First Signs Of Spring Quotes

For honey bees, a dandelion is the first sign of Spring!

Love for a child cannot be free; from the first signs of movement in the womb, a devotion springs up as powerful as it is mindless, irresistible as the process of birth itself. But powerful as it is, it is a love always of control; one is in charge, the protector, the watcher, the guardian—there is great passion in it, to be sure, but never abandon.

he feels like cocoa in the winter and the first sign of color in the fall. And when I’m around him, I feel like sangria in the summer and daffodils in the spring.

Daffodils, first sign of spring. It’s how you know everything is about to change.

Of course it might have been some other city, had circumstances been different and the time been different and had I been different, might have been Paris or Chicago or even San Francisco, but because I am talking about myself I am talking here about New York. That first night I opened my window on the bus into town and watched for the skyline, but all I could see were the wastes of Queens and big signs that said MIDTOWN TUNNEL THIS LANE and then a flood of summer rain (even that seemed remarkable and exotic, for I had come out of the West where there was no summer rain), and for the next three days I sat wrapped in blankets in a hotel room air-conditioned to 35 degrees and tried to get over a bad cold and a high fever. It did not occur to me to call a doctor, because I knew none, and although it did occur to me to call the desk and ask that the air conditioner be turned off, I never called, because I did not know how much to tip whoever might come—was anyone ever so young? I am here to tell you that someone was. All I could do during those three days was talk long-distance to the boy I already knew I would never marry in the spring. I would stay in New York, I told him, just six months, and I could see the Brooklyn Bridge from my window. As it turned out the bridge was the Triborough, and I stayed eight years.

The conviction that life has a purpose is rooted in every fibre of man, it is a property of the human substance. Free men give many names to this purpose, and think and talk a lot about its nature. But for us the question is simpler. Today, in this place, our only purpose is to reach the spring. At the moment we care about nothing else. Behind this aim there is not at the moment any other aim. In the morning while we wait endlessly lined up in roll-call square for the time to leave for work, while every breath of wind penetrates our clothes and runs in violent shivers over our defenceless bodies, and everything is grey around us, and we are grey; in the morning, when it is still dark, we all look at the sky in the east to spot the first signs of a milder season, and the rising of the sun is commented on every day: today a little earlier than yesterday, today a little warmer than yesterday, in two months, in a month, the cold will call a truce and we will have one enemy less. Today the sun rose bright and clear for the first time from the horizon of mud. It is a Polish sun, cold, white, distant, and only warms the skin, but when it dissolved the last mists a murmur ran through our colourless numbers, and when even I felt its lukewarmth through my clothes I understood how men can worship the sun.

The little unknown thing was growing within her as suddenly and softly as the first touch of spring on the maples. It was putting out its hidden, watery roots as simply and surely as little cypresses take root in a stretch of swamp water away off yonder. It was coming upon her as quietly as the dark came up from the woods at night and hushed in the little clearing, closing every chink of every shutter tight with nothing. Impulses swelled within her, swelled her body fit to burst; yet they did not come out in words, nor song, nor in any sign.

One attraction in coming to the woods to live was that I should have leisure and opportunity to see the Spring come in. The ice in the pond at length begins to be honeycombed, and I can set my heel in it as I walk. Fogs and rains and warmer suns are gradually melting the snow; the days have grown sensibly longer; and I see how I shall get through the winter without adding to my wood-pile, for large fires are no longer necessary. I am on the alert for the first signs of spring, to hear the chance note of some arriving bird, or the striped squirrel’s chirp, for his stores must be now nearly exhausted, or see the woodchuck venture out of his winter quarters. On the 13th of March, after I had heard the bluebird, song sparrow, and red-wing, the ice was still nearly a foot thick.

Back out of all this now too much for us, Back in a time made simple by the loss Of detail, burned, dissolved, and broken off Like graveyard marble sculpture in the weather, There is a house that is no more a house Upon a farm that is no more a farm And in a town that is no more a town. The road there, if you’ll let a guide direct you Who only has at heart your getting lost, May seem as if it should have been a quarry— Great monolithic knees the former town Long since gave up pretense of keeping covered. And there’s a story in a book about it: Besides the wear of iron wagon wheels The ledges show lines ruled southeast-northwest, The chisel work of an enormous Glacier That braced his feet against the Arctic Pole. You must not mind a certain coolness from him Still said to haunt this side of Panther Mountain. Nor need you mind the serial ordeal Of being watched from forty cellar holes As if by eye pairs out of forty firkins. As for the woods’ excitement over you That sends light rustle rushes to their leaves, Charge that to upstart inexperience. Where were they all not twenty years ago? They think too much of having shaded out A few old pecker-fretted apple trees. Make yourself up a cheering song of how Someone’s road home from work this once was, Who may be just ahead of you on foot Or creaking with a buggy load of grain. The height of the adventure is the height Of country where two village cultures faded Into each other. Both of them are lost. And if you’re lost enough to find yourself By now, pull in your ladder road behind you And put a sign up CLOSED to all but me. Then make yourself at home. The only field Now left’s no bigger than a harness gall. First there’s the children’s house of make-believe, Some shattered dishes underneath a pine, The playthings in the playhouse of the children. Weep for what little things could make them glad. Then for the house that is no more a house, But only a belilaced cellar hole, Now slowly closing like a dent in dough. This was no playhouse but a house in earnest. Your destination and your destiny’s A brook that was the water of the house, Cold as a spring as yet so near its source, Too lofty and original to rage. (We know the valley streams that when aroused Will leave their tatters hung on barb and thorn.) I have kept hidden in the instep arch Of an old cedar at the waterside A broken drinking goblet like the Grail Under a spell so the wrong ones can’t find it, So can’t get saved, as Saint Mark says they mustn’t. (I stole the goblet from the children’s playhouse.) Here are your waters and your watering place. Drink and be whole again beyond confusion.

funeral wreath for the queen.” He sat in the clear space between the bank and the first line of trees and bent a pine bough into a circle, tying it with a piece of wet string from the castle. And because it looked cold and green, he picked spring beauties from the forest floor and wove them among the needles. He put it down in front of him. A cardinal flew down to the bank, cocked its brilliant head, and seemed to stare at the wreath. P. T. let out a growl which sounded more like a purr. Jess put his hand on the dog to quiet him. The bird hopped about a moment more, then flew leisurely away. “It’s a sign from the Spirits,” Jess said quietly. “We made a worthy offering.” He walked slowly, as part of a great procession, though only the puppy could be seen, slowly forward carrying the queen’s wreath to the sacred grove.

On the day we moved to America, it snowed in Chapel Spring, Louisiana, for the first time in twenty years. My mother said it was a sign that the seasons of our lives were changing. Even though I was only four years old, I can still remember how she hugged me close and said we had something wonderful to look forward to: a life as real Americans.

Moral for psychologists. -- Not to go in for backstairs psychology. Never to observe in order to observe! That gives a false perspective, leads to squinting and something forced and exaggerated. Experience as the wish to experience does not succeed. One must not eye oneself while having an experience; else the eye becomes "an evil eye." A born psychologist guards instinctively against seeing in order to see; the same is true of the born painter. He never works "from nature"; he leaves it to his instinct, to his camera obscura, to sift through and express the "case," "nature," that which is "experienced." He is conscious only of what is general, of the conclusion, the result: he does not know arbitrary abstractions from an individual case. What happens when one proceeds differently? For example, if, in the manner of the Parisian novelists, one goes in for backstairs psychology and deals in gossip, wholesale and retail? Then one lies in wait for reality, as it were, and every evening one brings home a handful of curiosities. But note what finally comes of all this: a heap of splotches, a mosaic at best, but in any case something added together, something restless, a mess of screaming colors. The worst in this respect is accomplished by the Goncourts; they do not put three sentences together without really hurting the eye, the psychologist's eye. Nature, estimated artistically, is no model. It exaggerates, it distorts, it leaves gaps. Nature is chance. To study "from nature" seems to me to be a bad sign: it betrays submission, weakness, fatalism; this lying in the dust before petit faits [little facts] is unworthy of a whole artist. To see what is--that is the mark of another kind of spirit, the anti-artistic, the factual. One must know who one is. Toward a psychology of the artist. -- If there is to be art, if there is to be any aesthetic doing and seeing, one physiological condition is indispensable: frenzy. Frenzy must first have enhanced the excitability of the whole machine; else there is no art. All kinds of frenzy, however diversely conditioned, have the strength to accomplish this: above all, the frenzy of sexual excitement, this most ancient and original form of frenzy. Also the frenzy that follows all great cravings, all strong affects; the frenzy of feasts, contests, feats of daring, victory, all extreme movement; the frenzy of cruelty; the frenzy in destruction, the frenzy under certain meteorological influences, as for example the frenzy of spring; or under the influence of narcotics; and finally the frenzy of will, the frenzy of an overcharged and swollen will. What is essential in such frenzy is the feeling of increased strength and fullness. Out of this feeling one lends to things, one forces them to accept from us, one violates them--this process is called idealizing. Let us get rid of a prejudice here: idealizing does not consist, as is commonly held, in subtracting or discounting the petty and inconsequential. What is decisive is rather a tremendous drive to bring out the main features so that the others disappear in the process. In this state one enriches everything out of one's own fullness: whatever one sees, whatever one wills, is seen swelled, taut, strong, overloaded with strength. A man in this state transforms things until they mirror his power--until they are reflections of his perfection. This having to transform into perfection is--art. Even everything that he is not yet, becomes for him an occasion of joy in himself; in art man enjoys himself as perfection.

walk in the churchyard a little, looking for signs of spring. He was not disappointed. Here shy violets peeped from near the wall. There were the first leaves of the primroses that would soon spread themselves between the grave markers. Soon there would be daisies, wild carrot and all manner of other flowers to delight the bees. What men designated a place of death, nature ever filled with abundant life.

I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.

Forgetting herself entirely, Pandora let her head loll back against Gabriel's shoulder. "What kind of glue does Ivo use?" she asked languidly. "Glue?" he echoed after a moment, his mouth close to her temple, grazing softly. "For his kites." "Ah." He paused while a wave retreated. "Joiner's glue, I believe." "That's not strong enough," Pandora said, relaxed and pensive. "He should use chrome glue." "Where would he find that?" One of his hands caressed her side gently. "A druggist can make it. One part acid chromate of lime to five parts gelatin." Amusement filtered through his voice. "Does your mind ever slow down, sweetheart?" "Not even for sleeping," she said. Gabriel steadied her against another wave. "How do you know so much about glue?" The agreeable trance began to fade as Pandora considered how to answer him. After her long hesitation, Gabriel tilted his head and gave her a questioning sideways glance. "The subject of glue is complicated, I gather." I'm going to have to tell him at some point, Pandora thought. It might as well be now. After taking a deep breath, she blurted out, "I design and construct board games. I've researched every possible kind of glue required for manufacturing them. Not just for the construction of the boxes, but the best kind to adhere lithographs to the boards and lids. I've registered a patent for the first game, and soon I intend to apply for two more." Gabriel absorbed the information in remarkably short order. "Have you considered selling the patents to a publisher?" "No, I want to make the games at my own factory. I have a production schedule. The first one will be out by Christmas. My brother-in-law, Mr. Winterborne, helped me to write a business plan. The market in board games is quite new, and he thinks my company will be successful." "I'm sure it will be. But a young woman in your position has no need of a livelihood." "I do if I want to be self-supporting." "Surely the safety of marriage is preferable to the burdens of being a business proprietor." Pandora turned to face him fully. "Not if 'safety' means being owned. As things stand now, I have the freedom to work and keep my earnings. But if I marry you, everything I have, including my company, would immediately become yours. You would have complete authority over me. Every shilling I made would go directly to you- it wouldn't even pass through my hands. I'd never be able to sign a contract, or hire employees, or buy property. In the eyes of the law, a husband and wife are one person, and that person is the husband. I can't bear the thought of it. It's why I never want to marry.

He had thought himself, so long as nobody knew, the most disinterested person in the world, carrying his concentrated burden, his perpetual suspense, ever so quietly, holding his tongue about it, giving others no glimpse of it nor of its effect upon his life, asking of them no allowance and only making on his side all those that were asked. He hadn't disturbed people with the queerness of their having to know a haunted man, though he had had moments of rather special temptation on hearing them say they were forsooth "unsettled." If they were as unsettled as he was—he who had never been settled for an hour in his life—they would know what it meant. Yet it wasn't, all the same, for him to make them, and he listened to them civilly enough. This was why he had such good—though possibly such rather colourless—manners; this was why, above all, he could regard himself, in a greedy world, as decently—as in fact perhaps even a little sublimely—unselfish. Our point is accordingly that he valued this character quite sufficiently to measure his present danger of letting it lapse, against which he promised himself to be much on his guard. He was quite ready, none the less, to be selfish just a little, since surely no more charming occasion for it had come to him. "Just a little," in a word, was just as much as Miss Bartram, taking one day with another, would let him. He never would be in the least coercive, and would keep well before him the lines on which consideration for her—the very highest—ought to proceed. He would thoroughly establish the heads under which her affairs, her requirements, her peculiarities—he went so far as to give them the latitude of that name—would come into their intercourse. All this naturally was a sign of how much he took the intercourse itself for granted. There was nothing more to be done about that. It simply existed; had sprung into being with her first penetrating question to him in the autumn light there at Weatherend. The real form it should have taken on the basis that stood out large was the form of their marrying. But the devil in this was that the very basis itself put marrying out of the question. His conviction, his apprehension, his obsession, in short, wasn't a privilege he could invite a woman to share; and that consequence of it was precisely what was the matter with him. Something or other lay in wait for him, amid the twists and the turns of the months and the years, like a crouching Beast in the Jungle. It signified little whether the crouching Beast were destined to slay him or to be slain. The definite point was the inevitable spring of the creature; and the definite lesson from that was that a man of feeling didn't cause himself to be accompanied by a lady on a tiger-hunt. Such was the image under which he had ended by figuring his life.

A kiss instead of a salutation, disrobing, the neon signs nullifying the effect of the extinguished lamp, the double bed with its superannauted spring squealing piteously, impatient hugs and kisses, the first cold contact of the skin of their bodies after the sweat had dried, the smell of flesh and pomade, endless groping for satisfaction filled with impatience for the same bodies, little screams belying masculine vanity, hands wet with hair oil.. Then the pitiable perspiration, the groping under pillows for cigarettes and matches, the faintly shining whites of eyes. Then the endless conversation surging as over a broken dam, and the descent to the childish play of satisfied, tests of strength in the dark night, stabs at wrestling, various other inanities....

Resisting intense commercial pressure, Walpole’s government had drafted an Act of Quarantine to keep out vessels suspected of carrying the disease. An author in the government’s pay believed to be Defoe rose vigorously to the Act’s defence in a series of ten articles for the Daily Post, Mist’s Journal, and Applebee’s Journal, signing himself ‘Quarantine’... Opinion was duly swayed and the Act of Quarantine gained the royal assent on 12 February 1722. Four days earlier, Defoe had published his first major work on plague, Due Preparations for the Plague, as well for the Soul as Body, and in the spring its blend of medicine and piety suffused the grand historical fiction that is A Journal of the Plague Year. If the Marseilles plague gave Defoe a publishing opportunity that had been simmering for years, it also spawned a wealth of new material for him to recycle or refute (David Roberts)

Church Fathers on the End Times The Church Fathers taught pre-millennialism in the first three centuries. Here are the pre-millennial teachings from the Fathers in their order:   1.        The Roman Empire would split in two. (This took place in AD 395.) 2.        The Roman Empire would fall apart. (This took place in AD 476.) 3.        Out of what was the Roman Empire, ten nations would spring up. These are the ten toes/horns of Daniel’s prophecies. 4.        A literal demon-possessed man, called the Antichrist, will ascend to power. 5.        The Antichrist’s name, if spelled out in Greek, will add up to 666. 6.        The Antichrist will sign a peace treaty between the Jews in Israel and the local non-believers there. This treaty will last seven years. 7.        This seven-year treaty is the last seven years of the “sets of sevens” prophecy in Daniel 9. 8.        At the end of the seven years, Jesus will return to earth, destroy the Antichrist, and establish reign of peace that will last for a literal 1000 years. 9.        They wrote they were taught these things by the apostles. They also wrote that anyone who rises up in the church and begins to say any of these things are symbolic, are immature Christians that can’t rightly divide the word of God, and should not be listened too. (Today these beliefs are included in the doctrines of most of, but not all of, the Reformed, Presbyterian, Lutheran, Eastern Orthodox, and Roman Catholic churches!)   Here are some of the references from the early church fathers on the End Times:   “After the resurrection of the dead, Jesus will personally reign for 1000 years. He was taught this by the apostle John himself.” Papias Fragment 6   “The man of Sin, spoken of by Daniel, will rule two (three) times and a half, before the Second Advent… There will be a literal 1000 year reign of Christ… The man of apostasy, who speaks strange things against the Most High, shall venture to do unlawful deeds on the earth against us, the believers.” Justin Martyr Dialogue 32,81,110

If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place. WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won. He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee. I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.

Matthew closed the door and turned toward her. He seemed very large in the small room, his broad frame dwarfing their civilized surroundings. Daisy’s mouth went dry as she stared at him. She wanted to be close to him… she wanted to feel all his skin against hers. “What is there between you and Llandrindon?” he demanded. “Nothing. Only friendship. On my side, that is.” “And on his side?” “I suspect— well, he seemed to indicate that he would not be averse to— you know.” “Yes, I know,” he said thickly. “And even though I can’t stand the bastard, I also can’t blame him for wanting you. Not after the way you’ve teased and tempted him all week.” “If you’re trying to imply that I’ve been acting like some femme fatale—” “Don’t try to deny it. I saw the way you flirted with him. The way you leaned close when you talked… the smiles, the provocative dresses…” “Provocative dresses?” Daisy asked in bemusement. “Like that one.” Daisy looked down at her demure white gown, which covered her entire chest and most of her arms. A nun couldn’t have found fault with it. She glanced at him sardonically. “I’ve been trying for days to make you jealous. You would have saved me a lot of effort if you’d just admitted it straight off.” “You were deliberately trying to make me jealous?” he exploded. “What in God’s name did you think that would accomplish? Or is turning me inside out your latest idea of an entertaining hobby?” A sudden blush covered her face. “I thought you might feel something for me… and I hoped to make you admit it.” Matthew’s mouth opened and closed, but he couldn’t seem to speak. Daisy wondered uneasily what emotion was working on him. After a few moments he shook his head and leaned against the dresser as if he needed physical support. “Are you angry?” she asked apprehensively. His voice sounded odd and ragged. “Ten percent of me is angry.” “What about the other ninety percent?” “That part is just a hairsbreadth away from throwing you on that bed and—” Matthew broke off and swallowed hard. “Daisy, you’re too damned innocent to understand the danger you’re in. It’s taking all the self-control I’ve got to keep my hands off you. Don’t play games with me, sweetheart. It’s too easy for you to torture me, and I’m at my limit. To put to rest any doubts you might have… I’m jealous of every man who comes within ten feet of you. I’m jealous of the clothes on your skin and the air you breathe. I’m jealous of every moment you spend out of my sight.” Stunned, Daisy whispered, “You… you certainly haven’t shown any sign of it.” “Over the years I’ve collected a thousand memories of you, every glimpse, every word you’ve ever said to me. All those visits to your family’s home, those dinners and holidays— I could hardly wait to walk through the front door and see you.” The corners of his mouth quirked with reminiscent amusement. “You, in the middle of that brash, bull-headed lot… I love watching you deal with your family. You’ve always been everything I thought a woman should be. And I have wanted you every second of my life since we first met.

May 28 Evening "This I recall to my mind, therefore have I hope." – Lamentations 3:21 Memory is frequently the bond slave of despondency. Dispairing minds call to remembrance every dark foreboding in the past, and dilate upon every gloomy feature in the present; thus memory, clothed in sackcloth, presents to the mind a cup of mingled gall and wormwood. There is, however, no necessity for this. Wisdom can readily transform memory into an angel of comfort. That same recollection which in its left hand brings so many gloomy omens, may be trained to bear in its right a wealth of hopeful signs. She need not wear a crown of iron, she may encircle her brow with a fillet of gold, all spangled with stars. Thus it was in Jeremiah’s experience: in the previous verse memory had brought him to deep humiliation of soul: "My soul hath them still in remembrance, and is humbled in me;" and now this same memory restored him to life and comfort. "This I recall to my mind, therefore have I hope." Like a two-edged sword, his memory first killed his pride with one edge, and then slew his despair with the other. As a general principle, if we would exercise our memories more wisely, we might, in our very darkest distress, strike a match which would instantaneously kindle the lamp of comfort. There is no need for God to create a new thing upon the earth in order to restore believers to joy; if they would prayerfully rake the ashes of the past, they would find light for the present; and if they would turn to the book of truth and the throne of grace, their candle would soon shine as aforetime. Be it ours to remember the lovingkindness of the Lord, and to rehearse his deeds of grace. Let us open the volume of recollection which is so richly illuminated with memorials of mercy, and we shall soon be happy. Thus memory may be, as Coleridge calls it, "the bosom-spring of joy," and when the Divine Comforter bends it to his service, it may be chief among earthly comforters.

The first time they’d docked at Peterskill there’d been a bunch of jerks waiting for them with signs that read WAKE UP, AMERICA: PETERSKILL DID!, and at Cold Spring a troop of big-armed women in what looked like nurses’ uniforms had showed up to wave flags as if they had a patent on them.

ORIGIN OF TWO COUNTRIES They say Churchill said: “Jordan was an idea I had one spring at about four-thirty in the afternoon.” The fact is that during the month of March 1921, in just three days, British Colonial Secretary Winston Churchill and his forty advisers drew a new map for the Middle East. They invented two countries, named them, appointed their monarchs, and sketched their borders with a finger in the sand. Thus the land embraced by the Tigris and Euphrates rivers, the clay of the very first books, was called Iraq. And the new country amputated from Palestine was called Transjordan, later Jordan. The task at hand was to change the names of colonies so they would at least appear to be Arab kingdoms. And to divide those colonies, to break them up: an urgent lesson drawn from imperial memory. While France pulled Lebanon out of a hat, Churchill bestowed the crown of Iraq on the errant Prince Faisal, and a plebiscite ratified him with suspicious enthusiasm: he got 96 percent of the vote. His brother Prince Abdullah became king of Jordan. Both monarchs belonged to a family placed on the British payroll at the recommendation of Lawrence of Arabia. The manufacturers of countries signed the birth certificates of Iraq and Jordan in Cairo’s Semiramis Hotel, and then went out to see the pyramids. Churchill fell off his camel and hurt his hand. Fortunately, it was nothing serious. Churchill’s favorite artist could continue painting landscapes.

I can tell right away by looking at you what you want to eat," he says. "I can tell how many brothers and sisters you have." After divining my favorite color (blue) and my astrological sign (Aquarius), Nakamura pulls out an ivory stalk of takenoko, fresh young bamboo ubiquitous in Japan during the spring. "This came in this morning from Kagumi. It's so sweet that you can eat it raw." He peels off the outer layer, cuts a thin slice, and passes it across the counter. First, he scores an inch-thick bamboo steak with a ferocious santoku blade. Then he sears it in a dry sauté pan until the flesh softens and the natural sugars form a dark crust on the surface. While the bamboo cooks, he places two sacks of shirako, cod milt, under the broiler. ("Milt," by the way, is a euphemism for sperm. Cod sperm is everywhere in Japan in the winter and early spring, and despite the challenges its name might create for some, it's one of the most delicious things you can eat.) Nakamura brings it all together on a Meiji-era ceramic plate: caramelized bamboo brushed with soy, broiled cod milt topped with miso made from foraged mountain vegetables, and, for good measure, two lightly boiled fava beans. An edible postcard of spring. I take a bite, drop my chopsticks, and look up to find Nakamura staring right at me. "See, I told you I know what you want to eat." The rest of the dinner unfolds in a similar fashion: a little counter banter, a little product display, then back to transform my tastes and his ingredients into a cohesive unit. The hits keep coming: a staggering plate of sashimi filled with charbroiled tuna, surgically scored squid, thick circles of scallop, and tiny white shrimp blanketed in sea urchin: a lesson in the power of perfect product. A sparkling crab dashi topped with yuzu flowers: a meditation on the power of restraint. Warm mochi infused with cherry blossoms and topped with a crispy plank of broiled eel: a seasonal invention so delicious it defies explanation.

In the same way you create stress and tension you also can create relaxation. The goal of relaxation training is to teach you how to recognize the early warning signs of tension and to counter or replace them with the sensations of relaxation. Interestingly, one way to relax tense muscles is first to tighten them more. If your shoulders feel like coiled springs, draw them up and squeeze those muscles. Hold the pose for five to ten seconds. Feel the stress and study the sensation. Then release and relax the muscles completely.

Ladies and gentlemen, we have now entered Holkham Bay, named by Captain George Vancouver in 1794. It has two branches, Tracy Arm to the north, and Endicott Arm to the south. “We are heading first into Tracy Arm, which was named by Lieutenant Commander Mansfield of the U.S. Navy, for Benjamin Franklin Tracy, Secretary of the Navy from 1889 to 1893. Mansfield, commander of the survey vessel, Patterson, in Alaska from 1889 to 1913, also named Sawyer Glacier, which you will see at the head of this arm, and which calves the hundreds of icebergs you will see floating in the waters of the arm. This passage was carved centuries ago during an ice age by a massive glacier which completely filled the channel. You can see the signs of its passing in the scoring of the bare rock walls. Avalanche chutes further scar the walls each spring and, as you can already see ahead of us, these are occupied by spectacular waterfalls. We will shortly stop near one of these so you can view it close up and feel how cold the water is coming directly off an unseen glacier at the top. “After visiting Sawyer Glacier, we will go back and turn up Endicott Arm, named for William Endicott, a member of the Massachusetts legislature and the U.S. Senate, to see Dawes Glacier. He was secretary of war from 1885 to 1891. Part way up Endicott Arm we will come to Ford’s Terror, a branch of Endicott Arm which has very strong tidal currents.

I sat slumped over, elbows on my knees and head on my hands. I ached in every joint. Not really from the encounter of the day before, or from the rigors of riding; from grief. Constraint and judgment had been a great deal of my life. I had learned at some pains the art of healing; to give and to care, but always stopping short of that danger point where too much was given to make me effective. I had learned detachment and disengagement, to my cost. With Frank, too, I had learned the balancing act of civility; kindness and respect that did not pass those unseen boundaries into passion. And Brianna? Love for a child cannot be free; from the first signs of movement in the womb, a devotion springs up as powerful as it is mindless, irresistible as the process of birth itself. But powerful as it is, it is a love always of control; one is in charge, the protector, the watcher, the guardian—there is great passion in it, to be sure, but never abandon. Always, always, I had had to balance compassion with wisdom, love with judgment, humanity with ruthlessness. Only with Jamie had I given everything I had, risked it all. I had thrown away caution and judgment and wisdom, along with the comforts and constraints of a hard-won career. I had brought him nothing but myself, been nothing but myself with him, given him soul as well as body, let him see me naked, trusted him to see me whole and cherish my frailties—because he once had. I had feared he couldn’t, again. Or wouldn’t. And then had known those few days of perfect joy, thinking that what had once been true was true once more; I was free to love him, with everything I had and was, and be loved with an honesty that matched my own.

It is from the unseen world that the phenomenal world emerges, and it is from the unseen realm of our hearts that all actions spring. The well-known civil rights activist Martin Luther King, Jr. said that in order for people to condemn injustice, they must go through four stages. The first stage is that people must ascertain that indeed injustices are being perpetrated. In his case, it was injustices against African Americans in the United States. The second stage is to negotiate, that is, approach the oppressor and demand justice. If the oppressor refuses, King said that the third stage is self-purification, which starts with the question: “Are we ourselves wrongdoers? Are we ourselves oppressors?” The fourth stage, then, is to take action after true self-examination, after removing one’s own wrongs before demanding justice from others.

Love for a child cannot be free; from the first signs of movement in the womb, a devotion springs up as powerful as it is mindless, irresistible as the process of birth itself. But powerful as it is, it is a love always of control; one is in charge, the protector, the watcher, the guardian—there is great passion in it, to be sure, but never abandon. Always, always, I had had to

The first signs of new hope spread among the family members. Chapter 22   The Aqueduct at Shomrat was part of the ancient aqueduct that led past the Cabri Springs water to the city of Acre. An impressive part of it went through the avocado groves of the Shomrat and all the way to the Lohamei Hageta'ot Museum, at the neighboring Kibbutz.

Dear Colt, Do you recall the conversation we had when I first spoke with you about creating the sign for Angel’s Rest? I asked you how you decided what to carve from any particular block of wood. You offered me a lovely explanation about how you’d hold a block of wood in your hands and open your mind to possibilities, and soon the image you were meant to carve would take shape. I spied this piece of aspen as I left the river, and it occurred to me that you might find the exercise beneficial in regard to your current dilemma. Consider that this piece of aspen represents your path, your dreams and desires, known and unknown. Open your mind and your heart to all the possibilities. Something wonderful is waiting for you, Colt. Open your eyes and see it. Your friend, Celeste

Persson did not create Minecraft because he wanted to create a billion-dollar company; he loved video games and kept his day job while developing it. When the game soared in popularity, he started a company, Mojang, with some of the profits, but kept it small, with just 12 employees. Even with zero dollars spent on marketing and no user instructions, Minecraft grew exponentially, flying past the 100 million registered user mark in 2014 based largely on word of mouth.2 Players shared user-generated extras like modifications (“mods”) and custom maps with each other, and the game caught on not only with children but their parents and even educators. Still, Persson avoided the valuation game, refusing an investment offer from former Facebook president Sean Parker. Finally, he and his co-founders sold Mojang to Microsoft for $2.5 billion, a fortune built on one man’s focus on creating something that people loved.3 On the other end of the spectrum is Zynga, one of the fastest startups ever to reach a $1 billion valuation.4 The social game developer had its first hit in 2009 with FarmVille. Next came Zynga’s partnership with Facebook that turned into a growth engine. The company began trading on the NASDAQ in December 2011 and had 253 million active users per month as late as the first quarter of 2013.5 Then the relationship with Facebook ended and the wheels started coming off. Flush with IPO cash, Zynga started exhibiting all the symptoms of ego-driven, grow-at-any-cost syndrome. They moved into a $228 million headquarters in San Francisco. They began hastily acquiring companies like NaturalMotion, Newtoy, and Area/Code. They infuriated customers by launching new games without sufficient testing and filling them with scripts that signed players up for unwanted subscriptions and services. When customer outrage went viral, instead of focusing on building better products, Zynga hired a behavioral psychologist to try to trick customers into loving its games.6 In a 2009 speech at Startup@Berkeley, CEO Mark Pincus said, “I funded [Zynga] myself but I did every horrible thing in the book to just get revenues right away. I mean, we gave our users poker chips if they downloaded this Zwinky toolbar, which . . . I downloaded it once — I couldn’t get rid of it. We did anything possible just to just get revenues so that we could grow and be a real business.”7 By the spring of 2016, Zynga had laid off about 18 percent of its workforce and its share price had declined from $14.50 in 2012 to about $2.50.

So how did you think about him?” Rachel asks. Hallelujah shrugs. “We were friends. Good friends. He knew—knows—a lot about me. I guess I know a lot about him. Stuff he likes and doesn’t like.” Rachel looks skeptical. “And yet you never knew he liked you.” “No! I mean—when Jonah and I were friends, I liked Luke. So maybe I missed some signs.” “So you just . . . hung out? Platonically?” “Yeah. I guess.” Hallelujah thinks about how to explain it. How to distill a friendship down to its most basic components. “We had choir together last year. We talked. For kind of the first time, even though we’d been in church and school together since fourth grade.” “And, what, you found out you had so much in common?” “Actually, no. But we started comparing music we liked, and a month into ninth grade, Jonah made me this mix of songs. Based on what we’d talked about. So then I made him a mix. And it grew from there. We’d go to each other’s houses, watch movies, listen to music, that kind of thing. Hanging out.” “So tell me about Jonah. Something only you know.” “Um. He’d probably deny it, but he got really into the Harry Potter books. Like, really into them. I loaned him my box set last spring. He got so mad at me for not warning him how Book Six ends.” Rachel laughs. “He didn’t see the movies?” “No. But I told him we couldn’t watch them until he’d finished the books.

By suppertime the following day, Nic was ready to declare the honeymoon officially over. Her husband was a tyrant. First he demanded she hang a Closed sign on the clinic door and refer her patients to the vet hospital in Creede. No amount of calm, collected insistence that she could still perform her job while on crutches moved him. Next he refused to leave the bathroom while she hung her head over the toilet for her daily dose of morning sickness. Even if she did appreciate his steadying hands at her waist and his help keeping her hair out of the way, that didn’t mean she shouldn’t have control over who accompanied her to the bathroom under what circumstances. Finally, when she mentioned her intention to go to Cavanaugh House after supper for a meeting Celeste had requested, he took it upon himself to arrange for the meeting to be moved to Nic’s house without even asking her if she cared. “Of all the nerve,” she grumbled as she sat in the overstuffed chair in her living room, her injured leg propped on an ottoman, flipping through the mail he’d brought in from the mailbox moments before. The worst part of it was that she knew he was right about just about everything.

Tiger bounded out barking and bounding around the yard. “Looks like he’s happy to be home, too,” Sage said. “Yes,” Nic agreed. “I know he missed the freedom to roam he had here at …” Her voice trailed off as she noted an addition to her yard. “Is that a doghouse? With a deck?” Sarah joined Nic and Sage and shook her head. “I told him the deck was overkill.” Nic walked closer and read the sign hanging above the opening. “ ‘Tiger’s Den’? Who built this?” “Gabe.” “Gabe? You’re kidding.” She stared at her friends in disbelief. “That sounds like he’s calling the dog by name.” “Something like that.” Sarah shrugged. “Larry Wilson says he came into the hardware store and bought a dog collar and an engraved tag that said Tiger and listed your address. But he also bought a tag that said Clarence with your address. There’s a sign on the other side of the doghouse that says Clarence’s Castle.” How many times had Nic heard Gabe say that he didn’t name things he didn’t intend to keep? Too many to count, that’s for sure. And now two names? “Why give the boxer two names?” “Larry said Gabe wanted to talk to you first. He didn’t want to change the boxer’s name if it would be a problem for the dog.” Nic took another long look at the elaborate doghouse and shook her head. “Clarence?” She

A little later on, Phil ran what became one of the most famous item promotions in our history. We sent him down to open store number 52 in Hot Springs, Arkansas—the first store we ever opened in a town that already had a Kmart. Phil got there and decided Kmart had been getting away with some pretty high prices in the absence of any discounting competition. So he worked up a detergent promotion that turned into the world’s largest display ever of Tide, or maybe Cheer—some detergent. He worked out a deal to get about $1.00 off a case if he would buy some absolutely ridiculous amount of detergent, something like 3,500 cases of the giant-sized box. Then he ran it as an ad promotion for, say, $1.99 a box, off from the usual $3.97. Well, when all of us in the Bentonville office saw how much he’d bought, we really thought old Phil had completely gone over the dam. This was an unbelievable amount of soap. It made up a pyramid of detergent boxes that ran twelve to eighteen cases high—all the way to the ceiling, and it was 75 or 100 feet long, which took up the whole aisle across the back of the store, and then it was about 12 feet wide so you could hardly get past it. I think a lot of companies would have fired Phil for that one, but we always felt we had to try some of this crazy stuff. PHIL GREEN: “Mr. Sam usually let me do whatever I wanted on these promotions because he figured I wasn’t going to screw it up, but on this one he came down and said, ‘Why did you buy so much? You can’t sell all of this!’ But the thing was so big it made the news, and everybody came to look at it, and it was all gone in a week. I had another one that scared them up in Bentonville too. This guy from Murray of Ohio called one day and said he had 200 Murray 8 horsepower riding mowers available at the end of the season, and he could let us have them for $175. Did we want any? And I said, ‘Yeah, I’ll take 200.’ And he said, ‘Two hundred!’ We’d been selling them for $447, I think. So when they came in we unpacked every one of them and lined them all up out in front of the store, twenty-five in a row, eight rows deep. Ran a chain through them and put a big sign up that said: ‘8 h.p. Murray Tractors, $199.’ Sold every one of them. I guess I was just always a promoter, and being an early Wal-Mart manager was as good a place to promote as there ever was.

All wrong signs in our minds lead us to a citadel. First we consider it is safe, finally, we recognize, we could only enter the citadel but couldn’t exit.

Studying the world's oldest writing for the first time compels you to wonder about what writing is and how it came about more than five thousand years ago and what the world might have looked like without it. Writing as I would define it serves to record language by means of an agreed set of symbols that enable a message to be played back like a wax cylinder recording. The reader's eye runs over the signs and tells the brain how each is pronounced and the inner message springs into life.

They are counting the dead. They ask the old to die willingly. Sign here, please. There will be no mourners, no funeral. Wind is our choir, owl our plainsong. Birds sing our penillion. Silence in the first spring leaves is prayer, last rights and requiem. - The Hours: Sext

Hold yourself gently in this vulnerable place, as you would a tender shoot pushing through the earth. Trust in the process of growth, even when you cannot yet see the signs. For it is in the depths of darkness, where everything seems lost, that the first glimmers of new life begin to stir. And within this hidden place, the seeds of renewal are being nourished, preparing to bloom into a light that will guide you toward the warmth of a new season, where the promise of spring lies just beneath the surface.

Also, the city did sleep, but it slept the way a cat does, eyes half open, watchful, ready to spring at the first sign of fun, or danger.

I put my phone away and stare out the window at Japan's countryside, watching the scenery zip by at 320 kilometers per hour. Mount Fuji has come and gone, as have laundry on metal merry-go-racks, houses plastered with party signs, weathered baseball diamonds, an ostrich farm, and now, miles of rice paddy fields tended by people wearing conical hats and straw coats. Japan is dressed in her best this morning, sunny and breezy, with few clouds in the sky as accessories. It's the first official day of spring. Cherry blossoms have disappeared in twists of wind or trampled into the ground. Takenoko, bamboo season, will begin soon.

Love for a child cannot be free; from the first signs of movement in the womb, a devotion springs up as powerful as it is mindless, irresistible as the process of birth itself.

The Japanese invasion of Manchuria in 1931 triggered a renewal of forces in Hawaiʻi. This happened again when the Empire of Japan waged an undeclared war against China in 1937. Signs of impending war with Japan were looming, and all sorts of pressures were building up to an eventual outbreak of conflict. Such pressures would be materially reflected in the lives of Hawaiians as well, including annual blackout drills and exercises for Hawaiian civilians in Honolulu. Civil defense units and outposts began to spring up in rural areas and surrounding military installations. Further, emergency disaster preparations began in 1940, with Honolulu women being tasked with surgical dressing and wound bandage production. There were also first-aid training sessions held by the local Red Cross. Honolulu saw the establishment of a blood bank, and the city’s Schofield Barracks would grow to become one of the largest US Army installations in the world, hosting and fielding over forty thousand troops by 1941. The primary objective of such a large force was to hold and defend Pearl Harbor and, by extension, Hawaiʻi from Japanese raiders and invaders. Incidents like the bombing of the SS President Hoover, the flagship Augusta, and the sinking of the USS Panay were strong indicators that Hawaiʻi was going to be sandwiched between two political and military bulldozers.

Schumer was too anxious to revel in his first victory. He needed to see Nancy Pelosi, to let her know about his deal with Manchin. A year earlier, Pelosi felt blindsided by Schumer when he failed to tell her about how he signed a surreptitious agreement with the West Virginia senator. Now, he was ready to spring a much happier surprise on her, although he wasn’t sure how she would respond to Manchin’s demands, which he worried might irk Alexandria Ocasio-Cortez and her comrades on the Left. But Schumer couldn’t relay his revelation to Pelosi, because he couldn’t reach her. She was in a secure room in the basement of the Capitol, receiving a briefing on Ukraine, without access to a cell phone. When she finally emerged, Schumer trekked to her office. It came as an enormous relief that she didn’t think twice about agreeing to Schumer’s side deals with Manchin. Schumer asked her to call the West Virginia senator to relay her assent.

For most Canadians warmer days and melting snow signals the end of winter, but for those of us who grew up in Lanark County the very first sign of spring was seeing galvanized buckets hanging from the sides of maple trees.

Let us examine first the psychological and legal position of the criminal. We see that in spite of the difficulty of finding other food, the accused, or, as we may say, my client, has often during his peculiar life exhibited signs of repentance, and of wishing to give up this clerical diet. Incontrovertible facts prove this assertion. He has eaten five or six children, a relatively insignificant number, no doubt, but remarkable enough from another point of view. It is manifest that, pricked by remorse—for my client is religious, in his way, and has a conscience, as I shall prove later—and desiring to extenuate his sin as far as possible, he has tried six times at least to substitute lay nourishment for clerical. That this was merely an experiment we can hardly doubt: for if it had been only a question of gastronomic variety, six would have been too few; why only six? Why not thirty? But if we regard it as an experiment, inspired by the fear of committing new sacrilege, then this number six becomes intelligible. Six attempts to calm his remorse, and the pricking of his conscience, would amply suffice, for these attempts could scarcely have been happy ones. In my humble opinion, a child is too small; I should say, not sufficient; which would result in four or five times more lay children than monks being required in a given time. The sin, lessened on the one hand, would therefore be increased on the other, in quantity, not in quality. Please understand, gentlemen, that in reasoning thus, I am taking the point of view which might have been taken by a criminal of the middle ages. As for myself, a man of the late nineteenth century, I, of course, should reason differently; I say so plainly, and therefore you need not jeer at me nor mock me, gentlemen. As for you, general, it is still more unbecoming on your part. In the second place, and giving my own personal opinion, a child’s flesh is not a satisfying diet; it is too insipid, too sweet; and the criminal, in making these experiments, could have satisfied neither his conscience nor his appetite. I am about to conclude, gentlemen; and my conclusion contains a reply to one of the most important questions of that day and of our own! This criminal ended at last by denouncing himself to the clergy, and giving himself up to justice. We cannot but ask, remembering the penal system of that day, and the tortures that awaited him—the wheel, the stake, the fire!—we cannot but ask, I repeat, what induced him to accuse himself of this crime? Why did he not simply stop short at the number sixty, and keep his secret until his last breath? Why could he not simply leave the monks alone, and go into the desert to repent? Or why not become a monk himself? That is where the puzzle comes in! There must have been something stronger than the stake or the fire, or even than the habits of twenty years! There must have been an idea more powerful than all the calamities and sorrows of this world, famine or torture, leprosy or plague—an idea which entered into the heart, directed and enlarged the springs of life, and made even that hell supportable to humanity! Show me a force, a power like that, in this our century of vices and railways!

In the spring of 1935, an editor at the New York publishing house Macmillan, while on a scouting trip through the South, was introduced to Mitchell and signed her to a deal for her untitled book. Upon its release in the summer of 1936, the New York Times Book Review declared it “one of the most remarkable first novels produced by an American writer.” Priced at $3, Gone with the Wind was a blockbuster. By the end of the summer, Macmillan had sold over 500,000 copies. A few days prior to the gushing review in the Times, an almost desperate telegram originated from New York reading, “I beg, urge, coax, and plead with you to read this at once. I know that after you read the book you will drop everything and buy it.” The sender, Kay Brown, in this missive to her boss, the movie producer David Selznick, asked to purchase the book’s movie rights before its release. But Selznick waited. On July 15, seeing its reception, Selznick bought the film rights to Gone with the Wind for $50,000. Within a year, sales of the book had exceeded one million copies. Almost immediately Selznick looked to assemble the pieces needed to turn the book into a movie. At the time, he was one of a handful of major independent producers (including Frank Capra, Alfred Hitchcock, and Walt Disney) who had access to the resources to make films. Few others could break into a system controlled by the major studios. After producing films as an employee of major studios, including Paramount and MGM, the thirty-seven-year-old Selznick had branched out to helm his own productions. He had been a highly paid salaried employee throughout the thirties. His career included producer credits on dozens of films, but nothing as big as what he had now taken on. As the producer, Selznick needed to figure out how to take a lengthy book and translate it onto the screen. To do this, Selznick International Pictures needed to hire writers and a director, cast the characters, get the sets and the costumes designed, set a budget, put together the financing by giving investors profit-participation interests, arrange the distribution plan for theaters, and oversee the marketing to bring audiences to see the film. Selznick’s bigger problem was the projected cost.

People believe that no matter what happens, the inviolable consolation of nature will remain. There will always be spring, summer, and fall, replaced by winter and then in turn by spring. But even this is not guaranteed. Incidentally, according to the Celts, one of the first signs of the apocalypse is the mixing of the seasons.

Long past the first official day of spring on the calendar, old man winter slowly loosened his icy grip on the Lanark County farmlands. We waited and watched for the tell-tale signs, hoping that the mercury in the old thermometer would being to move in the right direction. Even as the sap began to drip slowly from our beloved maple trees, the bitter winds blew relentlessly from the north.

The legends describe Patrick as an extremely pious child. In one, the infant Patrick miraculously provides the holy water for his own baptism! A blind and oddly underprepared priest, realizing that he doesn’t have any water on hand, takes baby Patrick’s hand and makes the sign of the cross over the ground. A spring of water bubbles forth, the baptism goes forward, and the blind priest receives sight when he washes his face with the water. What’s more, the priest discovers that he is literate at his first sight of letters: he reads the words of the baptismal service.

The 1º shift was discovered by the Greek astronomer, Hipparchus (190 - 120 BC). He found that the Equinox moved 1º retrograde, or backwards. In other words, 0°Aries once coincided with the actual position of the constellation of Aries on the very first day of Spring. Now this occurs in the Sign of Pisces. Hipparchus realised that the horoscope needed to be anchored somewhere, so he invented the Tropical Zodiac. This means that 0º Aries is permanently anchored in the zodiac at a single point, the day of the Spring Equinox.

I have thought this before about the four seasons. A year is just long enough to forget some sign of nature. Then all of a sudden, it’s there; the sound of thunder before an afternoon storm, the smell of a rose, the vision of yellow leaves against the blue sky, the tickle of the first snow on your nose, or the peepers of spring.

the end of the world It is still like the first day, as fresh as bold The daisies in the garden at the first sign of spring Till death do us part is only for this world Our love will live forever in every world Our love is for ever in bloom and living

after the Meiji Period, which lasted from 1869 to 1912, these persecuted artists led lives of bare subsistence in slums and narrow alleys. Struggling to elude the vigilant eyes of the government, which had outlawed tattooing, they kept their skills alive by creating works of art that could never be shown in public. The names that spring to mind are Horiuno I and II, followed by Horikane, Horikin, Horigoro, Horiyasu, and a couple of others. “Of course, no list of post-Meiji tattoo artists would be complete without the renowned Honcho the First. As you may know, he created a nationwide scandal in Japan in 1900 by committing ‘love suicide’ with a woman who was not his wife. Horicho had already left his mark on posterity, not just in Japan but overseas as well, by tattooing highly publicized dragons on the forearms of the English Duke of York, who became King George V, and the czarevitch of Russia, later Czar Nicholas II. At the time, Horicho’s was the only legal tattoo parlor left open in Yokohama. It was there—attracted, no doubt, by a sign that read ‘For Foreigners Only’—that both George and Nicholas got their dragons.

The year used once to begin in March. That was simple and natural—to let it start on its course with the first warmer breath of returning spring. It begins now in January—which has nothing to recommend it. I am not sure that Nature does not show us it really begins on the first of October. “October!” you cry, “when all is changing and dying! when trees shed their leaves, when creepers crimson, when summer singers desert our woods, when flowers grow scanty in field or hedgerow! What promise then of spring? What glad signs of a beginning?” Even so things look at a superficial glance. Autumn, you would think, is the season of decay, of death, of dissolution, the end of all things, without hope or symbol of rejuvenescence. Yet look a little closer as you walk along the lanes, between the golden bracken, more glorious as it fades, and you will soon see that the cycle of the year’s life begins much more truly in October than at any other date in the shifting twelvemonth you can easily fix for it.

Everything seems sad this autumn. I wonder if it is a sign of age - I have always liked the spring, and this is the first time I have understood the autumn.

Such being the normal life of Oran, it will be easily understood that our fellow citizens had not the faintest reason to apprehend the incidents that took place in the spring of the year in question and were (as we subsequently realized) premonitory signs of the grave events we are to chronicle. To some, these events will seem quite natural; to others, all but incredible. But, obviously, a narrator cannot take account of these differences of outlook. His business is only to say: "This is what happened," when he knows that it actually did happen, that it closely affected the life of a whole populace, and that there are thousands of eyewitnesses who can appraise in their hearts the truth of what he writes. In any case the narrator (whose identity will be made known in due course) would have little claim to competence for a task like this, had not chance put him in the way of gathering much information, and had he not been, by the force of things, closely involved in all that he proposes to narrate. This is his justification for playing the part of a historian. Naturally, a historian, even an amateur, always has data, personal or at second hand, to guide him. The present narrator has three kinds of data: first, what he saw himself; secondly, the accounts of other eyewitnesses (thanks to the part he played, he was enabled to learn their personal impressions from all those figuring in this chronicle); and, lastly, documents that subsequently came into his hands. He proposes to draw on these records whenever this seems desirable, and to employ them as he thinks best. He also proposes... But perhaps the time has come to drop preliminaries and cautionary remarks and to launch into the narrative proper. The account of the first days needs giving in some detail.

Therefore, all your care and attention must be concentrated on keeping watch, and it is particularly necessary for you to guard against sin in the place where it usually begins, to resist temptation at once the very first time it appears and thus to eliminate the evil before it can grow and spread. When something has to be feared from its smallest beginnings and is the more easily overcome the more speedily it is resisted, one must not wait for it to grow; that is why divine scripture exclaims: Keep your heart with all vigilance; for from it flow the springs of life (Pr.4.23). 27, 1. One has to make a distinction, however, between those of one’s thoughts which the will favors and embraces affectionately, and those which are wont to flit past the mind like an insubstantial shadow and merely show a glimpse of themselves in passing - the Greeks call them typoi, ‘impressions’ - and also those, to be sure, which offer promptings to a mind which is resistant and unwilling and as glad when they are expelled as it was sad when they were admitted in the first place. In those which show themselves only fleetingly to the mind and reveal themselves as if in flight, there is no underlying sin at all and no sign of fight; but with those which the soul struggles against for some time and which the will resists, we can expect an even contest. Either we consent to them and are conquered or we reject them and conquer them and win a victory in battle. Thus sin exists only in the thought which has given the mind’s consent to a suggestion, which flatters and fosters its own evil tendency and longs for it to erupt into action. This kind of thought, even if it is prevented from reaching any outcome and so fails to fulfill the wish that lies behind it, is nevertheless condemned as a criminal act by the Lord.