Flare Love Quotes

We've searched our database for all the quotes and captions related to Flare Love. Here they are! All 100 of them:

I crave your mouth, your voice, your hair. Silent and starving, I prowl through the streets. Bread does not nourish me, dawn disrupts me, all day I hunt for the liquid measure of your steps. I hunger for your sleek laugh, your hands the color of a savage harvest, hunger for the pale stones of your fingernails, I want to eat your skin like a whole almond. I want to eat the sunbeam flaring in your lovely body, the sovereign nose of your arrogant face, I want to eat the fleeting shade of your lashes, and I pace around hungry, sniffing the twilight, hunting for you, for your hot heart, Like a puma in the barrens of Quitratue.
Pablo Neruda
We could go back," he said. In the dome light of the car, his face looked hard as stone. "We could go back to your house. I can stay with you always. We can know each other's bodies in every way, night after night. I could love you." His nostrils flared, and he looked suddenly proud. "I could work. You would not be poor. I would help you." "Sounds like a marriage," I said, trying to lighten the atmosphere. But my voice was too shaky. "Yes," he said.
Charlaine Harris (Dead to the World (Sookie Stackhouse, #4))
Knowing they were in the same city again made the missing him flare up inside her. In her stomach. Why were people always going on and on about the heart? Almost everything Levi happened in Cath’s stomach.
Rainbow Rowell (Fangirl)
God speaks to each of us as he makes us, then walks with us silently out of the night. These are the words we dimly hear: You, sent out beyond your recall, go to the limits of your longing. Embody me. Flare up like a flame and make big shadows I can move in. Let everything happen to you: beauty and terror. Just keep going. No feeling is final. Don't let yourself lose me. Nearby is the country they call life. You will know it by its seriousness. Give me your hand.
Rainer Maria Rilke (Rilke's Book of Hours: Love Poems to God)
Before, as soon as I came home from all sorts of places I would sit down and write in my journal. Now I want to write you, talk with you... I love when you say all that happens is good, it is good. I say all that happens is wonderful. For me it is all symphonic, and I am so aroused by living - god, Henry, in you alone I have found the same swelling of enthusiasm, the same quick rising of the blood, the fullness... Before, I almost used to think there was something wrong. Everybody else seemed to have the brakes on... I never feel the brakes. I overflow. And when I feel your excitement about life flaring, next to mine, then it makes me dizzy.
Anaïs Nin (A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953)
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are. Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
Donna Tartt (The Goldfinch)
Lately I can't help wanting us to be like other people. For example, if I were a smoker, you'd lift a match to the cigarette just as I put it between my lips. It's never been like that between us: none of that easy chemistry, no quick, half automatic flares. Everything between us had to be learned. Saturday finds me brooding behind my book, all my fantasies of seduction run up against the rocks. Tell me again why you don't like sex in the afternoon? No, don't tell me-- I'll never understand you never understand us, America's strangest loving couple: they never drink a bottle of wine together and rarely look at each other. Into each other's eyes, I mean.
Deborah Garrison (A Working Girl Can't Win)
Emotion is ‘recognition’. When treasured moments are identified in the jungle of our personal history during a visual or aural encounter, we capture magic sparks from our past, arousing flashes of insight and revealing an inner flare. These instants of recognition may kindle enthralling emotion and fulfilling inspiration. (“Those journeys of love”)
Erik Pevernagie
Rage flared up in Tessa and she considered belting Woolsey with the poker whether he came near her or not. He had moved awfully quickly while fighting Will, though, and she didn’t fancy her chances. “You don’t know James Carstairs. Don’t speak about him.” “Love him, do you?” Woolsey managed to make it sound unpleasant. “But you love Will, too.” Tessa froze. She had known that Magnus knew of Will’s affection for her, but the idea that what she felt for him in return was written across her face was too terrifying to contemplate.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Their lips met in a slow, languid kiss. Salt from her tears mixed with her natural sweetness. She wrapped her arms around his neck and pressed closer. Her softness, her scent, she filled and overran his senses. He mouthed another kiss against her lips. Heat flared inside his abdomen when she opened her mouth, and kissed him back with firmer lips.  He sank into her embrace, the heated connection she offered. A kinetic warmth surged through him, lighting, igniting dormant pieces inside—like someone returning home . . . A soft groan, hushed breaths. Their mouths parted and found each other again. He slid his hand behind her neck as he deepened the kiss.
J. Rose Black (Losing My Breath)
Then at certain moments I remember one of his words and I suddenly feel the sensual woman flaring up, as if violently caressed. I say the word to myself, with joy. It is at such a moment that my true body lives.
Anaïs Nin (Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932)
This is where you belong, Calla.” He pulled me closer, tilting my chin up. “Be with me. Tell me it’s what you want.” I couldn’t tear my eyes from his. “What I want?” “Yes. Anything, everything you need, I’ll give you. Always. I promise. Just tell me one thing.” “What?” “That you want this, us.” His voice dropped so low I could barely hear him. “That someday you’ll love me.” My hands began to tremble where they rested around his neck. “Ren, you know we’re going to be together. We’ve both known that for a long time.” He gave me a hard look. “That’s not what I’m talking about.” “Why are you asking me this?” I tried to pull back, but he held me against him. The glimmer of a smile appeared on his lips. “Why not?” My temper flared. “Are you trying to say that you love me?” I meant it as a challenge rather than a serious question, but his eyes seemed to catch fire. “What do you think?” He touched his lips to mine, softly at first, gradually building pressure, parting them.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
Girls blush, sometimes, because they are alive, Half wishing they were dead to save the shame. The sudden blush devours them, neck and brow; They have drawn too near the fire of life, like gnats, And flare up bodily, wings and all. What then? Who's sorry for a gnat... or a girl?
Elizabeth Barrett Browning (A Little Book of Love Poems)
The flickering flames of the nameless ghost flared brighter. "I won't forget. Your Highness, I am forever your most devoted believer." Xie Lian forced down his sob. "...I've already lost all my believers. Believing in me won't do you any good, it might even bring disaster. Do you know? Even my friend has left me." The nameless ghost declared, as if swearing an oath, "I won't.
墨香铜臭 (天官赐福 [Tiān Guān Cì Fú])
When inward life dries up, when feeling decreases and apathy increases, when one cannot affect or even genuinely touch another person, violence flares up as a daimonic necessity for contact, a mad drive forcing touch in the most direct way possible.
Rollo May (Love and Will)
The Coming of Light Even this late it happens: the coming of love, the coming of light. You wake and the candles are lit as if by themselves, stars gather, dreams pour into your pillows, sending up warm bouquets of air. Even this late the bones of the body shine and tomorrow’s dust flares into breath.
Mark Strand (The Late Hour)
This is how I used to think of love. As something so delicate it couldn’t be caught without being snuffed out. Now I know better. I know the flame may gutter and flare with the wind, but it will always be there.
Emily Henry (Happy Place)
She wept for her hardheadedness, and for a world that couldn't just let her be both, a woman in love and a woman with a career, without flares of guilt and self-doubt seeping in and wreaking havoc.
Sandhya Menon (When Dimple Met Rishi (Dimple and Rishi, #1))
You thought I would not weesh to marry him? Or per'aps you hoped?" said Fleur, her nostrils flaring. "What do I care how he looks? I am good-looking enough for both of us, I theenk! All these scars show is zat my husband is brave! And I shall do zat!" she added fiercely, pushing Mrs. Weasley aside and snatching the ointment from her.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
After a steadying breath, Aislinn turned to Keenan. "I'm sure you can figure out lunch without help. So, umm, go make friends or whatever." And she walked away. He sped up to stay beside her as they entered the cafeteria. "May I join you?" "No." He stepped in front of her. "Please?" "No." She dropped her bag into a chair next to Rianne's things. Ignoring him-and the stares they were attracting-she opened her bag. He hadn't moved. With a shaky gesture, she pointed. "The line's over there." He looked at the throng slowly progressing to the vats of food. "Can I get you something?" "A little space?" A flare of anger flashed over his too-beatiful face, but he said nothing. He just walked away.
Melissa Marr (Wicked Lovely (Wicked Lovely, #1))
Once," he says, "I was flying to California on the Fourth of July." She turns her head, just slightly. "It was a clear night, and you could see all the little fireworks displays along the way, these tiny flares going off below, one town after another.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
Those who have the strength and the love to sit with a dying patient in the silence that goes beyond words will know that this moment is neither frightening nor painful, but a peaceful cessation of the functioning of the body. Watching a peaceful death of a human being reminds us of a falling star; one of a million lights in a vast sky that flares up for a brief moment
Elisabeth Kübler-Ross (On Death and Dying: What the Dying Have to Teach Doctors, Nurses, Clergy and Their Own Families)
Have you noticed All the moments we live And all the miles we walk never seem to get us anywhere but dead? but still... the flare of my thrusters burns like tiny suns In the sea of starlight all around her. when the light that kisses the back of her eyes was birthed, her ancestors were not yet born. How many human lives have ended in the time it took that light to reach her? how many people have loved only to have lost? how countless, the hopes that have died? [But still...] Not this one.
Amie Kaufman (Obsidio (The Illuminae Files, #3))
How handsome he must have been before he was burned. Heat flared over my skin. How handsome he was now.
Elly Blake (Frostblood (Frostblood Saga, #1))
Seems once was enough to infect me. From then on you've been lying dormant, like a virus. Or an incurable chronic condition that flares up from time to time.' A long pause, where life transforms from black-and-white to colour. 'I'm eczema?' Ben beams. 'Eczema of the heart. That's it. Psoriasis of the soul.
Mhairi McFarlane (You Had Me At Hello (You Had Me At Hello, #1))
Humans in love are terrible. You see them come hungering at one another like prehistoric wolves, you see something struggling for life in between them like a root or a soul and it flares for a moment, then they smash it. The difference between them smashes the bones out. So delicate the bones.
Anne Carson (Plainwater: Essays and Poetry)
Hate is love on fire, set out to burn like a flare on the side of the road. It says, stop here. Something terrible has happened. Envy is like, the skin you're in burns. And the salve is someone else's skin.
Alexander Chee (Edinburgh)
Beth,” he whispered. “Come back to me.” He brought more of his blood to her. “Damn it, don’t you die!” Candles flared in the room. “I love you, damn you! Goddamn you, don’t you let go!
J.R. Ward
I promise I'll never tell." "Don't promise that," he said in an ultraserious voice. "If they try to hurt you and the only way to protect yourself is to tell them what you know about me, then you tell them. Straight off, okay?" "No." "Promise me." "No!" "I will possess your heart." Heat flared along the back of my neck. "What did you say?" "My favorite song. 'I Will Possess Your Heart.'" "By Death Cab for Cutie?" He snorted. "No, the little known T.I. Hip-hop remix. Yes, Death Cab for Cutie." ... "Why? What's wrong with it?" "Nothing, but it doesn't seem to fit you. It's kind of a sad song." "No it's pure confident. It's not 'I want' or 'I need', none of that crap." He slipped his hand over mine. "It's 'I will.'" A nervous laugh bubbled up. "You will, huh?" His fingers brushed my cheek, then slid into my hair. "I will.
Jeri Smith-Ready (Shade (Shade, #1))
L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire
André Breton (Poems of André Breton: A Bilingual Anthology)
She stood straight and still, her arms at her side. Her eyebrows had the graceful arch of a raptor's wings in flight. Her green eyes came unafraid to his. The connection was so intense that it threatened to drain his sense of self. He felt that he had always known her, that she had always been a part of him, that her needs were his needs. She held him with her gaze as surely as a grip of iron would, searching his eyes as if searching his soul, seeking an answer to something. I am here to help you, he said in his mind. He meant it more than any thought he had ever had. The intensity of her gaze relaxed, loosening its hold on him. In her eyes he saw something that attracted him more than anything else. Intelligence. He saw it flaring there, burning in her, and through it all he felt an overriding sense of her integrity. Richard felt safe.
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
That’s because we were never apart. Since we were kids, we were one. It has always been that way. We found a way back to each other, my love.” Luka’s eyes bored into mine, a flare of possession in their glare. “And will always be that way,” he said assertively. “I’m never losing you again.
Tillie Cole (Raze (Scarred Souls, #1))
I like you.” “I like you, too.” “I’ve liked you since the morning you ran into me.” I giggle and try to shove him away, but he uses the motion to pull us closer. “You have not,” I say. “I have,” he whispers, and now his lips brush against my cheek. “I remember thinking, ‘Nice job, dickhead. Add another girl to the list of people who hate you.’” “I don’t hate you. I’ve never hated you.” “Now, that’s reassuring,” he says, but I can hear the smile in his voice. He inhales along my cheekbone, and sparks flare through my abdomen. “You should write for Hallmark.” “All my future love letters will start with ‘To whom it may concern.’” “Are you going to send me future love letters?” I flush, and I’m sure he can see it. Feel it.
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
He lit another cigarette and inhaled deeply, the tip flaring an angry red. “Isn’t love a beautiful goddamn liar?
Paula McLain (The Paris Wife)
...dark embers smolder inside me - one touch and they flare - who would have thought memory combustible, or near you bright sparks appear?...
John Geddes (A Familiar Rain)
There is no better people-watching than at the airport: the whole world packed into such a tight space, moving fast with all their essentials in their rolling bags. And what caught my attention, as I took a few breaths and lay my eyes on the crowds, were all the imperfections. Everybody had them. Every single person that walked past me had some kind of flaw. Bushy eyebrows, moles, flared nostrils, crooked teeth, crows'-feet, hunched backs, dowagers' humps, double chins, floppy earlobes, nose hairs, potbellies, scars, nicotine stains, upper arm fat, trick knees, saddlebags, collapsed arches, bruises, warts, puffy eyes, pimples. Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craning their necks. Everybody had marks on their bodies from years of living - a trail of life left on them, evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they were. In that moment, I suddenly loved us all the more for our flaws, for being broken and human, for being embarrassed and lonely, for being hopeful or tired or disappointed or sick or brave or angry. For being who we were, for making the world interesting. It was a good reminder that the human condition is imperfection. And that's how it's supposed to be.
Katherine Center (Everyone is Beautiful)
New eyes awaken. I send Love's name into the world with wings And songs grow up around me like a jungle. Choirs of all creatures sing the tunes Your Spirit played in Eden. Zebras and antelopes and birds of paradise Shine on the face of the abyss And I am drunk with the great wilderness Of the sixth day in Genesis. But sound is never half so fair As when that music turns to air And the universe dies of excellence. Sun, moon and stars Fall from their heavenly towers. Joys walk no longer down the blue world's shore. Though fires loiter, lights still fly on the air of the gulf, All fear another wind, another thunder: Then one more voice Snuffs all their flares in one gust. And I go forth with no more wine and no more stars And no more buds and no more Eden And no more animals and no more sea: While God sings by himself in acres of night And walls fall down, that guarded Paradise.
Thomas Merton
A woman may get to love by degrees—the best fire does not flare up the soonest.
George Eliot (Adam Bede)
I'm crazy, boy. I'm a madman. I could eat both of you for dinner and love every bite.
James Dashner (Thomas’s First Memory of the Flare (The Maze Runner, #2.5))
Look,” he says, “whenever I’m here, it feels like the walls are closing in on me. I love my family, I do. But I’ve spent fifteen years coming home as rarely as possible because it’s fucking lonely to feel like you don’t fit somewhere. I never wanted to run this store. I never wanted this town. And whenever I’m here it’s all I think about. I get so fucking claustrophobic from it all. “Not from them. But from feeling like I don’t know how to be myself here. From—getting in my head about who I’m supposed to be, or all the ways I haven’t turned out how they wanted me to. And then you showed up.” His eyes flare, flashlights racing over the dark, searching. “And I could finally breathe.
Emily Henry (Book Lovers)
Usually Jacin was there, as he’d been all her life. He would make light of it and force her to laugh about the absurdity of whatever trick her mind was playing. He would talk her through each episode with his steady rationality, leaving no room for her to doubt his words. He would hold her and let her cry, and it was during one of these embraces when Winter realized with all the force and clarity of a solar flare— She was in love with him. She had always, always been in love with him. *
Marissa Meyer (Stars Above: A Lunar Chronicles Collection (The Lunar Chronicles, #4.5))
May I exchange the sweetness of the lips of your yearning with the flare of my passionate affection.
Suman Pokhrel
I didn't mean to make you cry-" "Oh, God...Zsadist, I love you." His eyes flared so wide, his brows nearly hit his hairline. "What...?" "I love you." "Say that again." "I love you." "Again...please," he whispered. "I need to hear it...again." "I love you..." His response was to start praying to the Scribe Virgin in the Old Language. -Lover Awakened
J.R. Ward
I see the way he looks at you, something I haven't seen in him since the day we lost Ariella. And...I know you love him in a way you can't love me.” He looked away, just for a moment, and took a deep breath. “Jealousy isn't something we deal with well,” he admitted. “But some of us have been around long enough to know when to let go, and what is most important. The happiness of my two best friends should be more important than some ancient feud.” Stepping close, he placed a palm on my cheek, brushing a strand of hair from my face. Glamour flared up around him, casting him in a halo of emerald light. In that moment, he was pure fey, unbound by shallow human fears and embarrassment, a being as natural and ancient as the forest. “I have always loved you, princess,” Robin Goodfellow promised, his green eyes shining in the darkness. “I always will. And I'll take whatever you can give me.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Love and war, it seemed, worked by the same rules. One had to hurry, before the fires flared out.
Robin Oliveira (My Name Is Mary Sutter (Mary Sutter, #1))
His nostrils flared then,and he lifted his head."Oh,God,Princess.Your scent.As much as I would love to see you work your cunt again,up close and personal this time,I must have you,taste you.Fuck,I want to drown in you,bury my face in your pussy and lap up every drop." ~Lucian Roman
Laura Wright (Eternal Captive (Mark of the Vampire, #3))
People always say that once it goes away, you forget the pain. It’s a cliché of childbirth: you forget the pain. I don’t happen to agree. I remember the pain. What you really forget is love. Divorce seems as if it will last forever, and then suddenly, one day, your children grow up, move out, and make lives for themselves, and except for an occasional flare, you have no contact at all with your ex-husband. The divorce has lasted way longer than the marriage, but finally it’s over.
Nora Ephron (I Remember Nothing: and Other Reflections)
Sometimes hidden from me in daily custom and in trust, so that I live by you unaware as by the beating of my heart, Suddenly you flare in my sight, a wild rose blooming at the edge of thicket, grace and light where yesterday was only shade, and once again I am blessed, choosing again what I chose before.
Wendell Berry (The Selected Poems of Wendell Berry)
There was in Lily a thread of something; a flare of something; something of her own Mrs. Ramsay liked very much indeed, but no man would, she feared. [...] He was not "in love" of course; it was one of those unclassified affections of which there are so many.
Virginia Woolf (To the Lighthouse)
I forbid you from frequenting taverns, public houses, or other establishments of vice.” She snorted in amusement. “Establishments of vice? That’s a rather puritanical view of things, isn’t it? I assure you, I was quite safe.” “You were with Ralston!” he said, as though she were simpleminded. “He was perfectly respectable,” she said, the words coming out before she remembered that the carriage ride home was anything but respectable. “Imagine—my sister and the Marquess of Ralston together. And he turns out to be the respectable one,” Benedick said wryly, sending heat flaring on Callie’s cheeks, but not for the reason he thought. “No more taverns.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
I want to eat the sunbeam flaring in your lovely body, the sovereign nose of your arrogant face, I want to eat the fleeting shade of your lashes, and I pace around hungry, sniffing the twilight, hunting for you, for your hot heart, like a puma in the barrens of Quitratue.
Pablo Neruda (The Essential Neruda: Selected Poems)
It is lucky, she thinks, that we don’t feel all the love inside us every moment. We couldn’t breathe or walk or eat. It is lucky that it just flares up every now and again then resolves itself into a manageable dormancy.
Gabrielle Zevin (The Hole We're In)
My first kiss...and it was everything I’d imagined it to be, with the exception of there being an audience for it. But it was hard to acknowledge them or their cheering and whistles. Flames scorched my already heated skin. Dez’s lips moved against mine, working the tight seam open. I gasped, wondering where in the world he’d learned to kiss like that. Jealousy flared like a beacon on the heels of that thought. Okay. I didn’t want to know how he’d learned.
Jennifer L. Armentrout (Bitter Sweet Love (The Dark Elements, #0.5))
Sparked in desperation and kept alive, secret and stifled. It was a hungry, selfish kind of love, never fully satisfied. A love that kept score. Something that flared painfully now and again, like a bone that had never set quite right.
Allison Saft (Down Comes the Night)
They're here to get you," Mom says through a sob. "My sweet, the love of my life, they're here to get you.
James Dashner (Thomas’s First Memory of the Flare (The Maze Runner, #2.5))
A chronic illness is not difficult to live with because it is endless. It is difficult to live with because it is unpredictable. But like grief, every flare ends, and though the looming threat is constant, you learn to live beside it. A shadow of mixed blessings. It does not heal as wounds do, but it teaches you of your own strength till you can wear it like a battle scar.
Lancali (I Fell in Love With Hope)
Places I love come back to me like music, Hush me and heal me when I am very tired; I see the oak woods at Saxton's flaming In a flare of crimson by the frost newly fired; And I am thirsty for the spring in the valley As for a kiss ungiven and long desired. I know a bright world of snowy hills at Boonton, A blue and white dazzling light on everything one sees, The ice-covered branches of the hemlocks sparkle Bending low and tinkling in the sharp thin breeze, And iridescent crystals fall and crackle on the snow-crust With the winer sun drawing cold blue shadows from the trees. Violet now, in veil on veil of evening, The hills across from Cromwell grow dreamy and far; A wood-thrush is singing soft as a viol In the heart of the hollow where the dark pools are; The primrose has opened her pale yellow flowers And heaven is lighting star after star. Places I love come back to me like music– Mid-ocean, midnight, the eaves buzz drowsily; In the ship's deep churning the eerie phosphorescence Is like the souls of people who were drowned at sea, And I can hear a man's voice, speaking, hushed , insistent, At midnight, in mid-ocean, hour on hour to me.
Sara Teasdale (The Collected Poems)
Marissa came around the corner, looking Grace Kelly-fine as usual. With her long blond hair and her precision-molded face, she was known as the great beauty of the species, and even V, who didn't go for her type, had to show love. "Hello, boys—" Marissa stopped and stared at Butch. "Good… Lord… look at those pants." Butch winced. "Yeah, I know. They're—" "Could you come over here?" She started backing down the hall to their bedroom. "I need you to come back here for a minute. Or ten." Butch's bonding scent flared to a dull roar, and V knew damn well the guy's body was hardening for sex. "Baby, you can have me for as long as you want me." Just as the cop left the living room, he shot a look over his shoulder. "I'm so feeling these leathers. Tell Fritz I want fifty pairs of them. Stat.
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
Ruxandra pulled the blanket down just far enough to see the two girls shut the door behind them, stuff something under it to block any light, and throw a blanket over the shutters. A flint sparked one, twice, and a taper flared to life, lighting the faces of her friends. Adela was a short blonde whose breasts pushed against her nightdress and were the despair of the nuns’ attempts to instill modesty. Her parents had sent her to the convent in desperate hopes to keep her from scandal. And between her sweet, round face and her ability to lie shamelessly, she almost managed to make the nuns believe they were being successful. Valeria was slim and dark, a mischief-maker whose pranks had gotten her in trouble more than once. They were both her lovers. Adela called it practice for when they had husbands. Valeria called it wonderful. The nuns declared it a sin in no uncertain terms. And while Ruxandra did her best to obey the nuns in most matters, and to turn her thoughts to God and do his good work, she could not stop loving the girls. From the moment she’d first held Adela’s hand, she’d known that, whatever else their feelings were for each other, they were too sweet to be sinful.
John Patrick Kennedy (Princess Dracula (Princess Dracula #1))
She wept for her hardheadedness, and for a world that couldn’t just let her be both, a woman in love and a woman with a career, without flares of guilt and self-doubt seeping in and wrecking havoc. No one she knew had balanced both. There was either work or love. Wanting both felt like a huge ask, it felt like wishing for hot ice cream or a bitter sugar cube.
Sandhya Menon (When Dimple Met Rishi (Dimple and Rishi, #1))
New York may end up being no more than a scrim, a spectral film that is none other than our craving for romance—romance with life, with masonry, with memory, sometimes romance with nothing at all. This longing goes out to the city and from the city comes back to us. Call it narcissism. Or call it passion. It has its flare-ups, its cold nights, its sudden lurches, and its embraces. It is our life finally revealed to us in the most lifeless hard objects we'll ever cast eyes on: concrete, steel, stonework. Our need for intimacy and love is so powerful that we'll look for them and find them in asphalt and soot.
André Aciman (Alibis: Essays on Elsewhere)
A Given The drum we hear inside us now we may not hear tomorrow. We have such fear of what comes next. Death. These loves are like pieces of cotton. Throw them in the fire. Death will be a meeting like that flaring up, a presence you have always wanted to be with. This body and this universe keep us from being free. Those of you decorating your cells so beautifully, do you think they won't be torn down? The eventual demolishing of prisons is a given. Fire-change, disaster-change, you can trust that those will come around to you.
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
When Your Life Looks Back, When your life looks back-- As it will, at itself, at you--what will it say? Inch of colored ribbon cut from the spool. Flame curl, blue-consuming the log it flares from. Bay leaf. Oak leaf. Cricket. One among many. Your life will carry you as it did always, With ten fingers and both palms, With horizontal ribs and upright spine, With its filling and emptying heart, That wanted only your own heart, emptying, filled, in return. You gave it. What else could do? Immersed in air or in water. Immersed in hunger or anger. Curious even when bored. Longing even when running away. "What will happen next?"-- the question hinged in your knees, your ankles, in the in-breaths even of weeping. Strongest of magnets, the future impartial drew you in. Whatever direction you turned toward was face to face. No back of the world existed, No unseen corner, no test. No other earth to prepare for. This, your life had said, its only pronoun. Here, your life had said, its only house. Let, your life had said, its only order. And did you have a choice in this? You did-- Sleeping and waking, the horses around you, the mountains around you, The buildings with their tall, hydraulic shafts. Those of your own kind around you-- A few times, you stood on your head. A few times, you chose not to be frightened. A few times, you held another beyond any measure. A few times, you found yourself held beyond any measure. Mortal, your life will say, As if tasting something delicious, as if in envy. Your immortal life will say this, as it is leaving.
Jane Hirshfield (Come, Thief)
I don’t believe you,’ he says. He takes a step towards me, fluster-ing me with his nearness, with his smell, which shouldn’t be so damn familiar after so much time and which shouldn’t still affect me the way it does. ‘I think you still love me,’ he says, ‘even though you don’t want to.’I glare at him, fury battling my instincts. ‘Because that kind of love, Jessa,’ Kit continues, ‘doesn’t just disappear. It doesn’t just fade. I still love you. I’ll always love you. And I think you feel the same way about me. And hell, I know I don’t deserve it. I know all I deserve is your hatred. But if there’s a chance, a single chance that you might still love me, then I’m not going to throw it away. Because I’ve been through hell and you’re the only reason I’m still standing.’ He pauses. ‘So tell me the truth. Do you love him?’I don’t answer. ‘Does he know you like I do? Does he know exactly how you like your eggs in the morning – just a little bit runny?’ he asks. ‘Does he know that you’re allergic to roses? Does he know that when your nostrils flare like that it’s because you’re trying to stop from crying and that when you say “yeah, sure” it usually means “no”?’ He takes a step nearer. ‘Does he make you see stars?’ he asks in a low voice. ‘Does he call you his north star? Because that’s what you are to me. You’re the reason I made it home.’ I squeeze my eyes shut. ‘Does he know exactly where to kiss you?’ Kit mur-murs and startles me by brushing his hand just beneath my ear. ‘Just here?’ My eyes flash open as I suppress a shudder. ‘Does he know exactly how to touch you?’ he asks, his gaze falling to my mouth. ‘Does he tell you that you’re all he thinks about? Does he tell you that he lives for you? That he breathes for you? That he dreams of you every damn moment, awake and asleep? Does he tell you any of that?’ He pauses to look at me and I try to keep a blank face. ‘No, I didn’t think so,’ he says quietly
Mila Gray (Come Back to Me (Come Back to Me, #1))
I want you,” she said. “Naked.” His nostrils flared as if he was soaking in the scent of her arousal. “Tally, honey, I can’t get any more naked. That’s my cock you’re playing with.” She grazed him lightly, very lightly, with her teeth for that remark. He swore again but didn’t make any attempt to take control. “I want you,” she said, “naked and on your front.” “Why?” A suspicious growl. “So I can stroke you. Pet you. Love you.” She ran her nails along the inside of one thigh, felt him shudder. “At least half an hour.” Bending again, she closed her mouth over the top of his erection without warning. Something definitely tore this time. “Fuck!” She released him. “Yes?” “Yes! Damn it, yes! Now suck me or I’m going to have you on your back so fast, you’ll—” His threat ended in a roar as she took as much of him in her mouth as she could fit. Clay, she decided, tasted good. Very good. She liked giving him this pleasure. But more, she liked that he allowed her to see the extremity of his reaction, no holds barred. So she loved him, learned him, tasted him. And when he tugged at her hair to pull her off him, she resisted.
Nalini Singh (Mine to Possess (Psy-Changeling, #4))
For the first time in a hundred years, my soul flares to life, my heart along with it. And it hurts so fucking bad. No one’s ever been in my situation, so I couldn’t have foreseen that love doesn’t function as other things do. It took decades for it to fade, and an instant for it to come roaring back. As far as my heart is concerned, no time has passed.
Laura Thalassa (The Queen of All that Lives (The Fallen World, #3))
Slow to anger.” The Hebrew phrase is literally “long of nostrils.” Picture an angry bull, pawing the ground, breathing loudly, nostrils flared. That would be, so to speak, “short-nosed.” But the Lord is long-nosed. He doesn’t have his finger on the trigger. It takes much accumulated provoking to draw out his ire. Unlike us, who are often emotional dams ready to break, God can put up with a lot. This is why the Old Testament speaks of God being “provoked to anger” by his people dozens of times (especially in Deuteronomy; 1–2 Kings; and Jeremiah). But not once are we told that God is “provoked to love” or “provoked to mercy.” His anger requires provocation; his mercy is pent up, ready to gush forth. We tend to think: divine anger is pent up, spring-loaded; divine mercy is slow to build. It’s just the opposite. Divine mercy is ready to burst forth at the slightest prick.
Dane C. Ortlund (Gentle and Lowly: The Heart of Christ for Sinners and Sufferers)
You are born into a family and those are your people, and they know you and they love you, and if you are lucky they even on occasion manage to understand you. And that ought to be enough. But it is never enough. Abe had not been dressing up, styling himself, for all these years because he was trying to prove how different he was from everyone else. He did it in the hope of attracting the attention of somebody else—somewhere, someday—who was the same. He was not flying his freak flag; he was sending up a flare, hoping for rescue, for company in the solitude of his passion. “You were with your people. You found them,” I said. He nodded. “That’s good,” I said. “You’re early.
Michael Chabon (Pops: Fatherhood in Pieces)
And then I saw him. In the snow. Behind the trees. A white wolf. Black on his back and chest. His eyes burned red. He said chase me i love you chase me. I said, “Daddy?” because I was just a little boy again, and my father, my father was there, and he was never going to leave me, he was never going to leave me again. He ran. I chased after him. Tree branches slapped against my face and chest, sharp stings as the blanket flared around me. I almost dropped it. I almost let it go. PackLoveSon to me to me come to me
T.J. Klune (Brothersong (Green Creek, #4))
The Landscape" I dreamt of loving. The dream remains, but love is no longer those lilacs and roses whose breath filled the broad woods, where the sail of a flame lay at the end of each arrow-straight path. I dreamt of loving. The dream remains, but love is no longer that storm whose white nerve sparked the castle towers, or left the mind unrhymed, or flared an instant, just where the road forked. It is the star struck under my heel in the night. It is the vvord no book on earth defines. It is the foam on the wave, the cloud in the sky. As they age, all things grow rigid and bright. The streets fall nameless, and the knots untie. Now, with this landscape, I fix; I shine.
Robert Desnos
I don't like kissing." "I suppose it is a matter of taste."[...]"I wondered, did anyone ever," shrug, "you know, hurt you so you don't like kissing? love?" "Nope."[...] "I thought maybe someone had been bad to you in the past, and that was why you don't like people touching or holding you." "Ah damn it to hell," she bangs the lamp down on the desk and the flame jumps wildly. "I said no. I haven't been raped or jilted or abused in any fashion. There is nothing in my background to explain the way I am." She steadies her voice, taking the impatience out of it. "I'm the odd one out, the peculiarity in my family, because they are all normal and demonstrative physically. But ever since I can remember, I've disliked close contact...charge contact, emotional contact, as well as any overtly sexual contact. I veer away from it, because it always feels like the other person is draining something out of me. I know that's irrational, but that's the way I feel." She touches the lamp and the flaring light stills. "I spent a considerable amount of time when I was, o, adolescent, wondering why I was different, whether there were other people like me. Why, when everyone else was facinated by their developing sexual nature, I couldn't give a damn. I've never been attracted to men. Or women. Or anything else. It's difficult to explain, and nobody has ever believed it when I have tried to explain, but while I have an apparently normal female body, I don't have any sexual urge or appetite. I think I am a neuter.
Keri Hulme (The Bone People)
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
My well-beloved was stripped. Knowing my whim, She wore her tinkling gems, but naught besides: And showed such pride as, while her luck betides, A sultan's favoured slave may show to him. When it lets off its lively, crackling sound, This blazing blend of metal crossed with stone, Gives me an ecstasy I've only known Where league of sound and luster can be found. She let herself be loved: then, drowsy-eyed, Smiled down from her high couch in languid ease. My love was deep and gentle as the seas And rose to her as to a cliff the tide. My own approval of each dreamy pose, Like a tamed tiger, cunningly she sighted: And candour, with lubricity united, Gave piquancy to every one she chose. Her limbs and hips, burnished with changing lustres, Before my eyes clairvoyant and serene, Swanned themselves, undulating in their sheen; Her breasts and belly, of my vine and clusters, Like evil angels rose, my fancy twitting, To kill the peace which over me she'd thrown, And to disturb her from the crystal throne Where, calm and solitary, she was sitting. So swerved her pelvis that, in one design, Antiope's white rump it seemed to graft To a boy's torso, merging fore and aft. The talc on her brown tan seemed half-divine. The lamp resigned its dying flame. Within, The hearth alone lit up the darkened air, And every time it sighed a crimson flare It drowned in blood that amber-coloured skin
Charles Baudelaire
Each time Nate saw her, Elisa’s beauty struck him anew, as if in the interval the memory of what she actually looked like had been distorted by the tortured emotions she elicited since they’d broken up: in his mind, she took on the dimensions of an abject creature. What a shock when she opened the door, bursting with vibrant, almost aggressive good health. The power of her beauty, Nate had once decided, came from its ability to constantly reconfigure itself. When he thought he’d accounted for it, filed it away as a dead fact—pretty girl—she turned her head or bit her lip, and like a children’s toy you shake to reset, her prettiness changed shape, its coordinates altered: now it flashed from the elegant contours of her sloping brow and flaring cheekbone, now from her shyly smiling lips.
Adelle Waldman (The Love Affairs of Nathaniel P.)
These are lines from my asteroid-impact novel, Regolith: Just because there are no laws against stupidity doesn’t mean it shouldn’t be punished. I haven’t faced rejection this brutal since I was single. He smelled trouble like a fart in the shower. If this was a kiss of gratitude, then she must have been very grateful. Not since Bush and Cheney have so few spent so much so fast for so long for so little. As a nympho for mind-fucks, Lisa took to politics like a pig to mud. She began paying men compliments as if she expected a receipt. Like the Aerosmith song, his get-up-and-go just got-up-and-went. “You couldn’t beat the crap out of a dirty diaper!” He embraced his only daughter as if she was deploying to Iraq. She was hotter than a Class 4 solar flare! If sex was a weapon, then Monique possessed WMD I haven’t felt this alive since I lost my virginity. He once read that 95% of women fake organism, and the rest are gay. Beauty may be in the eyes of the beholder, but ugly is universal. Why do wives fart, but not girlfriends? Adultery is sex that is wrong, but not necessarily bad. The dinosaurs stayed drugged out, drooling like Jonas Brothers fans. Silence filled the room like tear gas. The told him a fraction of the truth and hoped it would take just a fraction of the time. Happiness is the best cosmetic, He was a whale of a catch, and there were a lot of fish in the sea eager to nibble on his bait. Cheap hookers are less buck for the bang, Men cannot fall in love with women they don’t find attractive, and women cannot fall in love with men they do not respect. During sex, men want feedback while women expect mind-reading. Cooper looked like a cow about to be tipped over. His father warned him to never do anything he couldn’t justify on Oprah. The poor are not free -- they’re just not enslaved. Only those with money are free. Sperm wasn’t something he would choose on a menu, but it still tasted better than asparagus. The crater looked alive, like Godzilla was about to leap out and mess up Tokyo. Bush follows the Bible until it gets to Jesus. When Bush talks to God, it’s prayer; when God talks to Bush, it’s policy. Cheney called the new Miss America a traitor – apparently she wished for world peace. Cheney was so unpopular that Bush almost replaced him when running for re-election, changing his campaign slogan to, ‘Ain’t Got Dick.’ Bush fought a war on poverty – and the poor lost. Bush thinks we should strengthen the dollar by making it two-ply. Hurricane Katrina got rid of so many Democratic voters that Republicans have started calling her Kathleen Harris. America and Iraq fought a war and Iran won. Bush hasn’t choked this much since his last pretzel. Some wars are unpopular; the rest are victorious. So many conservatives hate the GOP that they are thinking of changing their name to the Dixie Chicks. If Saddam had any WMD, he would have used them when we invaded. If Bush had any brains, he would have used them when we invaded. It’s hard for Bush to win hearts and minds since he has neither. In Iraq, you are a coward if you leave and a fool if you stay. Bush believes it’s not a sin to kill Muslims since they are going to Hell anyway. And, with Bush’s help, soon. In Iraq, those who make their constitution subservient to their religion are called Muslims. In America they’re called Republicans. With great power comes great responsibility – unless you’re Republican.
Brent Reilly
I arrived next to them right as she laughed at something he said. It rang through the air like silver bells, and the tic in my jaw pulsed harder. He didn’t deserve her laugh. “Something funny?” I asked, masking my ire with an expression of cool indifference. Surprise and wariness flared in Ava’s eyes at the sight of me. Good. She should be wary. She should be fucking home, safe and sound, instead of dancing with a manwhore like Colton and letting him put his hands all over her. “I was just telling her a joke.” Colton chuckled but shot me a warning look that said, Why are you cockblocking, man? He was lucky if all I did was cockblock. I was tempted to break every bone in his hand for touching her like that. “You mind? We’re in the middle of a dance.” “Actually, it’s my turn.” I maneuvered myself between them and pulled him off her with a little more force than necessary. Colton flinched. “You have to leave the gala early. Business calls.
Ana Huang (Twisted Love (Twisted, #1))
I reached for her, pushing back the fall of hair-it was heavy and thick and smooth to the touch-and tilted her chin so that the moonlight shone on her wet face. We married each other that night, there on a bed of fallen pine needles-even today, the scent of pitch-pine stirs me-with Henry's distant flute for a wedding march and the arching white birch boughs for our basilica. At first, she quivered like an aspen, and I was ashamed at my lack of continence, yet I could not let go of her. I felt like Peleus on the beach, clinging to Thetis, only to find that, suddenly, it was she who held me; that same furnace in her nature that had flared up in anger blazed again, in passion.
Geraldine Brooks (March)
He began to stand, and saw Lyon stiffen, poised to do whatever he needed to do. He, like Lyon, could throw himself on a pyre, too. Because fire cleansed. She’d won, and he’d lost. It had stopped mattering. Her happiness was indistinguishable from his own. No matter what became of him, he wanted her to know he loved her. “You’d best get out of here, Redmond. Your secret is safe with me.” Lyon’s eyes flared in wary surprise. He froze. And his smile, when it came, was slow, and crooked, and he looked very like Lavay when Lavay was being insufferably knowing. “Ah. You do love her more than life. Splendid. And that, my dear Lord Flint, is what I came here today to discover.” Whatever he felt was between him and Violet. “Go before I change my mind, Redmond.
Julie Anne Long (I Kissed an Earl (Pennyroyal Green, #4))
And at night the river flows, it bears pale stars on the holy water, some sink like veils, some show like fish, the great moon that once was rose now high like a blazing milk flails its white reflection vertical and deep in the dark surgey mass wall river's grinding bed push. As in a sad dream, under the streetlamp, by pocky unpaved holes in dirt, the father James Cassidy comes home with lunchpail and lantern, limping, redfaced, and turns in for supper and sleep. Now a door slams. The kids have rushed out for the last play, the mothers are planning and slamming in kitchens, you can hear it out in swish leaf orchards, on popcorn swings, in the million-foliaged sweet wafted night of sighs, songs, shushes. A thousand things up and down the street, deep, lovely, dangerous, aureating, breathing, throbbing like stars; a whistle, a faint yell; the flow of Lowell over rooftops beyond; the bark on the river, the wild goose of the night yakking, ducking in the sand and sparkle; the ululating lap and purl and lovely mystery on the shore, dark, always dark the river's cunning unseen lips, murmuring kisses, eating night, stealing sand, sneaky. 'Mag-gie!' the kids are calling under the railroad bridge where they've been swimming. The freight train still rumbles over a hundred cars long, the engine threw the flare on little white bathers, little Picasso horses of the night as dense and tragic in the gloom comes my soul looking for what was there that disappeared and left, lost, down a path--the gloom of love. Maggie, the girl I loved.
Jack Kerouac (Maggie Cassidy)
Never was there so much magic over things as when you spoke, and never were words so powerful. You could make speech flare up, become muddled or mighty. You did everything with words and sentences, came to an understanding with them or transmuted them, gave things a new name; and objects which understand neither the straight nor the crooked words, almost took their being from your words. Oh, nobody was ever able to play so well, you monsters! You invented all games, number games and word games, dream games and love games. Never did anyone speak of himself like that. Almost truthfully. Almost murderously truthfully. Bent over the water, almost abandoned. The world is already dark and I cannot put on the necklace of shells. There will be no clearing. You different from all the others. I am under water. Am under water. And now someone is walking up above and hates water and hates green and does not understand, will never understand. As I have never understood. Almost mute, almost still hearing the call. Come. Just once. Come.
Ingeborg Bachmann (The Thirtieth Year: Stories)
I even yelled at you last night." Phin eased up. "For which I apologize." "It was kind of nice," Sophie said. "At least you know I was there." "Oh hell, Spohie, I always know you're there." Phin rolled twords her on one hip, and Sophie felt felt a flare of hope, but he was just digging something out of his back pocket. "Here." He weld out an emerald-cut diamond ring the size of her head. "Marry me, Julie Ann. Ruin the rest of my life." "Hello." Sophie gasped at the ring. "Jeez, that thing is huge. Where did you get it?" "My mother gave it to me," Phin said sounding bemused. Then the other shoe dropped. "Marry you?" Sophie said, and the sun came out and the birds to sing and the river sent up a cheer. Marriage was probably out- Liz as a mother-in-law was too terrifying to complete , and Phin would never get elected agian if he was married to a pornographer- but suddenly everything else was looking pretty good.
Jennifer Crusie (Welcome To Temptation / Bet Me)
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
Those clothes are Susie's,' my father said calmly when he reached him. Buckley looked down at my blackwatch dress that he held in his hand. My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked. I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red. Why can't I use them?' he asked. It landed in my father's back like a fist. Why can't I use those clothes to stake my tomatoes?' My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?' You have to choose. It's not fair,' my brother said. Buck?' My father held my clothes against his chest. I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death. I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?' Is Keesha a girl at school?' Yes!' My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility. I'm sorry. When did this happen?' That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot. Buck, stop!' my father cried. My brother turned. You don't get it, Dad,' he said. I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.' ... You act like she was yours only!' Tell me what you want to say. What's this about your friend Keesha's dad?' Put the clothes down.' My father laid them gently on the ground. It isn't about Keesha's dad.' Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.' She's dead.' It never ceased to hurt. 'I know that.' But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.' She will,' my father said. But what about us?' Who?' Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.' Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said. I didn't say anything.' Let go. Let go. Let go. I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go. My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him. Dad?' Son.' There was a quaver in his voice and a grasping outward toward my brother. I'll get Grandma.' And Buckley ran. My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.
Alice Sebold
Of course she loved the komita more -- he must have been her sweetheart, her first big love. Most likely, they made plans together, imagined a little house, a pair of children. She wouldn't keep his diary for so many years otherwise. And then, with their love peaking, he was killed. I know that much without yet having read the end. At first she felt betrayed. He'd put some strange ideals, brotherhood and freedom, before his love for her. She hated him for that. But then one morning, almost a year after his death, the postman brought a package with foreign stamps. She read the diary, still hating him. She read it every day. She learned each letter by heart, and with the months her hatred thinned, and in the end his death turned their love ideal, doomed not to die. Yes, that's what I've come to think now. Their love was foolish, childish, sugar-sweet, the kind of love that, if you are lucky to lose it, flares up like a thatched roof but burns as long as you live. While our love...I am her husband, she is my wife.
Miroslav Penkov (East of the West: A Country in Stories)
Consider the great Samuel Clemens. Huckleberry Finn is one of the few books that all American children are mandated to read: Jonathan Arac, in his brilliant new study of the teaching of Huck, is quite right to term it 'hyper-canonical.' And Twain is a figure in American history as well as in American letters. The only objectors to his presence in the schoolroom are mediocre or fanatical racial nationalists or 'inclusivists,' like Julius Lester or the Chicago-based Dr John Wallace, who object to Twain's use—in or out of 'context'—of the expression 'nigger.' An empty and formal 'debate' on this has dragged on for decades and flares up every now and again to bore us. But what if Twain were taught as a whole? He served briefly as a Confederate soldier, and wrote a hilarious and melancholy account, The Private History of a Campaign That Failed. He went on to make a fortune by publishing the memoirs of Ulysses Grant. He composed a caustic and brilliant report on the treatment of the Congolese by King Leopold of the Belgians. With William Dean Howells he led the Anti-Imperialist League, to oppose McKinley's and Roosevelt's pious and sanguinary war in the Philippines. Some of the pamphlets he wrote for the league can be set alongside those of Swift and Defoe for their sheer polemical artistry. In 1900 he had a public exchange with Winston Churchill in New York City, in which he attacked American support for the British war in South Africa and British support for the American war in Cuba. Does this count as history? Just try and find any reference to it, not just in textbooks but in more general histories and biographies. The Anti-Imperialist League has gone down the Orwellian memory hole, taking with it a great swirl of truly American passion and intellect, and the grand figure of Twain has become reduced—in part because he upended the vials of ridicule over the national tendency to religious and spiritual quackery, where he discerned what Tocqueville had missed and far anticipated Mencken—to that of a drawling, avuncular fabulist.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
Come on, let's get you to bed.' I lean in and kiss the scar on his eyebrow. 'It will be tomorrow when you wake up.' 'I don't deserve you.' His arm curls around my hips and he tugs me closer. 'But I'm going to keep you all the same.' 'Good.' I lean in and brush my lips over his. 'Because I think I'm in love with you.' My heart beats erratically, and panic claws up my rib cage. I shouldn't have said it. His eyes flare wide and his arms tighten around me. 'You think? Or you know?' Be brave. Even if he doesn't feel the same, at least I will have spoken my truth. 'I know. I'm so wildly in love with you that I can't imagine what my life would even look like without you in it. And I probably shouldn't have said that, but if we're doing this, then we're starting from a place of complete honesty.' He crushes his mouth to mine and pulls me fully into his lap so I'm straddling him. He kisses me so deep that I lose myself in it, in him.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Tragedies, I was coming to realize through my daily studies in humanities both in and out of the classroom, were a luxury. They were constructions of an affluent society, full of sorrow and truth but without moral function. Stories of the vanquishing of the spirit expressed and underscored a certain societal spirit to spare. The weakening of the soul, the story of the downfall and the failed overcoming - trains missed, letters not received, pride flaring, the demolition of one's own offspring, who were then served up in stews - this was awe-inspiring, wounding entertainment told uselessly and in comfort at tables full of love and money. Where life was meagerer, where the tables were only half full, the comic triumph of the poor was the useful demi-lie. Jokes were needed. And then the baby feel down the stairs. This could be funny! Especially in a place and time where worse things happened. It wasn't that suffering was a sweepstakes, but it certainly was relative. For understanding and for perspective, suffering required a butcher's weighing. And to ease the suffering of the listener, things had better be funny. Though they weren't always. And this is how, sometimes, stories failed us: Not that funny. Or worse, not funny in the least.
Lorrie Moore (A Gate at the Stairs)
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Neighbors turned surly; petty jealousies flared into denunciations made to the SA—the Storm Troopers—or to the newly founded Geheime Staatspolizei, only just becoming known by its acronym, Gestapo (GEheime STAatsPOlizei), coined by a post office clerk seeking a less cumbersome way of identifying the agency. The Gestapo’s reputation for omniscience and malevolence arose from a confluence of two phenomena: first, a political climate in which merely criticizing the government could get one arrested, and second, the existence of a populace eager not just to step in line and become coordinated but also to use Nazi sensitivities to satisfy individual needs and salve jealousies. One study of Nazi records found that of a sample of 213 denunciations, 37 percent arose not from heartfelt political belief but from private conflicts, with the trigger often breathtakingly trivial. In October 1933, for example, the clerk at a grocery store turned in a cranky customer who had stubbornly insisted on receiving three pfennigs in change. The clerk accused her of failure to pay taxes. Germans denounced one another with such gusto that senior Nazi officials urged the populace to be more discriminating as to what circumstances might justify a report to the police. Hitler himself acknowledged, in a remark to his minister of justice, “we are living at present in a sea of denunciations and human meanness.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
It's the way it works," she said in clipped tones. "For one rise, another must fall." "But why? Why can't we just rise, and everybody else can stay where they are? I wouldn't care!" "And you think I would?" Keisha demanded. She glared at me, the visibly pulled herself back. When she exhaled, her nostrils flared. "Say you've taken a math test. Or an English test, since you love books so much. And you get a hundred. You're psyched, right? 'Mom, I got a hundred! I got the highest grade in the class!'" She raised her eyebrows. "But say everybody else gets a hundred, too. Are you still as proud?" "Of course," I said stubbornly. "I'd still have my A." "Bullshit. You like your As because other people get Cs. Because that means you're smarted than they are. Better than they are." "I don't think I'm better than anyone." "Then you're and idiot.
Lauren Myracle (Rhymes with Witches (Crestview Academy, #2))
Let's get it over with, so I can stop wondering. How many have there been?" Lauren stared at him."How many what?" "Lovers," he clarified bitterly. She could hardly believe her ears. After treating her as if her standards of morality were childish, after acting as if promiscuity was a virtue, after telling her how man preferred experienced women, he was jealous. Because now he cared. Lauren didn't know whether to hit him, burst out laughing or hug him. Instead she decided to exact just a tiny bit of revenge for all the misery and uncertainty he had put her through. Turning,she walked over to the bar and reached for a bottle of white wine. "Why should the number make any difference?" she asked innocently. "You told me in Harbor Springs that men don't prize virginity anymore, that they don't expect or want a woman to be inexperienced.Right?" "Right," he said grimly, glowering at the ice cubes in his glass. "You also said," she continued, biting back a smile, "that women have the same physical desires men have,and that we have the right to satisfy them with whomever we wish.You were very emphatic about that-" "Lauren," he warned in a low voice, "I asked you a simple question. I don't care what the answer is, I just want an answer so I can stop wondering. Tell me how many there were. Tell me if you liked the, if you didn't give a damn abou them,or if you did it to get even with me.Just tell me.I won't hold it against you." Like hell you wouldn't! Lauren thought happily as she struggled to uncork the bottle of wine. "Of course you won't hold it against me," she said lightly. "You specifically said-" "I know what I said," he snapped tersely. "Now,how many?" She flicked a glance in his direction, implying that she was bewildered by his tone. "Only one." Angry regret flared in his eyes,and his body tensed as if he had just felt a physical blow. "Did you...care about him?" "I thought I loved him at the time," Lauren said brightly, twisting the corkscrew deeper into the cork. "All right.Let's forget him," Nick said curtly. He finally noticed her efforts with the wine bottle and walked over to help her. "Are you going to be able to forget him?" Lauren asked, admiring the ease with which he managed the stubborn cork. "I will...after a while." "What do you mean,after a while? You said there was nothing promiscuous about a woman satisfying her biological-" "I know what I said,dammit!" "Then why do you look so angry? You didn't lie to me,did you?" "I didn't lie," he said, slamming the bottle onto the bar and reaching for a glass from the cabinet. "I believed it at the time." "Why?" she goaded. "Because it was convenient to believe it," he bit out. "I was not in love with you then." Lauren loved him more at that moment than ever. "Would you like me to tell you about him?" "No," he said coldly. Her eyes twinkled, but she backed a cautious step out of his reach. "You would have approved of him. He was tall, dark, and handsome, like you. Very elegant,sophisticated and experienced. He wore down my resistence in two days,and-" "Dammit, stop it!" Nick grated in genuine fury. "His name is John." Nick braced both hands on the liguor cabinet,his back to her. "I do not want to hear this!" "John Nicholas Sinclair," Lauren clarified.
Judith McNaught (Double Standards)
To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
STARS Here in my head, language keeps making its tiny noises. How can I hope to be friends with the hard white stars whose flaring ad hissing are not speech but a pure radiance? How can I hope to be friends with the yawning spaces between them where nothing, ever, is spoken? Tonight, at the edge of the field, I stood up very still, and looked up, and tried to be empty of words. What joy was it, that almost found me? What amiable peace? Then it was over, the wind roused up in the oak trees behind me and I fell back, easily. Earth has a hundred thousand pure contraltos- even the distant night bird as it talks threat, as it talks love over the cold, black fields. Once, deep in the woods, I found the skull of a bear and it was utterly silent- and once a river otter, in a steel trap, and it too was utterly silent. What can we do but keep breathing in and out, modest and willing, and in our places? Listen, listen, I’m forever saying, Listen to the river, to the hawk, to the hoof, to the mockingbird, to the jack-in-the-pulpit- then I come up with a few words, like a gift. Even as now. Even as the darkness has remained the pure, deep darkness. Even as the stars have twirled a little, while I stood here, looking up, one hot sentence after another.
Mary Oliver
Black Rook in Rainy Weather On the stiff twig up there Hunches a wet black rook Arranging and rearranging its feathers in the rain. I do not expect a miracle Or an accident To set the sight on fire In my eye, nor seek Any more in the desultory weather some design, But let spotted leaves fall as they fall, Without ceremony, or portent. Although, I admit, I desire, Occasionally, some backtalk From the mute sky, I can't honestly complain; A certain minor light may still Lean incandescent Out of the kitchen table or chair As if a celestial burning took Possession of the most obtuse objects now and then -- Thus hallowing an interval Otherwise inconsequent By bestowing largesse, honor, One might say love. At any rate, I now walk Wary (for it could happen Even in this dull, ruinous landscape); skeptical, Yet politic; ignorant Of whatever angel may choose to flare Suddenly at my elbow. I only know that a rook Ordering its black feathers can so shine As to seize my senses, haul My eyelids up, and grant A brief respite from fear Of total neutrality. With luck, Trekking stubborn through this season Of fatigue, I shall Patch together a content Of sorts. Miracles occur, If you dare to call those spasmodic Tricks of radiance miracles. The wait's begun again, The long wait for the angel, For that rare, random descent.
Sylvia Plath (The Collected Poems)
He approached her, his voice taking on a seductive tenor. "Shall we seal it with a kiss, then?" Callie caught her breath and stiffened at the question. Ralston smiled at her obvious nerves. He ran a finger along the edge of her hairline, tucking a rogue lock of hair behind her ear gently. She looked up at him with her wide brown eyes, and he felt a burst of tenderness in his chest. He leaned close, moving slowly, as though she might scare at any moment, and his firm mouth brushed across hers, settling briefly, barely touching before she jumped back, one hand flying to her lips. He leveled her with a frank gaze and waited for her to speak. When she didn't, he asked, "Is there a problem?" "N-No!" she said, a touch too loudly. "Not at all, my lord. That is- Thank you." His breath exhaled on a half laugh. "I'm afraid that you have mistaken the experience." He paused, watching the confusion cross her face. "You see, when I agree to something, I do it wholeheartedly. That was not the kiss for which you came, little mouse." Callie wrinkled her nose at his words, and at the nickname he had used for her. "It wasn't?" "No." Her nervousness flared, and she resumed toying with her cloak tassel. "Oh, well. It was quite nice. I find I am quite satisfied that you have held up your end of our bargain." "Quite nice isn't what you should be aiming for," he said, taking her restless hands into his own and allowing his voice to deepen. "Neither should the kiss leave you satisfied." She tugged briefly, giving up when he would not free her and instead pulled her closer, setting her hands upon his shoulders. He trailed his fingers down her neck, leaving her breathless, her voice a mere squeak when she replied, "How should it leave me?" He kissed her then. Really kissed her. He pulled her against him and pressed his mouth to hers, possessing, owning in a way she could never have imagined. His lips, firm and warm, played across her own, tempting her until she was gasping for breath. He captured the sound in his mouth, taking advantage of her open lips to run his tongue along them, tasting her lightly until she couldn't bear the teasing. He seemed to read her thoughts, and just when she couldn't stand another moment, he gathered her closer and deepened the kiss, changing the pressure. He delved deeper, stroked more firmly. And she was lost. Callie was consumed, finding herself desperate to match his movements. Her hands seemed to move of their own volition, running along his broad shoulders and wrapping around his neck. Tentatively, she met Ralston's tongue with her own and was rewarded with a satisfied sound from deep in his throat as he tightened his grip, sending another wave of heat through her. He retreated, and she followed, matching his movements until his lips closed scandalously around her tongue and he sucked gently- the sensation rocked her to her core. All at once she was aflame.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
The guy smiled at me, and I glanced at him again just in time to look directly into his eyes. My mistake. Sight was a common Talent, but my magic went beyond seeing the world with crystal clarity or being able to navigate through the dark like it was daylight. Because I could also see into people. All I had to do was stare into someone’s eyes, and I knew exactly what they were feeling at that moment, whether it was love, hate, anger, or something else. Not only that, but I could actually feel the emotion in my own heart, just like the person who was experiencing it. Soulsight, it was called. A major Talent and one that I could have done without. Most people didn’t have a lot of nice thoughts, feelings, or emotions, not even toward their own so-called friends and family. But this guy . . . he radiated cold sorrow, as though he was carrying around a heavy burden that he could never, ever be free from. Still, there was a rock-hard strength mixed in with his sorrow, along with a flicker of something else buried deep, deep down . . . a hot spark that I couldn’t quite identify. I knew in an instant that he was the sort of guy who was exceedingly loyal to his friends. Who felt responsible for others. Who tried to help people as much as he could even if they didn’t deserve it, and he ended up being the one who got hurt instead. The sort of guy that others saw as a leader and naturally flocked to. The sort of guy who was just so disgustingly fascinating that you couldn’t help wanting to know more about him. The guy kept smiling, although his expression grew thinner and fainter the longer I stared. But I couldn’t help it. For the first time in a long time, I was completely captivated by another person. In that moment, all I wanted to do was peel back the cool exterior of his emotions and see what really lay beneath—and especially see what would happen when that hot spark inside him flared to life and he finally let out his true feelings. But there was also something disturbingly . . . familiar about him. As though I’d met him someplace before, although I couldn’t quite remember where. I kept staring into his green eyes, hoping that my soulsight would kick in a tiny bit more and bring the knowledge, the memory, along with it . . .
Jennifer Estep (Cold Burn of Magic (Black Blade, #1))
Emma, I came out here to tell you that you don't have to mate with Grom." I raise a brow. "Uh, I was never going to mate with Grom." "What I mean is, Grom is mating with someone else who has the gift of Poseidon. Which means that-" "I don't have to mate with Grom," I finish for him. "That's what I just said." "I mean, I don't have to feel like I've let the entire species of Syrena go extinct because I won't mate with Grom." He grins. "Exactly." "But that doesn't change what I am-a Half-Breed. You still can't be with me, can you?" He rubs his thumb over my bottom lip, thoughtful. "The law forbids it right now. But I think if we give it time, we could get it overturned somehow. And I'm not going anywhere until I do." He turns us toward the SUV, stopping to retrieve my heels from the side of the road. He helps me in the passenger seat of the Escalade, then hands me my shoes. "Thank you," I tell him as he walks around to the driver's side. "It's a little late to blush," he says, strapping in. "I don't think I'll ever stop blushing." "I really hope not," he says, shutting his door. Taking my face into both hands, he pulls me to him again. His lips brush mine, but I want more. Sensing my intention, he puts his hand over mine and the seat belt I'm trying to unsnap. "Emma," he says against my lips. "I've missed you so much. But we can't. Not yet." I'm not trying to do that, I just want to get in a better position to accept his lips. Telling him so would just embarrass us both. But he says yet. What does that mean? That he wants to wait until he can get the law overturned? Or will he give it time, and if it doesn't work out, break Syrena law to be with me? For some reason, I don't want the answer bad enough to ask. Images of "that girl" flare up in my head. I don't want Galen to break his laws-it's a big part of why I love him so much. His loyalty to his people, his commitment to them. It's the kind of devotion almost nonexistent among humans. But I don't want to be "that girl" either. Syrena or not, I want to go to college. I want to experience the world above and below sea level. But it's not like any decisions need to be made right now, do they? I mean, life-changing decisions take time to make. Time and meditation. And physical space between my lips and his. I pull back. "Right. Sorry." He seizes a few tendrils of my hair and runs them along his face, grinning. "Not as sorry as I am. You'll have to help me keep my hands off you." I laugh, even as a charge runs through my veins. "Yeah. No." He laughs too and turns to start the car, then stops. Letting go of the keys, he says, "So. About breaking up." "Let me think about it some more," I tell him on the brink of giggling at his expression. "I'll see what I can do to help you make up your mind." We stay parked for another fifteen minutes. But at least we're not broken up anymore.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
NAMING THE EARTH (a poem of light for national poetry day) And the world will be born again in circles of steaming breath and beams of light as each one of us directs our inner eye upon its name. Hear the cry of wings, the sigh of leaves and grass, smell the new sweet mist rising as the pathway is cleared at last. Stones stand ready - they have known since ages and ages ago that they were not alone. Water carries the planet's energy into skies and down to earth and bones. The cold parts steadily as we come together, bodies and hearts warm, hands tingling. We are silent but our eyes are singing. We look, we feel, we know, we trust each other's souls, we have no need to speak. Not now, but later, when the time is right, the name will ring within the iron core of each other's listening - and the very earth's being. Every creature, every plant, will hear it calling, tolling like a bell - a sound we've always felt but never dared to hope to hear reverberating - true at last, at every level of existence. The poets come together to open the intimate centre. Believe in life and air - breathe the light itself, for these are the energies and rhythms that we need to see, to touch, to reach, to identify, to say, the NAME. Colours on your skin fuse and dissolve - leave the river clean for pure space and time to enter and flow in. We all become one fluid stream of stillness and motion, of flaring thought pulses discovering weird pools and twists within where darkness hides from the flames in our eyes but will not snare us. We probe deeper still, journeying towards a unity which will be more raw and yet also more formed than anything written or spoken before. Our fragile bodies fall away - and the trees, and the roots of trees, guide us - lead us away from the faces we remember seeing each day in the mirror - into an ocean of dreams seething with warmth, love, where the beginning is real, ripe, evolving. And the world is born again in circles of steaming breath and beams of light. An ache - a signal - a trembling moment - and the time is right to say the name. We sing as one whole voice of the universal - all the words, the names of every tiny thirsting thing, and they ring out together as one sound, one energy, one sense, one vibration, one breath. And the world listens, beats, shines, glows - IS - Exists!
Jay Woodman
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing. A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback? The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at. I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting. It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.” “Emma, run!” Mom yells. Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing. Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.” Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another. I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that. Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs. He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack. Mom has never been girlie. Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.” Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
Anna Banks (Of Triton (The Syrena Legacy, #2))