Fit For A Queen Quotes

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Every day we're told that we live in the greatest country on earth. And it's always stated as an undeniable fact: Leos are born between July 23 and August 22, fitted queen-size sheets measure sixty by eighty inches, and America is the greatest country on earth. Having grown up with this in our ears, it's startling to realize that other countries have nationalistic slogans of their own, none of which are 'We're number two!
David Sedaris (Me Talk Pretty One Day)
To be successful, one has to be one of three bees - the queen bee, the hardest working bee, or the bee that does not fit in.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Oh, a sleeping drunkard Up in Central Park, And a lion-hunter In the jungle dark, And a Chinese dentist, And a British queen-- All fit together In the same machine. Nice, nice, very nice; Nice, nice, very nice; Nice, nice, very nice-- So many different people In the same device.
Kurt Vonnegut Jr. (Cat’s Cradle)
But like my brother, I too have a crutch. Mine is not metal. It is flesh and fire and bronze eyes. If only I could cast him away. If only I was strong enough to let the prince go and do what he would with his vengeance. To die or live as he saw fit. But I need him. And I can’t find the strength to let him go.
Victoria Aveyard (Glass Sword (Red Queen, #2))
If the king could make a throne seem like a stool fit for a printer's apprentice, the queen could make a rumpled bedspread into a throne.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
Why should women have to fit into child sizes in order to be considered desirable? That is both sick and depressing.
Meg Cabot (Queen of Babble (Queen of Babble, #1))
No Queen with a frozen heart is fit to rule any country.
L. Frank Baum (The Scarecrow of Oz (Oz, #9))
Reasons we should get married: Because I love you. We both look good in black boots. I spent some time without you, and I didn’t like it. You make me happy. I make you laugh. I like the way you fight. You see through my masks. I really love you. You love me, too. (Though you’ve mostly said this while yelling, so perhaps I should have double-checked.) Army of tiny vigilantes. (I have name ideas.) Various political reasons that make sense but don’t fit with the theme of this list. I’m holding your handwriting hostage. You can have it back when you say yes.
Jodi Meadows (The Mirror King (The Orphan Queen, #2))
Stay fit and live long and prosper, but write your own obituary now, while you can, just in case.
Jill Conner Browne (The Sweet Potato Queens' Book of Love: A Fallen Southern Belle's Look at Love, Life, Men, Marriage, and Being Prepared)
I want my daughters to be beautiful, accomplished, and good. To be admired, loved, and respected. To have a happy youth, to be well and wisely married, and to lead useful, pleasant lives, with as little care and sorrow to try them as God sees fit to send. To be loved and chosen by a good man is the best and sweetest thing which can happen to a woman, and I sincerely hope my girls may know this beautiful experience. It is natural to think of it, Meg, right to hope and wait for it, and wise to prepare for it, so that when the happy time comes, you may feel ready for the duties and worthy of the joy. My dear girls, I am ambitious for you, but not to have you make a dash in the world, marry rich men merely because they are rich, or have splendid houses, which are not homes because love is wanting. Money is a needful and precious thing, and when well used, a noble thing, but I never want you to think it is the first or only prize to strive for. I'd rather see you poor men's wives, if you were happy, beloved, contented, than queens on thrones, without self-respect and peace.
Louisa May Alcott (Little Women (Little Women #1))
Oh, a lion hunter in the jungle dark, And a sleeping drunkard up in central park, and a Chinese dentist and a British queen All fit together in the same machine. Nice, nice, such very different people in the same device!
Kurt Vonnegut Jr. (A Man Without a Country)
Did you let him know that if he can't see fit to return your blow job immediately, you will have no choice but to sue?
Meg Cabot (Queen of Babble (Queen of Babble, #1))
I see that if you try to fit someone in a box, she might slip through the seams like water and become her own river.
Laura Resau (The Queen of Water)
But even if they fit differently now, they still fit like sisters.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
Gavin has started calling you the queen of zombie hearts,” Cole said. “And you know what, he’s right. It fits. Before you, I wasn’t really living. I was existing. Moving from girl to girl. Killing zombies. I was as good as dead, but you brought me back to life. And you are most definitely the queen of my heart.
Gena Showalter (The Queen of Zombie Hearts (White Rabbit Chronicles, #3))
Besides, there's no one way to be a girl, Tay. You don't need to fit yourself into what society tells us a girl should be. Girls can be whoever they want. Whether that's an ass-kicking, sarcastic, crime-solving FBI Agent or a funny, gorgeous, witty beauty queen--or both at the same time." She swings an arm around me and pulls me in. "Are you happy the way you are? Are you comfortable? Do you feel like yourself?" The corner of my mouth lifts into a half smile. "Yes. Yes. And yes." "Then that's all that matters. Fuck everything else.
Jen Wilde (Queens of Geek)
I have done what they expected of me. I have curtsied for my Queen and made my debut. This is what I have anticipated eagerly for years. So why do I feel so unsatisfied? Everyone is merry. They haven't a care in the world. And perhaps that is it. How terrible it is to have no cares, no longings. I do not fit. I feel too deeply and want too much.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
A thousand stories had painted cities in his mind, the great cities of kings and queens, of thrones and powers and legends, and Caemlyn fit into those mind-deep pictures and water fits into a jug.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.' Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile. 'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.' He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.' Kel nodded. 'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble. 'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
Tamora Pierce (Squire (Protector of the Small, #3))
Wanna rock you, girl, with a butterfly tunic. / No, I'm not gay, I'm just your emo enuch. / Gonna smile real shy, won't cop a feel, / 'cause I'm your virgin crush, your supersafe deal. / Let those other guys keep sexing. / You and me, we be texting / 'bout unicorns and rainbows and our perfect love. / Girl, we fit together like a hand in a glove. / Now I don't mean that nasty, tell your mum don't get mad. / I even wrote 'You're awesome' on your maxi pads.
Libba Bray (Beauty Queens)
She's locked up with a spinning wheel She can't recall what it was like to feel She says, "This room's gonna be my grave And there's no one who can save me," She sits down to her colored thread She knows lovers waking up in their beds She says, "How long can I live this way Is there someone I can pay to let me go 'Cause I'm half sick of shadows I want to see the sky Everyone else can watch as the sun goes down So why can't I And it's raining And the stars are falling from the sky And the wind And the wind I know it's cold I've been waiting For the day I will surely die And it's here And it's here for I've been told That I'll die before I'm old And the wind I know it's cold... She looks up to the mirrored glass She sees a horse and rider pass She says, "This man's gonna be my death 'Cause he's all I ever wanted in my life And I know he doesn't know my name And that all the girls are all the same to him But still I've got to get out of this place 'Cause I don't think I can face another night Where I'm half sick of shadows And I can't see the sky Everyone else can watch as the tide comes in So why can't I But there's willow trees And little breezes, waves, and walls, and flowers And there's moonlight every single night As I'm locked in these towers So I'll meet my death But with my last breath I'll sing to him I love And he'll see my face in another place," And with that the glass above Her cracked into a million bits And she cried out, "So the story fits But then I could have guessed it all along 'Cause now some drama queen is gonna write a song for me," She went down to her little boat And she broke the chains and began to float away And as the blood froze in her veins she said, "Well then that explains a thing or two 'Cause I know I'm the cursed one I know I'm meant to die Everyone else can watch as their dreams untie So why can't I
Emilie Autumn
To be successful, one has to be one of three bees - the queen bee, the hardest working bee, or the bee that does not fit in. One success is inherited, and the the next one is earned. While the last one is self-sought, self-served, and happens on its own terms.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
people are attracted to people of high reproductive and genetic potential—the healthy, the fit, and the powerful.
Matt Ridley (The Red Queen: Sex and the Evolution of Human Nature)
He was now beginning to wonder whether the jigsaw was the correct metaphor for relationships between me and women after all. It didn't take account of the sheer stubbornness of human beings, their determination to affix themselves to another even if they didn't fit. They didn't care about jutting off at weird angles, and they didn't care about phone booths and Mary, Queen of Scots. They were motivated not by seamless and sensible matching, but by eyes, mouths, smiles, minds, breasts and chests and bottoms, wit, kindness, charm, romantic history and all sorts of other things that made straight edges impossible to achieve.
Nick Hornby (Juliet, Naked)
All this time, he thought magic had chosen him. Maybe magic never chose. Maybe it had always been about the fit. A key latching into a hole. Maybe there had been just enough holes in him for magic to slip through and hook him like spurs into cloth.
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
a husband should treat a wife like a queen and that a wife should treat a husband like a well-loved servant.
Sugar Jamison (My Curvy Valentine (Perfect Fit, #3.5))
The whole point of my gender transition was to free myself up. If something feels good, I'm not going to stop doing it because it doesn't fit someone else's notion of what a man is. -David Harrison
Carol Queen (PoMoSexuals: Challenging Assumptions About Gender and Sexuality)
Leaves don't grow back onto a vine, cracked walnuts don't fit back into their shells, and girlfriends who've been enchanted don't just wake up and decide to let things slide with their terrifying exes.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Nick: "You look rather done in. Anything wrong?" Drew shrugged. "Not really. The world's not a fit place to live in, but unfortunately there just aren't any other viable options." "Cheery as always." Nick grinned. "I understand you've been up to London again. Presumably it wasn't to see the queen." "No, I believe Tuesdays she does the ironing and isn't at home to visitors." "Pity. All that way for nothing.
Julianna Deering
So now you are a woman. Do you have the least idea of what that means? It means that I am now fit to be wedded and bedded (...) and to bear children for the king.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Everyone is different.” Nick pulls his wife to his side. “It’s about finding the different that fits together.
Mink (Marco's Girl)
I used to think fear either numbed or nudged. Now I knew fear did neither. Fear was a key that fit every person's hollow spaces---those things that kept us cold at night and that place where we retreated when no one was looking---and all it could do was unlock what was already there.
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
We consult astrology charts like the Babylonians, try to make our children into our own image with a firm hand like the Romans, elbow others to get a breath-quickening glimpse of the queen in her ritual procession, and confess to the priests and attend church. And we wonder why, with all this power capital drawn from so many sources, we are deeply anxious about the meaning of our lives. The reason is plain enough: none of these, nor all of them taken together, represents an integrated world conception into which we fit ourselves with pure belief and trust.
Ernest Becker
Oh, a sleeping drunkard Up in Central Park, And a lion-hunter In the jungle dark, And a Chinese dentist, And a British queen-- All fit together In the same machine. Nice, nice, very nice; Nice, nice, very nice; Nice, nice, very nice-- So many different people In the same device.
Kurt Vonnegut Jr. (Cat’s Cradle)
She could see why men and women through the ages had become besotted with opals. It was as though an almighty hand had scooped a palmful of emeralds, sapphires, diamonds, and pearls and mixed their radiant hues. Fit for a queen. Such a noble stone.
Tea Cooper (The Woman in the Green Dress)
If I’ll ever have a daughter, I’ll teach her that beauty is found in no beauty salons or fitness centers, but that beauty lays in those thoughts she chooses to fill her mind with. I’ll teach her that she was born free and no one has the power to prevent her from her right to choose, to take a stand or even to fly. I’ll teach her that love is no fancy dates or morning texts but that love is all about feeling safe , making effort and respect. I’ll teach her that pride and confidence are the most glorious things she may ever wear. And I will always remind her that she is a queen of her own kingdom, and a queen allow nothing to miss with her crown …
Samiha Totanji
I especially treasured my glimpses of Mother, Queen Cleopatra VII. She sat on a golden throne, looking as resplendent as one of the giant marble statues guarding the tombs of the Old Ones. Diamonds twinkled in a jungle of black braids on her ceremonial wig. She wore a diadem with three rearing snakes and a golden broad collar, shining with lapis lazuli, carnelian, and emeralds, over her golden, form-fitting pleated gown. In one hand, she held a golden ankh of life, while the other clasped the striped crook and flail of her divine rulership. Her stillness radiated power, like a lioness pausing before the pounce. It left me breathless with awe.
Vicky Alvear Shecter (Cleopatra's Moon)
The suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset. It was built of a bright brick throughout; its sky-line was fantastic, and even its ground plan was wild. It had been the outburst of a speculative builder, faintly tinged with art, who called its architecture sometimes Elizabethan and sometimes Queen Anne, apparently under the impression that the two sovereigns were identical. It was described with some justice as an artistic colony, though it never in any definable way produced any art. But although its pretensions to be an intellectual centre were a little vague, its pretensions to be a pleasant place were quite indisputable. The stranger who looked for the first time at the quaint red houses could only think how very oddly shaped the people must be who could fit in to them. Nor when he met the people was he disappointed in this respect. The place was not only pleasant, but perfect, if once he could regard it not as a deception but rather as a dream. Even if the people were not "artists," the whole was nevertheless artistic. That young man with the long, auburn hair and the impudent face -- that young man was not really a poet; but surely he was a poem. That old gentleman with the wild, white beard and the wild, white hat -- that venerable humbug was not really a philosopher; but at least he was the cause of philosophy in others. That scientific gentleman with the bald, egg-like head and the bare, bird-like neck had no real right to the airs of science that he assumed. He had not discovered anything new in biology; but what biological creature could he have discovered more singular than himself? Thus, and thus only, the whole place had properly to be regarded; it had to be considered not so much as a workshop for artists, but as a frail but finished work of art. A man who stepped into its social atmosphere felt as if he had stepped into a written comedy.
G.K. Chesterton (The Man Who Was Thursday)
Saetan paused. “Can you also appreciate that, in the thirteen years she’s lived here, Jaenelle has never been concerned enough about clothes to ask for my opinion about something she was wearing. And can you appreciate that she wasn’t asking for my opinion as her Steward or her father but as a man. And I admit that, considering the way that dress fit her, my opinion of it as a father would have differed considerably from my opinion as a man.” Daemon almost smiled. “She sees you as a man, Daemon. A man, not a male friend. For the first time in her life, she’s trying to deal with her own lust. So she’s running.” “She’s not the only one trying to deal with it,” Daemon muttered, but the sleepy look had changed to sharp interest. “I am her Consort. She could just—” Saetan shook his head. “Do you really think Jaenelle would demand that from you?” “No.
Anne Bishop (Queen of the Darkness (The Black Jewels, #3))
[speaking of a friend named Lavendar Lewis] 'I think her parents gave her the only right and fitting name that could possibly be given her,' said Anne. 'If they had been so blind as to name her Elizabeth or Nellie or Muriel she must have been called Lavendar just the same, I think. It's so suggestive of sweetness and old-fashioned graces and "silk attire." Now, my name just smacks of bread and butter, patchwork and chores.' 'Oh, I don't think so,' said Diana. 'Anne seems to me real stately and like a queen. But I'd like Kerenhappuch if it happened to be your name. I think people make their names nice or ugly just by what they are themselves. I can't bear Josie or Gertie for names now but before I knew the Pye girls I thought them real pretty.' 'That's a lovely idea, Diana,' said Anne enthusiastically. 'Living so that you beautify your name, even if it wasn't beautiful to begin with...making it stand in people's thoughts for something so lovely and pleasant that they never think of it by itself. Thank you, Diana.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
THE THREE BEES by Suzy Kassem A young boy once asked A wealthy beekeeper: “What is the secret of Your success?” The beekeeper simply smiled And replied: “To be successful, One has to be one of three bees: The queen bee, The hardest working bee, Or the bee that does not fit in. One success is inherited, And the next one is earned. While the last one is Self-sought, Self-served, And happens on its own Terms.” “And which bee are you?” Asked the boy. The beekeeper then wiped The sweat from his head And said: “The last may seem the riskiest, But the glory of achievement Is the most rewarding. Freedom always comes at a high cost, But only when you are Your own boss, Can you truly Afford it.” (Suzy Kassem Poetry)
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
I’m an Exquisite Black Queen! I like, love, and celebrate myself. I don’t fit society’s beauty standards, but I’m beautiful to me. I know my worth and I respect who I am as a woman. I’ve got beauty on the inside and that makes me empowered and powerful. I’m fearless and comfortable in my own skin. I’ve got flaws, but I’m still confident! This Queen right here is flawed yet phenomenal, valuable and unique!
Stephanie Lahart
Some might call it a smile. I, however, just wonder if you’re having some kind of fit.
G.A. Aiken (The Blacksmith Queen (The Scarred Earth Saga, #1))
A queen doesn’t sit idle in her ivory tower.” I stand, shoving my hands in my pockets. “But fuck, I do hope I’m around to see when you fit the crown on your head.
Lee Jacquot (Queen of Madness (The Wicked Wonderland Duet, #1))
I’m bisexual. Don’t ignore half of me so you can fit me in a box.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
It’s a hurt so vast I can’t see any end to it. I could fit entire galaxies into the space it’s carved out for itself inside me.
Laura Thalassa (The Queen of All that Lives (The Fallen World, #3))
I never blindly roamed with a team just for the sake of social labeling or fitting in. I was never part of a particular group, scene or tribe. I was friends with everybody. My best friend in high school was prom queen, yet I was voted the biggest nonconformist of my senior class.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
… Birch and fir logs burn too fast Blaze up bright and do not last … But ash green or ash brown Is fit for a queen with golden crown Poplar gives a bitter smoke Fills your eyes and makes you choke Apple wood will scent your room Pear wood smells like flowers in bloom Oaken logs, if dry and old Keep away the winter’s cold But ash wet or ash dry A king shall warm his slippers by Mattie
Viola Shipman (The Hope Chest)
Yet, with all that, no one dared to interfere. Burke had exhausted all his eloquence in trying to induce the British Government to fight the revolutionary government of France, but Mr. Pitt, with characteristic prudence, did not feel that this country was fit yet to embark on another arduous and costly war. It was for Austria to take the initiative; Austria, whose fairest daughter was even now a dethroned queen, imprisoned and insulted by a howling mob; surely 'twas not—so argued Mr. Fox—for the whole of England to take up arms, because one set of Frenchmen chose to murder another.
Emmuska Orczy (The Scarlet Pimpernel)
A fit queen for that nest of roses was the human flower that adorned it, for a year of love and luxury had ripened her youthful beauty into a perfect bloom. Graceful by nature, art had little to do for her, and, with a woman’s aptitude, she had acquired the polish which society alone can give. Frank and artless as ever, yet less free in speech, less demonstrative in act; full of power and passion, yet still half unconscious of her gifts; beautiful with the beauty that wins the heart as well as satisfies the eye, yet unmarred by vanity or affectation. She now showed fair promise of becoming all that a deep and tender heart, an ardent soul and a gracious nature could make her, once life had tamed and taught her more.
Louisa May Alcott (A Long Fatal Love Chase)
...women are conditioned to waste hours, days, weeks, months (although, truth be told, it's most likely years) doubting, undermining, and ultimately hating parts, if not all, of themselves based solely on "problems" with their bodies that can be solved by buying products from an industry that invented these problems in the first place. How fucking convenient. And when all is said and done, what is the prize for this self-torture? Fitting neatly within society's destructive narrative about the female body.
Phoebe Robinson (Everything's Trash, But It's Okay)
He’s a bit of a dick,” I said, flailing for something. Paul rolled his eyes. “Well it’s a good thing you’re a bottom, because you’re an asshole, so the two of you fit together just fine.” “Wow,” I said. “That was a thing of beauty.” Paul looked rather pleased with himself. “Thank you. Wordplay is just like foreplay. You have to just ease into it a little—” “Yeah, you’re losing me now.
T.J. Klune (The Queen & the Homo Jock King (At First Sight, #2))
Listeners love when opera dethrones or kills language; the regicide, on these occasions, is the revolutionary, pleasure-seeking, penetrated, tickled ear. Opera theory tells us that words master music, but we, in our secret hearts, know music's superiority; and this destruction of language, this reversal of hierarchy, makes opera a fit object for the enthusiasms of sex-and-gender dissidents.
Wayne Koestenbaum (Queen's Throat: Opera, Homosexuality And The Mystery Of Desire)
That’s disappointing,” she says with exaggerated distress. “But at least it’s progress.” “Goodness, I’m so sorry you’re so sad about this.” “Did you just say ‘goodness’?” “Apparently. I don’t know why.” “How quaint of you. Perhaps I shall start exclaiming ‘Goodness!’ from now on. It has an old-fashioned ring to it. There’s no reason to get a bee in your bonnet, missy! Egad and fiddlesticks and dang it all! God save the queen!” “God save the queen? Really? How does that fit in here?” “I think it’s a nice substitution for swearing. I’m going to start using it, like, all the time, so get ready.
Jessica Park (180 Seconds)
The world don't always love you for who you are. There are too many bodies here. Too many perceptions of what is and isn't beautiful. So here we are, with most of us uncomfortable in our own skin, wishing to be someone different. Thinking happiness only happens if you fit in. What to do when the world wants you to be prettier, skinnier, curvier, or have lighter or darker skin. You declare your own universe, bright and alive within your veins. You are the king or the queen, the one who makes the rules and ignores everyone who cannot see just how brilliant you are, made from atoms brighter than stars.
Courtney Peppernell (Mending the Mind (Pillow Thoughts, #3))
She’s my best friend,” I reminded him. “If she is, she’ll come to see what’s good for you and she’ll sort her shit out. If she’s a different kind of woman, she won’t. Instead, she’ll see green and won’t clue in that men do not want high maintenance drama queens so much they steer well clear and until she shifts that shit outta her life, it’s gonna be a lonely one. Unlike her friend who sees a man drinking outta her milk jug, processes that it’s highly unlikely she’s gonna break him of that habit seein’ as he’s forty-five and still does it and has since he was a kid, lets it go and moves on all in the expanse of about a second instead of throwing a shit fit about it which gets her nowhere, is a waste of energy and leaves both involved feeling like garbage.” Well, I had to admit, all that was interesting and insightful and weirdly mature.
Kristen Ashley (Wild Man (Dream Man, #2))
Let kings stack their treasure houses ceiling-high, and merchants burst their vaults with hoarded coin, and fools envy them. I have a treasure that outvalues theirs. A diamond as big as a man’s skull. Twelve rubies each as big as the skull of a cat. Seventeen emeralds each as big as the skull of a mole. And certain rods of crystal and bars of orichalcum. Let Overlords swagger jewel-bedecked and queens load themselves with gems, and fools adore them. I have a treasure that will outlast theirs. A treasure house have I builded for it in the far southern forest, where the two hills hump double, like sleeping camels, a day’s ride beyond the village of Soreev. “A great treasure house with a high tower, fit for a king’s dwelling—yet no king may dwell there.  Immediately below the keystone of the chief dome my treasure lies hid, eternal as the glittering stars. It will outlast me and my name, I, Urgaan of Angarngi. It is my hold on the future. Let fools seek it. They shall win it not. For although my treasure house be empty as air, no deadly creature in rocky lair, no sentinel outside anywhere, no pitfall, poison, trap, or snare, above and below the whole place bare, of demon or devil not a hair, no serpent lethal-fanged yet fair, no skull with mortal eye a-glare, yet have I left a guardian there. Let the wise read this riddle and forbear.
Fritz Leiber (Swords Against Death (Lankhmar, 2))
And cried for mamma, at every turn'-I added, 'and trembled if a country lad heaved his fist against you, and sat at home all day for a shower of rain.-Oh, Heathcliff, you are showing a poor spirit! Come to the glass, and I'll let you see what you should wish. Do you mark those two lines between your eyes, and those thick brows, that instead of rising arched, sink in the middle, and that couple of black fiends, so deeply buried, who never open their windows boldly, but lurk glinting under them, like devil's spies? Wish and learn to smooth away the surly wrinkles, to raise your lids frankly, and change the fiends to confident, innocent angels, suspecting and doubting nothing, and always seeing friends where they are not sure of foes-Don't get the expression of a vicious cur that appears to know the kicks it gets are its desert, and yet, hates all the world, as well as the kicker, for what it suffers.' 'In other words, I must wish for Edgar Linton's great blue eyes, and even forehead,' he replied. 'I do - and that won't help me to them.' 'A good heart will help you to a bonny face, my lad,' I continued, 'if you were a regular black; and a bad one will turn the bonniest into something worse than ugly. And now that we've done washing, and combing, and sulking - tell me whether you don't think yourself rather handsome? I'll tell you, I do. You're fit for a prince in disguise. Who knows, but your father was Emperor of China, and your mother an Indian queen, each of them able to buy up, with one week's income, Wuthering Heights and Thrushcross Grange together? And you were kidnapped by wicked sailors, and brought to England. Were I in your place, I would frame high notions of my birth; and the thoughts of what I was should give me courage and dignity to support the oppressions of a little farmer!
Emily Brontë (Wuthering Heights)
Virtue can exist outside of faith, but it walks on shaky legs, and despite the example set by Prince Albert and our Queen, I know that privilege, rank, and wealth sleep fitfully in the same bed with honesty, humility, and faith.
Janice Graham (The Tailor's Daughter)
What’s the most fundamental human urge?” Barrett recites for her. “To find the perfect pair of jeans. To find the jeans that fit and flatter you so ideally that everybody, every cognizant being on the planet, will want to fuck you.
Michael Cunningham (The Snow Queen)
This was the culmination of all her hopes. God had seen fit to answer her prayers, and she was filled to the brim with thankfulness. She was to be Queen of England, raised by this magnificent young man to be the bride of his heart and the mother of his heirs. Those who had scorned he and tried to humiliate her would now have to defer to her - she tried not to relish the prospect, but she was only human. The days of want were gone for good; very shortly she wold be the wife of the richest king ever to reign in England.
Alison Weir (Katherine of Aragón: The True Queen (Six Tudor Queens, #1))
A significant number of human cultures have viewed homosexual relations as not only legitimate but even socially constructive, ancient Greece being the most notable example. The Iliad does not mention that Thetis had any objection to her son Achilles’ relations with Patroclus. Queen Olympias of Macedon was one of the most temperamental and forceful women of the ancient world, and even had her own husband, King Philip, assassinated. Yet she didn’t have a fit when her son, Alexander the Great, brought his lover Hephaestion home for dinner.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Wait a minute... that dish. I've seen it before! It's the Tempura-Egg Rice Bowl he served me before! "Now, I've made two servings of this. One for you, of course, Book Master. The other one... how about you taste it, Nakiri." "Yukihira?" "Don't confuse this for the dish I served you that other time. See, that old dish wasn't enough to make you say it was good... ... so I've been secretly working on some new twists I could add to it. Eat! Erina Nakiri! Dig in. I call it my Soma-Style... ... Eggs Benedict over Rice... ... fit for a Queen.
Yūto Tsukuda (食戟のソーマ 36 [Shokugeki no Souma 36] (Food Wars: Shokugeki no Soma, #36))
Oh, a sleeping drunkard Up in Central Park, And a lion-hunter In the jungle dark, And a Chinese dentist, And a British queen— All fit together In the same machine. Nice, nice, very nice; Nice, nice, very nice; Nice, nice, very nice— So many different people In the same device.
Kurt Vonnegut Jr. (Cat's Cradle)
I just let the apples soak up the roses' scent." "You what?!" "This takes a teeny little while to do, but... first, you take the petals off the damask's and wash them gently. When you've washed a whole big fluffy pile of petals... you dump them all into a big pot of water! Let that boil down, and you get a sweet, pink rose syrup! While that was reducing, I lightly heated thin apple slices in an extract I made from boiled apple peels. Then I poured the rose syrup over them and let them soak for 30 minutes. That way the delicate pink color and sweet scent of the roses gently seeped into the apples. Just boiling the lot of them together into a mush like a barbarian is hardly royal, you know. An elegant and relaxing bath in rose-scented water. That is much more fitting for the Queen of Roses. If I had to give a name to perfect my new dessert, I'd call it... The Queen's Apple Tart!
Yūto Tsukuda (食戟のソーマ 28 [Shokugeki no Souma 28] (Food Wars: Shokugeki no Soma, #28))
Beauty and wit, too sad a truth, Have always been confined to youth; The god of wit, and beauty’s queen, He twenty-one, and she fifteen; No poet ever sweetly sung. Unless he were like Phœbus, young; Nor ever nymph inspired to rhyme, Unless like Venus in her prime. At fifty-six, if this be true, Am I a poet fit for you; Or at the age of forty-three, Are you a subject fit for me? Adieu bright wit, and radiant eyes; You must be grave, and I be wise. Our fate in vain we would oppose, But I’ll be still your friend in prose; Esteem and friendship to express, Will not require poetic dress; And if the muse deny her aid To have them sung, they may be said.
Jonathan Swift (The Collected Works of Jonathan Swift: The Complete Works PergamonMedia (Highlights of World Literature))
feeling somehow that she might fall from a precipice, that sitting over the chessboard she had bought at Purcell’s in Kentucky, she was actually poised over an abyss, sustained there only by the bizarre mental equipment that had fitted her for this elegant and deadly game. On the board there was danger everywhere. A person could not rest.
Walter Tevis (The Queen's Gambit)
I made tiny newspapers of ant events, stamp-sized papers at first, then a bit bigger, too big for ants, it distressed me, but I couldn’t fit the stories otherwise and I wanted real stories, not just lines of something that looked like writing. Anyway, imagine how small an ant paper would really be. Even a stamp would have looked like a basketball court. I imagine political upheavals, plots and coups d e’tat, and I reported on them. I think I may have been reading a biography of Mary Queen of Scots at the time…. Anyway, there was this short news day for the ants. I’d run out of political plots, or I was bored with them. So I got a glass of water and I created a flood. The ants scrambled for safety, swimming for their lives. I was kind of ashamed, but it made for good copy. I told myself I was bringing excitement into their usual humdrum. The next day, I dropped a rock on them. It was a meteorite from outer space. They gathered around it and ran up and over it; obviously they didn’t know what to do. It prompted three letters to the editor.
Karen Joy Fowler (The Jane Austen Book Club)
As happens in dreams, when a perfectly harmless object inspires us with fear and thereafter is frightening every time we dream of it (and even in real life retains disquieting overtones), so Dreyer's presence became for Franz a refined torture, an implacable menace. [ ... H]e could not help cringing when, with a banging of doors in a dramatic draft, Martha and Dreyer entered simultaneously from two different rooms as if on a too harshly lit stage. Then he snapped to attention and in this attitude felt himself ascending through the ceiling, through the roof, into the black-brown sky, while, in reality, drained and empty, he was shaking hands with Martha, with Dreyer. He dropped back on his feet out of that dark nonexistence, from those unknown and rather silly heights, to land firmly in the middle of the room (safe, safe!) when hearty Dreyer described a circle with his index finger and jabbed him in the navel; Franz mimicked a gasp and giggled; and as usual Martha was coldly radiant. His fear did not pass but only subsided temporarily: one incautious glance, one eloquent smile, and all would be revealed, and a disaster beyond imagination would shatter his career. Thereafter whenever he entered this house, he imagined that the disaster had happened—that Martha had been found out, or had confessed everything in a fit of insanity or religious self-immolation to her husband; and the drawing room chandelier invariably met him with a sinister refulgence.
Vladimir Nabokov
Instead of playing it cool, my body decided the best thing to do at that moment was to inhale some toothpaste and spend the next three minutes choking on it. Thankfully, they were all three in the shower, so they didn’t realize that their sudden nudity had caused the biggest queen on campus to have a three-minute coughing fit. I still haven’t recovered from that moment. I don’t think I ever will. Sorry, Kyrie.
Jacob Tobia (Sissy: A Coming-of-Gender Story)
Every day we’re told that we live in the greatest country on earth. And it’s always stated as an undeniable fact: Leos are born between July 23 and August 22, fitted queen-size sheets measure sixty by eighty inches, and America is the greatest country on earth. Having grown up with this in our ears, it’s startling to realize that other countries have nationalistic slogans of their own, none of which are “We’re number two!
David Sedaris (Me Talk Pretty One Day)
She'd been a beautiful woman in her day, delicate and trim, blue-eyed and fair-haired. There was a certain power beautiful mothers held over there less beautiful daughters. Even at seventy-four, with a limp from a hip replacement, Margaret could still enter a room and fill it like perfume. Josey could never do that. The closest she ever came was the attention she used to receive when she pitched legendary fits in public when she was young. But that was making people look at her for all the wrong reasons.
Sarah Addison Allen (The Sugar Queen)
She was a beauty queen!'' ''Holy shit.'' Harrison dissolved into a fit of laughter. ''No way is Redding pulling that one off. Look at her. Her hair's shorter than mine. ''My hair is convenient for my job,'' I said, running a hand over inch-long, blond locks that had been trapped under a hot wig the day before, ''and besides, I thought short hair was fashionable.'' ''Short, yes,'' Harrison said, ''but you're sporting the Britney Spears Nervous Breakdown style. Not a hit among men or the beauty pageant circuit
Jana Deleon (Louisiana Longshot (Miss Fortune Mystery #1))
We have, then, three Books wholly and one partially written before, and two after, the Preface; and only one of the first four is consistent with it, while the two later are entirely in agreement with it. In the first group, the adventure which fits into the scheme in the Letter is the first of all, which is a significant fact. If Spenser were somewhat hastily reconstructing his scheme he would naturally test its coherence with what he had already written in the first Book and perhaps re-write certain passages. He may have forgotten the details of Books II and III or Raleigh's urgency may have left no time for the adjustment of the details. These discrepancies are all connected with the twelve days' Feast and Gloriana's appointment of the knights, and this part may well have been suggested by Raleigh. He probably intended the poem not only to make Spenser's fortune at court but also to reinstate himself in the Queen's favour. In the circumstances he would wish to make the reference to the Queen as clear and as flattering as possible.
Janet Spens (Spenser's Faerie queene: An interpretation)
Wanna rock you, girl, with a butterfly tunic. / No, I’m not gay, I’m just your emo eunuch. / Gonna smile real shy, won’t cop a feel, / ’cause I’m your virgin crush, your supersafe deal. / Let those other guys keep sexing. / You and me, we be texting / ’bout unicorns and rainbows and our perfect love. / Girl, we fit together like a hand in a glove. / Now I don’t mean that nasty, tell your mom don’t get mad. /I even wrote ‘You’re awesome’ on your maxi pads.” Tiara sighed. “My mom let me use that song for my Christian pole dancing routine.
Libba Bray (Beauty Queens)
I want my daughters to be beautiful, accomplished, and good. To be admired, loved, and respected. To have a happy youth, to be well and wisely married, and to lead useful, pleasant lives, with as little care and sorrow to try them as God sees fit to send. To be loved and chosen by a good man is the best and sweetest thing which can happen to a woman, and I sincerely hope my girls may know this beautiful experience. It is natural to think of it, Meg, right to hope and wait for it, and wise to prepare for it, so that when the happy time comes, you may feel ready for the duties and worthy of the joy. My dear girls, I am ambitious for you, but not to have you make a dash in the world, marry rich men merely because they are rich, or have splendid houses, which are not homes because love is wanting. Money is a needful and precious thing, and when well used, a noble thing, but I never want you to think it is the first or only prize to strive for. I’d rather see you poor men’s wives, if you were happy, beloved, contented, than queens on thrones, without self-respect and peace.
Louisa May Alcott (Little Women (Little Women, #1))
 I find myself humming as I reach the top of the steps, but then I halt. “Really now, Kearan,” I say. He’s facedown on the ground. Likely passed out in his own vomit, yet again. This can’t continue. I’ll have to think of some fitting punishment for him. I couldn’t care less what he does in his free time, but when he’s on duty, he’d better be ready to perform at his best. Suddenly his whole body jerks upward, and I take a step back in case he’s having some sort of sleeping fit. “Three,” he says on a raspy breath before leaning down to the ground again. Is he sleep talking? He’s been known to do that even with his eyes open. No, wait—“Are you doing push-ups?” I ask. “F-f-four,” he says as he rises again. “Sweet stars, you are. What’s gotten into you?” After five, he lies on the ground and rolls onto his back, breathing heavily. “Just passing the time, is all. We’ve a long journey ahead of us.” Yes, but he usually passes the time with drink. He reaches into one of his pockets. Ah, there he is. But what he pulls out isn’t a flask. It’s a canteen. The kind we use on the ship for storing water. He sits up and takes a few sips. “What’s in that?” He holds the canteen out to me, and I take a sniff. It’s water. “She dumped all of my flasks into the sea while I slept,” Kearan says. “Didn’t realize she cared so much.” He searches across the ship for Sorinda, but she must be belowdecks because he focuses on me once more. “Any more questions, Captain?” His tone sounds bored. “Are we headed in the right direction?” “Course, I’m keeping her steady.” “Good,” I say before moving on quickly. Lest Kearan break into song or sprout wings.
Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
Yes. I’ve never met another Aspie girl before.… I mean, that I know of. I guess I probably have, just not another girl who knew she was on the spectrum.” I’m rambling, so I stop myself. “Does that make sense?” Josie giggles a little. “Yes, it makes perfect sense.” She stands up and steps closer to the table. “I actually just spoke about this on the Diversity in Media panel. When did you realize you’re on the spectrum?” “At first, I hated it. I felt like there was no hope, that no matter how hard I try, I’ll never fit in and everything would always be hard for me.
Jen Wilde
Pity. I might have been willing to listen to some paltry excuses.” She looked at the clock on the mantel. “Pack your clothes and get the hell out. Right now.” They blinked. “What?” Tern said. “Pack your clothes,” she said, enunciating each word. “Get the hell out. Right now.” “This is our home,” Harding said. “Not anymore.” She picked at her nails. “Correct me if I’m wrong, Master,” she purred, and the man cringed at the attention. “I own this house and everything in it. Tern, Harding, and Mullin haven’t yet paid back their debts to poor Arobynn, so I own everything they have here—even their clothes. I’m feeling generous, so I’ll let them keep those, since their taste is shit-awful anyway. But their weapons, their client lists, the Guild … All of that is mine. I get to decide who’s in and who’s out. And since these three saw fit to accuse me of murdering my master, I say they’re out. If they try to work again in this city, on this continent, then by law and by the laws of the Guild, I have the right to hunt them down and chop them into itty-bitty pieces.” She batted her eyelashes. “Or am I wrong?” The Master’s gulp was audible. “You are correct.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
The king upon his throne has no higher work than has the mother. The mother is queen of her household. She has in her power the molding of her children's characters, that they may be fitted for the higher, immortal life. An angel could not ask for a higher mission; for in doing this work she is doing service for God. Let her only realize the high character of her task, and it will inspire her with courage. Let her realize the worth of her work and put on the whole armor of God, that she may resist the temptation to conform to the world's standard. Her work is for time and for eternity.
Ellen Gould White (The Adventist home: Counsels to Seventh-Day Adventist families (Christian home library))
This is the worst idea ever,” Lend shouted from behind the closed door as Arianna finished pinning my hair under a brunette wig. “I’ve been having a lot of those lately, but one of us wouldn’t be here if it weren’t for my most recent one.” “Well, you look the part, at least,” Arianna said, standing back to admire her handiwork. I was in a fitted, sleek black pantsuit with a blouse underneath. The blouse was white. I hated it already. That, combined with the too-dark hair and colored eyebrows making my tragically pale skin even white, and I was not loving life. Still, sacrifices had to be made. Jack was lying on the bed with his head hanging over the side, his face slowly turning more and more red as the blood rushed to it. He looked phenomenally bored for someone about to break into a secret international high security facility. I slipped into my favorite stilettos, took one step, and fell over. “Ouch.” Shaking off the shoes, I rubbed at my still-tender feet. The stilettos were so not happening. That did it. If I didn’t already want to destroy the Dark Queen, the fact that she had ruined my ability to wear high heels put her at the very top of my hit list. She was so going down.
Kiersten White (Endlessly (Paranormalcy, #3))
During a famine, the father and stepmother of Hansel and Gretel abandon them in a forest so that they will starve to death. The children stumble upon an edible house inhabited by a witch, who imprisons Hansel and fattens him up in preparation for eating him. Fortunately Gretel shoves the witch into a fiery oven, and “the godless witch burned to death in a horrible way.” 41 • Cinderella’s stepsisters, when trying to squeeze into her slippers, take their mother’s advice and cut off a toe or heel to make them fit. Doves notice the blood, and after Cinderella marries the prince, they peck out the stepsisters’ eyes, punishing them “for their wickedness and malice with blindness for the rest of their lives.” Snow White arouses the jealousy of her stepmother, the queen, so the queen orders a hunter to take her into the forest, kill her, and bring back her lungs and liver for the queen to eat. When the queen realizes that Snow White has escaped, she makes three more attempts on her life, two by poison, one by asphyxiation. After the prince has revived her, the queen crashes their wedding, but “iron slippers had already been heated up for her over a fire of coals.... She had to put on the red-hot iron shoes and dance in them until she dropped to the ground dead.
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
after many hours of feasting and dance, the King and Queen took their sleeping girl to her bedchamber. “Good night, little bird,” said the Queen as she kissed Snow. The girl’s cheek felt as soft as silk on the Queen’s lips. She left the child to her dreams. She was sure they were filled with lovely ladies spinning in circles and colorful dresses and banners swirling all around her. The King took his new wife by the hand and led her to their chamber. The sun, now coming through their curtains, was casting an otherworldly glow. They stood there for a moment looking at each other. Bliss. “I see you have opened my gift,” the King said looking at the mirror. The mirror was oval-shaped and beautifully ornate, gilded, with serpentine designs around the perimeter, and crowned with an engraving of a headpiece fit for a Queen. It was nearly perfect. But something about it made her feel that same uneasiness that had shaken her before the ceremony. Her chest tightened and the room suddenly felt oppressively confining. “What is the matter, my love?” the King asked. The Queen moved to speak, but she could not. “You don’t like it?” he asked, looking crestfallen. “No, my love, it…I’m just…tired. So tired,” she finally muttered. But she couldn’t take her eyes off of the mirror.
Serena Valentino (Fairest of All (Villains, #1))
She shut her eyes against the realisation rising within her like a tidal wave. It would sweep away everything in its path once she admitted it. Consume her entirely. The thought was enough for her to straighten and wipe away her tears. 'I can't accept this.' 'It was made for you,' he smiled softly. She couldn't bear that smile, his kindness and joy, as she corrected. 'I will not accept it.' She placed the orb back in its box and handed it to him. 'Return it.' His eyes shuttered. 'It's a gift, not a fucking wedding ring.' She stiffened. 'No, I'll look to Eris for that.' He went still. 'Say that again.' She made her face cold, the only shield she had against him. 'Rhys says Eris wants me for his bride. He'll do anything we want in exchange for my hand.' The Siphons atop Cassian's hands flickered. 'You aren't considering saying yes.' She said nothing. Let him believe the worst. He snarled. 'I see. I get a little too close and you shove me away again. Back to where it's safe. Better to marry a viper like Eris than be with me.' 'I am not with you,' she snapped. 'I am fucking you.' 'The only thing fit for a bastard-born brute, right?' 'I didn't say that.' 'You don't need to. You've said it a thousand times before.' 'Then why did you bother to cut in at the ball?' 'Because I was fucking jealous!' he roared, wings splaying. 'You looked like a queen, and it was painfully obvious that you should be with a princeling like Eris and not a low-born nothing like me! Because I couldn't stand the sight of it, right down to my gods-damned bones! But go ahead, Nesta. Go ahead and fucking marry him and good fucking luck to you!' 'Eris is the brute,' she shot back. 'He is a brute and a piece of shit. And I would marry him because I am just like him!' The words echoed through the room. His pained face gutted her. 'I deserve Eris.' Her voice cracked. Cassian panted, his eyes still lit with fury- and now with shock. Nesta said hoarsely. 'You are good, Cassian. And you are brave, and brilliant, and kind. I could kill anyone who has ever made you feel less than that- less than what you are. And I know I'm a part of that group, and I hate it.' Her eyes burned, but she fought past it. 'You are everything I have never been, and will never be good enough for. Your friends know it, and I have carried it around with me all this time- that I do not deserve you. The fury slid from his face. Nesta didn't stop the tears that flowed, or the words that tumbled out. 'I didn't deserve you before the war, or afterward, and I certainly don't now.' She let out a low, broken laugh. 'Why do you think I shoved you away? Why do you think I wouldn't speak to you?' She put a hand on her aching chest. 'After my father died, after I failed in so many ways- denying myself of you...' She sobbed. 'It was my punishment. Don't you understand that?' She could barely see him through her tears. 'From the moment I met you, I wanted you more than reason From the moment I saw you in my house, you were all I could think about. And it terrified me. No one had ever held such power over me. And I am still terrified that if I let myself have you... it will be taken away. Someone will take it away, and if you're dead...' She buried her face in her hands. 'It doesn't matter,' she whispered. 'I do not deserve you, and I never, ever will.' Utter silence filled the room. Such silence that she wondered if he'd left, and lowered her hands to see if he was there. Cassian stood before her. Tears streaming down his beautiful, perfect face. She didn't balk from it, letting him see her like this: her most raw, most base self. He'd always seen all of her, anyway. He opened his mouth and tried to speak. Had to swallow and try again. Nesta saw all the words in his eyes, though. The same ones she knew lay in her own.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Prince Arctic?” A silvery white dragon poked her head around the door, tapping three times lightly on the ice wall. Arctic couldn’t remember her name, which was the kind of faux pas his mother was always yelling at him about. He was a prince; it was his duty to have all the noble dragons memorized along with their ranks so he could treat them according to exactly where they fit in the hierarchy. It was stupid and frustrating and if his mother yelled at him about it one more time, he would seriously enchant something to freeze her mouth shut forever. Oooo. What a beautiful image. Queen Diamond with a chain of silver circles wound around her snout and frozen to her scales. He closed his eyes and imagined the blissful quiet. The dragon at his door shifted slightly, her claws making little scraping sounds to remind him she was there. What was she waiting for? Permission to give him a message? Or was she waiting for him to say her name — and if he didn’t, would she go scurrying back to the queen to report that he had failed again? Perhaps he should enchant a talisman to whisper in his ear whenever he needed to know something. Another tempting idea, but strictly against the rules of IceWing animus magic. Animus dragons are so rare; appreciate your gift and respect the limits the tribe has set. Never use your power frivolously. Never use it for yourself. This power is extremely dangerous. The tribe’s rules are there to protect you. Only the IceWings have figured out how to use animus magic safely. Save it all for your gifting ceremony. Use it only once in your life, to create a glorious gift to benefit the whole tribe, and then never again; that is the only way to be safe. Arctic shifted his shoulders, feeling stuck inside his scales. Rules, rules, and more rules: that was the IceWing way of life. Every direction he turned, every thought he had, was restricted by rules and limits and judgmental faces, particularly his mother’s. The rules about animus magic were just one more way to keep him trapped under her claws. “What is it?” he barked at the strange dragon. Annoyed face, try that. As if he were very busy and she’d interrupted him and that was why he was skipping the usual politic rituals. He was very busy, actually. The gifting ceremony was only three weeks away. It was bad enough that his mother had dragged him here, to their southernmost palace, near the ocean and the border with the Kingdom of Sand. She’d promised to leave him alone to work while she conducted whatever vital royal business required her presence. Everyone should know better than to disturb him right now. The messenger looked disappointed. Maybe he really was supposed to know who she was. “Your mother sent me to tell you that the NightWing delegation has arrived.” Aaarrrrgh. Not another boring diplomatic meeting.
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
Colin hid a grin. His stare, keen despite the deceptive softness of his lavender-gray eyes, settled on his admiral as he held the girl so tenderly in his arms. Sir Graham loved women, yes, but never had Colin seen him treat one with the sort of obsessive, worshipful devotion he’d bestowed upon Maeve Merrick from the moment he'd brought her aboard. He’d made a bed for her on the sofa tucked beside the starboard bulkhead, bathed her damp skin, and braided her hair to get the hot, heavy mass off her neck. He’d flung open all the stern windows and gone into a rare fit of temper when the tropical breezes had dimmed and the air grew sultry, hot and still. His demands had sent the harassed Dr. Ryder running for the escape of a rum bottle, a midshipman into tears, and the company into hushed and strained eagerness to obey every order relayed through the lieutenants’ speaking trumpets. And to top it all off, Sir Graham had had a blazing argument with Maeve’s formidable lieutenant, Enolia, over who would get custody of the convalescing Pirate Queen.
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))
I want my daughters to be beautiful, accomplished, and good. To be admired, loved, and respected. To have a happy youth, to be well and wisely married, and to lead useful, pleasant lives, with as little care and sorrow to try them as God sees fit to send. To be loved and chosen by a good man is the best and sweetest thing which can happen to a woman, and I sincerely hope my girls may know this beautiful experience. It is natural to think of it, Meg, right to hope and wait for it, and wise to prepare for it, so that when the happy time comes, you may feel ready for the duties and worthy of the joy. My dear girls, I am ambitious for you, but not to have you make a dash in the world, marry rich men merely because they are rich, or have splendid houses, which are not homes because love is wanting. Money is a needful and precious thing, and when well used, a noble thing, but I never want you to think it is the first or only prize to strive for. I'd rather see you poor men's wives, if you were happy, beloved, contented, than queens on thrones, without self-respect and peace." "Poor
Louisa May Alcott (Little Women (Little Women #1))
What franticke fit (quoth he) hath thus distraught Thee, foolish man, so rash a doome to give? What justice ever other judgement taught, But he should die, who merites not to live? None else to death this man despayring drive, But his owne guiltie mind deserving death. Is then unjust to each his due to give? Or let him die, that loatheth living breath? Or let him die at ease, that liveth here uneath? Who travels by the wearie wandring way, To come unto his wished home in haste, And meetes a flood, that doth his passage stay, Is not great grace to helpe him over past, Or free his feet, that in the myre sticke fast? Most envious man, that grieves at neighbours good, And fond, that joyest in the woe thou hast, Why wilt not let him passe, that long hath stood Upon the banke, yet wilt thy selfe not passe the flood? He there does now enjoy eternall rest And happie ease, which thou doest want and crave, And further from it daily wanderest: What if some litle paine the passage have, That makes fraile flesh to feare the bitter wave? Is not short paine well borne, that brings long ease, And layes the soule to sleepe in quiet grave? Sleepe after toyle, port after stormie seas, Ease after warre, death after life does greatly please. [...] Is not his deed, what ever thing is donne, In heaven and earth? did not he all create To die againe? all ends that was begonne. Their times in his eternall booke of fate Are written sure, and have their certaine date. Who then can strive with strong necessitie, That holds the world in his still chaunging state, Or shunne the death ordaynd by destinie? When houre of death is come, let none aske whence, nor why. The lenger life, I wote the greater sin, The greater sin, the greater punishment: All those great battels, which thou boasts to win, Through strife, and bloud-shed, and avengement, Now praysd, hereafter deare thou shalt repent: For life must life, and bloud must bloud repay. Is not enough thy evill life forespent? For he, that once hath missed the right way, The further he doth goe, the further he doth stray. Then do no further goe, no further stray, But here lie downe, and to thy rest betake, Th'ill to prevent, that life ensewen may. For what hath life, that may it loved make, And gives not rather cause it to forsake? Feare, sicknesse, age, losse, labour, sorrow, strife, Paine, hunger, cold, that makes the hart to quake; And ever fickle fortune rageth rife, All which, and thousands mo do make a loathsome life. Thou wretched man, of death hast greatest need, If in true ballance thou wilt weigh thy state: For never knight, that dared warlike deede, More lucklesse disaventures did amate: Witnesse the dongeon deepe, wherein of late Thy life shut up, for death so oft did call; And though good lucke prolonged hath thy date, Yet death then, would the like mishaps forestall, Into the which hereafter thou maiest happen fall. Why then doest thou, O man of sin, desire To draw thy dayes forth to their last degree? Is not the measure of thy sinfull hire High heaped up with huge iniquitie, Against the day of wrath, to burden thee? Is not enough, that to this Ladie milde Thou falsed hast thy faith with perjurie, And sold thy selfe to serve Duessa vilde, With whom in all abuse thou hast thy selfe defilde? Is not he just, that all this doth behold From highest heaven, and beares an equall eye? Shall he thy sins up in his knowledge fold, And guiltie be of thine impietie? Is not his law, Let every sinner die: Die shall all flesh? what then must needs be donne, Is it not better to doe willinglie, Then linger, till the glasse be all out ronne? Death is the end of woes: die soone, O faeries sonne.
Edmund Spenser (The Faerie Queene)
Isis in Darkness, he writes. The Genesis. It exalts him simply to form the words. He will exist for her at last, he will be created by her, he will have a place in her mythology after all. It will not be what he once wanted: not Osiris, not a blue-eyed god with burning wings. His are humbler metaphors. He will only be the archaeologist; not part of the main story, but the one who stumbles upon it afterwards, making his way for his own obscure and battered reasons through the jungle, over the mountains, across the desert, until he discovers at last the pillaged and abandoned temple. In the ruined sanctuary, in the moonlight, he will find the Queen of Heaven and Earth and the Underworld lying in shattered white marble on the floor. He is the one who will sift through the rubble, groping for the shape of the past. He is the one who will say it has meaning. That too is a calling, that also can be a fate. He picks up a filing-card, jots a small footnote on it in his careful writing, and replaces it neatly in the mosaic of paper he is making across his desk. His eyes hurt. He closes them and rests his forehead on his two fisted hands, summoning up whatever is left of his knowledge and skill, kneeling beside her in the darkness, fitting her broken pieces back together.
Margaret Atwood (Wilderness Tips)
It was a quiet night. Until the screams began. It started with just one panicked yell that turned into many more. An entire village was woken up by the echoing screams. They gathered round to find out what the source of these noises could be. They found that it was from inside the house of Steve and Stephanie.   Inside that house, the screaming continued. Steve was pacing around, back and forth and then back and forth again, walking around nervously. He could hear Stephanie's screaming and he knew that she was in pain. This only made him hurt as well. He did not want her to be in pain but he also knew that it was necessary for pain to be experienced before the miracle of childbirth could be fulfilled. So, he waited, very impatiently, pacing back and forth worriedly some more.   It was hours later, when the full moon had moved to one side of the village, that the screaming finally stopped and the sound of crying began. A baby's first noises echoed throughout the house. Outside, the villagers cheered. Inside, Steve burst into a fit of his own tears. He could not help himself. They were tears of happiness that he had to shed for the birth of his child.   When Steve was finally allowed to see Stephanie and his newly born child, he saw that Stephanie was crying as well.
Ender King (Legend Of EnderQueen (ENDVENTURES SERIES Book 9))
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
Two sailors hauled on ropes, hoisting the jolly boat up to the ship’s side, revealing two apocryphal figures standing in the center of the small craft. At first glance, Sophia only saw clearly the shorter of the two, a gruesome creature with long tangled hair and a painted face, wearing a tight-fitting burlap skirt and a makeshift corset fashioned from fishnet and mollusk shells. The Sea Queen, Sophia reckoned, a smile warming her cheeks as the crew erupted into raucous cheers. A bearded Sea Queen, no less, who bore a striking resemblance to the Aphrodite’s own grizzled steward. Stubb. Sophia craned her neck to spy Stubb’s consort, as the foremast blocked her view of Triton’s visage. She caught only a glimpse of a white toga draped over a bronzed, bare shoulder. She took a jostling step to the side, nearly tripping on a coil of rope. “Foolish mortals! Kneel before your king!” The assembled sailors knelt on cue, giving Sophia a direct view of the Sea King. And even if the blue paint smeared across his forehead or the strands of seaweed dangling from his belt might have disguised him, there was no mistaking that persuasive baritone. Mr. Grayson. There he stood, tall and proud, some twenty feet away from her. Bare-chested, save for a swath of white linen draped from hip to shoulder. Wet locks of hair slicked back from his tanned face, sunlight embossing every contour of his sculpted arms and chest. A pagan god come swaggering down to earth. He caught her eye, and his smile widened to a wolfish grin. Sophia could not for the life of her look away. He hadn’t looked at her like this since…since that night. He’d scarcely looked in her direction at all, and certainly never wearing a smile. The boldness of his gaze made her feel thoroughly unnerved, and virtually undressed. Until the very act of maintaining eye contact became an intimate, verging on indecent, experience. If she kept looking at him, she felt certain he knees would give out. If she looked away, she gave him the victory. There was only one suitable alternative, given the circumstances. With a cheeky wink to acknowledge the joke, Sophia dropped her eyes and curtsied to the King. Mr. Grayson laughed his approval. Her curtsy, the crew’s gesture of fealty-he accepted their obeisance as his due. And why should he not? There was a rightness about it somehow, an unspoken understanding. Here at last was their true leader: the man they would obey without question, the man to whom they’d pledge loyalty, even kneel. This was his ship. “Where’s the owner of this craft?” he called. “Oh, right. Someone told me he’s no fun anymore.” As the men laughed, the Sea King swung over the rail, hoisting what looked to be a mop handle with vague aspirations to become a trident. “Bring forth the virgin voyager!
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Physically, he could easily overpower her and take whatever he wanted. But he didn't. In her sensual haze she wondered nervously for a moment if he intended to enter her here and now- to make her his queen in the deepest sense. Kore shuddered at this idea, wondering if by just entertaining that thought within the dream, he would do just that. But he didn't. She felt one supporting arm grasp at her shoulder blades and the other move down her back and firmly cup the cheeks of her rear as he lifted them up. Still holding her, he rose up on his knees and laid her back down in the soft rushes, fitting his body over hers. Kore felt the world tilt back and squeezed her legs tighter around him. She was entirely at his mercy. What would it feel like for him to be within her? Would he go gently, knowing that she was a maiden? If he tried to take her now, he could. But he didn't. He arched above her and carefully fanned out her lilac-strewn hair and stroked his fingers through it, brushing it back from her forehead. He cupped her cheek and made her shiver as his thumb trailed over her lips, her chin and down the column of her neck. He drew closer. Black curls fell from his head and down his back, forming a curtain around them. The oak tree was blotted out. The stars were gone. There was only she and he, her body blanketed by his above her, their tongues mating together in a kiss, the throbbing heat pressed hard against her inner thigh.
Rachel Alexander (Receiver of Many (Hades & Persephone, #1))
The biggest canvas is wider than my arm span. It’s bursting with so much color it looks like a graffiti artist got too excited with a spray can. But it’s my story, told in brushstrokes and acrylic paint. There's Jamie and me as children, hiding in trees and searching for ladybugs. There's me alone, searching for stars in the dark. There's my mom, the queen of the starfish, existing in a tornado of glitter that poisons anything else it touches. There are my brothers and me, living on opposite sides of a triangle, experiencing the same things but never together. There's my dad, never knowing or doing as much as he should but trying to fix the poison all the same. There's Hiroshi, painting my hands so I can paint my voice. There's me split in half—Japanese and white—stitching myself together again because I am whole only when I’ve embraced the true beauty of my heritage. And there's Jamie and me in June, the sun on our faces and the sand at our feet, finding each other again after all those years. Our lives trail around us, sometimes broken and sometimes beautiful, but all puzzled and tangled up into the lump that is us. We fit together not because we need each other, but because we choose each other. Our friendship was always our choice. Love was a natural progression. Jamie stares at the painting for so long that I think the room actually starts to get darker. When he turns to face me, he looks relieved. Calm. Jamie turns back to the painting. We don’t need words. We just know. Our fingers find each other’s.
Akemi Dawn Bowman (Starfish)
Why are there no queens in the deck?” I asked rather suddenly. “It seems odd.” Suzanne Brantôme, on my left, and Mimi La Salle, on my right, smiled knowingly, and I felt foolish. But Marguerite did not smile. “You have by now read The Book of the City of Ladies, have you not, Anna?” “I have.” “Then you should tell us why the deck has no queens.” “Because…,” I began, but I hesitated, for my mind was racing far ahead of my voice. I wished so very much to please the duchess with my answer. “There has been so little recognition of the contributions of women in every walk of life?” I finally offered, with a woeful lack of confidence in my answer. But Marguerite bade me go on with a subtle nod. “Men have looked down upon our sex,” I said. “They have withheld education and caused us great suffering. They do not see women as fit rulers and…” I stopped and thought about my summary of Christine de Pizan’s work. When I began again, it was slowly, as if the words were falling together into an idea as they were spoken. “So why would men place queens in a deck of cards? It might signify their importance in the world.” Marguerite looked at me with affection and approval. “I have thought the same thoughts many times, as have my ladies at these tables. We all know very well there are no kingdoms without queens.” We sat silent for a moment as we pondered the wisdom of that idea. “Mayhap someday soon there will be queens in the playing cards,” I said hopefully. “If it is left to the men to decide, we shall first see the Second Coming of Christ!” Lady Brantôme declared. Everyone laughed at that. Mimi,
Robin Maxwell (Mademoiselle Boleyn)
After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of the world. But their wallets always waited cold sober in the cloakroom while the Icelandic purse lay open for all in the middle of the table. Our men were the greater Vikings in this regard. “Reputation is king, the rest is crap!” my Bæring from Bolungarvík used to say. Every evening had to be legendary, anything else was a defeat. But the morning after they turned into weak-willed doughboys. But all the same I did succeed in loving them, those Icelandic clodhoppers, at least down as far as their knees. Below there, things did not go as well. And when the feet of Jón Pre-Jón popped out of me in the maternity ward, it was enough. The resemblances were small and exact: Jón’s feet in bonsai form. I instantly acquired a physical intolerance for the father, and forbade him to come in and see the baby. All I heard was the note of surprise in the bass voice out in the corridor when the midwife told him she had ordered him a taxi. From that day on I made it a rule: I sacked my men by calling a car. ‘The taxi is here,’ became my favourite sentence.
Hallgrímur Helgason
Housman would not have appealed so deeply to the people who were young in 1920 if it had not been for another strain in him, and that was his blasphemous, antinomian, "cynical" strain. The fight that always occurs between the generations was exceptionally bitter at the end of the Great War; this was partly due to the war itself, and partly it was an indirect result of the Russian Revolution, but an intellectual struggle was in any case due at about that date. Owing probably to the ease and security of life in England, which even the war hardly disturbed, many people whose ideas were formed in the 'eighties or earlier had carried them quite unmodified into the nineteen-twenties. Meanwhile, so far as the younger generation was concerned, the official beliefs were dissolving like sand-castles. The slump in religious belief, for instance, was spectacular. For several years the old—young antagonism took on a quality of real hatred. What was left of the war generation had crept out of the massacre to find their elders still bellowing the slogans of 1914, and a slightly younger generation of boys were writhing under dirty-minded celibate schoolmasters. It was to these that Housman appealed, with his implied sexual revolt and his personal grievance against God. He was patriotic, it was true, but in a harmless old-fashioned way, to the tune of red coats and "God save the Queen" rather than steel helmets and "Hang the Kaiser." And he was satisfyingly anti-Christian—he stood for a kind of bitter, defiant paganism, a conviction that life is short and the gods are against you, which exactly fitted the prevailing mood of the young; and all in charming fragile verse that was composed almost entirely of words of one syllable.
George Orwell (All Art is Propaganda: Critical Essays)
The story of Lourdes starts centuries before young Bernadette encountered the beautiful woman at Massabielle. While the area of Massabielle was known as a decrepit place during Bernadette’s time—fit only to feed swine and gather kindling—it hadn’t always been regarded as such. In 778, Charlemagne approached the Muslim stronghold in the Aquitaine region of Southern France. On the edge of the Pyrenees mountains, the fortress of Massbielle was the last refuge of the indefatigable Saracen fighters who had occupied the area for forty years. Led by the fierce Saracen Mirat, the fortress was impregnable. Mirat was determined to fight to the death because he had made an oath in the name of Mohammed that he would never surrender to a mortal man. Charlemagne and his soldiers were left with one option: starve them out. After weeks passed, resources inside the fort were running low. An eagle dropped a trout inside to the desperate men. The starving Mirat, rather than devour the fish, flippantly threw it back at the enemy soldiers, as if to indicate that their food was still plenty in hopes that it would break their resolve, and Charlemagne and his men would leave. Suspecting a trick, the local bishop of Le Puy, Roracius, requested an audience with Mirat. After seeing the sorry state of the Saracens, but knowing of Mirat’s oath, the bishop said, “Brave prince, you have sworn never to yield to any mortal man. Could you not with honor make your surrender to an immortal Lady? Mary, Queen of Heaven, has her throne at Le Puy, and I am her humble minister there.”2 Mirat saw that agreeing would free him from his oath; he promptly surrendered to the Queen of Heaven. He and his men became subjects to the Queen; all were baptized, and Mirat was given a new name, Lorus. Charlemagne knighted him, and Lorus went on to command the Fortress of Mass-abielle. It is the name Lorus from which the name Lourdes comes.
Carrie Gress (The Marian Option: God’s Solution to a Civilization in Crisis)
What the fuck was that about?” Vaughn said, standing over me. “I pissed him off.” Dark blue eyes flicking to the restroom, Vaughn reached back and scratched at his shoulder. “All I know is when Judd came back from Texas, he was all hollowed out. Like a ghost, I guess. This morning before his bitch fit, he looked alive again. Whatever you said or did, can’t be that big a deal compared to the shit mood he’s been in lately.” Glancing at the restroom, I wanted to go back to before I said the words. My honesty ruined our happy morning. “You can’t take it personally,” Vaughn added when I just stared at the restroom. “You know how moody Judd is. Always crying and bitching about something. A freaking drama queen.” Grinning, I looked up at him. “Thank you.” “Men like us aren’t used to pretty girls looking at them like you look at Judd. He’s not sure what to do with you and you’re just gonna have to be patient while he figures shit out.” “Okay,” I said, studied him. Whereas Judd hid a deep sorrow and iced heart behind his walls, I sensed Vaughn concealed a barely contained rage. He smiled easily enough, but it was a ruse. Just like Judd who acted like the world didn’t touch him, Vaughn faked his exterior to avoid showing anything to the world. “Why do they call you Outlaw?” I asked. Vaughn sighed. “Because it’s better than calling me dead man walking.” “I don’t understand.” “You don’t need to, darlin. The drama queen returns.” When Judd appeared next to me, his expression was unreadable while kissing me softly. When he pulled away, his gaze flickered to Vaughn. “Thanks.” “You are so premenstrual sometimes.” Grinning, Judd sat down across from me then glanced at Vaughn. “Fuck off.” Vaughn leaned his hip against the side of the booth and sized me up. “What is it about the Smith sisters that makes otherwise strong men lose their balls?” “I have no idea and I’m out of sisters, so I guess you’re out of luck.” “Thank the Lord too. I like my balls attached.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
The other evening, in that cafe-cabaret in the Rue de la Fontaine, where I had run aground with Tramsel and Jocard, who had taken me there to see that supposedly-fashionable singer... how could they fail to see that she was nothing but a corpse? Yes, beneath the sumptuous and heavy ballgown, which swaddled her and held her upright like a sentry-box of pink velvet trimmed and embroidered with gold - a coffin befitting the queen of Spain - there was a corpse! But the others, amused by her wan voice and her emaciated frame, found her quaint - more than that, quite 'droll'... Droll! that drab, soft and inconsistent epithet that everyone uses nowadays! The woman had, to be sure, a tiny carven head, and a kind of macabre prettiness within the furry heap of her opera-cloak. They studied her minutely, interested by the romance of her story: a petite bourgeoise thrown into the high life following the fad which had caught her up - and neither of them, nor anyone else besides in the whole of that room, had perceived what was immediately evident to my eyes. Placed flat on the white satin of her dress, the two hands of that singer were the two hands of a skeleton: two sets of knuckle-bones gloved in white suede. They might have been drawn by Albrecht Durer: the ten fingers of an evil dead woman, fitted at the ends of the two overlong and excessively thin arms of a mannequin... And while that room convulsed with laughter and thrilled with pleasure, greeting her buffoonery and her animal cries with a dolorous ovation, I became convinced that her hands no more belonged to her body than her body, with its excessively high shoulders, belonged to her head... The conviction filled me with such fear and sickness that I did not hear the singing of a living woman, but of some automaton pieced together from disparate odds and ends - or perhaps even worse, some dead woman hastily reconstructed from hospital remains: the macabre fantasy of some medical student, dreamed up on the benches of the lecture-hall... and that evening began, like some tale of Hoffmann, to turn into a vision of the lunatic asylum. Oh, how that Olympia of the concert-hall has hastened the progress of my malady!
Jean Lorrain (Monsieur De Phocas)