Flames Of The Tiger Quotes

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How can I describe Peter's face, the pieces of him that stick to my heart? Peter sometimes looked aloof and distant; sometimes his face was open and soft as a bruise. Sometimes he looked completely at Tiger Lily, as if she were the point on which all the universe revolved, as if she were the biggest mystery of life, or as if she were a flame and he couldn't not look even though he was scared. And sometimes it would all disappear into carelessness, confidence, amusement, as if he didn't need anyone or anything on this earth to feel happy and alive.
Jodi Lynn Anderson (Tiger Lily)
Valkyrie, if there was ever a cradle to be robbed ... Gods, just look at him." ... ... "Face it, Nat, this is one tiger who will never be jumping through your flaming hoop--
Kresley Cole
Face it, Nat, this is one tiger who will never be jumping through your flaming hoop--
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
The tiger has swallowed a black sun. In his cold cage he carries it still. Black flames flicker through his fur. Black rays roar from the centers of his eyes.
Valerie Worth (All the Small Poems and Fourteen More)
No one is adequate to comprehending the misery of my lot! Fate obliges me to be constantly in movement: I am not permitted to pass more than a fortnight in the same place. I have no Friend in the world, and from the restlessness of my destiny I never can acquire one. Fain would I lay down my miserable life, for I envy those who enjoy the quiet of the Grave: But Death eludes me, and flies from my embrace. In vain do I throw myself in the way of danger. I plunge into the Ocean; The Waves throw me back with abhorrence upon the shore: I rush into fire; The flames recoil at my approach: I oppose myself to the fury of Banditti; Their swords become blunted, and break against my breast: The hungry Tiger shudders at my approach, and the Alligator flies from a Monster more horrible than itself. God has set his seal upon me, and all his Creatures respect this fatal mark!
Matthew Gregory Lewis (The Monk)
Uninvited, the thought of you stayed too late in my head, so I went to bed, dreaming you hard, hard, woke with your name, like tears, soft, salt, on my lips, the sound of its bright syllables like a charm, like a spell. Falling in love is glamorous hell; the crouched, parched heart like a tiger ready to kill; a flame's fierce licks under the skin. Into my life, larger than life, beautiful, you strolled in. I hid in my ordinary days, in the long grass of routine, in my camouflage rooms. You sprawled in my gaze, staring back from anyone's face, from the shape of a cloud, from the pining, earth-struck moon which gapes at me as I open the bedroom door. The curtains stir. There you are on the bed, like a gift, like a touchable dream. "You
Carol Ann Duffy (Rapture)
nearer:breath of my breath:take not they tingling limbs from me:make my pain their crazy meal letting they tigers of smooth sweetness steal slowly in dumb blossoms of new mingling: deeper:blood of my blood:with upwardcringing swiftness plunge these leopards of white ream this pith of darkness:carve an evilfringing flower of madness on gritted lips and on sprawled eyes squirming with light insane chisel the killing flame that dizzily grips. Querying greys between mouthed houses curl thirstily. Dead stars stink. dawn. Inane, the poetic carcass of a girl
E.E. Cummings
There would have been a lake. There would have been an arbor in flame-flower. There would have been nature studies—a tiger pursuing a bird of paradise, a choking snake sheathing whole the flayed trunk of a shoat. There would have been a sultan, his face expressing great agony (belied, as it were, by his molding caress), helping a callypygean slave child to climb a column of onyx. There would have been those luminous globules of gonadal glow that travel up the opalescent sides of juke boxes. There would have been all kinds of camp activities on the part of the intermediate group, Canoeing, Coranting, Combing Curls in the lakeside sun. There would have been poplars, apples, a suburban Sunday. There would have been a fire opal dissolving within a ripple-ringed pool, a last throb, a last dab of color stinging red, smarting pink, a sigh, a wincing child.
Vladimir Nabokov (Lolita)
Manticor in Arabia (The manticors of the montaines Mighte feed them on thy braines.--Skelton.) Thick and scented daisies spread Where with surface dull like lead Arabian pools of slime invite Manticors down from neighbouring height To dip heads, to cool fiery blood In oozy depths of sucking mud. Sing then of ringstraked manticor, Man-visaged tiger who of yore Held whole Arabian waste in fee With raging pride from sea to sea, That every lesser tribe would fly Those armed feet, that hooded eye; Till preying on himself at last Manticor dwindled, sank, was passed By gryphon flocks he did disdain. Ay, wyverns and rude dragons reign In ancient keep of manticor Agreed old foe can rise no more. Only here from lakes of slime Drinks manticor and bides due time: Six times Fowl Phoenix in yon tree Must mount his pyre and burn and be Renewed again, till in such hour As seventh Phoenix flames to power And lifts young feathers, overnice From scented pool of steamy spice Shall manticor his sway restore And rule Arabian plains once more.
Robert Graves
My well-beloved was stripped. Knowing my whim, She wore her tinkling gems, but naught besides: And showed such pride as, while her luck betides, A sultan's favoured slave may show to him. When it lets off its lively, crackling sound, This blazing blend of metal crossed with stone, Gives me an ecstasy I've only known Where league of sound and luster can be found. She let herself be loved: then, drowsy-eyed, Smiled down from her high couch in languid ease. My love was deep and gentle as the seas And rose to her as to a cliff the tide. My own approval of each dreamy pose, Like a tamed tiger, cunningly she sighted: And candour, with lubricity united, Gave piquancy to every one she chose. Her limbs and hips, burnished with changing lustres, Before my eyes clairvoyant and serene, Swanned themselves, undulating in their sheen; Her breasts and belly, of my vine and clusters, Like evil angels rose, my fancy twitting, To kill the peace which over me she'd thrown, And to disturb her from the crystal throne Where, calm and solitary, she was sitting. So swerved her pelvis that, in one design, Antiope's white rump it seemed to graft To a boy's torso, merging fore and aft. The talc on her brown tan seemed half-divine. The lamp resigned its dying flame. Within, The hearth alone lit up the darkened air, And every time it sighed a crimson flare It drowned in blood that amber-coloured skin
Charles Baudelaire
But Death eludes me, and flies from my embrace. In vain do I throw myself in the way of danger. I plunge into the Ocean; The Waves throw me back with abhorrence upon the shore: I rush into fire; The flames recoil at my approach: I oppose myself to the fury of Banditti; Their swords become blunted, and break against my breast: The hungry Tiger shudders at my approach, and the Alligator flies from a Monster more horrible than itself. God has set his seal upon me, and all his Creatures respect this fatal mark!
Matthew Gregory Lewis (The Monk)
All thinking things fear. Sentience, perhaps, is facing that fear and conquering it rather than succumbing. A tiger will drown in a tar pit, but a man who can clear his thoughts may survive.
C.E. Murphy (Hands of Flame (Negotiator Trilogy/Old Races Universe, #3))
Jason summoned his golden lance. He brandished it over his head and yelled, “Giant!” Which sounded pretty good, and a lot more confident than Leo could’ve managed. He was thinking more along the lines of, “We are pathetic ants! Don’t kill us!” Enceladus stopped chanting at the flames. He turned toward them and grinned, revealing fangs like a saber-toothed tiger’s. “Well,” the giant rumbled. “What a nice surprise.” Leo didn’t like the sound of that. His hand closed on his windup gadget. He stepped sideways, edging his way toward the bulldozer. Coach Hedge shouted, “Let the movie star go, you big ugly cupcake! Or I’m gonna plant my hoof right up your—” “Coach,” Jason said. “Shut up.” Enceladus roared with laughter. “I’ve forgotten how funny satyrs are. When we rule the world, I think I’ll keep your kind around. You can entertain me while I eat all the other mortals.” “Is that a compliment?” Hedge frowned at Leo. “I don’t think that was a compliment.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Then it was all true. I saw the skins of tigers flaming in his palace on the Grand Canal; I saw him opening a chest of rubies to ease, with their crimson-lighted depths, the gnawings of his broken heart.
F. Scott Fitzgerald (The Great Gatsby)
Incendiary That one small boy with a face like pallid cheese And burnt-out little eyes could make a blaze As brazen, fierce and huge, as red and gold And zany yellow as the one that spoiled Three thousand guineas' worth of property And crops at Godwin's Farm on Saturday Is frightening---as fact and metaphor: An ordinary match intended for The lighting of a pipe or kitchen fire Misused may set a whole menagerie Of flame-fanged tigers roaring hungrily. And frightening, too, that one small boy should set The sky on fire and choke the stars to heat Such skinny limbs and such a little heart Which would have been content with one warm kiss Had there been anyone to offer this.
Vernon Scannell (Collected Poems 1950-1993)
You’re doing what Marcellus warned you against,” Richardson said, “judging them by English pictures. All nightgowns and body and a kind of flacculent sweetness. As in cemeteries, with broken bits of marble. These are Angels – not a bit the same thing. These are the principles of the tiger and the volcano, and the flaming suns of space.” (Charles Williams, The Place of the Lion)
Stephen Skinner (Both Sides of Heaven: A collection of essays exploring the origins, history, nature and magical practices of Angels, Fallen Angels and Demons)
I travel your body, like the world, your belly is a plaza full of sun, your breasts two churches where blood performs its own, parallel rites, my glances cover you like ivy, you are a city the sea assaults, a stretch of ramparts split by the light in two halves the color of peaches, a domain of salt, rocks and birds, under the rule of oblivious noon, dressed in the color of my desires, you go your way naked as my thoughts, I travel your eyes, like the sea, tigers drink their dreams in those eyes, the hummingbird burns in those flames, I travel your forehead, like the moon, like the cloud that passes through your thoughts, I travel your belly, like your dreams, your skirt of corn ripples and sings, your skirt of crystal, your skirt of water, your lips, your hair, your glances rain all through the night, and all day long you open my chest with your fingers of water, you close my eyes with your mouth of water, you rain on my bones, a tree of liquid sending roots of water into my chest
Octavio Paz (Sunstone/Piedra De Sol)
...had the management of The Enchanted Hunters lost its mind one summer day and commissioned me to redecorate their dining room with murals of my own making, this is what I might have thought up, let me list some fragments: There would have been a lake. There would have been an arbor in flame-flower. There would have been nature studies: a tiger pursuing a bird of paradise, a choking snake sheathing whole the flayed trunk of a shoat. There would have been a sultan, his face expressing great agony (belied, as it were, by his molding caress), helping a callypygean slave child to climb a column of onyx. There would have been those luminous globules of gonadal glow that travel up the opalescent sides of juke boxes. There would have been all kinds of camp activities on the part of the intermediate group, Canoeing, Coranting, Combing Curls in the lakeside sun. There would have been poplars, apples, a suburban Sunday. There would have been a fire opal dissolving within a ripple-ringed pool, a last throb, a last dab of color, stinging red, smearing pink, a sigh, a wincing child.
Vladimir Nabokov
I am not a terribly physical person. Helen wasn't either. We'd never hugged or even shaken hands, so it was odd to find myself rubbing her bare shoulder and then her back. It was, I though, like stroking some sort of sea creature, the flesh slick and fatty beneath my palms. In my memory, there was something on the stove, a cauldron of tomato gravy, and the smell of it mixed with the camphor of the Tiger Balm. The windows were steamed, Tony Bennett was on the radio, and saying, 'Please,' her voice catching on the newness of the word, Helen asked me to turn it up.
David Sedaris (When You Are Engulfed in Flames)
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
saw the crew of a Tiger burning up with their vehicle – each man slumped in his hatch, presumably killed by a high-explosive burst as they tried to escape. The flames rose around them, fed by their gasoline reserves, a column of orange as high as an oak tree against the sunset. I saw the crew of a Stalin, disembarked from their bogged-down vehicle in a crater, being set upon by Panzergrenadiers from a Hanomag. Our troops were venting their anger and frustration, and yet conserving their precious ammunition, by bayoneting the Russian crews and clubbing them down with entrenching spades.
Wolfgang Faust (Tiger Tracks - The Classic Panzer Memoir (Wolfgang Faust's Panzer Books))
The man eyes that were always roaming here and there like the eyes of tigers, those searchlight eyes, needed to be shielded from the alluring and indeed blinding power of us—of our shapely or skinny or fat legs, of our graceful or knobbly or sausage arms, of our peachy or blotchy skins, of our entwining curls of shining hair or our coarse unruly pelts or our straw-like wispy braids, it did not matter. Whatever our shapes and features, we were snares and enticements despite ourselves, we were the innocent and blameless causes that through our very nature could make men drunk with lust, so that they’d stagger and lurch and topple over the verge—The verge of what? we wondered. Was it like a cliff?—and go plunging down in flames, like snowballs made of burning sulphur hurled by the angry hand of God. We were custodians of an invaluable treasure that existed, unseen, inside us; we were precious flowers that had to be kept safely inside glass houses, or else we would be ambushed and our petals would be torn off and our treasure would be stolen and we would be ripped apart and trampled by the ravenous men who might lurk around any corner, out there in the wide sharp-edged sin-ridden world.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
Weary was as new to war as Billy. He was a replacement, too. As a part of a gun crew, he had helped to fire one shot in anger—from a 57-millimeter antitank gun. The gun made a ripping sound like the opening of the zipper on the fly of God Almighty. The gun lapped up snow and vegetation with a blowtorch thirty feet long. The flame left a black arrow on the ground, showing the Germans exactly where the gun was hidden. The shot was a miss. What had been missed was a Tiger tank. It swiveled its 88-millimeter snout around sniffingly, saw the arrow on the ground. It fired. It killed everybody on the gun crew but Weary. So it goes.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.
Gerald Durrell
I travel your body, like the world, your belly is a plaza full of sun, your breasts two churches where blood performs its own, parallel rites, my glances cover you like ivy, you are a city the sea assaults, a stretch of ramparts split by the light in two halves the color of peaches, a domain of salt, rocks and birds, under the rule of oblivious noon, dressed in the color of my desires, you go your way naked as my thoughts, I travel your eyes, like the sea, tigers drink their dreams in those eyes, the hummingbird burns in those flames, I travel your forehead, like the moon, like the cloud that passes through your thoughts, I travel your belly, like your dreams, your skirt of corn ripples and sings, your skirt of crystal, your skirt of water, your lips, your hair, your glances rain all through the night, and all day long you open my chest with your fingers of water, you close my eyes with your mouth of water, you rain on my bones, a tree of liquid sending roots of water into my chest, I travel your length, like a river, I travel your body, like a forest, like a mountain path that ends at a cliff I travel along the edge of your thoughts, and my shadow falls from your white forehead, my shadow shatters, and I gather the pieces and go with no body, groping my way, the endless corridors of memory, the doors that open into an empty room where all the summers have come to rot, jewels of thirst burn at its depths, the face that vanishes upon recall, the hand that crumbles at my touch, the hair spun by a mob of spiders over the smiles of years ago,
Octavio Paz (Sunstone/Piedra De Sol)
The man eyes that were always roaming here and there like the eyes of tigers, those searchlight eyes, needed to be shielded from the alluring and indeed blinding power of us—of our shapely or skinny or fat legs, of our graceful or knobbly or sausage arms, of our peachy or blotchy skins, of our entwining curls of shining hair or our coarse unruly pelts or our straw-like wispy braids, it did not matter. Whatever our shapes and features, we were snares and enticements despite ourselves, we were the innocent and blameless causes that through our very nature could make men drunk with lust, so that they’d stagger and lurch and topple over the verge—The verge of what? we wondered. Was it like a cliff?—and go plunging down in flames, like snowballs made of burning sulphur hurled by the angry hand of God.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
I travel your body, like the world, your belly is a plaza full of sun, your breasts two churches where blood performs its own, parallel rites, my glances cover you like ivy, you are a city the sea assaults, a stretch of ramparts split by the light in two halves the color of peaches, a domain of salt, rocks and birds, under the rule of oblivious noon, dressed in the color of my desires, you go your way naked as my thoughts, I travel your eyes, like the sea, tigers drink their dreams in those eyes, the hummingbird burns in those flames, I travel your forehead, like the moon, like the cloud that passes through your thoughts, I travel your belly, like your dreams, your skirt of corn ripples and sings, your skirt of crystal, your skirt of water, your lips, your hair, your glances rain all through the night, and all day long you open my chest with your fingers of water, you close my eyes with your mouth of water, you rain on my bones, a tree of liquid sending roots of water into my chest,
Octavio Paz (Sunstone/Piedra De Sol)
Mr. Edwards and the Spider" I saw the spiders marching through the air, Swimming from tree to tree that mildewed day In latter August when the hay Came creaking to the barn. But where The wind is westerly, Where gnarled November makes the spiders fly Into the apparitions of the sky, They purpose nothing but their ease and die Urgently beating east to sunrise and the sea; What are we in the hands of the great God? It was in vain you set up thorn and briar In battle array against the fire And treason crackling in your blood; For the wild thorns grow tame And will do nothing to oppose the flame; Your lacerations tell the losing game You play against a sickness past your cure. How will the hands be strong? How will the heart endure? A very little thing, a little worm, Or hourglass-blazoned spider, it is said, Can kill a tiger. Will the dead Hold up his mirror and affirm To the four winds the smell And flash of his authority? It’s well If God who holds you to the pit of hell, Much as one holds a spider, will destroy, Baffle and dissipate your soul. As a small boy On Windsor Marsh, I saw the spider die When thrown into the bowels of fierce fire: There’s no long struggle, no desire To get up on its feet and fly It stretches out its feet And dies. This is the sinner’s last retreat; Yes, and no strength exerted on the heat Then sinews the abolished will, when sick And full of burning, it will whistle on a brick. But who can plumb the sinking of that soul? Josiah Hawley, picture yourself cast Into a brick-kiln where the blast Fans your quick vitals to a coal— If measured by a glass, How long would it seem burning! Let there pass A minute, ten, ten trillion; but the blaze Is infinite, eternal: this is death, To die and know it. This is the Black Widow, death.
Robert Lowell (Collected Poems)
Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes. I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey. My left leg was tiring. I shifted from foot to foot . . . A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another. A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight. Homo Panthera onca. The killer who takes its prey in a single bound. Hello, Jim. The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk. He could laugh if he wanted. He didn’t know what was at stake. Jim turned his head and began washing his paw. My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole. The lingering musky scent of a cat hit me. So, not a bear after all. Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself. Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.” Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped? The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner. The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed. “Kitty, kitty?” asked a level male voice. I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking. “Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.” “If there is a next time.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Lest we forget, we say, Bonox Baker said. Isn’t that what we say, sir? We do, Bonox. Or incant. Perhaps it’s not quite the same thing. So that’s why it should be saved. So it’s not forgotten. Do you know the poem, Bonox? It’s by Kipling. It’s not about remembering. It’s about forgetting—how everything gets forgotten. Far-called, our navies melt away; On dune and headland sinks the fire: Lo, all our pomp of yesterday Is one with Nineveh and Tyre! Judge of the Nations, spare us yet, Lest we forget—lest we forget! Dorrigo Evans nodded to a pyre maker to set the bamboo alight. Nineveh, Tyre, a God-forsaken railway in Siam, Dorrigo Evans said, flame shadows tiger-striping his face. If we can’t remember that Kipling’s poem was about how everything gets forgotten, how are we going to remember anything else? A poem is not a law. It’s not fate. Sir. No, Dorrigo Evans said, though for him, he realised with a shock, it more or less was.
Richard Flanagan (The Narrow Road to the Deep North)
It is a sad reality that so many, even those of the faith, seem to effectively kneel before Ares. This idolatry of violence and war is in such contrast to worshiping at the feet of the Prince of Peace. Sometimes it feels as if the entire world is marching toward destruction and chaos. Worst of all is that we know the mistakes made in our histories, but we seem to learn nothing from history (other than that we learn nothing). We do it all again and again. Sin after sin. When posterity comes to judge us will they look upon the arms trade unchecked, the governments unhindered in iniquity and the vast lands of earth bursting into flame? Or will they look and see a people who voiced against the arms trade, the war mongers and the hell fire worshippers? Either way, it is hard to not get depressed. But, take heart peaceful brothers and sisters. Though this dark night of evil brings such bitter sorrow, joy comes in the morning. That morning will come and swords will be of no use, for the learning of war will be no more. Will it happen before or after the King arrives? God knows, but heed the encouragement given by Adin Ballou: "The earth, so long a slaughter field, Shall yet an Eden bloom. The tiger to the lamb shall yield, And war descend the tomb." Amen Choose this day who you will serve! O Lord, let it be Christós!
David Holdsworth
I forced my white bear puppet down the tiger’s throat as it bit me, gathered magic, and launched flame magic into its mouth. The flame singed the black tiger’s throat, lungs, and internal organs—that tiger must’ve been burning bright, but it was all worth it.
Kumanano (Kuma Kuma Kuma Bear (Light Novel) Vol. 6)
Tired,’ she said. She flopped over so she was lying on the ground. I looked at her orange hair, coiling between blades of grass. Like a tiger. Like a flame.
Nancy Tucker (The First Day of Spring)
Having been destroyed, it is now indestructible, meaning I can wear it without worry. For half this price, I could have bought an intact sweater, thrown it to a tiger, and wrenched it back myself, but after a certain age, who has that kind of time?
David Sedaris (When You Are Engulfed in Flames)
Fighters from various factions, hungry for meat, soon realized the zoo had a ready supply. They kebabed the crane and the flamingo, roasting them over an open flame as zoo workers watched. They killed the two tigers for their pelts. One day a few fighters wanted to see how many bullets it took to kill an elephant. The answer: forty. Others stole the wooden fences from the zebra enclosure to feed fires. Animals died of starvation, of disease. The
Kim Barker (The Taliban Shuffle: Strange Days in Afghanistan and Pakistan)
Oh my God,” my husband said with a gasp, reading further. “He beat three men into unconsciousness? Alone? What is this, Crouching Tiger, Hidden Rapist? Does he fly and run across treetops? How long are his nails? What do you think his record for man beating is? Do we need four guys in the house at all times? Do we need five? You know, I could start a band and we could practice here.
Laurie Notaro (The Idiot Girl and the Flaming Tantrum of Death: Reflections on Revenge, Germophobia, and Laser Hair Removal)
Light and darkness don’t mix, tiger cub. They cancel each other out.” He dips his head and kisses the tip of my finger. “And I would never dare to shroud your flame.
Neva Altaj (Darkest Sins (Perfectly Imperfect, #9))
I am the lamb you had for your tea And I am the tiger who came I am the bag you boiled her in The water, the teeth, the flame
English Teacher, Mastermind Specialism
When we are unable to liberate these powerful forces, we become victims of trauma. In our often-unsuccessful attempts to discharge these energies, we may become fixated on them. Like a moth drawn to a flame, we may unknowingly and repeatedly create situations in which the possibility to release ourselves from the trauma trap exists, but without the proper tools and resources most of us fail. The result, sadly, is that many of us become riddled with fear and anxiety and are never fully able to feel at home with ourselves or our world.
Ann Frederick (Waking the Tiger: Healing Trauma)
The magician was coming alive. The illusionist, the eternal pacifier and eflector of ridicule, the dancer on eggshells and creator of impossible karma was answering the call of the footlights. The Oliver of the rain-swept bus shelters, children's hospitals and Salvation Army hostels was performing for his life and Tiger's, while Tinatin cooked, and Yevgeny half-listened and counted his misfortunes in the flames, and Hoban and his fellow devils dreamed their sour mischief and pondered their dwindling options. And Oliver knew his audience. He empathized with its disarray, its stunned senses and confused allegiances. He knew how often in his own life, at its absolutely lowest moments, he would have given everything he had for one lousy conjurer with a stuffed raccoon.
John Le Carré (Single & Single)
You and I Are Disappearing - 1947- —Bjöm Håkansson The cry I bring down from the hills belongs to a girl still burning inside my head. At daybreak she burns like a piece of paper. She burns like foxfire in a thigh-shaped valley. A skirt of flames dances around her at dusk. We stand with our hands hanging at our sides, while she burns like a sack of dry ice. She burns like oil on water. She burns like a cattail torch dipped in gasoline. She glows like the fat tip of a banker's cigar, silent as quicksilver. A tiger under a rainbow at nightfall. She burns like a shot glass of vodka. She burns like a field of poppies at the edge of a rain forest. She rises like dragonsmoke to my nostrils. She burns like a burning bush driven by a godawful wind.
Yusef Komunyakaa