was a kind of escort service for money, though how the escorts reproduced was a mystery to him.  The same accountants handled his insurance, his tax and now his senior security.  His parents had set up the system when he was in college because they wanted him to concentrate on his studies. And Cubby had concentrated.  He graduated summa cum laude at Harvard, achieving a Ph.D. with a dissertation on synchronized flashing in fireflies. (This little-known phenomenon occurs in the mountains of Tennessee.  It is the insect equivalent of a rock concert.  The male fireflies show up around 8:30 p.m., flashing on and off, watching one another to get the tempo right.  The females, hot little groupies that they are, observe from the ground.  By 9 p.m. the males are flashing in unison and the females go wild.)
Nancy Farmer (A New Year's Tale)
After the races had ended, the faire wound down, and Grayden tugged me toward a stand where the vendor’s wares were rapidly depleting. “Come!” he exclaimed. “I want to get you something--a remembrance.” I laughed, for he was pulling me toward a display of headpieces made of woven flowers and ribbons, but he was not to be deterred. He worked toward the front of the stand, extracted a coin from his money pouch and flipped it at the woman in charge. “I’d like your best one for the girl I’m courting,” he proclaimed, and I suspected the real truth was that he wanted to say the words. “They are all finely made, young sir. Which one is best is a matter of the color you desire.” Grayden studied me, trying to choose. I struck a pose to help. “Green,” he decided. “For she has the loveliest hazel eyes.” His words shocked me into silence, and a strange notion flashed in my brain. He had said my eyes were lovely. Could he possibly think I was beautiful? “Shaselle?” he faltered, probably afraid he had offended me. “Would you prefer a different color?” “Not at all! I adore green!” His grin resurfaced and he nestled the chosen crown into my hair, which fell in a simple braid down my back. I beamed at him, the world seeming brighter, less tainted and revitalized, for somehow my uncle Cannan had come through--he had found me a young man that Papa would have been proud to know.
Cayla Kluver (Sacrifice (Legacy, #3))
You want me to buy a dress with my airship money?” “It was just a thought.” She considered him for a moment, then plucked at her grime-streaked overalls. “Would you dance with me if I wore this?” “Of course.” His blue eyes crinkled. “Though now that most of the snow has melted, nudity is an option too.” “I’ll buy a dress.” “If you insist.
Lindsay Buroker (Hunted (Flash Gold Chronicles, #2))
I’m seventy-six years old. You think they’re gonna send some seventy-six-year-old guy to prison because he flashed his stuff around?” I sincerely hoped so.
Janet Evanovich (One for the Money (Stephanie Plum, #1))
Ananias had come with money from the sale of property. He had presented it to Peter, claiming it to be the full amount of the sale. Instead of praising him, Peter had condemned him. Not for his generosity, which was commendable, but for his lie. “The land was yours,” Peter had told Ananias, his eyes flashing fire. “The money was your right to keep. But you have lied to the Holy Spirit.” And right on the spot, Ananias had collapsed on the cobblestones. They could not revive him, and he was dead. The women struggled to accept what they were hearing. But Philip was not finished with his report. Even more frightening, when Sapphira had arrived, the whole scene was repeated. They were gone. Both of them. In only the matter of a few hours. Peter had ordered some of the men to take them out of the compound and bury them.
Janette Oke (The Hidden Flame (Acts of Faith, #2))
At their first official leadership retreat in January 2009, the model that the House Republicans chose to emulate was the Taliban. The Texas congressman Pete Sessions, the new leader of the Republican House campaign committee, held up Afghanistan’s infamous Islamic extremists as providing an example of how they could wage “asymmetric warfare.” The country might be in an economic crisis, but governing, he told his colleagues, was not the reason they had been elected. As he flashed through a slide presentation at the Annapolis Inn, he asked his colleagues, “If the Purpose of the Majority is to Govern…What is Our Purpose?” His answer was simple: “The Purpose of the Minority is to become the Majority.” That one goal, he said, was “the entire Conference’s mission.
Jane Mayer (Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right)
The car slows down, interrupting his thoughts. "Here we are," says Ian, sitting up straight. He puts on his hat and takes a deep breath. "Let the show begin." He opens the door and camera flashes dazzle him. Adoring voices call him and a crowd circles him. "Come on, little Key." Maicol turns and smiles. "Excited girls can’t wait to tear you to pieces." He imitates a lion’s roar. Then he gets out and more flashes of light fly into the car. Andrea grasps the door handle, trying to keep his internal disorder under control. His skin sizzles as if on a grill and his heart is bursting through his rib cage. His hand trembles so much that he can’t even lower the simple lever. One door separates him from the new world that he’s about to enter. And he wonders why he's doing it. For the money? Because Susanna is enthusiastic? To glorify himself and his pride? Out of curiosity? He’s afraid of changing and perhaps Ian is right. The only thing is to be yourself, but put up barriers. He had been Andrea, as always, that afternoon in Clusone, but had placed Key in front as a layer to protect his true essence. His true self. Andrea thinks back to the image of his reflection. He focuses, wraps himself in it, and feels that he can control the turmoil. His breathing is regular. Calm now, he lowers the handle. He places a foot on the ground and steps out, as relaxed as if among friends. He’s bombarded by camera flashes and questions that fly at him wildly, but smiles as soon as Ian and Maicol stand by his side. "Good evening everyone. I’m Key," he says confidently. And time stops in a glow of solomonic certainty: now he knows who it was on stage with Nicolle.
Key Genius (Heart of flesh)
In light of the well’s legendary status,” Swift said, “I’d hate to overlook a good opportunity.” He reached into a pocket, rummaged briefly and pulled out a large silver coin. It had been forever since Daisy had seen American money. “You’re supposed to throw in a pin,” she said. “I don’t have a pin.” “That’s a five-dollar piece,” Daisy said in disbelief. “You’re not going to throw that away, are you?” “I’m not throwing it away. I’m making an investment. You’d better tell me the proper procedure for making wishes—it’s a lot of money to waste.” “You’re mocking me.” “I’m in deadly earnest. And since I’ve never done this before, some advice would be welcome.” He waited for her reply, and when it became evident that none was forthcoming, a touch of humor lurked in one corner of his mouth. “I’m going to toss the coin in regardless.” Daisy cursed herself. Even though it was obvious he was mocking her, she could not resist. A wish was not something that should be wasted, especially a five-dollar wish. Drat! She approached the well and said curtly, “First hold the coin in your palm until it’s warm from your hand.” Swift came to stand beside her. “And then?” “Close your eyes and concentrate on the thing you want most.” She let a scornful note enter her voice. “And it has to be a personal wish. It can’t be about something like mergers or banking trusts.” “I do think about things other than business affairs.” Daisy gave him a skeptical glance, and he astonished her with a brief smile. Had she ever seen him smile before? Perhaps once or twice. She had a vague past memory of such an occasion, when his face had been so gaunt that all she had received was an impression of white teeth fixed in a grimace that owed little to any feeling of good cheer. But this smile was just a bit off-center, which made it disarming and tantalizing…a flash of warmth that made her wonder exactly what kind of man lurked behind his sober exterior. Daisy was profoundly relieved when the smile disappeared and he was back to his usual stone-faced self. “Close your eyes,” she reminded him. “Put everything out of your mind except the wish.” His heavy lashes fell shut, giving her the chance to stare at him without having him stare back. It was not the sort of face a boy could wear comfortably…the features were too strong-boned, the nose too long, the jaw obstinate. But Swift had finally grown into his looks. The austere angles of his face had been softened by extravagant sweeps of black lashes and a wide mouth that hinted of sensuality. “What now?” he murmured, his eyes still closed. Staring at him, Daisy was horrified by the impulse that surged through her…to step nearer and explore the tanned skin of his cheeks with her fingertips. “When an image is fixed in your mind,” she managed to say, “open your eyes and toss the coin into the well.” His lashes lifted to reveal eyes as bright as fire trapped in blue glass. Without glancing at the well, he threw the coin right into the center of it.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
I closed the doors and turned to tell Clay the disappointing news.  Instead of staying in the living room as I’d thought, he stood right behind me.  All that came out was a strangled “gah.”  He flashed a smile so wide that I saw teeth and couldn’t help but smile back. “Har-har.  I told you no suspense movies.  Life is scary enough without them.  Oh, and false alarm on the cookies.  We’re missing some main ingredients.” He picked up my car keys and dangled them in front of me. “It’s tempting, but unless I want to get a part-time job, I can’t afford to keep spending the money I’ve saved.  I’ve got to stick to the budget so it lasts through till spring.  If we can manage to keep the heat off until November, I should have cookie money for Christmas.  That’s when cookies are best, anyhow.  I’ll just need to start wearing more clothes inside.” I
Melissa Haag (Hope(less) (Judgement of the Six #1))
Everett stalked back to his desk and then pointed to a chair that was bolted to the floor opposite him. “Mr. Mulberry, you don’t believe that’s an acceptable way of asking me to take a seat, do you?” A stabbing of a finger to the chair once more was his only reply. Taking a second to fasten herself back into the cork jacket, even as an odd and somewhat inappropriate sense of amusement settled over her, Millie walked over to the indicated chair and took a seat. Placing her hands demurely in her lap, she watched as Everett lowered into his own chair. Thrusting a hand through hair that was distinctly untidy, he caught her eye. “Was there a reason behind your interrupting my reading?” “I’m sure there was, but that reason escapes me at the moment.” She sat forward. “What are you reading?” Everett’s face turned a little red as he snatched the book off the desk and stuffed it into a drawer. Millie leaned back in the chair. “Very well, since you don’t seem to want to exchange the expected pleasantries, let us move on to what I’ve suddenly recalled I wanted to speak with you about. We need to discuss the children and the part you need to play in their lives, as well as discuss how you’re going to go about telling Miss Dixon it would be a horrible idea for you to send the children away to a boarding school.” Opening the drawer, Everett yanked out the book he’d just stashed away, and pushed it Millie’s way. “I think I’d rather discuss this.” Picking up the book, she looked at the title. “You’re reading Pride and Prejudice?” “I am, but don’t tell anyone. It could ruin my reputation as a manly gentleman.” The amusement that was still bubbling through her increased. “I doubt that, but tell me, what do you think about the story so far?” “I think it’s unfortunate that Lizzy is not better connected, because she would be perfect for Mr. Darcy if she came from money.” Millie shoved the book back at him as every ounce of amusement disappeared in a flash. “You don’t believe that Mr. Darcy might be just a tad too prideful since he believes he’s superior to Lizzy?” “He’s one of the richest men in England,” Everett said, returning the book to the drawer and giving it a somewhat longing look before he caught Millie’s eye. “Of course he’s superior to Lizzy.” Fighting the impulse to tell him he was a bit of an idiot, because that was a guaranteed way of getting dismissed, Millie forced a smile. “Perhaps it would be best to continue this discussion after you finish the book. But, tell me, why in the world are you reading a romance novel?” “I needed something to keep me occupied while evading Abigail and her meddling ways, and since you spoke so highly of Jane Austen, I thought I’d give her a try.” “You’re reading it because I enjoy Jane Austen?” “Well, yes. You also mentioned you enjoy Frankenstein, but I couldn’t find a copy of that in my library, so I decided I’d read a book of Jane’s instead.” Pleasure
Jen Turano (In Good Company (A Class of Their Own Book #2))
Brain scans have shown that high-end brands evoke the same neural response as religious images; that, shocking and lamentable though it may be, an iPod has the same effect as Mother Teresa. Also, the windows displaying these material icons extend from floor to ceiling, completely exposing the bright interiors, and the entrances are wide and doorless, so the instinctive fear of entering an unfamiliar enclosed space is overcome. Inside, young, attractive sales staff approach, seeking eye contact with friendly encouraging smiles, creating the illusion of youth and attractiveness in the shopper. The loud soul music suggests a bar or club where mutual attraction can blossom but, unlike the brutally competitive bars and clubs, here there is no possibility of rejection. Spending money is the easiest orgasm. Open the wallet and flash the bright card.
Michael Foley (The Age of Absurdity: Why Modern Life makes it Hard to be Happy)
For years, Crittenden County had opted not to participate in the state’s network of county drug task forces, which shared all drug monies seized. Sullivan reported that, in 2000, Crittenden County’s independent drug task force had seized $5.43 million on the highways that passed through West Memphis and Marion. That constituted more than half the total amount of drug money seized during that year in the entire state. In 2001, FBI agents conducted at least two sting operations. Those led to indictments the following year.121 As Sullivan reported, “It may have been the recent, sudden improvement in the livelihoods of some of the officers—fancy motorcycles, big houses—that made neighbors and fellow officers suspicious.” Some of the flash points that caught investigators’ attention were a sheriff ’s deputy who lived with his schoolteacher wife in a quarter-million-dollar house, two deputies who flew private airplanes, one who’d reportedly paid $18,953 in cash for a Harley-Davidson motorcycle, and another who was said to have paid for a $26,500 ski boat with $100 bills.
Mara Leveritt (Dark Spell: Surviving the Sentence (Justice Knot #2))
Is this an antique?” He nodded. “It was a wedding present from my grandfather to my grandma.” She traced the pattern with her fingers. “It’s beautiful.” “Yeah, it is,” he said, in a thoughtful tone. “They were honeymooning in France and she fell in love with it. When they got home, it was waiting for her.” “How romantic,” Maddie said, studying the rich detail work. Even back then, it must have cost a fortune. “My grandpa was desperately in love with her. If she wanted something, he moved heaven and earth to get it for her.” What would that be like? To be loved like that. Steve always acted like he’d do anything for her, but if he’d loved her unconditionally, wouldn’t he have liked her more? She looked back at Mitch. “How’d they meet?” He chuckled, a soft, low sound. “You’re not going to believe this.” She crossed her legs. “Try me.” He flashed a grin. “I swear to God, this is not a line.” “Oh, this is going to be good.” She shifted around, finding a dip in the mattress she could get comfortable in. He stretched his arm, drawing Maddie’s gaze to the contrast of his golden skin against the crisp white sheets. “My grandfather was old Chicago money. He went to Kentucky on family business and on the way home, his car broke down.” Startled, Maddie blinked. “You’re kidding me.” He shook his head, assessing her. “Nope. He broke down at the end of the driveway and came to ask for help. My grandmother opened the door, and he took one look at her and fell.” He pointed to a picture frame on the dresser. “She was quite beautiful.” Unable to resist, Maddie slid off the bed and walked over, picking up the frame, which was genuine pewter. She traced her fingers over the glass. It was an old-fashioned black-and-white wedding picture of a handsome, austere, dark-haired man and a breathtakingly gorgeous girl with pale blond hair in a white satin gown. “He asked her to marry him after a week,” Mitch said. “It caused a huge uproar and his family threatened to disinherit him. She was a farm girl, and he’d already been slated to marry a rich debutante who made good business sense.” Maddie carefully put the frame back and crawled back onto the bed, anxious for the rest of the story. “Looks like they got married despite the protests.” Mitch’s gaze slid over her body, lingering a fraction too long on her breasts before looking back into her eyes. “He said he could make more money, but there was only one of her. In the end, his family relented, and he whisked her into Chicago high society.” “It sounds like a fairy tale.” “It was,” Mitch said, his tone low and private. The story and his voice wrapped her in a safe cocoon where the world outside this room didn’t exist. “In the sixty years they were together, they never spent more than a week a part. He died of a heart attack and she followed two months later.” She studied the bedspread, picking at a piece of lint. “I guess if you’re going to get married, that’s the way to do it.” “Any
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Is this an antique?” He nodded. “It was a wedding present from my grandfather to my grandma.” She traced the pattern with her fingers. “It’s beautiful.” “Yeah, it is,” he said, in a thoughtful tone. “They were honeymooning in France and she fell in love with it. When they got home, it was waiting for her.” “How romantic,” Maddie said, studying the rich detail work. Even back then, it must have cost a fortune. “My grandpa was desperately in love with her. If she wanted something, he moved heaven and earth to get it for her.” What would that be like? To be loved like that. Steve always acted like he’d do anything for her, but if he’d loved her unconditionally, wouldn’t he have liked her more? She looked back at Mitch. “How’d they meet?” He chuckled, a soft, low sound. “You’re not going to believe this.” She crossed her legs. “Try me.” He flashed a grin. “I swear to God, this is not a line.” “Oh, this is going to be good.” She shifted around, finding a dip in the mattress she could get comfortable in. He stretched his arm, drawing Maddie’s gaze to the contrast of his golden skin against the crisp white sheets. “My grandfather was old Chicago money. He went to Kentucky on family business and on the way home, his car broke down.” Startled, Maddie blinked. “You’re kidding me.” He shook his head, assessing her. “Nope. He broke down at the end of the driveway and came to ask for help. My grandmother opened the door, and he took one look at her and fell.” He pointed to a picture frame on the dresser. “She was quite beautiful.” Unable to resist, Maddie slid off the bed and walked over, picking up the frame, which was genuine pewter. She traced her fingers over the glass. It was an old-fashioned black-and-white wedding picture of a handsome, austere, dark-haired man and a breathtakingly gorgeous girl with pale blond hair in a white satin gown. “He asked her to marry him after a week,” Mitch said. “It caused a huge uproar and his family threatened to disinherit him. She was a farm girl, and he’d already been slated to marry a rich debutante who made good business sense.” Maddie carefully put the frame back and crawled back onto the bed, anxious for the rest of the story. “Looks like they got married despite the protests.” Mitch’s
Jennifer Dawson (Take a Chance on Me (Something New, #1))
This last line was wholly truthful. It was worth shooting for. If Blue Ribbon went bust, I’d have no money, and I’d be crushed. But I’d also have some valuable wisdom, which I could apply to the next business. Wisdom seemed an intangible asset, but an asset all the same, one that justified the risk. Starting my own business was the only thing that made life’s other risks—marriage, Vegas, alligator wrestling—seem like sure things. But my hope was that when I failed, if I failed, I’d fail quickly, so I’d have enough time, enough years, to implement all the hard-won lessons. I wasn’t much for setting goals, but this goal kept flashing through my mind every day, until it became my internal chant: Fail fast. In
Phil Knight (Shoe Dog)
Ironically, solutions are not hard to devise. These solutions involve breaking big banks into units that are not too big to fail; returning to a system of regional stock exchanges, to provide redundancy; and reintroducing gold into the monetary system, since gold cannot be wiped out in a digital flash.
James Rickards (The Death of Money: The Coming Collapse of the International Monetary System)
If this story has a soul, it is in the decisions made by its principal characters to resist the temptation of easy money and to pay special attention to the spirit in which they live their working lives. I didn’t write about them because they were controversial. I wrote about them because they were admirable.
Michael Lewis (Flash Boys: A Wall Street Revolt)