First Sunshine Quotes

We've searched our database for all the quotes and captions related to First Sunshine. Here they are! All 100 of them:

Ô, Wanderess, Wanderess When did you feel your most euphoric kiss? Was I the source of your greatest bliss?
Roman Payne
She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.
Grace Willows
Hardship may dishearten at first, but every hardship passes away. All despair is followed by hope; all darkness is followed by sunshine.
Jalal ad-Din Muhammad ar-Rumi
Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.
Roman Payne (Hope and Despair)
Trust me, you're not my first choice to fight next to, Sunshine, but as as much as it would simplify things, I wouldn't be able to live with myself if I left you to her tender mercies." (Seth to Keenan as he comes to his aid against Bananach)
Melissa Marr (Darkest Mercy (Wicked Lovely, #5))
At times it seemed unfair that I should be paid for my work; for driving out in the early morning with the fields glittering under the first pale sunshine and the wisps of mist still hanging on the high tops.
James Herriot (All Creatures Great and Small (All Creatures Great and Small #1-2))
Then I met Linda and the sun rose. I can't find a better way to express it. The sun rose in my life. At first, as dawn breaking on the horizon, almost as if to say, this is where you have to look. Then came the first rays of sunshine, everything became clearer, lighter, more alive, and I became happier and happier, and then it hung in the sky of my life and shone and shone and shone.
Karl Ove Knausgård (Min kamp 2 (Min kamp, #2))
When I first saw you, you were like a flood of sunshine. All the others wanted to kill you. They thought I was crazy. They laughed...." He means the other Shadow Men, Jenny thought. "But I knew, and I watched you. You grew up and got more beautiful. You were so different from anything in my world. The others just watched, but I wanted you. Not to kill or to use up the way --the way they do with humans sometimes here. I needed you." [...] "I couldn't see anything else, couldn't hear anything else. All I could think about was you. I wouldn't let anyone else hurt you, ever. I knew I had to have you, no matter what happend. They said I was crazy with love.
L.J. Smith (The Kill (The Forbidden Game, #3))
Ô, Muse of the Heart’s Passion, let me relive my Love’s memory, to remember her body, so brave and so free, and the sound of my Dreameress singing to me, and the scent of my Dreameress sleeping by me, Ô, sing, sweet Muse, my soliloquy!
Roman Payne
The sun rose in my life. At first, as dawn breaking on the horizon, almost as if to say, this is where you have to look. Then came the first rays of sunshine, everything became clearer, lighter, more alive, and I became happier and happier, and then it hung in the sky of my life and shone and shone and shone.
Karl Ove Knausgård
LOVING KINDNESS The first element of true love is loving kindness. The essence of loving kindness is being able to offer happiness. You can be the sunshine for another person. You can’t offer happiness until you have it for yourself. So build a home inside by accepting yourself and learning to love and heal yourself. Learn how to practice mindfulness in such a way that you can create moments of happiness and joy for your own nourishment. Then you have something to offer the other person.
Thich Nhat Hanh (How to Love (Mindfulness Essentials, #3))
want to draw you,” I said. “As my birthday present to me.” His smile was positively feline. I added, flipping open my sketchbook and turning to the first page, “You said once that nude would be best.” Rhys’s eyes glowed, and a whisper of his power through the room had the curtains parting, flooding the space with midmorning sunshine. Showing every glorious naked inch of him sprawled across the bed, illuminating the faint reds and golds of his wings. “Do your worst, Cursebreaker.” My very blood sparking, I pulled out a piece of charcoal and began.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
Don’t you think you’re overdue for some rainbows?” “Yours was the first I saw in years,” Jean said, motioning to his head to indicate her hair.
Nora Sakavic (The Sunshine Court (All for the Game, #4))
Rick said, "Is there some place we can go and talk?" "You want to talk?," Keir raised an eyebrow. "I never thought I'd see the day." "Nah, I want to tell you this joke I heard." Keir nodded, patient. "Shoot." "Two Irish cops walk into a bar. The first cop says..." Rick's voice dropped. He said gruffly, "I love you. Come home." Keir managed to keep his voice steady. "What's the other cop say?" The sweetness of Rick's smile was like a kick in his chest. "That's what I'm here to find out, boyo.
Josh Lanyon (In Sunshine or in Shadow)
There are blondes and blondes and it is almost a joke word nowadays. All blondes have their points, except perhaps the metallic ones who are as blond as a Zulu under the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde who cheeps and twitters, and the big statuesque blonde who straight-arms you with an ice-blue glare. There is the blonde who gives you the up-from-under look and smells lovely and shimmers and hangs on your arm and is always very tired when you take her home. She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo’s rapier or Lucrezia’s poison vial. There is the soft and willing and alcoholic blonde who doesn’t care what she wears as long as it is mink or where she goes as long as it is the Starlight Roof and there is plenty of dry champagne. There is the small perky blonde who is a little pal and wants to pay her own way and is full of sunshine and common sense and knows judo from the ground up and can toss a truck driver over her shoulder without missing more than one sentence out of the editorial in the Saturday Review. There is the pale, pale blonde with anemia of some non-fatal but incurable type. She is very languid and very shadowy and she speaks softly out of nowhere and you can’t lay a finger on her because in the first place you don’t want to and in the second place she is reading The Waste Land or Dante in the original, or Kafka or Kierkegaard or studying Provençal. She adores music and when the New York Philharmonic is playing Hindemith she can tell you which one of the six bass viols came in a quarter of a beat too late. I hear Toscanini can also. That makes two of them. And lastly there is the gorgeous show piece who will outlast three kingpin racketeers and then marry a couple of millionaires at a million a head and end up with a pale rose villa at Cap Antibes, an Alfa-Romeo town car complete with pilot and co-pilot, and a stable of shopworn aristocrats, all of whom she will treat with the affectionate absent-mindedness of an elderly duke saying goodnight to his butler.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Spring flew swiftly by, and summer came; and if the village had been beautiful at first, it was now in the full glow and luxuriance of its richness. The great trees, which had looked shrunken and bare in the earlier months, had now burst into strong life and health; and stretching forth their green arms over the thirsty ground, converted open and naked spots into choice nooks, where was a deep and pleasant shade from which to look upon the wide prospect, steeped in sunshine, which lay stretched out beyond. The earth had donned her mantle of brightest green; and shed her richest perfumes abroad. It was the prime and vigour of the year; all things were glad and flourishing.
Charles Dickens (Oliver Twist)
I have learned to quit speeding through life, always trying to do too many things too quickly, without taking the time to enjoy each day’s doings. I think I always thought of real living as being high. I don’t mean on drugs – I mean real living was falling in love, or when I got my first job, or when I was able to help somebody, . . . In between the highs I was impatient – you know how it is – life seemed so Daily. Now I love the dailiness. I enjoy washing dishes, I enjoy cooking, I see my father’s roses out the kitchen window. I like picking beans. I notice everything – birdsongs, the clouds, the sound of wind, the glory of sunshine after two weeks of rain.
Olive Ann Burns
Evolve? Like a Pokemon?' I have no idea why I say this. I think I'm kind of going into shock, and the first thing that pops into my head when he says evolve is Charmander evolving into Charizard.
Nikki Rae (Sunshine (Sunshine, #1))
My beautiful sister. You are like sunshine: bright, incandescent, and oddly irritating at times. But what else are sisters for?
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
You didn't like him, did you, Dad?" "It wasn't that I didn't like him," my dad says slowly. "It was just that he lives in a completely different world, and I worried that he didn't really approve of you the way you are, that he was trying to change you into something else." God, I never realized my dad was that perceptive.. "You see, the thing is," he says after we've both sat for a while in the sunshine, "the thing is that love is really the most important thing. I know it's hard for you to see it now" - he chuckles quietly- "but when I first laid eyes on your mother I thought she was fantastic, and I've never stopped loving her, not for a second. Oh yes, we've had our rough patches, and she can be a bit of an old battle-ax at times, but I still love her. That in-love feeling at the beginning settles down into a different, familiar sort of love, but it has to be there right from the start, otherwise it just won't work.
Jane Green (Mr. Maybe)
And, I think, this greening does thaw at the edges, at least, of my own cold season. Joy sneaks in: listening to music, riding my bicycle, I catch myself feeling, in a way that’s as old as I am but suddenly seems unfamiliar, light. I have felt so heavy for so long. At first I felt odd- as if I shouldn’t be feeling this lightness, that familiar little catch of pleasure in the heart which is inexplicable, though a lovely passage of notes or the splendidly turned petal of a tulip has triggered it. It’s my buoyancy, part of what keeps me alive: happy, suddenly with the concomitant experience of a sonata and the motion of the shadows of leaves. I have the desire to be filled with sunlight, to soak my skin in as much of it as I can drink up, after the long interior darkness of this past season, the indoor vigil, in this harshest and darkest of winters, outside and in.
Mark Doty (Heaven's Coast: A Memoir)
Dying is beautiful- even the first time around, at the ripe old age of 20. It’s not easy most of the time, but there is real beauty to be found in knowing that your end is going to catch up with you faster than you had expected, and that you have to get all your loving and laughing and crying done as soon as you can.
Norma Klein (Sunshine)
Gandalf and Pippin came to Merry's room, and there they found Aragorn standing by the bed. 'Poor old Merry!' cried Pippin, and he ran to the bedside, for it seemed to him that his friend looked worse and a greyness in his face, as if a weight of years and sorrow lay upon him; and suddenly a fear seized Pippin that Merry would die. 'Do not be afraid,' Aragorn said, 'I came in time, and I have called him back. He is weary now, and grieved, and he has taken a hurt like the lady Eowyn, daring to smite that deadly thing. But these evils can be amended, so strong and gay a spirit is in him. His grief he will not forget; but it will not darken his heart, it will teach him wisdom.' Then Aragorn laid his hand on Merry's head, and passing his hand gently through the brown curls , he touched the eyelids, and called him by name. And when the fragrance of athelas stole through the room, like the scent of orchards, and of heather in the sunshine full of bees, suddenly Merry awoke, and he said: 'I am hungry. What is the time?' 'Past supper-time now,' said Pippin; 'though I daresay I could bring you something, if they will let me.' 'They will indeed," said Gandalf, . 'And anything else that this Rider of Rohan may desire, if it can be found in Minas Tirith, where his name is in honour." 'Good!' said Merry. 'Then I would like supper first, and after that a pipe.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
Tomorrow, I'll see his face in the mirror, and, somehow, I"ll have to make it mine. To do that, I need to start again, free of the past, free of him and the mistakes he made. Instead of the impossible, I'll need only to concern myself with the ordinary. The luxury of waking up in the same bed.... The luxury of sunshine. The luxury of honesty. The luxury of living a life... Tomorrow can be whatever I want it to be, which means for the first time in decades, I can look forward to it. Instead of being something to fear, it can be a promise I make myself. A chance to be braver or kinder, to make what was wrong right. To be better than I am today. Every day after this one is a gift. I just have to keep walking until I get there.
Stuart Turton (The 7 1/2 Deaths of Evelyn Hardcastle)
While we searched for you, the Bullets screamed your nickname over and over. It was the first time someone called you something that completely illustrated what it felt like to look at you. You’re Sunshine, Baby. You’re light. Warmth. Pure life illuminating those lucky enough to know you.
Coralee June (Sunshine and Bullets (The Bullets, #1))
It was-this always seems to shock people all over again- a happy childhood. For the first few months I spent a lot of time at the bottom of the garden, crying till I threw up and yelling rude words at the neighborhood kids who tried to make friends. But children are pragmatic, they come alive and kicking out of a whole lot worse than orphanhood, and I could only hold out so long against the fact that nothing would bring my parents back and against the thousand vivid things around me, Emma-next-door hanging over the wall and my new bike glinting red in the sunshine and the half-wild kittens in the garden shed, all fidgeting insistently while they waited for me to wake up again and come out to play. I found out early that you can throw yourself away, missing what you've lost.
Tana French (The Likeness (Dublin Murder Squad, #2))
The Bible speaks of the Word of God as added. Sometimes it's planted by the wayside, and nothing grows there. Sometimes it's sown among the thorns and represents the person who makes the decision an then goes back to his old life of bars and chasing women or whatever. A third seed is sown among the rocks. There's sand and dirt between the rocks, and when it rains you'll see a stalk of green coming up. But on the first day with sunshine it wilts because there is no room for roots. The fourth seed is planted on fertile soil, and finally it takes hold and has a chance to grow and live. That's what happened to me.
Louis Zamperini (Devil at My Heels: A Heroic Olympian's Astonishing Story of Survival as a Japanese POW in World War II)
Make sure all the screws are tightened before getting on the ride, right? Safety first.
Nora Sakavic (The Sunshine Court (All for the Game, #4))
When something sounds like a giant vomiting up a dwarf, you should not expect sunshine and daisies.
Michael J. Sullivan (Age of Swords (The Legends of the First Empire, #2))
He first saw her in a ray of sunshine. She was dancing and singing in a forest clearing, her golden hair sparkling as it swirled around her. Her voice was the very essence of a happy, sunny day distilled into song. She was as weightless on her toes as golden motes in a drowsy beam, floating their way up to the ceiling.
Liz Braswell (Once Upon a Dream)
He may not answer me at first, but that is no matter. I have someone to talk to, at last! My words will be like sunshine and air. My voice will rain down on him, and then we shall see what glorious orchid may blossom from this shy, unwanted Weed.
Maryrose Wood (The Poison Diaries (The Poison Diaries, #1))
I don't care if they are reading our mail. Bring it on, Tron! I dare you. Try to take away my freedom of expression. I'm a journalist. A free-speech warrior. I serve in the Army of the First Amendment. I didn't take this job for the bad money, and the regressive health care coverage. I'm here for the truth, the sunshine, the casting open of closed doors!
Rainbow Rowell (Attachments)
Oi!’ I drop in on him the first chance I get. Round three. There’s one coming on the inside and I start paddling for it. He starts for it too, telling me, ‘It’s mine, sunshine.’ ‘Get stuffed.’ As I feel the surge take my board, he grins across at me. ‘Split it?’ So we split the peak, he goes left and I go right, and I know, like me, he’s thinking, How good is this?
Kirsty Eagar (Raw Blue)
As I brush my teeth, I scroll through my phone to see if Sabrina texted when my phone was on silent last night. She didn’t. Damn. I was hoping my speech—and that amazing fucking kiss—might’ve changed her mind about going out with me, but I guess it didn’t. I do, however, find the most mind-boggling conversation in the group chat I have with my roommates. All the messages are from last night, and they’re bizarre as fuck. Garrett: The hells, D?! Dean: It’s not what you think!! Logan: It’s hard to mistake ur romantic bath with that giant pink thing! In ur ass! Dean: It wasn’t in my ass! Garrett: I’m not even going to ask where it was Dean: I had a girl over! Garrett: Suuuuuuuuure Logan: Suuuuuuuuure Dean: I hate you guys Garrett: <3 Logan: <3 I rinse my mouth out, spit, and drop the toothbrush into the little cup on the sink. Then I quickly type out a text. Me: Wait… what did I miss? Since we have practice in twenty minutes, the guys are already awake and clearly on their phones. Two photos pop up simultaneously. Garrett and Logan have both sent me pics of pink dildos. I’m even more confused now. Dean messages immediately with, Why do you guys have dildo pics handy? Logan: ALINIMB Dean: ?? Me: ?? Garrett: At Least It’s Not In My Butt. I snort to myself, because I’m starting to piece it together. Logan: Nice, G! U got that on the first try! Garrett: We spend too much time 2gether. Me: PLEASE tell me u caught D playing w/ dildos. Logan: Sure did. Dean is quick to object again. I HAD A GIRL OVER! The guys and I rag on him for a couple more minutes, but I have to stop when Fitzy stumbles into the bathroom and shoves me aside. He’s got crazy bedhead and he’s buck-naked. “Gotta piss,” he mumbles. “Mornin’, sunshine,” I say cheerfully. “Want me to make you some coffee?” “God. Yes. Please.” Chuckling, I duck out of the bathroom and walk the four or so steps into his kitchenette. When he finally emerges, I shove a cup of coffee in his hand, sip my own, and say, “Dean shoved a dildo up his ass last night.” Fitzy nods. “Makes sense.” I snicker mid-sip. Coffee spills over the rim of my cup. “It really does, huh?
Elle Kennedy (The Goal (Off-Campus, #4))
He called her on the road From a lonely cold hotel room Just to hear her say I love you one more time But when he heard the sound Of the kids laughing in the background He had to wipe away a tear from his eye A little voice came on the phone Said "Daddy when you coming home" He said the first thing that came to his mind I'm already there Take a look around I'm the sunshine in your hair I'm the shadow on the ground I'm the whisper in the wind I'm your imaginary friend And I know I'm in your prayers Oh I'm already there She got back on the phone Said I really miss you darling Don't worry about the kids they'll be alright Wish I was in your arms Lying right there beside you But I know that I'll be in your dreams tonight And I'll gently kiss your lips Touch you with my fingertips So turn out the light and close your eyes I'm already there Don't make a sound I'm the beat in your heart I'm the moonlight shining down I'm the whisper in the wind And I'll be there until the end Can you feel the love that we share Oh I'm already there We may be a thousand miles apart But I'll be with you wherever you are I'm already there Take a look around I'm the sunshine in your hair I'm the shadow on the ground I'm the whisper in the wind And I'll be there until the end Can you feel the love that we share Oh I'm already there Oh I'm already There
Lonestar
She bounded before me, and returned to my side, and was off again like a young greyhound; and, at first, I found plenty of entertaiment in listening to the larks singing far and near; and enjoying the sweet, warm sunshine; and watching her, my pet, and my delight, with her golden ringlets flying loose behind, and her bright cheek, as soft and pure in its bloom, as a wild rose, and her eyes radiant with cloudless pleasure. She was a happy creautre, and an angel in those those days. It is a pity she could not stay content.
Emily Brontë
So I guess maybe that’ll be the next step in evolution – to break clean like those first amphibians who crawled out of the mud into the sunshine, and who never did go back to the sea.
Kurt Vonnegut Jr.
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
Alan Beck
My first morning back, and I’m in such a terrific mood that I start the day off right by blasting Nappy Roots in the kitchen while I scarf down some cereal. The loud strains of “Good Day” draw the others from their bedrooms, and Garrett is the first to appear, clad in boxers and rubbing his eyes. “Morning, Sunshine,” he mumbles. “Please tell me you made some coffee.” I point to the counter. “Go nuts.” He pours himself a cup and plops down on one of the stools. “Did cartoon chipmunks dress you this morning?” he grumbles. “You’re scarily chipper.” “And you’re scarily grumpy. Smile, dude. It’s our favorite day of the year, remember?
Elle Kennedy (The Mistake (Off-Campus, #2))
It is a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore. It was nursery first and then playroom and gymnasium, I should judge; for the windows are barred for little children, and there are rings and things in the walls. The paint and paper look as if a boys' school had used it. It is stripped off--the paper--in great patches all around the head of my bed, about as far as I can reach, and in a great place on the other side of the room low down. I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin. It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide--plunge off at outrageous angles, destroy themselves in unheard of contradictions. The color is repellant, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning sunlight. It is a dull yet lurid orange in some places, a sickly sulphur tint in others. No wonder the children hated it! I should hate it myself if I had to live in this room long.
Charlotte Perkins Gilman (The Yellow Wallpaper and Other Stories)
The body seems to feel beauty when exposed to it as it feels the campfire or sunshine, entering not by the eyes alone, but equally through all one's flesh like radiant heat, making a passionate ecstatic pleasure glow not explainable.
John Muir (My First Summer in the Sierra)
This is no longer restlessness--it's recklessness. At first we're walking hand in hand. Then we're running hand in hand. That giddy rush of keeping up with one another, of zooming through the school, reducing everything that's not us into an inconsequential blur. We are laughing, we are playful. We leave her books in her locker and move out of the building, into the air, the real air, the sunshine and the trees and the less burdensome world. I am breaking the rules...
David Levithan (Every Day (Every Day, #1))
Everyone looks so excited for the first day of school, hugging each other hello and wearing bright, shiny new outfits that practically glow in fog.
Paige McKenzie (The Haunting of Sunshine Girl (The Haunting of Sunshine Girl #1))
He was a dreamer, but nothing can ever be accomplished without it first being a dream.
Roberta Kagan (You Are My Sunshine (All My Love, Detrick, #2))
You must not think that because one thing happens after another thing, then it is the first thing that causes the second thing. You must not think that, because it might not be true.
Alexander McCall Smith (The Woman Who Walked in Sunshine (No. 1 Ladies' Detective Agency, #16))
They say love cannot save you, that you must save yourself first. I don’t think that’s always true. I think you have to be the one to plant that first seed of salvation and allow love to water it until it grows into the most beautiful, strong flower capable of surviving it all.
Lisina Coney (The Brightest Light of Sunshine (The Brightest Light, #1))
What do these forests make you feel? Their weight and density, their crowded orderliness. There is scarcely room for another tree and yet there is space around each. They are profoundly solemn yet upliftingly joyous; like the Bible, you can find strength in them that you look for. How absolutely full of truth they are, how full of reality. The juice and essence of life are in them; they teem with life, growth and expansion. They are a refuge for myriads of living things. As the breezes blow among them, they quiver, yet how still they stand developing with the universe. God is among them. He has breathed with them the breath of life, might and patience. They stand developing, springing from tiny seeds, pushing close to Mother Earth. Fluffy baby things first, sheltering beneath their parents, mounting higher, spreading brave braches, pushing with mighty strength not to be denied skywards. Tossing in the breezes, glowing in the sunshine, bathing in the showers, bending below the snow piled on their branches, drinking the dew, rejoicing in creation, bracing each other, sheltering the birds and beasts, the myriad insects.
Emily Carr (Opposite Contraries: The Unknown Journals of Emily Carr and Other Writings)
If we go on in this way, we shall have a new art of poetry, of which one of the first rules will be: To remember to forget that there are any such things as sunshine and music in the world.
Thomas Love Peacock (Nightmare Abbey)
Number 1 was the hardest to think about now. After. But Blake let himself go there as Chaos pressed into the deepest punctures. Blake liked the train station because the trains offered reliable percussion for the songs he played in his head. When Livia had first stepped onto the platform, Blake had tried his hardest not to stare. He knew moneyed people didn’t like their women getting ogled by the homeless. But she was so friendly, even in this place where people built their own personal bubbles and stayed in them. When she smiled she looked like a walking ray of the sunshine he had to avoid. Her eyes had found his and shocked him. Blake was used to the blank, anesthetized eyes of those looking everywhere but at him. Her smile was resuscitation for his soul. Me! She sees me.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I remember the first time I fell in love. I held her hand in mine with not an interest to let go. I floated along lighter than I've ever felt. I kissed her hand as if she were my princess. There was a heart full of love and it was all for her. Every flower, every song, every cloud, every sunshine, every raindrop was a gift from heaven. For this angel had come to take my love. For the first time I felt love...
Jason Micheal Ratliff
…I got my first cheerleading outfit when I was still in diapers. All of us [girls] did. If we were lucky, we made it to twelve before some man or boy, or some well-intentioned woman who just thought we ought to know the score, let us know why we were put on this earth. To cheer [men and boys] on. To smile and bring a little sunshine into the room. To prop them up and know them, and be nice to everybody we meet.
Elizabeth Wetmore (Valentine)
Little gusts of sunshine blew, strangely bright, and lit up the celandines at the wood's edge, under the hazel-rods, they spangled out bright and yellow. And the wood was still, stiller, but yet gusty with crossing sun. The first windflowers were out, and all the wood seemed pale with the pallor of endless little anemones, sprinkling the shaken floor. 'The world has grown pale with thy breath.' But it was the breath of Persephone, this time; she came out of hell on a cold morning. Cold breaths of wind came, and overhead there was an anger of entangled wind caught among the twigs. It, too, was caught and trying to tear itself free, the wind, like Absalom. How cold the anemones looked, bobbing their naked white shoulders over crinoline skirts of green. But they stood it. A few first bleached little primroses too, by the path, and yellow buds unfolding themselves.
D.H. Lawrence (Lady Chatterley’s Lover)
Fellow man! Your whole life, like a sandglass, will always be reversed and will ever run out again, — a long minute of time will elapse until all those conditions out of which you were evolved return in the wheel of the cosmic process. And then you will find every pain and every pleasure, every friend and every enemy, every hope and every error, every blade of grass and every ray of sunshine once more, and the whole fabric of things which make up your life. This ring in which you are but a grain will glitter afresh forever. And in every one of these cycles of human life there will be one hour where, for the first time one man, and then many, will perceive the mighty thought of the eternal recurrence of all things: — and for mankind this is always the hour of Noon.
Friedrich Nietzsche
An eagle soaring above a sheer cliff, where I suppose its nest is, makes another striking show of life, and helps to bring to mind the other people of the so-called solitude—deer in the forest caring for their young; the strong, well-clad, well-fed bears; the lively throng of squirrels; the blessed birds, great and small, stirring and sweetening the groves; and the clouds of happy insects filling the sky with joyous hum as part and parcel of the down-pouring sunshine.
John Muir (My First Summer in the Sierra (Illustrated))
She wasn’t pretty. That was too simple of a word. She was a ray of sunshine in the middle of a dark night. A cool breeze amid a storm. The first flower that bloomed after a long winter. She was an infusion of light into the abyss that was my soul.
Elayna R. Gallea (Tethered (The Binding Chronicles, #1))
It always has been and always will be the same. The old folk of our grandfathers' young days sang a song bearing exactly the same burden; and the young folk of to-day will drone out precisely similar nonsense for the aggravation of the next generation. "Oh, give me back the good old days of fifty years ago," has been the cry ever since Adam's fifty-first birthday. Take up the literature of 1835, and you will find the poets and novelists asking for the same impossible gift as did the German Minnesingers long before them and the old Norse Saga writers long before that. And for the same thing sighed the early prophets and the philosophers of ancient Greece. From all accounts, the world has been getting worse and worse ever since it was created. All I can say is that it must have been a remarkably delightful place when it was first opened to the public, for it is very pleasant even now if you only keep as much as possible in the sunshine and take the rain good-temperedly.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
Do I have a code name? II'm pretty sure I get a code name. I'd like to choose it." His fingers fall from my elbow. A pity. "Yes," he says. "As a matter of fact, you do have a code name." "I knew it!" My twirl is the glee-filled kind. "What is it? Sidewinder or Lightning or maybe Pegasus?" "We were calling you Butterfly." Huh. "That's nice, I guess." A little soft, but okay. "Then, the tabloids gave you the moniker. The Lost Butterfly, so we had to change it." I perk up. "I suggested it," he baits. "What did you suggest?" I look up at Akio with stars in my eyes. The possibilities are endless---Sunshine, Moonflower, Cherry Blossom. My thoughts are a runaway train. Maybe he likes me. Maybe he's not as mean as he seems. Maybe I've terribly misjudged him and this is just a rocky start to a friendship that turns to love that will last the ages. Our affair will inspire folksy campfire ballads. It's the first time I see Akio smile. It's part evil, part satisfied, as if he's just won a bet with himself. "Radish.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
I pulled up and wound down the window. For a few moments he looked out over the miles of heathery moorland and the rounded summits of the great hills slumbering in the sunshine, then he spoke quietly as though to himself. “So this is where you work?” “Yes, this is it, Andy.” He took a long breath, then another, as if greedy for more. “You know,” he said. “I’ve heard a lot about air like wine, but this is the first time I’ve realised what it means.
James Herriot (The Lord God Made Them All (All Creatures Great and Small, #4))
All those years ago, when I’d first seen Maisy in the maternity ward of the hospital, I had made an assumption about her. Spending time with her these last two weeks, I now knew I’d been right. Maisy Holt was pure joy. She was goodness personified. She was a beam of sunshine breaking through the clouds in my life.
Devney Perry (The Bitterroot Inn (Jamison Valley, #5))
He had realized that she was all the joy in his world. If the weather was fine, he wanted to walk in the sunshine with her; if he saw something beautiful, he wanted to show it to her; if he heard something funny, his first thought was to tell her, and see her smile. His work gave him pleasure, especially when he came up with clever solutions to intractable problems; but it was a cold, cerebral satisfaction, and he knew that his life would be a long winter without Caris.
Ken Follett (World Without End (Kingsbridge, #2))
A first meeting. A meeting in the desert, a meeting at sea, meeting in the city, meeting at night, meeting at a grave, meeting in the sunshine beside the forest, beside water. Human beings meet, yet the meetings are not the same. Meeting partakes in its very essence not only of the persons but of the place of meeting. And that essence of place remains, and colours, faintly, the association, perhaps forever. Ethel Wilson, Swamp Angel. Toronto: McClelland and Stewart, 1990 (page 95).
Ethel Wilson (Swamp Angel)
Sunshine, you and Jake had sex, but trust me when I tell you, tonight's going to be your first time. The first time you know what it feels like for someone to own your body. The first time a real man makes love to you until you scream so loud the heavens hear you. And the first time you'll understand exactly what you mean to me.
K.J. Bell (Irreparably Broken (Irreparable, #1))
There was a feeling of freshness and vigour in the very streets; and when I got free of the town, when my foot was on the sands and my face towards the broad, bright bay, no language can describe the effect of the deep, clear azure of the sky and ocean, the bright morning sunshine on the semicircular barrier of craggy cliffs surmounted by green swelling hills, and on the smooth, wide sands, and the low rocks out at sea—looking, with their clothing of weeds and moss, like little grass–grown islands—and above all, on the brilliant, sparkling waves. And then, the unspeakable purity—and freshness of the air! There was just enough heat to enhance the value of the breeze, and just enough wind to keep the whole sea in motion, to make the waves come bounding to the shore, foaming and sparkling, as if wild with glee. Nothing else was stirring—no living creature was visible besides myself. My footsteps were the first to press the firm, unbroken sands;—nothing before had trampled them since last night’s flowing tide had obliterated the deepest marks of yesterday, and left them fair and even, except where the subsiding water had left behind it the traces of dimpled pools and little running streams.
Anne Brontë (Agnes Grey)
Someone’s up early,” Gabrielle said as the first streaks of sunshine streaked across the sky outside. “Someone’s up late,” Hale told her. Then he turned his gaze to Kat. “Looks like someone also needs a better lock.” “It took me ten minutes,” she admitted. “I’ll be sure to pass that along to Silas. The home security division of Hale Enterprises is his new baby, you know?” “I do know,” Kat said with a laugh. “And my father is blaming me for it. He says putting someone as smart as your head of R&D in charge of home security is bad for business. In any case, you need a better lock.” “Or a less trouble-make-y girlfriend,” Gabrielle tried, but Hale just shook his head. “No. Not that. Never that.
Ally Carter (The Grift of the Magi (Heist Society, #3.5))
I must learn to love. And when love is first there, it will soon find an object - a child, a man or a woman. When you're full of love, you'll find a way to release it. Love grows. And when it has grown large and powerful, it will free itself gently from its object and flow out over the world and the people in it - like sunshine, like warmth, like light . . .
Ebba Haslund (Nothing Happened)
Ah, my dear friend, cheer up... After all, we have peace! And because there is peace, the occupiers can't behave so abominably anymore. All right, we're not free. But we are used to that, Mr. Kujawski. After all we were both born into slavery, and we will die in it. Oh yes, at first they'll exploit us ruthlessly. Fourteen hours of slave labor a day. A bowl of watery soup. Whippings, beatings... But that will pass with time. Because there is peace, they won't have a chance to get any new slaves. They'll have to take good care of those have already. Cheer up, dear Mr. Kujawski... [...] Arbeit macht frei, work makes man free, and it makes him especially so in the sunshine of European peace. We will lack only one thing. Only one! The right of dissent. The right to say out loud that we want a free and independent Poland, that we want to brush our teeth and go on holiday in our own way, conceive children and work our own way, think in our own way, live and die. This is the one thing you will find missing in the sunshine of European peace, which you, my friend, hold to be the highest good.
Andrzej Szczypiorski (The Beautiful Mrs. Seidenman)
Then I met Linda and the sun rose. I can’t find a better way to express it. The sun rose in my life. At first, as dawn breaking on the horizon, almost as if to say, this is where you have to look. Then came the first rays of sunshine, everything became clearer, lighter, more alive, and I became happier and happier, and then it hung in the sky of my life and shone and shone and shone.
Karl Ove Knausgård (A Man in Love)
A ray of sunshine, I bring to the world my passion of guiding others to their point of power by first loving themselves from the inside out. I Am on a never ending journey of self discovery and that has earned me a PHd in life experience I share with you. If your ready to walk the path of happy, I am your partner and together we Can transform your world into something extraordinarily awesome.
Lee Pryke
I was at the barracks about a week. Chiefly I remember the horsy smells, the quavering bugle-calls (all our buglers were amateurs—I first learned the Spanish bugle-calls by listening to them outside the Fascist lines), the tramp-tramp of hobnailed boots in the barrack yard, the long morning parades in the wintry sunshine, the wild games of football, fifty a side, in the gravelled riding-school.
George Orwell (Homage to Catalonia)
I’m like a sailor, born and bred in the deck of a privateer. Storm and battle are a part of his life, and if he’s cast ashore he pines in boredom, indifferent to the pleasures of shady woods and peaceful sunshine. All day long he walks the beach listening to the steady murmur of the incoming waves and gazing for the sight of a ship in the distant haze. He looks longingly at the pale strip between the ocean blue and the grey clouds, in hopes of seeing a sail, first like a seagull’s wing, that then gradually stands out against the foaming breakers and runs in steadily towards the desolate haven.
Mikhail Lermontov (A Hero of Our Time)
It's not difficult to find love which see sunshine in you after sexual night It's not difficult to find love which praise you after eat your cooked food its not difficult to find love which in return love for the things what you do But its miracle of love if you have someone who loves you for you.who keep your wishes your happiness your choices at the first place all above Just you . Only this is the love another all just exchange method
Mohammed Zaki Ansari ("Zaki's Gift Of Love")
And having given up on life, the Captain suddenly began to live. A great mad joy surged through him. This emotion, coming as unexpectedly as the plunge of the horse when he had broken away, was one that the Captain had never experienced. His eyes were glassy and half-open, as in delirium, but he saw suddenly as he had never seen before. The world was a kaleidoscope, and each of the multiple visions which he saw impressed itself on his mind with burning vividness. On the ground half-buried in the leaves there was a little flower, dazzling white and beautifully wrought. A thorny pine cone, the flight of a bird in the blue windy sky, a fiery shaft of sunshine in the green gloom - these the Captain saw as though for the first time in his life. He was conscious of the pure keen air and the felt the marvel of his own tense body, his labouring heart, and the miracle of blood, muscle, nerves, and bones. The Captain knew no terror now; he soared the rare level of consciousness where the mystic feels that the earth is he and that he is the earth. Clinging crabwise to the runaway horse, there was a grin of rapture on his bloody mouth.
Carson McCullers (Reflections in a Golden Eye)
...But although the rules are vague And widely disregarded now Some precepts remain: live with love - That is a rule we all can understand; Forgive those who need forgiveness, Which I think is everybody, more or less; Be kind - that, perhaps, is first and foremost In any postmodern, new-fangled Code we devise for ourselves; Yes, be kind: love one another, And most of all tend with gentleness The small patch of terra firma That is allocated to each of us...
Alexander McCall Smith (Sunshine on Scotland Street (44 Scotland Street, #8))
I generally rested during the day and travelled only when I was secured by night from the view of man. One morning, however, finding that my path lay through a deep wood, I ventured to continue my journey after the sun had risen; the day, which was one of the first of spring, cheered even me by the loveliness of its sunshine and the balminess of the air. I felt emotions of gentleness and pleasure, that had long appeared dead, revive within me. Half surprised by the novelty of these sensations, I allowed myself to be borne away by them, and forgetting my solitude and deformity, dared to be happy. Soft tears again bedewed my cheeks, and I even raised my humid eyes with thankfulness towards the blessed sun, which bestowed such joy upon me.
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
When I made it to the living room, I wasn’t surprised to see that the only one actually taking a practice GED was Dean. Lia was filing her nails. Sloane appeared to be constructing some kind of catapult out of pencils and rubber bands. Lia caught sight of me first. “Good morning, sunshine,” she said. “I’m no Michael, but based on the expression on your face, I’m guessing you’ve been spending some quality time with the lovely Agent Sterling.” Lia beamed at me. “Isn’t she the best?” The eerie thing about Lia was that she could make anything sound genuine. Lia wasn’t fond of the FBI in general, and she was the type to flout rules based on principle alone, but even knowing her enthusiasm was feigned, I couldn’t see through it. “There’s something about that Agent Sterling that just makes me want to listen to what she has to say,” Lia continued earnestly. “I think we might be soul mates.” Dean snorted, but didn’t look up from his practice test. Sloane set off her catapult, and I had to duck to keep from taking a pencil to the forehead.
Jennifer Lynn Barnes (Killer Instinct (The Naturals, #2))
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
Those rose-tinted glasses look good on you, Sunshine.” Sunshine? I was sure he meant that mockingly, but the butterflies in my stomach stirred to life anyway, fanning away my anger. Traitors. “Thanks. You can borrow them. You need them more than I do,” I said pointedly. A low chuckle slipped from his throat, and I almost fell to the floor in shock. Tonight was turning out to be a night of firsts. Alex’s hand trailed up my spine until it rested on the back of my neck, leaving a cascade of tingles in their wake. “I feel it dripping all over me.
Ana Huang (Twisted Love (Twisted, #1))
Now she could look back down the long years and see herself in green flowered dimity, standing in the sunshine at Tara, thrilled by the young horseman with his blond hair shining like a silver helmet. She could see so clearly now that he was only a childish fancy, no more important really than her spoiled desire for the aquamarine earbobs she had coaxed out of Gerald. For, once she owned the earbobs, they had lost their value, as everything except money lost its value once it was hers. And so he, too, would have become cheap if, in those first far-away days, she had ever had the satisfaction of refusing to marry him. If she had ever had him at her mercy, seen him grown passionate, importunate, jealous, sulky, pleading, like the other boys, the wild infatuation which had possessed her would have passed, blowing away as lightly as mist before sunshine and light wind when she met a new man.
Margaret Mitchell (Gone With the Wind)
We stay in that sunshine, on that marvellous summit, for an hour and an era. We don’t talk much. Up there, language seems impossible, impertinent, sliding stupidly off this landscape. Its size makes metaphor and simile seem preposterous. It is like nowhere I have ever been. It shucks story, leaves the usual forms of meaning-making derelict. Glint of ice cap, breach of whales, silt swirls in outflows, sapphire veins of a crevasse field. A powerful dissonance overtakes my mind, whereby everything seems both distant and proximate at the same time. It feels as if I could lean from that summit and press a finger into the crevasses, tip a drop of water from the serac pool, nudge a berg along the skyline with my fingertip. I realize how configured my sense of distance has become from living so much on the Internet, where everything is in reach and nothing is within touch. The immensity and the vibrancy of the ice are beyond anything I have encountered before. Seen in deep time – viewed even in the relatively shallow time since the last glaciation – the notion of human dominance over the planet seems greedy, delusory. Up there on that summit, at that moment, gazing from the Inner Ice to the berg-filled sea, the idea of the Anthropocene feels at best a conceit, at worst a perilous vanity. I recall the Inuit word I first heard in northern Canada: ilira, meaning ‘a sense of fear and awe’, and also carrying an implication of the landscape’s sentience with it. Yes. That is what I feel here. Ilira.
Robert Macfarlane (Underland: A Deep Time Journey)
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
Those rose-tinted glasses look good on you, Sunshine.” Sunshine? I was sure he meant that mockingly, but the butterflies in my stomach stirred to life anyway, fanning away my anger. Traitors. “Thanks. You can borrow them. You need them more than I do,” I said pointedly. A low chuckle slipped from his throat, and I almost fell to the floor in shock. Tonight was turning out to be a night of firsts. Alex’s hand trailed up my spine until it rested on the back of my neck, leaving a cascade of tingles in their wake. “I feel it dripping all over me.” He did not—what? An inferno consumed my body. “You’re—you—no, I’m not!” I sputtered, pushing him away and scrambling off him. My core pulsed. Oh my God, what if I was? I couldn’t look, afraid I’d see a telltale wet spot on his jeans. I’d have to move to Antarctica. Build myself an ice cave and learn to speak penguin because I could never show my face in Hazelburg, D.C., or any city where I could run into Alex Volkov again. His chuckle blossomed into a full-blown laugh. The effect of his real smile was so devastating, even amid my mortification, that all I could do was stare at the way his face lit up and the sparkle that transformed his eyes from beautiful to downright breathtaking. Holy crap. Perhaps I should be grateful he never smiled, because if that was what he looked like while doing it…womankind didn’t stand a chance. “I’m talking about your bleeding heart,” he drawled. “What did you think I was talking about?” “I—you—” Forget Antarctica. I had to move to Mars. Alex’s laughter subsided, but the twinkle in his eyes remained.
Ana Huang (Twisted Love (Twisted, #1))
after all that, after the concentration camps in Germany, after we stated definitely that our former home was changed into a mass grave, we can only grope and clasp with our finger tips the shadows of our dearest and painfully cry: I can never more see my home. The victorious nations that in the 20th century removed the black plague from Europe must understand once and for all the specific Jewish problem. No, we are not Polish when we are born in Poland; we are not Lithuanians even though we once passed through Lithuania; and we are neither Roumanians though we have seen the first time in our life the sunshine in Roumenia. We are Jews!!
Ian Buruma (Year Zero: A History of 1945)
All those years when Ronni thought she was sick, all those years convinced that every mole was melanoma, every cough was lung cancer, every case of heartburn was an oncoming heart attack, after all those years, when the gods finally stopped taking care of her she wasn't scared. What a pity, she thought after the doctor first diagnosed her. Then, when she refused to believe it, after the second, and the third, agreed, she thought again, what a pity I wasted all those years worrying about the worst. Somehow now that the worst was upon her, it was peaceful, calming, as if this was what she had always been waiting for. Now that it was here, it wasn't scary at all.
Jane Green (The Sunshine Sisters)
When she dies, you are not at first surprised. Part of love is preparing for death. You feel confirmed in your love when she dies. You got it right. This is part of it all. Afterward comes the madness. And then the loneliness: not the spectacular solitude you had anticipated, not the interesting martyrdom of widowhood, but just loneliness. You expect something almost geological-- vertigo in a shelving canyon -- but it's not like that; it's just misery as regular as a job. What do we doctors say? I'm deeply sorry, Mrs Blank; there will of course be a period of mourning but rest assured you will come out of it; two of these each evening, I would suggest; perhaps a new interst, Mrs Blank; can maintenance, formation dancing?; don't worry, six months will see you back on the roundabout; come and see me again any time; oh nurse, when she calls, just give her this repeat will you, no I don't need to see her, well it's not her that's dead is it, look on the bright side. What did she say her name was? And then it happens to you. There's no glory in it. Mourning is full of time; nothing but time.... you should eat stuffed sow's heart. I might yet have to fall back on this remedy. I've tried drink, but what does that do? Drink makes you drunk, that's all it's ever been able to do. Work, they say, cures everything. It doesn't; often, it doesn't even induce tiredness: the nearest you get to it is a neurotic lethargy. And there is always time. Have some more time. Take your time. Extra time. Time on your hands. Other people think you want to talk. 'Do you want to talk about Ellen?' they ask, hinting that they won't be embarrassed if you break down. Sometimes you talk, sometimes you don't; it makes little difference. The word aren't the right ones; or rather, the right words don't exist. 'Language is like a cracked kettle on which we beat out tunes for bears to dance to, while all the time we long to move the stars to pity.' You talk, and you find the language of bereavement foolishly inadequate. You seem to be talking about other people's griefs. I loved her; we were happy; I miss her. She didn't love me; we were unhappy; I miss her. There is a limited choice of prayers on offer: gabble the syllables. And you do come out of it, that's true. After a year, after five. But your don't come out of it like a train coming out of a tunnel, bursting through the Downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.
Julian Barnes (Flaubert's Parrot)
For the first 3 weeks of that month, I was also under internal segregation. This simply meant that no other political prisoner was allowed near me. During meals, I was made to sit apart from the others, often with a guard between us. During my ration of sunshine, I had to sit in my corner, often with a watchful guard to ensure that there was no talking or other contact between me & any of the others. Because we were all on the same block it wasn't easy for the warders to enforce total segregation. The other political prisoners would break through the cordon by shouting across to me or by finding any & every excuse for going past where I was sitting & hurriedly throwing in one or two words of solidarity...This was always touching coming from people who were in no better conditions.
Ngũgĩ wa Thiong'o (Wrestling with the Devil: A Prison Memoir)
[Jeremy sees Jean's scars for the first time] “‘Focus on what’s important.’ ‘I am,’ Jeremy said. … [Jean tells Jeremy it was his father who gave him the scars]...His [Jeremy] family had its problems- all families did, he supposed- but never in his life had his mother raised a hand at her rowdy children. He couldn’t fathom being struck by a parent; how could he possibly wrap his mind around the malice behind something like this? ‘Do not let it bother you,’ Jean said, setting his racquet aside so he could finish getting dressed. ‘It will not affect my performance on the court.’ ‘That’s not the issue. Your parents are supposed to love and protect you, not-’ Jeremy gestured helplessly toward Jean. ‘I’m sorry. I can’t even imagine what that was like for you.’ ‘Imagine getting changes so we can practice,’ Jean said.
Nora Sakavic (The Sunshine Court (All For the Game, #4))
Then it was horn time. Time for the big solo. Sonny lifted the trumpet - One! Two! - He got it into sight - Three! We all stopped dead. I mean we stopped. That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit. Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?" I looked close and said: "Man, I hope not." But why kid? We'd seen that trumpet a million times. It was Spoof's. Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night... I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and - That blast got into our ears like long knives. Spoof's own trademark! Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide. Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat. The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves... And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted: 'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!' And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz. Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep... And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!' God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
Lying in the hotel bed, Hector conceded that, all through ’93, ’94, and ’95, an ever-widening river of good data, mixed with a steady ambient wash of self-importance, had anesthetized his grief. He’d needed that. But now a maw of emptiness and rage was opening beneath him. Idly, he rubbed his bare, trimmed chest beneath the sheets. He’d faithfully hit the gym through these past years of high-level consultancy, grunting out his misery over barbells and machines. His chest was broad and he wished beyond anything that the arm caressing it at this moment was Ricky’s, not his own. But that sunny, silly cutie, like a blond sliver of sunshine on the timeline that Hector envisioned as his life, had missed the drawbridge, along with Issy and Korie and a baleful lot of others. It had all happened in the very, very worst years of sickness and death, Clinton’s first term, overwhelming loss mingled confusingly with tidings of the coming respite.
Tim Murphy (Christodora)
Did you have any yourself?" she said. "Just one." Harold thought of David, but it was too much to explain. He saw the boy as a toddler and how his face darkened in sunshine like a ripe nut. He wanted to describe the soft dimples of flesh at his knees, and the way he walked in his first pair of shoes, staring down, as if unable to credit they were still attached to his feet. He thought of him lying in hit cot, his fingers so appallingly small and perfect over his wool blanket. You could look at them and fear they might dissolve beneath your touch. Mothering had come so naturally to Maureen. It was as if another woman had been waiting inside her all along, ready to slip out. She knew how to swing her body so that a baby slept; how to soften her voice; how to curl her hand to support his head. She knew what temperature the water should be in his bath, and when he needed to nap, and how to knit him blue wool socks. He had no idea she knew these things and he had watched with awe, like a spectator from the shadows. It both deepened his love for her and lifted her apart, so that just at the moment when he thought their marriage would intensify, it seemed to lose its way, or at least set them in different places. He peered at his baby son, with his solemn eyes, and felt consumed with fear. What if he was hungry? What if he was unhappy? What if other boys hit him when he went to school? There was so much to protect him from, Harold was overwhelmed. He wondered if other men had found the new responsibility of parenting as terrifying, or whether it had been a fault that was only in himself. It was different these days. You saw men pushing buggies and feeding babies with no worries at all.
Rachel Joyce (The Unlikely Pilgrimage of Harold Fry (Harold Fry, #1))
Logan felt like Icarus. He had never felt so free and blissfully alive as he did whenever he was with her. The closer he got to her the higher and happier he felt. Even at the mention of her name his heart would pound incessantly and all the giddy feelings he didn’t quite understand would suddenly reemerge. Every glance upon her blinding beauty cast a shadow upon every other girl for him. Everyone else paled in comparison to her. With every passing moment he had somehow discovered something new and exciting about her. With her by his side he could feel the light breeze flapping against his sides and the warmth of sunshine beating down on his handsome face. This is what it meant to be truly awake. This is what it meant to be in love. But just like Icarus he had gotten too close and had crashed and burned. As he lay crippled in the aftermath of his own destruction he wondered what hurt more the aching pangs of physical pain his body had been subjected to or the raw burning sensation he felt in his heart. He had gladly given her his heart and in return she threw it back in pieces claiming it wasn’t enough. That he wasn’t enough.
Ali Harper (Breaking Bedlam (Beautiful Bedlam #2))
by have a home in the first place? Good question! When I have a tea party for my grandchildren, I'm passing on to them the things my mama passed on to me-the value of manners and the joy of spending quiet time together. When Bob reads a Bible story to those little ones, he's passing along his deep faith. When we watch videos together, play games, work on projects-we're building a chain of memories for the future. These aren't lessons that can be taught in lecture form. They're taught through the way we live. What we teach our children-or any child who shares our lives-they will teach to their children. What we share with our children, they will share with generations to come. friend of mine loves the water, the out doors, and the California sunshine. She says they're a constant reminder of God's incredible creativity. Do you may have a patio or a deck or a small balcony? Bob and I have never regretted the time and expense of creating outdoor areas to spend time in. And when we sit outside, we enhance our experience with a cool salad of homegrown tomatoes and lettuce, a tall glass of lemonade, and beautiful flowers in a basket. Use this wonderful time to contemplate all God is doing in your life. ecome an answer to prayer! • Call and encourage someone today.
Emilie Barnes (365 Things Every Woman Should Know)
OLIVER DAVENANT did not merely read books. He snuffed them up, took breaths of them into his lungs, filled his eyes with the sight of the print and his head with the sound of words. Some emanation from the book itself poured into his bones, as if he were absorbing steady sunshine. The pages had personality. He was of the kind who cannot have a horrifying book in the room at night. He would, in fine weather, lay it upon an outside sill and close the window. Often Julia would see a book lying on his doormat. As well as this, his reading led him in and out of love. At first, it was the picture of Alice going up on tiptoe to shake hands with Humpty Dumpty; then the little Fatima in his Arthur Rackham book, her sweet dusky face, the coins hanging on her brow, the billowing trousers and embroidered coat. Her childish face was alive with excitement as she put the key to the lock. “Don’t!” he had once cried to her in loud agony. In London, he would go every Saturday morning to the Public Library to look at a picture of Lorna Doone. Some Saturdays it was not there, and he would go home again, wondering who had borrowed her, in what kind of house she found herself that week-end. On his last Saturday, he went to say good-bye and the book was not there, so he sat down at a table to await its return. Just before the library was to be shut for lunch-time, he went to the shelf and kissed the two books which would lie on either side of his Lorna when she was returned and, having left this message of farewell, made his way home, late for lunch and empty of heart. If this passion is to be called reading, then the matrons with their circulating libraries and the clergymen with their detective tales are merely flirting and passing time. To discover how Oliver’s life was lived, it was necessary, as in reading The Waste Land, to have an extensive knowledge of literature. With impartiality, he studied comic papers and encyclopaedia, Eleanor’s pamphlets on whatever interested her at the moment, the labels on breakfast cereals and cod liver oil, Conan Doyle and Charlotte Brontë.
Elizabeth Taylor (At Mrs Lippincote's)
Life did change for Tom and Maggie; and yet they were not wrong in believing that the thoughts and loves of these first years would always make part of their lives. We could never have loved the earth so well if we had had no childhood in it,–if it were not the earth where the same flowers come up again every spring that we used to gather with our tiny fingers as we sat lisping to ourselves on the grass; the same hips and haws on the autumn's hedgerows; the same redbreasts that we used to call "God's birds," because they did no harm to the precious crops. What novelty is worth that sweet monotony where everything is known, and loved because it is known? The wood I walk in on this mild May day, with the young yellow-brown foliage of the oaks between me and the blue sky, the white star-flowers and the blue-eyed speedwell and the ground ivy at my feet, what grove of tropic palms, what strange ferns or splendid broad-petalled blossoms, could ever thrill such deep and delicate fibres within me as this home scene? These familiar flowers, these well-remembered bird-notes, this sky, with its fitful brightness, these furrowed and grassy fields, each with a sort of personality given to it by the capricious hedgerows,–such things as these are the mother-tongue of our imagination, the language that is laden with all the subtle, inextricable associations the fleeting hours of our childhood left behind them. Our delight in the sunshine on the deep-bladed grass to-day might be no more than the faint perception of wearied souls, if it were not for the sunshine and the grass in the far-off years which still live in us, and transform our perception into love.
George Eliot
April 29 MORNING “Thou art my hope in the day of evil.” — Jeremiah 17:17 THE path of the Christian is not always bright with sunshine; he has his seasons of darkness and of storm. True, it is written in God’s Word, “Her ways are ways of pleasantness, and all her paths are peace;” and it is a great truth, that religion is calculated to give a man happiness below as well as bliss above; but experience tells us that if the course of the just be “As the shining light that shineth more and more unto the perfect day,” yet sometimes that light is eclipsed. At certain periods clouds cover the believer’s sun, and he walks in darkness and sees no light. There are many who have rejoiced in the presence of God for a season; they have basked in the sunshine in the earlier stages of their Christian career; they have walked along the “green pastures” by the side of the “still waters,” but suddenly they find the glorious sky is clouded; instead of the Land of Goshen they have to tread the sandy desert; in the place of sweet waters, they find troubled streams, bitter to their taste, and they say, “Surely, if I were a child of God, this would not happen.” Oh! say not so, thou who art walking in darkness. The best of God’s saints must drink the wormwood; the dearest of His children must bear the cross. No Christian has enjoyed perpetual prosperity; no believer can always keep his harp from the willows. Perhaps the Lord allotted you at first a smooth and unclouded path, because you were weak and timid. He tempered the wind to the shorn lamb, but now that you are stronger in the spiritual life, you must enter upon the riper and rougher experience of God’s full-grown children. We need winds and tempests to exercise our faith, to tear off the rotten bough of self-dependence, and to root us more firmly in Christ. The day of evil reveals to us the value of our glorious hope.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
sunshine made the whole place look different. The high, deep, blue sky arched over Misselthwaite as well as over the moor, and she kept lifting her face and looking up into it, trying to imagine what it would be like to lie down on one of the little snow-white clouds and float about. She went into the first kitchen-garden and found Ben Weatherstaff working there with two other gardeners. The change in the weather seemed to have done him good. He spoke to her of his own accord. “Springtime’s comin’,” he said. “Cannot tha’ smell it?” Mary sniffed and thought she could. “I smell something nice and fresh and damp,” she said. “That’s th’ good rich earth,” he answered, digging away. “It’s in a good humor makin’ ready to grow things. It’s glad when plantin’ time comes. It’s dull in th’ winter when it’s got nowt to do. In th’ flower gardens out there things will be stirrin’ down below in th’ dark. Th’ sun’s warmin’ ’em. You’ll see bits o’ green spikes stickin’ out o’ th’ black earth after a bit.” “What will they be?” asked Mary. “Crocuses an’ snowdrops an’ daffydowndillys. Has tha’ never seen them?” “No. Everything is hot, and wet, and green after the rains in India,” said Mary. “And I think things grow up in a night.” “These won’t grow up in a night,” said Weatherstaff. “Tha’ll have to wait for ’em. They’ll poke up a bit higher here, an’ push out a spike more there, an’ uncurl a leaf this day an’ another that. You watch ’em.” “I am going to,” answered Mary. Very soon she heard the soft rustling flight of wings again and she knew at once that the robin had come again. He was very pert and lively, and hopped about so close to her feet, and put his head on one side and looked at her so slyly that she asked Ben Weatherstaff a question. “Do you think he remembers me?” she said. “Remembers thee!” said Weatherstaff indignantly. “He knows every cabbage stump in th’ gardens, let alone th’ people. He’s never seen a little wench here before, an’ he’s bent on findin’ out all about thee. Tha’s no need to try to hide anything from him.” “Are
Frances Hodgson Burnett (The Secret Garden)
For about 48 weeks of the year an asparagus plant is unrecognizable to anyone except an asparagus grower. Plenty of summer visitors to our garden have stood in the middle of the bed and asked, 'What is this stuff? It's beautiful!' We tell them its the asparagus patch, and they reply, 'No this, these feathery little trees.' An asparagus spear only looks like its picture for one day of its life, usually in April, give or take a month as you travel from the Mason-Dixon Line. The shoot emerges from the ground like a snub nose green snake headed for sunshine, rising so rapidly you can just about see it grow. If it doesn't get it's neck cut off at ground level as it emerges, it will keep growing. Each triangular scale on the spear rolls out into a branch until the snake becomes a four foot tree with delicate needles. Contrary to lore, fat spears are no more tender or mature than thin ones. Each shoot begins life with its own particular girth. In the hours after emergence, it lengthens but does not appreciably fatten. To step into another raging asparagus controversy, white spears are botanically no different from their green colleagues. White shoots have been deprived of sunlight by a heavy mulch pulled up over the plant's crown. European growers go to this trouble for consumers who prefer the stalks before they've had their first blush of photosynthesis. Most Americans prefer the more developed taste of green. Uncharacteristically, we're opting for the better nutritional deal here also. The same plant could produce white or green spears in alternate years, depending on how it is treated. If the spears are allowed to proceed beyond their first exploratory six inches, they'll green out and grow tall and feathery like the house plant known as asparagus fern, which is the next of kin. Older, healthier asparagus plants produce chunkier, more multiple shoots. Underneath lies an octopus-shaped affair of chubby roots called a crown that stores enough starch through the winter to arrange the phallic send-up when winter starts to break. The effect is rather sexy, if you're the type to see things that way. Europeans of the Renaissance swore by it as an aphrodisiac and the church banned it from nunneries.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack (aka Because this stuff won’t stop being confusing and my friends are mean edition) From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.) From Green to Red, with all the colours in between Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn Green  Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”  My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop. Green-Yellow  Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”  My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash Yellow  Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”  My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen Yellow-Orange  Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)  My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren. Orange  Friends’ Reaction: “So pretty it makes you jealous. Or gay.”  “Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.  My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting. o Possible tie-in to romantic feels? Not sure yet. Orange-Red  Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”  My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come? Red (aka the most controversial code)  Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).  “Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”  “K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)  My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.
Claire Kann (Let's Talk About Love)
Syn pulled his boxers on and quietly left the bedroom, walking angrily to the kitchen. He turned the corner and wanted to throw a shit-fit at the sight before him. Day was standing at his stove loading some type of egg dish onto a plate before turning and setting it in front of God. God folded down one side of his newspaper, peering at Syn from behind it. “Well good morning, sunshine,” Day said way too cheerily for five-fucking-a.m. “We brought breakfast.” Syn clenched his jaw, trying not to yell at his superior officers. “Have you two lost your fuckin’ minds? Come on. It’s, it’s ... early.” Syn turned his wrist, forgetting he didn’t have his watch on yet. “Damn, you guys are always at the office, or at a crime scene, or over fucking here at god-awful hours.” “Oh, it’s early?” Day said disbelievingly. God shrugged like he hadn’t realized either. “Seriously. When the fuck do you guys sleep?” “Never,” God said nonchalantly. “When do you fuck?” Syn snapped. “Always,” Day quipped. “Just did thirty minutes ago. Nice couch by the way, real comfy, sorry for the stain.” Syn tiredly flipped Day off. “Don’t be pissed,” Day sing-songed. “A dab of Shout will get that right out.” Syn rubbed angrily at his tired eyes, growling, “Day.” “He’s not in a joking mood, sweetheart,” God said from behind his paper. “You know we didn’t fuck on your couch so calm the hell down. Damn you’re moody in the morning. Unless ... We weren’t interrupting anything, were we? So, how’s porn boy?” God’s gruff voice filled the kitchen, making Syn cringe. “First of all. Don’t fucking call him that, ever, and damnit God. Lower your voice. Shit. He’s still asleep,” Syn berated his Lieutenant, who didn’t look the slightest bit fazed by Syn’s irritation. “You guys could let him sleep, he’s had a rough night, ya know.” Day leaned his chest against God’s large back, draping his arms over his shoulders. “Oh damn, what kind of friends are we? It was rough, huh?” Day looked apologetic. “Yes, it was, Day. He just–” “Try water-based lube next time,” Day interrupted, causing God to choke on his eggs. “Day, fuck.” Syn tried not to grin, but when he thought about it, it really was funny. “I knew I’d get you to smile. Have some breakfast Sarge, we gotta go question the crazy chicks. You know how much people feel like sharing when they’ve spent a night in jail.” “Damn. Alright, just let me–” “Wow. Something smells great.” Furi’s deep voice reached them from down the hall as he made his way to the kitchen. “You cook babe? Who knew? I’ll have the Gladiator portion.” Furi used his best Roman accent as he sauntered into the kitchen with his hands on hips and his head high. Syn turned just as Furi noticed God and Day. “Oh, fuck, shit, Jesus Christ!” Furi stumbled, his eyes darting wildly between all of them. “Damn, I’m so sorry.” Furi looked at Syn trying to gauge exactly how much he’d fucked up just now. Syn smiled at him and Furi immediately lost the horrified expression. Syn held his hand out and mouthed to him 'it's okay.
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