First Person Singular Quotes

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Loving someone is like having a mental illness that's not covered by health insurance.
Haruki Murakami (First Person Singular: Stories)
Everyone of us is shadowed by an illusory person: a false self..We are not very good at recognizing illusions, least of all the ones we cherish about ourselves. (34) Contemplation is not and cannot be a function of this external self. There is an irreducible opposition between the deep transcendent self that awakens only in contemplation, and the superficial, external self which we commonly identify with the first person singular.(7) Our reality, our true self, is hidden in what appears to us to be nothingness....We can rise above this unreality and recover our hidden reality....(281) God Himself begins to live in me not only as my Creator but as my other and true self. (41)
Thomas Merton (New Seeds of Contemplation)
4. Religion. Your reason is now mature enough to examine this object. In the first place, divest yourself of all bias in favor of novelty & singularity of opinion... shake off all the fears & servile prejudices, under which weak minds are servilely crouched. Fix reason firmly in her seat, and call to her tribunal every fact, every opinion. Question with boldness even the existence of a God; because, if there be one, he must more approve of the homage of reason, than that of blindfolded fear. You will naturally examine first, the religion of your own country. Read the Bible, then as you would read Livy or Tacitus. The facts which are within the ordinary course of nature, you will believe on the authority of the writer, as you do those of the same kind in Livy and Tacitus. The testimony of the writer weighs in their favor, in one scale, and their not being against the laws of nature, does not weigh against them. But those facts in the Bible which contradict the laws of nature, must be examined with more care, and under a variety of faces. Here you must recur to the pretensions of the writer to inspiration from God. Examine upon what evidence his pretensions are founded, and whether that evidence is so strong, as that its falsehood would be more improbable than a change in the laws of nature, in the case he relates. For example in the book of Joshua we are told the sun stood still several hours. Were we to read that fact in Livy or Tacitus we should class it with their showers of blood, speaking of statues, beasts, &c. But it is said that the writer of that book was inspired. Examine therefore candidly what evidence there is of his having been inspired. The pretension is entitled to your inquiry, because millions believe it. On the other hand you are astronomer enough to know how contrary it is to the law of nature that a body revolving on its axis as the earth does, should have stopped, should not by that sudden stoppage have prostrated animals, trees, buildings, and should after a certain time have resumed its revolution, & that without a second general prostration. Is this arrest of the earth's motion, or the evidence which affirms it, most within the law of probabilities? You will next read the New Testament. It is the history of a personage called Jesus. Keep in your eye the opposite pretensions: 1, of those who say he was begotten by God, born of a virgin, suspended & reversed the laws of nature at will, & ascended bodily into heaven; and 2, of those who say he was a man of illegitimate birth, of a benevolent heart, enthusiastic mind, who set out without pretensions to divinity, ended in believing them, and was punished capitally for sedition, by being gibbeted, according to the Roman law, which punished the first commission of that offence by whipping, & the second by exile, or death in fureâ. ...Do not be frightened from this inquiry by any fear of its consequences. If it ends in a belief that there is no God, you will find incitements to virtue in the comfort and pleasantness you feel in its exercise, and the love of others which it will procure you... In fine, I repeat, you must lay aside all prejudice on both sides, and neither believe nor reject anything, because any other persons, or description of persons, have rejected or believed it... I forgot to observe, when speaking of the New Testament, that you should read all the histories of Christ, as well of those whom a council of ecclesiastics have decided for us, to be Pseudo-evangelists, as those they named Evangelists. Because these Pseudo-evangelists pretended to inspiration, as much as the others, and you are to judge their pretensions by your own reason, and not by the reason of those ecclesiastics. Most of these are lost... [Letter to his nephew, Peter Carr, advising him in matters of religion, 1787]
Thomas Jefferson (Letters of Thomas Jefferson)
It’s true that life brings us far more defeats than victories. And real-life wisdom arises not so much from knowing how we might beat someone as from learning how to accept defeat with grace.
Haruki Murakami (First Person Singular: Stories)
I believe that love is the indispensable fuel that allows us to go on living. Someday that love may end. Or it may never amount to anything. But even if love fades away, even if it’s unrequited, you can still hold on to the memory of having loved someone, of having fallen in love with someone. And that’s a valuable source of warmth.
Haruki Murakami (First Person Singular: Stories)
Your brain is made to think about difficult things. To help you get to a point where you understand something that you didn’t understand at first. And that becomes the cream of your life. The rest is boring and worthless.
Haruki Murakami (First Person Singular)
The death of a dream can be, in a way, sadder than that of a living being. Sometimes it all seems so unfair.
Haruki Murakami (First Person Singular: Stories)
No matter how vivid memories may be, they can’t win out against the power of time.
Haruki Murakami (First Person Singular: Stories)
It’s important in life to get used to losing.
Haruki Murakami (First Person Singular: Stories)
Jelly-bean" is the name throughout the undissolved Confederacy for one who spends his life conjugating the verb to idle in the first person singular- - I am idling, I have idled, I will idle
F. Scott Fitzgerald (Tales of the Jazz Age)
Of course, winning is much better than losing. No argument there. But winning or losing doesn’t affect the weight and value of the time. It’s the same time, either way. A minute is a minute, an hour is an hour. We need to cherish it. We need to deftly reconcile ourselves with time, and leave behind as many precious memories as we can—that’s what’s the most valuable.
Haruki Murakami (First Person Singular: Stories)
No matter how beautiful a woman might be, she always has imperfections, and likewise no matter how ugly a woman might be, there’s always a part of her that is beautiful.
Haruki Murakami (First Person Singular: Stories)
Things like this happen sometimes in our lives,” I told him. “Inexplicable, illogical events that nevertheless are deeply disturbing. I guess we need to not think about them, just close our eyes and get through them. As if we were passing under a huge wave.
Haruki Murakami (First Person Singular: Stories)
The difference between the who and the what at the heart of love, separates the heart. It is often said that love is the movement of the heart. Does my heart move because I love someone who is an absolute singularity, or because I love the way that someone is? Often love starts with some type of seduction. One is attracted because the other is like this or like that. Inversely, love is disappointed and dies when one comes to realize the other person doesn’t merit our love. The other person isn’t like this or that. So at the death of love, it appears that one stops loving another not because of who they are but because they are such and such. That is to say, the history of love, the heart of love, is divided between the who and what. The question of being, to return to philosophy, because the first question of philosophy is: What is it to be? What is “being”? The question of being is itself always already divided between who and what. Is “Being” someone or something? I speak of it abstractly, but I think that whoever starts to love, is in love or stops loving, is caught between this division of the who and the what. One wants to be true to someone—singularly, irreplaceably—and one perceives that this someone isn’t x or y. They didn’t have the properties, the images, that I thought I’d loved. So fidelity is threatened by the difference between the who and the what.
Jacques Derrida
Like two straight lines overlapping, we momentarily crossed at a certain point, then went our separate ways.
Haruki Murakami (First Person Singular: Stories)
All of us, more or less, wear masks. Because without masks we can’t survive in this violent world. Beneath an evil-spirit mask lies the natural face of an angel, beneath an angel’s mask lies the face of an evil spirit. It’s impossible to have just one or the other. That’s who we are. And that’s Carnaval. Schumann was able to see the many faces of humanity—the masks and the real faces—because he himself was a deeply divided soul, a person who lived in the stifling gap in between the two.
Haruki Murakami (First Person Singular: Stories)
I've heard it said that the happiest time in our lives is the period when pop songs really mean something to us, really get to us.
Haruki Murakami (First Person Singular: Stories)
perhaps our lives are merely decorative, expendable items, a burst of fleeting color and nothing more.
Haruki Murakami (First Person Singular: Stories)
As I consider that we'll never meet again I also consider how there's no reason that we cannot Will we meet or will it simply end like this drawn by the light trampled by shadows
Haruki Murakami (First Person Singular: Stories)
I don’t even remember what name she yelled. All I recall is that it was some nothing, run-of-the-mill name, and that I was impressed that such a bland name was, for her, precious and important. A simple name can sometimes really jolt a person’s heart.
Haruki Murakami (First Person Singular: Stories)
These graceful, seamless phrases are like lovely memories, their names hidden, slipping into your dreams. Like fine wind patterns you never want to disappear, leaving gentle traces on the sand dunes of your heart.
Haruki Murakami (First Person Singular: Stories)
A circle that has many centers but no circumference
Haruki Murakami (First Person Singular: Stories)
nothing is more vulgar than a careful avoidance of beginning a letter with the first person singular)
Dorothy L. Sayers (The Lord Peter Wimsey Mysteries: Whose Body? / Clouds of Witness, / Unnatural Death)
And now here I was, a first person singular. If I'd chosen a different direction, most likely I wouldn't be here. But still - who is that in the mirror?
Haruki Murakami (First Person Singular: Stories)
It is said to be the age of the first person singular
Ralph Waldo Emerson
I couldn't remember a thing I'd ever done to make her hate me that much. But sometimes, without even realizing it, we trample on people's feelings, hurt their pride, make them feel bad.
Haruki Murakami (First Person Singular: Stories)
I've never liked giving up on a book once I've started it. I always hold out hope that there will be some riveting development toward the end, though the chances of that are pretty slim.
Haruki Murakami (First Person Singular: Stories)
There's nothing worth getting in this world that you can get easily. ...But, when you put in that much time and effort, if you do achieve that difficult thing it becomes the cream of your life.
Haruki Murakami (First Person Singular: Stories)
And here’s an example of deliberate violation of a Fake Rule:   Fake Rule: The generic pronoun in English is he. Violation: “Each one in turn reads their piece aloud.”   This is wrong, say the grammar bullies, because each one, each person is a singular noun and their is a plural pronoun. But Shakespeare used their with words such as everybody, anybody, a person, and so we all do when we’re talking. (“It’s enough to drive anyone out of their senses,” said George Bernard Shaw.) The grammarians started telling us it was incorrect along in the sixteenth or seventeenth century. That was when they also declared that the pronoun he includes both sexes, as in “If a person needs an abortion, he should be required to tell his parents.” My use of their is socially motivated and, if you like, politically correct: a deliberate response to the socially and politically significant banning of our genderless pronoun by language legislators enforcing the notion that the male sex is the only one that counts. I consistently break a rule I consider to be not only fake but pernicious. I know what I’m doing and why.
Ursula K. Le Guin (Steering The Craft: A Twenty-First-Century Guide to Sailing the Sea of Story)
At nineteen, I knew nothing about the inner workings of my own heart, let alone the hearts of others. Still, I thought I had a pretty good grasp of how happiness and sadness worked. What I couldn't yet grasp were all the myriad phenomenon that lay in the space between happiness and sadness, how they related to each other. As a result, I often felt anxious and helpless.
Haruki Murakami (First Person Singular: Stories)
The illusion of ‘I’ is that you think you are ‘I’ while you are only ‘am’; and that ‘am’ is the first person singular of the verb ‘to be’. Since, for ‘to be’ you don’t need to say ‘I’, but for to say ‘I’ you need ‘to be’, thus you are prior to ‘I’ as ‘am’, and that ‘am’ is ‘to be’; therefore, to that note, on the ocean of ‘am’ alone, ‘I’ is only a wave.
~Sw. Chidananda Tirtha
Each and every moment, our bodies are on a one-way journey to collapse and deterioration, unable to turn back the clock. I close my eyes, I open them again, only to realize that in the interim so many things have vanished. Buffeted by the intense midnight winds, these things—some with names, some without—disappear without a trace. All that is left is a faint memory. Even memory, though, can hardly be relied on. Can anyone say for certain what really happened to us back then?
Haruki Murakami (First Person Singular: Stories)
It might be a burden to you for me to tell you this, but I think Sayoko always liked you best of all.
Haruki Murakami (First Person Singular: Stories)
Valakibe beleszeretni olyan, mint szerezni egy mentális betegséget, amit nem fedez a biztosítás.
Haruki Murakami (First Person Singular: Stories)
First person singular obtaining colloquial orgasm within a Caledonian sandwich,’ it said, then looked annoyed, and spoke incoherently into a grille set in its belly, which replied. It looked up and said, ‘Sorry. As I was saying: I come in peace.
Iain M. Banks (The State of the Art (Culture, #4))
It's ridiculous. Here I sit in my little room, I, Brigge, who have got to be twenty-eight years old and about whom no one knows. I sit here and am nothing. And yet this nothing begins to think and thinks, up five flights of stairs, these thoughts on a gray Paris afternoon: Is it possible, this nothing thinks, that one has not yet seen, recognized, and said anything real and important? Is it possible that one has had thousands of years of time to look, reflect, and write down, and that one has let the millennia pass away like a school recess in which one eats one's sandwich and an apple? Yes, it is possible. ...Is it possible that in spite of inventions and progress, in spite of culture, religion, and worldly wisdom, that one has remained on the surface of life? Is it possible that one has even covered this surface, which would at least have been something, with an incredibly dull slipcover, so that it looks like living-room furniture during the summer vacation? Yes, it is possible. Is it possible that the whole history of the world has been misunderstood? Is it possible that the past is false because one has always spoken of its masses, as if one was telling about a coming together of many people, instead of telling about the one person they were standing around, because he was alien and died? Yes, it is possible. Is it possible that one believed one has to make up for everything that happened before one was born? Is it possible one would have to remind every single person that he arose from all earlier people so that he would know it, and not let himself be talked out of it by the others, who see it differently? Yes, it is possible. Is it possible that all these people know very precisely a past that never was? Is it possible that everything real is nothing to them; that their life takes its course, connected to nothing, like a clock in an empty room? Yes, it is possible. Is it possible that one knows nothing about girls, who are nevertheless alive? Is it possible that one says "the women", "the children", "the boys", and doesn't suspect (in spite of all one's education doesn't suspect) that for the longest time these words have no longer had a plural, but only innumerable singulars? Yes, it is possible. Is it possible that there are people who say "God" and think it is something they have in common? Just look at two schoolboys: one buys himself a knife, and the same day his neighbor buys one just like it. And after a week they show each other their knives and it turns out that they bear only the remotest resemblance to each other-so differently have they developed in different hands (Well, the mother of one of them says, if you boys always have to wear everything out right away). Ah, so: is it possible to believe that one could have a God without using him? Yes, it is possible. But, if all this is possible, has even an appearance of possibility-then for heaven's sake something has to happen. The first person who comes along, the one who has had this disquieting thought, must begin to accomplish some of what has been missed; even if he is just anyone, not the most suitable person: there is simply no one else there. This young, irrelevant foreigner, Brigge, will have to sit himself down five flights up and write, day and night, he will just have to write, and that will be that.
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
These were both nothing more than a pair of minor incidents that happened in my trivial little life. Short side trips along the way. Even if they hadn’t happened, I doubt my life would have wound up much different from what it is now. But still, these memories return to me sometimes, traveling down a very long passageway to arrive. And when they do, their unexpected power shakes me to the core. Like an autumn wind that gusts at night, swirling fallen leaves in a forest, flattening the pampas grass in fields, and pounding hard on the doors to people’s homes, over and over again.
Haruki Murakami (First Person Singular: Stories)
Sometimes the novelist feels himself like God and is prepared to tell you everything about his characters; sometimes, however, he does not; and then he tells you not everything that is to be known about them but the little he knows himself; and since as we grow older we feel ourselves less and less like God I should not be surprised to learn that with advancing years the novelist grows less and less inclined to describe more than his own experience had given him. The first person singular is a very useful device for this limited purpose.
W. Somerset Maugham
To die of old age...is a rare, singular, and extraordinary death. It is the last and extremist kind of dying. It encourages people to lead a life devoted to not dying, which is really another way of not living.
Richard Flanagan (First Person)
When we truly love somebody with all out heart, or feel deep compassion, or have an idealistic sense of how the world should be, or when we discover faith (or something close to faith) - that's when we understand the circle as a given and accept it in our hearts
Haruki Murakami (First Person Singular: Stories)
Compared to these women, isn’t a woman who is not beautiful—who is even considered to be ugly—and yet enjoys that fact, a far happier person? No matter how beautiful a woman might be, she always has imperfections, and likewise no matter how ugly a woman might be, there’s always a part of her that is beautiful. And they seem to freely revel in that part of themselves, unlike beautiful women. It’s not a substitute for anything, or a metaphor.
Haruki Murakami (First Person Singular: Stories)
When we sing, I am one of many, and the individual me evaporates. I am one of 23 university choir members. Not a professor. Not an American. Not a 46-year-old in the midst of twentysomethings. Not a woman trying to outpace the aspects of self she has yet to make oeace with. I am simply what we all are--another voice, a set of lungs, some vocal chords and someone who finds joy and comfort in singing. But when the music stops, so does the we. The union dissolves. The silence transforms first person plural into first person singular.
Laura Kelly (Dispatches from the Republic of Otherness)
There was nothing I could say. I probably hadn’t understood her at all, either. Like him, I’d been too preoccupied with my own life.
Haruki Murakami (First Person Singular: Stories)
I want to face people in the world and apologize to each and every one. 'I'm sorry, but all I have is dark beer.
Haruki Murakami (First Person Singular: Stories)
I've heard it said that the happiest times in our lives is the period when pop songs really mean something to us, really get to us. It may be true. Or maybe not. Pop songs may, after all, be nothing but pop songs. And perhaps our lives are merely decorative, expendable items, a burst of fleeting color and nothing more.
Haruki Murakami (First Person Singular: Stories)
Perhaps we are not following Christ all the way or in the right spirit. We are likely, for example, to be a little sparing of the palms and hosannas. We are chary of wielding the scourge of small cords, lest we should offend somebody or interfere with trade. We do not furnish up our wits to disentangle knotty questions about Sunday observance and tribute money, nor hasten to sit at the feet of the doctors, both hearing them and asking them questions. We pass hastily over disquieting jests about making friends with the mammon of unrighteousness and alarming observations about bringing not peace but a sword; nor do we distinguish ourselves by the graciousness by which we sit at meat with publicans and sinners. Somehow or other, and with the best intentions, we have shown the world the typical Christian in the likeness of a crashing and rather ill-natured bore---and this in the name of the one who assuredly never bored a soul in those thirty-three years during which he passed through the world like a flame. Let us, in heaven's name, drag out the divine drama from under the dreadful accumulation of slipshod thinking and trashy sentiment heaped upon it, and set it on an open stage to startle the world into some sort of vigorous reaction. If the pious are the first to be shocked, so much worse for the pious---others will pass into the kingdom of heaven before them. If all men are offended because of Christ, let them be offended; but where is the sense of their being offended at something that is not Christ and is nothing like him? We do him singularly little honor by watering down his personality till it could not offend a fly. Surely it is not the business of the Church to adapt Christ to men, but to adapt men to Christ.
Dorothy L. Sayers (Letters to a Diminished Church: Passionate Arguments for the Relevance of Christian Doctrine)
Young people have a marvelous faculty of either dying or adapting themselves to circumstances. Even if they are unhappy - very unhappy - it is astonishing how easily they can be prevented from finding it out, or at any rate from attributing it to any other cause than their own sinfulness. To parents who wish to lead a quiet life I would say: Tell your children that they are naughty - much naughtier than most children. Point to the young people of some acquaintances as models of perfection and impress your own children with a deep sense of their own inferiority. You carry so many more guns than they do that they cannot fight you. This is called moral influence, and it will enable you to bounce them as much as you please. They think you know and they will not have yet caught you lying often enough to suspect that you are not the unworldly and scrupulously truthful person which you represent yourself to be; nor yet will they know how great a coward you are, nor how soon you will run away if they fight you with persistency and judgment. You keep the dice and throw them both for your children and yourself. Load them then, for you can easily manage to stop your children from examining them. Tell them how singularly indulgent you are; insist on the incalculable benefit you conferred upon them, firstly in bringing them into the world at all, but more particularly in bringing them into it as your own children rather than anyone else's... You hold all the trump cards, or if you do not you can filch them; if you play them with anything like judgment you will find yourselves heads of happy, united, God-fearing families... True, your children will probably find out all about it some day, but not until too late to be of much service to them or inconvenience to yourself.
Samuel Butler (The Way of All Flesh)
Even memory though, can hardly be relied on. Can anyone say for certain what really happened to us back then? If we’re blessed though, a few words might remain by our side. They climb to the top of the hill during the night, crawl into small holes dug to fit the shape of their bodies, stay quite still, and let the stormy winds of time blow past. Dawn finally breaks, the wild wind subsides, and the surviving words quietly peek out from the surface. For the most part they have small voices—they are shy and only have ambiguous ways of expressing themselves. Even so, they are ready to serve as witnesses. As honest, fair witnesses. But in order to create those long enduring, long-suffering words, or else to find them and leave them behind, you must sacrifice, unconditionally, your own body, your very own heart. You have to lay down your neck on a cold stone pillow illuminated by the winter moon.
Haruki Murakami (First Person Singular: Stories)
Of course, winning is much better than losing. No argument there. But winning or losing doesn’t affect the weight and value of the time. It’s the same time, either way. A minute is a minute, an hour is an hour. We need to cherish it. We need to deftly reconcile ourselves with time and leave behind as many precious memories as we can—that’s what’s the most valuable.
Haruki Murakami (First Person Singular: Stories)
It is impossible to grieve in the first-person singular. We always grieve for someone and with someone. Grieving connects us in ways that are subtly and candidly material. I am not yet sure which group I should join, where to envision myself, on whose shoulder to cry.
Cristina Rivera Garza (Grieving: Dispatches from a Wounded Country)
But later on, I learned the hard way how shallow and superficial my thinking had been. It was precisely because of her unusual looks that she was able to effectively engage her powerful personality—her power to draw people in, you might put it. What I mean is, it was precisely the gap between her physical appearance and her refinement that created her own special brand of dynamism. And she was fully aware of that power, and was able to use it as needed.
Haruki Murakami (First Person Singular: Stories)
From earliest days I wanted to be someone else. The injunction nosce te ipsum had an ashen taste on my tongue from the first time a teacher enjoined me to repeat it after him. I knew myself, all too well, and did not like what I knew. Again, I must qualify. It was not what I was that I disliked, I mean the singular, essential me—although I grant that even the notion of an essential, singular self is problematic—but the congeries of affects, inclinations, received ideas, class tics, that my birth and upbringing had bestowed on me in place of a personality. In place of, yes. I never had a personality, not in the way that others have, or think they have. I was always a distinct no-one, whose fiercest wish was to be an indistinct someone, I know what I mean.
John Banville (The Sea)
By all accounts, John Frankenheimer was singularly obsessed with The Manchurian Candidate, a film that, according to Daniel O’Brien, the director regarded “as his first truly personal project, feeling that the story made an all too valid point regarding the political manipulation and conditioning of American society.
James Kaplan (Sinatra: The Chairman)
How does a successful television commercial affect the viewer?" "It makes him want to change the way he lives." "In what way?" I said. "It moves him from first person consciousness to third person. In this country there is a universal third person, the man we all want to be. Advertising has discovered this man. It uses him to express the possibilities open to the consumer. To consume in America is not to buy; it is to dream. Advertising is the suggestion that the dream of entering the third person singular might possibly be fulfilled.
Don DeLillo (Américana)
Loving someone is like having a mental illness that’s not covered by health insurance,” she said, in a flat tone, like she was reciting something written on the wall.
Haruki Murakami (First Person Singular: Stories)
In Hollywood in the fifties, a happy ending always involved marriage - the creation of an environment in which lovers could have sex legally.
Haruki Murakami (First Person Singular: Stories)
Pop songs may, after all, be nothing but pop songs. And perhaps our lives are merely decorative, expendable items, a burst of fleeting color and nothing more.
Haruki Murakami (First Person Singular: Stories)
Whether you cut it off or someone else cuts it off if you put your neck on the stone pillow believe it—you will turn to dust.
Haruki Murakami (First Person Singular: Stories)
No matter how vivid memories may be, they can't win out against the power of time.
Haruki Murakami (First Person Singular: Stories)
Won’t someone
Haruki Murakami (First Person Singular: Stories)
Thanks to which, the soul of this wee little monkey has found a measure of peace. I treasure
Haruki Murakami (First Person Singular: Stories)
Schumann’s Carnaval, I finally declared.
Haruki Murakami (First Person Singular: Stories)
Theology creates an anthropology. Discovering God, singular and alone, the first monotheists discovered the human person singular and alone. Monotheism internalises what dualism externalises. It takes the good and bad in the human situation, the faith and the fear, the retribution and the forgiving, and locates them within each of us, turning what would otherwise be war on the battlefield into a struggle within the soul. ‘Who is a hero?’ asked the rabbis, and replied, ‘One who conquers himself.’ This is the moral drama that has been monotheism’s contribution to the civilisation of the West: not the clash of titans on the field of battle, but the quiet inner drama of choice and will, restraint and responsibility.
Jonathan Sacks (Not in God's Name: Confronting Religious Violence)
We shouldn't let our envy of distinguished masters of the arts distract us from the wonder of how each of us gets new ideas. Perhaps we hold on to our superstitions about creativity in order to make our own deficiencies seem more excusable. For when we tell ourselves that masterful abilities are simply unexplainable, we're also comforting ourselves by saying that those superheroes come endowed with all the qualities we don't possess. Our failures are therefore no fault of our own, nor are those heroes' virtues to their credit, either. If it isn't learned, it isn't earned. When we actually meet the heroes whom our culture views as great, we don't find any singular propensities––only combinations of ingredients quite common in themselves. Most of these heroes are intensely motivated, but so are many other people. They're usually very proficient in some field--but in itself we simply call this craftmanship or expertise. They often have enough self-confidence to stand up to the scorn of peers--but in itself, we might just call that stubbornness. They surely think of things in some novel ways, but so does everyone from time to time. And as for what we call "intelligence", my view is that each person who can speak coherently already has the better part of what our heroes have. Then what makes genius appear to stand apart, if we each have most of what it takes? I suspect that genius needs one thing more: in order to accumulate outstanding qualities, one needs unusually effective ways to learn. It's not enough to learn a lot; one also has to manage what one learns. Those masters have, beneath the surface of their mastery, some special knacks of "higher-order" expertise, which help them organize and apply the things they learn. It is those hidden tricks of mental management that produce the systems that create those works of genius. Why do certain people learn so many more and better skills? These all-important differences could begin with early accidents. One child works out clever ways to arrange some blocks in rows and stacks; a second child plays at rearranging how it thinks. Everyone can praise the first child's castles and towers, but no one can see what the second child has done, and one may even get the false impression of a lack of industry. But if the second child persists in seeking better ways to learn, this can lead to silent growth in which some better ways to learn may lead to better ways to learn to learn. Then, later, we'll observe an awesome, qualitative change, with no apparent cause--and give to it some empty name like talent, aptitude, or gift.
Marvin Minsky (The Society of Mind)
Your brain is made to think about difficult things. To help you get to a point where you understand something that you didn't understand at first. And that becomes the cream of your life
Haruki Murakami (First Person Singular: Stories)
A minute is a minute, an hour is an hour. We need to cherish it. We need to deftly reconcile ourselves with time, and leave behind as many precious memories as we can - that's what's the most valuable.
Haruki Murakami (First Person Singular: Stories)
Rubashov had always believed that he knew himself rather well. Being without moral prejudices, he had no illusions about the phenomenon called the "first person singular" and had taken for granted, without particular emotion, that this phenomenon was endowed with certain impulses which people are generally reluctant to admit. Now, when he stood with his forehead against the window or suddenly stopped on the third black tile, he made unexpected discoveries. He found that those processes wrongly known as monologues are really dialogues of a special kind - dialogues in which one partner remains silent while the other, against all grammatical rules, addresses him as "I" instead of "you," in order to creep into his confidence and to fathom his intentions, but the silent partner just remains silent, shuns observation, and even refuses to be localized in time and space.
Arthur Koestler
For the first time, her singularity, the fact that she felt different from every person she knew, made sense to her, and she realized that no matter where she went in the world, she would have a point of view that no one else could possibly have.
Marisa Silver (Mary Coin)
n answering reading comprehension questions about literature, any answer could be right. Of course, there was a relatively reasonable answer, but I didn’t really think that arriving at a relatively reasonable answer was one of the goals of studying literature.
Haruki Murakami (First Person Singular: Stories)
Look, people need to conform the external reality they face daily with this subjective feeling they likewise experience constantly. To do this they have two options. First, they can achieve what passes for great things. Now the external reality matches their feeling; they really are better than the rest and maybe they'll even be remembered as such. These are the ambitious people, the overachievers. These are also, however, the people who go on these abominable talk shows where they can trade their psychoses for exposure on that box, modernity's ultimate achievement. Not that this tact, being ambitious, is not the preferred course of action. The reason is it's the equivalent of sticking your neck out which we all know is dangerous. Instead many act like they have no ambition whatsoever. Their necks come back in and they're safe. Only problem is now they're at everyone else's level, which we've seen is untenable. The remedy of course is that everyone else needs to be sunk. This helps explain racism's enduring popularity. If I myself don't appear to be markedly superior to everyone else at least I'm part of the better race, country, religion et cetera. This in turn reflects well on my individual worth. There are other options, of course. For example, you can constantly bemoan others' lack of moral worth by extension elevating yourself. Think of the average person's reaction to our clients. Do these people strike you as so truly righteous that they are viscerally pained by our clients' misdeeds or are they similarly flawed people looking for anything to hang their hat on? The latter obviously, they're vermin.
Sergio de la Pava (A Naked Singularity)
So, all the little icons in the world that people worship – these are the little things called “error”; and one day you will discover the true God. And when you discover the true God, you will find that He is all within your own wonderful being as your own wonderful human imagination. You’ll walk in the consciousness of being God. You don’t brag about it. As Blake answered when they asked him “What do you think of Jesus Christ?” Blake answered, “Jesus Christ is the only God”; but he hastened to add to it, “But so am I, and so are you.” So, you don’t tell any one. You simply know that you are the Being spoken of in Scripture as “God the Father.” For all that is said of Him, you are going to experience; and you are going to experience it in the first-person, singular, and a present-tense experience. And then you will know.
Neville Goddard (The Secret of Imagining)
Using the first-person singular pronoun is another great way to set a boundary without escalating into confrontation. When you say, “I’m sorry, that doesn’t work for me,” the word “I” strategically focuses your counterpart’s attention onto you long enough for you to make a point.
Chris Voss (Never Split The Difference, The Storyteller's Secret [Hardcover], Talk Like TED, TED Talks 4 Books Collection Set)
For some people, the mask might become so tightly stuck that they can’t remove it,” I said. “Yes,” she said quietly. “Maybe that’s true.” She gave a faint smile. “But even if a mask gets stuck and can’t be removed, that doesn’t change the fact that beneath it, the real face remains.
Haruki Murakami (First Person Singular: Stories)
It's important that these people think of their adversaries specifically as assholes. That's what gives the modern rhetoric of polarization its singular stamp and makes it different from the execrations of other ages. Seeing our antagonists as assholes means, for one thing, that the enmity is personal. (189)
Geoffrey Nunberg (Ascent of the A-Word: Assholism, the First Sixty Years)
You can make all kinds of images of Him. That’s not the Lord Jesus Christ. If any man should ever come and say, “Look, there he is,” or “Here he is,” don’t believe it. Why? Because when you actually meet Him, you are going to meet your Self. The Christ of faith comes to us as one unknown; yet one who, in some strange ineffable mystery, lets us experience who He is; and when we experience Jesus Christ, we experience Him in the first-person, singular, present-tense experience. You will never see Him coming from without. Let no one tell you you’re going to meet Him coming from without. You will meet Him awakening Himself within you as you. That’s the Lord Jesus Christ. That’s the great sacrifice. He is crucified on Humanity. Every human form is the cross that He wears; and in that form He awakens as the one in whom He awakens. He awakens as that Being, and that Being is the Lord Jesus Christ. And because He is the father of David, David called that Being, “Father”; then you know, “I am He.” Oh, I can tell you from now to the ends of time, and I may not persuade you to believe it; but when it happens to you, you need no further persuasion, for you are confronted with the facts, and there you stand in the presence of your own son, and the son is the Son of God.
Neville Goddard (The Secret of Imagining)
I spent the next year basically killing time, as if I were creating an alibi. Instead of attending cram school to prepare to retake the exam, I hung out at the local library, plowing my way through thick novels. But, hey, that's life. I found it a lot more enjoyable to read all of Balzac than to delve into the principles of calculus.
Haruki Murakami (First Person Singular: Stories)
What I find strange about growing old isn't that I've gotten older. Not that the youthful me from the past has, without my realizing it, aged. What catches me off guard is, rather, how people from the same generation as me have become elderly, how all the pretty, vivacious girls I used to know are now old enough to have a couple of grandkids.
Haruki Murakami (First Person Singular: Stories)
This might sound like a banal opinion, but the world can turn upside down, depending on the way we look at it. The way a ray of sunshine falls on something can change shadow to light, or light to shadow. A positive becomes a negative, a negative a positive. I don’t know if this is an essential part of the way the world works, or simply an optical illusion.
Haruki Murakami (First Person Singular: Stories)
Of course, winning is much better than losing. No argument there. But winning or losing doesn’t affect the weight and value of the time. It’s the same time, either way. A minute is a minute, an hour is an hour. We need to cherish it. We need to deftly reconcile ourselves with time, and leave behind as many precious memories as we can— that’s what’s the most valuable." ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
Haruki Murakami (First Person Singular: Stories)
My eyes came to rest on a small tomato-sauce stain on the front of his cream-colored sweater. He was neatly dressed, and that one tiny stain struck me as out of place. And then it hit me–the twenty-one-year old brother with sleepy eyes and a loose-necked navy-blue sweater sprinkled with bread crumbs. Old habits die hard. Those kinds of inclinations, or habits, don't seem to ever change.
Haruki Murakami (First Person Singular: Stories)
It's hard for me to say this now, but she never rang that special bell inside my ears. I listened as hard as I could, but never once did it ring. Sadly. The girl I knew in Tokyo was the one who did it for me. This isn't something you can choose freely, according to logic or morality. Either it happens or it doesn't. When it does, it happens of its own accord, in your consciousness or in a spot deep in your soul.
Haruki Murakami (First Person Singular: Stories)
In any event, the emotions that surged when this happened came to serve as a kind of gauge I used to measure the intensity of my yearning. When I couldn’t get that sensation in the real world, I would quietly let my memory of those feelings awaken inside me. In this way, memory became one of my most valued emotional tools, a means of survival, even. Like a warm kitten, softly curled inside an oversized coat pocket, fast asleep.
Haruki Murakami (First Person Singular: Stories)
On September 14, 2015, the LIGO gravitational-wave detectors (built by a 1,000-person project that Rai and I and Ronald Drever co-founded, and Barry Barish organised, assembled and led) registered their first gravitational waves. By comparing the wave patterns with predictions from computer simulations, our team concluded that the waves were produced when two heavy black holes, 1.3 billion light years from Earth, collided. This was the beginning of gravitational-wave astronomy. Our team had achieved, for gravitational waves, what Galileo achieved for electromagnetic waves. I am confident that, over the coming several decades, the next generation of gravitational-wave astronomers will use these waves not only to test Stephen’s laws of black hole physics, but also to detect and monitor gravitational waves from the singular birth of our universe, and thereby test Stephen’s and others’ ideas about how our universe came to be.
Stephen Hawking (Brief Answers to the Big Questions)
Could someone really be that mean? I couldn't remember a thing I'd ever done to make her hate me that much. But sometimes, without even realizing it, we trample on people's feelings, hurt their pride, make them feel bad. I speculated on the possibility of this non-unthinkable hatred, the misunderstandings that might have taken place, but found nothing convincing. And as I wandered fruitlessly through this maze of emotions, I felt my mind losing its way. Before I knew it, I was having trouble breathing.
Haruki Murakami (First Person Singular: Stories)
When Ole Kirk Kristiansen established the company name LEGO in 1934, it was a fortunate play on words. The entrepreneur had been inspired by the Danish phrase "leg godt" - "play well." He took the beginning of each respective word and made what he considered to be a pleasant-sounding, imaginary word out of them. The company owner was unaware that as the first person present singular of the verb legere, "lego" is also the Latin word for "I assemble" - and therefore completely appropriate for the modularity of the company's later invention, the LEGO brick.
Christian Humberg (50 Years of the Lego Brick)
But in a corner of my heart, I'm still wishing she's alive somewhere in this world. Sometimes I'll catch myself, all of sudden, hoping that she's survived, that she's still composing poetry. Why? Why do I take the trouble to think about something like that? There's not one thing that connects my life and hers. Even if, say, we passed each other on a street, or were seated at adjoining tables in a restaurant, I seriously doubt that we would even recognize each other. Like two straight lines overlapping, we momentarily crossed at a certain point, then went our separate ways.
Haruki Murakami (First Person Singular: Stories)
On September 14, 2015, the LIGO gravitational-wave detectors (built by a 1,000-person project that Rai and I and Ronald Drever co-founded, and Barry Barish organised, assembled and led) registered their first gravitational waves. By comparing the wave patterns with predictions from computer simulations, our team concluded that the waves were produced when two heavy black holes, 1.3 billion light years from Earth, collided. This was the beginning of gravitational-wave astronomy. Our team had achieved, for gravitational waves, what Galileo achieved for electromagnetic waves. I am confident that, over the coming several decades, the next generation of gravitational-wave astronomers will use these waves not only to test Stephen’s laws of black hole physics, but also to detect and monitor gravitational waves from the singular birth of our universe, and thereby test Stephen’s and others’ ideas about how our universe came to be. During our glorious year of 1974–5, while I was dithering over gravitational waves, and Stephen was leading our merged group in black hole research, Stephen himself had an insight even more radical than his discovery of Hawking radiation. He gave a compelling, almost airtight proof that, when a black hole forms and “and then subsequently evaporates away completely by emitting radiation, the information that went into the black hole cannot come back out. Information is inevitably lost.
Stephen Hawking (Brief Answers to the Big Questions)
If we’re blessed, though, a few words might remain by our side. They climb to the top of the hill during the night, crawl into small holes dug to fit the shape of their bodies, stay quite still, and let the stormy winds of time blow past. The dawn finally breaks, the wild wind subsides, and the surviving words quietly peek out from the surface. For the most part they have small voices—they are shy and only have ambiguous ways of expressing themselves. Even so, they are ready to serve as witnesses. As honest, fair witnesses. But in order to create those enduring, long-suffering words, or else to find them and leave them behind, you must sacrifice, unconditionally, your own body, your very own heart. You have to lay down your neck on a cold stone pillow illuminated by the winter moon.
Haruki Murakami (First Person Singular: Stories)
Of all the baseball stadiums in the world, I like being in Jingu Stadium the best of all. In an infield seat behind first base, or in the right-field bleachers. I love all the sounds, the smells, the way I can sit there, just gazing up at the sky. I love the breeze caressing my skin, I love sipping an ice-cold beer, observing the people around me. Whether the team wins or loses, I love the time spent there most of all. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ Of course, winning is much better than losing. No argument there. But winning or losing doesn’t affect the weight and value of the time. It’s the same time, either way. A minute is a minute, an hour is an hour. We need to cherish it. We need to deftly reconcile ourselves with time, and leave behind as many precious memories as we can— that’s what’s the most valuable." ⠀⠀⠀⠀⠀
Haruki Murakami (First Person Singular: Stories)
I believe that love is the indispensable fuel that allows us to go on living. Someday that love may end. Or it may never amount to anything. But even if love fades away, even if it's unrequited, you can still hold on to the memory of having loved someone, of having fallen in love with someone. And that's a valuable source of warmth. Without that heat source, a person's heart–and a monkey's heart, too–would turn into a bitterly cold, barren wasteland. A place where not a ray of sunlight falls, where the wildflowers of peace, the trees of hope, have no chance to grow. I treasure the names of the seven beautiful women I loved here in my heart." At this, the monkey laid a palm on his chest. "I plan to use these memories as my own little fuel source I burn on cold nights to keep me warm as I live out what's left of my own personal life.
Haruki Murakami (First Person Singular: Stories)
How I Got That Name Marilyn Chin an essay on assimilation I am Marilyn Mei Ling Chin Oh, how I love the resoluteness of that first person singular followed by that stalwart indicative of “be," without the uncertain i-n-g of “becoming.” Of course, the name had been changed somewhere between Angel Island and the sea, when my father the paperson in the late 1950s obsessed with a bombshell blond transliterated “Mei Ling” to “Marilyn.” And nobody dared question his initial impulse—for we all know lust drove men to greatness, not goodness, not decency. And there I was, a wayward pink baby, named after some tragic white woman swollen with gin and Nembutal. My mother couldn’t pronounce the “r.” She dubbed me “Numba one female offshoot” for brevity: henceforth, she will live and die in sublime ignorance, flanked by loving children and the “kitchen deity.” While my father dithers, a tomcat in Hong Kong trash— a gambler, a petty thug, who bought a chain of chopsuey joints in Piss River, Oregon, with bootlegged Gucci cash. Nobody dared question his integrity given his nice, devout daughters and his bright, industrious sons as if filial piety were the standard by which all earthly men are measured. * Oh, how trustworthy our daughters, how thrifty our sons! How we’ve managed to fool the experts in education, statistic and demography— We’re not very creative but not adverse to rote-learning. Indeed, they can use us. But the “Model Minority” is a tease. We know you are watching now, so we refuse to give you any! Oh, bamboo shoots, bamboo shoots! The further west we go, we’ll hit east; the deeper down we dig, we’ll find China. History has turned its stomach on a black polluted beach— where life doesn’t hinge on that red, red wheelbarrow, but whether or not our new lover in the final episode of “Santa Barbara” will lean over a scented candle and call us a “bitch.” Oh God, where have we gone wrong? We have no inner resources! * Then, one redolent spring morning the Great Patriarch Chin peered down from his kiosk in heaven and saw that his descendants were ugly. One had a squarish head and a nose without a bridge Another’s profile—long and knobbed as a gourd. A third, the sad, brutish one may never, never marry. And I, his least favorite— “not quite boiled, not quite cooked," a plump pomfret simmering in my juices— too listless to fight for my people’s destiny. “To kill without resistance is not slaughter” says the proverb. So, I wait for imminent death. The fact that this death is also metaphorical is testament to my lethargy. * So here lies Marilyn Mei Ling Chin, married once, twice to so-and-so, a Lee and a Wong, granddaughter of Jack “the patriarch” and the brooding Suilin Fong, daughter of the virtuous Yuet Kuen Wong and G.G. Chin the infamous, sister of a dozen, cousin of a million, survived by everbody and forgotten by all. She was neither black nor white, neither cherished nor vanquished, just another squatter in her own bamboo grove minding her poetry— when one day heaven was unmerciful, and a chasm opened where she stood. Like the jowls of a mighty white whale, or the jaws of a metaphysical Godzilla, it swallowed her whole. She did not flinch nor writhe, nor fret about the afterlife, but stayed! Solid as wood, happily a little gnawed, tattered, mesmerized by all that was lavished upon her and all that was taken away!
Marilyn Chin
What then? Are we only to buy the books that we read? The question has merely to be thus bluntly put, and it answers itself. All impassioned bookmen, except a few who devote their whole lives to reading, have rows of books on their shelves which they have never read, and which they never will read. I know that I have hundreds such. My eye rests on the works of Berkeley in three volumes, with a preface by the Right Honourable Arthur James Balfour. I cannot conceive the circumstances under which I shall ever read Berkeley; but I do not regret having bought him in a good edition, and I would buy him again if I had him not; for when I look at him some of his virtue passes into me; I am the better for him. A certain aroma of philosophy informs my soul, and I am less crude than I should otherwise be. This is not fancy, but fact. […..] "Taking Berkeley simply as an instance, I will utilise him a little further. I ought to have read Berkeley, you say; just as I ought to have read Spenser, Ben Jonson, George Eliot, Victor Hugo. Not at all. There is no ‘ought’ about it. If the mass of obtainable first-class literature were, as it was perhaps a century ago, not too large to be assimilated by a man of ordinary limited leisure _in_ his leisure and during the first half of his life, then possibly there might be an ‘ought’ about it. But the mass has grown unmanageable, even by those robust professional readers who can ‘grapple with whole libraries.’ And I am not a professional reader. I am a writer, just as I might be a hotel-keeper, a solicitor, a doctor, a grocer, or an earthenware manufacturer. I read in my scanty spare time, and I don’t read in all my spare time, either. I have other distractions. I read what I feel inclined to read, and I am conscious of no duty to finish a book that I don’t care to finish. I read in my leisure, not from a sense of duty, not to improve myself, but solely because it gives me pleasure to read. Sometimes it takes me a month to get through one book. I expect my case is quite an average case. But am I going to fetter my buying to my reading? Not exactly! I want to have lots of books on my shelves because I know they are good, because I know they would amuse me, because I like to look at them, and because one day I might have a caprice to read them. (Berkeley, even thy turn may come!) In short, I want them because I want them. And shall I be deterred from possessing them by the fear of some sequestered and singular person, some person who has read vastly but who doesn’t know the difference between a J.S. Muria cigar and an R.P. Muria, strolling in and bullying me with the dreadful query: ‘_Sir, do you read your books?_
Arnold Bennett (Mental Efficiency)
He was a curious mixture of things to me on that first occasion: he had the general physique of a bull, the tenacity of a vulture, the agility of a leopard, the tenderness of a lamb, and the coyness of a dove. He had a curious overgrown head which fasdnated me and which, for some reason, I took to be singularly Athenian. His hands were rather small for his body, and overly delicate. He was a vital, powerful man, capable of brutal gestures and rough words, yet somehow conveying a sense of warmth which was soft and feminine. There was also a great element of the tragic in him which his adroit mimicry only enhanced. He was extremely sympathetic and at the same time ruthless as a boor. He seemed to be talking about himself all the time, but never egotistically. He talked about himself because he himself was the most interesting person he knew. I liked that quality very much — I have a little of it myself.
Henry Miller (The Colossus of Maroussi)
In my life, whenever an inexplicable, illogical, disturbing event takes place (I’m not saying that it happens often, but it has a few times), I always come back to that circle—the circle with many centers but no circumference. And, as I did when I was eighteen, on that arbor bench, I close my eyes and listen to the beating of my heart. Sometimes I feel that I can sort of grasp what that circle is, but a deeper understanding eludes me. This happens again and again. This circle is, most likely, not a circle with a concrete, actual form but, rather, one that exists only within our minds. That’s what I think. When we truly love somebody with all our heart, or feel deep compassion, or have an idealistic sense of how the world should be, or when we discover faith (or something close to faith)—that’s when we understand the circle as a given and accept it in our hearts. Admittedly, though, this is nothing more than my own vague attempt to reason it out.
Haruki Murakami (First Person Singular: Stories)
The sole object of revolution was the abolition of senseless suffering. But it had turned out that the removal of this second kind of suffering was only possible at the price of a temporary enormous increase in the sum total of the first. So the question now ran: Was such an operation justified? Obviously it was, if one spoke in the abstract of “mankind”; but, applied to “man” in the singular, to the cipher 2—4, the real human being of bone and flesh and blood and skin, the principle led to absurdity. As a boy, he had believed that in working for the Party he would find an answer to all questions of this sort. The work had lasted forty years, and right at the start he had forgotten the question for whose sake he had embarked on it. Now the forty years were over, and he returned to the boy’s original perplexity. The Party had taken all he had to give and never supplied him with the answer. And neither did the silent partner, whose magic name he had tapped on the wall of the empty cell. He was deaf to direct questions, however urgent and desperate they might be. And yet there were ways of approach to him. Sometimes he would respond unexpectedly to a tune, or even the memory of a tune, or of the folded hands of the Pietà, or of certain scenes of his childhood. As if a tuning-fork had been struck, there would be answering vibrations, and once this had started a state would be produced which the mystics called “ecstasy” and saints “contemplation”; the greatest and soberest of modern psychologists had recognized this state as a fact and called it the “oceanic sense”. And, indeed, one’s personality dissolved as a grain of salt in the sea; but at the same time the infinite sea seemed to be contained in the grain of salt. The grain could no longer be localized in time and space. It was a state in which thought lost its direction and started to circle, like the compass needle at the magnetic pole; until finally it cut loose from its axis and travelled freely in space, like a bunch of light in the night; and until it seemed that all thoughts and all sensations, even pain and joy itself, were only the spectrum lines of the same ray of light, disintegrating in the prisma of consciousness.
Arthur Koestler (Darkness at Noon)
The experience of stress has three components. The first is the event, physical or emotional, that the organism interprets as threatening. This is the stress stimulus, also called the stressor. The second element is the processing system that experiences and interprets the meaning of the stressor. In the case of human beings, this processing system is the nervous system, in particular the brain. The final constituent is the stress response, which consists of the various physiological and behavioural adjustments made as a reaction to a perceived threat. We see immediately that the definition of a stressor depends on the processing system that assigns meaning to it. The shock of an earthquake is a direct threat to many organisms, though not to a bacterium. The loss of a job is more acutely stressful to a salaried employee whose family lives month to month than to an executive who receives a golden handshake. Equally important is the personality and current psychological state of the individual on whom the stressor is acting. The executive whose financial security is assured when he is terminated may still experience severe stress if his self-esteem and sense of purpose were completely bound up with his position in the company, compared with a colleague who finds greater value in family, social interests or spiritual pursuits. The loss of employment will be perceived as a major threat by the one, while the other may see it as an opportunity. There is no uniform and universal relationship between a stressor and the stress response. Each stress event is singular and is experienced in the present, but it also has its resonance from the past. The intensity of the stress experience and its long-term consequences depend on many factors unique to each individual. What defines stress for each of us is a matter of personal disposition and, even more, of personal history. Selye discovered that the biology of stress predominantly affected three types of tissues or organs in the body: in the hormonal system, visible changes occurred in the adrenal glands; in the immune system, stress affected the spleen, the thymus and the lymph glands; and the intestinal lining of the digestive system. Rats autopsied after stress had enlarged adrenals, shrunken lymph organs and ulcerated intestines.
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
The individual citizen had no chance to voice his protest or his opinion, not even his fear. He could only leave the country - and so people did. Those who used 'I' instead of 'we' in their language had to escape. It was this fatal difference in grammar that divided them from the rest of their compatriots. As a consequence of this 'us', no civic society developed. The little there was, in the form of small, isolated, and marginalised groups, was soon swallowed up by the national homogenisation that did not permit any differences, any individualism. As under communism, individualism was punished - individuals speaking out against the war, or against nationalism, were singled out as 'traitors'. How does a person who is a product of a totalitarian society learn responsibility, individuality, initiative? by saying 'no'. But this begins with saying 'I', thinking 'I' and doing 'I' - in public as well as in private. Individuality, the first-person singular, always existed under communism, it was just exiled from public and political life and exercised in private. Thus the terrible hypocrisy with which we learned to live in order to survive is having its backlash now: it is very difficult to connect the private and public 'I'; to start believing that an individual opinion, initiative, or vote could make a difference. There is still too big a danger that the citizen will withdraw into an anonymous, safe 'us'.
Slavenka Drakulić (Café Europa: Life After Communism)
When General Genius built the first mentar [Artificial Intelligence] mind in the last half of the twenty-first century, it based its design on the only proven conscious material then known, namely, our brains. Specifically, the complex structure of our synaptic network. Scientists substituted an electrochemical substrate for our slower, messier biological one. Our brains are an evolutionary hodgepodge of newer structures built on top of more ancient ones, a jury-rigged system that has gotten us this far, despite its inefficiency, but was crying out for a top-to-bottom overhaul. Or so the General genius engineers presumed. One of their chief goals was to make minds as portable as possible, to be easily transferred, stored, and active in multiple media: electronic, chemical, photonic, you name it. Thus there didn't seem to be a need for a mentar body, only for interchangeable containers. They designed the mentar mind to be as fungible as a bank transfer. And so they eliminated our most ancient brain structures for regulating metabolic functions, and they adapted our sensory/motor networks to the control of peripherals. As it turns out, intelligence is not limited to neural networks, Merrill. Indeed, half of human intelligence resides in our bodies outside our skulls. This was intelligence the mentars never inherited from us. ... The genius of the irrational... ... We gave them only rational functions -- the ability to think and feel, but no irrational functions... Have you ever been in a tight situation where you relied on your 'gut instinct'? This is the body's intelligence, not the mind's. Every living cell possesses it. The mentar substrate has no indomitable will to survive, but ours does. Likewise, mentars have no 'fire in the belly,' but we do. They don't experience pure avarice or greed or pride. They're not very curious, or playful, or proud. They lack a sense of wonder and spirit of adventure. They have little initiative. Granted, their cognition is miraculous, but their personalities are rather pedantic. But probably their chief shortcoming is the lack of intuition. Of all the irrational faculties, intuition in the most powerful. Some say intuition transcends space-time. Have you ever heard of a mentar having a lucky hunch? They can bring incredible amounts of cognitive and computational power to bear on a seemingly intractable problem, only to see a dumb human with a lucky hunch walk away with the prize every time. Then there's luck itself. Some people have it, most don't, and no mentar does. So this makes them want our bodies... Our bodies, ape bodies, dog bodies, jellyfish bodies. They've tried them all. Every cell knows some neat tricks or survival, but the problem with cellular knowledge is that it's not at all fungible; nor are our memories. We're pretty much trapped in our containers.
David Marusek (Mind Over Ship)
Which brings me back to Ecclesiastes, his search for happiness, and mine. I spoke in chapter 4 about my first meeting, as a student, with Rabbi Menachem Mendel Schneersohn, the Lubavitcher Rebbe. As I was waiting to go in, one of his disciples told me the following story. A man had recently written to the Rebbe on something of these lines: ‘I need the Rebbe’s help. I am deeply depressed. I pray and find no comfort. I perform the commands but feel nothing. I find it hard to carry on.’ The Rebbe, so I was told, sent a compelling reply without writing a single word. He simply ringed the first word in every sentence of the letter: the word ‘I’. It was, he was hinting, the man’s self-preoccupation that was at the root of his depression. It was as if the Rebbe were saying, as Viktor Frankl used to say in the name of Kierkegaard, ‘The door to happiness opens outward.’23 It was this insight that helped me solve the riddle of Ecclesiastes. The word ‘I’ does not appear very often in the Hebrew Bible, but it dominates Ecclesiastes’ opening chapters. I enlarged my works: I built houses for myself, I planted vineyards for myself; I made gardens and parks for myself and I planted in them all kinds of fruit trees; I made ponds of water for myself from which to irrigate a forest of growing trees. I bought male and female slaves and I had homeborn slaves. Also I possessed flocks and herds larger than all who preceded me in Jerusalem. Also, I collected for myself silver and gold and the treasure of kings and provinces. (Ecclesiastes 2:4–8) Nowhere else in the Bible is the first-person singular used so relentlessly and repetitively. In the original Hebrew the effect is doubled because of the chiming of the verbal suffix and the pronoun: Baniti li, asiti li, kaniti li, ‘I built for myself, I made for myself, I bought for myself.’ The source of Ecclesiastes’ unhappiness is obvious and was spelled out many centuries later by the great sage Hillel: ‘If I am not for myself, who will be? But if I am only for myself, what am I?’24 Happiness in the Bible is not something we find in self-gratification. Hence the significance of the word simchah. I translated it earlier as ‘joy’, but really it has no precise translation into English, since all our emotion words refer to states of mind we can experience alone. Simchah is something we cannot experience alone. Simchah is joy shared.
Jonathan Sacks (The Great Partnership: Science, Religion, and the Search for Meaning)
Political philosophers of the Enlightenment, from Hobbes and Locke, reaching down to John Rawls and his followers today, have found the roots of political order and the motive of political obligation in a social contract – an agreement, overt or implied, to be bound by principles to which all reasonable citizens can assent. Although the social contract exists in many forms, its ruling principle was announced by Hobbes with the assertion that there can be ‘no obligation on any man which ariseth not from some act of his own’.1 My obligations are my own creation, binding because freely chosen. When you and I exchange promises, the resulting contract is freely undertaken, and any breach does violence not merely to the other but also to the self, since it is a repudiation of a well-grounded rational choice. If we could construe our obligation to the state on the model of a contract, therefore, we would have justified it in terms that all rational beings must accept. Contracts are the paradigms of self-chosen obligations – obligations that are not imposed, commanded or coerced but freely undertaken. When law is founded in a social contract, therefore, obedience to the law is simply the other side of free choice. Freedom and obedience are one and the same. Such a contract is addressed to the abstract and universal Homo oeconomicus who comes into the world without attachments, without, as Rawls puts it, a ‘conception of the good’, and with nothing save his rational self-interest to guide him. But human societies are by their nature exclusive, establishing privileges and benefits that are offered only to the insider, and which cannot be freely bestowed on all-comers without sacrificing the trust on which social harmony depends. The social contract begins from a thought-experiment, in which a group of people gather together to decide on their common future. But if they are in a position to decide on their common future, it is because they already have one: because they recognize their mutual togetherness and reciprocal dependence, which makes it incumbent upon them to settle how they might be governed under a common jurisdiction in a common territory. In short, the social contract requires a relation of membership. Theorists of the social contract write as though it presupposes only the first-person singular of free rational choice. In fact, it presupposes a first-person plural, in which the burdens of belonging have already been assumed.
Roger Scruton (How to Be a Conservative)