“
America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register.
Americans, like human beings everywhere, believe many things that are obviously untrue. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
I don’t judge others. I say if you feel good with what you’re doing, let your freak flag fly.
”
”
Sarah Jessica Parker
“
But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after - oh, that's love by a different name. She is the babe you hold in your arms for an hour after she's gone to sleep. If you put her down in the crib, she might wake up changed and fly away. So instead you rock by the window, drinking the light from her skin, breathing her exhaled dreams. Your heart bays to the double crescent moons of closed lashes on her cheeks. She's the one you can't put down.
”
”
Barbara Kingsolver (The Poisonwood Bible)
“
I was born to let my freak flag fly and celebrate all of life's beautiful eccentricities.
”
”
Dave Grohl (The Storyteller: Tales of Life and Music)
“
But sometimes, a boat needs to rock; a boat needs to head straight for the heart of a storm and come out on the other side, weather beaten but with flags flying.
”
”
Marisa de los Santos (Love Walked In (Love Walked In, #1))
“
But we aren’t defined by the names we carry or the religion we practice, or the nation whose flag flies over our heads. I know that now. We’re defined by who we are in our hearts, who we choose to be on this earth.
”
”
Kristin Harmel (The Book of Lost Names)
“
If that's what you're thinking, then don't even question it. Go let your freak flag fly, brother.
”
”
Anthony Kiedis (Scar Tissue)
“
We have two American flags always: one for the rich and one for the poor. When the rich fly it means that things are under control; when the poor fly it means danger, revolution, anarchy.
”
”
Henry Miller
“
Trying to love yourself, to know your own value and worth, is something I think a lot of young girls struggle with and that can definitely flow into adulthood. We all have things that set us apart, make us special, make us who we are, and I would love to see those things celebrated and enjoyed across the board. Let that freak flag fly! (Or whatever equivalent you have.)
”
”
Jay Crownover (Nash (Marked Men, #4))
“
It was time to let my freak flag fly.
”
”
Derrolyn Anderson (Between the Land and the Sea (Marina's Tales, #1))
“
My hair is so scary that if you saw it walking down the street, you'd cross to the other side. This humidity is not helping. It's just an excuse for my hair to let its frizz flag fly.
”
”
Susane Colasanti (Keep Holding On)
“
How to Leave the Planet
1. Phone NASA. Their phone number is (713) 483-3111. Explain that it’s very important that you get away as soon as possible.
2. If they do not cooperate, phone any friend you may have in the White House—(202) 456-1414—to have a word on your behalf with the guys at NASA.
3. If you don’t have any friends in the White House, phone the Kremlin (ask the overseas operator for 0107-095-295-9051). They don’t have any friends there either (at least, none to speak of), but they do seem to have a little influence, so you may as well try.
4. If that also fails, phone the Pope for guidance. His telephone number is 011-39-6-6982, and I gather his switchboard is infallible.
5. If all these attempts fail, flag down a passing flying saucer and explain that it’s vitally important that you get away before your phone bill arrives.
”
”
Douglas Adams
“
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong.
”
”
Jeanette Winterson
“
It is said that peace is the basic tenet of all religion. Yet it is in the name of religion that there has been so much disturbance, bloodshed and persecution. It is indeed a pity that even at the close of the twentieth century we've had to witness such atrocities because of religion. Flying the flag of religion has always proved the easiest way to crush to nothingness human beings as well as the spirit of humanity.
”
”
Taslima Nasrin (Lajja: Shame)
“
You're lost, brother. You're a ship adrift, searching for familiar shores. I understand what it is you want. I sought it too. But there is no homeland. It's gone." He paused beside Robin on his way to the door. His fingers landed on Robin's shoulder, squeezed so hard they hurt. "But realize this, brother. You fly no one's flag. You're free to seek your own harbour. And you can do so much more than tread water.
”
”
R.F. Kuang (Babel)
“
Your parents, presumably, love you very much and think you are perhaps the most adorable, talented thing ever to prance upon this earth. Your friends agree with them, as do your favorite teachers, as does your significant other. When there is a You Parade, these people will be the flag bearers, the drum majors and majorettes, so make sure you are always flag bearing and drum majoring for them, too. These people who think so highly of us are very special and precious, and we must treasure them. Because here is the truth: Most of the world doesn’t give a flying fuck about you.
”
”
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
“
Her tits are full and proud, like a goddamn American flag flying above the indent of her waist. And fuck if I’m not feeling mighty patriotic right now.
”
”
Dani Wyatt (Wrangler)
“
The groundswell of outrage over the invasion of Iraq often cited the preemptive war as a betrayal of American ideals. The subtext of the dissent was: 'This is not who we are.' But not if you were standing where I was. It was hard to see the look in that palace tour guide's eyes when she talked about the American flag flying over the palace and not realize that ever since 1898, from time to time, this is exactly who we are.
”
”
Sarah Vowell (Unfamiliar Fishes)
“
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong.
How is it that one day life is orderly and you are content, a little cynical perhaps, but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange?
Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
”
”
Jeanette Winterson (The Passion)
“
A mother's body remembers her babies--the folds of soft flesh, the softly furred scalp against her nose. Each child has its own entreaties to body and soul. It's the last one, though, that overtakes you. I can't dare say I loved the others less, but my first three were all babies at once, and motherhood dismayed me entirely. . . . That's how it is with the firstborn, no matter what kind of mother you are--rich, poor, frazzled half to death or sweetly content. A first child is your own best food forward, and how you do cheer those little feet as they strike out. You examine every turn of flesh for precocity, and crow it to the world.
But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after--oh, that's love by a different name. She is the babe you hold in your arms for an hour after she's gone to sleep. If you put her down in the crib, she might wake up changed and fly away. So instead you rock by the window, drinking the light from her skin, breathing her exhaled dreams. Your heart bays to the double crescent moons of closed lashes on her cheeks. She's the one you can't put down.
”
”
Barbara Kingsolver (The Poisonwood Bible)
“
We need discipline, guidelines, context, and responsibility early in any new endeavor. It’s the time to sacrifice. To learn, to observe, to take heed. If and when we get knowledge of the space, the craft, the people, and the plan, then we can let our freak flag fly, and create. Creativity needs borders.
”
”
Matthew McConaughey (Greenlights)
“
The Hispaniola still lay where she had anchored; but, sure enough, there was the Jolly Roger--the black flag of piracy--flying from her peak.
”
”
Robert Louis Stevenson (Treasure Island)
“
Who's to say what normal? We're all weird in some way. I'm not conforming to what society think I should be. I'm gonna let my freak flag fly.
”
”
Grace Risata (My Dirty Detour)
“
They’d told us to fly the American flag. We flew that and a white flag too. Surrender, the white flag waved. We stood under both flags as they came at us. They did more than kill us. They tore us up. Mutilated us.
”
”
Tommy Orange (There There)
“
If all these attempts fail, flag down a passing flying saucer and explain that it’s vitally important you get away before your phone bill arrives.
”
”
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
“
A big, sandy-haired man held his daughter on his shoulders, showing her the Statue of Liberty. I would never know what this statue meant to others, she had always been an ugly joke for me. And the American flag was flying from the top of the ship, above my head. I had seen the French flag drive the French into the most unspeakable frenzies, I had seen the flag which was nominally mine used to dignify the vilest purposes: now I would never, as long as I lived, know what other saw when they saw a flag.
”
”
James Baldwin (Going to Meet the Man)
“
Japanese-owned cargo ship Tsimtsum, flying Panamanian flag, sank July 2nd, 1977, in Pacific, four days out of Manila. Am in lifeboat. Pi Patel my name. Have some food, some water, but Bengal tiger a serious problem. Please advise family in Winnepeg, Canada. Any help very much appreciated. Thank you.
”
”
Yann Martel (Life of Pi)
“
The bottom line is...if you were in the civilian population, you'd be a serial killer. Working for the government means you get to wave the American flag around when it suits you, but the truth is, you do what you do because you enjoy picking the wings off of flies. And everybody's an insect in your eyes.
”
”
J.R. Ward (Crave (Fallen Angels, #2))
“
Our flag does not fly because the wind moves it. It flies with the last breath of each soldier who died protecting it.
”
”
Lani Lynn Vale (Texas Tornado (Freebirds, #5))
“
Never be in thrall to anyone but your own wants and desires, because only you can make yourself happy. Fly your own flag, and be true to it. Your soul is the true captain.
”
”
Billy Idol (Dancing with Myself (A Bestselling Musician Memoir))
“
No nation's flag is great or glorious if it flies over the weak and downtrodden, even if they raise and protect it out of misguided allegiance.
”
”
Bryant McGill (Voice of Reason)
“
But realize this, brother. You fly no one’s flag. You’re free to seek your own harbour. And you can do so much more than tread water.
”
”
R.F. Kuang (Babel)
“
Do not be afraid to marry a man who's firmly planted to earth, for he is the flagpole to your flag - not restricting, but anchoring, so that you may be free to fly. In return, you shall decorate the dull gray metal of his life forevermore.
”
”
Joanna Davidson Politano (The Love Note)
“
Owning your style takes some effort, and it's okay to expend effort on how you look. Putting in effort is exactly what you should be doing. You should get dressed for your life. I don't care if the only place you have to go is the post office. Get dressed, #girlboss, and let your freak flag fly.
”
”
Sophia Amoruso (#Girlboss)
“
Earn your Saturdays. We need discipline, guidelines, context, and responsibility early in any new endeavor. It’s the time to sacrifice. To learn, to observe, to take heed. If and when we get knowledge of the space, the craft, the people, and the plan, then we can let our freak flag fly, and create.
”
”
Matthew McConaughey (Greenlights)
“
It is true that many women are inhibited and perhaps do not yet know it. It is not true that inside everyone unwilling to try a threesome is a freak desperate to let her flag fly. Perhaps there is no flag.
”
”
Angela Chen (Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex)
“
Damn it. What are we exactly calling a 'masculine problem'? Did he have trouble running the flag up? Or did it fall to half staff?
"Do we have to speak about this metaphorically or-"
"Yes," Leo said firmly.
"All right. He..." Poppy frowned in concentration as she searched for the right words, "... left me while the flag was still flying.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
You try to occupy this actual world but man there is always a Douglas, always someone ready to fly his pants and call them a flag.
”
”
Leif Enger (I Cheerfully Refuse)
“
Pride & honor & truth & virtue & kindliness," he enumerated silkily. "You are right, Scarlett. They aren't important when a boat is sinking. But look around you at your friends. Either they are bringing their boats ashore safely with cargoes intact or they are content to go down with all flags flying.
”
”
Margaret Mitchell
“
But I would tell Mother none of this. Nor would I tell her that at the hour of his death, I was floating free in the ocean, in a solitude I would remember all of my life, the gulls cawing over my head and the white flag flying at the top of the pole.
”
”
Sue Monk Kidd (The Invention of Wings)
“
Hold on. Back up. This ‘incident’ at Shannon’s apartment. Say that again? Her mom walked in on you two having sex and recorded it? Was it under-the-covers sex or let-your-freak-flag-fly sex?
”
”
Julia Kent (Shopping for a Billionaire's Fiancee (Shopping for a Billionaire, #6))
“
The non-jocks, the readers, the gay kids, the ones starting to stew about social injustice: for these kids, "letting your freak flag fly" is both self discovery and self defense. You cry for this bunch at the mandatory pep assemblies. Huddled together, miserably, in the upper reaches of the bleachers, wearing their oversized raincoats and their secondhand Salvation Army clothes, they stare down at the school-sanctioned celebration of the A list students. They know bullying, these kids--especially the ones who frefuse to exist under the radar. They're tripped in the hallway, shoved against lockers, pelted with Skittles in the lunchroom. For the most part, their tormentors are stealth artists.
The freaks know where there's refuge: I the library, the theater program, art class, creative writing.
”
”
Wally Lamb (The Hour I First Believed)
“
It's my right as an American to fly that flag! Yeah? Well, buddy, lemme tell ya, screaming about your rights as an American while rockin' the Confederate flag is like arguing against gay marriage with a dick in your mouth. Makes no sense. But, see, rednecks are immune to irony.
”
”
Trae Crowder (The Liberal Redneck Manifesto: Draggin' Dixie Outta the Dark)
“
But we aren't defined by the names we carry or the religion we practice, or the nation whose flag flies over our heads. I know that now. We're defined by who we are in our hearts, who we choose to be on this earth.
”
”
Kristin Harmel (The Book of Lost Names)
“
I think there is a sense of ownership in knowing, isn’t there? You let people in, and they claim parts of you—they fly their flag over uncharted territory and from then onward—you cease to belong wholly to yourself.
”
”
Lang Leav (The Universe of Us (Volume 4) (Lang Leav))
“
I waved away a fly that buzzed in my ear, my hand caked with blood both my own and foreign. I’d always thought death would be some sort of peaceful homecoming—a sweet, sad lullaby to usher me into whatever waited afterward. I crunched down with an armored boot on the flagpole of a Loyalist standard-bearer, smearing red mud across the tusked boar embroidered on its emerald flag. I now wondered if the lullaby of death was not a lovely song, but the droning of flies. If flies and maggots were all Death’s handmaidens.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Time! On whose arbitrary wing
The varying hours must flag or fly,
Whose tardy winter, fleeting spring,
But drag or drive us on to die
”
”
Lord Byron (The poetical works of Lord Byron)
“
But realize this, brother. You fly no one's flag. You're free to seek your own harbour. And you can do so much more than tread water.
”
”
R.F. Kuang (Babel)
“
You are born into a family and those are your people, and they know you and they love you, and if you are lucky they even on occasion manage to understand you. And that ought to be enough. But it is never enough. Abe had not been dressing up, styling himself, for all these years because he was trying to prove how different he was from everyone else. He did it in the hope of attracting the attention of somebody else—somewhere, someday—who was the same. He was not flying his freak flag; he was sending up a flare, hoping for rescue, for company in the solitude of his passion.
“You were with your people. You found them,” I said.
He nodded.
“That’s good,” I said. “You’re early.
”
”
Michael Chabon (Pops: Fatherhood in Pieces)
“
For dinner Jade microwaves some Stars-n-Flags. They're addictive. They put sugar in the sauce and sugar in the meat nuggets. I think also caffeine. Someone told me the brown streaks in the Flags are caffeine. We have like five bowls each.
After dinner the babies get fussy and Min puts a mush of ice cream and Hershey's syrup in their bottles and we watch The Worst That Could Happen, a half hour computer simulation of tragedies that have never actually occurred but theoretically could. A kid gets hit by a train and flies into a zoo, where he's eaten by wolves. A man cuts his hand off chopping wood and while he's wandering around screaming for help is picked up by a tornado and dropped on a preschool during recess and lands on a pregnant teacher.
”
”
George Saunders (Pastoralia)
“
what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation.
you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser.
do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on.
do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material.
this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition.
the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence.
avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.
”
”
Leonard Cohen (Death of a Lady's Man)
“
How to Leave the Planet 1. Phone NASA. Their phone number is (713) 483-3111. Explain that it’s very important that you get away as soon as possible. 2. If they do not cooperate, phone any friend you may have in the White House—(202) 456-1414—to have a word on your behalf with the guys at NASA. 3. If you don’t have any friends in the White House, phone the Kremlin (ask the overseas operator for 0107-095-295-9051). They don’t have any friends there either (at least, none to speak of), but they do seem to have a little influence, so you may as well try. 4. If that also fails, phone the Pope for guidance. His telephone number is 011-39-6-6982, and I gather his switchboard is infallible. 5. If all these attempts fail, flag down a passing flying saucer and explain that it’s vitally important you get away before your phone bill arrives. Douglas Adams
”
”
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
“
Bond Street fascinated her; Bond Street early in the morning in the season; its flags flying; its shops; no splash; no glitter; one roll of tweed in the shop where her father had bought his suits for fifty years; a few pearls; salmon on an iceblock.
”
”
Virginia Woolf
“
she has an appointment in fifteen days for another set of tests. She doesn't eat for several hours before leaving the house. Then they draw her blood again. Blood, the snitch everyone hates. It keeps you alive on one condition: transparency. It creeps around the body like a shrewd domestic who has access to every room and knows everything there is to know about you. And who talks under pressure. The body is too basic, too weak; it can't be trusted. Only the mind can console us for its disloyalty; the only flag it flies is that of freedom, made of the bones of truth and the bones of lies - a cross; white against black. Blood respects nothing.
”
”
Eva Baltasar (Boulder)
“
Ducks can both swim and fly. So, if you wanted to catch them, would you need a fishing license or a pilot's license? That's the thing I think of when I see an American flag, and I marvel over living in The Land of The FREE, where you can't even catch fish without permission.
”
”
Jarod Kintz (Ducks are the stars of the karaoke bird world (A BearPaw Duck And Meme Farm Production))
“
A pretty vampire woman in a cheongsam came flying down the hallway, ribbons waving from her purple-streaked hair like a silken flag. Her face was familiar. Alec had seen her at Taki’s, and around the city more generally, usually with Raphael.
“Save us, oh fearless leader,” said Raphael’s lady friend. “Elliott’s in a huge aquarium puking blue and green. He tried to drink mermaid blood. He tried to drink selkie blood. He tried to—”
“Ahem,” said Raphael, with a savage jerk of his head in Alec’s direction.
Alec waved. “Shadowhunter,” he said. “Right here. Hi.”
“He tried to keep to the Accords and obey all the known Laws!” the woman declared. “Because that’s the New York clan’s idea of a truly festive good time.”
Alec remembered Magnus and tried not to look like he was here to ruin the Downworlder party. There was one thing he and this woman had in common. He recognized the bright purple she was wearing.
“I think I saw you earlier,” said Alec hesitantly. “You were—making out with a faerie girl?”
“Yeah, you’re gonna have to be more specific than that,” said the vampire woman. “This is a party. I’ve made out with six faerie girls, four faerie boys, and a talking toadstool whose gender I’m unsure about. Pretty sexy for a toadstool, though.”
Raphael covered his face briefly with his non-texting hand.
“Why, you want to make something of it?” The woman bristled. “How happy I am to see the Nephilim constantly crashing our parties. Were you even invited?”
“I’m a plus-one,” said Alec.
The vampire girl relaxed slightly. “Oh, right, you’re Magnus’s latest disaster,” she said. “That’s what Raphael calls you. I’m Lily.”
She lifted a hand in a halfhearted wave. Alec glanced at Raphael, who arched his eyebrow at Alec in an unfriendly way.
“Didn’t realize Raphael and I were on pet name terms,” said Alec. He continued to study Raphael. “Do you know Magnus well?”
“Hardly at all,” said Raphael. “Barely acquainted. I don’t think much of his personality. Or his dress sense. Or the company he keeps. Come away, Lily. Alexander, I hope I never see you again.”
“I’ve decided I detest you,” Lily told Alec.
“It’s mutual,” Alec said dryly.
Unexpectedly, that made Lily smile, before Raphael dragged her away.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
Open Letter to Neil Armstrong"
Dear Neil Armstrong,
I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard?
Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky?
I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath.
Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love.
God, I'd do it every day, if I could just land next to her.
One small step for man, but she's one giant leap for my kind.
”
”
Mike McGee
“
Moths and other nocturnal insects navigate by the moon and stars. Those heavenly bodies are useful for them to find their way, even though they never get far from the surface of the earth. But lightbulbs and candles send them astray; they fly into the heat or the flame and die. For these creatures, to arrive is a calamity. When activists mistake heaven for some goal at which they must arrive, rather than an idea to navigate Earth by, they burn themselves out, or they set up a totalitarian utopia in which others are burned in the flames. Don’t mistake a lightbulb for the moon, and don’t believe that the moon is useless unless we land on it. After all those millennia of poetry about the moon, nothing was more prosaic than the guys in space suits stomping around on the moon with their flags and golf clubs thirty-something years ago. The moon is profound except when we land on it. Paradise
”
”
Rebecca Solnit (Hope in the Dark: Untold Histories, Wild Possibilities)
“
„The holy march on which the Arab nation insists, will carry us forward from one victory to another … the flag of freedom which flies over Baghdad today will fly over Amman and Riyadh. Yes, the flag of freedom which flies over Cairo, Damascus, and Baghdad today will fly over the rest of the Middle East
”
”
Gamal Abdel Nasser
“
Every one seems to be scrubbing their white steps. All the houses look like tidy jails, with their outside shutters. Several have crepe on the door-handles, and many have flags flying from roof or balcony. Few men appear, and the women seem to do the business, which, perhaps, accounts for its being so well done.
”
”
Louisa May Alcott (Hospital Sketches)
“
Israeli Defense Force Order 101, Regarding Prohibition of Incitement and Hostile Propaganda Actions, was put into effect in 1967. It forbade Palestinians to use the word Palestine in official documents, to depict or raise or fly their flag, or to make any sort of art that combined the colors of the traditional flag.
”
”
Colum McCann (Apeirogon)
“
To see a Confederate flag flying outside someone’s home or in the back window of a pickup truck is about as accurate a warning system as a man could hope for, like the engine light coming on in your car a few miles before something may or may not blow up; it’s a caution before trouble starts, offering a clean window of time in which to make a run for it.
”
”
Attica Locke (Black Water Rising)
“
Sitting in this small pub with its cool flagged floor, listening to the murmuring voices of the haymakers and the click of dominoes falling, drinking beer here in the midle of summer in England in 1914, he suddenly felt a stillness creep up on him as if he were suffering from a form of mental palsy -- as if time had stopped and the world's turning, also. It was a strange sensation -- that he would be for ever stuck in this late June day in 1914 like a fly in amber -- the past as irrelevant to him as the future. A perfect statis; the most alluring inertia.
”
”
William Boyd (Waiting for Sunrise)
“
… as against the Kesey direction, which has become the prevailing life style of Haight-Ashbury … beyond catastrophe … like, picking up on anything that works and moves, every hot wire, every tube, ray, volt, decibel, beam, floodlight and combustion of American flag-flying neon Day-Glo America and winding it up to some mystical extreme carrying to the western-most edge of experience—
”
”
Tom Wolfe (The Electric Kool-Aid Acid Test)
“
Curtains are our prisoners; they feel free only when they escape out of the windows and fly in the air freely! The moment they wave in the wind like a proud flag is the best moment of their lives!
”
”
Mehmet Murat ildan
“
I was like Robinson Crusoe on the island of Tobago. For hours at a stretch I would lie in the sun doing nothing, thinking of nothing. To keep the mind empty is a feat, a very healthful feat too. To be silent the whole day long, see no newspaper, hear no radio, listen to no gossip, be thoroughly and completely lazy, thoroughly and completely indifferent to the fate of the world is the finest medicine a man can give himself. The book-learning gradually dribbles away; problems melt and dissolve; ties are gently severed; thinking, when you deign to indulge in it, becomes very primitive; the body becomes a new and wonderful instrument; you look at plants or stones or fish with different eyes; you wonder what people are struggling to accomplish with their frenzied activities; you know there is a war on but you haven't the faintest idea what it's about or why people should enjoy killing one another; you look at a place like Albania—it was constantly staring me in the eyes—and you say to yourself, yesterday it was Greek, to-day it's Italian, to-morrow it may be German or Japanese, and you let it be anything it chooses to be. When you're right with yourself it doesn't matter which flag is flying over your head or who owns what or whether you speak English or Monongahela. The absence of newspapers, the absence of news about what men are doing in different parts of the world to make life more livable or unlivable is the greatest single boon. If we could just eliminate newspapers a great advance would be made, I am sure of it. Newspapers engender lies, hatred, greed, envy, suspicion, fear, malice. We don't need the truth as it is dished up to us in the daily papers. We need peace and solitude and idleness. If we could all go on strike and honestly disavow all interest in what our neighbor is doing we might get a new lease on life. We might learn to do without telephones and radios and newspapers, without machines of any kind, without factories, without mills, without mines, without explosives, without battleships, without politicians, without lawyers, without canned goods, without gadgets, without razor blades even or cellophane or cigarettes or money. This is a pipe dream, I know.
”
”
Henry Miller (The Colossus of Maroussi)
“
Penn replied that surely bin Laden had provided quite a number of his very own broadcasts and videos. I was again impressed by the way that Chávez rejected this proffered lucid-interval lifeline. All of this so-called evidence, too, was a mere product of imperialist television. After all, “there is film of the Americans landing on the moon,” he scoffed. “Does that mean the moon shot really happened? In the film, the Yanqui flag is flying straight out. So, is there wind on the moon?” As Chávez beamed with triumph at this logic, an awkwardness descended on my comrades, and on the conversation. Chávez, in other words, is very close to the climactic moment when he will announce that he is a poached egg and that he requires a very large piece of buttered toast so that he can lie down and take a soothing nap.
”
”
Christopher Hitchens (Arguably: Essays by Christopher Hitchens)
“
Wasplike with their long slender hulls, these were ships not seen in these waters before. They approached in a line, each flying a large American flag. To the hundreds of onlookers by now gathered on shore, many also carrying American flags, it would be a sight they would never forget and into which they read great meaning. These were the descendants of the colonials returning now at Britain's hour of need....
”
”
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
“
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
”
”
Michelle Tea
“
This street dead-ends in a fishbowl of concrete: a line of shops to the right, some formidable, blockish government buildings to the left, and a wall directly in front, which is topped with a second wall, which is topped with a third wall, which is topped with razor wire and mounted cameras. It’s behind this wall, stretching high up into the sky, that the American flag moves stiffly in the mild wind. Only a few feet away from it, on this side of the fence, a Mexican flag also flies.
”
”
Jeanine Cummins (American Dirt)
“
Does Donald Trump hate immigrants? No. Absolutely not. His wife is an immigrant who speaks with an accent. While doing a Street Justice segment, the Trump Tower employees I spoke with who have foreign accents talked about what a great employer he is. Calling him anti-immigrant is the equivalent of calling him un-American, and the American people know Donald Trump loves this country. The man had to go to court to fight for his right to fly as big an American flag as he wanted at Mar-a-Lago!
”
”
Jeanine Pirro (Liars, Leakers, and Liberals: The Case Against the Anti-Trump Conspiracy)
“
Wasplike with their long slender hulls, these were ships not seen in these waters before. They approached in a line, each flying a large American flag. To the hundreds of onlookers by now gathered on shore, many also carrying American flags, it would be a sight they would never forget and into which they read great meaning. These were the descendants of the colonials returning now at Britain’s hour of need, the moment captured in an immediately famous painting by Bernard Gribble, The Return of the Mayflower.
”
”
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
“
Very few people know where they will die,
But I do; in a brick-faced hospital,
Divided, not unlike Caesarean Gaul,
Into three parts; the Dean Memorial
Wing, in the classic cast of 1910,
Green-grated in unglazed, Aeolian
Embrasures; the Maud Wiggin Building, which
Commemorates a dog-jawed Boston bitch
Who fought the brass down to their whipcord knees
In World War I, and won enlisted men
Some decent hospitals, and, being rich,
Donated her own granite monument;
The Mandeville Pavilion, pink-brick tent
With marble piping, flying snapping flags
Above the entry where our bloody rags
Are rolled in to be sponged and sewn again.
Today is fair; tomorrow, scourging rain
(If only my own tears) will see me in
Those jaundiced and distempered corridors
Off which the five-foot-wide doors slowly close.
White as my skimpy chiton, I will cringe
Before the pinpoint of the least syringe;
Before the buttered catheter goes in;
Before the I.V.’s lisp and drip begins
Inside my skin; before the rubber hand
Upon the lancet takes aim and descends
To lay me open, and upon its thumb
Retracts the trouble, a malignant plum;
And finally, I’ll quail before the hour
When the authorities shut off the power
In that vast hospital, and in my bed
I’ll feel my blood go thin, go white, the red,
The rose all leached away, and I’ll go dead.
Then will the business of life resume:
The muffled trolley wheeled into my room,
The off-white blanket blanking off my face,
The stealing secret, private, largo race
Down halls and elevators to the place
I’ll be consigned to for transshipment, cased
In artificial air and light: the ward
That’s underground; the terminal; the morgue.
Then one fine day when all the smart flags flap,
A booted man in black with a peaked cap
Will call for me and troll me down the hall
And slot me into his black car. That’s all.
”
”
L.E. Sissman
“
We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag.
”
”
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
“
How to Leave the Planet 1. Phone NASA. Their phone number is (713) 483-3111. Explain that it’s very important that you get away as soon as possible. 2. If they do not cooperate, phone any friend you may have in the White House—(202) 456-1414—to have a word on your behalf with the guys at NASA. 3. If you don’t have any friends in the White House, phone the Kremlin (ask the overseas operator for 0107-095-295-9051). They don’t have any friends there either (at least, none to speak of), but they do seem to have a little influence, so you may as well try. 4. If that also fails, phone the Pope for guidance. His telephone number is 011-39-6-6982, and I gather his switchboard is infallible. 5. If all these attempts fail, flag down a passing flying saucer and explain that it’s vitally important you get away before your phone bill arrives.
”
”
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
“
As I approached the field, I called the tower, identified myself, and said I would like to land and pay my respects to General Patton if that was agreeable and convenient. I was cleared to land. When I parked, there was Georgie in his famous Jeep with the three-star flags flying, his helmet reflecting the sun gloriously and his ivory-handled revolvers at his side. He rushed forward, threw his arms around me, and with great tears streaming down his face, said, "Jimmy, I'm glad to see you. I didn't think anyone would ever call on a mean old son of a bitch like me.
”
”
James H. Doolittle (I Could Never Be So Lucky Again)
“
But what after all is one night? A short space, especially when the darkness dims so soon, and so soon a bird sings, a cock crows, or a faint green quickens, like a turning leaf, in the hollows of the wave. Night, however, succeeds to night. The winter holds a pack of them in store and deals them equally, evenly, with indefatigable fingers. They lengthen; they darken. Some of them hold aloft clear planets, plates of brightness. The autumn trees, ravaged as they are, take on the flesh of tattered flags kindling in the doom of cool cathedral caves where gold letters on marble pages describe death in battle and how bones bleach and burn far away in Indian sands. The autumn trees gleam in the yellow moonlight, in the light of harvest moons, the light which mellows the energy of labour, and smooths the stubble, and brings the wave lapping blue to the shore.
It seemed now as if, touched by human penitence and all its toil, divine goodness had parted the curtain and displayed behind it, single, distinct, the hare erect; the wave falling; the boat rocking; which, did we deserve them, should be ours always. But alas, divine goodness, twitching the cord, draws the curtain; it does not please him; he covers his treasures in a drench of hail, and so breaks them, so confuses them that it seems impossible that their calm should ever return or that we should ever compose from their fragments a perfect whole or read in the littered pieces the clear words of truth. For our penitence deserves a glimpse only; our toil respite only.
The nights now are full of wind and destruction; the trees plunge and bend and their leaves fly helter skelter until the lawn is plastered with them and they lie packed in gutters and choke rain pipes and scatter damp paths. Also the sea tosses itself and breaks itself, and should any sleeper fancying that he might find on the beach an answer to his doubts, a sharer of his solitude, throw off his bedclothes and go down by himself to walk on the sand, no image with semblance of serving and divine promptitude comes readily to hand bringing the night to order and making the world reflect the compass of the soul. The hand dwindles in his hand; the voice bellows in his ear. Almost it would appear that it is useless in such confusion to ask the night those questions as to what, and why, and wherefore, which tempt the sleeper from his bed to seek an answer.
”
”
Virginia Woolf (To the Lighthouse)
“
So you’re ex-Royal Navy, right?’
He tensed. ‘How do you know that?’
Lucy pointed at his arm. ‘Cabot wristwatch. It’s a dead giveaway.’ Marc frowned. The military-issue dive watch was the only connection he still had to that part of his past. ‘And also my boss is a billionaire, remember?’ The woman went on. ‘Information gets bought real easy, if you know how to deal.’ She smiled again. ‘So you’re all about Queen and Country. From navy puke to covert spook, all for the union jack.’
‘Something like that,’ he muttered. ‘And just so you know, we only call the flag the ‘union jack’ if it’s flying on a ship.
”
”
James Swallow (Nomad (Marc Dane, #1))
“
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two.
Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic.
Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told.
You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea.
It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake.
I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas.
We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
”
”
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
“
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation.
”
”
Jeanette Winterson (The Passion)
“
[Someone in the POW camp] said, ‘Look down there at the main gate!’, and the American flag was flying! We went berserk, we just went berserk! We were looking at the goon tower and there’s no goons there, there are Americans up there! And we saw the American flag, I mean—to this day I start to well up when I see the flag." -Sam Lisica, former prisoner of war, WWII ~ The Things Our Fathers Saw, Vol. III
”
”
Matthew A. Rozell (The Things Our Fathers Saw - Vol. 3, The War In The Air Book Two: The Untold Stories of the World War II Generation from Hometown, USA)
“
You, the woman; I, the man; this, the world:
And each is the work of all.
There is the muffled step in the snow; the stranger;
The crippled wren; the nun; the dancer; the Jesus-wing
Over the walkers in the village; and there are
Many beautiful arms around us and the things we know.
See how those stars tramp over the heavens on their sticks
Of ancient light: with what simplicity that blue
Takes eternity into the quiet cave of God, where Ceasar
And Socrates, like primitive paintings on a wall,
Look, with idiot eyes, on the world where we two are.
You, the sought for; I, the seeker; this, the search:
And each is the mission of all.
For greatness is only the drayhorse that coaxes
The built cart out; and where we go is reason.
But genius is an enormous littleness, a trickling
Of heart that covers alike the hare and the hunter.
How smoothly, like the sleep of a flower, love,
The grassy wind moves over night's tense meadow:
See how the great wooden eyes of the forrest
Stare upon the architecture of our innocence.
You, the village; I, the stranger; this, the road:
And each is the work of all.
Then, not that man do more, or stop pity; but that he be
Wider in living; that all his cities fly a clean flag...
We have been alone too long, love; it is terribly late
For the pierced feet on the water and we must not die now.
Have you ever wondered why all the windows in heaven were
broken?
Have you seen the homeless in the open grave of God's
hand?
Do you want to aquaint the larks with the fatuous music
of war?
There is the muffled step in the snow; the stranger;
The crippled wren; the nun; the dancer; the Jesus-wing
Over the walkers in the village; and there are
Many desperate arms about us and the things we know.
”
”
Kenneth Patchen
“
Today each nation flies its own flag, a symbolic embodiment of its territorial status. But patriotism is not enough. The ancient tribal hunter lurking inside each citizen finds himself unsatisfied by membership of such a vast conglomeration of individuals, most of whom are totally unknown to him personally. He does his best to feel that he shares a common territorial defence with them all, but the scale of the operation has become inhuman. It is hard to feel a sense of belonging with a tribe of fifty million or more. His answer is to form sub-groups, nearer to his ancient pattern, smaller and more personally known to him - the local club, the teenage gang, the union, the specialist society, the sports association, the political party, the college fraternity, the social clique, the protest group, and the rest. Rare indeed is the individual who does not belong to at least one of these splinter groups, and take from it a sense of tribal allegiance and brotherhood. Typical of all these groups is the development of Territorial Signals - badges, costumes, headquarters, banners, slogans, and all the other displays of group identity. This is where the action is, in terms of tribal territorialism, and only when a major war breaks out does the emphasis shift upwards to the higher group level of the nation.
”
”
Desmond Morris (Peoplewatching: The Desmond Morris Guide to Body Language)
“
Coalitions of the like-minded are important, but they are not enough to defend democracy. The most effective coalitions are those that bring together groups with dissimilar—even opposing—views on many issues. They are built not among friends but among adversaries. An effective coalition in defense of American democracy, then, would likely require that progressives forge alliances with business executives, religious (and particularly white evangelical) leaders, and red-state Republicans. Business leaders may not be natural allies of Democratic activists, but they have good reasons to oppose an unstable and rule-breaking administration. And they can be powerful partners. Think of recent boycott movements aimed at state governments that refused to honor Martin Luther King Jr.’s birthday, continued to fly the Confederate flag, or violated gay or transgender rights. When major businesses join progressive boycotts, they often succeed.
”
”
Steven Levitsky (How Democracies Die)
“
In actuality, myths are neither fiction nor history. Nor are most myths—and this will surprise some people—an amalgamation of fiction and history. Rather, a myth is something that never happened but is always happening. Myths are the plots of the psyche. They are ongoing, symbolic dramatizations of the inner life of the species, external metaphors for internal events. As Campbell used to say, myths come from the same place dreams come from. But because they’re more coherent than dreams, more linear and refined, they are even more instructive. A myth is the song of the universe, a song that, if accurately perceived, explains the universe and our often confusing place in it. It is only when it is allowed to crystallize into “history” that a myth becomes useless—and possibly dangerous. For example, when the story of the resurrection of Jesus is read as a symbol for the spiritual rebirth of the individual, it remains alive and can continually resonate in a vital, inspirational way in the modern psyche. But when the resurrection is viewed as historical fact, an archival event that occurred once and only once, some two thousand years ago, then its resonance cannot help but flag. It may proffer some vague hope for our own immortality, but to our deepest consciousness it’s no longer transformative or even very accessible on an everyday basis. The self-renewing model has atrophied into second-hand memory and dogma, a dogma that the fearful, the uninformed, and the emotionally troubled feel a need to defend with violent action.
”
”
Tom Robbins (Wild Ducks Flying Backward)
“
Think of the future, she whispers. Jumbled images in primary colours. White and red swastika flags waving in the wind; gleaming rockets flying into the air; skyscrapers rise above the Danube, the Thames, the Volga and the Rhine, blond children play under a bright African sun, their uniforms ironed to perfection by their servant-slaves nearby, modern women work at factories assembling Volkswagens, in the mountains in a wood cabin Maria and Erich and their three children go on a skiing holiday, laughing, holding hands…
”
”
Lavie Tidhar (The Violent Century)
“
Suddenly with a single bound he leaped into the room. Winning a way past us before any of us could raise a hand to stay him. There was something so pantherlike in the movement, something so unhuman, that it seemed to sober us all from the shock of his coming. The first to act was Harker, who with a quick movement, threw himself before the door leading into the room in the front of the house. As the Count saw us, a horrible sort of snarl passed over his face, showing the eyeteeth long and pointed. But the evil smile as quickly passed into a cold stare of lion-like disdain. His expression again changed as, with a single impulse, we all advanced upon him. It was a pity that we had not some better organized plan of attack, for even at the moment I wondered what we were to do. I did not myself know whether our lethal weapons would avail us anything. Harker evidently meant to try the matter, for he had ready his great Kukri knife and made a fierce and sudden cut at him. The blow was a powerful one; only the diabolical quickness of the Count's leap back saved him. A second less and the trenchant blade had shorn through his heart. As it was, the point just cut the cloth of his coat, making a wide gap whence a bundle of bank notes and a stream of gold fell out. The expression of the Count's face was so hellish, that for a moment I feared for Harker, though I saw him throw the terrible knife aloft again for another stroke. Instinctively I moved forward with a protective impulse, holding the Crucifix and Wafer in my left hand. I felt a mighty power fly along my arm, and it was without surprise that I saw the monster cower back before a similar movement made spontaneously by each one of us. It would be impossible to describe the expression of hate and baffled malignity, of anger and hellish rage, which came over the Count's face. His waxen hue became greenish-yellow by the contrast of his burning eyes, and the red scar on the forehead showed on the pallid skin like a palpitating wound. The next instant, with a sinuous dive he swept under Harker's arm, ere his blow could fall, and grasping a handful of the money from the floor, dashed across the room, threw himself at the window. Amid the crash and glitter of the falling glass, he tumbled into the flagged area below. Through the sound of the shivering glass I could hear the "ting" of the gold, as some of the sovereigns fell on the flagging. We ran over and saw him spring unhurt from the ground. He, rushing up the steps, crossed the flagged yard, and pushed open the stable door. There he turned and spoke to us. "You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah!" With a contemptuous sneer, he passed quickly through the door, and we heard the rusty bolt creak as he fastened it behind him. A door beyond opened and shut. The first of us to speak was the Professor. Realizing the difficulty of following him through the stable, we moved toward the hall. "We have learnt something… much! Notwithstanding his brave words, he fears us. He fears time, he fears want! For if not, why he hurry so? His very tone betray him, or my ears deceive. Why take that money? You follow quick. You are hunters of the wild beast, and understand it so. For me, I make sure that nothing here may be of use to him, if so that he returns.
”
”
Bram Stoker (Dracula)
“
The night of September the 14th, 1814, saw heavy bombardment of Baltimore by the British. Despite this, the next morning, the large American flag was still flying undamaged over Fort McHenry. Such a sight made lawyer Francis Scott Key feel extremely patriotic, and he wrote four verses called Defence of Fort McHenry, which he set to the music of To Anacreon in Heaven, a British drinking song. When it was later sold as sheet music, the publishers used a different title for Key’s ditty, and in 1931 it was chosen to be America’s national anthem. Yes - The Star Spangled Banner is based on a British drinking song!
”
”
Jack Goldstein (101 Amazing Facts)
“
What do you think?” Summer said. “I think they’re full of shit,” I said. “Important shit or regular flag-rank shit?” “They’re lying,” I said. “They’re uptight, they’re lying, and they’re stupid. Why am I worried about Kramer’s briefcase?” “Sensitive paperwork,” she said. “Whatever he was carrying to California.” I nodded. “They just defined it for me. It’s the conference agenda itself.” “You’re sure there was one?” “There’s always an agenda. And it’s always on paper. There’s a paper agenda for everything. You want to change the dog food in the K-9 kennels, you need forty-seven separate meetings with forty-seven separate paper agendas. So there was one for Irwin, that’s for damn sure. It was completely stupid to say there wasn’t. If they’ve got something to hide, they should have just said it’s too secret for me to see.” “Maybe the conference really wasn’t important.” “That’s bullshit too. It was very important.” “Why?” “Because a two-star general was going. And a one-star. And because it was New Year’s Eve, Summer. Who flies on New Year’s Eve and spends the night in a lousy stopover hotel? And this year in Germany was a big deal. The Wall is coming down. We won, after forty-five years. The parties must have been incredible. Who would miss them for something unimportant? To have gotten those three guys on a plane on New Year’s Eve, this Irwin thing had to be some kind of a very big deal.
”
”
Lee Child (The Enemy (Jack Reacher, #8))
“
reverted to a feral state.’ A longing came to my mind, then, that I should be able to do this also. The word ‘feral’ had a kind of magical potency which allied itself with two other words, ‘ferocious’ and ‘free’. ‘Fairy’ ‘Fey’, ‘aeriel’ and other discreditable alliances ranged themselves behind the great chord of ‘ferox’. To revert to a feral state! I took a farm-labourer’s cottage at five shillings a week, and wrote to Germany for a goshawk. Feral. He wanted to be free. He wanted to be ferocious. He wanted to be fey, a fairy, ferox. All those elements of himself he’d pushed away, his sexuality, his desire for cruelty, for mastery: all these were suddenly there in the figure of the hawk. White had found himself in the hawk that Blaine had lost. He clutched it tightly. It might hurt him, but he wouldn’t let go. He would train it. Yes. He would teach the hawk, and he would teach himself, and he would write a book about it and teach his readers this doomed and ancient art. It was as if he were holding aloft the flag of some long-defeated country to which he staked his allegiance. He’d train his hawk in the ruins of his former life. And then when the war came, as it surely would, and everything around him crumbled into ruin and anarchy, White would fly his goshawk, eat the pheasants it caught, a survivor, a yeoman living off the land, far from the bitter, sexual confusion of the metropolis or the small wars of the schoolroom.
”
”
Helen Macdonald (H is for Hawk)
“
Shortly after the Gulf War in 1992 I happened to visit a July Fourth worship service at a certain megachurch. At center stage in this auditorium stood a large cross next to an equally large American flag. The congregation sang some praise choruses mixed with such patriotic hymns as “God Bless America.” The climax of the service centered on a video of a well-known Christian military general giving a patriotic speech about how God has blessed America and blessed its military troops, as evidenced by the speedy and almost “casualty-free” victory “he gave us” in the Gulf War (Iraqi deaths apparently weren’t counted as “casualties” worthy of notice). Triumphant military music played in the background as he spoke.
The video closed with a scene of a silhouette of three crosses on a hill with an American flag waving in the background. Majestic, patriotic music now thundered. Suddenly, four fighter jets appeared on the horizon, flew over the crosses, and then split apart. As they roared over the camera, the words “God Bless America” appeared on the screen in front of the crosses.
The congregation responded with roaring applause, catcalls, and a standing ovation. I saw several people wiping tears from their eyes. Indeed, as I remained frozen in my seat, I grew teary-eyed as well - but for entirely different reasons. I was struck with horrified grief.
Thoughts raced through my mind: How could the cross and the sword have been so thoroughly fused without anyone seeming to notice? How could Jesus’ self-sacrificial death be linked with flying killing machines? How could Calvary be associated with bombs and missiles? How could Jesus’ people applaud tragic violence, regardless of why it happened and regardless of how they might benefit from its outcome? How could the kingdom of God be reduced to this sort of violent, nationalistic tribalism? Has the church progressed at all since the Crusades?
Indeed, I wondered how this tribalistic, militaristic, religious celebration was any different from the one I had recently witnessed on television carried out by Taliban Muslims raising their guns as they joyfully praised Allah for the victories they believed “he had given them” in Afghanistan?
”
”
Gregory A. Boyd (The Myth of a Christian Nation: How the Quest for Political Power Is Destroying the Church)
“
1: Everyone Knows
It was in the summer of 1998 that my neighbor Coleman Silk—who, before retiring two years earlier, had been a classics professor at nearby Athena College for some twenty-odd years as well as serving for sixteen more as the dean of faculty—confided to me that, at the age of seventy-one, he was having an affair with a thirty-four-year-old cleaning woman who worked down at the college. Twice a week she also cleaned the rural post office, a small gray clapboard shack that looked as if it might have sheltered an Okie family from the winds of the Dust Bowl back in the 1930s and that, sitting alone and forlorn across from the gas station and the general store, flies its American flag at the junction of the two roads that mark the commercial center of this mountainside town.
”
”
Philip Roth (The Human Stain (The American Trilogy, #3))
“
There was no response. Soon afterward, a skiff flying the Spanish flag approached the Charleston. Two Spanish officers came aboard and apologized for not having returned the American “salute” because they had no gunpowder left in their arsenal. It turned out that they had not been resupplied for months and did not know the United States and Spain were at war. The next morning an American lieutenant went ashore. At 10:15 he handed the Spanish commandant a message demanding surrender of the island within thirty minutes. The commandant retired to his quarters. Twenty-nine minutes later he emerged with a reply. “Being without defenses of any kind and without any means for meeting the present situation,” he had written, “I am under the sad necessity of being unable to resist such superior forces and regretfully accede to your demands.
”
”
Stephen Kinzer (The True Flag: Theodore Roosevelt, Mark Twain, and the Birth of American Empire)
“
The “United States” does not exist as a nation, because the ruling class of the U.S./Europe exploits the world without regard to borders and nationality. For instance, multinational or global corporations rule the world. They make their own laws by buying politicians– Democrats and Republicans, and white politicians in England and in the rest of Europe. We are ruled by a European power which disregards even the hypocritical U.S. Constitution. If it doesn’t like the laws of the U.S., as they are created, interpreted and enforced, the European power simply moves its base of management and labor to some other part of the world. Today the European power most often rules through neocolonial regimes in the so-called “Third World.” Through political leaders who are loyal only to the European power, not to their people and the interests of their nation, the European power sets up shop in Africa, Asia, and Latin America. By further exploiting the people and stealing the resources of these nations on every continent outside Europe, the European power enhances its domination. Every institution and organization within the European power has the purpose of adding to its global domination: NATO, the IMF, the World Bank, the military, and the police. The European power lies to the people within each “nation” about national pride or patriotism. We foolishly stand with our hands over our hearts during the “National Anthem” at football games while the somber servicemen in their uniforms hold the red, white and blue flag, then a military jet flies over and we cheer. This show obscures the real purpose of the military, which is to increase European power through intimidation and the ongoing invasion of the globe. We are cheering for imperialist forces. We are standing on Native land celebrating the symbols of de-humanizing terrorism. Why would we do this unless we were being lied to? The European imperialist power lies to us about its imperialism. It’s safe to say, most “Americans” do not recognize that we are part of an empire. When we think of an empire we think of ancient Rome or the British Empire. Yet the ongoing attack against the Native peoples of “North America” is imperialism. When we made the “Louisiana Purchase” (somehow the French thought Native land was theirs to sell, and the U.S. thought it was ours to buy) this was imperialism. When we stole the land from Mexico, this was imperialism (the Mexican people having been previously invaded by the European imperialist power). Imperialism is everywhere. Only the lies of capitalism could so effectively lead us to believe that we are not part of an empire.
”
”
Samantha Foster (Center Africa / and Other Essays To Raise Reparations for African Liberation)
“
The Southern Cross gets the award for the greatest hype among all eighty-eight constellations. By listening to Southern Hemisphere people talk about this constellation, and by listening to songs written about it, and by noticing it on the national flags of Australia, New Zealand, Western Samoa, and Papua New Guinea, you would think we in the North were somehow deprived. Nope. Firstly, one needn’t travel to the Southern Hemisphere to see the Southern Cross. It’s plainly visible (although low in the sky) from as far north as Miami, Florida. This diminutive constellation is the smallest in the sky—your fist at arm’s length would eclipse it completely. Its shape isn’t very interesting either. If you were to draw a rectangle using a connect-the-dots method you would use four stars. And if you were to draw a cross you would presumably include a fifth star in the middle to indicate the cross-point of the two beams. But the Southern Cross is composed of only four stars, which more accurately resemble a kite or a crooked box. The constellation lore of Western cultures owes its origin and richness to centuries of Babylonian, Chaldean, Greek, and Roman imaginations. Remember, these are the same imaginations that gave rise to the endless dysfunctional social lives of the gods and goddesses. Of course, these were all Northern Hemisphere civilizations, which means the constellations of the southern sky (many of which were named only within the last 250 years) are mythologically impoverished. In the North we have the Northern Cross, which is composed of all five stars that a cross deserves. It forms a subset of the larger constellation Cygnus the swan, which is flying across the sky along the Milky Way. Cygnus is nearly twelve times larger than the Southern Cross.
”
”
Neil deGrasse Tyson (Death by Black Hole)
“
Poet's Note: Kindly do not use my poem without giving me due credit. Do not use bits and pieces to suit your agenda of Kashmir whatever it may be. I, Srividya Srinivasan as the creator of this poem own the right to what I have chosen to feel about the issue and have represented all sides to a complex problem that involves people. I do not believe in war or violence of any kind and this is my compassionate side speaking from all angles to human beings thinking they own only their side to the story. THIS POEM IS THE ORIGINAL WORK OF SRIVIDYA SRINIVASAN and any misuse by you shall be considered as a violation of my copyrights and legally actionable. This poem is dedicated to all those who have suffered in Kashmir and through Kashmir and to not be sliced and interpreted to each one's convenience.
----------------------------
Weep softly O mother,
the walls have ears you know...
The streets are awash o mother!
I cannot go searching for him anymore.
The streets are awash o mother
with blood and tears, pellets and screams.
that silently remain locked in the air,
while they seal our soulless dreams.
The guns are out, O mother,
while our boys go armed with stones,
I cannot go looking for him O mother,
I have no courage to face what I will find.
For, I need to tend to this little one beside,
with bound eyes that see no more.
-----
Weep for the home we lost O mother,
Weep for the valley we left behind,
the hills that once bore our names,
where shoulder to shoulder,
we walked the vales,
proud of our heritage.
Hunted out of our very homes,
flying like thieves in the night,
abandoning it all,
fearful for the lives of our men,
fearful of our being raped,
our children killed,
Kafirs they called us O mother,
they marked our homes to kill.
We now haunt the streets of other cities,
refugees in a country we call our own,
belonging nowhere,
feeling homeless without the land
we once called home.
-------------
Weep loudly O mother,
for the nation hears our pain.
As the fresh flag moulds his cold body,
I know his sacrifice was not in vain.
We need to put our chins up, O mother
and face this moment with pride.
For blood is blood, and pain is pain,
and death is final,
The false story we must tell ourselves
is that we are always the right side,
and forget the pain we inflict on the other side.
Until it all stops, it must go on,
the dry tears on either side,
Every war and battle is within and without,
and must claim its wounds and leave its scars,
And, if we need to go on O mother,
it matters we feel we are on the right side.
We need to tell ourselves
we are always the right sight...
We need to repeat it a million times,
We are always the right side...
For god forbid, what if we were not?
---
Request you to read the full poem on my website.
”
”
Srividya Srinivasan
“
Unwashed and undernourished, having spent over four days on five different trains and four military jeeps, Alexander got off at Molotov on Friday, June 19, 1942. He arrived at noon and then sat on a wooden bench near the station. Alexander couldn’t bring himself to walk to Lazarevo. He could not bear the thought of her dying in Kobona, getting out of the collapsed city and then dying so close to salvation. He could not face it. And worse—he knew that he could not face himself if he found out that she did not make it. He could not face returning—returning to what? Alexander actually thought of getting on the next train and going back immediately. The courage to move forward was much more than the courage he needed to stand behind a Katyusha rocket launcher or a Zenith antiaircraft gun on Lake Ladoga and know that any of the Luftwaffe planes flying overhead could instantly bring about his death. He was not afraid of his own death. He was afraid of hers. The specter of her death took away his courage. If Tatiana was dead, it meant God was dead, and Alexander knew he could not survive an instant during war in a universe governed by chaos, not purpose. He would not live any longer than poor, hapless Grinkov, who had been cut down by a stray bullet as he headed back to the rear. War was the ultimate chaos, a pounding, soul-destroying snarl, ending in blown-apart men lying unburied on the cold earth. There was nothing more cosmically chaotic than war. But Tatiana was order. She was finite matter in infinite space. Tatiana was the standard-bearer for the flag of grace and valor that she carried forward with bounty and perfection in herself, the flag Alexander had followed sixteen hundred kilometers east to the Kama River, to the Ural Mountains, to Lazarevo. For two hours Alexander sat on the bench in unpaved, provincial, oak-lined Molotov. To go back was impossible. To go forward was unthinkable. Yet he had nowhere else to go. He crossed himself and stood up, gathering his belongings. When Alexander finally walked in the direction of Lazarevo, not knowing whether Tatiana was alive or dead, he felt he was a man walking to his own execution.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
What about patriotism? Is it permissible for a Christian to be patriotic? Yes and no. It depends on what is meant by patriotism. If by patriotism we mean a benign pride of place that encourages civic duty and responsible citizenship, then patriotism poses no conflict with Christian baptismal identity. But if by patriotism we mean religious devotion to nationalism at the expense of the wellbeing of other nations; if we mean a willingness to kill others (even other Christians) in the name of national allegiance; if we mean an uncritical support of political policies without regard to their justice, then patriotism is a repudiation of Christian baptismal identity. It is extraordinarily naive for a Christian to rule out categorically the possibility of any conflict between their national identity and their baptismal identity. But it’s precisely this kind of naiveté that is on display every time a church flies an American flag above the so-called Christian flag. Or perhaps it’s a bit of unintended truth-telling. Flags are powerful symbols that have the capacity to evoke strong emotions—think of the passion connected with protests involving flag burning. In the world of symbol, flags are among the most revered signs. So when a church flies the American flag above the Christian flag, what is the message being communicated? How can it be anything other than that all allegiances—including allegiance to Christ—must be subordinate to a supreme national allegiance? This is what Caiaphas admitted when he confessed to Pilate, “We have no king but Caesar.”[8] When the American flag is placed in supremacy over all other flags—including a flag intended to represent Christian faith—aren’t we saying our faith is subordinate to our patriotism? Is there any other interpretation? And if you’re inclined to argue that I’m making too much out of the mere arrangement of flags on a church lawn, try reversing them and see what happens! For the “America First” Christian it would create too much cognitive dissonance to actually admit that their loyalty to Christ is penultimate, trumped by their primary allegiance to America, but there are plenty of moments when the truth seeps out.
”
”
Brian Zahnd (Postcards from Babylon: The Church In American Exile)
“
Eeh, but whah’s the use, the fuckin’ use?” Dixon resting his head briefly tho’ audibly upon the Table. “It’s over . . . ? Nought left to us but Paper-work . . . ?” Their task has shifted, from Direct Traverse upon the Line to Pen-and-Paper Representation of it, in the sober Day-Light of Philadelphia, strain’d thro’ twelve-by-twelve Sash-work, as in the spectreless Light of the Candles in their Rooms, suffering but the fretful Shadows of Dixon at the Drafting Table, and Mason, seconding now, reading from Entries in the Field-Book, as Dixon once minded the Clock for him. Finally, one day, Dixon announces, “Well,— won’t thee at least have a look . . . ?” Mason eagerly rushes to inspect the Map of the Boundaries, almost instantly boggling, for there bold as a Pirate’s Flag is an eight-pointed Star, surmounted by a Fleur-de-Lis. “What’s this thing here? pointing North? Wasn’t the l’Grand flying one of these? Doth it not signify, England’s most inveterately hated Rival? France?” “All respect, Mason,— among Brother and Sister Needle-folk in ev’ry Land, ’tis known universally, as the ‘Flower-de-Luce.’ A Magnetickal Term.” “ ‘Flower of Light’? Light, hey? Sounds Encyclopedistick to me, perhaps even Masonick,” says Mason. A Surveyor’s North-Point, Dixon explains, by long Tradition, is his own, which he may draw, and embellish, in any way he pleases, so it point where North be. It becomes his Hall-Mark, personal as a Silver-Smith’s, representative of his Honesty and Good Name. Further, as with many Glyphs, ’tis important ever to keep Faith with it,— for an often enormous Investment of Faith, and Will, lies condens’d within, giving it a Potency in the World that the Agents of Reason care little for. “ ’Tis an ancient Shape, said to go back to the earliest Italian Wind-Roses,” says Dixon, “— originally, at the North, they put the Letter T, for Tramontane, the Wind that blew down from the Alps . . . ? Over the years, as ever befalls such frail Bric-a-Brack as Letters of the Alphabet, it was beaten into a kind of Spear-head,— tho’ the kinder-hearted will aver it a Lily, and clash thy Face, do tha deny it.” “Yet some, finding it upon a new Map, might also take it as a reassertion of French claims to Ohio,” Mason pretends to remind him. “Aye, tha’ve found me out, I confess,— ’tis a secret Message to all who conspire in the Dark! Eeh! The old Jesuit Canard again!
”
”
Thomas Pynchon (Mason & Dixon)
“
America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register.
America is the wealthiest nation on Earth, but its people are mainly poor, and poor
Americans are urged to hate themselves To quote the American humorist Kin Hubbard,
'It ain't no disgrace to be poor, but might as well be.' It is in fact a crime for an American
to be poor, even though America is a nation of poor. Every other nation has folk
traditions of men who were poor but extremely wise and virtuous, and therefore more
estimable than anyone with power and gold. No such tales are told by the American
poor. They mock themselves and glorify their betters. The meanest eating or drinking
establishment, owned by a man who is himself poor, is very likely to have a sign on its
wall asking this cruel question: 'If you're so smart, why ain't You rich? ' There will also
be an American flag no larger than a child's hand-glued to a lollipop stick and, flying
from the cash register.
Americans, like human beings everywhere, believe many things that are obviously
untrue, the monograph went on. Their most destructive untruth is that it is very easy for
any American to make money. They will not acknowledge how in fact hard money is to
come by, and, therefore, those who have no money blame and blame and blame
themselves. This inward blame has been a treasure for the rich and powerful, who have
had to do less for their poor, publicly and privately, than any other ruling class since, say,
Napoleonic times.
Many novelties have come from America. The most startling of these, a thing without
precedent, is a mass of undignified poor. They do not love one another because they do
not love themselves. Once this is understood the disagreeable behavior of American
enlisted men in German prisons ceases to be a mystery.
Every other army in history, prosperous or not, has attempted to
clothe even its lowliest soldiers so as to make them impressive to themselves and others
as stylish experts in drinking and copulation and looting and sudden death. The American
Army, however, sends its enlisted men out to fight and die in a modified business suit
quite evidently made for another man, a sterilized but unpressed gift from a nose-holding
charity which passes out clothing to drunks in the slums.
When a dashingly-clad officer addresses such a frumpishly dressed bum, he scolds
him, as an officer in an army must. But the officer's contempt is not, as in 'other armies,
avuncular theatricality. It is a genuine expression of hatred for the poor, who have no one
to blame for their misery but themselves.
A prison administrator dealing with captured American enlisted men for the first time
should be warned: Expect no brotherly love, even between brothers. There will be no
cohesion between the individuals. Each will be a sulky child who often wishes he were
dead.
”
”
Kurt Vonnegut Jr. (Breakfast of Champions)