Flame Tank Quotes

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Well,' I said. 'I could strip off my clothes and reveal to you that under my jeans and sweatshirt I'm actually wearing a tank top and short-shorts, much like Lara Croft from Tomb Raider...only mine are flame-retardant and covered in glow-in-the-dark dinosaur stickers.' No one stirred. Not even Christopher, who actually has a thing for Lara Croft. 'I know what you're thinking,' I went on. 'Glow-in-the-dark dinosaur stickers are so last year. But I think they add a certain je ne sais quoi to the whole ensemble. It's true, short-shorts are uncomfortable under jeans and hard to get off in the ladies' room, but they make the twin thigh-holsters in which I hold my high-caliber pistols so easy to get to....' The oven timer dinged. 'Thank you, Em,' Mr. Greer said, yawning. 'That was very persuasive.
Meg Cabot (Airhead (Airhead, #1))
I listened to the men's voices outside, muted by my car walls. "...went at it with a flamethrower in the online video. Didn't even pucker the paint." "Of course not. You could roll a tank over this baby. Not much of a market for one over here. Designed for Middle East Diplomats, arm dealers, and drug lords mostly." "Think she's something?" the short one asked in a softer voice. I ducked my head, cheeks flaming. "Huh," the tall one said. "Maybe. Can't imagine what you'd need missile-proof glass and four thousand pounds of body armor for around here. Must be headed somewhere more hazardous." Body armor. Four thousand pounds of body armor. And missle-proof glass? Nice. What had happened to good old-fashioned bulletproof?
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
When she opened her eyes, the outside door was filled with flame. The propane tank by the kitchen could blow any minute. That left the bedroom back window.
Charlie Price (Desert Angel)
It's daytime. A wall of billowing orange flame grows up silently from the tank farm a mile away, like a time-lapse chrysanthemum. It is so vast and complicated in its blooming, uncontrolled growth that Rife stops halfway up the stairs to watch.
Neal Stephenson (Snow Crash)
We had expected to take losses," Colonel John Kane said, "but I never will forget those big Libs going down like flies." His radio operator, Ray Hubbard, added, "I looked through the open bomb-bay doors and could see flames from exploding gas tanks shooting right up into us. The fire wrapped us up. I looked out of the side windows and saw the others flying through smoke and flames. It was flying through hell...I guess we'll go straight to heaven when we die. We've had our purgatory.
Leon Wolff (Low Level Mission)
Keep the creepy messages coming, is what I say. We’ll eat like kings!” “Who the fuck wants to eat goat?” Tank said, lip curled. “I’ll have you know that goat is a delicacy in many countries,” Viking said. “Heard it washes down well with a nice savory red wine.” “Yeah, ’cause you drink red wine,” Tank said, shaking his head. Viking leaned forward. “I may have the body of a Greek god with flaming red locks, but I’ll have you know I’m a sensitive and cultured fucker too.” “The only culture you got is growing in a petri dish in a doctor’s office,” Tank shot back.
Tillie Cole (My Maddie (Hades Hangmen, #8))
Weary was as new to war as Billy. He was a replacement, too. As a part of a gun crew, he had helped to fire one shot in anger—from a 57-millimeter antitank gun. The gun made a ripping sound like the opening of the zipper on the fly of God Almighty. The gun lapped up snow and vegetation with a blowtorch thirty feet long. The flame left a black arrow on the ground, showing the Germans exactly where the gun was hidden. The shot was a miss. What had been missed was a Tiger tank. It swiveled its 88-millimeter snout around sniffingly, saw the arrow on the ground. It fired. It killed everybody on the gun crew but Weary. So it goes.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
The Chernobyl plant staff were genuine heroes that night, in the true sense of the word. They did not flee when they could have. Instead, they selflessly stayed at their posts and replaced the hydrogen coolant in the generators with nitrogen, avoiding another explosion; they poured oil from the tanks of the damaged turbine into the emergency tanks outside, and spread water over the oil tanks to prevent more fire. Had none of this been done, fires would have spread down the entire 600-meter turbine hall and more of the roof would have likely collapsed. The flames would then have spread to Units 1, 2 and 3, which, in all probability, would have resulted in the destruction of all four reactors.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
went into the tank for my sister,” Sigrid rasped, agony and rage contorting her face. “To keep her fed. To keep her safe. And you killed her.” Her voice rose, full of command that had the wolf in him sitting up, readying to strike at her signal. “I’ll rip out your throat, you soulless thief. I’m going to piss on your rotting corpse—” Sabine leapt. Declan fired his gun at the same time Flynn unleashed a second, blasting shot. Sigrid dropped to her knees, claws scratching at her face as she shielded her ears against the noise. Flynn advanced, gun at the ready, firing again at the downed wolf leaking blood onto the grimy alley pavement. Dec’s shot had been for Sabine’s knee—to incapacitate her. But Flynn had blasted Sabine’s face clean off.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Frane Selak (born 1929) is a Croatian man who has allegedly escaped death seven times, and afterward won the lottery in 2003, prompting journalists to dub him “the world’s luckiest man”. Encounters with death started in January 1962 when the train he was on crashed into a river, drowning 17 passengers. The next year, he survived an airplane accident that killed 19 people. In 1966, a bus that he was riding in fell into a river, drowning 4 passengers. In 1970 his car caught fire as he was driving, but he managed to escape before the fuel tank blew up. Three years later, in another driving incident, the engine of his car burst into flames. In 1995, he was struck by a bus in Zagreb. In 1996 he eluded a head-on collision on a mountain curve and his car fell 90 metres (300 ft) into a gorge; he was ejected from the car and managed to hold onto a tree. In 2003, two days after his 73rd birthday, Selak won €900,000 (US$1.1 million) in the lottery.
Nayden Kostov (323 Disturbing Facts about Our World)
They are swatting us like flies,’ a Soviet infantryman on the Finnish front complained in December 1939. By the time the conflict was over, more than 126,000 Soviet troops had been killed and another 300,000 evacuated from the front because of injury, disease or frostbite. Finnish losses were also severe, indeed proportionately even more so, at 50,000 killed and 43,000 wounded. Nevertheless, there was no doubt that the Finns had given the Soviets a bloody nose. Their troops showed not only courage and determination, fuelled by strong nationalist commitment, but also ingenuity. Borrowing from the example of Franco’s forces in the Spanish Civil War, the Finns took empty bottles of spirits, filled them with kerosene and other chemicals, stuck a wick in each of them, then lit them and threw them at incoming Soviet tanks, covering them with flames. ‘I never knew a tank could burn for quite that long,’ said a Finnish veteran. They devised a new name for the projectile, too: in honour of the Soviet Foreign Minister they called them ‘Molotov cocktails’.
Richard J. Evans (The Third Reich at War, 1939-1945)
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
Slothrop is just settling down next to a girl in a prewar Worth frock and with a face like Tenniel’s Alice, same forehead, nose, hair, when from outside comes this most godawful clanking, snarling, crunching of wood, girls come running terrified out of the eucalyptus trees and into the house and right behind them what comes crashing now into the pallid lights of the garden but—why the Sherman Tank itself! headlights burning like the eyes of King Kong, treads spewing grass and pieces of flagstone as it manoeuvres around and comes to a halt. Its 75 mm cannon swivels until it’s pointing through the French windows right down into the room. “Antoine!” a young lady focusing in on the gigantic muzzle, “for heaven’s sake, not now. . . .” A hatch flies open and Tamara—Slothrop guesses: wasn’t Italo supposed to have the tank?—uh—emerges shrieking to denounce Raoul, Waxwing, Italo, Theophile, and the middleman on the opium deal. “But now,” she screams, “I have you all! One coup de foudre!” The hatch drops—oh, Jesus—there’s the sound of a 3-inch shell being loaded into its breech. Girls start to scream and make for the exits. Dopers are looking around, blinking, smiling, saying yes in a number of ways. Raoul tries to mount his horse and make his escape, but misses the saddle and slides all the way over, falling into a tub of black-market Jell-o, raspberry flavor, with whipped cream on top. “Aw, no . . .” Slothrop having about decided to make a flanking run for the tank when YYYBLAAANNNGGG! the cannon lets loose an enormous roar, flame shooting three feet into the room, shock wave driving eardrums in to middle of brain, blowing everybody against the far walls. A drape has caught fire. Slothrop, tripping over partygoers, can’t hear anything, knows his head hurts, keeps running through the smoke at the tank—leaps on, goes to undog the hatch and is nearly knocked off by Tamara popping up to holler at everybody again. After a struggle which shouldn’t be without its erotic moments, for Tamara is a swell enough looking twist with some fine moves, Slothrop manages to get her in a come-along and drag her down off of the tank. But loud noise and all, look—he doesn’t seem to have an erection. Hmm. This is a datum London never got, because nobody was looking. Turns out the projectile, a dud, has only torn holes in several walls, and demolished a large allegorical painting of Virtue and Vice in an unnatural act. Virtue had one of those dim faraway smiles. Vice was scratching his shaggy head, a little bewildered. The burning drape’s been put out with champagne. Raoul is in tears, thankful for his life, wringing Slothrop’s hands and kissing his cheeks, leaving trails of Jell-o wherever he touches. Tamara is escorted away by Raoul’s bodyguards. Slothrop has just disengaged himself and is wiping the Jell-o off of his suit when there is a heavy touch on his shoulder. “You were right. You are the man.” “That’s nothing.” Errol Flynn frisks his mustache. “I saved a dame from an octopus not so long ago, how about that?” “With one difference,” sez Blodgett Waxwing. “This really happened tonight. But that octopus didn’t.
Thomas Pynchon (Gravity's Rainbow)
In subtle ways, Professor Vaughn showed us how to pay the land its due respect. He was patient with us if we tied an inept half hitch or ran the jeep into quick mud, but he bristled if we complained too much about the heat, or the smell of the cattle tank we used for a bath, or joked sarcastically about the social life of some small town. At the university, he lectured with such precision and speed that two students often teamed up for note taking. But stopped out on some two-track road in Jornada del Muerto, he could chew on a shaft of grass for an hour, languidly exchanging philosophy with a local cowboy. The professor even adopted a slower, lulling speech pattern in the field, and used local phrases liberally. Time moved slowly in the desert and we were expected to fall into that rhythm.
Michael Novacek (Dinosaurs of the Flaming Cliffs)
Yum his lips were soft, wet and warm, tasted of honey. He looked hot today; a dark, tight blue tank top showed off his six-pack and muscular arms. The blue in his eyes were luminous.
Elena Carpenter (Horizon (Judgment of The Flaming Sword Trilogy #2))
Holly moved. A second too late. The table clipped her backpack, knocking the gas tank clean off. It spun through the air, trailing flammable liquid. Italian restaurants—wouldn't you know it—full of candles. The tank twirled right through an elaborate candelabrum and burst into flames like some deadly firework.
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
lifetime: the invention of the telephone, the transatlantic cable, the automobile, the airplane, and the introduction of modem warfare, with great armies massed against each other, with tanks, armored cars, flame-throwers, and poison gas-a far cry from the days when Cody and the troopers of the Fifth
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
In the United States the fate of veterans was also fraught with problems. In 1918, when they returned home from the battlefields of France and Flanders, they had been welcomed as national heroes, just as the soldiers returning from Iraq and Afghanistan are today. In 1924 Congress voted to award them a bonus of $1.25 for each day they had served overseas, but disbursement was postponed until 1945. By 1932 the nation was in the middle of the Great Depression, and in May of that year about fifteen thousand unemployed and penniless veterans camped on the Mall in Washington DC to petition for immediate payment of their bonuses. The Senate defeated the bill to move up disbursement by a vote of sixty-two to eighteen. A month later President Hoover ordered the army to clear out the veterans’ encampment. Army chief of staff General Douglas MacArthur commanded the troops, supported by six tanks. Major Dwight D. Eisenhower was the liaison with the Washington police, and Major George Patton was in charge of the cavalry. Soldiers with fixed bayonets charged, hurling tear gas into the crowd of veterans. The next morning the Mall was deserted and the camp was in flames.7 The veterans never received their pensions.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Tho was Buffalo Bill Cody? Most people know, at the very least, that he was a hero of the Old West, like Daniel Boone, Davy Crockett, and Kit Carson-one of those larger-than-life figures from which legends are made. Cody himself provided such a linkage to his heroic predecessors in 1888 when he published a book with biographies of Boone, Crockett, Carson-and one of his own autobiographies: Story of the Wild West and Campfire Chats, by Buffalo Bill (Hon. W.F. Cody), a Full and Complete History of the Renowned Pioneer Quartette, Boone, Crockett, Carson and Buffalo Bill. In this context, Cody was often called "the last of the great scouts." Some are also aware that he was an enormously popular showman, creator and star of Buffalo Bill's Wild West, a spectacular entertainment of the late nineteenth and early twentieth centuries. It has been estimated that more than a billion words were written by or about William Frederick Cody during his own lifetime, and biographies of him have appeared at irregular intervals ever since. A search of "Buffalo Bill Cody" on amazon.com reveals twenty-seven items. Most of these, however, are children's books, and it is likely that many of them play up the more melodramatic and questionable aspects of his life story; a notable exception is Ingri and Edgar Parin d'Aulaire's Buffalo Bill, which is solidly based on fact. Cody has also shown up in movies and television shows, though not in recent years, for whatever else he was, he was never cool or cynical. As his latest biographer, I believe his life has a valuable contribution to make in this new millennium-it provides a sense of who we once were and who we might be again. He was a commanding presence in our American history, a man who helped shape the way we look at that history. It was he, in fact, who created the Wild West, in all its adventure, violence, and romance. Buffalo Bill is important to me as the symbol of the growth of our nation, for his life spanned the settlement of the Great Plains, the Indian Wars, the Gold Rush, the Pony Express, the building of the transcontinental railroad, and the enduring romance of the American frontier-especially the Great Plains. Consider what he witnessed in his lifetime: the invention of the telephone, the transatlantic cable, the automobile, the airplane, and the introduction of modem warfare, with great armies massed against each other, with tanks, armored cars, flame-throwers, and poison gas-a far cry from the days when Cody and the troopers of the Fifth Cavalry rode hell-for-leather across the prairie in pursuit of hostile Indians. Nor, though it is not usually considered
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
By 1932 the nation was in the middle of the Great Depression, and in May of that year about fifteen thousand unemployed and penniless veterans camped on the Mall in Washington DC to petition for immediate payment of their bonuses. The Senate defeated the bill to move up disbursement by a vote of sixty-two to eighteen. A month later President Hoover ordered the army to clear out the veterans’ encampment. Army chief of staff General Douglas MacArthur commanded the troops, supported by six tanks. Major Dwight D. Eisenhower was the liaison with the Washington police, and Major George Patton was in charge of the cavalry. Soldiers with fixed bayonets charged, hurling tear gas into the crowd of veterans. The next morning the Mall was deserted and the camp was in flames.7 The veterans never received their pensions.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
As we advanced up the ridge, what a sight met our eyes — the whole area strewn with the smoke-blackened carcasses of the 29th Brigade’s Sherman Tanks which had ‘brewed up’ and burnt out, some with their turrets blown off, other still ‘brewing’ with gouts of orange flame shooting skywards from turret hatches as the ammunition exploded, dead bodies hanging from escape hatches at grotesque angles; dismounted crews were glimpsed trying to rescue wounded comrades from the wrecked vehicles while others were attempting to mend broken tracks amid the swirling black smoke from burning fuel and the flashes of mortar bombs raining down.
Ken Tout (A Fine Night for Tanks: The Road to Falaise)
ON A WARM, drowsy afternoon in early September, Ed Murrow, Vincent Sheean, and Ben Robertson, a correspondent for the New York newspaper PM, stopped at the edge of a field several miles south of London. The three had spent the day driving down the Thames estuary in Murrow’s Talbot Sunbeam roadster, enjoying the sun and looking for dogfights between Spitfires and Messerschmitts. Their search had been fruitless, and they stopped to buy apples from a farmer. Stretching out on the field to eat them, they drowsily listened to the chirp of crickets and buzzing of bees. The war seemed very far away. Within minutes, however, it returned with a vengeance. Hearing the harsh throb of aircraft engines, the Americans looked up at a sky filled with wave after wave of swastika-emblazoned bombers that clearly were not heading for their targets of previous days—the coastal defenses and RAF bases of southern England. Following the curve of the Thames, they were aimed straight at London. In minutes the sky over the capital was suffused with a fiery red glow; black smoke billowed up into a vast cloud that blanketed much of the horizon. When shrapnel from antiaircraft guns rained down around the American reporters, they dived into a nearby ditch, where, stunned, they watched the seemingly endless procession of enemy aircraft flying north. “London is burning. London is burning,” Robertson kept repeating. Returning to the city, they found flames sweeping through the East End, consuming dockyards, oil tanks, factories, overcrowded tenements, and everything else in their path. Hundreds of people had been killed, thousands injured or driven from their homes. Under a blood-red moon, women pushed prams piled high with their salvaged belongings. That horrific evening marked the beginning of the Blitz: from September 7 on, London would endure fifty-seven straight nights of relentless bombing. Until then, no other city in history had ever been subjected to such an onslaught. Warsaw and Rotterdam had been heavily bombed by the Germans early in the war, but not for the length of time of the assault on London. Although
Lynne Olson (Citizens of London: The Americans Who Stood with Britain in Its Darkest, Finest Hour)
Riot comes up in a quiet whirl of flames stirring on the concrete floor. They build into a small burning tornado that solidifies into thousands of pounds of smoldering horse. Broad. Red. All raw power. If he were a real horse, he’d be a medium draft horse, or a warmblood. Not a Budweiser Clydesdale, but you wouldn’t see him winning the Kentucky Derby, either. The guys joke because he’s the biggest of our mounts. A lightweight tank with an attitude. But he’s the greatest companion. The best. I can’t even picture what my life was like before he came along. His amber eyes find me first, then look around, checking things out, eventually coming back to me. I smile. It’s not that I hear his thoughts. It’s more that I know them. Bad day, Gideon? That’s too bad. But I’m here now so you’ll be better. Hey, nice view. “Come here, horse,” I say, but I’m the one who goes to him. I call up my armor so I don’t have to be careful about burning my clothes. Then I bury my hands deep into his mane, sending a shiver of embers into the night sky. He makes a low deep sound, telling me he’s listening. That I can tell him what I’d never say to anyone, not even Marcus. “I screwed up, Riot. Didn’t stick with the plan. Said some really stupid things. Really stupid.” Ohhh. That’s not good, Gideon. But it happens. Especially with Daryn. Don’t worry. Tomorrow you’ll do your best and try to fix it. I like Wyoming. I laugh. Then I let my face fall forward, and rest my forehead on his broad neck. Letting his fire spread over me, and through me, and around me. Warm. True. Like peace.
Veronica Rossi (Seeker (Riders, #2))
what was happening just in time to watch the flaming pickup truck start on its fiery trek down the hill. Fuel spilling from the vehicle’s gas tank left a blazing track behind it on the bare earth as the truck streaked down the steep firebreak on the side of the hill. It
Steve Martini (Blood Flag (Paul Madriani #14))
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PremiumGasGrills
troubles started on the first page. In Genesis 1, it says that God created the plants first, then the animals, and people last. But in Genesis 2, it says that God created Adam first, then the plants, then the animals, and Eve last. Which was it? Not even God can have it both ways. Then comes the talking snake and the angel with the flaming sword. Actually, the idea of a talking snake didn’t stretch my imagination too much. But after Adam and Eve get kicked out of the Garden of Eden, God posts an angel with a flaming sword at the garden gate to make sure nobody ever tries moving back in. That means that the Garden—and the angel with the flaming sword—are still there today, somewhere on the banks of the Euphrates. What if someone sent an army to conquer Eden? Sure, an angel with a flaming sword can hold off Arab raiders on camelback—but how about a fleet of tanks? Then there’s Cain’s wife. At the start of Genesis 4, Eve gives birth to two sons, Cain and Abel. After he kills Abel, Cain goes off and finds himself a wife. Cain and his wife have children of their own, then grandchildren, then great-grandchildren, then great-great grandchildren. And then—and only then—Adam and Eve, who are still alive and kicking, give birth to their third child. So if Adam and Eve are the parents of the whole human race, where did Cain’s wife come from? After that, there’s a lot of begetting—which gets
Sam Torode (The Dirty Parts of the Bible)
Good.” Mops pulled out her cutting torch and brought the triangular flame to the tube leading from the tank through the ceiling. It was only half a meter in diameter, which meant she’d have to leave her equipment harness behind and crawl like a Glacidae, but she should be able to make it. Air sighed out from the cut, making the edges glow briefly orange. The emergency shutoff valve in the tank clunked automatically as it registered a leak. Good to know the mechanical safeguards were working, even if the electronics were dead. It took ten minutes to cut a vertical hole wide enough for her to squeeze inside.
Jim C. Hines (Terminal Alliance (Janitors of the Post-Apocalypse, #1))
got to the concrete embankment about thirty seconds after the Ferrari hit it flat out at a hundred and sixty kilometers an hour. I guess the gas tank had exploded on impact, and the flames were jumping fifteen meters into the air.
Michael Crichton (Rising Sun)
Buffalo Bill is important to me as the symbol of the growth of our nation, for his life spanned the settlement of the Great Plains, the Indian Wars, the Gold Rush, the Pony Express, the building of the transcontinental railroad, and the enduring romance of the American frontier-especially the Great Plains. Consider what he witnessed in his lifetime: the invention of the telephone, the transatlantic cable, the automobile, the airplane, and the introduction of modem warfare, with great armies massed against each other, with tanks, armored cars, flame-throwers, and poison gas-a far cry from the days when Cody and the troopers of the Fifth Cavalry rode hell-for-leather across the prairie in pursuit of hostile Indians. Nor, though it is not usually considered a milestone in American history, should we forget Joseph F. Glidden's 1874 invention of barbed wire, which, more than the rifle or the plow, transformed Buffalo Bill's Great Plains by insuring the survival of thousands of family farms, and making possible the growth of enormous-and enormously profitable-cattle ranches. In addition, I feel a personal connection. In April 1855 my great-granduncle Alexander Carter Jr. and his younger brother, Thomas Marion Carter, left their home in Scioto County, Ohio, and headed west. Starting by steamboat, the two brothers floated down the Ohio River until it joined the Mississippi and then traveled upstream to St. Louis. In St. Louis they found little transportation west, so they walked, hitched rides, and rode horseback to reach St. Joseph, Missouri. There they caught a stagecoach to Council Bluffs, Iowa, riding on top of the stage, with seventeen men and women-a three-day ordeal. On May 14, nineteen days after leaving St. Louis, the brothers crossed the Missouri River and landed on the town site of Omaha, then a community of cotton tents and shanties, where lots were being offered to anyone willing to build on them. They refused this offer and pressed on to their final destination, DeSoto, Washington County, Nebraska Territory, where
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
As the Val dive-bombers sought other targets in addition to the Nevada, they found the battleship Pennsylvania as it sat in Dry Dock No. 1 along with two destroyers, Cassin and Downes. The lone occupant of Dry Dock No. 2 nearby was the destroyer Shaw. Several attacking planes dropped 550-pound bombs on the Shaw. Two penetrated the main deck near the five-inch guns forward of the bridge. A third went clean through the bridge superstructure and ruptured fuel tanks, setting the front half of the Shaw ablaze. This fire caused the forward magazines to detonate just as they had on the Arizona. A huge explosion, second only to that on the Arizona, sent a mass of flames and mangled metal into the air. A great deal of it landed on the decks of the nearby Nevada, making it twice in less than an hour that the battleship had come under such an assault. Meanwhile, the Shaw broke in two. Finding Hospital Point not so hospitable, a tug pushed the Nevada off the beach and across the channel to a new resting spot aground on Waipio Peninsula across from Ford Island. As Robert Meyer observed, the battleship “kept its deck above water but not by much.” Meanwhile, the Arizona and the rest of the battleships strewn along Battleship Row were not going anywhere.1
Walter R. Borneman (Brothers Down: Pearl Harbor and the Fate of the Many Brothers Aboard the USS Arizona)
A four-hundred-year-old enchantress who’d been born a witch and defected, Jesiba had joined the House of Flame and Shadow and now answered only to the Under-King himself. Flame and Shadow suited her well—she possessed an arsenal of spells to rival any sorcerer or necromancer in the darkest of the Houses. She’d been known to change people into animals when irritated enough. Bryce had never dared ask if the small animals in the dozen tanks and terrariums had always been animals.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
It’s difficult to prepare workers for what to do in a situation when a $2 million piece of equipment breaks in the well or when a highly pressurized hose releases a razorlike stream of air through a pinhole leak, potentially cutting off the limbs of anyone who walks by; or when a tank full of flammable liquid explodes into a ball of flames; or when a tornado touches down a few miles from the well, as happened to one supervisor.
Blaire Briody (The New Wild West: Black Gold, Fracking, and Life in a North Dakota Boomtown)
The M1A3 Abrams was a man-killer. Colonel J. “Lonesome” Jones thanked the good Lord that he had never had to face anything like it. The models that preceded it, the A1 and A2, were primarily designed to engage huge fleets of Soviet tanks on the plains of Europe. They were magnificent tank busters, but proved to be less adept at the sort of close urban combat that was the bread and butter of the U.S. Army in the first two decades of the twenty-first century. In the alleyways of Damascus and Algiers, along the ancient cobbled lanes of Samara, Al Hudaydah, and Aden, the armored behemoths often found themselves penned in, unable to maneuver or even to see what they were supposed to kill. They fell victim to car bombs and Molotovs and homemade mines. Jones had won his Medal of Honor rescuing the crew of one that had been disabled by a jihadi suicide squad in the Syrian capital. The A3 was developed in response to attacks just like that one, which had become increasingly more succesful. It was still capable of killing a Chinese battle tank, but it was fitted out with a very different enemy in mind. Anyone, like Jones, who was familiar with the clean, classic lines of the earlier Abrams would have found the A3 less aesthetically pleasing. The low-profile turret now bristled with 40 mm grenade launchers, an M134 7.62 mm minigun, and either a small secondary turret for twin 50s, or a single Tenix-ADI 30 mm chain gun. The 120 mm canon remained, but it was now rifled like the British Challenger’s gun. But anyone, like Jones, who’d ever had to fight in a high-intensity urban scenario couldn’t give a shit about the A3’s aesthetics. They just said their prayers in thanks to the designers. The tanks typically loaded out with a heavy emphasis on high-impact, soft-kill ammunition such as the canistered “beehive” rounds, Improved Conventional Bomblets, White Phos’, thermobaric, and flame-gel capsules. Reduced propellant charges meant that they could be fired near friendly troops without danger of having a gun blast disable or even kill them. An augmented long-range laser-guided kinetic spike could engage hard targets out to six thousand meters. The A3 boasted dozens of tweaks, many of them suggested by crew members who had gained their knowledge the hard way. So the tank commander now enjoyed an independent thermal and LLAMPS viewer. Three-hundred-sixty-degree visibility came via a network of hardened battle-cams. A secondary fuel cell generator allowed the tank to idle without guzzling JP-8 jet fuel. Wafered armor incorporated monobonded carbon sheathing and reactive matrix skirts, as well as the traditional mix of depleted uranium and Chobam ceramics. Unlike the tank crew that Jones had rescued from a screaming mob in a Damascus marketplace, the men and women inside the A3 could fight off hordes of foot soldiers armed with RPGs, satchel charges, and rusty knives—for the “finishing work” when the tank had been stopped and cracked open to give access to its occupants.
John Birmingham (Designated Targets (Axis of Time, #2))
Over on our left the other three tanks of our Troop are misshapen black beetles swimming in a cauldron of fire...great spouts of flame illuminate a long vista of forest...in a hurricane of blast the tops of the trees dance against a sky of incandescent orange. The explosions, starting as vermilion pinpricks, bulge into leaping rainbows of light. A huge square object rises lazily above the trees, turns slowly over and over, then drops into the writhing forest.
Ken Tout (A Fine Night for Tanks: The Road to Falaise)
It’s daytime. A wall of billowing orange flame grows up silently from the tank farm a mile away, like a time- lapse chrysanthemum. It is so vast and complicated in its blooming, uncontrolled growth that Rife stops halfway up the stairs to watch.
Neal Stephenson (Snow Crash)
The Gestapo hanged the final group of 28 July 20th “traitors” on April 20th, 1945 as a birthday present to the Fuhrer. Many of the victims made no effort to either kill themselves or escape prior to their arrest, preferring to await the Gestapo with “dignity” and thus express their belief they were neither criminals nor traitors but brave German officers doing their duty and accepting the consequences of failure. Peter Yorck von Wartenburg wrote to his wife during the trials, “I, too, am dying for my country, and even if it seems to all appearances a very inglorious and disgraceful death, I shall hold up my head and I only hope that you will not believe this to be from pride or delusion. We wished to light the torch of life and now we stand in a sea of flames.” (Thomsett, 1997, 236).
Charles River Editors (Erwin Rommel and Heinz Guderian: The Lives and Careers of Nazi Germany’s Legendary Tank Commanders)
The flames went up 50 to 60 feet in the air. We all bailed out and sought shelter in the rows of potatoes. As these were well grown by August 8th they provided excellent cover.
Ken Tout (A Fine Night for Tanks: The Road to Falaise)
Three months after the flames were extinguished, Kenyon workers, still combing through the charred remains, found a fish tank in the blackened tower. Somehow, despite the lack of food, electricity to oxygenate their water, and the twenty-three dead fish floating belly up above them, seven fish still lived. The family from the flat were contacted but were unable to house them in their current situation, so with their blessing, one of the Kenyon staff adopted the fish. They even managed to breed, resulting in the most unlikely thing to rise from the ashes of a burned building: a baby fish. They called it Phoenix.
Hayley Campbell (All the Living and the Dead: A Personal Investigation Into the Death Trade)
Right. The other source of Ithan’s frustration these days: playing babysitter for Sigrid Fendyr. It would have been smarter to leave her back at the Fae males’ house—his house now, he supposed—but she’d refused. Had insisted on accompanying them. Sigrid insisted on seeing and knowing everything. If he’d thought she’d crawl out of her mystic’s tank and cower, he’d thought wrong. She’d been a pain in his ass for two days now, wanting the complete history of the Fendyrs, their enemies, Ithan’s enemies … anything and everything that had happened while she’d been the Astronomer’s captive.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
The oppressive heat and humidity of this place hadn’t changed since that first visit. As Lidia stepped inside after Rigelus, it once again pushed with damp fingers on her face, her neck. The hall stretched ahead, the one thousand sunken tubs in the stone floor shining with pale light that illuminated the bodies floating within. Masks and tubes and machines hummed and hissed; salt crusted the stones between the tanks, some sections piled thick with it. And before the machines, already bowing at the waist to Rigelus … A withered humanoid form, veiled and dressed in gray robes, the material gauzy enough to reveal the bony body beneath, stood at the massive desk at the entrance of the room. The Mistress of the Mystics. If she had a name, Lidia had never heard it uttered. Above her veiled head, a hologram of images spun, stars and planets whizzing by. Every constellation and galaxy the mystics now searched for Bryce Quinlan. How many corners of the universe remained? That wasn’t Lidia’s concern—not today. Not as Rigelus said, “I have need of Irithys.” The mistress lifted her head, but her body remained stooped with age, so thin the knobs of her spine jutted from beneath her gauzy robe. “The queen has been sullen, Your Brilliance. I fear she will not be amenable to your requests.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))