Flashing Good Morning Quotes

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O Deep Thought computer," he said, "the task we have designed you to perform is this. We want you to tell us...." he paused, "The Answer." "The Answer?" said Deep Thought. "The Answer to what?" "Life!" urged Fook. "The Universe!" said Lunkwill. "Everything!" they said in chorus. Deep Thought paused for a moment's reflection. "Tricky," he said finally. "But can you do it?" Again, a significant pause. "Yes," said Deep Thought, "I can do it." "There is an answer?" said Fook with breathless excitement. "Yes," said Deep Thought. "Life, the Universe, and Everything. There is an answer. But, I'll have to think about it." ... Fook glanced impatiently at his watch. “How long?” he said. “Seven and a half million years,” said Deep Thought. Lunkwill and Fook blinked at each other. “Seven and a half million years...!” they cried in chorus. “Yes,” declaimed Deep Thought, “I said I’d have to think about it, didn’t I?" [Seven and a half million years later.... Fook and Lunkwill are long gone, but their descendents continue what they started] "We are the ones who will hear," said Phouchg, "the answer to the great question of Life....!" "The Universe...!" said Loonquawl. "And Everything...!" "Shhh," said Loonquawl with a slight gesture. "I think Deep Thought is preparing to speak!" There was a moment's expectant pause while panels slowly came to life on the front of the console. Lights flashed on and off experimentally and settled down into a businesslike pattern. A soft low hum came from the communication channel. "Good Morning," said Deep Thought at last. "Er..good morning, O Deep Thought" said Loonquawl nervously, "do you have...er, that is..." "An Answer for you?" interrupted Deep Thought majestically. "Yes, I have." The two men shivered with expectancy. Their waiting had not been in vain. "There really is one?" breathed Phouchg. "There really is one," confirmed Deep Thought. "To Everything? To the great Question of Life, the Universe and everything?" "Yes." Both of the men had been trained for this moment, their lives had been a preparation for it, they had been selected at birth as those who would witness the answer, but even so they found themselves gasping and squirming like excited children. "And you're ready to give it to us?" urged Loonsuawl. "I am." "Now?" "Now," said Deep Thought. They both licked their dry lips. "Though I don't think," added Deep Thought. "that you're going to like it." "Doesn't matter!" said Phouchg. "We must know it! Now!" "Now?" inquired Deep Thought. "Yes! Now..." "All right," said the computer, and settled into silence again. The two men fidgeted. The tension was unbearable. "You're really not going to like it," observed Deep Thought. "Tell us!" "All right," said Deep Thought. "The Answer to the Great Question..." "Yes..!" "Of Life, the Universe and Everything..." said Deep Thought. "Yes...!" "Is..." said Deep Thought, and paused. "Yes...!" "Is..." "Yes...!!!...?" "Forty-two," said Deep Thought, with infinite majesty and calm.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
Sometimes, Gansey forgot how much he liked school and how good he was at it. But he couldn't forget it on mornings like this one—fall fog rising out of the fields and lifting in front of the mountains, the Pig running cool and loud, Ronan climbing out of the passenger seat and knocking knuckles on the roof with teeth flashing, dewy grass misting the black toes of his shoes, bag slung over his blazer, narrow-eyed Adam bumping fists as they met on the sidewalk, boys around them laughing and calling to one another, making space for the three of them because this had been a thing for so long: Gansey-Lynch-Parrish.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
W.H. Auden (Another Time)
I am a cutter, you see. Also a snipper, a slicer, a carver, a jabber. I am a very special case. I have a purpose. My skin, you see, screams. It's covered with words - cook, cupcake, kitty, curls - as if a knife-wielding first-grader learned to write on my flesh. I sometimes, but only sometimes, laugh. Getting out of the bath and seeing, out of the corner of my eye, down the side of a leg: babydoll. Pull on a sweater and, in a flash of my wrist: harmful. Why these words? Thousands of hours of therapy have yielded a few ideas from the good doctors. They are often feminine, in a Dick and Jane, pink vs. puppy dog tails sort of way. Or they're flat-out negative. Number of synonyms for anxious carved in my skin: eleven. The one thing I know for sure is that at the time, it was crucial to see these letters on me, and not just see them, but feel them. Burning on my left hip: petticoat. And near it, my first word, slashed on an anxious summer day at age thirteen: wicked. I woke up that morning, hot and bored, worried about the hours ahead. How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. I remember feeling that word, heavy and slightly sticky across my pubic bone. My mother's steak knife. Cutting like a child along red imaginary lines. Cleaning myself. Digging in deeper. Cleaning myself. Pouring bleach over the knife and sneaking through the kitchen to return it. Wicked. Relief. The rest of the day, I spent ministering to my wound. Dig into the curves of W with an alcohol-soaked Q-tip. Pet my cheek until the sting went away. Lotion. Bandage. Repeat.
Gillian Flynn (Sharp Objects)
Hello?” I peered into the shadows. Two green circles flashed in the dark. I yelped, jumping backward and pressing myself against the wall. “And may I wish a very good morning to you, too, October.” The voice was amused, underscored by a chuckle like thick cream. “What happened? Did the prettiest little princess miss her carriage home?
Seanan McGuire (Rosemary and Rue (October Daye, #1))
Every word I say has chains round its ankles; every thought I think is weighted with heavy weights. Since I was born, hasn't every word I've said, every thought I've thought, everything I've done, been tied up, weighted, chained? And mind you, I know that with all this I don't succeed. Or I succeed in flashes only too damned well. ...But think how hard I try and how seldom I dare. Think - and have a bit of pity. That is, if you ever think, you apes, which I doubt.
Jean Rhys (Good Morning, Midnight)
One morning I fell to sketching a face: what sort of a face it was to be, I did not care or know. I took a soft black pencil, gave it a broad point, and worked away. Soon I had traced on the paper a broad and prominent forehead and a square lower outline of visage: that contour gave me pleasure; my fingers proceeded actively to fill it with features. Strongly-marked horizontal eyebrows must be traced under that brow; then followed, naturally, a well-defined nose, with a straight ridge and full nostrils; then a flexible-looking mouth, by no means narrow; then a firm chin, with a decided cleft down the middle of it: of course, some black whiskers were wanted, and some jetty hair, tufted on the temples, and waved above the forehead. Now for the eyes: I had left them to the last, because they required the most careful working. I drew them large; I shaped them well: the eyelashes I traced long and sombre; the irids lustrous and large. "Good! but not quite the thing," I thought, as I surveyed the effect: "they want more force and spirit;" and I wrought the shades blacker, that the lights might flash more brilliantly--a happy touch or two secured success. There, I had a friend's face under my gaze; and what did it signify that those young ladies turned their backs on me? I looked at it; I smiled at the speaking likeness: I was absorbed and content. Is that a portrait of some one you know?" asked Eliza, who had approached me unnoticed. I responded that it was merely a fancy head, and hurried it beneath the other sheets. Of course, I lied: it was, in fact, a very faithful representation of Mr. Rochester. But what was that to her, or to any one but myself? Georgiana also advanced to look. The other drawings pleased her much, but she called that 'an ugly man.
Charlotte Brontë (Jane Eyre)
It’s a weird thing, depression. Even now, writing this with a good distance of fourteen years from my lowest point, I haven’t fully escaped. You get over it, but at the same time you never get over it. It comes back in flashes, when you are tired or anxious or have been eating the wrong stuff, and catches you off guard. I woke up with it a few days ago, in fact. I felt its dark wisps around my head, that ominous life-is-fear feeling. But then, after a morning with the best five- and six-year-olds in the world, it subsided. it is now an aside. Something to put brackets around. Life lesson: the way out is never through yourself.
Matt Haig (Reasons to Stay Alive)
She’d never worked out how he’d done it, how he’d found that healthy pink part of himself among the wreckage of everything else. But she didn’t blame him. Not in the least. She wished she could do the same; she wished she could pack a couple of large suitcases and say good-bye to herself, wish herself a good life, thank herself for all the memories, look fondly upon herself for just one long, lingering moment and then shut the door quietly, chin up, morning sun playing hopefully on the crown of her head, a bright new future awaiting her. She would do it in a flash. She really would.
Lisa Jewell (Then She Was Gone)
Every morning when I wake up, I wish the day will be productive. It should be filled with good things like writing something worth the thought, helping people, or even carrying out simple deeds like flashing a friendly smile to everyone. Well, why bother doing all these? It's because I keep telling myself to never underestimate the power of virtue, no matter how small it seems, it can make a difference.
Aishah Madadiy (Bits of Heaven)
TO SOME I HAVE TALKED WITH BY THE FIRE WHILE I wrought out these fitful Danaan rhymes, My heart would brim with dreams about the times When we bent down above the fading coals And talked of the dark folk who live in souls Of passionate men, like bats in the dead trees; And of the wayward twilight companies Who sigh with mingled sorrow and content, Because their blossoming dreams have never bent Under the fruit of evil and of good: And of the embattled flaming multitude Who rise, wing above wing, flame above flame, And, like a storm, cry the Ineffable Name, And with the clashing of their sword-blades make A rapturous music, till the morning break And the white hush end all but the loud beat Of their long wings, the flash of their white feet.
W.B. Yeats
We kiss good-bye. It's our typical morning good-bye kiss. A quick peck. A well-intentioned habit. I look down and notice Lucy's round, blue eyes paying close attention. I flash to studying my own parents kissing when I was little... I promised myself that when I got married someday, I would have kisses that meant something. Kisses that would make me weak in the knees. Kisses that would embarrass the kids. Kisses like Han Solo kissing Princess Leia... Now I get it. we aren't living in some George Lucas blockbuster adventure. Our morning kiss good-bye isn't romantic, and it certainly isn't sexual. It's a routine kiss, but I'm glad we do it. It does mean something. It's enough. And it's all we have time for.
Lisa Genova (Left Neglected)
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
It kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was… “Ready for-?” He broke off, and then frowned as if it had all become clear. “Wait.” He dropped his arms from around my waist and took a step away from me. “You think I spent the night wit you?” “Didn’t you?” I blinked back at him. “There’s only the one bed. And…well, you were in it when I woke up.” Thunder boomed overhead. It wasn’t as loud as the violent cracks that had occurred in my dream. Although the rumbles were long enough-and intense enough-that the silverware on the table began to make an eerie tinkling sound. And my bird, who’d been calmly cleaning herself on the back of my chair, suddenly took off, seeing shelter on the highest bookshelf against the far wall. I realized I’d just insulted my host, and no joke was going to get me out of it this time. “For your information, Pierce,” John said, his tone almost disturbingly calm-but his eyes flashed the same shade as the stone around my neck, which had gone the color of the metal studs at his wrists-“I spent most of last night on the couch. Until one point early this morning, when I heard you call my name. You were crying in your sleep.” The salt water I’d tasted on my lips. Not due to rain from a violent hurricane, but from the tears I’d shed, watching him die in front of me. “Oh,” I said uncomfortably. “John, I’m so-“ It turned out he wasn’t finished. “I put my arms around you to try to comfort you, because I know what this place can be like, at least at first. It’s not exactly hell, but it’s the next closest place to it. You wouldn’t let go of me. You held on to me like you were drowning, and I was your only lifeline.” I swallowed, astonished at how close he’d come to describing my dream…except it had been the other way around. I’d been his lifeline; only he’d let go of me, sacrificing himself so that I could live. “Right,” I said. “Of course. I’m sorry.” I couldn’t believe how stupid I’d been, especially since my mother had always worried so much about my talking in my sleep. On the other hand, I had been upfront with him about my lack of experience when it came to men. “But this is good, see?” I reached out to take his hand. “I told you I could never hate you-“ He pulled his hand away, exactly like in my dream. Well, not exactly, because he wasn’t being sucked from my grasp by a giant ocean swell. Instead, he’d dropped my fingers because he was leaving to go sort the souls of the dead. “You will,” he assured me, bitterly. “You’re already regretting your decision to-what was it you called it? Oh, right-cohabitate with me.” “No,” I insisted. “I’m not. All I said was that I want to take things more slowly-“ That had nothing to do with him-it had to do with me and my fear of not being able to control myself when he was kissing me. It was too humiliating to admit that out loud, however.
Meg Cabot (Underworld (Abandon, #2))
I was recently pulled over by the police in the wee hours of the morning on my way to vacation in Alabama. I was traveling with my family, and my wife and kids were asleep. I was on the phone with my brother Al, trying to get directions to our beach house. There was no one else on the road as I was driving through a small town. All of a sudden, flashing lights appeared out of nowhere and I pulled over. The lights woke up everybody in the car, and one of my kids said, “Maybe the policeman watches Duck Dynasty.” The officer came up to my window and asked for my driver’s license and insurance card. When I began to speak to the policeman, he put his hand on his holstered gun. My wife said, “Guess he’s not a fan.” The cop gave me a speeding ticket for driving forty-four miles per hour in a thirty-mile-per-hour zone, which was fine. Hey, I broke the law! But what made me a bit uncomfortable was that every time I opened my mouth he put his hand on his gun!
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Turning, he saw Stephen watching him from the companion hatchway. ‘Good morning, good morning!’ he cried, smiling with great affection. ‘Here’s our old friend the Bellone just to leeward.’ ‘Ay. So Pullings tell me. Do you mean to fight with her?’ ‘I mean to sink, take, burn or destroy her,’ said Jack, a smile flashing across his face. ‘I dare say you do. Please to remember the watch they took from me. A Bréguet repeater, number 365, with a centre seconds hand. And three pairs of drawers, I should know them anywhere. I must go below.
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
The first caller’s avatar appeared in front of me in my support chat room. His name and stats also appeared, floating in the air above him. He had the astoundingly clever name of “HotCock007.” I could see that it was going to be another fabulous day. HotCock007 was a hulking bald barbarian with studded black leather armor and lots of demon tattoos covering his arms and face. He was holding a gigantic bastard sword nearly twice as long as his avatar’s body. “Good morning, Mr. HotCock007,” I droned. “Thank you for calling technical support. I’m tech rep number 338645. How may I help you this evening?” The customer courtesy software filtered my voice, altering its tone and inflection to ensure that I always sounded cheerful and upbeat. “Uh, yeah …” HotCock007 began. “I just bought this bad-ass sword, and now I can’t even use it! I can’t even attack nothing with it. What the hell is wrong with this piece of shit? Is it broke?” “Sir, the only problem is that you’re a complete fucking moron,” I said. I heard a familiar warning buzzer and a message flashed on my display: COURTESY VIOLATION—FLAGS: FUCKING, MORON LAST RESPONSE MUTED—VIOLATION LOGGED
Ernest Cline (Ready Player One (Ready Player One, #1))
Sometimes, Gansey forgot how much he liked school and how good he was at it. But he couldn't forget it on mornings like this one--fall fog rising out of the fields and lifting in front of the mountains, the Pig running cool and loud, Ronan climbing out of the passenger seat and knocking knuckles on the roof with teeth flashing, dewy grass misting the black toes of his shoes, bag slung over his blazer, narrow-eyed Adam bumping fists as they met on the sidewalk, boys around them laughing and calling to one another, making space for the three of them because this had been a thing for so long: Gansey-Lynch-Parrish. Mornings like this one were made for memories.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
In April, he perched on a witch hazel branch, shivering, one eye closed, waiting for the sun to warm his wings. The night had been particularly cold, the winter long, the fishing scarce. He'd been alone all the time. When the sun appeared, the warmth felt good on his wings. he lifted from his perch, wheeled, then cackled over the river, studying the surface for the slightest flash: a trout, a small shad, a frog. He lit on a willow snag downriver and sunned himself, raised his tail, shat, and called again. The days were growing longer now, the alewives ascending the streams. The year before, he'd built his nest near the estuary in a seam of clay, and soon - if she returned - the time would come for a new nest along the bank. The kingfisher fished all morning. He returned to the willow snag at noon; slept, then woke shortly after, startled by the call. Was it she? They hadn't seen each other since the summer before. He dropped from the branch, called, winged downriver, his image doubled in the water. He heard the call again, closer now. If she returned, he'd dive into the river, greet her with a fish, fly around her, feed her beak to beak. If she returned, he'd begin to exxcavate a new nest, claw clay out of the earth, arrange the perfect pile of fish bones to lay their eggs upon. He pumped his wings harder now. He heard the cackle closer, louder more insistent. he recognized her voice. She was hurling her way upriver. Any moment now: she'd fly into his vision.
Brad Kessler (Birds in Fall)
The Black Snake" When the black snake flashed onto the morning road, and the truck could not swerve-- death, that is how it happens. Now he lies looped and useless as an old bicycle tire. I stop the car and carry him into the bushes. He is as cool and gleaming as a braided whip, he is as beautiful and quiet as a dead brother. I leave him under the leaves and drive on, thinking about death: its suddenness, its terrible weight, its certain coming. Yet under reason burns a brighter fire, which the bones have always preferred. It is the story of endless good fortune. It says to oblivion: not me! It is the light at the center of every cell. It is what sent the snake coiling and flowing forward happily all spring through the green leaves before he came to the road. Mary Oliver, Twelve Moons. (Back Bay Books August 30, 1979)
Mary Oliver (Twelve Moons)
Cookies are the cornerstone of pastry. But for many of us, they are also at the core of our memories, connecting our palate to our person. Cookies wait for us after school, anxious for little ones to emerge from a bus and race through the door. They fit themselves snugly in boxes, happy to be passed out to neighbors on cold Christmas mornings; trays of them line long tables, mourning the loss of the dearly departed. While fancy cakes and tarts walk the red carpet, their toasted meringue piles, spun sugar, and chocolate curls boasting of rich rewards that often fail to sustain, cookies simply whisper knowingly. Instead of pomp and flash, they offer us warm blankets and cozy slippers. They slip us our favorite book, they know the lines to our favorite movies. They laugh at our jokes, they stay in for the night. They are good friends, they are kind words. They are not jealous, conceited, or proud. They evoke a giving spirit, a generous nature. They beg to be shared, and rejoice in connection. Cookies are home.
Sarah Kieffer (100 Cookies: The Baking Book for Every Kitchen, with Classic Cookies, Novel Treats, Brownies, Bars, and More)
The time is nearly upon us,” said one, and Arthur was surprised to see a word suddenly materialize in thin air just by the man’s neck. The word was LOONQUAWL, and it flashed a couple of times and then disappeared again. Before Arthur was able to assimilate this the other man spoke and the word PHOUCHG appeared by his neck. “Seventy-five thousand generations ago, our ancestors set this program in motion,” the second man said, “and in all that time we will be the first to hear the computer speak.” “An awesome prospect, Phouchg,” agreed the first man, and Arthur suddenly realized he was watching a recording with subtitles. “We are the ones who will hear,” said Phouchg, “the answer to the great question of Life …!” “The Universe …!” said Loonquawl. “And Everything …!” “Shhh,” said Loonquawl with a slight gesture, “I think Deep Thought is preparing to speak!” There was a moment’s expectant pause while panels slowly came to life on the front of the console. Lights flashed on and off experimentally and settled down into a businesslike pattern. A soft low hum came from the communication channel. “Good morning,” said Deep Thought at last. “Er … good morning, O Deep Thought,” said Loonquawl nervously, “do you have … er, that is …” “An answer for you?” interrupted Deep Thought majestically. “Yes. I have.” The two men shivered with expectancy. Their waiting had not been in vain. “There really is one?” breathed Phouchg. “There really is one,” confirmed Deep Thought. “To Everything? To the great Question of Life, the Universe and Everything?” “Yes.” Both of the men had been trained for this moment, their lives had been a preparation for it, they had been selected at birth as those who would witness the answer, but even so they found themselves gasping and squirming like excited children. “And you’re ready to give it to us?” urged Loonquawl. “I am.” “Now?” “Now,” said Deep Thought. They both licked their dry lips. “Though I don’t think,” added Deep Thought, “that you’re going to like it.” “Doesn’t matter!” said Phouchg. “We must know it! Now!” “Now?” inquired Deep Thought. “Yes! Now …” “All right,” said the computer, and settled into silence again. The two men fidgeted. The tension was unbearable. “You’re really not going to like it,” observed Deep Thought. “Tell us!” “All right,” said Deep Thought. “The Answer to the Great Question …” “Yes …!” “Of Life, the Universe and Everything …” said Deep Thought. “Yes …!” “Is …” said Deep Thought, and paused. “Yes …!” “Is …” “Yes …!!! …?” “Forty-two,” said Deep Thought, with infinite majesty and calm.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place. WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won. He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee. I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.
Kyung-ran Jo (Tongue)
I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Every day, the markets were driven less directly by human beings and more directly by machines. The machines were overseen by people, of course, but few of them knew how the machines worked. He knew that RBC’s machines—not the computers themselves, but the instructions to run them—were third-rate, but he had assumed it was because the company’s new electronic trading unit was bumbling and inept. As he interviewed people from the major banks on Wall Street, he came to realize that they had more in common with RBC than he had supposed. “I’d always been a trader,” he said. “And as a trader you’re kind of inside a bubble. You’re just watching your screens all day. Now I stepped back and for the first time started to watch other traders.” He had a good friend who traded stocks at a big-time hedge fund in Stamford, Connecticut, called SAC Capital. SAC Capital was famous (and soon to be infamous) for being one step ahead of the U.S. stock market. If anyone was going to know something about the market that Brad didn’t know, he figured, it would be them. One spring morning he took the train up to Stamford and spent the day watching his friend trade. Right away he saw that, even though his friend was using technology given to him by Goldman Sachs and Morgan Stanley and the other big firms, he was experiencing exactly the same problem as RBC: The market on his screens was no longer the market. His friend would hit a button to buy or sell a stock and the market would move away from him. “When I see this guy trading and he was getting screwed—I now see that it isn’t just me. My frustration is the market’s frustration. And I was like, Whoa, this is serious.” Brad’s problem wasn’t just Brad’s problem. What people saw when they looked at the U.S. stock market—the numbers on the screens of the professional traders, the ticker tape running across the bottom of the CNBC screen—was an illusion. “That’s when I realized the markets are rigged. And I knew it had to do with the technology. That the answer lay beneath the surface of the technology. I had absolutely no idea where. But that’s when the lightbulb went off that the only way I’m going to find out what’s going on is if I go beneath the surface.
Michael Lewis (Flash Boys: A Wall Street Revolt)
It’s annoying not being able to see you,” I said in place of a good morning.  I flipped to my stomach and propped myself up with my elbows to get a better look at him. “If you don’t talk, and I can’t see your face, how am I ever supposed to figure out what you’re thinking?” I reached out to move some hair out of the way, but he stopped me in a blurred move, catching my wrist gently in his hand.  He didn’t let me any closer.  First, he ditched me on dinner night then he wouldn’t let me touch him?  The thought stopped me.  I really hadn’t touched him before either, at least not as a man.  Maybe he was like me, a little standoffish.  I could understand that. “Seriously, Clay, what kind of bribe is it going to take for you to get rid of some of that hair?” He flashed his elongated canines at me again in explanation. “Can’t we at least trim it back some?”  Okay maybe a lot, but I knew to start with baby steps. He tugged my hand to his chest, laying it flat.  So much for my theory about not wanting to be touched.  I patiently allowed it because with him, everything was guessing or pantomime.  His chest warmed my palm. Using his free hand, he tapped my mouth.  I frowned, perplexed. “What, you want me to be mute like you?”  Was he hinting I talked too much? He shook his head and reached out again.  This time, he cupped my jaw and lightly ran his thumb over my bottom lip.  The gentle touch caused the pull in my stomach to intensify.  Though I couldn’t see his eyes, I read his intent. “Whoa!”  I scrambled out of the bed as if it had caught fire. He stayed where I left him and turned his head to study me as I stood trembling beside the bed.  I nervously rubbed a sweaty palm, the one that had moments before rested on his chest, against my leg.  His whiskers twitched down.  I couldn’t recall him frowning at me before. I almost asked where that idea suddenly came from, but guessed it was long overdue.  According to the Elders, when an unMated male finds his female, he begins a courtship of sorts.  The end goal is to Claim his Mate. But Clay hadn’t courted me.  He just lived here in his fur.  And sometimes cooked for me.  And sometimes helped me with chores...and when he wasn’t around, I felt disappointed and missed him.  My fearful expression slackened to one of stunned amazement.  He had been courting me these last few months.  Clever dog. Not
Melissa Haag (Hope(less) (Judgement of the Six #1))
Leo was at her side in an instant, crouching on the floor as he sorted through the hissing tangle of limbs and skirts. “Are you hurt? I feel certain there’s a woman in here somewhere. … Ah, there you are. Easy, now. Let me—” “Don’t touch me,” she snapped, batting at him with her fists. “I’m not touching you. That is, I’m only touching you with the—ow, damn it—with the intention of helping.” Her hat, a little scrap of wool felt with cheap corded trim, had fallen over her face. Leo managed to push it back to the top of her head, narrowly missing a sharp blow to his jaw. “Christ. Would you stop flailing for a moment?” Struggling to a sitting position, she glared at him. Leo crawled to retrieve the spectacles and returned to hand them to her. She snatched them from him without a word of thanks. She was a lean, anxious-looking woman. A young woman with narrowed eyes, from which bad temper flashed out. Her light brown hair was pulled back with a gallows-rope tightness that made Leo wince just to see it. One would have hoped for some compensating feature—a soft pair of lips, perhaps, or a pretty bosom. But no, there was only a stern mouth, a flat chest, and gaunt cheeks. If Leo were compelled to spend any time with her—which, thankfully, he wasn’t—he would have started by feeding her. “If you want to help,” she said coldly, hooking the spectacles around her ears, “retrieve that blasted ferret for me. Perhaps I’ve tired him enough that you may be able to run him to ground.” Still crouching on the floor, Leo glanced at the ferret, which had paused ten yards away and was watching them both with bright, beady eyes. “What is his name?” “Dodger.” Leo gave a low whistle and a few clicks of his tongue. “Come here, Dodger. You’ve caused enough trouble for the morning. Though I can’t fault your taste in … ladies’ garters? Is that what you’re holding?” The woman watched, stupefied, as the ferret’s long, slender body wriggled toward Leo. Chattering busily, Dodger crawled onto Leo’s thigh. “Good fellow,” Leo said, stroking the sleek fur. “How did you do that?” the woman asked in annoyance. “I have a way with animals. They tend to acknowledge me as one of their own.” Leo gently pried a frilly bit of lace and ribbon from the long front teeth. It was definitely a garter, deliciously feminine and impractical. He gave the woman a mocking smile as he handed it to her. “No doubt this is yours.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
He returned to the table with a pile of pastries and two coffees. “Hungry?” she asked. “Let’s figure out what you like.” He waved at the pastries. How thoughtful. She picked up a small biscuit cookie to nibble but shook her head. “Too crunchy.” “Try the scone,” he recommended. One bite. “Nope. No scones. Maybe I’m not a pastry person.” “I’m taking notes over here.” He almost spit out his sip of coffee from laughter when she had to empty her mouth into a small napkin after biting into a cheesy sweet concoction. “Sorry.” Her face went hot. “I’ll stick with croissants. What about you? What do you like?” He shrugged. “I’m not picky.” “Is it bad to be picky? Does it mean I’m high maintenance?” “Maybe you’re not into sweets.” “If I dribbled chocolate all over you, I’d lick it off and like it.” She slapped a hand over her mouth. “Did I just say that out loud? Forget I said that.” “No undoing that. It’s stuck in here.” He tapped his head. “Moon madness.” “It’s mid-morning. There’s no moon in the sky.” He peeked out the window. “Maybe not a full moon, but there’s one in the sky. This insanity is our bodies cranking up for the main event later today.” His eyes traveled down her body and back up; he wet his lips with his tongue. Her mind flashed back to the moment his lips were on hers, the way his fingers had dug into her, the desperation flowing from his fingertips. Things were about to get a lot more interesting as the day wore on. In silence, they ate for a while. She leaned back and stared at him. “You may have to answer to someone, but you like what you do most of the time. Why do you do it? Save humans against things that bump in the night?” “I’m cursed to follow orders.” “Sure, you’re forced into some things, but that only goes so far.” He wiped a few crumbs off the table. “Perhaps so. It’s a good cause. Most of the time. Occasionally, the missions we’re ordered on are based on erroneous information.” She reached out and put her hand over his. “I might be as bad as they made me out. I don’t remember. I appreciate you trying to help me figure it out, but if I start to show an inclination toward evil or world domination, do your job.” He rotated his hand to hold hers and stared at their connection. “The fact you considered it means you’re not someone I should kill.” “We don’t know.” She removed her hand from his. “Tell me something about yourself. What pastry do you like? Are you a scones person?” He shook his head. “I’m not into a lot of sweets, but I’ve realized I like chocolate.
Zoe Forward (Bad Moon Rising (Crown's Wolves, #1))
I hadn’t noticed, through all my inner torture and turmoil, that Marlboro Man and the horses had been walking closer to me. Before I knew it, Marlboro Man’s right arm was wrapped around my waist while his other hand held the reins of the two horses. In another instant, he pulled me toward him in a tight grip and leaned in for a sweet, tender kiss--a kiss he seemed to savor even after our lips parted. “Good morning,” he said sweetly, grinning that magical grin. My knees went weak. I wasn’t sure if it was the kiss itself…or the dread of riding. We mounted our horses and began walking slowly up the hillside. When we reached the top, Marlboro Man pointed across a vast prairie. “See that thicket of trees over there?” he said. “That’s where we’re headed.” Almost immediately, he gave his horse a kick and began to trot across the flat plain. With no prompting from me at all, my horse followed suit. I braced myself, becoming stiff and rigid and resigning myself to looking like a freak in front of my love and also to at least a week of being too sore to move. I held on to the saddle, the reins, and my life as my horse took off in the same direction as Marlboro Man’s. Not two minutes into our ride, my horse slightly faltered after stepping in a shallow hole. Having no experience with this kind of thing, I reacted, shrieking loudly and pulling wildly on my reins, simultaneously stiffening my body further. The combination didn’t suit my horse, who decided, understandably, that he pretty much didn’t want me on his back anymore. He began to buck, and my life flashed before my eyes--for the first time, I was deathly afraid of horses. I held on for dear life as the huge creature underneath me bounced and reared, but my body caught air, and I knew it was only a matter of time before I’d go flying. In the distance, I heard Marlboro Man’s voice. “Pull up on the reins! Pull up! Pull up!” My body acted immediately--it was used to responding instantly to that voice, after all--and I pulled up tightly on the horse’s reins. This forced its head to an upright position, which made bucking virtually impossible for the horse. Problem was, I pulled up too tightly and quickly, and the horse reared up. I leaned forward and hugged the saddle, praying I wouldn’t fall off backward and sustain a massive head injury. I liked my head. I wasn’t ready to say good-bye to it. By the time the horse’s front legs hit the ground, my left leg was dangling out of its stirrup, even as all my dignity was dangling by a thread. Using my balletic agility, I quickly hopped off the horse, tripping and stumbling away the second my feet hit the ground. Instinctively, I began hurriedly walking away--from the horse, from the ranch, from the burning. I didn’t know where I was going--back to L.A., I figured, or maybe I’d go through with Chicago after all. I didn’t care; I just knew I had to keep walking. In the meantime, Marlboro Man had arrived at the scene and quickly calmed my horse, who by now was eating a leisurely morning snack of dead winter grass that had yet to be burned. The nag. “You okay?” Marlboro Man called out. I didn’t answer. I just kept on walking, determined to get the hell out of Dodge. It took him about five seconds to catch up with me; I wasn’t a very fast walker. “Hey,” he said, grabbing me around the waist and whipping me around so I was facing him. “Aww, it’s okay. It happens.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He removed his hand from his worn, pleasantly snug jeans…and it held something small. Holy Lord, I said to myself. What in the name of kingdom come is going on here? His face wore a sweet, sweet smile. I stood there completely frozen. “Um…what?” I asked. I could formulate no words but these. He didn’t respond immediately. Instead he took my left hand in his, opened up my fingers, and placed a diamond ring onto my palm, which was, by now, beginning to sweat. “I said,” he closed my hand tightly around the ring. “I want you to marry me.” He paused for a moment. “If you need time to think about it, I’ll understand.” His hands were still wrapped around my knuckles. He touched his forehead to mine, and the ligaments of my knees turned to spaghetti. Marry you? My mind raced a mile a minute. Ten miles a second. I had three million thoughts all at once, and my heart thumped wildly in my chest. Marry you? But then I’d have to cut my hair short. Married women have short hair, and they get it fixed at the beauty shop. Marry you? But then I’d have to make casseroles. Marry you? But then I’d have to wear yellow rubber gloves to do the dishes. Marry you? As in, move out to the country and actually live with you? In your house? In the country? But I…I…I don’t live in the country. I don’t know how. I can’t ride a horse. I’m scared of spiders. I forced myself to speak again. “Um…what?” I repeated, a touch of frantic urgency to my voice. “You heard me,” Marlboro Man said, still smiling. He knew this would catch me by surprise. Just then my brother Mike laid on the horn again. He leaned out of the window and yelled at the top of his lungs, “C’mon! I am gonna b-b-be late for lunch!” Mike didn’t like being late. Marlboro Man laughed. “Be right there, Mike!” I would have laughed, too, at the hilarious scene playing out before my eyes. A ring. A proposal. My developmentally disabled and highly impatient brother Mike, waiting for Marlboro Man to drive him to the mall. The horn of the diesel pickup. Normally, I would have laughed. But this time I was way, way too stunned. “I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The news winded me. My father killed himself, I’ve been on the ragged brink myself once or twice, I know how easy it would be to stand on the edge and just… tip. And I know all the wonderful things that happened because I didn’t tip: Hamish and my girls, my friend Fin and my kind, mad bitchy friend Estelle. I saw all the wonders and ice creams and good sleeps and funny films Lisa Lee would never see flash before me, all the sex and adventures and strong tea she’d never get to have. It made me think of my girls in ten years’ time, of Jess staggering out of a hotel at five in the morning with blood running down her legs, of Lizzie crying so hard on a night bus that her make-up ran and everyone moved away from her and the driver stopped and called the police to come and help her. Fin held my hand and asked if I was OK. I said I was, though I wasn’t really.
Denise Mina (Confidence)
What the fuck just happened? As Bryce’s white Audi streaked off the lot, I shook my head and replayed the last five minutes. After a hot cup of coffee with Dad in the office, I’d come out to the garage, ready to get to work on the red ’68 Mustang GT I’d been restoring. My morning had been shaping up pretty damn great when a hot, leggy brunette with a nice rack came in for an oil change. Got even better when she flirted back and flashed me that showstopper smile. Then I hit the jackpot because she turned out to be witty too, and the heat between us was practically blue flame. I should have known something was up. Women too good to be true were always out for trouble. This one was only baiting me for a story. And damn, I’d taken that bait. Hook, line and sinker. How the hell had Bryce known Dad was going to be arrested for murder even before the cops had shown up? Better question. How the hell hadn’t I? Because I was out of touch. Not long ago, when the club was still going strong, I would have been the first to know if the cops were moving in my or my family’s direction. Sure, living on the right side of the law had its advantages. Mostly, it was nice to live a life without the gnawing, constant fear I’d wake up and be either killed or sent to prison for the rest of my life. I’d become content. Lazy. Ignorant. I’d let my guard down. And now Dad was headed for a jail cell. Fuck. “Dash.” Presley punched me in the arm, getting my attention. I shook myself and looked down at her, squinting as her white hair reflected the sunlight. “What?” “What?” she mimicked. “What are you going to do about your dad? Did you know about this?” “Yeah. I let him go about drinking his morning coffee, bullshitting with you, knowing he’d get arrested soon,” I barked. “No, I didn’t know about this.” Presley scowled but stayed quiet. “She said murder.” Emmett swept a long strand of hair out of his face. “Did I hear that right?” Yeah. “She said murder.” Murder, spoken in Bryce’s sultry voice I’d thought was so smooth when it had first hit my ears. Dad had been arrested and I’d been bested by a goddamn nosy reporter. My lip curled. I avoided the press nearly as much as I avoided cops and lawyers. Until we got this shit figured out, I’d be stuck dealing with all three.
Devney Perry (Gypsy King (Clifton Forge, #1))
Imagine you lose your legs. So much of what you do for the rest of your life is constricted, or painful. Or humiliating. You feel ashamed. But over the years despite all that you still hear a good piece of music or read something fine or successfully make love to your wife—without legs that really must be something but never mind— ... So at these times you feel what other people feel, you know. Satisfaction. Pleasure. Happiness. Even joy. You can see the largeness and beauty of life. You have snatches of happiness. And does anyone have more than that? Visionaries maybe. Ecstatics... Otherwise no, they have the same little passing lovely moments of happiness as this, but they have it or don't have it or strive for it or forget it—with legs. But you have no legs. Every day you wake, having dreamt of your legs, and you find again you have none. Every morning that flash of hope, every morning that smash of truth.
Vince Passaro (Crazy Sorrow)
Eager. I like that, Manny." "Good morning to you too, Sleeping Beauty. Or should that be good afternoon?" "It's still morning, though I feel like I've slept away the day." "You must've needed it." "Is that your medical opinion?" "No. I'm off duty." Just hearing his deep voice had Harper snuggling back under the covers, wishing he was next to her. "Pity. Because I'm not feeling so good, and I was hoping you made house calls." "What's wrong?" "A distinct case of I-miss-you-itis." "Damn it, if I wasn't halfway along this Craters of the Moon geothermal hike, I'd be there in a flash." He muttered a curse. "I know. I can give you a more accurate diagnosis over the phone if you do one thing." Smiling, she said, "What?" "Tell me what you're wearing." Her thighs clenched as her smile extended into a grin. "My, my, Doctor, I didn't think this was one of those calls." "You're in bed. You're missing me. What did you expect?" "A little decorum." "Yeah, sure." "You're right. I want to torture you a little." "A lot, considering I'm now envisaging you cute and sleep rumpled." "What are you wearing?" "Why?" he asked. "Because I'm assuming there are families on that hike, and too much envisaging may lead to more than one tent pole in that national park." He laughed so loudly she had to hold the cell away from her ear. "You really are something else," he said. "And for the record? I miss you too." "So I'll meet you in the foyer at four for our picnic?" "Yeah. I found the perfect spot." "Secluded?" "Babe, you're killing me." "Not yet, but maybe this will help." She lowered her voice. "I'm wearing nothing and I'm thinking of you." She hung up on his garbled cry, grinning madly.
Nicola Marsh (The Man Ban (Late Expectations))
He flashed another smile into the mirror and nodded. “Built to last. Built for luxury,” he said as he dried his hands. That had been his mantra since starting school to be a cosmetic surgeon. It was a pep talk he gave himself every morning and every evening. He was convinced that helped get him to where he was in life. The power of positivity.
A.J. Rivers (The Good Doctor (Ava James FBI Mystery Book 13))
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds. But before he joined us, Diana wanted a little chat. “How’s your circulation?” she asked. Bloody rampant, I thought, as she nestled into her sofa, radiating a surprisingly high degree of sexual allure. “Oh very healthy, ma’am, thanks to you.” She laughed, a tad insincerely. We discussed her mate Fergie. “Can’t you go a bit easier on her?” Diana pleaded, with genuine concern in those extraordinarily big, expressively deep, blue eyes. “Well, she’s her own worst enemy,” I replied. “Look at this morning’s front pages--I mean, who the hell takes the Concorde the day after the papers reveal she’s 3 million in debt?” “I know, I know,” sighed the Princess, “but she means well; she has a big heart. It’s not easy for her.” We debated the merits of Fergie, or even Diana herself, emigrating away from the media firestorm. “Yes, but to where? I’ve thought about it often, but somebody would find me wherever I went.” And then I saw a flash of real sadness in her face, a desperation almost to have her anonymity back, but knowing it is gone forever. I asked what it was like “being Diana.” “Oh God, let’s face it, even I have had enough of Diana now--and I am Diana.” She screeched with laughter, and I saw her chameleon side. Able to switch so easily from misery to hilarity. “It’s been ridiculous recently, just one thing after another. But I can’t stop the press writing about me, can I? You are hardly going to say ‘Oh, okay then, we’ll leave you alone.’ I would like to have a good break. I meet a lot of ordinary people, and they are always so kind to me. They shout out things like ‘Eh, Di, I know what you’re going through, luv,’ and I laughed and think: ‘If only you really knew. He’s worrying about his allotment or whatever, and I’ve got things like the future of the monarchy on my mind.’” More screeches--she has a great laugh. A really earthy infectious cackle. Like a Sloaney Barbara Windsor.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds. But before he joined us, Diana wanted a little chat. “How’s your circulation?” she asked. Bloody rampant, I thought, as she nestled into her sofa, radiating a surprisingly high degree of sexual allure. “Oh very healthy, ma’am, thanks to you.” She laughed, a tad insincerely. We discussed her mate Fergie. “Can’t you go a bit easier on her?” Diana pleaded, with genuine concern in those extraordinarily big, expressively deep, blue eyes. “Well, she’s her own worst enemy,” I replied. “Look at this morning’s front pages--I mean, who the hell takes the Concorde the day after the papers reveal she’s £3 million in debt?” “I know, I know,” sighed the Princess, “but she means well; she has a big heart. It’s not easy for her.” We debated the merits of Fergie, or even Diana herself, emigrating away from the media firestorm. “Yes, but to where? I’ve thought about it often, but somebody would find me wherever I went.” And then I saw a flash of real sadness in her face, a desperation almost to have her anonymity back, but knowing it is gone forever. I asked what it was like “being Diana.” “Oh God, let’s face it, even I have had enough of Diana now--and I am Diana.” She screeched with laughter, and I saw her chameleon side. Able to switch so easily from misery to hilarity. “It’s been ridiculous recently, just one thing after another. But I can’t stop the press writing about me, can I? You are hardly going to say ‘Oh, okay then, we’ll leave you alone.’ I would like to have a good break. I meet a lot of ordinary people, and they are always so kind to me. They shout out things like ‘Eh, Di, I know what you’re going through, luv,’ and I laughed and think: ‘If only you really knew. He’s worrying about his allotment or whatever, and I’ve got things like the future of the monarchy on my mind.’” More screeches--she has a great laugh. A really earthy infectious cackle. Like a Sloaney Barbara Windsor.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Pressing a hand to her chest, Loretta glanced down in bewilderment. She had been so sure…Laughter bubbled up her throat. Aunt Rachel had missed? She never missed when she could draw a steady bead on a still target. Loretta’s throat tightened. The Comanche. She looked up, confusion clouding her blue eyes. He had shielded her with his own body? Waving his friends away, Hunter hunkered down and scooped a handful of dirt, pressing it to the shallow cut on his shoulder. Loretta stared at the blood trailing down his arm. If not for his quick thinking, it could have been her own. Survival instinct and common sense warred within her. She knew death might be preferable to what was in store for her, but she couldn’t help being glad she was alive. As if he felt her staring at him, the Comanche lifted his head. When his eyes met hers, the fury and loathing in them chilled her. He stood and jerked the feathers from his braid, wrapping them in his shirt. Never taking his gaze off her, he stuffed the bundle into a parfleche hanging from his surcingle. “Keemah,” he growled. Uncertain what he wanted and afraid of doing the wrong thing, Loretta stayed where she was. He caught her by the arm and hauled her to her feet. “Keemah, come!” He gave her a shake for emphasis, his eyes glittering. “Listen good, and learn quick. I have little patience with stupid women.” Grasping her waist, he tossed her on the horse and scooted her to the back of the blanket saddle. The hem of her nightgown rode high. She could feel all the men staring at her. Had he no decency? With trembling hands, she tugged at the gown and tried to cover her thighs. There wasn’t enough material to stretch. And it was so thin from years of wear, it was nearly transparent. The morning breeze raised gooseflesh on her naked arms and back. With a grim set to his mouth, her captor opened a second parfleche, withdrawing a length of braided wool and a leather thong. Before she realized what he was about to do, he knotted the wool around one of her ankles, looped it under his horse’s belly, and swiftly bound her other foot. “We must ride like the wind!” he yelled to the others. “Meadro! Let’s go!” The other men ran for their horses. Grasping the stallion’s mane, Hunter vaulted to its back and settled himself in front of her. When he reached for her arms and pulled them around him, she couldn’t stifle a gasp. Her breasts were flattened against his back. “Your woman does not like you, cousin,” someone called in English. Loretta turned to see who spoke and immediately recognized the brave who had encouraged Hunter to kill her that first day. His scarred face was unforgettable. He flashed her a twisted smile that seemed more a leer, his black eyes sliding insolently down her body to rest on her naked thighs. Then he laughed and wheeled his chestnut horse. “She won’t be worth the trouble she will make for you.” Hunter glanced over his shoulder at her. The fiery heat of his anger glowed like banked embers in his eyes. “She will learn.” With an expertise born of long practice, he lashed her wrists together with the leather. “She will learn quick.
Catherine Anderson (Comanche Moon (Comanche, #1))
Stirling, Scotland, October 1619 "Kristina, wake up and ready yourself for a journey!" In her bedchamber, Kristina MacQueen jolted awake. Had she just heard her mother's voice? 'Twas impossible. Her mother had passed many years ago. The voice had been inside her dream. What had Ma meant about a journey? Kristina had not left the vicinity of her aunt and uncle's manor house in many months. Hearing the faint hoofbeats of many horses galloping in the distance, she sat up and listened. As each moment passed, the horses' hooves pounded closer and closer until they echoed off the cobblestones just outside the window. Her heart thumping and an eerie feeling prickling along her skin, she swung her feet toward the floor and sat on the edge of the bed. A fist battered violently at the home's entrance door below. "Saints. Who could that be?" she whispered. It had to be the middle of the night or the wee hours of the morn, for she heard no one moving about the house and her room was chilly. The visitor couldn't be the physician calling to treat Uncle Gilbert, who suffered from gout, rheumatism and various other ailments. Nay, he wouldn't bring that many horses with him on a house call. Maybe 'twas the creditors, come to expel them from their home. When her uncle's health had declined, so had his funds. Could it be news of her older sister? She had not heard from Anna in many months. Ready yourself for a journey, her mother had said in the dream. Good heavens! Had someone come for her, to take her to Anna? Heart hammering, Kristina leapt from the warm bed. Though she couldn't see, she knew the placement of the furniture in her room and could easily navigate the space without bumping into anything. After tiptoeing across the cold wooden floor in her stockings, she approached the door and turned the knob to open it a crack, then listened. The maids were in an uproar on the ground floor below. "What's the racket?" Aunt Matilda yelled as she tromped by Kristina's chamber and down the stairs. "Who is it?" she demanded near the front door. "Chief Blackburn MacCromar!" The snarled response was bellowed from outside, just below her window. A chill of terror and revulsion flashed through Kristina. "Saints, preserve us." She shut the door and barred it, her fingers trembling. She had not been near the malicious bastard in two years. He had finally come for her. Anxiety and nausea froze her to the spot. What would he do? Would he kill her for a certainty this time?
Vonda Sinclair (Highlander Entangled (Highland Adventure, #9))
From the shameful part, I meditated on receiving and getting connected with the true self’s assurance and understanding. I was able to direct my true self to ask this trait if it needed anything else and how it wanted to release the degradation it held in. It wanted the disgraceful memories erased, as well as removing the chill and sickness in its gut when they flashed instinctively and uncontrollably in its mind. It sought to have all the unmanageable sexual images of its imagination controlled and reprogrammed with normal thoughts. It wanted to feel like it was not a consenting party to the abnormal sexual perversions that were forced upon a young child. The shameful part within me wanted reassurance that the creature I thought I had become was the result of a young mind being molded from wickedness thrust upon it during peak developmental years. It wanted to stop having to always look over its shoulder thinking it had done something wrong. It wanted to wake up in the morning at peace, not immediately expecting the worst. The shame within wanted to stop feeling like bad things were going to happen in life because it was not a good person. It wanted to feel it deserved to be happy and worthy of receiving the good things of this life. After relinquishing all the burdens of the shameful part and communicating what it wanted from the true self, I continued meditating on the connection of the true self’s understanding and the shameful part’s acceptance of that understanding. I visualized unburdening the shame like the outer tarnished skin being removed from a banana, envisioning the negative self-perceptions of myself peeling away and exposing the true clean, white, sweet goodness within. CHAPTER
Marco L. Bernardino Sr. (Sins of the Abused)
I’m twenty-seven years old. I’ve worked all morning at the lab, and things are going so well I almost shrug off the party. I’ve been doing that a lot lately—neglecting friends and social engagements to steal just a few more hours in the cleanroom. I first notice you in the far corner of the small backyard as I stand on the deck, sipping a Corona-and-lime, my thoughts still back at the lab. I think it’s the way you’re standing that catches my attention—boxed in by a tall, lanky guy in tight black jeans who I recognize from this circle of friends. He’s an artist or something. I don’t even know his name, only that my friend Kyle has said to me recently, Oh, that guy fucks everyone. I can’t explain it, even to this day, but as I watch him chatting up this dark-haired, dark-eyed woman in a cobalt-blue dress—you—a flash of jealousy consumes me. Inexplicably, insanely, I want to hit him. Something in your body language suggests discomfort. You aren’t smiling, your arms are crossed, and it occurs to me that you’re trapped in a bad conversation, and that for some reason, I care. You hold an empty wineglass, streaked with the dregs of a red. Part of me urges, Go talk to her, save her. The other half screams, You know nothing about this woman, not even her name. You are not that guy. I find myself moving toward you through the grass, carrying a new glass of wine, and when your eyes avert to mine, it feels like some piece of machinery has just seized in my chest. Like worlds colliding. As I draw near, you take the glass out of my hand as if you had previously sent me off to get it and smile with an easy familiarity, like we’ve known each other forever. You try to introduce me to Dillon, but the skinny-jeaned artist, now effectively cockblocked, makes his excuses and bails. Then it’s just the two of us standing in the shade of the hedgerow, and my heart is going like mad. I say, “I’m sorry to interrupt, but it looked like you might need rescuing,” and you say, “Good instincts. He’s pretty, but insufferable.” I introduce myself. You tell me your name. Daniela. Daniela.
Blake Crouch (Dark Matter)
after they interviewed the owner, then she’d need the change in the cupholder in her car to loosen their lips. Giving it away now would only throw that chance away later.  Roper paused at the door and proffered it to her. ‘After you,’ he said. She knew he just didn’t want to touch the handle. She took hold of it and pulled back, wondering for a second if she should open it just enough to slip through so that Roper would have to grab it to let himself in.  She decided that was too petty for the morning of a murder investigation. Inside, the interior was cool. A short reception area led into the main hall — a double-height function room with a hard rubberised floor filled with sleeping bags and other homeless people. There were at least twenty, maybe thirty. It was difficult to tell at a glance. At the back of the room, a woman in her fifties with a long fleece vest on, the pockets heavy and sagging with keys and who knows what else, was filling cups of coffee from a big stainless steel dispenser, handing them to a line of people queuing silently, their heads bowed.  The air was humid inside and the low murmurings of the people talking around them created a soft background din that swallowed their footsteps. Roper looked around, not hiding his disdain very well.  But with the nights getting colder, these people deserved somewhere warm to hole up. The winter was vicious and it was closing in fast this year, bearing down on the city in waves of rain and frost.  The woman serving coffee leaned around the line and looked at them, squinting a little to make them out. Her cheeks were rosy from the cold and her reddish hair was curled back up over her head, spilling around her ears. Big and cheap gold earrings clung to her stretched lobes and shook a little as she looked them up and down, her face a mixture of trepidation and worry. Police turning up at a homeless shelter never meant anything good. She smiled warmly at the person at the front of the line, told him to help himself to coffee, and then walked around the table towards Roper and Jamie.  She held her hands wide and then clasped them together, raising her eyebrows and shaking her head. Her earlobes wobbled and her heavy earrings caught the halogen strip lights overhead, glinting. ‘Can I, uh, help you?’ she asked.  Jamie and Roper flashed their badges to get it out of the way. ‘My name is Detective Sergeant Paul Roper, and this is my associate, Detective Sergeant Jamie Johansson.’ ‘Mary Cartwright,’ she answered diligently. ‘Are you the owner of this — er — establishment, Mary?’ Roper asked less than tactfully.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
A flash of light at the end of the night, There is a gentle breeze; The light shines across the horizon, The birds are all calling to themselves; The bud of the tree shook its head, Flowers are blooming in the trees; Look at this beautiful morning. Good Morning
Rupali Mitra (Foodhunda (comic book), (Sam is an all-rounder, #3))
Finally, it was our turn and my stomach churned with anxiety and nerves. As we raced out onto the stage to form our positions before the curtain went up, Sara turned to me and said, “Break a leg, Julia!” “What?” I frowned. “That’s for good luck,” she smirked and then faced the audience whose applause was deafening once again. We lunged into our routine, with Sara in the front row, doing the somersaults that she was so good at and as usual, her precision and timing were excellent. The applause erupted again and with a flick of her long ponytail, she executed a very tricky interchange with Alex and then moved to the back. Alex attacked his moves with his usual gusto and the sharp, expressive movements which made him the stand out hip-hop dancer that he was. I felt a rush of pride at being a part of such a cool routine but just as I moved to the front position, I felt my leg give way under me. It was a completely involuntary reaction and one I was powerless to prevent. I was supposed to kneel down and support the weight of one of the smaller girls on my bent knee but unfortunately, it was the leg that I had injured that morning. There was no way I could bear her weight and the sharp pain caused my knee to drop just as Abbie pressed down on it to raise herself into the air. With a gasp from the audience, she went tumbling to the ground. Bright red with embarrassment, she glared at me in horror and all I could do was help her up and try to resume the timing and movements of the routine going on around us. Fortunately, Abbie had no trouble getting back into rhythm, but I just seemed to lose my place and was not able to recover. As if in slow motion, I felt myself limping around the stage after the others and then looking down, I realized that blood was oozing from my leg and onto the floor. I tried to ignore it and focus on the moves that I knew so well, but I was simply unable to get it together. Gratefully, Millie took over my spot and I moved once again to the back row, trying to camouflage myself amongst the others. The scene around me was almost surreal and I felt as though I were a spectator watching the event unfold from afar. The swirling, twisting and turning of the dancers in front of me, along with the steady thumping beat of the latest hip-hop song that everyone knew so well, all seemed to mesh together into a whirlpool of crazy colors and sounds. Then, feeling a slight nudge in my lower back, I was pushed towards the front of the stage. An instant flash of recall had me leaping into the air. Everyone still considered this moment the highlight of our routine. It was the grand finale and my chance to relinquish my status as actually being a decent dancer and choreographer. Flinging my arms and legs forward, I came down onto the stage, one foot at a time. Then reminiscent of that morning’s episode in the school driveway, rather than gripping onto the stage in a final dramatic stomp, my foot slid forward and just kept on going until my whole body landed horizontally on the floor with a loud bang. In a blur of dizziness, I sat up and looked around then saw that I had slipped on a pool of blood; blood that had oozed from the gash in my knee and onto the stage. At that very moment, I was overcome with a sudden rush of nausea and unable to stop the sudden convulsion, I vomited all over the floor in front of me. Too terrified to open my eyes, I wished I could turn back the clock. Back to the day of our dress rehearsal when everything had gone so smoothly. My final leap had been the high point of the day, where even Miss Sheldon and also Alex our expert hip hop dancer, had congratulated me on my performance. I dared to glance fearfully out into the audience. Everyone appeared aghast and I could see the shocked expressions of my mom and dad. Then, realizing I was surrounded by worried faces peering down at me, everything suddenly went black.
Katrina Kahler (My Worst Day Ever! (Julia Jones' Diary #1))
Wow. Please tell me you haven't come up with a way to blame me for what happened that night." Heat flushed across her skin. Suddenly her office was too small, and she leaned back in her chair, which only brought into focus the fact that he was leaning into her. "Sorry, I forgot. Nothing is ever your fault." The smile in his eyes singed away, he straightened up again. "You're serious? You're suggesting that it is somehow my fault that you rage-fucked me? Actually, rage-fucked my thigh." The temperature in the room shot up so fast, Naina thought she was experiencing her first hot flash. Did those happen at thirty-eight? She groaned, because that thought made her feel ancient as she stared into his stupid dewy young face. She was sure her own face had gone some mortified shade. The only good news was that for once Vansh's color rose too, just as fast and fierce. Wait, had he just accused her of rage-fucking his thigh? "You are the world's most infuriating person, you know that?" For a moment Naina thought she might choke on her own incredulousness and the fact that he was not lying. "What kind of person brings that sort of thing up when someone's life's work is at stake?" "I was not the one who brought it up." He mirrored her finger-spinning action and made a circle around her face. "And don't make that face. You didn't say the words but you were thinking them. Never mind. I am actually not here to discuss our night together." "There was no night together." She pressed her hands into her face and tried to breathe into an imaginary bag. If she didn't calm down she was not going to be able to get this conversation back on track, to say nothing of the fact that she was going to pass out from the heat in here. "You were gone before the morning and I am very grateful that you brought me home and helped me when I----" "Got horny." "Threw up." They spoke simultaneously. Because the universe had decided to test how much humiliation it could stuff into one situation. Great, now he was smiling again, and she wanted to shake him even more. "Come on, Naina. Loosen up. It really wasn't that big of a deal." Relief flooded through her. Thank God. Yes, it was not. She was so glad he thought so. "You're right, people drink too much and throw up all the time.
Sonali Dev (The Emma Project (The Rajes, #4))
Phyl Newton was visiting Sandy that evening, but the girls displayed a marked coolness toward Tom and Bud. Instead of engaging in conversation, they retired to Sandy's room upstairs to play records, while Mrs. Swift served the boys a warmed-up but tasty meal of roast beef and mince pie. "What's wrong? Are we repulsive or something?" Bud asked as they ate. Tom shrugged, concentrating on a mouthful of roast beef. "Search me. We sure don't seem very popular with the girls tonight." Mrs. Swift, overhearing their remarks in the kitchen, smiled but maintained a diplomatic silence. Suddenly Bud slapped his forehead. "Good night! No wonder!" Tom looked up with a grin of interest. "Well, what have we done?" "It's what we haven't done, pal!" Bud retorted. "We had a date this afternoon, remember? That beach party and dance put on by Sandy and Phyl's school sorority!" Tom gulped. "Oops! Boy, we really did pull a boner this time! I completely forgot!" As they finished supper, the boys discussed various ways to make amends. Boxes of chocolates? Flowers? None of their ideas seemed to have the proper spark. "We'll have to come up with something super," Bud said. "Right!" Tom agreed. "Let's sleep on it and see if we can't dream up something by tomorrow morning that'll really wow them." The next morning Tom had a flash of inspiration as he drove to the plant in his sports car. He hailed Bud at the first opportunity. "I
Victor Appleton II (Tom Swift and the Electronic Hydrolung)
I jolted out of my sleep or so I thought with tunneling sparking flashing light. For a second when I look around the room everything seems soft, unclear, and slightly distorted, I am in my bed naked like I am every day when I get up and hug my stuffed bunny for the last time, as I snap on the lamp on my nightstand. I have to hide my bunny when the girls come over. Ray used to just throw him off the bed onto the floor. That was not cool! I don’t think Marcel would mind my cuddly stuffed bunny, with the cute floppy ears. My alarm has been blaring and Beep- Beeping for five minutes. It's from seven-o to six am. I smash and rub my face in my soft pillow for the last time. I look around the room I am sweating. I wipe my forehead, saying wow, I have had a dream that I’m falling- but never like this. ‘Damn that was a crazy dream!’ So- I start my morning retain- you know grabbing for what inside my Pringles can buy my bed before all hell comes busting through my door. I sit up in bed slightly and I turn on my laptop, might as well live record what going to do on cam, why not. So, push the quilt away, I look down at my unclothed body with my toy in hand, and I see my toes wiggling with nail polish, and my almost smooth legs and everything in-between. Thinking I just shaved and looked at all this stubble, growing here already… don’t you hate that, I sure do? It’s like all you can see and feel. Now I’m covered with sweat even though my room is frigid cold. My throat is dry, my heart is racing, and I’m desperate for a drink, yet I am almost there, my sighing is getting loud, I can feel it building up, I can stop it feeling so good and the tips are just rolling in for the boys that tune into my show. The camera is right there, whoosh- and I feel on top of the world. Yet after I hit a low with having to start my day, running away from me away from who I am, I’ve just been running a long way. My floral sheets are stocked with everything rushing out, and so is my keyboard, yet the boys love it and love me for it, so that is good enough for me. Yet after I do that it’s like I get an embarrassing feeling, I pull it out, then close the lid of my lap, to cover up fast. It’s like I get a rush from it, and then the guilt comes after in my mind saying- ‘That was the wrong missy, yet I can’t stop. Jenny and my girls give me that same rush, always doing something that feels so good yet maybe wrong.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
The little things gather for a long time, but one morning you look in the mirror and you understand them in a flash.
Robert Olen Butler (A Good Scent from a Strange Mountain)
The old man in the opposite seat has gone now. I can see my reflection in the dark glass, broken up every now and then by the flash of a light. A lock of thick, blonde hair has come loose from its up-do, and oh God, the make-up. I’d forgotten about that. I’m wearing way too much of the bloody stuff. Industrial quantities of it. I’ve been sponged and brushed to within an inch of my life. My eyes have been smothered with kohl and mascara. Apparently, it’s the smoky eyed look, but I’m not too sure. I look like I’ve gone ten rounds with Mike Tyson. If the house-mate hadn’t taken it on herself to give me a make-over first thing this morning, then I wouldn’t be looking like a cross between a tangerine and a clown right now. She’s good at plenty of things, Lucy, such as managing an art gallery and navigating her way around the London Underground, but she’s certainly useless when it comes to make-overs. I’ll swing by a shop when I get off the tube and source a packet of wipes
Mandy Lee (You Don't Know Me (You Don't Know Me, #1))
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I’m sorry, Mr. Chavez,” the club’s young assistant reception manager, Talya, said. “This is a private club. If you’re not a member, your name has to be on the guest list.” Luis Chavez sighed. He wasn’t here by choice. “I was told to come here at this time,” Luis replied. “By whom?” Talya asked. Luis watched her eyes weigh his appearance. He was in black pants, heavy black shoes, and wore a gray jacket zipped up to his Adam’s apple even though it was almost summer. He was clean shaven with short black hair. That he wasn’t representative of the club’s regular clientele wasn’t even a question. “Mr. Alazraqui.” “I’m sorry. We don’t have a member by that name or anyone on our guest list.” Luis nodded. His job was done. He could go home in good conscience. “My mistake,” Luis said, nodding to the young woman. He turned and was almost out the door when a white Mercedes SUV rolled up to the valet stand just outside in the sublevel parking garage. Its driver was a large Hispanic man practically bursting through the seams of an off-white suit and mustard-yellow shirt. Even though he was only an inch or two taller than Luis’s diminutive five foot three, his expansive girth caused him to dwarf Luis. Talya stepped past Luis to open the door for him. “Good morning, Mr. Mata!” Mata nodded a greeting at her and stepped through the door. As soon as the big man was through, Talya jogged ahead to ring for an elevator. Though the club’s entrance was in a parking garage, the club itself was an elevator ride up to the ninth floor. “Have a good breakfast, sir.” Luis had just located the valet ticket in his pocket when he heard the older man’s voice. “Padre?” Luis winced. “Oh, is Mr. Chavez a guest of yours?” Talya asked. “He’s the priest. To deliver the benediction.” Luis caught the surprised look on Talya’s face, then felt Mata’s heavy hand on his shoulder. “Come on, Padre. Let’s get you upstairs.” As soon as they were inside the elevator, Mata nodded to the tiny strip of white peering over the top of Luis’s jacket. “Why didn’t you flash the collar?” Mata asked. “Waited too late,” Luis admitted. “Would’ve felt like a jerk.” “Ah,” Mata said, laughing. “Guess enough people out there think priests are assholes, huh?” Luis didn’t reply.
Mark Wheaton (Fields of Wrath (Luis Chavez, #1))
you’re available.’ ‘Am I available?’ He flashed a broad grin. ‘Count on me.’ In the morning, Kurt was on the circuit before Hutch was fully awake. ‘I’ve loaded the shuttle with your stuff,’ he said. The Memphis was too small to support a dock, other than the space-saving arrangement in the cargo bay for its lander. The designer had assumed that any arriving vehicle would simply come alongside and transfer passengers directly through the main airlock. In this case, however, they were taking on supplies, and it seemed more rational to take the lander outside and make room for the Wendy’s shuttle. ‘How big a job,’ asked Kurt, ‘is it, taking apart a stealth?’ ‘Nothing we can’t handle.’ ‘Okay. Are we on for dinner?’ ‘If you get here with the sauerbraten.’ ‘I’m afraid I don’t have sauerbraten, Hutch. How about roast pork?’ ‘That’ll do fine.’ She signed off and went down to the common room, where breakfast was in progress. ‘We need to decide whether we’re going to move on,’ said George. ‘Do we know yet where the stealths are aimed? Where the next relay point is?’ Hutch passed the question on to Bill, who appeared in a corner of the navigation display. ‘It passes directly through a pair of gas giants in this system and then goes all the way to GCY-7514.’ ‘Where’s that?’ asked Nick. ‘It’s a galaxy,’ said Hutch. George looked distraught. ‘That can’t be right.’ ‘Bill’s pretty accurate with stuff like this. He doesn’t make mistakes.’ She sat down and looked at Bill. ‘You said a pair of gas giants. What do you mean?’ ‘There are two of them locked in a fairly tight gravitational embrace. Unusual configuration. The signal goes right through the system.’ Everyone fell silent. ‘They’re quite beautiful, I would think,’ he added. ‘End of the track,’ said Nick. He looked unhappy, too. They all did. Hutch wasn’t sure how she felt. It would be an unsatisfying conclusion. But maybe it was just as well that they’d be forced to call it off and go home. It seemed like a good time to change the subject. ‘The Wendy’ll be here with our stores in a few hours,’ she said. Tor nodded. ‘Doesn’t seem to me that we’ll need them.’ ‘You’d get pretty hungry going home.’ She sighed. ‘I’m sorry. I know this is a disappointment for everybody. But try to keep in
Jack McDevitt (Chindi (The Academy, #3))
In Walked Jim September 2013: Entering his first morning staff meeting as FBI director, Jim Comey loped to the head of the table, put down his briefing books, and lowered his six-foot-eight-inch, shirtsleeved self into a huge leather chair. He leaned the chair so far back on its hind legs that he lay practically flat, testing gravity. Then he sat up, stretched like a big cat, pushed the briefing books to the side, and said, as if he were talking to a friend, I don’t want to talk about these today. I’d rather talk about some other things first. He talked about how effective leaders immediately make their expectations clear and proceeded to do just that for us. Said he would expect us to love our jobs, expect us to take care of ourselves … I remember less of what he said than the easygoing way he spoke and the absolute clarity of his day-one priority: building relationships with each member of his senior team. Comey continually reminded the FBI leadership that strong relationships with one another were critical to the institution’s functioning. One day, after we reviewed the briefing books, he said, Okay, now I want to go around the room, and I want you all to say one thing about yourselves that no one else here knows about you. One hard-ass from the criminal division stunned the room to silence when he said, My wife and I, we really love Disney characters, and all our vacation time we spend in the Magic Kingdom. Another guy, formerly a member of the hostage-rescue team, who carefully tended his persona as a dead-eyed meathead—I thought his aesthetic tastes ran the gamut from YouTube videos of snipers in Afghanistan to YouTube videos of Bigfoot sightings—turned out to be an art lover. I really like the old masters, he said, but my favorite is abstract expressionism. This hokey parlor game had the effect Comey intended. It gave people an opportunity to be interesting and funny with colleagues in a way that most had rarely been before. Years later, I remember it like yesterday. That was Jim’s effect on almost everyone he worked with. I observed how he treated people. Tell me your story, he would say, then listen as if there were only the two of you in the whole world. You were, of course, being carefully assessed at the same time that you were being appreciated and accepted. He once told me that people’s responses to that opening helped him gauge their ability to communicate. Over the next few years I would sit in on hundreds of meetings with him. All kinds of individuals and organizations would come to Comey with their issues. No matter how hostile they were when they walked in the door, they would always walk out on a cloud of Comey goodness. Sometimes, after the door had closed, he would look at me and say, That was a mess. Jim has the same judgmental impulse that everyone has. He is complicated, with many different sides, and he is so good at showing his best side—which is better than most people’s—that his bad side, which is not as bad as most people’s, can seem more shocking on the rare moments when it flashes to the surface.
Andrew G. McCabe (The Threat: How the FBI Protects America in the Age of Terror and Trump)
Shea took another deep breath and looked around, determined to find what was making her so uneasy. A man lounged lazily in the shade of a tree. He was tall, dark, and motionless, like a hunter. She felt the impact of his eyes as his gaze casually found her. Her heart jumped. Who was he? Had Wallace found her so soon? Shea turned away. First, before anything, she had to complete her business. She dragged out her laptop computer and typed in the commands to access the clinic’s blood bank. If she had to move Jacques, they would need supplies desperately. In another moment, Shea felt silly. The door to the small general store across the street swung open. The short, stooped owner emerged, apron tied around his ample middle, a broom in his hand. He waved openly at the motionless figure beneath the tree. “Byron. Good morning to you. Bit early, isn’t it?” She recognized the local dialect. The tall, dark-haired man replied in the same language, but his voice was low, a beautiful tone. He stepped out of the shadows, young, good-looking. He flashed a quick, friendly smile at the grocer approaching him. Clearly they knew one another, were friendly. The dark-haired man was obviously no stranger to the area. Neither exhibited the least interest in Shea. She watched as Byron bent his head solicitously down to the older man, listening intently, his arm circling the shopkeeper’s shoulders. Shea breathed a soft sigh of relief. The feeling of being stalked was gone, and she couldn’t be certain if it had been real or imagined.
Christine Feehan (Dark Desire (Dark, #2))
A lane instantly formed in front of Stephen, and he passed through with smiling faces and kind looks on either side of him; he noticed some of the men whose backs he had oiled earlier that morning looked remarkably cheerful, particularly Edwards, for he, being black, had a smile that flashed far whiter in the gloom; attentive hands tweaked a bench out of his way, and a ship's boy was slewed violently round on his axis and desired 'not to turn his back on the Doctor – where were his fucking manners?' Kind creatures; such good-natured faces; but they were killing Cheslin.
Patrick O'Brian (Aubrey/Maturin Novels (21 Book Series))
LIKE CARS, FOR INSTANCE?” Mrs. Weasley had appeared, holding a long poker like a sword. Mr. Weasley’s eyes jerked open. He stared guiltily at his wife. “C-cars, Molly, dear?” “Yes, Arthur, cars,” said Mrs. Weasley, her eyes flashing. “Imagine a wizard buying a rusty old car and telling his wife all he wanted to do with it was take it apart to see how it worked, while really he was enchanting it to make it fly.” Mr. Weasley blinked. “Well, dear, I think you’ll find that he would be quite within the law to do that, even if — er — he maybe would have done better to, um, tell his wife the truth. . . . There’s a loophole in the law, you’ll find. . . . As long as he wasn’t intending to fly the car, the fact that the car could fly wouldn’t —” “Arthur Weasley, you made sure there was a loophole when you wrote that law!” shouted Mrs. Weasley. “Just so you could carry on tinkering with all that Muggle rubbish in your shed! And for your information, Harry arrived this morning in the car you weren’t intending to fly!” “Harry?” said Mr. Weasley blankly. “Harry who?” He looked around, saw Harry, and jumped. “Good lord, is it Harry Potter? Very pleased to meet you, Ron’s told us so much about —” “Your sons flew that car to Harry’s house and back last night!” shouted Mrs. Weasley. “What have you got to say about that, eh?” “Did you really?” said Mr. Weasley eagerly. “Did it go all right? I — I mean,” he faltered as sparks flew from Mrs. Weasley’s eyes, “that — that was very wrong, boys — very wrong indeed. . . .
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
But alas, I’m here, drunk off my ass, boobs practically spilling out of my shirt, and my mascara slowly melting off my eyelashes and onto my face, morphing me from new-in-town college girl, to trash panda from the raccoon clan. “Dottie, Lindsay,” I say weakly, moving my head from side to side. “Where art thou?” “You need help?” a deep voice slurs next to me. I look to my right through very blurry vision and make out what I’m going to assume is an incredibly attractive man. But then again, I’m drunk—the whole mascara melting off my eyes in full swing—and I’ve been fooled once before. But hey, I think those are blue eyes. Can’t go wrong with that . . . reasoning that will be thought better of in the morning. “Have you seen Dottie or Lindsay?” “Can’t say that I have,” he answers, resting against the wall with me. “Damn it. I think they’re making out with some baseball players. Have you seen any of those around?” “Baseball players?” “Mm-hmm.” I nod, shutting my eyes for a second but then shooting them back open when I feel myself wobble to the side. The guy catches me by the hand before I topple over, but thanks to his alcohol intake, he’s not steady enough to hold us up and . . . timber . . . we fall to the couch next to me. “Whoa, great placement of furniture,” I say, as the guy topples on top of me. “Damn near saved our lives.” I rub my face against the scratchy and worn-out fabric. “How many people do you think have had sex on this thing?” “Probably less than what you’re thinking.” The couch is deep, giving me enough room to lie on my side with the guy in front of me, so we’re both facing each other. He smells nice, like vodka and cupcakes. “So, have you seen any baseball players around? I’m looking for my friends.” “Nah, but if you see any, let me know. I can’t find my room.” “You live here?” I ask, eyes wide. “Yup,” he answers, enunciating the P. “For two years now.” “And you don’t remember where your room is?” “It has a yellow door. If the damn room would stop spinning I’d be able to find it.” “Well . . . maybe if we find your room, we’ll find my friends,” I say, my drunk mind making complete sense. “That’s a great idea.” He rolls off the couch and then stands to his feet, wobbling from side to side as he holds out his hand to me. Without even blinking, I take it in mine and let him help me to my feet. “Yellow door, let’s go,” I say, raising my crumpled cup to the air. “We’re on the move.” He keeps my hand clasped in his and we stumble together past beer pong, people making out against walls, the kitchen, to an open space full of doors. “Yellow door, do you see one?” I blink a few times and then see a flash of sunshine. “There.” I point with force. “Yellow, right there.” His head snaps to where I’m pointing. A beam of light illuminates the color of the door, making it seem like we’re about to walk right into the sun. I’m a little chilly, so I welcome the heat. “Fuck, there it is. You’re good.” 
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
Whereas in the early days of the plague they had been struck by the host of small details that, while meaning absolutely nothing to others, meant so much to them personally, and thus had realized, perhaps for the first time, the uniqueness of each man's life; now, on the other hand, they took an interest only in what interested everyone else, they had only general ideas, and even their tenderest affections now seemed abstract, items of the common stock. So completely were they dominated by the plague that sometimes the one thing they aspired to was the long sleep it brought, and they caught themselves thinking: "A good thing if I get plague and have done with it!" But really they were asleep already; this whole period was for them no more than a long night's slumber. The town was peopled with sleepwalkers, whose trance was broken only on the rare occasions when at night their wounds, to all appearance closed, suddenly reopened. Then, waking with a start, they would run their fingers over the wounds with a sort of absentminded curiosity, twisting their lips, and in a flash their grief blazed up again, and abruptly there rose before them the mournful visage of their love. In the morning they harked back to normal conditions, in other words, the plague.
Albert Camus (The Plague)
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Then, note, if angels shouted before and when the world was made, their hallelujahs were more full, more strong, more magnificent, if not more hearty, when they saw Jesus Christ born of the Virgin Mary to be man’s redeemer—“Glory to God in the highest.” What is the instructive lesson to be learned from this first syllable of the angels’ song? Why this, that salvation is God’s highest glory. He is glorified in every dew drop that twinkles to the morning sun. He is magnified in every wood flower that blossoms in the copse, although it live to blush unseen, and waste its sweetness in the forest air. God is glorified in every bird that warbles on the spray; in every lamb that skips the mead. Do not the fishes in the sea praise him? From the tiny minnow to the huge Leviathan, do not all creatures that swim the water bless and praise his name? Do not all created things extol him? Is there aught beneath the sky, save man, that doth not glorify God? Do not the stars exalt him, when they write his name upon the azure of heaven in their golden letters? Do not the lightnings adore him when they flash his brightness in arrows of light piercing the midnight darkness? Do not thunders extol him when they roll like drums in the march of the God of armies? Do not all things exalt him, from the least even to the greatest? But sing, sing, oh universe, till thou hast exhausted thyself, thou canst not afford a song so sweet as the song of incarnation. Though creation may be a majestic organ of praise, it cannot reach the compass of the golden canticle—incarnation. There is more in that than in creation, more melody in Jesus in the manger, than there is in worlds on worlds rolling their grandeur round the throne of the Most High. Pause Christian, and consider this a minute. See how every attribute is here magnified.
Charles Haddon Spurgeon (Good Tidings of Great Joy: A Collection of Christmas Sermons)
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