Fisherman Death Quotes

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Death is like a fisherman who has caught a fish in his net and leaves it for a time in the water: the fish still swims about, but the net surrounds it, and the fisherman will take it when he wishes.
Ivan Turgenev (On the Eve)
The homeland does not leave the body until the last moment, the moment of death. The fish, Even in the fisherman's net, Still carries The smell of the sea.
Mourid Barghouti (رأيت رام الله)
But, sir, isn't death a dreadful thing?" asked Malcolm. "That depends on whether a man regards it as his fate or as the will of a perfect God. Its obscurity is its dread. But if God be light, then death itself must be full of splendor--a splendor probably too keen for our eyes to receive." "But there's the dying itself; isn't that fearsome? It's that I would be afraid of." "I don't see why it should be. It's the lack of a God that makes it dreadful, and you would be greatly to blame for that, Malcolm, if you hadn't found your God by the time you had to die.
George MacDonald (The Fisherman's Lady (Malcolm, #1))
People love to watch viral videos in which one kindly fisherman saves one sea turtle from a snarl of trash; they are less passionate about electing politicians who will dismantle policies that entrench corporate power and allow companies to pump poison into the oceans and skies in order to shore up the immoral wealth of billionaires and further destabilize the lives of the poor who will remain locked in toil until the planet boils us all to death as Jeff Bezos waves good-bye from his private rocket. Strange!
Lindy West (The Witches are Coming)
We’re all in it together, Harry. We’re all pieces of the fisherman. I know that sounds like a bullshit answer, but you’ll see, when you start to work with the dead. Everyone’s complicit: the most innocent little kiddies; babies who live a day, an hour—they still have a hand in things, even their own deaths. I know that’s very hard for you to get your head around right now, but take it from someone that’s spent a lot of time with death.
Clive Barker (The Scarlet Gospels)
Cold were the lips, yet he kissed them. Salt was the honey of the hair, yet he tasted it with a bitter joy. He kissed the closed eyelids, and the wild spray that lay upon their cups was less salt than his tears. And to the dead thing he made confession. Into the shells of its ears he poured the harsh wine of his tale. He put the little hands round his neck, and with his fingers he touched the thin reed of the throat. Bitter, bitter was his joy, and full of strange gladness was his pain.
Oscar Wilde (The Fisherman and his Soul)
And his Soul besought him to depart, but he would not, so great was his love. And the sea came nearer, and sought to cover him with its waves, and when he knew that the end was at hand he kissed with mad lips the cold lips of the Mermaid, and the heart that was within him brake. And as through the fullness of his love his heart did break, the Soul found an entrance and entered in, and was one with him even as before. And the sea covered the young Fisherman with its waves.
Oscar Wilde (The Fisherman and his Soul)
When our Lord is about to fashion a vessel unto honour, meet for His use, whether it be of gold and silver, or of wood and earth, He has to establish His absolute authority and right to command. There can be no parleying or argument, no hesitancy or holding back. Spirit, soul, and body must be absolutely submitted to Him, at whatever cost. The disciple must leave all and follow Him. Just as He was prepared to suffer obediently even unto death, so He requires of those whom He takes into the sacred circle of inward companionship that they should arm themselves with the same mind, so that they should no longer live the rest of their time to the will of the flesh, but to the will of God.
F.B. Meyer (Peter: Fisherman, Disciple, Apostle)
When the Greek king," said the fisherman to the genius, "had finished the story of the parrot, he added to the vizir, "And so, vizir, I shall not listen to you, and I shall take care of the physician, in case I repent as the husband did when he had killed the parrot." But the vizir was determined. "Sire," he replied, "the death of the parrot was nothing. But when it is a question of the life of a king it is better to sacrifice the innocent than save the guilty. It is no uncertain thing, however. The physician, Douban, wishes to assassinate you. My zeal prompts me to disclose this to your Majesty. If I am wrong, I deserve to be punished as a vizir was once punished." "What had the vizir done," said the Greek king, "to merit the punishment?" "I will tell your Majesty, if you will do me the honour to listen," answered the vizir.
Anonymous (The Arabian Nights Entertainments)
At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon. The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified. It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel. One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over­ - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice. The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched. The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward. Death has his whims. He takes it into his head to dis­mount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along. In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment. Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there. There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them. For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops. But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.
Johannes V. Jensen (Kongens fald)
To a man without a country, He appeared a joint sojourner. To Joshua armed but afraid, He came a valiant warrior. To Moses raised up on the mount, He was the One yet higher. To Shadrach, Meshach, and Abednego, He was the fourth man in the fire. To Elijah who stood as one for God, he was never less alone. For Noah's faithful family, He made an ark their home. To Ezekiel He appeared to be the light cast over the dark. To King David running from the throne, He was the true Monarch. To Daniel at the bite of death, He was the lock upon their jaws. To King Solomon who'd had it all, He was the only worthy cause. To a sinking fisherman, He was life upon the water. To a grieving Jairus, He was life unto his daughter. To a woman at the well, He was complete acceptance. To a doubting Thomas, He was the proof for his reluctance. To a dozen throwbacks from the world, He unleashed His awesome power. From a greedy grave of several days burst forth his finest hour." ~Things pondered
Beth Moore
........................................To a man without a country, He appeared a joint sojourner. To Joshua armed but afraid, He came a valiant warrior. To Moses raised up on the mount, He was the One yet higher. To Shadrach, Meshach, and Abednego, He was the fourth man in the fire. To Elijah who stood as one for God, he was never less alone. For Noah's faithful family, He made an ark their home. To Ezekiel He appeared to be the light cast over the dark. To King David running from the throne, He was the true Monarch. To Daniel at the bite of death, He was the lock upon their jaws. To King Solomon who'd had it all, He was the only worthy cause. To a sinking fisherman, He was life upon the water. To a grieving Jairus, He was life unto his daughter. To a woman at the well, He was complete acceptance. To a doubting Thomas, He was the proof for his reluctance. To a dozen throwbacks from the world, He unleashed His awesome power. From a greedy grave of several days burst forth his finest hour. ........................................
Beth Moore
All of those thousands upon thousands of photographs my father had taken. Think of them instead. Each one a record, a testament, a bulwark against forgetting, against nothingness, against death. Look, this happened. A thing happened, and now it will never un happen. Here it is in a photograph: a baby putting its tiny hand in the wrinkled palm of an octogenarian. A fox running across a woodland path and a man raising a gun to shoot it. A plane crash. A comet smeared across a morning sky. A prime minister wiping his brow. The Beatles, sitting at a cafe table on the Champs-Elysees on a cold January day in 1964, John Lennon's pale face under the brim of a fisherman's cap. all these things happened, and my father committed them to a memory that wasn't just his own, but the world's. My father's life wasn't about disappearance. His was a life that worked against it.
Helen Macdonald (H is for Hawk)
No shepherds. No nymphs. Maybe just one: the girl the fawn strips like a fisherman’s rose. Death turns its mouth red. It can no longer lie in the lilies. Not on my watch. The lake is filthy with silver fish sticky with leeches. Lovesick, I flick a feather into the water. No stones. Only the one in my pocket, heavy as a tongue. — Beth Bachmann, “Elegy,” American Poetry Review, 37:2.
Beth Bachmann
He'd was called first Cephas in Aramaic, then Petros, rock, in Greek. Eventually he became Peter and the Gospels proclaimed that Christ said, Upon this rock I shall build my church.' The testimony was the first ancient account he'd ever read that made sense. No supernatural events or miraculous apparitions. No actions contrary to history or logic. No inconsistent details that cast doubt on credibility. Just the testimony by a simple fisherman of how he'd borne witness to a great man, one whose good works and kind words lived on after his death, enough to inspire him to continue the cause.
Steve Berry (The Templar Legacy (Cotton Malone, #1))
catching lake trout at that time, which he noted could grow to more than 50 pounds, was a ridiculously laborious process, especially in winter. “The moment the bite is felt the fisherman throws the line over his shoulder, and runs with all his might, in a direct line, till the fish is on the ice,” he reported. The trout weren’t much easier to catch from a boat. Strang described how fishermen let the fish pull the boat, Jaws-style, until it exhausted itself. This was no easy way for a fisherman to make a living. He reported two fishermen working together full-time did well if they caught 800 pounds of trout in a week. Strang was shot in the head in 1856, according to Smith, by two disgruntled followers who had left his church after they refused Strang’s edict that their wives—along with all other women on the island—wear bloomers. The murderers were never charged, and Strang’s tyrannical reign was largely lost to history.
Dan Egan (The Death and Life of the Great Lakes)
Stonebridge Forest by Stewart Stafford Woke to accusatory dark clouds, Growling menace of distant storms, The wrecking ball hung lifeless, Sun - blinding me with temporal light. A labyrinthine drive to Stonebridge, Transporting tunes of my pomp, Stopped for a tasty king's breakfast, Simpatico stares from the waitress. The river's alleviating rush past; A silver ribbon pulses in my veins, Positive ions cleanse city toxins, Welcomed to a placid homecoming. Fisherman dangling death downriver, Enthroned on the bank, skimming stones, I tried to top my record each time, Teasing out mysteries in a green maze. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
I AM THE SHADOW THAT DEVOURS ROCKS, mountains, forests, and rivers, the flesh of beasts and of men. I slice skin, I empty skulls and bodies. I cut off arms, legs, and hands. I smash bones and I suck out their marrow. But I am also the red moon that rises over the river, I am the evening air that rustles the tender acacia trees. I am the wasp and the flower. Tam as much the wriggling fish as the still canoe, as much the net as the fisherman. I am the prisoner and his guard. I am the tree and the seed that grew into it. I am father and son. I am assassin and judge. I am the sowing and the harvest. I am mother and daughter. I am night and day. I am fire and the wood it devours. I am innocent and guilty. I am the beginning and the end. I am the creator and the destroyer. "I am double." To translate is never simple. To translate is to betray at the borders, it's to cheat, it's to trade one sentence for another. To translate is one of the only human activities in which one is required to lie about the details to convey the truth at large. To translate is to risk understanding better than others that the truth about a word is not single, but double, even triple, quadruple, or quintuple. "What did he say?" everyone asked. "This is not the response we expected. The response we expected wouldn't be more than two words, possibly three. Everyone has a last name and a first name, two first names at most." "He said that he is both death and life.
David Diop (At Night All Blood is Black)
The Vatican took no official notice of any kind of her death.
John O'Neill (The Fisherman's Tomb: The True Story of the Vatican's Secret Search)