Flames Character Quotes

The good ones put your character to the flame and burn away all the rest of the shit until you come out a better you. She’s one of the good ones.

With right fashion, every female would be a flame.

When we understand the character of God, when we grasp something of His holiness, then we begin to understand the radical character of our sin and hopelessness. Helpless sinners can survive only by grace. Our strength is futile in itself; we are spiritually impotent without the assistance of a merciful God. We may dislike giving our attention to God's wrath and justice, but until we incline ourselves to these aspects of God's nature, we will never appreciate what has been wrought for us by grace. Even Edwards's sermon on sinners in God's hands was not designed to stress the flames of hell. The resounding accent falls not on the fiery pit but on the hands of the God who holds us and rescues us from it. The hands of God are gracious hands. They alone have the power to rescue us from certain destruction.

The good ones put your character to the flame and burn away all the rest of the shit until you come out a better you.

Dear Collector: We hate you. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it becomes a mechanistic obsession. It becomes a bore. You have taught us more than anyone I know how wrong it is not to mix it with emotion, hunger, desire, lust, whims, caprices, personal ties, deeper relationships that change its color, flavor, rhythms, intensities. "You do not know what you are missing by your micro-scopic examination of sexual activity to the exclusion of aspects which are the fuel that ignites it. Intellectual, imaginative, romantic, emotional. This is what gives sex its surprising textures, its subtle transformations, its aphrodisiac elements. You are shrinking your world of sensations. You are withering it, starving it, draining its blood. If you nourished your sexual life with all the excitements and adventures which love injects into sensuality, you would be the most potent man in the world. The source of sexual power is curiosity, passion. You are watching its little flame die of asphyxiation. Sex does not thrive on monotony. Without feeling, inventions, moods, no surprises in bed. Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine. How much do you lose by this periscope at the tip of your sex, when you could enjoy a harem of distinct and never-repeated wonders? No two hairs alike, but you will not let us waste words on a description of hair; no two odors, but if we expand on this you cry Cut the poetry. No two skins with the same texture, and never the same light, temperature, shadows, never the same gesture; for a lover, when he is aroused by true love, can run the gamut of centuries of love lore. What a range, what changes of age, what variations of maturity and innocence, perversity and art . . . We have sat around for hours and wondered how you look. If you have closed your senses upon silk, light, color, odor, character, temperament, you must be by now completely shriveled up. There are so many minor senses, all running like tributaries into the mainstream of sex, nourishing it. Only the united beat of sex and heart together can create ecstasy.

Fashion doesn't make you perfect, but it makes you pretty.

It's time to shop high heels if your fiance kisses you on the forehead.

Her own hair was a glory of copper fire that morning, shining like a whisky still, long and loose in gentle flames down her back.

Christianity - and that is its greatest merit - has somewhat mitigated that brutal Germanic love of war, but it could not destroy it. Should that subduing talisman, the cross, be shattered, the frenzied madness of the ancient warriors, that insane Berserk rage of which Nordic bards have spoken and sung so often, will once more burst into flame. This talisman is fragile, and the day will come when it will collapse miserably. Then the ancient stony gods will rise from the forgotten debris and rub the dust of a thousand years from their eyes, and finally Thor with his giant hammer will jump up and smash the Gothic cathedrals. ... Do not smile at the visionary who anticipates the same revolution in the realm of the visible as has taken place in the spiritual. Thought precedes action as lightning precedes thunder. German thunder is of true Germanic character; it is not very nimble, but rumbles along ponderously. Yet, it will come and when you hear a crashing such as never before has been heard in the world's history, then you know that the German thunderbolt has fallen at last. At that uproar the eagles of the air will drop dead, and lions in the remotest deserts of Africa will hide in their royal dens. A play will be performed in Germany which will make the French Revolution look like an innocent idyll. (1834)

We all have a " someone " who we carry in our hearts sometimes for an entire lifetime. That one that just doesn't fully remove itself from your journey, reminded at coffee shops through scent and character of a stranger, or a song that you once shared. Years can go by without a thought and then one day you are reminded and it all comes crashing back. The one that could have been, the one that you never knew exactly how to say goodbye to. The one you wish to meet first in another life.

Among the dragons, the prohibition against asking direct questions did not exist, and-as Harrier discovered immediately-dragons were even more outrageous gossips than sailors.

Dresses don't look beautiful on hangers.

Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude.

Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.

There is no coal of character so dead that it will not glow and flame if but slightly turned. Don’t blame; only resolve. Life, like music, can by a new setting turn all its discords into harmonies.

Once you've been burned, everything is fire.

It took me a long time to turn the page and close the chapter. That's because i wasn't finished writing the book, but sometimes characters leave and the story must go on without them.

We all know what we should have done as we look backward. Yet looking backward further still, we may say that all goes as the Wild Magic wills. And we must look forward if we are to live long enough to look backward.

A thought expressed is a falsehood." In poetry what is not said and yet gleams through the beauty of the symbol, works more powerfully on the heart than that which is expressed in words. Symbolism makes the very style, the very artistic substance of poetry inspired, transparent, illuminated throughout like the delicate walls of an alabaster amphora in which a flame is ignited. Characters can also serve as symbols. Sancho Panza and Faust, Don Quixote and Hamlet, Don Juan and Falstaff, according to the words of Goethe, are "schwankende Gestalten." Apparitions which haunt mankind, sometimes repeatedly from age to age, accompany mankind from generation to generation. It is impossible to communicate in any words whatsoever the idea of such symbolic characters, for words only define and restrict thought, but symbols express the unrestricted aspect of truth. Moreover we cannot be satisfied with a vulgar, photographic exactness of experimental photoqraphv. We demand and have premonition of, according to the allusions of Flaubert, Maupassant, Turgenev, Ibsen, new and as yet undisclosed worlds of impressionability. This thirst for the unexperienced, in pursuit of elusive nuances, of the dark and unconscious in our sensibility, is the characteristic feature of the coming ideal poetry. Earlier Baudelaire and Edgar Allan Poe said that the beautiful must somewhat amaze, must seem unexpected and extraordinary. French critics more or less successfully named this feature - impressionism. Such are the three major elements of the new art: a mystical content, symbols, and the expansion of artistic impressionability. No positivistic conclusions, no utilitarian computation, but only a creative faith in something infinite and immortal can ignite the soul of man, create heroes, martyrs and prophets... People have need of faith, they need inspiration, they crave a holy madness in their heroes and martyrs. ("On The Reasons For The Decline And On The New Tendencies In Contemporary Literature")

I don't like kissing." "I suppose it is a matter of taste."[...]"I wondered, did anyone ever," shrug, "you know, hurt you so you don't like kissing? love?" "Nope."[...] "I thought maybe someone had been bad to you in the past, and that was why you don't like people touching or holding you." "Ah damn it to hell," she bangs the lamp down on the desk and the flame jumps wildly. "I said no. I haven't been raped or jilted or abused in any fashion. There is nothing in my background to explain the way I am." She steadies her voice, taking the impatience out of it. "I'm the odd one out, the peculiarity in my family, because they are all normal and demonstrative physically. But ever since I can remember, I've disliked close contact...charge contact, emotional contact, as well as any overtly sexual contact. I veer away from it, because it always feels like the other person is draining something out of me. I know that's irrational, but that's the way I feel." She touches the lamp and the flaring light stills. "I spent a considerable amount of time when I was, o, adolescent, wondering why I was different, whether there were other people like me. Why, when everyone else was facinated by their developing sexual nature, I couldn't give a damn. I've never been attracted to men. Or women. Or anything else. It's difficult to explain, and nobody has ever believed it when I have tried to explain, but while I have an apparently normal female body, I don't have any sexual urge or appetite. I think I am a neuter.

Every time people give me presents, it just makes trouble." He thought of his Naming Day party, and the gift from his Uncle Alfrin that had actually started all this. "Especially if it's books. Someone gave me a book as a present once." "Then you'll know exactly what to do with these. Come on. Don't be shy. You'll hurt my feelings.

Start working on your child’s mind. Start building your child’s character. Raise your child as a human being, instead of raising boys and girls. Raise human beings with the religion of love in their hearts. Raise human beings with the language of compassion on their lips. Raise human beings with the color of joy on their face. Raise human beings with the force of bravery in their nerves. And these brave conscientious souls with the flames of compassion in their hearts shall one day change the course of human history.

He singed her soul flames echoed his name Little he knew she is an intrepid brute who rise above with the ashes left behind

It’s the irony of woman’s life in that she tends to turn her assets to her own detriment in that while her psyche seeks to see her man strong; her instinct tries to weaken him

The more characters you have, the bigger the book, the more flaming chain saws.

Yeah, and if I have to choose between being eaten by the Endarkened and telling my Da I'm a Wildmage, I'm not sure which I'd pick.

Well, we could have just given him a horse and sent him on his way, but... Ancaladar ate the horse.

Be careful some people being good is not who they are . it comes with their job description. When they are off duty .They will show you flames.

We, the lineal representatives of the successful enactors of one scene of slaughter after another, must, whatever more pacific virtues we may also possess, still carry about with us ready at any moment to burst into flame, the smoldering and sinister traits of character by means of which they lived through so many massacres, harming others, but themselves unharmed.

I felt that the metal of my spirit, like a bar of iron that is softened and bent by a persistent flame, was being gradually softened and bent by the troubles that oppressed it. In spite of myself, I was conscious of a feeling of envy for those who did not suffer from such troubles, for the wealthy and the privileged; and this envy, I observed, was accompanied—still against my will—by a feeling of bitterness towards them, which, in turn, did not limit its aim to particular persons or situations, but, as if by an uncontrollable bias, tended to assume the general, abstract character of a whole conception of life. In fact, during those difficult days, I came very gradually to feel that my irritation and my intolerance of poverty were turning into a revolt against injustice, and not only against the injustice which struck at me personally but the injustice from which so many others like me suffered. I was quite aware of this almost imperceptible transformation of my subjective resentments into objective reflections and states of mind, owing to the bent of my thoughts which led always and irresistibly in the same direction: owing also to my conversation, which, without my intending it, alway harped upon the same subject. I also noticed in myself a growing sympathy for those political parties which proclaimed their struggle against the evils and infamies of the society to which, in the end I had attributed the troubles that beset me—a society which, as I thought, in reference to myself, allowed its best sons to languish and protected its worst ones. Usually, and in the simpler, less cultivated people, this process occurs without their knowing it, in the dark depths of consciousness where, by a kind of mysterious alchemy, egoism is transmuted into altruism, hatred into love, fear into courage; but to me, accustomed as I was to observing and studying myself, the whole thing was clear and visible, as though I were watching it happen in someone else; and yet I was aware the whole time that I was being swayed by material subjective factors, that I was transforming purely personal motives into universal reasons.

It is the way in which the Dark returns, Harrier. I will explain, if you like." "Oh, no," Harrier said. "I'd much rather not know a thing about what we're facing. Let me get dressed first." A few minutes later Harrier came back, dressed for the day. He made another cup of hot cordial for Tiercel, refilled the kettle and started the water brewing for tea, and set some dried fruit to soak for griddle-cakes. "Okay. Now. Ruin my day," he invited.

When I introspect I perceive not merely sensations and ideas but desire, will, ambition, and pride as vital phases of me. Spinoza was right: “desiderium ipsa essentia hominis”—desire is the very essence of man. We are living flames of desire until we admit final defeat. Will is desire expressed in ideas that become actions unless impeded by contrary or substitute desires and ideas. Character is the sum of our desires, fears, propensities, habits, abilities, and ideas.

Your average genre novel is like a high speed car chase ending in a massive crash, with death, destruction, and balls of flame, from which the main characters (usually) emerge mostly unscathed. Everything builds up to the crash, and it’s the anticipation that keeps us turning pages. Anthony Trollope, by contrast, is like a pleasant Sunday afternoon drive through the countryside in an open carriage behind a pair of matched horses. There’s conflict, sure; a herd of sheep blocks the road, two countrymen come to blows outside the pub, the cows in this field are looking daggers at the cows in that field. But the point of the drive is the drive itself, not the destination, because of course you’re just going to end up at home anyway.

My first love was fire. As a child, I would spend hours watching the flames of a candle flicker, dancing around like a passionate ballerina, desperate to use its career to gain social status. I often studied its movements, as if there was a pattern that could tell a story.

The idea that they were going to have to-eventually-go someplace that was even hotter than this was now was worrying Harrier, but there wasn't much he could do about it at the moment. He couldn't imagine why anybody would want to live here if they had a choice. Sometimes, he thought, people were idiots.

in 1927 she became, and would forevermore remain, the “It Girl.” “It” was first a two-part article and then a novel by a flame-haired English novelist named Elinor Glyn, who was known for writing juicy romances in which the main characters did a lot of undulating (“she undulated round and all over him, twined about him like a serpent”) and for being the mistress for some years of Lord Curzon, former viceroy of India. “It,” as Glyn explained, “is that quality possessed by some few persons which draws all others with its magnetic life force. With it you win all men if you are a woman—and all women if you are a man.

You know why I’m raising you kids to be Cubs fans?” Buddy shakes his head. “Any mook can be a fan of a winning team,” Dad says. “It takes character to root for the doomed. You show up, you watch your boys take their swings, and you watch ’em go down in flames—every damn day. You think Jack Brickhouse is an optimist? No-siree. He may sound happy, but he’s dying inside. There’s no seat in Wrigley Field for a God damn Pollyanna. You root-root-root for the home team, and they lose anyway. It teaches you how the world works, kid. Sure, start every spring with your hopes and dreams, but in the universe in which we live, you will be mathematically eliminated by Labor Day. Count on it.

A gentle warmth spread through my body and I felt a strange tingling in my veins. Feeling turned to thought, but my character seemed split into a thousand parts; each part was independent and had its own consciousness, and in vain did the head command e limbs, which, like faithless vassals, would not obey its author The thoughts in these separate parts now started to revolve like points of light, faster and faster, forming a fiery circle which became smaller as the speed increased, until it finally appeared like a stationary ball of fire, its burning rays shining from the flickering flames. “Those are my limbs dancing; I am waking up.” Such was my first clear thought, but a sudden pain shot through me at that moment and the chiming of bells sounded in my ears. “Flee! Flee!” I cried aloud. I could now open my eyes. The bells continued to ring. At first I thought I was still in the forest, and was amazed when I looked at myself and the objects around me. Dressed in the habit of a Capuchin, I was lying stretched out on comfortable mattress in a lofty room; the only other items of furniture were a few cane-chairs, a small table and a simple bed. I realized that my unconsciousness must have lasted some time and that in some way or other I had been brought to a monastery which offered hospitality to the sick; perhaps my clothes were torn and I had been given this habit for the time being.

Sex is nature’s gift for both the sexes. If you mistake that you’ve more to give than receive in it, then the woman in you would lose as wife for you won’t be able to experience the joy of being a female. So don’t ever demean lovemaking as an instrument of sexual blackmail. It pays to know that sex is not about male satiation alone but it is as much a womanly fulfillment

How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment. Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]

this book was a companion during my own journey through the valleys and mountains of mental health, traveling alongside me as I faced all the jagged bits inside myself. While Nesta’s story is in no way a direct reflection of my own experiences, there were moments in this book that I very much needed to write—not just for the sake of these characters, but for myself. I hope some of those moments resonate, and will remind you, dear reader, that you are loved, and that you are worthy of love, no matter what.

The forest reveals what was in the seed. The hen reveals what was in the egg. The storm reveals what was in the clouds. The light reveals what was in the star. The perfume reveals what was in the flower. The honey reveals what was in the bee. The fruit reveals what was in the tree. The rose reveals what was in the thorn. The web reveals what was in the spider. The butterfly reveals what was in the caterpillar. The venom reveals what was in the serpent. The pearl reveals what was in the oyster. The diamond reveals what was in the rock. The flame reveals what was in the spark. The nest reveals what was in the bird. The roar reveals what was in the lion. The leaf reveals what was in the plant. The fire reveals what was in the wood. The droplet reveals what was in the ocean. The rainbow reveals what was in the storm. The ocean reveals what was in the shark. The desert reveals what was in the camel. The sky reveals what was in the eagle. The jungle reveals what was in the elephant. The team reveals what was in the coach. The flock reveals what was in the shepherd. The crew reveals what was in the captain. The army reveals what was in the general. The tower reveals what was in the architect. The sculpture reveals what was in the sculptor. The painting reveals what was in the painter. The symphony reveals what was in the composer. The sensation reveals what was in the body. The tongue reveals what was in the mind. The action reveals what was in the heart. The character reveals what was in the soul. Spring reveals what was in winter. Summer reveals what was in spring. Autumn reveals what was in summer. Summer reveals what was in spring. The past reveals what was in the beginning. The present reveals what was in the past. The future reveals what was in the present. The afterlife reveals what was in the future.

An Immigrant's Plight (The Sonnet) With hopes and dreams brimming in my heart, I have traveled across miles and miles. A single desire for a flame of acceptance, Still burns bright in my heart's aisle. You say home is where the heart is, But my heart is accused of difference. Sometimes I'm accused of faith or race, Other times they question my allegiance. Amidst the illusive fog of color and geography, When did humanity cease mattering most! Sentiments and dreams have no borders, Character isn't exclusive to any single coast. We’ve wasted enough time on labels and covers, It's time to be family filling the world with colors.

Possessed of many of those royal qualities for which he was termed by his subjects the August, Philip might be termed the Ulysses, as Richard was indisputably the Achilles, of the Crusade. The King of France was sagacious, wise, deliberate in council, steady and calm in action, seeing clearly, and steadily pursuing, the measures most for the interest of his kingdom—dignified and royal in his deportment, brave in person, but a politician rather than a warrior. The Crusade would have been no choice of his own; but the spirit was contagious, and the expedition was enforced upon him by the church, and by the unanimous wish of his nobility. In any other situation, or in a milder age, his character might have stood higher than that of the adventurous Coeur de Lion. But in the Crusade, itself an undertaking wholly irrational, sound reason was the quality of all others least estimated, and the chivalric valour which both the age and the enterprise demanded was considered as debased if mingled with the least touch of discretion. So that the merit of Philip, compared with that of his haughty rival, showed like the clear but minute flame of a lamp placed near the glare of a huge, blazing torch, which, not possessing half the utility, makes ten times more impression on the eye.

There was an epoch in the course of the general sentiment when the comet had attained, at length, a size surpassing that of any previously recorded visitation. The people now, dismissing any lingering hope that the astronomers were wrong, experienced all the certainty of evil. The chimerical aspect of their terror was gone. The hearts of the stoutest of our race beat violently within their bosoms. A very few days suffered, however, to merge even such feelings in sentiments more unendurable. We could no longer apply to the strange orb any accustomed thoughts. Its historical attributes had disappeared. It oppressed us with a hideous novelty of emotion. We saw it not as an astronomical phenomenon in the heavens, but as an incubus upon our hearts and a shadow upon our brains. It had taken, with unconceivable rapidity, the character of a gigantic mantle of rare flame, extending from horizon to horizon.

It was just a simple meeting of the eyes. There was nothing to it. She had done so with countless people. And she had stared at his eyes before, back at the cinema. But there was something different at that exact time, in that exact situation, with exactly the same person. It was like being struck by lightning. Sudden, electric, paralyzing. And she knew he felt it too. For some inexplicable reason, they both found themselves unable to look away, powerless to deny the pull. Hypnotized by each other’s brown irises, without knowing nor caring who wielded the magic wand of trance which put them into some kind of conscious stupor. While the world and everything in it faded in the background and the noises outside were hushed, Alex was achingly aware of herself. Of how drawn she was to the deep, swirling pools of dark honey staring into her soul, magnetic and mystic at the same time. Of how every nerve and every cell of her body were ablaze, tongues of flame flittering over them, singeing her with a torturous warmth. Of the blaring sound of her pulse pounding heavily beneath the onslaught of his sensual thumb. It was a scintillating torment she didn’t want to end.

Bow was originally billed as the “Brooklyn Bonfire,” then as the “Hottest Jazz Baby in Films,” but in 1927 she became, and would forevermore remain, the “It Girl.” “It” was first a two-part article and then a novel by a flame-haired English novelist named Elinor Glyn, who was known for writing juicy romances in which the main characters did a lot of undulating (“she undulated round and all over him, twined about him like a serpent”) and for being the mistress for some years of Lord Curzon, former viceroy of India. “It,” as Glyn explained, “is that quality possessed by some few persons which draws all others with its magnetic life force. With it you win all men if you are a woman—and all women if you are a man.” Asked by a reporter to name some notable possessors of “It,” Glyn cited Rudolph Valentino, John Gilbert, and Rex the Wonder Horse. Later she extended the list to include the doorman at the Ambassador Hotel in Los Angeles. It the novel was a story in which the two principal characters—Ava and Larry, both dripping with “It”—look at each other with “burning eyes” and “a fierce gleam” before getting together to “vibrate with passion.” As Dorothy Parker summed up the book in The New Yorker, “It goes on for nearly three hundred pages, with both of them vibrating away like steam-launches.

Sometimes a man seems to reverse himself so that you would say, “He can’t do that. It’s out of character.” Maybe it’s not. It could be just another angle, or it might be that the pressures above or below have changed his shape. You see it in war a lot—a coward turning hero and a brave man crashing in flames. Or you read in the morning paper about a nice, kind family man who cuts down wife and children with an ax. I think I believe that a man is changing all the time. But there are certain moments when the change becomes noticeable. If I wanted to dig deep enough, I could probably trace the seeds of my change right back to my birth or before. But behind these and others, I wanted to consider what was happening to me and what to do about it, so naturally I got out the last thing first and I found that the dark jury of the deep had already decided for me. There it was, laid out and certain. It was like training for a race and preparing and finally being down at start with your spikes set in their holes. No choice then. You go when the pistol cracks. I found I was ready with my spikes set, waiting only for the shot. And apparently I was the last to know. And if I should put the rules aside for a time, I knew I would wear scars but would they be worse than the scars of failure I was wearing? To be alive at all is to have scars.

Auric Colors and Their Meanings. Ÿ Black: represents hatred, malice, revenge, and similar feelings. Ÿ Gray: of a bright shade, represents selfishness. Ÿ Gray: of a peculiar shade (almost that of a corpse) , represents fear and terror. Ÿ Gray: of a dark shade, represents depression and melancholy. Ÿ Green: of a dirty shade, represents jealousy. If much anger is mingled with the jealousy, it will appear as red flashes on the green background. Ÿ Green: of almost a slate color shade, represents low deceit. Ÿ Green: of a peculiar bright shade, represents tolerance to the opinions and beliefs of others, easy adjustment to changing conditions, adaptability, tact, politeness, worldly wisdom, etc., and qualities which some might possibly consider "refined deceit." Ÿ Red: of a shade resembling the dull flame when it bursts out of a burning building, mingled with the smoke, represents sensuality and the animal passions. Ÿ Red: seen in the shape of bright red flashes resembling the lightning flash in shape, indicates anger. These are usually shown on a black background in the case of anger arising from hatred or malice, but in cases of anger arising from jealousy they appear on a greenish background. Anger arising from indignation or defense of a supposed "right," lacks these backgrounds, and usually shows as red flashes independent of a background. Ÿ Blue: of a dark shade, represents religious thought, emotion, and feeling. This color, however, varies in clearness according to the degree of unselfishness manifest in the religious conception. The shades and degrees of clearness vary from a dull indigo to Ÿ Crimson: represents love, varying in shade according to the character of the passion. A gross sensual love will be a dull and heavy crimson, while one mixed with higher feelings will appear in lighter and more pleasing shades. A very high form of love shows a color almost approaching a beautiful rose color. Ÿ Brown: of a reddish tinge, represents avarice and greed. Ÿ Orange: of a bright shade, represents pride and ambition. Ÿ Yellow: in its various shades, represents intellectual power. If the intellect contents itself with things of a low order, the shade is a dark, dull yellow; and as the field of the intellect rises to higher levels, the color grows brighter and clearer, a beautiful golden yellow betokening great intellectual attainment, broad and brilliant reasoning, etc. a beautiful rich violet, the latter representing the highest religious feeling. § Light Blue: of a peculiarly clear and luminous shade, represents spirituality. Some of the higher degrees of spirituality observed in ordinary mankind show themselves in this shade of blue filled with luminous bright points, sparkling and twinkling like stars on a clear winter night.

You see now how the case stands — do you not?” he continued. “After a youth and manhood passed half in unutterable misery and half in dreary solitude, I have for the first time found what I can truly love — I have found you. You are my sympathy — my better self — my good angel. I am bound to you with a strong attachment. I think you good, gifted, lovely: a fervent, a solemn passion is conceived in my heart; it leans to you, draws you to my centre and spring of life, wraps my existence about you, and, kindling in pure, powerful flame, fuses you and me in one. “It was because I felt and knew this, that I resolved to marry you. To tell me that I had already a wife is empty mockery: you know now that I had but a hideous demon. I was wrong to attempt to deceive you; but I feared a stubbornness that exists in your character. I feared early instilled prejudice: I wanted to have you safe before hazarding confidences. This was cowardly: I should have appealed to your nobleness and magnanimity at first, as I do now — opened to you plainly my life of agony — described to you my hunger and thirst after a higher and worthier existence — shown to you, not my RESOLUTION (that word is weak), but my resistless BENT to love faithfully and well, where I am faithfully and well loved in return. Then I should have asked you to accept my pledge of fidelity and to give me yours. Jane — give it me now.

The entire pre-Columbian literature of Mexico, a vast library of tens of thousands of codices, was carefully and systematically destroyed by the priests and friars who followed in the wake of the conquistadors. In November 1530, for example, Bishop Juan de Zumárraga, who had shortly before been apointed 'Protector of the Indians' by the Spanish crown, proceeded to 'protect' his flock by burning at the stake a Mexican aristocrat, the lord of the city of Texcoco, whom he accused of having worshipped the rain god. In the city's marketplace Zumárraga 'had a pyramid formed of the documents of Aztec history, knowledge and literature, their paintings, manuscripts, and hieroglyphic writings, all of which he committed to the flames while the natives cried and prayed.' More than 30 years later, the holocaust of documents was still under way. In July 1562, in the main square of Mani (just south of modern Merida in the Yucatan), Bishop Diego de Landa burned thousands of Maya codices, story paintings, and hieroglyphs inscribed on rolled-up deer skins. He boasted of destroying countless 'idols' and 'altars,' all of which he described as 'works of the devil, designed by the evil one to delude the Indians and to prevent them from accepting Christianity.' Noting that the Maya 'used certain characters or letters, which they wrote in their books about the antiquities and their sciences' he informs us: 'We found a great number of books in these letters, and since they contained nothing but superstitions and falsehoods of the devil we burned them all, which they took most grievously and which gave them great pain.

I have talked to many people about this and it seems to be a kind of mystical experience. The preparation is unconscious, the realization happens in a flaming second. It was on Third Avenue. The trains were grinding over my head. The snow was nearly waist-high in the gutters and uncollected garbage was scattered in a dirty mess. The wind was cold, and frozen pieces of paper went scraping along the pavement. I stopped to look in a drug-store window where a latex cooch dancer was undulating by a concealed motor–and something burst in my head, a kind of light and a kind of feeling blended into an emotion which if it had spoken would have said, “My God! I belong here. Isn’t this wonderful?” Everything fell into place. I saw every face I passed. I noticed every doorway and the stairways to apartments. I looked across the street at the windows, lace curtains and potted geraniums through sooty glass. It was beautiful–but most important, I was part of it. I was no longer a stranger. I had become a New Yorker. Now there may be people who move easily into New York without travail, but most I have talked to about it have had some kind of trial by torture before acceptance. And the acceptance is a double thing. It seems to me that the city finally accepts you just as you finally accept the city. A young man in a small town, a frog in a small puddle, if he kicks his feet is able to make waves, get mud in his neighbor’s eyes–make some impression. He is known. His family is known. People watch him with some interest, whether kindly or maliciously. He comes to New York and no matter what he does, no one is impressed. He challenges the city to fight and it licks him without being aware of him. This is a dreadful blow to a small-town ego. He hates the organism that ignores him. He hates the people who look through him. And then one day he falls into place, accepts the city and does not fight it any more. It is too huge to notice him and suddenly the fact that it doesn’t notice him becomes the most delightful thing in the world. His self-consciousness evaporates. If he is dressed superbly well–there are half a million people dressed equally well. If he is in rags–there are a million ragged people. If he is tall, it is a city of tall people. If he is short the streets are full of dwarfs; if ugly, ten perfect horrors pass him in one block; if beautiful, the competition is overwhelming. If he is talented, talent is a dime a dozen. If he tries to make an impression by wearing a toga–there’s a man down the street in a leopard skin. Whatever he does or says or wears or thinks he is not unique. Once accepted this gives him perfect freedom to be himself, but unaccepted it horrifies him. I don’t think New York City is like other cities. It does not have character like Los Angeles or New Orleans. It is all characters–in fact, it is everything. It can destroy a man, but if his eyes are open it cannot bore him. New York is an ugly city, a dirty city. Its climate is a scandal, its politics are used to frighten children, its traffic is madness, its competition is murderous. But there is one thing about it–once you have lived in New York and it has become your home, no place else is good enough. All of everything is concentrated here, population, theatre, art, writing, publishing, importing, business, murder, mugging, luxury, poverty. It is all of everything. It goes all right. It is tireless and its air is charged with energy. I can work longer and harder without weariness in New York than anyplace else….

Even man’s strength comes from Brahman. It is clear from these examples, which could be multiplied indefinitely, that the Brahman concept, by virtue of all its attributes and symbols, coincides with that of a dynamic or creative principle which I have termed libido. The word Brahman means prayer, incantation, sacred speech, sacred knowledge (veda), holy life, the sacred caste (the Brahmans), the Absolute. Deussen stresses the prayer connotation as being especially characteristic.71 The word derives from barh (cf. L. farcire), ‘to swell,’72 whence “prayer” is conceived as “the upward-striving will of man towards the holy, the divine.” This derivation indicates a particular psychological state, a specific concentration of libido, which through overflowing innervations produces a general state of tension associated with the feeling of swelling. Hence, in common speech, one frequently uses images like “overflowing with emotion,” “unable to restrain oneself,” “bursting” when referring to such a state. (“What filleth the heart, goeth out by the mouth.”) The yogi seeks to induce this concentration or accumulation of libido by systematically withdrawing attention (libido) both from external objects and from interior psychic states, in a word, from the opposites. The elimination of sense-perception and the blotting out of conscious contents enforce a lowering of consciousness (as in hypnosis) and an activation of the contents of the unconscious, i.e., the primordial images, which, because of their universality and immense antiquity, possess a cosmic and suprahuman character. This accounts for all those sun, fire, flame, wind, breath similes that from time immemorial have been symbols of the procreative and creative power that moves the world. As I have made a special study of these libido symbols in my book Symbols of Transformation, I need not expand on this theme here.

Behold, thou art fair, my Beloved." Song of Solomon 1:16 From every point our Well-beloved is most fair. Our various experiences are meant by our heavenly Father to furnish fresh standpoints from which we may view the loveliness of Jesus; how amiable are our trials when they carry us aloft where we may gain clearer views of Jesus than ordinary life could afford us! We have seen him from the top of Amana, from the top of Shenir and Hermon, and he has shone upon us as the sun in his strength; but we have seen him also "from the lions' dens, from the mountains of the leopards," and he has lost none of his loveliness. From the languishing of a sick bed, from the borders of the grave, have we turned our eyes to our soul's spouse, and he has never been otherwise than "all fair." Many of his saints have looked upon him from the gloom of dungeons, and from the red flames of the stake, yet have they never uttered an ill word of him, but have died extolling his surpassing charms. Oh, noble and pleasant employment to be forever gazing at our sweet Lord Jesus! Is it not unspeakably delightful to view the Saviour in all his offices, and to perceive him matchless in each?--to shift the kaleidoscope, as it were, and to find fresh combinations of peerless graces? In the manger and in eternity, on the cross and on his throne, in the garden and in his kingdom, among thieves or in the midst of cherubim, he is everywhere "altogether lovely." Examine carefully every little act of his life, and every trait of his character, and he is as lovely in the minute as in the majestic. Judge him as you will, you cannot censure; weigh him as you please, and he will not be found wanting. Eternity shall not discover the shadow of a spot in our Beloved, but rather, as ages revolve, his hidden glories shall shine forth with yet more inconceivable splendour, and his unutterable loveliness shall more and more ravish all celestial minds.

Their eyes met. For a split second she caught a glimpse of heat in his eyes. Then Jake banked the flame and broke out of her embrace. Marnie felt a hot blush rise from her toes to her nose. It took a moment for her eyes to focus and her brain to function. Bewildered, she looked up to find him watching her. His heavy-lidded eyes held a strange desperation as he reached back and unhooked the vice of her ankles from around his wiast. Her legs dropped. Her heels thumped against the cabinet. Beneath his hawklike gaze she felt stripped bare and vulnerable. He studied her face, seeming to see more than her features. He seemed to delve into her mind, to touch things deep and frightening—parts of herself Marnie was still exploring. The muscles in his jaw knotted and unknotted. After a moment he stepped back and casually, but with difficulty, adjusted his jeans Heat flooded her cheeks. Legs splayed, nipples peaked to his clinical gaze, she’d never experienced such acute embarrassment in her life. Her breath hitched as she jumped off the counter, tugging her top down and her pants up. At a loss for hers, she half laughed. “I have absolutely no idea what to say.” Which was a reasonable start, she guessed. It was rare for her to be speechless. But then, this was a day of firsts. “I told you you weren’t my type.” The brass button on his jeans closed like the clasp of a miser’s purse. Other than a faint flush on the ridge of his cheekbones and what looked like a painful erection, he seemed totally unaffected by what had just happened. She stared at him. “Not your t—What do you call what just happened?” Marnie was confused. It was out of character for her to be sexually aggressive. But now that she’d done it, she wasn’t sorry. “What part of ‘I don’t want you’ didn’t you understand?” He’d wanted her. He might lie about it, but his body had been honest. He was as hard as petrified wood. “Then what”—she pointed—“is that?” He ignored the bulge in his jeans. “Just because I have it doesn’t mean I intend to use it.” Marnie stepped forward and touched his arm. He jerked away from her as if she’d used a cattle prod. “Was it something I said?” she asked quietly, dropping her hand to her side. “Look, I have a tendency to sort of speak without running the words through my brain first. But I know I didn’t give out mixed signals just now. I wanted to make love with you. It was very good. No, darn it, it was excellent. So if you have some sort of medical condition, let’s talk about i—” He moved backward, almost tripping over Duchess sprawled on the floor. The dog rose to hover anxiously between them. Jake’s eyes turned as he said, “I do not have a medical condition.” Marnie backed up—mentally as well as physically. Her hip bumped the counter. “Good.” He scowled and swore under his breath. “That is good, isn’t it?” she asked tentatively.

American DEWAR FAMILY Cameron Dewar Ursula “Beep” Dewar, his sister Woody Dewar, his father Bella Dewar, his mother PESHKOV-JAKES FAMILY George Jakes Jacky Jakes, his mother Greg Peshkov, his father Lev Peshkov, his grandfather Marga, his grandmother MARQUAND FAMILY Verena Marquand Percy Marquand, her father Babe Lee, her mother CIA Florence Geary Tony Savino Tim Tedder, semiretired Keith Dorset OTHERS Maria Summers Joseph Hugo, FBI Larry Mawhinney, Pentagon Nelly Fordham, old flame of Greg Peshkov Dennis Wilson, aide to Bobby Kennedy Skip Dickerson, aide to Lyndon Johnson Leopold “Lee” Montgomery, reporter Herb Gould, television journalist on This Day Suzy Cannon, gossip reporter Frank Lindeman, television network owner REAL HISTORICAL CHARACTERS John F. Kennedy, thirty-fifth U.S. president Jackie, his wife Bobby Kennedy, his brother Dave Powers, assistant to President Kennedy Pierre Salinger, President Kennedy’s press officer Rev. Dr. Martin Luther King Jr., president of the Southern Christian Leadership Conference Lyndon B. Johnson, thirty-sixth U.S. president Richard Nixon, thirty-seventh U.S. president Jimmy Carter, thirty-ninth U.S. president Ronald Reagan, fortieth U.S. president George H. W. Bush, forty-first U.S. president British LECKWITH-WILLIAMS FAMILY Dave Williams Evie Williams, his sister Daisy Williams, his mother Lloyd Williams, M.P., his father Eth Leckwith, Dave’s grandmother MURRAY FAMILY Jasper Murray Anna Murray, his sister Eva Murray, his mother MUSICIANS IN THE GUARDSMEN AND PLUM NELLIE Lenny, Dave Williams’s cousin Lew, drummer Buzz, bass player Geoffrey, lead guitarist OTHERS Earl Fitzherbert, called Fitz Sam Cakebread, friend of Jasper Murray Byron Chesterfield (real name Brian Chesnowitz), music agent Hank Remington (real name Harry Riley), pop star Eric Chapman, record company executive German FRANCK FAMILY Rebecca Hoffmann Carla Franck, Rebecca’s adoptive mother Werner Franck, Rebecca’s adoptive father Walli Franck, son of Carla Lili Franck, daughter of Werner and Carla Maud von Ulrich, née Fitzherbert, Carla’s mother Hans Hoffmann, Rebecca’s husband OTHERS Bernd Held, schoolteacher Karolin Koontz, folksinger Odo Vossler, clergyman REAL HISTORICAL PEOPLE Walter Ulbricht, first secretary of the Socialist Unity Party (Communist) Erich Honecker, Ulbricht’s successor Egon Krenz, successor to Honecker Polish Stanislaw “Staz” Pawlak, army officer Lidka, girlfriend of Cam Dewar Danuta Gorski, Solidarity activist REAL HISTORICAL PEOPLE Anna Walentynowicz, crane driver Lech Wałesa, leader of the trade union Solidarity General Jaruzelski, prime minister Russian DVORKIN-PESHKOV FAMILY Tanya Dvorkin, journalist Dimka Dvorkin, Kremlin aide, Tanya’s twin brother Anya Dvorkin, their mother Grigori Peshkov, their grandfather Katerina Peshkov, their grandmother Vladimir, always called Volodya, their uncle Zoya, Volodya’s wife Nina, Dimka’s girlfriend OTHERS Daniil Antonov, features editor at TASS Pyotr Opotkin, features editor in chief Vasili Yenkov, dissident Natalya Smotrov, official in the Foreign Ministry

THE INSTRUCTION OF PTAHHOTEP Part IV If you are mighty, gain respect through knowledge And through gentleness of speech. Don’t command except as is fitting, He who provokes gets into trouble. Don't be haughty, lest you be humbled, Don’t be mute, lest you be chided. When you answer one who is fuming, Avert your face, control yourself. The flame of the hot-heart sweeps across. He who steps gently, his path is paved. He who frets all day has no happy moment, He who’s gay all day can’t keep house. Don’t oppose a great man’s action. Don’t vex the heart of one who is burdened; If he gets angry at him who foils him, The ka will part from him who loves him. Yet he is the provider along with the god, What he wishes should be done for him. When he turns his face back to you after raging, There will be peace from his ka; As ill will comes from opposition,. So goodwill increases love. Teach the great what is useful to him, Be his aid before the people; If you Set his knowledge impress his lord, Your sustenance will come from his ka As the favorite's belly is filled. So your back will be clothed by it, And his help will be there sustain you. For your superior whom you love And who lives by it, He in turn will give you good support. Thus will love of you endure In the belly of those who love you, He is a ka who loves to listen. If you are a magistrate of standing. Commissioned to satisfy the many, Hew a straight line, When you speak don't lean to one side. Beware lest one complain: “Judges, he distorts the matter!” And your deed turns into a judgment (of you). If you are angered by misdeed. Lean toward a man account of his rightness; Pass it over, don’t recall it, Since he was silent to you the first day If you are great after having been humble, Have gained wealth after having been poor In the past, in a town which you know, Knowing your former condition. Do not put trust in your wealth, Which came to you as gift of god; So that you will not fall behind one like you, To whom the same has happened, Bend your back to your superior, Your overseer from the palace; Then your house will endure in its wealth. Your rewards in their right place. Wretched is he who opposes a superior, One lives as long as he is mild, Baring the arm does not hurt it Do not plunder a neighbor’s house, Do not steal the goods of one near you, Lest he denounce you before you are heard A quarreler is a mindless person, If he is known as an aggressor The hostile man will have trouble in the neighborhood. This maxim is an injunction against illicit sexual intercourse. It is very obscure and has been omitted here. If you probe the character of a friend, Don’t inquire, but approach him, Deal with him alone, So as not to suffer from his manner. Dispute with him after a time, Test his heart in conversation; If what he has seen escapes him, If he does a thing that annoys you, Be yet friendly with him, don’t attack; Be restrained, don’t let fly, Don’t answer with hostility, Neither part from him nor attack him; His time does not fail to come, One does not escape what is fated Be generous as long as you live, What leaves the storehouse does not return; It is the food to be shared which is coveted. One whose belly is empty is an accuser; One deprived becomes an opponent, Don’t have him for a neighbor. Kindness is a man’s memorial For the years after the function.

Hurrying, lest I "waken", I ran toward the creature, but found it shrank with every step I took, falling to a smaller and smaller character until it stood as little more than a flickering flame as I passed, between graves, to the top of the hill.

American DEWAR FAMILY Cameron Dewar Ursula “Beep” Dewar, his sister Woody Dewar, his father Bella Dewar, his mother PESHKOV-JAKES FAMILY George Jakes Jacky Jakes, his mother Greg Peshkov, his father Lev Peshkov, his grandfather Marga, his grandmother MARQUAND FAMILY Verena Marquand Percy Marquand, her father Babe Lee, her mother CIA Florence Geary Tony Savino Tim Tedder, semiretired Keith Dorset OTHERS Maria Summers Joseph Hugo, FBI Larry Mawhinney, Pentagon Nelly Fordham, old flame of Greg Peshkov Dennis Wilson, aide to Bobby Kennedy Skip Dickerson, aide to Lyndon Johnson Leopold “Lee” Montgomery, reporter Herb Gould, television journalist on This Day Suzy Cannon, gossip reporter Frank Lindeman, television network owner REAL HISTORICAL CHARACTERS John F. Kennedy, thirty-fifth U.S. president Jackie, his wife Bobby Kennedy, his brother Dave Powers, assistant to President Kennedy Pierre Salinger, President Kennedy’s press officer Rev. Dr. Martin Luther King Jr., president of the Southern Christian Leadership Conference Lyndon B. Johnson, thirty-sixth U.S. president Richard Nixon, thirty-seventh U.S. president Jimmy Carter, thirty-ninth U.S. president Ronald Reagan, fortieth U.S. president George H. W. Bush, forty-first U.S. president British LECKWITH-WILLIAMS FAMILY Dave Williams Evie Williams, his sister Daisy Williams, his mother Lloyd Williams, M.P., his father Eth Leckwith, Dave’s grandmother MURRAY FAMILY Jasper Murray Anna Murray, his sister Eva Murray, his mother MUSICIANS IN THE GUARDSMEN AND PLUM NELLIE Lenny, Dave Williams’s cousin Lew, drummer Buzz, bass player Geoffrey, lead guitarist OTHERS Earl Fitzherbert, called Fitz Sam Cakebread, friend of Jasper Murray Byron Chesterfield (real name Brian Chesnowitz), music agent Hank Remington (real name Harry Riley), pop star Eric Chapman, record company executive German FRANCK FAMILY Rebecca Hoffmann Carla Franck, Rebecca’s adoptive mother Werner Franck, Rebecca’s adoptive father Walli Franck, son of Carla Lili Franck, daughter of Werner and Carla Maud von Ulrich, née Fitzherbert, Carla’s mother Hans Hoffmann, Rebecca’s husband OTHERS Bernd Held, schoolteacher Karolin Koontz, folksinger Odo Vossler, clergyman REAL HISTORICAL PEOPLE Walter Ulbricht, first secretary of the Socialist Unity Party (Communist) Erich Honecker, Ulbricht’s successor Egon Krenz, successor to Honecker Polish Stanislaw “Staz” Pawlak, army officer Lidka, girlfriend of Cam Dewar Danuta Gorski, Solidarity activist REAL HISTORICAL PEOPLE Anna Walentynowicz, crane driver Lech Wałesa, leader of the trade union Solidarity General Jaruzelski, prime minister Russian DVORKIN-PESHKOV FAMILY Tanya Dvorkin, journalist Dimka Dvorkin, Kremlin aide, Tanya’s twin brother Anya Dvorkin, their mother Grigori Peshkov, their grandfather Katerina Peshkov, their grandmother Vladimir, always called Volodya, their uncle Zoya, Volodya’s wife Nina, Dimka’s girlfriend OTHERS Daniil Antonov, features editor at TASS Pyotr Opotkin, features editor in chief Vasili Yenkov, dissident Natalya Smotrov, official in the Foreign Ministry Nik Smotrov, Natalya’s husband Yevgeny Filipov, aide to Defense Minister Rodion Malinovsky Vera Pletner, Dimka’s secretary Valentin, Dimka’s friend Marshal Mikhail Pushnoy REAL HISTORICAL CHARACTERS Nikita Sergeyevitch Khrushchev, first secretary of the Communist Party of the Soviet Union Andrei Gromyko, foreign minister under Khrushchev Rodion Malinovsky, defense minister under Khrushchev Alexei Kosygin, chairman of the Council of Ministers Leonid Brezhnev, Khrushchev’s successor Yuri Andropov, successor to Brezhnev Konstantin Chernenko, successor to Andropov Mikhail Gorbachev, successor to Chernenko Other Nations Paz Oliva, Cuban general Frederik Bíró, Hungarian politician Enok Andersen, Danish accountant

An ill example may kindle a flame which years of amended character cannot quench.

Shirt" The back, the yoke, the yardage. Lapped seams, The nearly invisible stitches along the collar Turned in a sweatshop by Koreans or Malaysians Gossiping over tea and noodles on their break Or talking money or politics while one fitted This armpiece with its overseam to the band Of cuff I button at my wrist. The presser, the cutter, The wringer, the mangle. The needle, the union, The treadle, the bobbin. The code. The infamous blaze At the Triangle Factory in nineteen-eleven. One hundred and forty-six died in the flames On the ninth floor, no hydrants, no fire escapes— The witness in a building across the street Who watched how a young man helped a girl to step Up to the windowsill, then held her out Away from the masonry wall and let her drop. And then another. As if he were helping them up To enter a streetcar, and not eternity. A third before he dropped her put her arms Around his neck and kissed him. Then he held Her into space, and dropped her. Almost at once He stepped to the sill himself, his jacket flared And fluttered up from his shirt as he came down, Air filling up the legs of his gray trousers— Like Hart Crane’s Bedlamite, “shrill shirt ballooning.” Wonderful how the pattern matches perfectly Across the placket and over the twin bar-tacked Corners of both pockets, like a strict rhyme Or a major chord. Prints, plaids, checks, Houndstooth, Tattersall, Madras. The clan tartans Invented by mill-owners inspired by the hoax of Ossian, To control their savage Scottish workers, tamed By a fabricated heraldry: MacGregor, Bailey, MacMartin. The kilt, devised for workers To wear among the dusty clattering looms. Weavers, carders, spinners. The loader, The docker, the navvy. The planter, the picker, the sorter Sweating at her machine in a litter of cotton As slaves in calico headrags sweated in fields: George Herbert, your descendant is a Black Lady in South Carolina, her name is Irma And she inspected my shirt. Its color and fit And feel and its clean smell have satisfied Both her and me. We have culled its cost and quality Down to the buttons of simulated bone, The buttonholes, the sizing, the facing, the characters Printed in black on neckband and tail. The shape, The label, the labor, the color, the shade. The shirt.

Kevin watched as the woman became all fired up. He could practically see the flame-like aura reminiscent of characters from Dragon Warriors X when they were powering up surrounding her body. She looked like Son Wang when he was about to go Super Semen.

I wanted to remember what you felt like,’ Kai’s words from earlier that day sank in his mind and rippled in his body, like a rock thrown on a deep lake, stirring up the waters that had remained calm right until that moment. Ren had never forgotten what his past lover felt like. Kai was a breath of fresh air, nourishing the fire within, making Ren burn bright… but Ren had always feared losing control. He feared becoming a flame too big, too dangerous and frightening that could burn Kai to the bone. That was why he had promised himself to keep away from his heart.

Characters of fiction are authors’ children and critics’ neighbors, even if we perceive them as inadequate, nevertheless, we should appreciate the fact that they are the products of someone’s imagination, however limited that might be. It’s not often that you come across a book from which you could quote much,

Characters of fiction are authors’ children and critics’ neighbors, even if we perceive them as inadequate, nevertheless, we should appreciate the fact that they are the products of someone’s imagination, however limited that might be. It’s not often that you come across a book from which you could quote much,.

Characters of fiction are authors’ children and critics’ neighbors, even if we perceive them as inadequate, nevertheless, we should appreciate the fact that they are the products of someone’s imagination, however limited that might be. It’s not often that you come across a book from which you could quote much.

Dar fata e încăpățânată. Spiritul ei arde la fel de strălucitor ca o flacără.

Having been sourced in her anatomy itself isn’t mystery the key to open woman’s heart to man’s thought?

It’s the character of man woman chemistry that feminine tendencies catalyze male proclivities. Carried away by the euphoria of her coquetry, man begins to woo woman with hope. With her vanity thus addressed by his advances, she turns flirtatious, furthering his passion for her possession. In the excitement of the moment, should he transgress the threshold of her sensitivity, fearing she had compromised her honor, she sinks in shame. Thereafter, she withdraws from him to brood over her infirmity, and in the end, as though to atone for her moment of weakness, she cold-shoulders him altogether, making him wonder what went wrong in the midst of his conquest.

It is one of the ironies of woman’s life in that she tends to tango her reflexes with the nuances of male proclivities. It is thus, woman’s true feelings get camouflaged in her lullabies of compliance to let her man sink into the slumber of complacency.

The male perception that women are ambiguous by nature is not unfounded for they tend to dissemble. But then, why shouldn’t they, anyway? Won’t the male dominated society seek to straightjacket them as role models to self-serve man’s interests, and judge them on the scale of conformity? Since the male tenets are at variance with the feminine instincts, won’t women come to pretend? So, unable to comprehend women, won’t the confounded men end up according the benefit of doubt to them, at every turn that is. It’s thus, men come to hoist themselves on their own petard, and deservedly at that, so it seems.

It’s as though it is in the nature of woman to value herself by the worth of her man more than her own self-worth

She [Mrs. Quince] was always so bright-eyed, so content with her lot. Her internal flame flickered on regardless of the challenges she faced, taking the rough with the smooth, determined to see the joy in life, always the joy.

Love who you like (The Sonnet) Love who you like, Wear what you like. Have kids when you like, Above all, live as you like. Only thing that matters is that, You don't fan the flames of hurt. The only gospel of life is that, There is no other gospel but love. Obscene mind finds obscenity everywhere, For the outside is but a reflection of the inside. Less of the pomposity and more of the character, That is how we shall harness our forces civilized. I only know of one holiness, it's called kindness. Without it, all scriptures are scum, and all courts are incognizant.

The ruthlessness that it took to make it to the top was something that most men did not possess, but Mizan was the grimiest of character and would stop at nothing to get what he wanted.

You won’t leave? Fine…” Tristan steps over to the desk, picks up an oil lamp, and smashes it off the floor, a shard of glass rebounds, cutting his cheek but he does not so much as blink, “you can burn here,” he announces coldly as the flames begin to spread across the oak floor.

Instead of flattering and flirting, show professionalism. Ask yourself: Would I share this compliment in front of my wife? Encourage that coworker regarding her work habits, her timeliness, or her character and integrity, as appropriate. And always do it in the company of other people, never alone. Otherwise, you are playing with fire. Proverbs 6:27 says, “Can a man scoop a flame into his lap and not have his clothes catch on fire?

A clever conqueror,’ wrote Hitler in Mein Kampf, ‘will always, if possible, impose his demands on the conquered by instalments. For a people that makes a voluntary surrender saps its own character, and with such a people you can calculate that none of those oppressions in detail will supply quite enough reason for it to resort once more to arms.’ How carefully, how punctiliously he lives up to his own devilish doctrines! The perfidy by which the French fleet was ensnared is the latest and most complete example. That fleet, brought by folly and by worse than folly to its melancholy end, redeemed its honour by an act of self-immolation, and from the flame and smoke of the explosions at Toulon, France will rise again.

The nature of the character in a novel cannot be presented any better than is done in this statement, which says that the “meaning” of his life is revealed only in his death. But the reader of a novel actually does look for human beings from whom he derives the “meaning of life.” Therefore he must, no matter what, know in advance that he will share their experience of death: if need be their figurative death—the end of the novel—but preferably their actual one. How do the characters make him understand that death is already waiting for them—a very definite death and at the very definite place? That is the question which feeds the reader’s consuming interest in the events of the novel. The novel is significant, therefore, not because it presents someone else’s fate to us, perhaps didactically, but because this stranger’s fate by virtue of the flame which consumes it yields us the warmth which we never draw from our own fate. What draws the reader to the novel is the hope of warming his shivering life with a death he reads about.

I change Viola Constantinople’s cloak for the sake of having something to do. “We broke up.” The truth, again, unbidden: “He broke up. With me.” “What?” Gideon says. “Why?” On-screen, Trippola Lightyear begins arming a flaming arrow. “What are you doing?” I say. “I’m gonna shoot him,” Iris replies simply. “Iris! You can’t just shoot players indiscriminately!” “He dumped you; he deserves to die.” “That’s—” “In the context of the game,” she amends. “His stupid character deserves death in the game.

So you can see if she’s trustworthy? By looking at her? Even you aren’t that powerful.” I open the door and step out into the hallway. “Let’s go.” “I’ll know. I’m an incredible judge of character.” He walks out after me, pulling the door closed.

Glowing in midair before them was a foreign character that almost—almost—resembled a Hin word, but not. And around it, blazing like a trail of fire, was a sealed circle.

Dads, let your faith be a flame that ignites a fire of righteousness in the hearts of your sons. Be a shining example of God's love and strength, that they may grow into mighty men of God, unwavering in their faith and unshakeable in their character. Let your legacy be one of victorious faith, not defeated complacency, that your sons may rise up and change the world for Christ.

The only Hitler of Germany was one who adopted the way of atrocities and cruelties for a limited period; he was evil-minded, whereas every leader of Israel was and is characteristically similar to Hitler for several decades of victimising; despite that, they are not evil characters. The Western states eliminated Hitler, but those countries supported and perpetuated the leaders of Israel, and still, they remain on such distinctive policies; it is the worst hypocrisy in human history. Virtually, it will be a self-suicidal move of the Muslim world, especially the Arab States, as religiously, politically, morally, and principally, to recognize Israel, ignoring the Palestinians, in the presence of the United Nations resolutions. Indeed, Israel exists; however, it is an unreal reality as the concept and context of the real validity of Palestinians. Factually, recognition of Israel by the Muslim States and Arab dictators means a license of hegemony, allowing Israel to dominate the Muslim world. The Muslims of the world absolutely will never agree with it and dismiss such a move of Arab dictators. The tiny democracy of the world, Israel seems as an authority upon the United Nations since it does what it wants. Israel is not afraid nor frightened; its state is just the warmonger and the hate-sponsor within humanity. Israel is the creation of the West, supported by the West, and licensed to kill by the West; the Muslim rulers expect a fruitful solution from them; I realize it is an endless stupidity. Spirit of Palestine *** If you do not understand The international law that You constituted yourself If you do not obey and respect Your laws and resolutions We have the right to defend our land By our way, by all means, Whether you call it terrorism Or something else For us, It is the fight for freedom You cannot accept the truth We cannot accept the lies Truth always prevails We will never surrender Nor yield to the evil And genocide forces We are the spirit of Palestine Long live Palestine, Long live Palestine At every cost. Palestine Never Disappears *** They stole Palestine Our land and then our homes They threw us out At gunpoint For our determination And rights We throw the stones They trigger bullets The champions of human rights Watch that, Clapping and cheering As like it is a football match And the football referee is Israel However, Palestine will never disappear Never; never; never We will fight without fear Until we recover and have that Palestine is Crying *** Under the flames of the guns Palestine is crying The Arab world is cowardly silent, West and the rest of the world, Deliberately ignoring justice Even also they are criminally denying Whereas Palestinians are dying If there are no weapons: There will be neither terrible wars Nor criminal deaths, nor tensions Manufacture oxygen of life expectations It is a beautiful destination For all destinations I wish I could fragrance peace and love In the minds and hearts of two Generations of two real brothers. Day Of Mourning, Not Mother’s Day *** A lot of Mothers of Palestine are crying And burying their children, who became The victim of Israel’s cruelty Those mothers have no children To celebrate their Mother’s Day It is a Day of Mourning for those mothers Not Mother’s Day Oh, Palestine, cry, cry, not on Israel But on Muslims who are dead sleeping. Ahed Tamimi Of Palestine The Voice Of Freedom *** You can trigger bullets Upon those, Who stay determined You can shoot Or place under house arrest Hundreds of thousands As such Ahed Tamimi However, You cannot stop The voices, for the freedom And Self-determination You will hear In every second, minute Every hour, every day Until you understand And realize, Voices of the human rights

Learn to admire others; it is the first step to overcome your ego.” “The ego destroys its egoist silently and suddenly, as a termite does.” “The ego is such a bullet that fires all your relations.” “The ego and vanity both hold such invisible fire that flames upon oneself.” “Your ego may hurt and damage you more than others.” Learn how to live and participate in people and society, how to help each other, and how to build harmony and peace among those who have lost their way. It can only be with respect, justice, and equality, without any distinctions. Be aware that your ego can destroy your ability if you focus on your caliber and status; it is a poison, not a remedy. Understand the outcomes and consequences of ego, egoists, and egotism. Read thoroughly to grasp the insight to enlighten your life and ways. “Everyone stands firm with their ego status; thus, I accept that I am zero and that everyone else is a hero, but remember that on every count, zero matters.” “The ego, vanity, jealousy, and other flaws define the imperceptive attitude and fly silently toward self-victimizing.” “Nothing else than the worst and abysmal self-defeat, which elucidates that one fetches and embraces itself to become the victim of ego, vanity, and jealousy.” “An egoist focuses on self-promotion and does not admire others or value anyone else. Unfortunately, such one remains the prisoner of egotism.” “A heart that contains love cannot keep the hate there A heart that performs forgiveness does not recognize revenge In a heart where there is altruism, there is no place for egoism Such a heart demonstrates a pure and real human.” “It proves not a difficult task if one discovers the universe; however, discovering one’s self-ego is the toughest matter, whereas overcoming that leads to a visionary victory.” “To show others, the quotes and sayings of the visionary figures, as a mirror instead of reform own conduct and character, indicates one’s worst egoism unless that reflects and demonstrates not their golden words.” “One can neither understand nor accept and respect others’ logic, view, and insight before overcoming their ego.” “After the jumping out of your ego, you liberate your own, and you see the way towards the values of others.” “The nurturing of morals is the language, and control of the ego is the eye of the soul.” “Surrender your ego to enjoy peace of mind and the beauty of equality and harmony.” “Everyone stands firm with their ego status; thus, I accept that I am zero and that everyone else is a hero, but remember that on every count, zero matters.” “Hatred, racism, discrimination, distinction, and vainglory germinate in the soil of ego.” “When one becomes capable of overcoming desires, hopes, and ego, one learns and understands the faculty of patience.” I Yield Not *** I suffer not from ego I let that not enter my life I yield not my will to avaricious As I am a truth of truths I dream not, impossibilities I become a dream of my dreams Since I exist as a reality Thus, it builds A sweet and lovely pleasure, Peace and calm I dance; I dance Without security Even no one can imagine My link to the spiritual world I am here and there No one is aware I wear and bear Every atmosphere. Deliberately *** I deliberately Become fool I enjoy that To punish My ego It is not strange Nor it is a surprise It is just an idea Of yourself What are you Who are you If my ego rules me I feel myself in the doom If I overcome my ego My ways become bright I see the destiny For that, I am here I deliberately Become fool To let people Enjoy and happy Let them heal Their wounds Caused by themselves Of their wrong deeds I deliberately Become fool To make the people active Put to use their time The great lessons That nowhere One can learn.

Like those exiles, we walked through all kinds of heartache before coming to the furnace. Though we didn't always see him, God was with us through it all. We may not smell like smoke or be destroyed by flames, but we have the great faith to believe he's good and kind and present when he walks through fire with us instead of plucking us from it. In the fire, we learn that hope can’t rest solely on the actions of God, on miraculous healings, or on answers to mysteries we can’t comprehend. Instead, our hope rests on the character of a God who is love, who somehow brings beauty out of the ugliest ashes. We don’t have to be healed, we don’t have to be on the other side of it, to know he’s good and he’s transforming us—even in the furnace.

Some people ask who they are and expect their feelings to tell them. But feelings are flickering flames that fade after every fitful stimulus. Some people ask who they are and expect their achievements to tell them. But the things we accomplish always leave a core of character unrevealed. Some people ask who they are and expect visions of their ideal self to tell them. But our visions can only tell us what we want to be, not what we are.

I have seen, there, In the moonlit space of self, where the ego glides, Its silvery essence, a mirror upon life’s tides. Shaped by the ebb and flow of journey’s dance, Reflecting beliefs, in life’s intricate, ever-changing stance. This luminary, a learned guide in identity’s play, Casts shadows, illusions in its luminous display. A sculptor, artful, in societal norms it trusts, Chiseling character with life’s whims and cultural dust. The ego, in its carnival, spins tales so keen, Crafting who we ought to be in expectations unseen. In costumes of roles and societal dreams it dresses, Creating our outward selves in myriad, intricate presses. In stark contrast, behold the inner sun, our essence so bright, A steadfast flame, in the core of our being, burning with pure light. Unfiltered, unwavering, unlike the moon’s fickle gleam, A constant force, our authentic self, a deep, untouched stream. This essence, our unchanging truth, in the heart it resides, A whisper of eternity, beyond masks, where true self abides. Beyond roles, beyond transient ego’s elaborate dance, Lies this truth, unswayed by the external world’s fleeting glance. In the quest for self, twixt these luminaries, discernment is key, Traversing the self’s tangle, understanding what must be. Though ego’s voice echoes loud, in desires and fears it plays, It’s the essence’s silent light that guides through life’s stormy bays. Through recognition, understanding, transformation’s alchemy begins, Turning life unexamined into enlightened existence’s wins. A celestial voyage, within us, between sun and moon’s embrace, Ego teaches, grows us, in our worldly place. The essence, radiant and wise, to eternity connects, Offering authenticity, a path that perfects. Yin and yang, in our existence, they intertwine, In their dance, our soul’s rhythm, in harmony, divine. In moon’s reflection and sun’s light, a balance we find, Understanding their interplay, the rhythm of humankind.

I was intrigued by this fiery-mouthed woman wrapped in freckles and flame. She stirred something within me, a hunger for redemption—mine and perhaps even hers.

The coffee maker was almost ready to bubble. I turned the flame low and watched the water rise. It hung a little at the bottom of the glass tube. I turned the flame up just enough to get it over the hump and then turned it low again quickly. I stirred the coffee and covered it. I set my timer for three minutes. Very methodical guy, Marlowe. Nothing must interfere with his coffee technique. Not even a gun in the hand of a desperate character.

Am I following you? Hmm. I don’t think so. Is the moth’s intent to follow the flame? I don’t know that either. But I can understand why the moth is drawn in by the flame. It’s intriguing, isn’t it? How something with the potential for such destruction can dance around with the innocence of a child?

A First Kiss from Vexing the Highlander by Terry Spear in Enchanting the Highlander: Feeling panicked, she was afraid she wouldn’t make it down the corridor to her room in time before she was caught. Alban must have assumed the same thing and suddenly moved her against the wall with his hot body pressing indecently close and held her hostage. “Forgive me,” he breathed against her cheek. And then he moved his warm lips against her mouth and kissed her. A lady with the right upbringing would never, ever kiss a gentleman—or an untitled Highlander—let alone do so in the king’s own castle when he planned to marry her off to one of his loyal lords. She would never have kissed Alban back—or so she told herself—except to pretend she was not who she was, rather just a servant girl having a good time with one of the king’s honored guests. Yet, she gave into the kiss as if she’d been trained in the art of kissing, which, with the way Alban was kissing her back, she found it easy to follow his lead. She soaked up the feel of his warm mouth against hers, and the smoldering flame that ignited low in her belly and fanned the heat all the way through her, despite the chill in the corridor. His chest pressed against her breasts, making them tingle with the most delicious need. His manhood stirred against her waist, and she realized why her mother had warned her and her sister never to kiss a gentleman in such a manner. Indeed, not until she was wed to him, for she felt urges she’d never known she could experience. Womanly urges that compelled her to take this further. She wrapped her arms around his neck, Alban’s mouth smiling slightly against her lips, as she pressed him tighter. She thought if he was as close as he could be, whoever was about to pass them by—hopefully without stopping to speak—would not see her, as tall as Alban was. Though she was hoping the Highlander would not presume she was always this forward with a man whether she knew him or not. Yet she was thrilled beyond measure to enjoy his attentions, even if it was just to keep her reputation intact. But if the man stopped to speak with Alban, and the Highlander quit kissing her to speak with the person in kind, her character would be in tatters. “Ahem,” the male said, but continued to walk on by. She didn’t dare glance in his direction to see if she knew the man. Alban didn’t either, but she wasn’t sure if it was because he was so wrapped up in kissing her, or because he was afraid to reveal who she was. If Alban hadn’t been holding her so close, she would have melted right into the stone floor, her body boneless. His breathing was as labored as hers, his heartbeat pounding just as fast. He didn’t make a move to release her, waiting while the footfalls faded away. He smelled of summer and the woods, of freshly-washed, earthy male. And then the footsteps were gone. Yet even then, Alban didn’t let her go. “Wait, just a moment more.

Differing entirely from the adorable Pikachu is Charizard, a flame and flying dragon type Pokemon. Evolving from the Charmeleon at level 36, Charizard bears no resemblance to its first form–Charmander- both in looks and personality. Once evolved, Charizard takes on a yellowish-orange color, similar to Charmander. He also grows a large pair of wings and an extra horn on the back of his head. It is those new wings he has grown that give him the new gift of flight. Despite

Truman had been able to govern the country with the cooperation of a relatively small number of Wall Street lawyers and bankers.' Huntington concludes (regretfully) this was no longer possible by the late sixties. Why not? Presidential authority was eroded. There was a broad reappraisal of governmental action and 'morality' in the post-Vietnam/post-Watergate era among political leaders who, like the general public, openly questioned 'the legitimacy of hierarchy, coercion, discipline, secrecy, and deception—all of which are, in some measure,' according to Huntington, 'inescapable attributes of the process of government.' Congressional power became more decentralized and party allegiances to the administration weakened. Traditional forms of public and private authority were undermined as 'people no longer felt the same compulsion to obey those whom they had previously considered superior to themselves in age, rank, status, expertise, character, or talents.' ¶ Throughout the sixties and into the seventies, too many people participated too much: 'Previously passive or unorganized groups in the population, blacks, Indians, Chicanos, white ethnic groups, students, and women now embarked on concerted efforts to establish their claims to opportunities, positions, rewards, and privileges, which they had not considered themselves entitled [sic] before. [Italics mine.] ¶ Against their will, these 'groups'—the majority of the population—have been denied 'opportunities, positions, rewards and privileges.' More democracy is not the answer: 'applying that cure at the present time could well be adding fuel to the flames.' Huntington concludes that 'some of the problems in governance in the United States today stem from an excess of democracy...Needed, instead, is a greater degree of moderation in democracy.' ¶ '...The effective operation of a democratic political system usually requires some measure of apathy and non-involvement on the part of some individuals and groups. In the past, every democratic society has had a marginal population, of greater or lesser size, which has not actively participated in politics. In itself, this marginality on the part of some groups is inherently undemocratic but it is also one of the factors which has enabled democracy to function effectively. [Italics mine.]' ¶ With a candor which has shocked those trilateralists who are more accustomed to espousing the type of 'symbolic populism' Carter employed so effectively in his campaign, the Governability Report expressed the open secret that effective capitalist democracy is limited democracy! (See Alan Wolfe, 'Capitalism Shows Its Face.')

If that sounds cultish, I’m unapologetic. When organizations talk about creating an innovative business culture, a lot of people focus on the external symbols. The ping-pong and foosball tables in the office, the team-building Thursday beers after work, the company ski weekends, and the anything-goes dress code. At TMHQ we have all those things. But they are marginal to what we are really about. A culture is built up over months and years of good practice, questioning, and improvement. Of doing things the right way and having anyone who comes into the group or participates in an event recognize what that means. Culture is all the things that happen in an organization when the boss isn’t looking. Tony Hsieh describes, in his book Delivering Happiness, how he built his online shoe business Zappos by concentrating on service and integrity above all else. “Your personal core values define who you are,” he argued, “and a company’s core values ultimately define the company’s character and brand. For individuals, character is destiny. For organizations, culture is destiny.” I think that’s true, and doubly so when you are “delivering happiness” as an experience that asks people to take on and display some of the virtues of that culture themselves. In this sense, we believed, in our initial phase of recruiting, that a candidate’s previous career path and qualifications were less important than his or her willingness to embrace our credo. Though we had no experience in event management, the plan was never to go out and hire people from the event industry. We had obstacles where participants jump through flames and we feared the first thing an outside event person might instinctively do was pull out a fire extinguisher.

A rational woman…” he mused aloud. “I don’t believe I’ve ever met one of those.” “How would you know if you did?” she asked. “You wouldn’t be interested in her character. You would be far too busy examining her … her…” “Her what?” he prompted. “Her dress measurements,” she finally said, and he laughed at her prudishness. “Is it really so impossible for you to name ordinary body parts, Marks? Breasts, hips, legs—why is it indecent to talk about the human anatomy in a straightforward manner?” Her eyes narrowed. “Because it leads to improper thoughts.” Leo smirked at her. “Mine already are.” “Well, mine aren’t,” she said. “And I would prefer them to remain that way.” His brows lifted. “You don’t have improper thoughts?” “Hardly ever.” “But when you do, what are they?” She gave him an indignant glance. “Have I ever been involved in your improper thoughts?” Leo persisted, causing her face to flame. “I told you I didn’t have any,” she protested. “No, you said ‘hardly ever.’ Which means one or two are rattling around in there.” Amelia broke in. “Leo, stop tormenting her.” Leo barely heard her, his attention fixed on Catherine. “I wouldn’t think badly of you at all if you did,” he said. “In fact, I’d like you much better for it.” “No doubt you would,” Catherine shot back. “You probably prefer women with no virtues at all.” “Virtue in a woman is like pepper in the soup. A little makes for a nice seasoning. But overdo it, and no one wants very much of you.

There were times that Tiercel thought that the Wild Magic had a far greater sense of humor than the Light-Priests had ever spoken of, considering that to help him oppose the forces of Darkness, it had made Harrier Gillain a Wildmage.

You have a long history," he said, when Lanya indicated her story was finished. "Ah, Harrier, were I to tell you a long story, we should be here for a sennight, perhaps more. Long stories are best saved for deep winter, when the days are short and time grows heavy." Lanya glanced at the sky.

I'd been going to study Pre-Flowering History," Tiercel offered. "Now you're living it," Kave said.

So, that's okay. It's not like you're turning into an Endarkened or something, like Kellen's evil stepbrother Anigrel the Black.