Fishnet Stocking Quotes

We've searched our database for all the quotes and captions related to Fishnet Stocking. Here they are! All 16 of them:

My heart, always so strong in the past, was like the fishnet stockings that clung to my legs—torn, shredded, and full of gaping holes.
E.J. Stevens
In my book, if you want to be treated like an old person, you have to look like one. That means no face-lift, no blond hair, and definitely no fishnet stockings.
David Sedaris (When You Are Engulfed in Flames)
The way things are going, I wouldn't be surprised if pretty soon I start wearing ripped-up fishnet stockings and dyeing my hair black. Maybe I'll even start smoking and get my ears double-pierced or something. And then they'll make a TV movie about me and call it Royal Scandal. It will show me going up to Prince William and saying,'Who's the most popular young royal now, huh, punk?' and then headbutting him or something.
Meg Cabot (Princess in Love (The Princess Diaries, #3))
Even I, a total ‘party terrorist’ — per Dan’s words — have opted for jean shorts, fishnet stockings, and a simple black top. Oh, I also wore my favourite white basketball trainers that Mum painted black stars on.
Rina Kent (Cruel King (Royal Elite, #0))
When you wear fishnet stockings to the grocery store, people tend to stare. Women look at you like you’re affiliated with the sex trade. Men pretend they’re not staring, doing so all the while. It’s probably because they’re thinking the same thing.
Vallere, Diane (Designer Dirty Laundry (Style in a Small Town #1))
Henry escorted us deeper into the Foundry and before long we began encountering other employees. Some were merely odd – like the wild-haired, wild-eyed man in a white lab coat who kept telling a pop-eyed hunchback in a black cloak that his name was supposed to be pronounced "Fronk-en-steen," along with the handsome young man with curly black hair wearing a corset, fishnet stockings, 70s glam-rock boots, and far too much make-up.
Tim Waggoner (The Nekropolis Archives)
February 8: Marilyn does her “black sitting” session with Milton Greene. Marilyn poses in black hat and fishnet stockings, her face partially in shadow. She also appears in a shot where she lies down, her left leg extended in the air, as she covers part of her face with her hands. She also kneels, drink in hand, smiling. She props herself up with her arms and draws her knees into her body, with half her face in the dark—a study in moody bifurcation. Greene’s photographs will eventually punctuate the text of Norman Mailer’s Of Women and Their Elegance. In the evening Marilyn, wearing a white fur coat over a low-cut dress, long black gloves, and jeweled earrings that stretch all the way down her neck, attends the premiere of Middle of the Night, a Paddy Chayefsky play directed by Josh Logan.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
This outfit makes me want to get my nose pierced and spend some time at the tattoo parlor,” I said, frowning at the clothing. “Hey, we can make that happen,” Nessa, joked. “That’s very funny, Nessa,” I said as I pulled out the knee high black combat boots and black fishnet stockings to match. “It is better than the plaid cowboy shirt and Wranglers they got me,” Noah said, as he held up the outfit complete with worn leather cowboy boots. “Oh, Nessa, we will pay you back dearly for this,” I said sarcastically.
Andrea Heltsley (Dissolve (Dissolve, #1))
She was dressed in Seventies American Hooker—fishnet stockings, high boots (those two looks seemed to be a contradiction), a skirt that covered up as much of her as, say, a belt would, and a purple top so tight it could have been sausage casing. Myron
Harlan Coben (Home (Myron Bolitar, #11))
At first I was excited to go, because I thought I’d been invited to a net twerking event. Imagine how surprised everyone at the networking event was when I showed up in short shorts and fishnet stockings. Still, I walked away with a lot of new contacts—and a wad of dollar bills stuffed in my thong.
Jarod Kintz (This Book is Not for Sale)
No, no, I'm not one of them. I'm one of you. I believe that Jesus Christ is Lord, but I also wear fishnet stockings and drink single malt Scotch.
Lauren F. Winner (Girl Meets God)
I get up, and Sky sits down in my chair. Matt sits at her feet and takes the beer that Garrett passes to him. I sit down at the end of the couch by Friday and press my shoulder against her leg. I look up at her, and she looks down, appearing somewhat startled. “You okay?” I ask quietly. She nods. As long as she’s all right, I’m all right. She’s kicked off those four-inch heels she wears, but she’s still wearing the fishnet stockings. I slide my hand around the back of her ankle and tickle the inside of it with the tips of my fingers. Her toes jerk, but she doesn’t move her foot away. She spreads her thighs about an inch and presses more tightly against my shoulder, and I can feel the air around her move as she takes in a deep breath. So that’s what it’s like… Now I get how Logan, Pete, and Matt felt when they met the women they’d spend the rest of their lives with. Because I’d rather sit here and touch her ankle than I would fuck any other woman in the world.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Refrain (by Jan Warren) Pick up your clothes, make your bed, is that a basket of ironing stuffed into your closet? How can you find anything in there? Clean it out, you´re not going to the park until it's done and I want you to take your sister with you, don't give me that look, just wait until your father comes home; I've never seen such a lazy kid, how did I ever get lucky enough to have you to deal with, you've got a chip on your shoulder; no, you can´t spend the night, because I said so, straighten that bedspread; wake up, you´ll be late for school, come right home after, I need you to go to the store and don't take forever, dinner has to be sometime tonight; set the table, make the salad, clean out the wastepaper basket, feed the dogs, sweep the floor, don't let the flies in, close that door, do you think money grows on trees, don't give me that look, just wait till your father gets home; who was that on the phone, why is he calling here? don´t talk to strangers, who was that walking with you, you better not have them hanging around, because I said so, you're too young, he's a boy, that's different, because I said so, that skirt is too short, take off that makeup, you look like a hussy in those fishnet stockings, where did you get that, you'll have to take it back, don't give me that look, just wait till your father gets home; the store called me today--you've taken practically nude pictures, you better stop or I'll tell your father, you're getting too big for your britches young lady, nice girls don't do things like that, keep going and you'll see what happens... don't give me that look...
Hettie Jones (Aliens at the Border: the Writing Workshop, Bedford Hills Correctional Facility)
Refrain (by Jan Warren) Pick up your clothes, make your bed, is that a basket of ironing stuffed into your closet? How can you find anything in there? Clean it out, you're not going to the park until it's done and I want you to take your sister with you, don't give me that look, just wait until your father comes home; I've never seen such a lazy kid, how did I ever get lucky enough to have you to deal with, you've got a chip on your shoulder; no, you can't spend the night, because I said so, straighten that bedspread; wake up, you'll be late for school, come right home after, I need you to go to the store and don't take forever, dinner has to be sometime tonight; set the table, make the salad, clean out the wastepaper basket, feed the dogs, sweep the floor, don't let the flies in, close that door, do you think money grows on trees, don't give me that look, just wait till your father gets home; who was that on the phone, why is he calling here? don't talk to strangers, who was that walking with you, you better not have them hanging around, because I said so, you're too young, he's a boy, that's different, because I said so, that skirt is too short, take off that makeup, you look like a hussy in those fishnet stockings, where did you get that, you'll have to take it back, don't give me that look, just wait till your father gets home; the store called me today--you've taken practically nude pictures, you better stop or I'll tell your father, you're getting too big for your britches young lady, nice girls don't do things like that, keep going and you'll see what happens...don't give me that look...
Hettie Jones (Aliens at the Border: the Writing Workshop, Bedford Hills Correctional Facility)
Atticus: I've been working there four fucking weeks! I'm going to be eating ramen noodles for the rest of my life. Asher: Never tried them. Atticus: Dude, fucking disgusting. Trust me. Asher: Matilda's making roast au jus for dinner tonight with those homemade Yorkshire puddings you like. Atticus: I hate you. Loathe. Despise. Basically every synonym for hate there is. Asher: Call me? My phone rang a minute later, and I whined long and loud into the receiver in place of saying hello. I'd been accused of being overly dramatic in the past. There might be some truth behind it. Asher chuckled. "You're pathetic." "Why have you not run away with me? We've been separated. I can't stand it. It's like the individual cells in my body are trying to divide again and make another you. It hurts. I can't do it twice." I whimpered again for emphasis. "Ash, I'm screwed, and not in the bend me over the hood of the Jag and pound my ass type of way. The bad way. The painful way. The oh-crap-my-bank-account-is-in-the-negative way. I'm fast running out of ideas, and you're over there living the high life and eating roast au jus with my goddamn Yorkshire puddings." "I get the sense you're trying to tell me something, but whatever it is, it's getting lost in translation. You're rambling. What's going on? Speak-a the English. What's the problem?" "What isn't the problem? I'm poor and miserable. I was not ready for adulthood this soon. Tell Mom and Dad it was all lies. It was a phase. I'm over it. Ha, good joke, right?" "Riiight, and how do you propose I magically make the burned image of your mouth around Ryan Vector's cock disappear from Matilda's mind?" "Fuck. You know what? We don't need a housekeeper. Fire her ass! Tell Mom and Dad she's a big fat liar who lies and hates me. Tell them she's stealing from them. She's an illegal immigrant! No, tell them, she's a housekeeper by day and a hooker by night. I saw her walking the streets of Fifth Avenue after sundown in a mini skirt and fishnet stockings." I paused, envisioning our sixty-year-old housekeeper/used-to-be-nanny in that kind of attire. Asher and I both audibly ewwed at the exact same time. "Dude, that's fucking gross as shit, and you know it. I just threw up in my mouth. Why would you put that image in my head?" "I regret many of my life decisions. Add it to the list. Ash, I'm serious. Just make something up. Get rid of her. We don't need a housekeeper, and we're long past requiring a nanny. Especially one who walks into rooms without knocking. What was she thinking?" "The door wasn't closed." "Not the time, Ash!" "Okay, so let's pretend for five minutes Matilda dies in a horrible car crash." "We could make that happen.
Nicky James (End Scene)
There was a burly chap standing on the low platform, giving the spiel, in a pretty rough delivery. He had tight yellow curls, the colour of cheap lemonade but turning grey, and a big red face, with a splay nose, and very dark red lips. The ears didn’t seem exactly opposite one another. On the chap’s left a girl lay spread out facing us in an upright canvas chair, as faded and battered as everything else in the outfit. She was dressed up like a French chorus, in a tight and shiny black thing, cut low, and black fishnet stockings, and those shiny black shoes with super high heels that many men go for in such a big way. But the effect was not particularly sexy, all the same. The different bits of costume had all seen better days, like everything else, and the girl herself looked more sick than spicy.
Robert Aickman (Cold Hand in Mine: Strange Stories)